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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: Adelaide Fringe asked Woods and I to do a comedy show,

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Speaker 2: and instead of doing it ourselves, We've decided to ask

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Speaker 2: a seventy five year old woman who owns a bait

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Speaker 2: and tackle shop with a naughty corner eight hours inland

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Speaker 2: from Brisbane in her place called Charleville Past two three.

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Speaker 3: Lady, it's still unspecialist mud plug. It's oh goody boys.

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Speaker 4: Have you ever heard of the Adelaide Fringe Festival?

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Speaker 2: Do you think you could put together like twenty minutes

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Speaker 2: a half an hour's worth of.

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Speaker 3: Material wity minute?

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Speaker 2: Adelaide Fringe said, look, she can do the show if

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Speaker 2: you guys record her doing stand up. So she's seventy five,

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Speaker 2: she can't come here, but dude, we might have to

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Speaker 2: come up there. Today is all about finding a venue.

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Speaker 5: Were wanting to put on a comedy show.

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Speaker 6: I'll just check with Ma Leida.

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Speaker 3: I will need you to contact Amanda Evan.

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Speaker 7: Amanda, apparently you can help us with a venue.

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Speaker 6: You're really gonna have to go the pull min.

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Speaker 8: We all love to have all your apology of the

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Speaker 8: pub next week.

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Speaker 4: Oh huge, do you have like a sound system?

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Speaker 3: No? We don't have a sound system.

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Speaker 1: Perfect will em Woody present Rude Dude's comedy debut.

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Speaker 2: Oh wow, wait, well that's where we left it yesterday.

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Speaker 2: We got a venue. Still no sound system that all

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Speaker 2: of that's yet to come Woods, but we needed a

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Speaker 2: man on the ground or a woman on the ground

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Speaker 2: in this instance in LJ missus doubt fire. You would

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Speaker 2: have heard her voice all throughout our show. She's gone up.

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Speaker 2: She went up today. So she's landed in Charleville.

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Speaker 4: Like just we've just heard she has just why don't

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Speaker 4: we call her and just see what Charlville is like?

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Speaker 2: Keep in mind, guy, it's a huge journey. It's eight

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Speaker 2: hours in land from Brisbane, so she's just arrived.

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Speaker 4: Elgay sound delirious as all hell?

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Speaker 8: Are you?

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Speaker 5: Okay?

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Speaker 9: Boys?

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Speaker 1: On a day?

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Speaker 8: What a day?

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Speaker 6: Three plane rides?

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Speaker 10: I thought it was going to die, But.

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Speaker 3: I am in Charleville amazing.

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Speaker 10: The most exciting bit to get the plane.

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Speaker 11: Who's in the actual airport?

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Speaker 8: You wouldn't believe what have stumbled across?

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Speaker 7: Okay, who's there?

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Speaker 10: First of all, you say, are you Jude?

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Speaker 5: You went and picked up LJA?

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Speaker 3: Boys?

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Speaker 5: Did you go and pick her up?

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Speaker 9: Yeah?

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Speaker 3: Of course we picked him up.

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Speaker 7: What do you mean?

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Speaker 5: What do you mean? We who have you? Who have

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Speaker 5: you gone with to the airport?

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Speaker 10: The Mayor's also came to pick the.

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Speaker 7: Mayor picked you up?

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Speaker 5: Good boys, who didn't got to pick her up from

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Speaker 5: the airport?

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Speaker 9: Whoa?

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Speaker 2: And you said you're there? You here with another with

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Speaker 2: a rugby player. So one of the boys, one of

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Speaker 2: the heroes of Charlieville.

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Speaker 9: Now Kurt Cable's name is Maybe.

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Speaker 12: He's done a lot for us.

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Speaker 8: I believe he's a great guy. So I'm gonna I'm

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Speaker 8: gonna pass it back to Ja because oct I wait

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Speaker 8: to see you boys in a few days.

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Speaker 5: Keep her out of the pub, sorry, keep her out

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Speaker 5: of the tramp pod.

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Speaker 2: Thanks all right, great to hear from your mate.

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Speaker 10: Yes, yeah, Now I'm also next to a stay of

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Speaker 10: origin rugby player man mount never had Yeah, do you

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Speaker 10: want to talk to me? Delightful sky born in trouble,

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Speaker 10: born and ranged, and he only left to go and

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Speaker 10: playing professional rugby league. And now he's back to the

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Speaker 10: weekend when we're in town. I mean, you couldn't write.

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Speaker 5: It so special.

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Speaker 8: We boys? Good?

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Speaker 5: Sorry, I just need to understand everyone.

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Speaker 8: They're back on, dude, do it back on.

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Speaker 7: You've obviously heard of rude dude.

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Speaker 8: Yeah, yeah, yeah, I've got to say a few photos

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Speaker 8: on the wall actually close, fully closed. That's in the

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Speaker 8: fishing fishing.

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Speaker 4: Fish yeah, tell us about the naughty corner, Kurt.

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Speaker 8: I've got my partner Sky here with me too, all.

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Speaker 7: Right, Roger, I love to hear from you. Make good

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Speaker 7: luck with the with the with the carnival this weekend?

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Speaker 9: Goodness there you go?

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Speaker 7: Please you anyone else there?

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Speaker 13: Anthony all I think we're going for a baby.

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Speaker 5: You're supposed to be working.

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Speaker 7: Sound system for the pub.

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Speaker 2: That's the goal, right, yes, I got to track that down, sorry,

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Speaker 2: make sure it's working on some gear.

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Speaker 7: And we needed getting thinking about her content as well.

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Speaker 2: She's got the gigiver next week. So's it's not looking

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Speaker 2: after a rockstar, isn't it.

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Speaker 5: It's like, don't get out to a drug keep her

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Speaker 5: away from drugs.

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Speaker 10: Hey, Jude the boy, So you've got to lay off

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Speaker 10: the beers this weekend.

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Speaker 6: How do you feel about that?

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Speaker 12: After ship not be shit?

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Speaker 3: Well done?

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Speaker 2: Perfect time for rejected ideas.

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Speaker 7: It's Will and Woody's rejected ideas.

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Speaker 5: Now I have been pitching this idea for how long?

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Speaker 14: Well?

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Speaker 7: I said, a month, but oons.

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Speaker 4: Yeah, probably months. I've been pitching this idea. I think

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Speaker 4: it's genius, and finally the space to do it. No,

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Speaker 4: it's not lazy persistence, it's persistence.

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Speaker 9: Now.

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Speaker 4: A couple of months ago, when I first pitched this idea,

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Speaker 4: there was a news story about BuzzFeed, which is this

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Speaker 4: online publication that was getting this program called chat GPT

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Speaker 4: to write its stories for it. Everyone is talking about

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Speaker 4: chat GPT. It's writing students essays, it's writing people's speeches,

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Speaker 4: et cetera. So, my dear that I am doing right

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Speaker 4: now is can chat gpd t.

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Speaker 5: Do a radio idea for us?

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Speaker 7: So like chat GPT could do your job, to be honest,

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Speaker 7: that's the question.

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Speaker 4: That's the question I'm asking, could chat GPT do a

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Speaker 4: better radio show than us?

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Speaker 5: So I've got three I've got three news stories.

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Speaker 4: Okay, we've got our button push of Tommy here and

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Speaker 4: tom you're pretty good at working the chat GPT absolutely,

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Speaker 4: So I want you to type in these news stories

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Speaker 4: as I talk here and say, just give me a

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Speaker 4: funny phone topic about this.

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Speaker 2: Okay, Roger that okay?

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Speaker 4: So first story, So Harry Styles, this is a true story.

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Speaker 4: He's legally obliged to take part in the New Zealand

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Speaker 4: census when he tours their next month. That's a news story, okay,

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Speaker 4: So he will be involved in a census.

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Speaker 15: So if you can type in a chat cheap, it's

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Speaker 15: already come up with an idea, buddy.

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Speaker 7: Hell it's quick, okay.

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Speaker 15: So it kind of explains the idea before it gives

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Speaker 15: you the phone topic.

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Speaker 7: So it says idea.

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Speaker 15: Harry Styles is huge and has a lot of fans.

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Speaker 15: He has a lot of fan fiction about him. The

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Speaker 15: plots of imagined it imaginative. So here's the phoner, share

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Speaker 15: the sexy way you think Harry Styles would fill out

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Speaker 15: his senses.

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Speaker 2: Geez, creepy?

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Speaker 7: What does that mean?

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Speaker 2: That's yeah, you just call up and share the sexy

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Speaker 2: way that Harry Styles would fill out his census.

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Speaker 7: Sexy census.

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Speaker 4: It's a bit sick from chat GPT and a stretch.

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Speaker 4: I think a stretch if I'm being frank, I've got

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Speaker 4: another news story.

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Speaker 5: Because I'm not rolling with that.

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Speaker 7: I don't know to start with that.

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Speaker 5: Anyone wants to roll with that? Okay, another news story

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Speaker 5: every way.

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Speaker 4: Paris Hilton's reacted to Ellen DeGeneres predicting her baby boy's name.

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Speaker 5: A year ago?

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Speaker 7: Sorry?

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Speaker 2: Sorry, what's it doing?

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Speaker 7: Paris Hilton reacts to.

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Speaker 4: Ellen Degendero's predicting her baby boy's name. Of that's the story,

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Speaker 4: that's a real news story, and.

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Speaker 7: Chat GPT already, Jesus, that is terrifying.

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Speaker 15: The idea that it's come up with is a baby

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Speaker 15: name roast? A baby Paris's baby name is quite basic,

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Speaker 15: says Chat. Cheap it came up with this. Yes, she

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Speaker 15: said that she knew no one who had the baby

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Speaker 15: name Phoenix. So the phone topic is what is a

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Speaker 15: baby name you hate? Or does someone you know have

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Speaker 15: the worst name?

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Speaker 5: I don't know, I don't, I don't. I don't mind

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Speaker 5: that as.

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Speaker 7: A topic a baby name roast?

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Speaker 5: I quite just like, what's the name you hate?

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Speaker 7: I think, I actually think that's pretty okay.

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Speaker 5: I reckon, I re just what name do you hate?

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Speaker 3: This is?

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Speaker 5: And the test here is if this goes really well,

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Speaker 5: then Chasing can do our jobs. I mean, it is

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Speaker 5: a stretch from the Paris Hilton story.

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Speaker 7: Have you got have you got a name that you hate?

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Speaker 5: Ralph?

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Speaker 2: You hate Ralph?

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Speaker 3: Why?

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Speaker 5: I don't know why I don't like the name Ralph?

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Speaker 14: Ralph?

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Speaker 5: Do you hate any names?

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Speaker 2: Is any huge on Warwick?

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Speaker 7: For a while? Ye Warrick Like it's you know, what

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Speaker 7: are you? Are you rustic or your dorky? I find

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Speaker 7: it just Warricks quite hard to pigeonhole.

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Speaker 5: Yeah, okay. The more we talk about this, the crapper

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Speaker 5: idea I think this is.

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Speaker 2: But wait, so is there anythingny substance behind you hating

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Speaker 2: Ralph despite the fact that he's the turncoat in the

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Speaker 2: sound of music?

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Speaker 7: Like, is that the No?

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Speaker 5: I don't even know that why that came to mind?

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Speaker 4: You want to go one more story? You want to

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Speaker 4: go one more story here? I think you and me

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Speaker 4: talked about that and it was pretty crap.

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Speaker 2: Look unless people unless people are you know, people are

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Speaker 2: calling to say it, but people calling thirteen one oh

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Speaker 2: six five with what you just want to go with that?

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Speaker 5: All right, let's do it on six five? What name

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Speaker 5: do you hate?

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Speaker 2: And it's got to be baseless, Like I don't really

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Speaker 2: I don't really want to know, Like my boss has

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Speaker 2: called this, like just like what name just gives you

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Speaker 2: an eckwards? You and I pitch hundreds of ideas a week. Unfortunately,

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Speaker 2: the stuff the less that gets left on the chopping

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Speaker 2: room floor is off in gold, so we get to

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Speaker 2: repitch them in a ten minute segment on Friday called

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Speaker 2: Rejected Ideas, It's Will.

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Speaker 14: And Woody's Rejected Ideas.

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Speaker 4: And this week we are doing can chat GPT do

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Speaker 4: a great radio idea?

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Speaker 5: So super lazy.

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Speaker 4: But if you don't know what chat GPT is, it's

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Speaker 4: this new bot online on computers whatever.

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Speaker 5: It's writing speeches. If I talk to anyone about it,

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Speaker 5: really connected to it, I get it. So anyway, so

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Speaker 5: it's doing all this stuff. I'm sure you've heard of it.

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Speaker 5: So we want to see can it do our jobs effectively?

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Speaker 4: So just before the song, we plugged in the news story,

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Speaker 4: which is a news story today, which is Paris Hilton

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Speaker 4: has reacted to Ellen DeGeneres predicting her baby boy's name.

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Speaker 5: The baby boys is I'm.

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Speaker 4: Surprised we're not talking about it exclusively from this, but

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Speaker 4: the baby boy's name is Phoenix, and chat GPT just went,

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Speaker 4: you know what, let's go with.

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Speaker 5: What name do you hate?

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Speaker 7: That's what GPT name is?

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Speaker 3: That?

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Speaker 7: What is this? Is this the basis for it? Did

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Speaker 7: the bot hate the name?

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Speaker 16: Must have?

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Speaker 5: Yeah, no, it must have.

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Speaker 4: And all I plugged in was give me a funny

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Speaker 4: phone topic based on this story. That's what I played

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Speaker 4: in and it just said.

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Speaker 2: What name do you hate?

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Speaker 7: I love that and I hate to say it, but

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Speaker 7: the boards have exploded with girls.

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Speaker 2: The robots are good week.

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Speaker 8: We just have to.

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Speaker 2: It's a Friday atternoon. Every EXECU in the country is

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Speaker 2: currently three sheads to the wind. We're all right, but

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Speaker 2: this is grim because this is Slade days.

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Speaker 5: Let's go to Lisa here. Lisa, what name do you hate?

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Speaker 6: The name Geraldine?

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Speaker 7: Gerald How do.

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Speaker 5: You feel about gerald stinker? That's so interesting. It's just

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Speaker 5: the dean there at the end of the rex for you.

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Speaker 2: Yeah, what what vibe do you get from Geraldine?

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Speaker 9: But they can be really slow Yeah.

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Speaker 7: Yeah, and the stickler like a bit of a stickler.

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Speaker 6: Yeah, I definitely over the years, that's how they've been.

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Speaker 3: Yeah.

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Speaker 5: I can't remember the.

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Speaker 2: Last Geraldine I came into cond with.

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Speaker 5: You wouldn't want to You wouldn't want to have a.

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Speaker 2: Person that answers you know, the phones that are called

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Speaker 2: like a big call center and they just tell you

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Speaker 2: why you can't they can't help you with your problem.

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Speaker 5: Imagine if you and you're listening to this.

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Speaker 2: By the way, Geraldine and you'd like to try and

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Speaker 2: improve your namesake. I'm sure there'd be some angry gerald

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Speaker 2: that's some very cool gerald Maybe there aren't. Is there

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Speaker 2: a Geraldine Las?

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Speaker 7: Anyway?

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Speaker 4: Now I've got an Vinny here on thirteen, Vinnie, what

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Speaker 4: name do you hate?

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Speaker 12: Well?

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Speaker 9: Put it this way. I think boomers get away with

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Speaker 9: a lot of weird names, right, but in this new

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Speaker 9: generation we're a bit more creative. However, imagine someone telling you, hey,

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Speaker 9: here's Craig. Can you hold Craig for me? It just

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Speaker 9: sort of found a bit oh it doesn't it.

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Speaker 5: We don't love a Craig. You don't love crane Craig.

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Speaker 5: Craig just seems a bit shifty to me.

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Speaker 9: Too generic. It's not cute, man. It feels like an

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Speaker 9: old trade's name to me.

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Speaker 2: Are there any like who we got?

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Speaker 13: Is this?

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Speaker 7: Is it baseless?

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Speaker 17: Like?

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Speaker 7: Are there any Craigs are sort of evidence.

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Speaker 3: Of this.

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Speaker 9: Could be a normal like normal bloke and what not.

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Speaker 9: But I feel like anyone over.

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Speaker 7: The age of you can't call a kid Craig.

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Speaker 2: Yeah, no, I get that.

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Speaker 5: Yeah, baby Craig is funny.

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Speaker 7: Craig Foster the Fuzz used to with the soccer soccer guy.

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Speaker 9: Yeah.

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Speaker 2: Yeah, that's why he goes by Fozz.

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Speaker 7: Remember it's hard to call up a famous Craig, isn't it.

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Speaker 7: I think it's about it.

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Speaker 5: Daniel Craig, not Craig Daniel. Let's go to Natalie, Natalie,

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Speaker 5: what name do you hate?

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Speaker 6: I've got two boys, So the first one I hate

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Speaker 6: his cruise.

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Speaker 4: Cruise as a first name. Yeah, it's a little bit

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Speaker 4: too I'm too cool. Isn't it your first name?

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Speaker 6: It's just all very naughty.

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Speaker 7: Yeah, yeah, stinks Cruse.

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Speaker 2: Yeah, it's the same for the boy's name, Jason. I

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Speaker 2: feel like Jason's are often very naughty.

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Speaker 6: Any Jay name any j names?

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Speaker 2: Yeah, you're right, j jayden le Verde plays for Essendon.

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Speaker 7: It's a bit of a naughty boy.

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Speaker 5: Beautiful boy. But yeah, yeah.

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Speaker 4: Let's go to the second name there before Will starts

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Speaker 4: and don't know Esson football.

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Speaker 6: The second name is the worst name I've ever heard,

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Speaker 6: which was mccunt.

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Speaker 2: Sorry, who was god? Who?

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Speaker 7: You gotta be careful saying who was called that?

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Speaker 10: Natalie?

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Speaker 6: I was a student I taught a couple of years ago, and.

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Speaker 2: So how would you So you're going through it, you know,

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Speaker 2: like you're reading the list of kids in class.

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Speaker 6: Yep, how yep, so you go, you know, like Jayden,

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Speaker 6: Natalie Cruz mccunt.

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Speaker 4: Can you give us an example of when you had

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Speaker 4: to tell off that particular student mcquin.

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Speaker 6: I need you to use your respectful voice inside because

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Speaker 6: we don't use that language here at school.

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Speaker 5: Was being a bit loud?

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Speaker 7: Was he all right?

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Speaker 3: Yes?

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Speaker 7: Oh god, that was a good topic. That's a worry.

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Speaker 5: That's the best bit we've done all week.

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Speaker 7: And Chat two Big.

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Speaker 14: Teacher, Will Woody more after this it's.

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Speaker 2: Will and Woody next week, Woods, You and I the

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Speaker 2: whole radio show. The whole team is heading eight hours

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Speaker 2: inland from Brisbane to produce a live comedy show for

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Speaker 2: a seventy five year old woman who owns a bait

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Speaker 2: and tackle shop with a naughty corner.

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Speaker 1: Willan Woody present Rude Jude's comedy debut.

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Speaker 2: We're excited about this, Woods, but look there's a lot

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Speaker 2: of Jeopardy on it as well.

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Speaker 7: We're not just doing this for kicks. The Adelaide Fringe.

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Speaker 2: Have said if you want to put her live at

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Speaker 2: the Adelaide Fringe, which is the ultimate goal here, absolutely,

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Speaker 2: you can only do it if you give us a

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Speaker 2: hot reel of this woman doing stand up. Obviously, Jude's

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Speaker 2: not a stand up comedian. We think she's the funniest

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Speaker 2: person in the world. But they've got to see some

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Speaker 2: quality gear from her to put her at the Adelaide Fringe,

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Speaker 2: which is one of the biggest comedy festivals in the world.

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Speaker 2: Adelaide Fine dot com dot you on until the nineteenth

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Speaker 2: of March. Tickets on sale now for that one. But yeah,

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Speaker 2: we'd love to get her there. We've got to make

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Speaker 2: sure this stand up show looks legit, and in order

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Speaker 2: to make it look legit, we need a venue, yes,

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Speaker 2: and we need a sound system.

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Speaker 4: So we called a whole bunch of venues yesterday. We

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Speaker 4: pretty much called every place in Charleville and we got

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Speaker 4: to an interesting area.

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Speaker 3: Good afternoon, Charlie.

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Speaker 9: We'll visitor Information Standard.

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Speaker 5: We're wanting to put on a comedy show.

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Speaker 11: I'll just check with Malita.

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Speaker 3: I will need you to contact Amanda Evan.

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Speaker 7: Amanda, apparently you can help us with a venue.

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Speaker 6: You're really going to have to go the Pull.

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Speaker 9: Mine.

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Speaker 12: We all love to have all the apology up the

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Speaker 12: pub next week.

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Speaker 5: Do you have like a sound system?

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Speaker 12: No, we don't have a sound system.

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Speaker 5: Perfect Hello, Jude, Hi.

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Speaker 7: Boy, we need like some microphones and speakers.

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Speaker 2: Do you know anyone who might have there?

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Speaker 6: The band appears to be the mayor of Charlie.

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Speaker 2: Okay, And without further adom, I would like to welcome.

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Speaker 7: Andie with a big fanny to Ellabody.

390
00:17:10,400 --> 00:17:11,600
Speaker 10: Hi goes where you're going?

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Speaker 8: So good?

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Speaker 5: It is so nice to hear you.

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Speaker 2: We've heard so much about you Annie.

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Speaker 18: Oh it'll be all lies if it's coming from her mate,

395
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Speaker 18: there'll be nothing about the truth in it.

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Speaker 6: Let me tell you.

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Speaker 4: Maybe we shouldn't ask this question, but can we talk

398
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Speaker 4: about the origins of the nickname?

399
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Speaker 18: Just rhyming with Annie?

400
00:17:31,960 --> 00:17:33,280
Speaker 7: Yeah, that's great love that.

401
00:17:36,359 --> 00:17:37,920
Speaker 5: Hell have you known Jude for Annie?

402
00:17:38,520 --> 00:17:38,680
Speaker 3: Oh?

403
00:17:38,920 --> 00:17:40,560
Speaker 6: Probably there forty five years?

404
00:17:40,640 --> 00:17:43,040
Speaker 7: Oh wow, and you guys are the best of friends,

405
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Speaker 7: aren't you.

406
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Speaker 13: Yeah?

407
00:17:44,240 --> 00:17:46,560
Speaker 18: Well, she tells the story when she owned the pub,

408
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Speaker 18: that I was full of grog and was vomiting into

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Speaker 18: the toilet and she had to pull my hair and

410
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Speaker 18: all this out of it. It's all lies, but she

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Speaker 18: tells it. It's been going on for forty five years,

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Speaker 18: and every time she tells the story it gets better.

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Speaker 7: I love it, Yes, good lotely so Annie, how do

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00:18:03,359 --> 00:18:03,640
Speaker 7: you reckon?

415
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Speaker 2: Dude's going to go next week? So we're putting on

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Speaker 2: this live stand up comedy show with her next week.

417
00:18:09,359 --> 00:18:10,399
Speaker 2: How do you think she's going to go.

418
00:18:11,680 --> 00:18:13,680
Speaker 18: She'll be a little bit nervous, but give her a

419
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Speaker 18: few whiles and she won't shut up.

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Speaker 5: Let me tell you.

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00:18:18,720 --> 00:18:21,200
Speaker 4: All right, Now, let's get onto business here. Annie Jude

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00:18:21,240 --> 00:18:25,040
Speaker 4: told us yesterday that you might know someone who has

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Speaker 4: like a sound system or sound equipment like microphone and speakers.

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Speaker 5: Is that true?

425
00:18:30,520 --> 00:18:30,720
Speaker 3: Yeah?

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Speaker 18: Well, actually, our Scotty who is our singing posty. He

427
00:18:35,280 --> 00:18:37,560
Speaker 18: has all that gears, so I can give you his

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Speaker 18: phone number. He's a lovely man and he will definitely

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Speaker 18: help you guys out.

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Speaker 2: Oh crazy.

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Speaker 4: So when you say singing posty, do you just mean

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Speaker 4: that your postman sings while he does the gig?

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Speaker 3: Or what?

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Speaker 18: Well, he's a bit of an entertainer, our Scotty. He

435
00:18:51,960 --> 00:18:54,720
Speaker 18: writes songs and sings and an entertainer.

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Speaker 5: Either are all round up, and he's also the postman.

437
00:18:58,520 --> 00:19:00,520
Speaker 6: Yes, deliver its past he does.

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Speaker 2: No one has one job in this place. You've got

439
00:19:05,359 --> 00:19:08,280
Speaker 2: to have multi strings to your buy, don't you to

440
00:19:08,320 --> 00:19:09,200
Speaker 2: be able to do it all?

441
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Speaker 3: So?

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Speaker 2: Annie, what do you, so all right, cool, Well, you

443
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Speaker 2: hand a Scott's numb We'll give me a call up

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00:19:12,760 --> 00:19:14,399
Speaker 2: next before we do, though, What else do you do

445
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Speaker 2: in Charlieville?

446
00:19:16,040 --> 00:19:18,159
Speaker 18: Well, okay, I'm a nurse. I've been a nurse for

447
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Speaker 18: forty nine.

448
00:19:18,960 --> 00:19:23,040
Speaker 10: Years and I was the mayor here up until.

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Speaker 18: Four years ago.

450
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Speaker 7: Yeah, yeah, right, yeah, great mate, all right, nurse slash

451
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Speaker 7: many awesome.

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Speaker 2: Can't wait to see you when we're out there, super

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Speaker 2: pumped to see you. Can you hand o a Scott's

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Speaker 2: number because I think we need to give a call

455
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Speaker 2: right up next about this sound system?

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Speaker 18: Okay, so can I send it to you after the

457
00:19:41,960 --> 00:19:44,480
Speaker 18: gig because I can't get on this look up the

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Speaker 18: numbers as well as talk to you because I don't

459
00:19:46,520 --> 00:19:47,160
Speaker 18: have that skill.

460
00:19:47,240 --> 00:19:50,360
Speaker 5: War you hang up any hang up? In Texas?

461
00:19:50,440 --> 00:19:52,840
Speaker 2: The next up next week, this show is going to

462
00:19:52,880 --> 00:19:56,120
Speaker 2: be eight hours inland from Brisbane, a tiny town called

463
00:19:56,320 --> 00:19:59,359
Speaker 2: Charlaville Woods. As you and I try and put a

464
00:19:59,440 --> 00:20:01,480
Speaker 2: seventy five five year old woman who owns a bait

465
00:20:01,560 --> 00:20:03,480
Speaker 2: and tackle shop with a naughty corner, a woman called

466
00:20:03,560 --> 00:20:05,879
Speaker 2: Rude Jude, we try and put her on the stage

467
00:20:05,960 --> 00:20:07,119
Speaker 2: at the Adelaide Fringe.

468
00:20:09,600 --> 00:20:14,480
Speaker 1: Willam Woodie presents Rude Dude's comedy debut.

469
00:20:16,400 --> 00:20:18,320
Speaker 2: So I ben just joining here. So the idea here

470
00:20:18,640 --> 00:20:20,240
Speaker 2: to get her on at the fringe. We need to

471
00:20:20,280 --> 00:20:22,159
Speaker 2: give them a real and audition reel. So we've got

472
00:20:22,200 --> 00:20:23,879
Speaker 2: to film half an hour of live stand up with

473
00:20:24,040 --> 00:20:25,280
Speaker 2: Rude Jude in Charlieville.

474
00:20:25,320 --> 00:20:26,080
Speaker 7: Right, she's seventy five.

475
00:20:26,080 --> 00:20:27,480
Speaker 2: We can't get her out of there, So we're going

476
00:20:27,520 --> 00:20:30,000
Speaker 2: to her next week to put this gig on woods

477
00:20:31,359 --> 00:20:33,840
Speaker 2: We've got the venue yet, the pub, the local Coronis

478
00:20:33,920 --> 00:20:37,240
Speaker 2: yep is where the pub's called excited. To make it

479
00:20:37,320 --> 00:20:40,480
Speaker 2: look legit, we need sounds and lights and and we

480
00:20:40,760 --> 00:20:42,800
Speaker 2: we were just boked. Woman called any with a big

481
00:20:42,880 --> 00:20:46,240
Speaker 2: fanny who's the local nurse. And the mayor in Charlieville

482
00:20:46,280 --> 00:20:50,879
Speaker 2: was the woman mayor and she she's handed as the

483
00:20:51,000 --> 00:20:53,359
Speaker 2: number for the guy who's the local sand guy and

484
00:20:53,480 --> 00:20:54,320
Speaker 2: also the postman.

485
00:20:54,680 --> 00:20:56,680
Speaker 7: Again, you can't just have one job in Charlvillie.

486
00:20:57,240 --> 00:20:58,399
Speaker 5: It's a prerequisite, isn't it.

487
00:20:58,400 --> 00:21:00,320
Speaker 7: If you need two jobs, you've got to do it all.

488
00:21:01,240 --> 00:21:04,719
Speaker 2: So we right now, I believe, And he's the fastest

489
00:21:04,760 --> 00:21:07,840
Speaker 2: fingers in the West. Tim the can Sandwich our audio producer.

490
00:21:07,880 --> 00:21:09,320
Speaker 2: But he's managed to put together a little bit of

491
00:21:09,359 --> 00:21:10,960
Speaker 2: an opener for this bloke in about three and a

492
00:21:11,000 --> 00:21:13,879
Speaker 2: half minutes, which is great because right now we have

493
00:21:14,720 --> 00:21:17,080
Speaker 2: the guy who is both the postman and the sound

494
00:21:17,160 --> 00:21:21,760
Speaker 2: guy in Charliville. Scottie Mac Charlieville's singing postman.

495
00:21:22,760 --> 00:21:25,120
Speaker 3: Oh yeah, child's singing.

496
00:21:26,880 --> 00:21:39,040
Speaker 2: Yeah, child is singing. Scotty may welcome, oh welcome my debut.

497
00:21:38,720 --> 00:21:39,760
Speaker 3: Eh buddy?

498
00:21:40,640 --> 00:21:41,480
Speaker 5: Can you run us through it?

499
00:21:41,560 --> 00:21:41,760
Speaker 16: Mate?

500
00:21:42,040 --> 00:21:45,800
Speaker 5: What happened first? You're singing? Career or the posty job?

501
00:21:47,080 --> 00:21:49,840
Speaker 16: They go a bit half and half hey, on weekends

502
00:21:49,960 --> 00:21:54,120
Speaker 16: he's music performance for the locals and yeah.

503
00:21:54,280 --> 00:21:57,320
Speaker 12: On during the week she's running around passles, mate.

504
00:21:57,400 --> 00:22:00,960
Speaker 7: You little when you say she, are you talking about yourself?

505
00:22:03,040 --> 00:22:03,080
Speaker 17: No?

506
00:22:03,560 --> 00:22:06,040
Speaker 5: No, no, who are you talking about that?

507
00:22:06,440 --> 00:22:06,760
Speaker 2: He said?

508
00:22:06,840 --> 00:22:07,200
Speaker 7: He said.

509
00:22:07,320 --> 00:22:10,640
Speaker 2: During the week she's singing, and then she's running round parcels.

510
00:22:10,760 --> 00:22:12,880
Speaker 7: Do you mean yourself talk?

511
00:22:17,080 --> 00:22:19,159
Speaker 5: We're going to have to try and use it, Scotty.

512
00:22:19,359 --> 00:22:21,880
Speaker 5: She's looking for a sound system next Wednesday?

513
00:22:24,600 --> 00:22:24,720
Speaker 9: Is that?

514
00:22:25,040 --> 00:22:25,159
Speaker 17: Is that?

515
00:22:25,320 --> 00:22:25,520
Speaker 7: Quite?

516
00:22:25,560 --> 00:22:26,160
Speaker 5: Seriously? Scott?

517
00:22:26,200 --> 00:22:27,880
Speaker 4: I mean, I'd love to talk more about you, mate,

518
00:22:27,920 --> 00:22:29,720
Speaker 4: but I just feel like I need to ask you.

519
00:22:30,080 --> 00:22:32,639
Speaker 4: Is there any chance you have your hands on a

520
00:22:32,720 --> 00:22:36,159
Speaker 4: legit sound system. We're talking microphones, we're talking speakers. Is

521
00:22:36,200 --> 00:22:38,000
Speaker 4: that it will just speakers of microphone much?

522
00:22:38,119 --> 00:22:38,280
Speaker 12: Yeah?

523
00:22:38,320 --> 00:22:39,560
Speaker 2: The PA is that we need.

524
00:22:40,400 --> 00:22:41,520
Speaker 12: I certainly do, Guys.

525
00:22:41,880 --> 00:22:44,119
Speaker 16: I'm a solo performer, so I've got all the stuff

526
00:22:44,160 --> 00:22:46,200
Speaker 16: to do a whole three hour show.

527
00:22:46,840 --> 00:22:50,720
Speaker 5: Wow, huge blot.

528
00:22:52,359 --> 00:22:54,520
Speaker 12: Even if I want disco lights, disco lights.

529
00:22:54,320 --> 00:23:00,880
Speaker 7: To for you, I've got some of you music here, mate.

530
00:23:00,920 --> 00:23:03,560
Speaker 2: I'd love to do you play the disco lights while

531
00:23:03,600 --> 00:23:05,920
Speaker 2: you're while you're playing these songs, because this is this

532
00:23:06,080 --> 00:23:07,960
Speaker 2: is you right here, this is you singing one of

533
00:23:08,040 --> 00:23:09,200
Speaker 2: those days you hit.

534
00:23:13,840 --> 00:23:19,600
Speaker 16: There is Scotty, Scotty Mac.

535
00:23:23,320 --> 00:23:25,280
Speaker 2: So Scotty, have you got the disco lights playing when

536
00:23:25,320 --> 00:23:27,400
Speaker 2: you're playing one of those days? Oh?

537
00:23:27,560 --> 00:23:27,760
Speaker 5: Mate?

538
00:23:27,800 --> 00:23:28,320
Speaker 12: All the time?

539
00:23:29,320 --> 00:23:31,680
Speaker 5: Would would you be open to maybe this is not

540
00:23:31,680 --> 00:23:32,199
Speaker 5: a half of cent?

541
00:23:32,240 --> 00:23:32,359
Speaker 13: Sure?

542
00:23:32,440 --> 00:23:34,000
Speaker 4: Yeah, but maybe you get Scott into like warm up

543
00:23:34,040 --> 00:23:35,680
Speaker 4: around of it before dude comes out.

544
00:23:35,840 --> 00:23:38,520
Speaker 5: Would you be open to that, Scotty, Yeah, for.

545
00:23:38,560 --> 00:23:42,280
Speaker 12: Sure, for sure, said boys. But what can you do

546
00:23:42,400 --> 00:23:42,600
Speaker 12: for me?

547
00:23:44,560 --> 00:23:47,800
Speaker 2: Well, we just played We just played your song to

548
00:23:47,880 --> 00:23:49,960
Speaker 2: probably a million and a half people at the same time,

549
00:23:50,080 --> 00:23:52,320
Speaker 2: So I feel like maybe we gave you a bit

550
00:23:52,320 --> 00:23:55,359
Speaker 2: of a leg up there. But okay, so but you

551
00:23:55,560 --> 00:23:57,119
Speaker 2: want something? Is that what you're trying to say?

552
00:23:57,160 --> 00:23:57,800
Speaker 7: You want to bargain?

553
00:23:58,680 --> 00:24:00,960
Speaker 12: Sounds like you, guys, I've got it covered.

554
00:24:01,200 --> 00:24:01,400
Speaker 13: Yeah.

555
00:24:01,720 --> 00:24:03,680
Speaker 12: Whatever you guys can come up with, I'm happy with.

556
00:24:03,840 --> 00:24:08,040
Speaker 2: So Okay, hang on to Scotty. You you're saying, we

557
00:24:08,200 --> 00:24:10,280
Speaker 2: can have the speakers, but you want to do a deal.

558
00:24:11,240 --> 00:24:12,920
Speaker 12: Yeah, like let me sing a song or something.

559
00:24:13,640 --> 00:24:13,800
Speaker 3: Ok.

560
00:24:14,119 --> 00:24:14,920
Speaker 5: We can definitely do that.

561
00:24:15,080 --> 00:24:16,080
Speaker 2: Yeah, you can definitely do that.

562
00:24:16,440 --> 00:24:17,560
Speaker 7: We can come down and sing a song.

563
00:24:18,359 --> 00:24:20,119
Speaker 2: But well, look, why don't we Why don't you have

564
00:24:20,160 --> 00:24:21,960
Speaker 2: a couple of days to think about exactly what you

565
00:24:22,119 --> 00:24:23,919
Speaker 2: want from us, so you can have the weekend.

566
00:24:24,040 --> 00:24:25,800
Speaker 4: We've got no cash. Sorry, I just need to put

567
00:24:25,800 --> 00:24:29,360
Speaker 4: that on the table. Zero budget, so we can't pay you. Yeah,

568
00:24:29,400 --> 00:24:31,080
Speaker 4: but yeah, if there's something we can do to help

569
00:24:31,160 --> 00:24:33,520
Speaker 4: you out, Scotty and yeah, you let us know.

570
00:24:33,680 --> 00:24:37,439
Speaker 2: Okay, good, I've got your covered.

571
00:24:37,720 --> 00:24:39,840
Speaker 12: You just come on down to Charla, come on down

572
00:24:39,880 --> 00:24:41,240
Speaker 12: to Title and have yourself someone.

573
00:24:41,600 --> 00:24:44,240
Speaker 16: Yeah, and we're going to get the pay out for

574
00:24:44,400 --> 00:24:47,080
Speaker 16: you and in Jude, and we're going to make sure

575
00:24:47,200 --> 00:24:50,680
Speaker 16: that Jared gets this auditional sorted and you guys get

576
00:24:50,680 --> 00:24:53,199
Speaker 16: all sorted, and happy days and Scotty.

577
00:24:53,280 --> 00:24:56,640
Speaker 2: You're a great man, Scotty and ourselves in time, get

578
00:24:56,720 --> 00:24:58,800
Speaker 2: ourselves sorted, I mean, well more.

579
00:24:59,280 --> 00:25:01,480
Speaker 5: Should have man, it sounds like an easy place to

580
00:25:01,520 --> 00:25:02,080
Speaker 5: have a good time.

581
00:25:02,359 --> 00:25:04,920
Speaker 7: You happy's over time and gezel sort of.

582
00:25:05,119 --> 00:25:07,640
Speaker 2: Scottie Mac, it's been a pleasure. Yeah, this is Scottie

583
00:25:07,640 --> 00:25:09,760
Speaker 2: Mac right now, paper to pen if anyone wants to

584
00:25:09,800 --> 00:25:20,720
Speaker 2: hear and he's gutty yeah, oh chy find him online,

585
00:25:22,160 --> 00:25:24,800
Speaker 2: him on Spotify. Great, yeah, go and check him out,

586
00:25:24,920 --> 00:25:27,480
Speaker 2: beautiful Scottie.

587
00:25:27,160 --> 00:25:29,280
Speaker 7: Mac with a K M A C K. Right now,

588
00:25:29,560 --> 00:25:31,400
Speaker 7: it's Willain Woody right now, I've got.

589
00:25:31,400 --> 00:25:33,359
Speaker 2: A double pass to go and see Pink if you

590
00:25:33,440 --> 00:25:36,960
Speaker 2: can beat Woods at the lyrics, the one and Only Pink.

591
00:25:37,000 --> 00:25:40,560
Speaker 15: He's bringing his summer Carnival talk to Australia February and

592
00:25:40,640 --> 00:25:42,080
Speaker 15: March twenty twenty four.

593
00:25:42,320 --> 00:25:44,640
Speaker 7: Second shows Honey Tickets on sale now.

594
00:25:44,920 --> 00:25:46,880
Speaker 5: It's Live Nation dot com dot Au.

595
00:25:47,160 --> 00:25:48,520
Speaker 2: It's Woody Whales.

596
00:25:48,840 --> 00:25:51,720
Speaker 5: I'm not here for your every randon.

597
00:25:53,160 --> 00:25:59,840
Speaker 2: I want a b alright, let's get it. Christie wants

598
00:25:59,880 --> 00:26:01,520
Speaker 2: to able passed to go and see Pink on a

599
00:26:01,640 --> 00:26:05,040
Speaker 2: summer carnival to Australia February March twenty twenty four.

600
00:26:05,160 --> 00:26:06,560
Speaker 7: Christie, are you a big pink fan?

601
00:26:07,359 --> 00:26:08,640
Speaker 18: I am a massive pink fan.

602
00:26:08,800 --> 00:26:09,119
Speaker 9: All right?

603
00:26:09,160 --> 00:26:10,359
Speaker 7: Who are you going to be taking with you to

604
00:26:10,400 --> 00:26:15,320
Speaker 7: the gig? My nine year old daughter is beautiful? Beautiful?

605
00:26:15,880 --> 00:26:17,119
Speaker 7: And how do you go with the lyrics?

606
00:26:18,720 --> 00:26:18,880
Speaker 13: Well?

607
00:26:18,960 --> 00:26:20,000
Speaker 11: I think I go all right?

608
00:26:20,119 --> 00:26:23,960
Speaker 5: But you know, Christy, how do you think?

609
00:26:24,000 --> 00:26:25,119
Speaker 7: What do he goes with the lyrics?

610
00:26:26,600 --> 00:26:26,800
Speaker 8: Well?

611
00:26:27,320 --> 00:26:28,800
Speaker 6: You have a wonderful singing voice.

612
00:26:28,880 --> 00:26:30,240
Speaker 5: But yeah, thank you, Christy.

613
00:26:30,640 --> 00:26:31,280
Speaker 12: Let's get to do it.

614
00:26:31,359 --> 00:26:33,920
Speaker 2: Then you got to get best of three. It's best

615
00:26:33,960 --> 00:26:36,760
Speaker 2: out of three, Christie, So you need two songs. You

616
00:26:36,840 --> 00:26:38,600
Speaker 2: got to beat him at two songs in order to

617
00:26:38,640 --> 00:26:41,160
Speaker 2: get your hands on the tickets. Woods goes first every time,

618
00:26:41,200 --> 00:26:43,880
Speaker 2: otherwise you'll just copy you. Are you ready to go, Christie?

619
00:26:44,480 --> 00:26:44,640
Speaker 9: Yeah?

620
00:26:44,680 --> 00:26:45,159
Speaker 6: I think I am.

621
00:26:45,240 --> 00:26:47,320
Speaker 7: Yep, all right, here we go. First song today?

622
00:26:47,840 --> 00:26:48,000
Speaker 3: Yep?

623
00:26:48,080 --> 00:26:48,399
Speaker 17: What is it?

624
00:26:48,560 --> 00:26:49,239
Speaker 2: What about us?

625
00:26:54,359 --> 00:26:58,000
Speaker 5: What about us? What about all the things that you

626
00:26:58,200 --> 00:26:59,320
Speaker 5: and I have done together?

627
00:27:02,160 --> 00:27:03,120
Speaker 8: What about.

628
00:27:05,560 --> 00:27:06,560
Speaker 9: Sing the song?

629
00:27:11,720 --> 00:27:13,520
Speaker 7: Christy? Christy, you're goo?

630
00:27:13,720 --> 00:27:14,080
Speaker 8: Here we go?

631
00:27:14,440 --> 00:27:14,640
Speaker 9: Yeah?

632
00:27:20,680 --> 00:27:21,479
Speaker 15: What about us?

633
00:27:22,320 --> 00:27:23,720
Speaker 18: What about all the happy?

634
00:27:25,560 --> 00:27:26,560
Speaker 7: What about all the broken?

635
00:27:26,680 --> 00:27:27,000
Speaker 8: Happy?

636
00:27:27,040 --> 00:27:27,680
Speaker 18: Ever after?

637
00:27:28,600 --> 00:27:33,719
Speaker 5: I don't know, I don't know what started.

638
00:27:34,320 --> 00:27:35,359
Speaker 7: She got one line in there.

639
00:27:35,400 --> 00:27:36,159
Speaker 2: I'm gonna give it to it.

640
00:27:37,840 --> 00:27:43,840
Speaker 7: Yeah, se so she skipped that one. Yeah, but then

641
00:27:43,880 --> 00:27:44,600
Speaker 7: she got this one.

642
00:27:46,720 --> 00:27:51,200
Speaker 5: What about the broken happy ever after? So she got happy?

643
00:27:52,560 --> 00:27:54,520
Speaker 2: Well she got she got a line, you got, you

644
00:27:54,600 --> 00:27:56,240
Speaker 2: got no one to fair, you got the name of

645
00:27:56,320 --> 00:27:58,760
Speaker 2: the song which I gave you before, and yeah, all right,

646
00:27:58,920 --> 00:28:04,160
Speaker 2: so yeah, next song, probably my favorite Pink song. I reckon, pill, pill.

647
00:28:09,840 --> 00:28:12,200
Speaker 5: To the middle of my hang on, hang on, give

648
00:28:12,240 --> 00:28:14,760
Speaker 5: me it. Yeah, please you again.

649
00:28:15,040 --> 00:28:15,800
Speaker 2: I'll give you one more.

650
00:28:15,880 --> 00:28:17,159
Speaker 7: Go here you go, here we go?

651
00:28:30,400 --> 00:28:32,600
Speaker 2: I think, do we just play this song?

652
00:28:32,680 --> 00:28:32,840
Speaker 3: There?

653
00:28:33,720 --> 00:28:34,920
Speaker 5: Can we just play the song in front?

654
00:28:34,920 --> 00:28:35,520
Speaker 7: The last time.

655
00:28:37,760 --> 00:28:42,000
Speaker 4: I found myself alone in the pantry.

656
00:28:42,480 --> 00:28:46,120
Speaker 5: Oh my god, thinking, where's the brass bubbles? I'm not

657
00:28:46,200 --> 00:28:46,760
Speaker 5: doing averse?

658
00:28:46,800 --> 00:28:49,560
Speaker 7: This is that right? Of course I don't know the verse.

659
00:28:49,680 --> 00:28:53,280
Speaker 5: No one knows the verse. Why didn't I chorus action?

660
00:28:54,280 --> 00:28:55,560
Speaker 2: I think we might have to be of a fall

661
00:28:55,640 --> 00:28:57,640
Speaker 2: start there. But look, give Christie getz and she gets

662
00:28:57,680 --> 00:28:59,840
Speaker 2: the tickets. I'm sorry, but you were nowhere beforehand.

663
00:29:00,240 --> 00:29:04,720
Speaker 7: You had to Christie, just like a pill, pink up

664
00:29:04,840 --> 00:29:05,240
Speaker 7: over to you.

665
00:29:12,120 --> 00:29:15,240
Speaker 6: To the middle of my frank strated sears, and I

666
00:29:15,440 --> 00:29:16,800
Speaker 6: swear you just.

667
00:29:17,200 --> 00:29:17,760
Speaker 10: Get a pill.

668
00:29:19,760 --> 00:29:21,920
Speaker 11: Keep making me better, keep.

669
00:29:21,800 --> 00:29:23,160
Speaker 6: Making meal nice.

670
00:29:23,360 --> 00:29:25,600
Speaker 8: Christie well, I didn't know that.

671
00:29:26,240 --> 00:29:26,760
Speaker 9: No, we know.

672
00:29:28,360 --> 00:29:30,040
Speaker 2: You're not need to confirm that for me.

673
00:29:30,680 --> 00:29:38,200
Speaker 13: Christie, you got a pig, you got yours? Yeah, in

674
00:29:38,360 --> 00:29:42,440
Speaker 13: twenty twenty four on a summer Cauntival tour, Hey, stay

675
00:29:42,520 --> 00:29:44,760
Speaker 13: with us everyone because the tour of our front after

676
00:29:44,800 --> 00:29:47,480
Speaker 13: the show continues, crossing live to the front of that

677
00:29:47,640 --> 00:29:48,840
Speaker 13: Harry Styles gig.

678
00:29:49,560 --> 00:29:52,960
Speaker 2: And we are going live to Childville very very shortly

679
00:29:53,040 --> 00:29:55,800
Speaker 2: as we talk to a woman who calls herself Big

680
00:29:55,920 --> 00:30:01,320
Speaker 2: Fanny any big fan. Sorry, he seems to think she's

681
00:30:01,360 --> 00:30:02,600
Speaker 2: got a sound system for us.

682
00:30:02,680 --> 00:30:04,160
Speaker 7: It's up next with the Woody.

683
00:30:03,960 --> 00:30:08,760
Speaker 1: Kiss, Poor Will and Woody Goodness.

684
00:30:09,160 --> 00:30:12,520
Speaker 14: After this, it's the Woman Woody Podcast.

685
00:30:18,960 --> 00:30:25,720
Speaker 2: Harry Styles hits the East Coast this weekend's first gig

686
00:30:25,840 --> 00:30:29,160
Speaker 2: of his world tours in Perth and now he's here

687
00:30:29,280 --> 00:30:32,040
Speaker 2: on the East Coast playing stadiums. He's in Melbourne tonight

688
00:30:32,120 --> 00:30:35,600
Speaker 2: and I said I would kill to see him, but

689
00:30:36,360 --> 00:30:39,840
Speaker 2: there's one member of our team who would literally kill you,

690
00:30:40,160 --> 00:30:42,840
Speaker 2: dismember you and put your body in a barrel with

691
00:30:42,920 --> 00:30:45,720
Speaker 2: acid to see this guy live. And that's why she's

692
00:30:45,760 --> 00:30:48,640
Speaker 2: been lining up for the last ten hours to make

693
00:30:48,680 --> 00:30:50,840
Speaker 2: sure she's got a front and set a spot. It's

694
00:30:50,880 --> 00:30:53,400
Speaker 2: our digital producer kV, who joins us right now.

695
00:30:54,680 --> 00:30:59,080
Speaker 5: Hey, guys, how you feeling, kV? Here's the vibe.

696
00:31:00,120 --> 00:31:02,360
Speaker 6: I am so pumped right now.

697
00:31:03,280 --> 00:31:06,120
Speaker 19: I'm like, I can in this vicinity.

698
00:31:06,200 --> 00:31:07,320
Speaker 6: I can smell him.

699
00:31:09,040 --> 00:31:11,120
Speaker 7: Starts getting sick, very funk.

700
00:31:11,880 --> 00:31:14,200
Speaker 5: I believe the reason you went down so early is

701
00:31:14,280 --> 00:31:16,760
Speaker 5: to get your position in the mosh.

702
00:31:16,840 --> 00:31:18,840
Speaker 4: So you're going to be hopefully on the front row

703
00:31:18,920 --> 00:31:21,440
Speaker 4: so you can potentially touch him or smell him even more.

704
00:31:21,920 --> 00:31:23,000
Speaker 5: Have you got that spot?

705
00:31:23,040 --> 00:31:23,160
Speaker 19: Now?

706
00:31:23,200 --> 00:31:24,120
Speaker 5: Are you in the marsh?

707
00:31:28,520 --> 00:31:28,840
Speaker 7: kV?

708
00:31:30,440 --> 00:31:32,480
Speaker 5: Maybe Harry just started singing and she hung up on

709
00:31:32,560 --> 00:31:32,960
Speaker 5: his peak.

710
00:31:33,640 --> 00:31:37,000
Speaker 2: She's so excited she wheezed her phone and broke it.

711
00:31:39,160 --> 00:31:40,000
Speaker 7: I've never heard her like.

712
00:31:40,200 --> 00:31:42,480
Speaker 2: She's almost like horse and the gig hasn't even begun yet.

713
00:31:43,000 --> 00:31:45,720
Speaker 2: We're we're just checking in with her, I think, and just.

714
00:31:45,960 --> 00:31:48,320
Speaker 5: Just like to talk about the question I asked her.

715
00:31:48,360 --> 00:31:49,560
Speaker 4: So she said she was going to have to go

716
00:31:49,640 --> 00:31:52,160
Speaker 4: down at six am this morning because they were queuing

717
00:31:52,280 --> 00:31:54,160
Speaker 4: up early, and she was going to be given a number,

718
00:31:54,240 --> 00:31:56,400
Speaker 4: and that was her priority position within the marsh.

719
00:31:56,560 --> 00:31:58,640
Speaker 5: Yes, so she's already paid for the best tickets available.

720
00:31:58,800 --> 00:32:00,960
Speaker 4: Yes, que up to them, get the position in the mark,

721
00:32:01,200 --> 00:32:04,080
Speaker 4: but he doesn't get on until nine pm. Yes, so

722
00:32:04,280 --> 00:32:08,560
Speaker 4: she's now in a situation where she's got four hours

723
00:32:09,200 --> 00:32:11,520
Speaker 4: in the front of a mash and she can't leave,

724
00:32:11,640 --> 00:32:13,120
Speaker 4: can't piss, can't pooh, can't eat.

725
00:32:13,920 --> 00:32:15,240
Speaker 5: Yeah sure, well yeah that is a.

726
00:32:15,480 --> 00:32:19,480
Speaker 2: That's what she packed in her bag. The other fascin

727
00:32:19,560 --> 00:32:21,600
Speaker 2: any thing about this, and look, we'll play it for you.

728
00:32:21,640 --> 00:32:24,880
Speaker 2: We're obviously padding hardcore right now to try and get

729
00:32:24,880 --> 00:32:27,680
Speaker 2: her back on. But because apparently she is dropping in

730
00:32:27,720 --> 00:32:32,440
Speaker 2: an hour, imagine she's amongst like probably a thousand people

731
00:32:32,520 --> 00:32:35,720
Speaker 2: all on their phone. Enough, so I think, what we're

732
00:32:35,720 --> 00:32:36,840
Speaker 2: gonna do. We're gonna go to a song.

733
00:32:37,240 --> 00:32:39,040
Speaker 4: And right up next, we've got a good update there

734
00:32:39,040 --> 00:32:42,600
Speaker 4: that she was smelling him, which was Jenny update.

735
00:32:42,640 --> 00:32:45,480
Speaker 2: The phone towers are congested with all the calls coming

736
00:32:45,480 --> 00:32:46,440
Speaker 2: out of there would be insane.

737
00:32:46,680 --> 00:32:48,840
Speaker 7: So what we're going to do. We're going to go

738
00:32:48,880 --> 00:32:49,240
Speaker 7: to a song.

739
00:32:49,320 --> 00:32:52,280
Speaker 2: Because the big predicament for kV and this is quite

740
00:32:52,280 --> 00:32:54,800
Speaker 2: a predicament. She came into work last week and she said, guys,

741
00:32:55,520 --> 00:32:58,720
Speaker 2: I'm really worried, and we were like why, and she said, well,

742
00:32:58,800 --> 00:33:02,480
Speaker 2: because our he styles is my hall pass. Officially and

743
00:33:03,320 --> 00:33:06,120
Speaker 2: I need to talk to my boyfriend Matt about the

744
00:33:06,160 --> 00:33:08,760
Speaker 2: fact that if he does ask me to come backstage

745
00:33:08,800 --> 00:33:12,000
Speaker 2: or whatever, like what base can I go to with him?

746
00:33:12,760 --> 00:33:13,840
Speaker 5: And she was serious.

747
00:33:15,080 --> 00:33:18,760
Speaker 2: Face on, so naturally we got her to make that

748
00:33:18,880 --> 00:33:20,880
Speaker 2: call to her boyfriend and I'll play it for you

749
00:33:21,040 --> 00:33:22,920
Speaker 2: right up next, I'm William woody Le's kiss.

750
00:33:23,000 --> 00:33:25,160
Speaker 7: I hope you're han't a great drive home? She's that

751
00:33:25,360 --> 00:33:26,720
Speaker 7: was padding at its best.

752
00:33:27,800 --> 00:33:31,280
Speaker 2: We'll got to run up next, hopefully. Harry Styles kicks

753
00:33:31,280 --> 00:33:32,840
Speaker 2: off his East Coast tour tonight.

754
00:33:37,240 --> 00:33:38,520
Speaker 7: Pretty exciting stuff.

755
00:33:39,320 --> 00:33:43,000
Speaker 2: We're pumped. We're not about to have a conniption though,

756
00:33:43,200 --> 00:33:46,480
Speaker 2: which our digital producer kV is about to do.

757
00:33:46,640 --> 00:33:49,120
Speaker 7: She's there, she's in the moscol She's been lining up since.

758
00:33:48,960 --> 00:33:50,960
Speaker 2: About ten o'clock this morning to get her tickets so

759
00:33:51,040 --> 00:33:53,680
Speaker 2: that she can stand as close to as humanly possible

760
00:33:53,720 --> 00:33:57,920
Speaker 2: to the man who has captured hearts around Australia and

761
00:33:58,000 --> 00:33:59,280
Speaker 2: the world. kV, welcome back.

762
00:34:03,000 --> 00:34:03,480
Speaker 7: Hilarious.

763
00:34:06,360 --> 00:34:06,880
Speaker 11: Are you kidding?

764
00:34:06,960 --> 00:34:07,880
Speaker 14: You don't have me now?

765
00:34:11,800 --> 00:34:12,600
Speaker 7: Jesus classic.

766
00:34:15,719 --> 00:34:20,080
Speaker 2: He just talked to us about what it's like down there.

767
00:34:20,719 --> 00:34:21,400
Speaker 14: It's crazy.

768
00:34:21,520 --> 00:34:23,919
Speaker 19: I've never seen this many feather bowers in my life.

769
00:34:25,200 --> 00:34:29,560
Speaker 19: There's everyone's in a sick outfit. They look amazing, fibes

770
00:34:29,600 --> 00:34:31,680
Speaker 19: are high, everyone's already dancing.

771
00:34:33,080 --> 00:34:35,880
Speaker 4: Can I if you're in the mosh right now, if

772
00:34:35,960 --> 00:34:37,759
Speaker 4: you need to go to the toilet, will you just

773
00:34:37,840 --> 00:34:38,440
Speaker 4: wet yourself?

774
00:34:39,400 --> 00:34:39,600
Speaker 13: Yes?

775
00:34:39,760 --> 00:34:43,400
Speaker 14: Obviously I'm not leaving this position, so quite.

776
00:34:43,280 --> 00:34:45,960
Speaker 4: Seriously, so do you have food and water to make

777
00:34:46,000 --> 00:34:48,160
Speaker 4: sure you survive? Because he's not on for another three hours.

778
00:34:49,040 --> 00:34:51,759
Speaker 14: Yeah, it's a long wait, but you know, we can

779
00:34:51,840 --> 00:34:52,840
Speaker 14: actually just go inside.

780
00:34:52,880 --> 00:34:55,319
Speaker 19: There's food and water and there's toilets inside, so it's

781
00:34:55,360 --> 00:34:56,680
Speaker 19: not like we're out in the bush.

782
00:35:00,960 --> 00:35:06,320
Speaker 7: Shit question? Would he kave?

783
00:35:06,680 --> 00:35:08,880
Speaker 2: Let's get down to brass tags here, because you know

784
00:35:09,040 --> 00:35:11,239
Speaker 2: you came in very earnestly last week and you said,

785
00:35:11,480 --> 00:35:12,960
Speaker 2: what am I going to do if I see him?

786
00:35:13,680 --> 00:35:15,520
Speaker 2: You know, how do I explain to my boyfriend Matt

787
00:35:15,760 --> 00:35:17,600
Speaker 2: you know that that he is my hall pass and

788
00:35:17,840 --> 00:35:20,719
Speaker 2: I potentially hooked up with him. Do you do you

789
00:35:20,840 --> 00:35:22,760
Speaker 2: actually think that that's a genuine chance tonight?

790
00:35:23,920 --> 00:35:27,600
Speaker 19: Look, I'd love to think so, but it's me against

791
00:35:27,640 --> 00:35:31,879
Speaker 19: seventy thousand other people, so I don't think it's gonna happen.

792
00:35:31,920 --> 00:35:33,560
Speaker 7: What are you doing to stand out? How are you.

793
00:35:33,719 --> 00:35:34,680
Speaker 7: How are you hoping this is.

794
00:35:34,680 --> 00:35:35,120
Speaker 2: Going to work?

795
00:35:36,080 --> 00:35:38,080
Speaker 14: Oh, it's kind of I say, I'm very sure. So

796
00:35:38,239 --> 00:35:42,320
Speaker 14: that doesn't help. But I did make my outfits so

797
00:35:42,600 --> 00:35:44,600
Speaker 14: they look really cool. I've got he's a glitter on.

798
00:35:44,800 --> 00:35:45,480
Speaker 7: Have you a sign?

799
00:35:45,600 --> 00:35:46,919
Speaker 2: Are you taking a sign?

800
00:35:47,640 --> 00:35:47,680
Speaker 3: No?

801
00:35:48,239 --> 00:35:50,520
Speaker 14: I didn't, but I'll use my.

802
00:35:52,440 --> 00:35:54,880
Speaker 2: Yeah, there she goes. I'm not sure what she was

803
00:35:54,920 --> 00:35:55,359
Speaker 2: going to say.

804
00:35:55,440 --> 00:35:58,160
Speaker 7: There you can feel you can fill the gap. I'll

805
00:35:58,280 --> 00:35:58,600
Speaker 7: use my.

806
00:36:00,600 --> 00:36:02,080
Speaker 5: Sparkling personality.

807
00:36:03,840 --> 00:36:04,840
Speaker 7: That's what she was going for.

808
00:36:05,680 --> 00:36:09,120
Speaker 14: You think I said, Oh my god.

809
00:36:14,480 --> 00:36:16,879
Speaker 2: Anyway, last week we got to break her boyfriend, Matt

810
00:36:18,120 --> 00:36:20,520
Speaker 2: with As soon as she had this thought, I was like, mate,

811
00:36:20,520 --> 00:36:21,880
Speaker 2: you've got to call him and ask him, and we've

812
00:36:21,920 --> 00:36:22,840
Speaker 2: got to record this, so.

813
00:36:23,080 --> 00:36:24,839
Speaker 7: Have a listen to. This is when she called him.

814
00:36:32,320 --> 00:36:41,480
Speaker 20: Hymy, Hey, I have some really exciting news. So we

815
00:36:42,040 --> 00:36:45,000
Speaker 20: got the opportunity to interview Harry Styles.

816
00:36:46,200 --> 00:36:46,439
Speaker 10: Yeah.

817
00:36:46,880 --> 00:36:49,239
Speaker 20: So I'm actually going to meet Harry Styles.

818
00:36:51,440 --> 00:36:55,680
Speaker 7: I know, is he coming into the studio.

819
00:36:55,920 --> 00:36:57,719
Speaker 20: Yeah, we have like a five minute chat with him.

820
00:36:58,080 --> 00:37:01,120
Speaker 2: Oh cool, it's a dream come true.

821
00:37:01,880 --> 00:37:03,680
Speaker 7: You need a photo, of course.

822
00:37:05,600 --> 00:37:09,080
Speaker 20: But so the reason I'm calling you know how we've

823
00:37:09,120 --> 00:37:11,800
Speaker 20: been joking about the whole you know, hook up with

824
00:37:11,920 --> 00:37:12,640
Speaker 20: Harry Styles?

825
00:37:15,400 --> 00:37:16,920
Speaker 7: What what if like.

826
00:37:17,200 --> 00:37:26,200
Speaker 17: Something happens, like, yeah, I just want to confirm get

827
00:37:26,280 --> 00:37:31,719
Speaker 17: your approval, approve, like this is a once in a

828
00:37:31,760 --> 00:37:34,959
Speaker 17: lifetime opportunity, Matt, Like I can't. I gotta be ready,

829
00:37:35,239 --> 00:37:35,400
Speaker 17: you know.

830
00:37:36,640 --> 00:37:40,280
Speaker 7: Okay, so like like kissing.

831
00:37:40,280 --> 00:37:46,040
Speaker 8: Or only if I get to bed?

832
00:37:46,640 --> 00:37:48,960
Speaker 14: Who you'd kusse?

833
00:37:49,000 --> 00:37:56,560
Speaker 20: Harry Styles? All right, well, like any level or just.

834
00:37:59,160 --> 00:38:00,919
Speaker 7: You're enjoy Are.

835
00:38:00,840 --> 00:38:01,719
Speaker 14: You wrapping me up?

836
00:38:03,840 --> 00:38:04,040
Speaker 8: Matt?

837
00:38:04,040 --> 00:38:12,680
Speaker 7: It's willing Woody here, like something's happening, poor man.

838
00:38:12,920 --> 00:38:15,640
Speaker 4: Let's just focus straight away though, on you saying only

839
00:38:15,719 --> 00:38:17,320
Speaker 4: if I'm involved running through that?

840
00:38:17,480 --> 00:38:17,600
Speaker 17: Mad?

841
00:38:19,560 --> 00:38:19,759
Speaker 3: Oh?

842
00:38:20,040 --> 00:38:23,799
Speaker 7: No, did Kate?

843
00:38:24,080 --> 00:38:27,000
Speaker 2: But did like Kate actually have like a legitimate conversation

844
00:38:27,080 --> 00:38:28,680
Speaker 2: with you about this, you know, like what the deal

845
00:38:28,880 --> 00:38:30,480
Speaker 2: was if I hooked up with him, which is the

846
00:38:30,560 --> 00:38:35,480
Speaker 2: most outrageous proposition. He's going to have fifteen thousand women

847
00:38:35,600 --> 00:38:40,040
Speaker 2: screaming at him, probably like forty scream in front of him.

848
00:38:40,080 --> 00:38:42,000
Speaker 2: But have you ever taken this question seriously?

849
00:38:43,320 --> 00:38:46,600
Speaker 5: No, I'm never really taken that seriously. Yeah yeah, yeah,

850
00:38:46,840 --> 00:38:48,640
Speaker 5: but I was consistent about it.

851
00:38:49,040 --> 00:38:49,239
Speaker 8: Yeah.

852
00:38:50,440 --> 00:38:55,120
Speaker 5: How often is she asking you, like more recently at

853
00:38:55,239 --> 00:38:55,759
Speaker 5: least once a.

854
00:38:55,800 --> 00:39:04,960
Speaker 4: Day, Woodies, So you're calling us now in thirteen one

855
00:39:05,000 --> 00:39:07,680
Speaker 4: oh six five, and you are trying to convince us

856
00:39:07,840 --> 00:39:09,799
Speaker 4: that someone else is in the car with you. Now

857
00:39:09,840 --> 00:39:11,680
Speaker 4: you might be putting on a voice, or there's someone

858
00:39:11,760 --> 00:39:14,239
Speaker 4: else might be actually there were trying to decide which

859
00:39:14,280 --> 00:39:14,919
Speaker 4: one is which.

860
00:39:15,000 --> 00:39:17,279
Speaker 5: Let's go to Talia here, Talia, who are you?

861
00:39:17,840 --> 00:39:18,000
Speaker 2: Hey?

862
00:39:18,200 --> 00:39:18,560
Speaker 7: Hello?

863
00:39:19,040 --> 00:39:22,279
Speaker 5: Who are you in the car with my mom? With

864
00:39:22,440 --> 00:39:25,120
Speaker 5: your with your mom? Okay? What's your mom's name?

865
00:39:26,120 --> 00:39:27,240
Speaker 9: Her name is Karen?

866
00:39:28,000 --> 00:39:30,640
Speaker 5: Karen? Okay? You hesitated slightly there, which is interesting?

867
00:39:30,800 --> 00:39:31,000
Speaker 9: Yeah?

868
00:39:31,600 --> 00:39:34,280
Speaker 5: Can you can you put Karen on the phone please?

869
00:39:34,480 --> 00:39:34,640
Speaker 20: Yep?

870
00:39:34,760 --> 00:39:34,880
Speaker 9: Yep?

871
00:39:36,080 --> 00:39:36,319
Speaker 3: Hello?

872
00:39:37,560 --> 00:39:38,200
Speaker 5: Hi Karen?

873
00:39:39,120 --> 00:39:41,040
Speaker 14: Oh, how are you really?

874
00:39:41,239 --> 00:39:41,520
Speaker 3: Wow?

875
00:39:41,760 --> 00:39:42,000
Speaker 13: Good?

876
00:39:43,040 --> 00:39:45,520
Speaker 5: Who's a who's your hall Pass?

877
00:39:45,680 --> 00:39:47,960
Speaker 12: Karen hall Pass?

878
00:39:49,440 --> 00:39:52,160
Speaker 2: Someone you want to sleep with if given the opportunity?

879
00:39:53,400 --> 00:39:54,080
Speaker 8: Tom Cruise?

880
00:39:54,960 --> 00:39:58,000
Speaker 7: Tom Cruise? Which Tom Cruise?

881
00:39:58,040 --> 00:39:58,719
Speaker 2: From? Which movie?

882
00:39:58,800 --> 00:39:59,000
Speaker 7: Though?

883
00:39:59,440 --> 00:39:59,800
Speaker 2: Karen?

884
00:40:00,080 --> 00:40:01,920
Speaker 8: Well, I mean what movie?

885
00:40:03,920 --> 00:40:03,960
Speaker 6: Like?

886
00:40:04,040 --> 00:40:05,640
Speaker 7: Are you a risky business early?

887
00:40:05,800 --> 00:40:06,440
Speaker 14: Tom cures?

888
00:40:06,520 --> 00:40:06,719
Speaker 3: Guy?

889
00:40:06,960 --> 00:40:07,200
Speaker 1: Yeah?

890
00:40:07,600 --> 00:40:08,760
Speaker 5: What about Cocktail Crews?

891
00:40:08,800 --> 00:40:10,640
Speaker 14: I love Cotail love it?

892
00:40:10,960 --> 00:40:11,800
Speaker 8: Yea love it.

893
00:40:12,280 --> 00:40:14,960
Speaker 5: Karen, You're real, Karen's got to be.

894
00:40:17,640 --> 00:40:23,000
Speaker 2: Yeah, Talia, Karen, you guys can have a double past

895
00:40:23,040 --> 00:40:24,080
Speaker 2: to Holt's Extreme.

896
00:40:23,840 --> 00:40:25,680
Speaker 7: Screen take your mom out to the movies. Talia, that

897
00:40:25,800 --> 00:40:27,400
Speaker 7: was great, beat it with the pop culture.

898
00:40:27,719 --> 00:40:28,879
Speaker 5: Yeah, that was good.

899
00:40:29,040 --> 00:40:31,600
Speaker 2: Talia's pop culture game couldn't have been that good. We

900
00:40:31,680 --> 00:40:33,200
Speaker 2: were talking to a woman over the age of fifty.

901
00:40:33,239 --> 00:40:34,840
Speaker 5: There was no doub about one hundred percent. Let's go

902
00:40:34,880 --> 00:40:35,440
Speaker 5: to Ian here.

903
00:40:35,640 --> 00:40:39,319
Speaker 7: Hi, Ian, how you're going very well?

904
00:40:39,400 --> 00:40:41,000
Speaker 5: Thank you mate? Who are you in the cow with.

905
00:40:43,120 --> 00:40:43,720
Speaker 8: My nephew?

906
00:40:44,239 --> 00:40:45,600
Speaker 5: Okay? What's your nephew's name?

907
00:40:48,040 --> 00:40:48,239
Speaker 8: Jay?

908
00:40:48,840 --> 00:40:50,440
Speaker 5: Yeah again, big hesitation.

909
00:40:50,640 --> 00:40:53,520
Speaker 2: Yeah, but you and I got to be kept because

910
00:40:53,560 --> 00:40:56,560
Speaker 2: I feel like I feel like, you know, in the

911
00:40:56,640 --> 00:40:59,360
Speaker 2: movie Jurassic Park three, where the raptors evolve and they

912
00:40:59,440 --> 00:41:01,759
Speaker 2: learn how to talk walk, I feel like that's the

913
00:41:01,840 --> 00:41:05,279
Speaker 2: players of Phone alone now, I feel Yeah, And all

914
00:41:05,320 --> 00:41:07,880
Speaker 2: of a sudden, I think to myself, clever girl.

915
00:41:07,719 --> 00:41:08,560
Speaker 5: When are they playing this?

916
00:41:08,680 --> 00:41:12,560
Speaker 2: Because when they are, they know now they double bluffers.

917
00:41:12,600 --> 00:41:14,719
Speaker 2: So those arms from Ian, I mean, we're about to

918
00:41:14,760 --> 00:41:16,640
Speaker 2: find out. But Ian, chuck your nephew.

919
00:41:16,480 --> 00:41:22,359
Speaker 7: On just a minute, hang on, Hello, Hi Jay?

920
00:41:24,480 --> 00:41:24,600
Speaker 3: Hi?

921
00:41:24,800 --> 00:41:27,080
Speaker 5: How are you good? Mate?

922
00:41:28,280 --> 00:41:30,480
Speaker 7: What's the age gap between you and you and your uncle?

923
00:41:30,520 --> 00:41:30,719
Speaker 2: Ian?

924
00:41:30,960 --> 00:41:31,160
Speaker 1: Jay?

925
00:41:32,360 --> 00:41:35,640
Speaker 12: Quite a while, quite a bit.

926
00:41:36,160 --> 00:41:37,960
Speaker 2: Quite a bit, quite a few, quite a bit.

927
00:41:39,160 --> 00:41:40,640
Speaker 7: Jeez, you guys sound danger?

928
00:41:41,320 --> 00:41:44,240
Speaker 5: Can I hear from Ian again? Ian you're there, mate.

929
00:41:45,680 --> 00:41:46,319
Speaker 12: Yeah, I'm here.

930
00:41:46,840 --> 00:41:48,800
Speaker 2: And is there a delay or are you just a

931
00:41:48,840 --> 00:41:51,000
Speaker 2: bit delayed? Delayed upstairs?

932
00:41:51,320 --> 00:41:51,880
Speaker 7: What's going on?

933
00:41:53,200 --> 00:41:56,200
Speaker 12: I'm just contemplating on driving, on driving at the moment.

934
00:41:56,360 --> 00:41:59,799
Speaker 4: That's fair, That's totally fair enough from Jay again, Jay,

935
00:42:00,280 --> 00:42:01,160
Speaker 4: what's your favorite movie?

936
00:42:01,280 --> 00:42:01,440
Speaker 13: Jay?

937
00:42:03,400 --> 00:42:07,640
Speaker 9: I'm probably one of the terminators All Fast and period.

938
00:42:08,440 --> 00:42:10,880
Speaker 2: Oh, you're gone for the pop culture route too, a

939
00:42:10,920 --> 00:42:11,319
Speaker 2: big one.

940
00:42:11,360 --> 00:42:13,840
Speaker 5: I think it's a real person and there's such a

941
00:42:13,880 --> 00:42:14,680
Speaker 5: slight difference there.

942
00:42:14,719 --> 00:42:16,400
Speaker 2: They sound identical, you can tell that.

943
00:42:16,560 --> 00:42:18,520
Speaker 4: Yeah, you can tell they're related, but there's a there's

944
00:42:18,520 --> 00:42:19,279
Speaker 4: a deepness to you.

945
00:42:19,400 --> 00:42:22,520
Speaker 2: I feel like, even if we get this, even if

946
00:42:22,560 --> 00:42:24,160
Speaker 2: we find out that it's two people, I'm gonna have

947
00:42:24,160 --> 00:42:27,239
Speaker 2: to hear them talk in sync together because I don't reckon,

948
00:42:27,239 --> 00:42:28,160
Speaker 2: I'll be able to tell the difference.

949
00:42:28,200 --> 00:42:30,920
Speaker 5: So that's fine, okay, Ian J. We think you're real. J.

950
00:42:31,120 --> 00:42:31,719
Speaker 5: We think you're real.

951
00:42:33,400 --> 00:42:37,600
Speaker 7: Yeah, bloody, yes, bang Wow? Do you need the yeah?

952
00:42:37,680 --> 00:42:41,480
Speaker 7: The group Fellas Fellas and Jay?

953
00:42:41,600 --> 00:42:42,400
Speaker 2: Can you both hear me?

954
00:42:43,640 --> 00:42:43,839
Speaker 17: Yeah?

955
00:42:43,880 --> 00:42:45,440
Speaker 7: Okay? Can I just get you to say for me?

956
00:42:45,600 --> 00:42:49,040
Speaker 2: At the same time, we're crossing to Charliville right up

957
00:42:49,120 --> 00:42:50,799
Speaker 2: next on Will and Woody.

958
00:42:52,360 --> 00:42:54,920
Speaker 12: We're crossing the Charloville right up next to.

959
00:42:56,760 --> 00:42:58,399
Speaker 5: I don't think Jay got many of the words there.

960
00:42:59,320 --> 00:43:03,120
Speaker 7: Not as impressive as I was hoping for. I appreciate

961
00:43:03,160 --> 00:43:03,640
Speaker 7: it for that.

962
00:43:06,200 --> 00:43:09,680
Speaker 2: Good hook, good hook, great on the hooking, not the

963
00:43:09,760 --> 00:43:14,000
Speaker 2: audible payoff. Not so they'll be playing that at radio

964
00:43:14,040 --> 00:43:17,120
Speaker 2: schools in the future, but the right idea will. Hey, guys,

965
00:43:18,000 --> 00:43:21,120
Speaker 2: cards on the table. We are absolutely gassed. It's been,

966
00:43:21,840 --> 00:43:23,680
Speaker 2: there's been, There's been a lot going on this week.

967
00:43:24,000 --> 00:43:24,879
Speaker 5: We're in a great spot.

968
00:43:24,920 --> 00:43:27,200
Speaker 2: We're in a great spot. We are in a great spot.

969
00:43:27,680 --> 00:43:32,120
Speaker 2: Sound system organized theven you organized? I mean LJ is.

970
00:43:32,120 --> 00:43:35,520
Speaker 4: There, LJS there sounds like okay, behind the scenes, she's

971
00:43:35,600 --> 00:43:36,319
Speaker 4: genuinely drunk.

972
00:43:36,400 --> 00:43:38,640
Speaker 5: So we spoke to her, what an hour ago, two ago?

973
00:43:38,719 --> 00:43:42,480
Speaker 2: And did you see the photo she's she's in Rude Jude's.

974
00:43:43,040 --> 00:43:43,920
Speaker 2: She's in the inner sanctum.

975
00:43:44,000 --> 00:43:45,920
Speaker 15: Yeah, I think she's out the back in like the

976
00:43:45,960 --> 00:43:48,560
Speaker 15: stock room, eating fried rice. And she's wearing a hat.

977
00:43:49,640 --> 00:43:52,360
Speaker 15: It's a custom hat that they made her. That says

978
00:43:53,320 --> 00:43:54,239
Speaker 15: Yobo l J.

979
00:43:54,960 --> 00:43:56,240
Speaker 5: Childville brilliant.

980
00:43:57,120 --> 00:43:58,279
Speaker 7: Doing a call her now and just like get a

981
00:43:58,320 --> 00:44:00,400
Speaker 7: bit of a quick check out the time I'm gonna go.

982
00:44:03,239 --> 00:44:04,040
Speaker 7: We're gonna hang up on it.

983
00:44:04,840 --> 00:44:12,680
Speaker 2: Yeah, mum hmm should we drunk? Here we go? Oh,

984
00:44:13,560 --> 00:44:13,920
Speaker 2: there we go?

985
00:44:15,160 --> 00:44:20,960
Speaker 5: Mm hmmm, Hello, here we go?

986
00:44:21,320 --> 00:44:21,480
Speaker 2: Ol.

987
00:44:21,920 --> 00:44:22,279
Speaker 8: What's up?

988
00:44:24,000 --> 00:44:24,120
Speaker 3: Hi?

989
00:44:24,440 --> 00:44:24,960
Speaker 2: How's it going?

990
00:44:26,400 --> 00:44:26,560
Speaker 3: Are you?

991
00:44:26,880 --> 00:44:27,480
Speaker 2: What are you doing?

992
00:44:29,080 --> 00:44:32,120
Speaker 11: I've just come up to me room the Corona's Hotel.

993
00:44:32,880 --> 00:44:35,560
Speaker 2: On the radio, you're in the Daybreak in the debris

994
00:44:35,719 --> 00:44:36,240
Speaker 2: on the podcast?

995
00:44:36,320 --> 00:44:39,200
Speaker 5: What how's your How was your afternoon?

996
00:44:39,360 --> 00:44:39,640
Speaker 8: Like you?

997
00:44:40,000 --> 00:44:42,680
Speaker 5: Last we saw you're reading fried Rice in her bait

998
00:44:42,719 --> 00:44:46,560
Speaker 5: and tackle shop, and.

999
00:44:46,560 --> 00:44:47,600
Speaker 12: Then she took me to the pub.

1000
00:44:49,239 --> 00:44:50,640
Speaker 7: So just be careful.

1001
00:44:50,680 --> 00:44:51,879
Speaker 10: I'm a couple of beers deep.

1002
00:44:51,920 --> 00:44:57,520
Speaker 5: And what are you doing tonight? What are you doing tonight?

1003
00:44:58,400 --> 00:44:58,920
Speaker 3: Going out with you?

1004
00:45:00,080 --> 00:45:02,840
Speaker 7: I sell the R s L. Just a tour of

1005
00:45:02,920 --> 00:45:06,440
Speaker 7: the taps, a tour of the types of Childville. Jesus,

1006
00:45:07,360 --> 00:45:08,040
Speaker 7: are you having fun?

1007
00:45:08,360 --> 00:45:08,759
Speaker 13: How is she?

1008
00:45:09,920 --> 00:45:11,399
Speaker 6: She's so good?

1009
00:45:11,520 --> 00:45:13,440
Speaker 10: Boys, I cannot wait for you.

1010
00:45:13,520 --> 00:45:14,239
Speaker 9: To get up here.

1011
00:45:14,719 --> 00:45:17,800
Speaker 11: Also, before we go on, did you get the speakers?

1012
00:45:18,400 --> 00:45:18,600
Speaker 8: Yes?

1013
00:45:18,760 --> 00:45:21,120
Speaker 7: What we've done a deal with.

1014
00:45:22,760 --> 00:45:23,520
Speaker 5: Singing Postman.

1015
00:45:23,640 --> 00:45:24,400
Speaker 7: Singing Postman.

1016
00:45:24,880 --> 00:45:25,360
Speaker 12: You've done it.

1017
00:45:25,480 --> 00:45:27,640
Speaker 11: You've done a deal with the singing Postman.

1018
00:45:27,800 --> 00:45:28,719
Speaker 7: Yes, we've got to do it.

1019
00:45:29,960 --> 00:45:32,600
Speaker 2: Like he's he's got the weekend to think about something

1020
00:45:32,680 --> 00:45:34,879
Speaker 2: for us like he's in like something to think about

1021
00:45:34,920 --> 00:45:37,480
Speaker 2: that we can give back to him. But then he said,

1022
00:45:37,640 --> 00:45:39,600
Speaker 2: once he thinks about this, we'll touch pose them on Monday,

1023
00:45:39,680 --> 00:45:41,400
Speaker 2: and you know, whatever that is, we'll have to do

1024
00:45:41,480 --> 00:45:43,279
Speaker 2: it because he's the only person with the sound system there.

1025
00:45:44,239 --> 00:45:46,040
Speaker 10: Yes, yeah, I've been asking around.

1026
00:45:46,160 --> 00:45:48,080
Speaker 11: I think I think he might be our wrongly.

1027
00:45:48,120 --> 00:45:50,440
Speaker 7: Option what's the pub like though, like, because you're at

1028
00:45:50,480 --> 00:45:51,640
Speaker 7: the Coronis Pub now.

1029
00:45:52,760 --> 00:45:55,040
Speaker 11: Yeah, well it's it's old boys.

1030
00:45:55,239 --> 00:45:56,759
Speaker 6: I don't know why I'm working them in my room.

1031
00:45:56,840 --> 00:45:57,520
Speaker 6: No one can hear me.

1032
00:45:58,160 --> 00:46:01,680
Speaker 11: But when I checked in the sign on the desk

1033
00:46:02,200 --> 00:46:05,640
Speaker 11: and it said warning in big red letters, and it

1034
00:46:05,760 --> 00:46:10,160
Speaker 11: said the hot tap runs cold water and the cold water.

1035
00:46:11,440 --> 00:46:15,640
Speaker 5: Hot brilliant absolutely.

1036
00:46:16,280 --> 00:46:19,080
Speaker 10: And I thought, Jesus Christ, where.

1037
00:46:20,840 --> 00:46:24,000
Speaker 2: Given that you're already seven pints debut obviously burnt yourself

1038
00:46:24,040 --> 00:46:24,640
Speaker 2: as soon as.

1039
00:46:27,840 --> 00:46:30,680
Speaker 12: Third degree burns on my shoulders. But I'm fine.

1040
00:46:30,719 --> 00:46:31,320
Speaker 10: Don't worry about me.

1041
00:46:31,400 --> 00:46:32,080
Speaker 6: I'm fine, all right.

1042
00:46:32,160 --> 00:46:35,880
Speaker 4: We have a lovely Weekendsay, don't get to a dr

1043
00:46:36,000 --> 00:46:38,800
Speaker 4: because dude to work on a material as well, l J,

1044
00:46:39,000 --> 00:46:39,640
Speaker 4: so be careful.

1045
00:46:39,760 --> 00:46:39,960
Speaker 3: Yeah.

1046
00:46:40,000 --> 00:46:43,799
Speaker 10: Well, yeah, we did a little practice at the bar. Yeah,

1047
00:46:43,840 --> 00:46:45,840
Speaker 10: I've been I've been filming it the whole time, so

1048
00:46:46,600 --> 00:46:49,200
Speaker 10: we're good. We can look back at where she started

1049
00:46:49,360 --> 00:46:51,000
Speaker 10: and where she's going to end up, and I think

1050
00:46:51,000 --> 00:46:52,480
Speaker 10: we're going to get in great areas.

1051
00:46:54,360 --> 00:46:59,720
Speaker 7: Enjoy thanks weekends.

1052
00:47:00,640 --> 00:47:01,120
Speaker 5: She's dead.

1053
00:47:01,320 --> 00:47:04,399
Speaker 7: She won survive the weekend she went five.

1054
00:47:04,480 --> 00:47:05,879
Speaker 5: The weekend she's gone.

1055
00:47:06,000 --> 00:47:08,480
Speaker 2: Imagine going for a night out with Jude me.

1056
00:47:08,800 --> 00:47:11,279
Speaker 7: I mean you to have a sippyer first, and she's

1057
00:47:11,280 --> 00:47:12,840
Speaker 7: already had two, and you'd.

1058
00:47:12,719 --> 00:47:14,520
Speaker 5: Wake up next to a cow or something. This is

1059
00:47:15,080 --> 00:47:17,120
Speaker 5: where the hell am I? Where are my pants? And

1060
00:47:17,200 --> 00:47:17,920
Speaker 5: who's this cow?

1061
00:47:19,480 --> 00:47:21,200
Speaker 7: Yeah, anyway, we're.

1062
00:47:21,239 --> 00:47:23,600
Speaker 2: We're gonna be live from there on Monday. Well no,

1063
00:47:23,760 --> 00:47:25,480
Speaker 2: the show won't be live from there. We will be

1064
00:47:25,560 --> 00:47:28,800
Speaker 2: arriving there on Monday nights. So yeah, it's going to

1065
00:47:28,840 --> 00:47:30,120
Speaker 2: be a hell of a week next week. And we're

1066
00:47:30,160 --> 00:47:32,279
Speaker 2: down to what five days to go to put her

1067
00:47:32,360 --> 00:47:34,400
Speaker 2: show on, So I can't wait. It's going to be

1068
00:47:34,440 --> 00:47:36,799
Speaker 2: a hell of a week next week. See all then,