WEBVTT - Kat Stewart - FIVE BEDROOMS - Actor

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast last week Their Life. Welcome back

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<v Speaker 1>guys to TV Reload. My name is Benjamin Norris and

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<v Speaker 1>this is your podcast to get all the inside goss

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<v Speaker 1>all the popular TV shows you may be watching from

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<v Speaker 1>around the world. Undeniably, our TV sets are a major

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<v Speaker 1>part of our home entertainment, and yet very little is

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<v Speaker 1>known about how our favorite shows get made. So I've

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<v Speaker 1>been finding guests that want to dive just that little

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<v Speaker 1>bit deeper into the shows they're currently making, so that

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<v Speaker 1>you can hear all exclusive stories and gain access to

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<v Speaker 1>the biggest names in Australian television. I want to thank

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<v Speaker 1>you for downloading or subscribing to this podcast. I particularly

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<v Speaker 1>love hearing your feedback, so make sure you leave a

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<v Speaker 1>comment on your chosen podcast platform. This chat, I'm joined

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<v Speaker 1>by Kat Stewart, one of Australia's most loved actresses. This

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<v Speaker 1>week I had the exciting excuse of calling Kat to

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<v Speaker 1>discuss the fourth season of Five Bedrooms, which launched last

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<v Speaker 1>Sunday on Paramount Plus and will be released weekly from there,

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<v Speaker 1>I can tell you very exciting. The people at Paramount

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<v Speaker 1>Plus have been very kind they've released the first three episodes,

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<v Speaker 1>so there's a massive kickstart to this brand new series.

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<v Speaker 1>If you don't know Cat's Stewart, I believe you might

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<v Speaker 1>be living under a rock. She is definitely an actor's

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<v Speaker 1>actor and all the actors that have worked with her

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<v Speaker 1>will tell you that. And it's no wonder that she's

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<v Speaker 1>always getting ready to talk about a new exciting role.

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<v Speaker 1>And Five Bedrooms, which started out as five friends all

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<v Speaker 1>at very different stages their lives making this bold decision

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<v Speaker 1>to pull their funds together and buy a house, has

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<v Speaker 1>really blossomed into a much loved series set in Melbourne,

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<v Speaker 1>and all audiences have loved it and they can really

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<v Speaker 1>relate to it. I will ask Cat Stewart about why

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<v Speaker 1>she keeps coming back to Five Bedrooms and why she

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<v Speaker 1>has chosen to stay in Australia and not to try

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<v Speaker 1>to chase that elusive US market. Cat will talk about

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<v Speaker 1>her iconic roles and we will get some insights into

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<v Speaker 1>which of her most iconic characters are the most like her.

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<v Speaker 1>We will discuss if Kat thinks that she could survive

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<v Speaker 1>the premise of Five Bedrooms, and which beloved actor had

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<v Speaker 1>his role unexpectedly extended due to COVID last year. Plus,

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<v Speaker 1>we will also get plenty of exclusives from behind the

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<v Speaker 1>scenes of Five Bedrooms, which, as I mentioned, is out

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<v Speaker 1>on Paramount Plus. Now, anyway, let's bring Kat into the

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<v Speaker 1>podcast and guys, I really hope you enjoyed this episode. Hello, Hi,

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<v Speaker 1>how are you. I'm well, I'm very very excited. I

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<v Speaker 1>have to tell you, Oh, me too. You know, the

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<v Speaker 1>amount of times that I have seen you at my

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<v Speaker 1>supermarket and wanted to just quickly pull you aside to

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<v Speaker 1>unpack your career is quite disturbing.

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<v Speaker 2>Do we have the same supermarket? We do?

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<v Speaker 1>Yes, we do.

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<v Speaker 2>Next time you have to stop me.

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<v Speaker 1>Well, during COVID, i'd often see you with your family

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<v Speaker 1>at Homo Oval Yep. Yeah, and so and my partner

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<v Speaker 1>would be like, stop looking at Kat Stewart. She does

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<v Speaker 1>not want to have a sit down interview.

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<v Speaker 2>Oh so you've seen me in all my bedraggled glory ben.

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<v Speaker 1>Yes, and you've also seen me and mine as well,

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<v Speaker 1>except that you don't know who I am. So I'm

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<v Speaker 1>just the creepy guy, the creepy guy at the park.

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<v Speaker 2>Well that's the end of all that. Now I'm going

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<v Speaker 2>to be watching.

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<v Speaker 1>Out Well, look, five Bedrooms is back, and I just

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<v Speaker 1>have to ask you what makes you want to keep

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<v Speaker 1>coming back to and exploring this character.

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<v Speaker 2>I was already in love with the writers. I'd worked

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<v Speaker 2>with Michael Lucas and Christine Buttlett for you know, ten

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<v Speaker 2>years or so oh nine years or something over that

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<v Speaker 2>only many years of Offspring, and then having them asked

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<v Speaker 2>me to do this was just such a kick, because

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<v Speaker 2>I thought, this is really they write enough space that

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<v Speaker 2>I really love. It's not often, obviously, but they know

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<v Speaker 2>how to walk that fine line between heartbreak and comedy,

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<v Speaker 2>and they did that so well, so I knew I

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<v Speaker 2>was in safe hands. And then I fell madly in

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<v Speaker 2>love with the cast. It's a show that I really

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<v Speaker 2>It's the kind of show i'd watch, and it's an

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<v Speaker 2>Australia that I recognize and want to see more of.

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<v Speaker 2>It's inclusive and it's not cookie cutter. They kind of

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<v Speaker 2>there's this disparate group of people that somehow kind of

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<v Speaker 2>managed to make it work with a sense of humor,

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<v Speaker 2>and that's what it's all about.

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<v Speaker 1>Do you think that the show's popularity is a sign

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<v Speaker 1>that more and more Australians have add family archetype. I

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<v Speaker 1>guess you could say, well, yeah, I.

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<v Speaker 2>Think we have for a long time. I mean, I

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<v Speaker 2>think I mean to refer to offspring too much, but

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<v Speaker 2>that was something that was you know, that idea of

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<v Speaker 2>it's not families are the people you choose as well

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<v Speaker 2>as the people that you are born to, and sometimes

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<v Speaker 2>the people you choose, you know, are your real family.

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<v Speaker 2>I think that idea of a kind of a contemporary

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<v Speaker 2>family is something that Australia the world has been a

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<v Speaker 2>part of for a long time, and it's been reflected.

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<v Speaker 2>But yeah, I think Five Bedrooms takes it a step further,

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<v Speaker 2>and I think it also gives us an indication of,

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<v Speaker 2>you know, the housing crisis and you know what the

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<v Speaker 2>challenge is that we face today, but also celebrates what

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<v Speaker 2>kind of holds us together as well. It's an incredibly

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<v Speaker 2>positive and generous hearted show, which is really important to me.

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<v Speaker 2>I feel like we're putting something not sugarcoated, but just

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<v Speaker 2>something positive about into the world.

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<v Speaker 1>I just keep thinking every time I watch a season

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<v Speaker 1>when it comes back, I'm like, can I live with

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<v Speaker 1>four adults? Because I reckon, I'm a nightmare that live

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<v Speaker 1>with I don't think four adults would want to live

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<v Speaker 1>with me. Could you live with four other adults with

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<v Speaker 1>their interconnect loves.

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<v Speaker 2>These four or these five? I could because I adore them.

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<v Speaker 2>In fact, we went away for a weekend with all

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<v Speaker 2>our families and all our kids last series, and that

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<v Speaker 2>was just so much fun. I could. I would make

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<v Speaker 2>an exception for them. I never lived in a sharehouse.

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<v Speaker 2>I stayed at home, and then I moved in with

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<v Speaker 2>a with a boyfriend. So I skipped that hole, and

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<v Speaker 2>I kind of feel a bit sad about that looking back,

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<v Speaker 2>like I skipped that whole era. But yeah, I don't

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<v Speaker 2>know if I could do it. I'd have to be

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<v Speaker 2>very picky with these guys. I think they could.

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<v Speaker 1>You're living sort of vicariously through les anyway, so you've

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<v Speaker 1>had the experience exactly.

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<v Speaker 2>But the other thing is this series is for me,

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<v Speaker 2>the central theme for certainly Liz, and I think you know,

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<v Speaker 2>for the series generally, is when does this arrangement stop

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<v Speaker 2>being a good thing? You know, they were soft landing

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<v Speaker 2>and they looked after each other. They were all kind

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<v Speaker 2>of you know, floating around in the in their lives

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<v Speaker 2>and needing a safe landing space, and they provided that

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<v Speaker 2>for each other. They did become a de facto family,

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<v Speaker 2>But are they now hindering each other at all? And

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<v Speaker 2>I feel that, particularly with Liz and Harry, that perhaps

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<v Speaker 2>maybe they're stopping each other from you know, being, you know,

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<v Speaker 2>pursuing who they really should be. So there's that question

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<v Speaker 2>at the heart of it too, like at what point

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<v Speaker 2>does it out live its usefulness.

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<v Speaker 1>Once you mix people like this. I mean, I feel

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<v Speaker 1>like I'm a fairly extroverted social person, but then I

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<v Speaker 1>feel like the person that I am at home is

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<v Speaker 1>quite introverted, and that's quite complicated to complicating to sometimes

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<v Speaker 1>navigate with people because it's kind of like a bit

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<v Speaker 1>of a duality. And then if you're living with five

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<v Speaker 1>other adults who are navigating their own dualities and then

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<v Speaker 1>putting it all together, I mean, it's a recipe for drama,

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<v Speaker 1>great idea for a TV show.

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<v Speaker 2>Yeah, absolutely, you're so right, because our private and versus

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<v Speaker 2>our public designers are so different. Yeah, no, you're so right.

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<v Speaker 2>So it is complicated, and I think when they went

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<v Speaker 2>into this they didn't really factor that in.

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<v Speaker 1>Is there a storyline that's a particular favorite to you

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<v Speaker 1>now looking back, you know, maybe holistically over the four seasons,

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<v Speaker 1>Like is this something that you've really particularly enjoyed getting

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<v Speaker 1>into the menu.

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<v Speaker 2>I think what we were just discussing in terms of

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<v Speaker 2>when does something stop being healthy is interesting. But also

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<v Speaker 2>we had some glorious We had everyone back this season.

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<v Speaker 2>Last season in series three, we were filming during the

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<v Speaker 2>fifth lockdown. It's probably when we crossed paths on one

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<v Speaker 2>of our walks and so we couldn't get any interstate

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<v Speaker 2>cast in. So we had core cast, but we had

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<v Speaker 2>to recast and the writers had to do radical rewrites

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<v Speaker 2>to make the show happen. So that is a real thrill.

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<v Speaker 2>That was a thrill for all of us just to

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<v Speaker 2>have everyone back after you know, basically two years not

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<v Speaker 2>seeing some of our amazing supporting cast. So that was

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<v Speaker 2>we had people like Tracy Mann and Alan Dukes just

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<v Speaker 2>just glorious. You just wanted them to write. I was

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<v Speaker 2>happy to just be in a scene, not saying anything,

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<v Speaker 2>just watching Tracy Man. That was a real thrill for

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<v Speaker 2>me just generally, but also seeing Kate Jenkinson tear it up.

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<v Speaker 2>She's so funny. I loved. I loved having the guest

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<v Speaker 2>cast back. That meant a lot.

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<v Speaker 1>Who was your favorite Five Bedrooms character that is not

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<v Speaker 1>your own, like is there someone that you particularly really

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<v Speaker 1>enjoy unpacking and watching.

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<v Speaker 2>Oh that's hard because I love them all and it's

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<v Speaker 2>hard to separate the actors from the characters when I

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<v Speaker 2>know so.

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<v Speaker 1>Well, Oh, Sophie is joice, sop is Joe.

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<v Speaker 2>That's what it is, just like that band. What have

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<v Speaker 2>you done? I probably when you know, when I first

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<v Speaker 2>read the very you know, I got sent three scripts

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<v Speaker 2>that were so organized they'd already written three complete scripts

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<v Speaker 2>which barely changed. They were brilliant the very beginning. I thought,

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<v Speaker 2>Heather is an absolute cracker of a character, and Doris

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<v Speaker 2>has done something with her that is so nuanced and

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<v Speaker 2>real and grounded and beautiful. So yeah, I think she's

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<v Speaker 2>extraordinary and in that character is an absolute, absolute cracker.

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<v Speaker 2>It's a beautiful marriage that actor in that way.

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<v Speaker 1>Absolutely, you know, it's one of my favorite Australian. I mean,

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<v Speaker 1>I'm in my forties, so I've grown up with her

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<v Speaker 1>and you know, what was And I've spoken to on

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<v Speaker 1>this podcast about this. You know, we've often seen her

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<v Speaker 1>in secondary characters and she's always bright and steals the scene.

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<v Speaker 1>Like some movies she's in for five minutes and you go,

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<v Speaker 1>oh my god. And so I was really happy to

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<v Speaker 1>see her in this show where she is a main

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<v Speaker 1>character and she is a prominent feature of the story,

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<v Speaker 1>which you know, I feel like has been a long

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<v Speaker 1>time coming for her.

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<v Speaker 2>In some ways, She's always been a queen and just

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<v Speaker 2>to see her getting her rightful, her rightful notices just

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<v Speaker 2>so right. The first time I remember seeing her was

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<v Speaker 2>on See Change. She played the character that the wife

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<v Speaker 2>of Willie McGinnis, so thin she dies after an episode,

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<v Speaker 2>but she was so luminous that you can't you couldn't

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<v Speaker 2>believe that she was in it for such a short

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<v Speaker 2>period of time. She's just magnificent and a great stage

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<v Speaker 2>actor too. She's fantastic.

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<v Speaker 1>I've seen her in pretty much everything. I've seen you

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<v Speaker 1>in pretty much everything as well. My MTC membership is

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<v Speaker 1>mainly because of you, to be fair. Ah, what about

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<v Speaker 1>the chemistry though, you know, do you have particular chemistry

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<v Speaker 1>that you've found maybe even over the years that you

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<v Speaker 1>know it really resonates because you know, you're in this

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<v Speaker 1>with Roger Corsa, not that you know when you're in

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<v Speaker 1>Underbelly you had that many scenes with him, But is

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<v Speaker 1>there an actor that you've every time you're on screen

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<v Speaker 1>you go, oh, this is palpable again.

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<v Speaker 2>You're doing the sofa's choice Bene Roger's another one, and

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<v Speaker 2>he's just delightful. And when he was cast as Stuart,

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<v Speaker 2>I was thrilled and horrified simultaneously because I built up

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<v Speaker 2>the character of Stuart, who we hadn't meant in series

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<v Speaker 2>one as this dastedly, kind of horrible, manipulative older man.

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<v Speaker 2>And then this, you know, dashing Roger Corso's you know,

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<v Speaker 2>charming comes along and you think all of them, it

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<v Speaker 2>was kind of it tipped the scales a bit. I thought, all, wow,

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<v Speaker 2>it makes makes it a lot more believable that Liz

0:10:33.320 --> 0:10:35.920
<v Speaker 2>could find herself in this situation because he's so charming.

0:10:36.160 --> 0:10:39.439
<v Speaker 2>But sorry, going back to your question, I think, do

0:10:39.480 --> 0:10:43.719
<v Speaker 2>you know who really surprised me is Stephen Peacock. That

0:10:43.720 --> 0:10:45.800
<v Speaker 2>man can do That man can do anything. He is

0:10:46.040 --> 0:10:50.680
<v Speaker 2>a I love watching him work. He's so spontaneous and

0:10:50.720 --> 0:10:54.079
<v Speaker 2>he loves throwing in you know, different, a different little

0:10:54.120 --> 0:10:56.719
<v Speaker 2>something in each take. But he's so grounded and he's

0:10:56.720 --> 0:10:59.960
<v Speaker 2>so physical and he's so funny. I just I think

0:11:00.120 --> 0:11:02.040
<v Speaker 2>he's really special.

0:11:02.720 --> 0:11:04.600
<v Speaker 1>Crush on him. And you can't see this because it's

0:11:04.600 --> 0:11:06.840
<v Speaker 1>a podcast and people listening at home, they also can't

0:11:07.200 --> 0:11:10.000
<v Speaker 1>see this, but I'm actually mimicking his hair from this

0:11:10.120 --> 0:11:13.880
<v Speaker 1>series and right now. This is how odd the podcast

0:11:13.960 --> 0:11:15.439
<v Speaker 1>is going to get. People will like if it was

0:11:15.480 --> 0:11:19.120
<v Speaker 1>weird at the start, it's weirder. I just I don't know.

0:11:19.280 --> 0:11:21.280
<v Speaker 1>Maybe I'm trying to mask myself up a little bit,

0:11:21.360 --> 0:11:23.960
<v Speaker 1>but yes, I'm definitely wearing his hair right now, and

0:11:24.040 --> 0:11:27.320
<v Speaker 1>hopefully that will help me with the charm in my life.

0:11:27.720 --> 0:11:30.679
<v Speaker 2>It will. It's like, I think hair's half of it. Honestly,

0:11:30.920 --> 0:11:32.560
<v Speaker 2>hair is everything, as they saying, pleabay.

0:11:34.600 --> 0:11:36.920
<v Speaker 1>And this is another question which is hopefully it's not

0:11:36.920 --> 0:11:38.679
<v Speaker 1>a Sophie's Choice question, but it's These are all the

0:11:38.760 --> 0:11:41.200
<v Speaker 1>questions I've always wanted to ask you. Which character that

0:11:41.240 --> 0:11:44.679
<v Speaker 1>you've played is the most like you? And I'm assuming

0:11:44.679 --> 0:11:46.800
<v Speaker 1>as an actress, you know you are using you know,

0:11:46.880 --> 0:11:49.280
<v Speaker 1>fibers of who you really are. I mean, is Liz

0:11:49.440 --> 0:11:53.080
<v Speaker 1>or Nat Manning from Tangle Billy Proudman? I mean obviously

0:11:53.120 --> 0:11:56.760
<v Speaker 1>not ROBERTA Williams, because you're a gangster's wife. You know,

0:11:57.280 --> 0:11:59.600
<v Speaker 1>it's a particular character that you go, oh, that's probably

0:11:59.600 --> 0:12:01.360
<v Speaker 1>the closest to who I am.

0:12:01.760 --> 0:12:04.720
<v Speaker 2>I think it's sort of hard. I think the longer

0:12:04.720 --> 0:12:07.600
<v Speaker 2>you spend with a character, probably the more you kind

0:12:07.600 --> 0:12:09.720
<v Speaker 2>of melt into each other. I think that was certainly

0:12:09.800 --> 0:12:12.480
<v Speaker 2>the case because I did Billy Crowdman for so many years.

0:12:13.320 --> 0:12:17.480
<v Speaker 2>She started off being quite abrasive, and she sort of softened,

0:12:17.559 --> 0:12:20.000
<v Speaker 2>and I think we kind of met each other sort

0:12:20.000 --> 0:12:23.400
<v Speaker 2>of halfway by the end of it. I think you're right, Ben,

0:12:23.480 --> 0:12:25.920
<v Speaker 2>I think there are elements of me and each character,

0:12:25.920 --> 0:12:28.120
<v Speaker 2>but they're amplified for a particular role, and you try

0:12:28.120 --> 0:12:30.800
<v Speaker 2>and find what's truthful about you when you bring it out.

0:12:30.800 --> 0:12:32.920
<v Speaker 2>But I don't. I need a bit of distance, otherwise

0:12:32.960 --> 0:12:35.240
<v Speaker 2>I'd get self conscious. So I think I'm lucky that

0:12:35.440 --> 0:12:37.400
<v Speaker 2>lucky that I'm not quite any of those people.

0:12:37.559 --> 0:12:39.320
<v Speaker 1>I loved that you said that you didn't go back

0:12:39.320 --> 0:12:41.680
<v Speaker 1>and do Underbelly, because when they asked you to go

0:12:41.720 --> 0:12:43.240
<v Speaker 1>back and do Fat Tony, I can't remember what that

0:12:43.240 --> 0:12:45.760
<v Speaker 1>show is called now, And then you didn't want to

0:12:45.760 --> 0:12:47.679
<v Speaker 1>go back because you didn't want to kind of impersonate

0:12:47.760 --> 0:12:52.040
<v Speaker 1>your performance because you know by that point she'd be Roberta.

0:12:52.120 --> 0:12:54.680
<v Speaker 1>It becomes sort of more prominent in the media, so

0:12:54.720 --> 0:12:56.080
<v Speaker 1>there was different influences.

0:12:56.200 --> 0:12:59.880
<v Speaker 2>So yeah, that's right, that's right. Look, I didn't have

0:12:59.920 --> 0:13:02.040
<v Speaker 2>that access to the real person, and she wasn't nearly

0:13:02.080 --> 0:13:04.079
<v Speaker 2>as famous or she wasn't. You know, there was some

0:13:04.520 --> 0:13:06.160
<v Speaker 2>there was a little bit of footage, but not much.

0:13:06.240 --> 0:13:09.760
<v Speaker 2>So I kind of took some creative license I had

0:13:09.760 --> 0:13:15.240
<v Speaker 2>to in doing that betrayal. And but then going back,

0:13:15.280 --> 0:13:17.680
<v Speaker 2>I would have been working off a different kind of

0:13:17.800 --> 0:13:20.480
<v Speaker 2>completely different kind of set of influences, So yeah, it

0:13:20.960 --> 0:13:23.640
<v Speaker 2>would have been strange. So I think my mate Holly

0:13:23.640 --> 0:13:24.560
<v Speaker 2>Andrew did a great job.

0:13:24.760 --> 0:13:26.720
<v Speaker 1>Yeah, No, she was, she was fantastic. I mean, it's

0:13:26.800 --> 0:13:28.640
<v Speaker 1>very hard to take on a role which has been

0:13:28.679 --> 0:13:31.440
<v Speaker 1>made sort of significant like that. You know, Matt Lucas

0:13:31.800 --> 0:13:33.920
<v Speaker 1>very good friend of his it's m Rossiano, and he

0:13:33.960 --> 0:13:36.000
<v Speaker 1>came out publicly and said that, you know, Billy from

0:13:36.000 --> 0:13:39.040
<v Speaker 1>Offspring was kind of based on his friendship with her.

0:13:39.280 --> 0:13:42.320
<v Speaker 1>Did you ever meet m Rossiano and have a conversation

0:13:42.320 --> 0:13:44.440
<v Speaker 1>about this or did you use her in any way

0:13:44.800 --> 0:13:45.880
<v Speaker 1>to help you with that role?

0:13:46.440 --> 0:13:48.840
<v Speaker 2>See, I have found this out, I think a couple

0:13:48.840 --> 0:13:51.120
<v Speaker 2>of series in Okay, so I didn't find out, and

0:13:51.320 --> 0:13:53.200
<v Speaker 2>I've since got to know him quite well and I

0:13:53.240 --> 0:13:56.040
<v Speaker 2>love her, But I didn't know particularly at the time,

0:13:56.080 --> 0:13:58.520
<v Speaker 2>and I've sort of got to know her more since

0:13:58.559 --> 0:14:01.920
<v Speaker 2>Offspring finished, really, but yeah, he did, he did mention,

0:14:02.000 --> 0:14:04.480
<v Speaker 2>and now that makes so much sense to me looking back.

0:14:05.200 --> 0:14:07.200
<v Speaker 1>I just mate you being with em and you're like,

0:14:07.400 --> 0:14:10.040
<v Speaker 1>just like being with Billy, Like I mean, she's saying,

0:14:10.080 --> 0:14:12.040
<v Speaker 1>Billy brings back to me what's going on here?

0:14:12.600 --> 0:14:14.880
<v Speaker 2>Yeah, she's Oh, I love her so much. Yeah, Yeah,

0:14:14.920 --> 0:14:17.240
<v Speaker 2>she's a and I'm honored to have some of her

0:14:17.320 --> 0:14:18.959
<v Speaker 2>DNA and Billy. Yeah.

0:14:19.080 --> 0:14:22.360
<v Speaker 1>I mean Matt also, you know, is so prominent in

0:14:22.440 --> 0:14:25.240
<v Speaker 1>Five Bedrooms. Do you think or has he spoken to

0:14:25.240 --> 0:14:28.160
<v Speaker 1>you about any influences that he has with Liz, Like,

0:14:28.280 --> 0:14:30.240
<v Speaker 1>is there a real person in real life similar to

0:14:30.280 --> 0:14:33.760
<v Speaker 1>that Em Rosiano comparison?

0:14:34.400 --> 0:14:38.080
<v Speaker 2>No, and I Michael's. He was very clear that he

0:14:38.120 --> 0:14:41.040
<v Speaker 2>was really keen for me and Christine. They were keen

0:14:41.080 --> 0:14:43.920
<v Speaker 2>for me to play someone who is very different to

0:14:43.960 --> 0:14:48.440
<v Speaker 2>Billy since we'd work together so much on Offspring. But

0:14:48.480 --> 0:14:51.360
<v Speaker 2>in terms of where she comes from, I don't think

0:14:51.440 --> 0:14:54.800
<v Speaker 2>that there's a particular person in mind, and there's certainly

0:14:55.400 --> 0:14:57.920
<v Speaker 2>that's the thing about Liz. I mean, the challenge for

0:14:58.000 --> 0:14:59.960
<v Speaker 2>her is kind of she was a little bit unner

0:15:00.360 --> 0:15:02.360
<v Speaker 2>at the very beginning of series one, and then we

0:15:02.880 --> 0:15:05.360
<v Speaker 2>I think it was only episode five we actually found

0:15:05.400 --> 0:15:08.040
<v Speaker 2>out it was actually going on with her and why

0:15:08.120 --> 0:15:10.520
<v Speaker 2>she was so careful to keep up the facade and

0:15:10.520 --> 0:15:12.720
<v Speaker 2>not let anyone get too close because she had this

0:15:13.200 --> 0:15:16.240
<v Speaker 2>terrible disaster she was trying to avert behind the scenes.

0:15:16.440 --> 0:15:20.040
<v Speaker 2>And then subsequent series have been about kind of dismantling

0:15:21.160 --> 0:15:24.160
<v Speaker 2>her armor and kind of challenging her in different ways

0:15:24.200 --> 0:15:27.640
<v Speaker 2>and you know, humiliating her from time to time in

0:15:27.680 --> 0:15:31.080
<v Speaker 2>the most delightful ways, whether it's you know, dooing herself

0:15:31.800 --> 0:15:35.920
<v Speaker 2>in a bath with Harry's mother or whether it's I

0:15:36.120 --> 0:15:39.600
<v Speaker 2>get a a urinary tract infection. This series, like they've

0:15:39.600 --> 0:15:42.720
<v Speaker 2>they've find new and interesting ways to kind of challenge

0:15:42.720 --> 0:15:47.080
<v Speaker 2>her dignity and her persona of having her shit together.

0:15:47.240 --> 0:15:50.040
<v Speaker 1>That's why she's so choosy and so tasty, you know

0:15:50.080 --> 0:15:50.440
<v Speaker 1>what I mean.

0:15:50.840 --> 0:15:54.320
<v Speaker 2>Well, I just she really she really does try to

0:15:54.320 --> 0:15:56.000
<v Speaker 2>play things by the book, but she's got a lot

0:15:56.040 --> 0:16:02.080
<v Speaker 2>of status anxiety, and she is a little bit everyone. Yes, yeah,

0:16:02.080 --> 0:16:04.600
<v Speaker 2>but she has she's quite stoic, and but she makes

0:16:04.640 --> 0:16:06.680
<v Speaker 2>a lot of mistakes and I'm really fond of her

0:16:06.680 --> 0:16:08.400
<v Speaker 2>and She's challenged this series in a new way too,

0:16:08.440 --> 0:16:10.840
<v Speaker 2>because she, without giving away too much plot, she kind

0:16:10.880 --> 0:16:13.880
<v Speaker 2>of decides she makes some decisions that are a bit

0:16:13.920 --> 0:16:17.160
<v Speaker 2>a little bit dubious, and she tries to make amends

0:16:17.240 --> 0:16:22.240
<v Speaker 2>by making some really significant personal sacrifice, and that's really

0:16:22.280 --> 0:16:25.280
<v Speaker 2>interesting for her. She sort of lets go of all

0:16:25.320 --> 0:16:27.160
<v Speaker 2>the shine and the glamor and actually gets her hands

0:16:27.160 --> 0:16:29.560
<v Speaker 2>dirty and tries to do the right thing. And that

0:16:29.920 --> 0:16:30.960
<v Speaker 2>was really interesting to play.

0:16:31.000 --> 0:16:33.120
<v Speaker 1>I've only seen the first three episodes, and you know,

0:16:33.160 --> 0:16:35.520
<v Speaker 1>it's really funny. Was I got out my exercise bike.

0:16:35.560 --> 0:16:37.480
<v Speaker 1>I've got one a home, which you know, basically I

0:16:37.520 --> 0:16:38.800
<v Speaker 1>just yelled at in the corner of the room that

0:16:38.840 --> 0:16:42.280
<v Speaker 1>never does anything. And I got on the exercise bike

0:16:42.320 --> 0:16:44.360
<v Speaker 1>and put on the episodes and they rolled. So I

0:16:44.400 --> 0:16:47.800
<v Speaker 1>watched the three together. And I've never done so much

0:16:47.840 --> 0:16:50.480
<v Speaker 1>exercise or you know, being consistent on the bike, because

0:16:50.640 --> 0:16:52.440
<v Speaker 1>I've kind of got a bit of ADHD so I

0:16:52.440 --> 0:16:54.880
<v Speaker 1>get bored with things. But I watched three episodes and

0:16:54.880 --> 0:16:56.720
<v Speaker 1>I'm now thinner than I've ever been because I was

0:16:56.760 --> 0:16:57.520
<v Speaker 1>so engrossed.

0:16:57.760 --> 0:16:59.920
<v Speaker 2>Oh wow, I am so glad to be a part

0:17:00.000 --> 0:17:01.880
<v Speaker 2>out of your exercise routine.

0:17:02.000 --> 0:17:04.320
<v Speaker 1>Yes, of course, what an odd thing to say. You know.

0:17:04.480 --> 0:17:07.120
<v Speaker 1>I had image In Banks on the podcast last week.

0:17:07.160 --> 0:17:10.200
<v Speaker 1>We're talking about her new show Safe Home, which is amazing.

0:17:10.240 --> 0:17:12.720
<v Speaker 2>Watched it all? Have you watched it all? I watched

0:17:12.760 --> 0:17:14.160
<v Speaker 2>I finished it two nights ago.

0:17:14.280 --> 0:17:17.320
<v Speaker 1>But Imagen, though, brought up that she was talking to

0:17:17.800 --> 0:17:21.240
<v Speaker 1>the collaborators for Tangle, and just before she spoke to me,

0:17:21.280 --> 0:17:23.399
<v Speaker 1>she was like, I've just got a text message. Funny

0:17:23.400 --> 0:17:26.960
<v Speaker 1>that you're mentioning Tangle. I'm saying, you know, Tangle season four?

0:17:27.000 --> 0:17:29.480
<v Speaker 1>Would you be interested? And so we were talking that

0:17:29.600 --> 0:17:33.119
<v Speaker 1>particular show and you know, wanting to go back and

0:17:33.160 --> 0:17:36.040
<v Speaker 1>see where those people are. Is that a character that

0:17:36.119 --> 0:17:37.200
<v Speaker 1>you would want to go back?

0:17:37.359 --> 0:17:42.240
<v Speaker 2>And actually I have been pestering Imaging for years saying,

0:17:42.280 --> 0:17:44.440
<v Speaker 2>I reckon, they're out of jail. Now I reckon they're out.

0:17:44.480 --> 0:17:48.760
<v Speaker 2>I reckon, It's time to see where they're at. Yeah, yeah, yes, yeah,

0:17:49.000 --> 0:17:51.080
<v Speaker 2>I would do Nat Manning again in a heartbeat. I

0:17:51.160 --> 0:17:53.280
<v Speaker 2>just I love doing that show. That was a dream

0:17:53.600 --> 0:17:56.000
<v Speaker 2>a dream cast. I'm saying that about everything, but it

0:17:56.040 --> 0:17:59.040
<v Speaker 2>really was it. Really I do that again in a heartbeat.

0:17:59.119 --> 0:18:01.200
<v Speaker 2>I love Net Everyone so naughty.

0:18:01.480 --> 0:18:04.200
<v Speaker 1>Actually, all of the actresses another series where the actresses

0:18:04.600 --> 0:18:07.840
<v Speaker 1>sort of overshadowed the men somehow because they were just

0:18:07.880 --> 0:18:10.440
<v Speaker 1>so deliciously played by all of you.

0:18:10.440 --> 0:18:15.399
<v Speaker 2>You know, just think Clark and Keta Mcclearan's May of Friends.

0:18:15.400 --> 0:18:16.560
<v Speaker 1>I want them to be my friends.

0:18:16.880 --> 0:18:18.880
<v Speaker 2>No, I mean, strictly speaking, I don't. I don't hang

0:18:18.920 --> 0:18:21.040
<v Speaker 2>out with any of them, but when you're working together,

0:18:21.640 --> 0:18:24.240
<v Speaker 2>you know, we don't, you know, just I mean, I

0:18:24.280 --> 0:18:26.080
<v Speaker 2>just if I see them, I'm so pleased to see them,

0:18:26.119 --> 0:18:29.040
<v Speaker 2>but it's a moment in time where you just you're

0:18:29.920 --> 0:18:33.840
<v Speaker 2>kind of connected by the shared passion. And yeah, I'm

0:18:33.880 --> 0:18:35.920
<v Speaker 2>such massive fans of them both. I'd love to do

0:18:36.040 --> 0:18:37.800
<v Speaker 2>that again. And also the kids have grown up and

0:18:37.840 --> 0:18:38.640
<v Speaker 2>done amazing people.

0:18:38.680 --> 0:18:41.280
<v Speaker 1>Oh of course, of course, so many of them have

0:18:41.320 --> 0:18:43.679
<v Speaker 1>become so so massive, like you know, getting a lot

0:18:43.680 --> 0:18:45.840
<v Speaker 1>of more heaven overseas. It's the one thing I always

0:18:45.840 --> 0:18:48.280
<v Speaker 1>think of when I see you in an MTC production.

0:18:48.400 --> 0:18:51.320
<v Speaker 1>I'm watching you on television, however I've found you. I'm

0:18:51.320 --> 0:18:55.600
<v Speaker 1>always thinking about Australians wanting to work overseas and what

0:18:55.760 --> 0:18:57.919
<v Speaker 1>it is about you that has wanted to tell more

0:18:57.960 --> 0:19:00.880
<v Speaker 1>Australian stories. I mean, I'm sure that there's been opportunities

0:19:00.880 --> 0:19:03.679
<v Speaker 1>to sort of audition for things in different markets. But

0:19:03.920 --> 0:19:06.399
<v Speaker 1>is it a conscious decision on your behalf to not

0:19:06.520 --> 0:19:09.399
<v Speaker 1>be one of those Australians to play an overseas career.

0:19:09.720 --> 0:19:12.879
<v Speaker 2>Well, I kind of. I'd been working kind of in

0:19:12.920 --> 0:19:15.399
<v Speaker 2>obscurity here for a long time before I got a

0:19:15.400 --> 0:19:17.680
<v Speaker 2>break here, and it was in the age. I'm sort

0:19:17.680 --> 0:19:20.720
<v Speaker 2>of the age group where you didn't automatically go overseas.

0:19:20.760 --> 0:19:23.680
<v Speaker 2>You tended to go overseas with some kind of calling card,

0:19:23.920 --> 0:19:26.440
<v Speaker 2>and I didn't get that calling card until my thirties,

0:19:26.720 --> 0:19:29.480
<v Speaker 2>and at that point it was I mean, I auditioned

0:19:29.520 --> 0:19:31.840
<v Speaker 2>for things. In fact, I did a couple of deals

0:19:31.840 --> 0:19:33.360
<v Speaker 2>where I was, you know, I'd signed away seven years

0:19:33.359 --> 0:19:35.679
<v Speaker 2>in my life a couple of times, and then they

0:19:35.760 --> 0:19:37.840
<v Speaker 2>cast the more famous person in I. But I kind

0:19:37.840 --> 0:19:40.200
<v Speaker 2>of wrapped my head around doing that and got close

0:19:40.240 --> 0:19:44.040
<v Speaker 2>to some big couple of big network things. But ultimately

0:19:44.080 --> 0:19:45.800
<v Speaker 2>I didn't want to go over and do the whole

0:19:46.040 --> 0:19:49.680
<v Speaker 2>coup surfing thing because I just thought, my life's here

0:19:49.680 --> 0:19:52.080
<v Speaker 2>and my family's here, and if something happened, I'd always

0:19:52.080 --> 0:19:56.040
<v Speaker 2>be open to it. But really, I've been fortunate enough

0:19:56.080 --> 0:19:58.160
<v Speaker 2>to be busy enough here so that I didn't kind

0:19:58.200 --> 0:20:01.760
<v Speaker 2>of need to. Yeah, yeah, And there have been quiet times,

0:20:01.760 --> 0:20:03.959
<v Speaker 2>of course, and it's during the quiet times that you think,

0:20:04.160 --> 0:20:06.560
<v Speaker 2>you know, maybe I should, But I've got kids now, Like,

0:20:06.560 --> 0:20:08.600
<v Speaker 2>there's no way, there's no way unless I went over

0:20:08.640 --> 0:20:09.960
<v Speaker 2>with the job that I do it, I can't go

0:20:10.359 --> 0:20:12.520
<v Speaker 2>cauchsurfing with you know, an eleven and a seven year

0:20:12.560 --> 0:20:13.000
<v Speaker 2>old is just.

0:20:13.119 --> 0:20:15.440
<v Speaker 1>Going to bring my children and my husband and we're.

0:20:15.240 --> 0:20:21.280
<v Speaker 2>Going to go, yes, oh yeah, I'm sure she'd have

0:20:21.280 --> 0:20:26.160
<v Speaker 2>a lovely big couch. Unfortunately I'm not on couch surfing terms.

0:20:26.200 --> 0:20:27.040
<v Speaker 2>Through the cold kidneth.

0:20:28.080 --> 0:20:30.639
<v Speaker 1>But also I think as well, we've been extremely lucky

0:20:30.680 --> 0:20:34.520
<v Speaker 1>to have you because I think your exploration of Australia

0:20:34.680 --> 0:20:37.800
<v Speaker 1>and Australians and the human condition without making it sound

0:20:38.280 --> 0:20:41.320
<v Speaker 1>very oprah has been fascinating to watch because all of

0:20:41.320 --> 0:20:45.240
<v Speaker 1>these collected characters are in some ways a representation of

0:20:45.280 --> 0:20:46.960
<v Speaker 1>who we are and the culture that we have here

0:20:46.960 --> 0:20:49.960
<v Speaker 1>in Australia. And I think, you know, what an amazing

0:20:50.040 --> 0:20:52.120
<v Speaker 1>career to continue to explore that.

0:20:52.880 --> 0:20:55.320
<v Speaker 2>Ah Ben, that's so lovely. Thank you for saying that.

0:20:56.000 --> 0:20:59.440
<v Speaker 2>I really I love that I've been able to tell

0:20:59.560 --> 0:21:04.280
<v Speaker 2>Australia stories and For me, acting is more than a job.

0:21:04.440 --> 0:21:07.280
<v Speaker 2>It's a real genuine passion. It's what I love to do,

0:21:07.640 --> 0:21:12.040
<v Speaker 2>and I think it's a really great way to explore

0:21:12.400 --> 0:21:15.200
<v Speaker 2>different points of view and different lived experiences. And I've

0:21:15.240 --> 0:21:19.520
<v Speaker 2>learned so much about myself and about humans by playing

0:21:19.520 --> 0:21:20.480
<v Speaker 2>these different characters.

0:21:20.520 --> 0:21:22.400
<v Speaker 1>Where as we as an audience get to do through

0:21:22.440 --> 0:21:25.080
<v Speaker 1>you vicariously. You know, we explore these things that you

0:21:25.119 --> 0:21:28.159
<v Speaker 1>go through because they feel just as real as the

0:21:28.160 --> 0:21:29.800
<v Speaker 1>people that we know in our real lives.

0:21:30.080 --> 0:21:32.119
<v Speaker 2>You couldn't have said anything nicer to me, Ben, Thank you.

0:21:32.200 --> 0:21:33.879
<v Speaker 2>I think that makes me very happy.

0:21:34.000 --> 0:21:36.800
<v Speaker 1>Well, another stupid question for you before you go finishing up.

0:21:37.160 --> 0:21:37.880
<v Speaker 2>Let's down.

0:21:37.880 --> 0:21:40.600
<v Speaker 1>We're bringing it right down, now, bring it. I love

0:21:40.640 --> 0:21:42.720
<v Speaker 1>Paramount Plus. I'm literally obsessed with It's one of my

0:21:42.720 --> 0:21:45.320
<v Speaker 1>favorite streaming services. Hopefully not none of the other publicists

0:21:45.320 --> 0:21:47.479
<v Speaker 1>from any other streaming services are listening to this episode.

0:21:47.520 --> 0:21:49.960
<v Speaker 1>They probably are, and I apologize, but I'm obsessed with

0:21:50.040 --> 0:21:53.280
<v Speaker 1>Yellowjackets and so many other shows. But do you get

0:21:53.280 --> 0:21:56.760
<v Speaker 1>a lifetime subscription At this point, you've done four you know,

0:21:56.840 --> 0:21:59.359
<v Speaker 1>like you've done four seasons of this show. You'll probably

0:21:59.359 --> 0:22:01.280
<v Speaker 1>do five. I feel like they owe you a free

0:22:01.320 --> 0:22:02.080
<v Speaker 1>subscription for what.

0:22:02.480 --> 0:22:07.239
<v Speaker 2>Well, you know, I did get like a subscription and

0:22:07.280 --> 0:22:11.440
<v Speaker 2>I lost the thing, and I actually I went to

0:22:11.680 --> 0:22:15.040
<v Speaker 2>give myself a little refresh of the Five Bedrooms episodes

0:22:15.560 --> 0:22:18.760
<v Speaker 2>before in doing some chats today, and I couldn't log

0:22:18.800 --> 0:22:21.360
<v Speaker 2>on and I can't find the we got to get

0:22:21.359 --> 0:22:23.919
<v Speaker 2>that sort of So at the moment, I'm locked out

0:22:23.920 --> 0:22:26.680
<v Speaker 2>at Paramount Plus. But I'm not meant to be. It's

0:22:26.720 --> 0:22:28.040
<v Speaker 2>just my own incompetence.

0:22:28.240 --> 0:22:30.520
<v Speaker 1>That's so fascinating because you know, when you return to

0:22:30.600 --> 0:22:32.640
<v Speaker 1>characters like this, of course, I feel like you'd need

0:22:32.680 --> 0:22:35.560
<v Speaker 1>to go back, and in no other industry can you

0:22:35.840 --> 0:22:38.840
<v Speaker 1>pop back in and just catch up on that character.

0:22:39.160 --> 0:22:41.720
<v Speaker 1>It's fascinating to know that that's something that you would do.

0:22:41.800 --> 0:22:43.200
<v Speaker 1>Or is that more to talk to the media or

0:22:43.240 --> 0:22:44.480
<v Speaker 1>is that yeah, you know.

0:22:44.480 --> 0:22:46.199
<v Speaker 2>Just just just so I could think, you know, what

0:22:46.240 --> 0:22:48.200
<v Speaker 2>happens in this episode, what happens in that Episodecuse it

0:22:48.200 --> 0:22:49.880
<v Speaker 2>becomes a bit of a blur after a while, yeah,

0:22:49.880 --> 0:22:51.919
<v Speaker 2>because you're filming a couple of episodes at once, and

0:22:52.000 --> 0:22:54.000
<v Speaker 2>it was, you know, we finished just before Christmas, so

0:22:54.080 --> 0:22:56.840
<v Speaker 2>it's a little while ago now, but I remember the basics.

0:22:56.840 --> 0:22:59.119
<v Speaker 2>But yeah, I'm locked out at the moment. I'm locked own.

0:22:59.359 --> 0:23:01.280
<v Speaker 1>It'd be awkward that people were saying, you know what

0:23:01.280 --> 0:23:03.119
<v Speaker 1>about this scene with Roger Corser and you're like, what

0:23:03.119 --> 0:23:04.880
<v Speaker 1>do you mean? I don't know what you're talking about.

0:23:07.960 --> 0:23:10.240
<v Speaker 1>What are you working on next? Have you got another

0:23:10.240 --> 0:23:12.080
<v Speaker 1>project lined up? Is there something else coming up that

0:23:12.119 --> 0:23:12.879
<v Speaker 1>we can look forward to?

0:23:13.240 --> 0:23:16.840
<v Speaker 2>Well? While I was breaking Paramount Plus, yes, I filmed

0:23:16.840 --> 0:23:20.359
<v Speaker 2>something finished in April. It's called One Night, which is

0:23:20.359 --> 0:23:22.200
<v Speaker 2>going to be on Paramount Plus. I'm not sure when

0:23:22.200 --> 0:23:24.120
<v Speaker 2>I think it'll be later this year or next year.

0:23:24.240 --> 0:23:29.400
<v Speaker 2>It's completely different. It's about three women and their friendship

0:23:29.480 --> 0:23:31.720
<v Speaker 2>going back and sort of flashes between the nineties and

0:23:31.800 --> 0:23:35.920
<v Speaker 2>current day and a traumatic event that happened to them,

0:23:36.200 --> 0:23:38.359
<v Speaker 2>you know, to late teenagers, and how they've dealt with

0:23:38.400 --> 0:23:41.560
<v Speaker 2>it subsequently. And it's got a brilliant international and this

0:23:41.760 --> 0:23:45.080
<v Speaker 2>local cast. I'm playing opposite Jodie Whittaker, who's doctor who

0:23:45.680 --> 0:23:47.640
<v Speaker 2>and has done broad Church and all sorts of great things.

0:23:47.680 --> 0:23:51.959
<v Speaker 2>I play her wife, and I'm playing a British character

0:23:52.080 --> 0:23:55.080
<v Speaker 2>and it's a support role that I was up and

0:23:55.080 --> 0:23:56.560
<v Speaker 2>down for Sydney for that, and I'm just I think

0:23:56.600 --> 0:23:58.679
<v Speaker 2>it's it's going to be an absolute ripper.

0:23:58.920 --> 0:24:00.280
<v Speaker 1>Well, it might be a little bit AMBITI but I

0:24:00.320 --> 0:24:01.560
<v Speaker 1>think we're going to have to get your logged back

0:24:01.560 --> 0:24:03.400
<v Speaker 1>into Paramount Past by the time that comes out.

0:24:03.600 --> 0:24:07.440
<v Speaker 2>Yes, yeah, I need to make some someone calls do we.

0:24:07.400 --> 0:24:10.560
<v Speaker 1>Know anything about series five? I know that we're talking

0:24:10.560 --> 0:24:13.119
<v Speaker 1>about series four and it might be ambitious on my behalf,

0:24:13.160 --> 0:24:15.080
<v Speaker 1>But do you know whether or not? Because I know

0:24:15.200 --> 0:24:16.800
<v Speaker 1>with some shows and I was talking about that with

0:24:16.880 --> 0:24:19.120
<v Speaker 1>Image and that sometimes you can sign up for three

0:24:19.200 --> 0:24:21.119
<v Speaker 1>to make sure that you lock in a cast. Are

0:24:21.119 --> 0:24:23.640
<v Speaker 1>you allowed to even talk about it? Can we expect more.

0:24:24.160 --> 0:24:26.879
<v Speaker 2>To be honest with you? Then often it's the actors

0:24:26.880 --> 0:24:29.040
<v Speaker 2>that are the last to know, like they put it

0:24:29.119 --> 0:24:32.080
<v Speaker 2>all together before they talk to us. But we're not

0:24:32.200 --> 0:24:35.440
<v Speaker 2>optioned for anymore. That we love doing it, like anything's possible.

0:24:35.440 --> 0:24:37.160
<v Speaker 2>But I kind of think where they leave us at

0:24:37.160 --> 0:24:39.440
<v Speaker 2>the end of a poor you could leave it there.

0:24:39.880 --> 0:24:43.440
<v Speaker 2>But also Michael and Christine as such magicians, they could

0:24:43.440 --> 0:24:46.280
<v Speaker 2>make anything happen. I don't know. We'll see my hope,

0:24:46.320 --> 0:24:47.320
<v Speaker 2>see what the audiences think.

0:24:47.480 --> 0:24:50.360
<v Speaker 1>Yeah, the last question I ask everyone who joins the podcast,

0:24:50.359 --> 0:24:52.240
<v Speaker 1>thank you also for being so generous and being here

0:24:52.359 --> 0:24:55.080
<v Speaker 1>is what if something from behind the scenes of Five Bedrooms,

0:24:55.119 --> 0:24:57.679
<v Speaker 1>something that we as an audience wouldn't see, maybe like

0:24:57.720 --> 0:24:59.919
<v Speaker 1>a bit of a funny story that's happened behind the scenes,

0:25:00.800 --> 0:25:01.280
<v Speaker 1>well kind of.

0:25:01.359 --> 0:25:04.800
<v Speaker 2>Probably the biggest shenanigans behind the scenes was not being

0:25:04.840 --> 0:25:07.880
<v Speaker 2>able to get any any supporting cast in. I don't

0:25:07.880 --> 0:25:10.320
<v Speaker 2>think he'd mind me saying this, or he'd be open. Roger, course,

0:25:10.400 --> 0:25:14.160
<v Speaker 2>was only meant to come for one episode in series two.

0:25:14.160 --> 0:25:15.479
<v Speaker 2>That was it. It was meant to be the end

0:25:15.480 --> 0:25:17.719
<v Speaker 2>of him, and I was meant to go on to

0:25:17.760 --> 0:25:22.480
<v Speaker 2>have a big romance with Ben's brother, played by beautiful

0:25:22.640 --> 0:25:26.760
<v Speaker 2>Daniel Joseph. He played Joseph. He's fantastic and so that

0:25:26.880 --> 0:25:30.199
<v Speaker 2>was cooking. And then the pandemic hit and we had

0:25:30.200 --> 0:25:32.320
<v Speaker 2>to fly him out. So he leaves quite abruptly, and

0:25:32.359 --> 0:25:35.399
<v Speaker 2>they were able to bring Roger, bless his cotton socks,

0:25:35.720 --> 0:25:38.320
<v Speaker 2>agreed to come back, even though it was quite stressful

0:25:38.359 --> 0:25:40.680
<v Speaker 2>and you know, COVID was really heating up. He came

0:25:40.720 --> 0:25:43.639
<v Speaker 2>back and we were able to pick up on that relationship,

0:25:43.720 --> 0:25:46.359
<v Speaker 2>which was gold because I think they were really happy

0:25:46.400 --> 0:25:49.399
<v Speaker 2>with our chemistry and so they were really excited to

0:25:49.840 --> 0:25:52.960
<v Speaker 2>explore it more. But that wasn't the original plan, so

0:25:53.000 --> 0:25:54.840
<v Speaker 2>that was just the way things worked out. So that

0:25:54.920 --> 0:25:57.359
<v Speaker 2>was a bit of excitement behind the scenes. He's the

0:25:57.400 --> 0:26:02.120
<v Speaker 2>real deal Roger and such funny, good company and it's

0:26:02.160 --> 0:26:05.120
<v Speaker 2>completely down to earth, no funt about him at all.

0:26:05.240 --> 0:26:09.480
<v Speaker 2>And then but when the camera rolls, he just clicks in. Yeah, yeah,

0:26:09.480 --> 0:26:10.320
<v Speaker 2>I love working with him.

0:26:10.400 --> 0:26:11.919
<v Speaker 1>But for people out there that are listening to this,

0:26:12.080 --> 0:26:14.919
<v Speaker 1>definitely tune in. If you haven't seen any of Five Bedrooms,

0:26:14.960 --> 0:26:17.000
<v Speaker 1>then you are so wrong and you need to go

0:26:17.040 --> 0:26:19.840
<v Speaker 1>and fix that immediately and catch up on it. The

0:26:19.920 --> 0:26:22.400
<v Speaker 1>new season comes out this week, which is so good,

0:26:22.680 --> 0:26:24.280
<v Speaker 1>and Kat, can I just say that, what an honor

0:26:24.440 --> 0:26:26.320
<v Speaker 1>to have this time and to talk to you And

0:26:26.600 --> 0:26:28.800
<v Speaker 1>it's yeah, a bucket listening for me for sure.

0:26:29.080 --> 0:26:32.560
<v Speaker 2>Oh Ben, I am so chucked. And now that we

0:26:32.640 --> 0:26:35.920
<v Speaker 2>know where we're neighbors, there's no stopping here, so next

0:26:35.920 --> 0:26:36.840
<v Speaker 2>time we'll talk.

0:26:37.119 --> 0:26:38.959
<v Speaker 1>So you're pointing at your kids, that's the widow, that's

0:26:39.000 --> 0:26:41.159
<v Speaker 1>the one over there. You watch him. I'll do the

0:26:41.200 --> 0:26:43.240
<v Speaker 1>supermarket shopping and we'll get out of here, all right,

0:26:44.160 --> 0:26:45.080
<v Speaker 1>don't make eye contact.

0:26:45.200 --> 0:26:45.720
<v Speaker 2>Quick walk