1 00:00:00,040 --> 00:00:02,640 Speaker 1: Hey, Julian Morris kicks it off today, guys, so you 2 00:00:02,640 --> 00:00:04,920 Speaker 1: can enjoy that. That's a hood of a time, hood 3 00:00:04,920 --> 00:00:07,560 Speaker 1: of a chat. As always, she's she's wild. She weighs 4 00:00:07,600 --> 00:00:10,600 Speaker 1: in on Woo his relationship with Abby Chatfield as well, 5 00:00:10,640 --> 00:00:11,360 Speaker 1: which is interesting. 6 00:00:11,720 --> 00:00:14,440 Speaker 2: She doesn't sway in on that really, on the fact 7 00:00:14,480 --> 00:00:15,520 Speaker 2: that she does have any ways, in. 8 00:00:17,239 --> 00:00:20,040 Speaker 1: She commented on what Wood you should do. Absolutely, there 9 00:00:20,120 --> 00:00:21,880 Speaker 1: is a relationship. There's a relationship with it. 10 00:00:22,600 --> 00:00:24,599 Speaker 2: No, but I haven't even I've never met her in person. 11 00:00:24,720 --> 00:00:26,160 Speaker 1: But you have a relationship with her. 12 00:00:26,239 --> 00:00:27,880 Speaker 2: Yeah, yeah, yeah, But you made it seem like we 13 00:00:27,880 --> 00:00:29,040 Speaker 2: were going out, and that would be real. 14 00:00:29,400 --> 00:00:32,959 Speaker 1: You did. I just said, I just said a relationship 15 00:00:32,960 --> 00:00:33,159 Speaker 1: with her. 16 00:00:33,240 --> 00:00:35,160 Speaker 2: Yeah, that makes it sound like you're in a relationship. 17 00:00:35,159 --> 00:00:38,320 Speaker 1: It's I'm talking about going out with her. Man, hold hold, 18 00:00:38,720 --> 00:00:42,000 Speaker 1: stop lawyering me. He lawyers, I didn't. I didn't ing me. 19 00:00:42,120 --> 00:00:44,920 Speaker 1: I didn't lay you at all. Order in the court 20 00:00:46,400 --> 00:00:50,120 Speaker 1: talking about your romantic relationship with Aby Chadfield. 21 00:00:50,120 --> 00:00:51,880 Speaker 2: A relationship with it, Yeah, bloody lawyer. 22 00:00:51,960 --> 00:00:55,880 Speaker 1: Anyway, vaccine chat as well, the fize of vaccine is 23 00:00:55,880 --> 00:00:57,800 Speaker 1: holding everybody's tongues at the moment. 24 00:00:58,320 --> 00:00:59,960 Speaker 2: Yeah, bloody Earth it is, and then we talk about 25 00:01:00,040 --> 00:01:01,520 Speaker 2: posh spas and what our dad used to do to 26 00:01:01,560 --> 00:01:04,080 Speaker 2: embarrasser at school. Pickup someone say, what do you bring 27 00:01:04,200 --> 00:01:05,840 Speaker 2: up that news? That's like, surely that news would be 28 00:01:05,920 --> 00:01:08,240 Speaker 2: years and years old. It's been pitching it for that long. 29 00:01:09,280 --> 00:01:10,560 Speaker 2: And then we bring it home in a bit of 30 00:01:10,640 --> 00:01:14,440 Speaker 2: Sex and the City gear, who's the big character that's 31 00:01:14,440 --> 00:01:17,800 Speaker 2: missed out or who is missing out on the reboot. 32 00:01:17,360 --> 00:01:19,960 Speaker 1: You've actually skipped as well? What the podcast title is about, 33 00:01:20,000 --> 00:01:23,640 Speaker 1: which is about a seventy six year old Netflix and chilling. 34 00:01:23,560 --> 00:01:24,520 Speaker 2: Oh yeah, wait? 35 00:01:24,920 --> 00:01:28,319 Speaker 1: Is in and around the vaccine chat We try and say, well, 36 00:01:28,360 --> 00:01:30,600 Speaker 1: I'll let you guys here that the creative way we 37 00:01:30,680 --> 00:01:33,480 Speaker 1: link the fires of vaccine and a seventy six year 38 00:01:33,480 --> 00:01:35,319 Speaker 1: oldn't want to show you how the sausages made. You know, 39 00:01:35,440 --> 00:01:37,160 Speaker 1: magician never reveals his tricks. 40 00:01:36,920 --> 00:01:41,520 Speaker 2: Way more exciting, So enjoy it, guys. Plus, halfway through 41 00:01:41,720 --> 00:01:44,520 Speaker 2: this podcast, are you going to hear an answer to 42 00:01:44,560 --> 00:01:47,280 Speaker 2: the quiz? In tomorrow's show at five o'clock Astrain East 43 00:01:47,319 --> 00:01:49,000 Speaker 2: and Standard time, you can stream us if you're not 44 00:01:49,040 --> 00:01:51,720 Speaker 2: in that Lucas, Oh jolly, you dropped your pen there? 45 00:01:53,200 --> 00:01:55,160 Speaker 1: All right, We're going to go into the podcast. The 46 00:01:55,360 --> 00:02:12,440 Speaker 1: half time would go and where is bard? Nobody doesn't 47 00:02:12,520 --> 00:02:37,560 Speaker 1: care what I care. Listen, listen, listen. The reason that 48 00:02:37,600 --> 00:02:40,000 Speaker 1: we are giggling like school girls has got Julia Morris 49 00:02:40,000 --> 00:02:44,360 Speaker 1: in the studio. She's got a brand new audible tape. 50 00:02:44,840 --> 00:02:46,680 Speaker 1: It was not a tape. I suppose an audible track. 51 00:02:47,160 --> 00:02:49,840 Speaker 3: It could be a tape old school, or. 52 00:02:49,840 --> 00:02:51,280 Speaker 1: You can't get it on a tape, so let's not. 53 00:02:51,360 --> 00:02:53,160 Speaker 1: Let's not lead people down the garden car there. You 54 00:02:53,200 --> 00:02:55,799 Speaker 1: download the app audible and you can get it pre 55 00:02:55,960 --> 00:02:58,239 Speaker 1: ordered today. It's Abolutum in the twenty thirty February and 56 00:02:58,240 --> 00:03:01,600 Speaker 1: it's called Julia Morris Makes It Easy. Yes, it's all 57 00:03:01,639 --> 00:03:03,720 Speaker 1: about how to make your life a lot easier with 58 00:03:03,840 --> 00:03:04,480 Speaker 1: Julia Morris. 59 00:03:04,720 --> 00:03:07,560 Speaker 3: Easy is the thing. Easy obviously, you guys know, has 60 00:03:07,600 --> 00:03:09,799 Speaker 3: been a nickname of mine for many years, and so 61 00:03:09,919 --> 00:03:13,600 Speaker 3: I wanted to take that and then and use that 62 00:03:13,680 --> 00:03:16,720 Speaker 3: in a way where I can do lots of what 63 00:03:16,760 --> 00:03:19,000 Speaker 3: I do in my private home. So the idea was 64 00:03:19,200 --> 00:03:21,560 Speaker 3: obviously lots of self help books out there, but who 65 00:03:21,680 --> 00:03:25,520 Speaker 3: knows more about life than celebrities? You know what I mean? 66 00:03:25,560 --> 00:03:31,839 Speaker 3: You've got your sort of you got your virgine candles. 67 00:03:29,880 --> 00:03:33,240 Speaker 1: Just sort of Gwyneth Poultry was doing them. My mum's 68 00:03:33,240 --> 00:03:33,480 Speaker 1: on them. 69 00:03:33,480 --> 00:03:36,400 Speaker 3: But going Julian, you've got like you've got your coffee, 70 00:03:36,760 --> 00:03:41,960 Speaker 3: You've got your caffeine waky waky, caffeine body. That's a 71 00:03:42,000 --> 00:03:44,680 Speaker 3: coffee scenario. The celebrities like to there's like. 72 00:03:47,800 --> 00:03:48,600 Speaker 1: Caffeine body. 73 00:03:49,080 --> 00:03:54,120 Speaker 2: The canal's doing that. 74 00:03:54,160 --> 00:03:58,040 Speaker 3: One's easier way to drink coffee whatever. 75 00:04:00,120 --> 00:04:03,640 Speaker 1: Julia apparently So it's called Julia Morris makes it easy 76 00:04:03,960 --> 00:04:07,080 Speaker 1: and apparently easy it stands for something it. 77 00:04:07,040 --> 00:04:10,560 Speaker 3: Does, So the E and easy, well, it stands for 78 00:04:11,120 --> 00:04:15,080 Speaker 3: what to expect, lowering your expectations in life. So like, yeah, okay, 79 00:04:15,200 --> 00:04:16,919 Speaker 3: I want to I want to win and ask your 80 00:04:17,080 --> 00:04:19,240 Speaker 3: no no. What I want to do is just make 81 00:04:19,279 --> 00:04:20,120 Speaker 3: it out of bed today. 82 00:04:20,400 --> 00:04:23,080 Speaker 1: Yes, win, feed on the floor. 83 00:04:23,160 --> 00:04:23,800 Speaker 2: You've got to win. 84 00:04:24,200 --> 00:04:26,520 Speaker 3: So lowering your expectations is certainly going to go a 85 00:04:26,520 --> 00:04:29,200 Speaker 3: long way to make the system work. The A in 86 00:04:29,320 --> 00:04:31,920 Speaker 3: easy stands for armor yourself. So you're gonna get You've 87 00:04:31,920 --> 00:04:34,360 Speaker 3: gotta get strong to make sure that you don't care 88 00:04:34,520 --> 00:04:37,720 Speaker 3: less what people think it is, you don't care. Armored up, 89 00:04:37,720 --> 00:04:40,919 Speaker 3: get ready to fight, which I'm really digging s is 90 00:04:40,960 --> 00:04:43,200 Speaker 3: for stop doing all the stuff you don't want to do, 91 00:04:44,000 --> 00:04:47,280 Speaker 3: which is where agree and cancel comes in. Would you 92 00:04:47,320 --> 00:04:49,080 Speaker 3: like to come over to us for a barbecue? Oh 93 00:04:49,160 --> 00:04:51,159 Speaker 3: my god, I love it. Cut to the day, Oh gods, 94 00:04:51,160 --> 00:04:53,760 Speaker 3: can't make it. Agree so you get the joy of 95 00:04:53,800 --> 00:04:56,200 Speaker 3: their face up front. Yeah, then cancel on the day. 96 00:04:56,279 --> 00:04:58,159 Speaker 3: You don't have to go, don't even have to have 97 00:04:58,160 --> 00:04:58,680 Speaker 3: a shower. 98 00:04:58,800 --> 00:05:01,960 Speaker 2: It's a great system on the day though, And this 99 00:05:02,040 --> 00:05:06,000 Speaker 2: is my way cancel because I because I nail the 100 00:05:06,360 --> 00:05:07,239 Speaker 2: I nailed the agree. 101 00:05:07,600 --> 00:05:10,480 Speaker 3: Get that on the signaling from one end of the 102 00:05:10,560 --> 00:05:11,040 Speaker 3: day to the other. 103 00:05:11,120 --> 00:05:12,640 Speaker 2: Let me tell you, you've got to think of a 104 00:05:12,680 --> 00:05:13,680 Speaker 2: good excuse. 105 00:05:13,440 --> 00:05:15,560 Speaker 1: Me, let's go. 106 00:05:15,760 --> 00:05:19,000 Speaker 3: Oh no, I can't talk now. I'm just not going 107 00:05:19,040 --> 00:05:19,840 Speaker 3: to be able to make it. 108 00:05:19,920 --> 00:05:25,320 Speaker 1: I can't talk now. This scenario's so serious. 109 00:05:25,320 --> 00:05:29,120 Speaker 3: It's the crouching tiger, hidden fun bag celebrity ways. Try 110 00:05:29,200 --> 00:05:32,120 Speaker 3: to give away as few details as possible, and the 111 00:05:33,360 --> 00:05:35,040 Speaker 3: once you've canceled all the stuff you don't want to do, 112 00:05:35,680 --> 00:05:37,560 Speaker 3: then all it should be left is the fun stuff. 113 00:05:37,560 --> 00:05:40,560 Speaker 3: And I think it's a system that could work. I 114 00:05:40,680 --> 00:05:43,120 Speaker 3: like to do a lot of consplaining within the system, 115 00:05:43,520 --> 00:05:48,159 Speaker 3: which is where complaining meets explaining. Oh yeah, I really 116 00:05:48,200 --> 00:05:50,080 Speaker 3: just co explained to Dan for most of the day. 117 00:05:50,120 --> 00:05:53,159 Speaker 1: Which Dan's Dan's your partner. You guys have been together 118 00:05:53,200 --> 00:05:55,400 Speaker 1: for twenty years, Dan Thomas is it? 119 00:05:55,520 --> 00:05:57,680 Speaker 3: Oh my god, So we've been together for I think 120 00:05:57,720 --> 00:06:00,279 Speaker 3: it's nineteen and a half years. And every single year 121 00:06:00,440 --> 00:06:01,600 Speaker 3: I planned Dan's death. 122 00:06:03,120 --> 00:06:04,200 Speaker 1: How's he doing this year? 123 00:06:04,279 --> 00:06:06,919 Speaker 3: Oh god, how it could be a pillow scenario? 124 00:06:08,880 --> 00:06:10,840 Speaker 1: No judge, Oh God, stay with us and got more. 125 00:06:10,960 --> 00:06:14,880 Speaker 1: Julia Morris right up next, Julia Morris is in the studio. 126 00:06:15,400 --> 00:06:20,920 Speaker 1: Got a brand new audible track tape book book. That's 127 00:06:20,920 --> 00:06:21,840 Speaker 1: the word I'm after. 128 00:06:24,600 --> 00:06:28,479 Speaker 3: LP, G of LP guys, put a needle on it 129 00:06:28,560 --> 00:06:30,520 Speaker 3: man audible. 130 00:06:30,560 --> 00:06:32,720 Speaker 1: You can pre order. It's called Julia Morris makes it Easy, 131 00:06:32,760 --> 00:06:34,960 Speaker 1: available and audible from the twenty thirty FEF all about 132 00:06:34,960 --> 00:06:38,159 Speaker 1: how you can make your life easier. You felt like 133 00:06:38,360 --> 00:06:40,320 Speaker 1: we needed another celeb telling us how to do it. 134 00:06:40,400 --> 00:06:43,919 Speaker 3: Absolutely no one understands the power of negative thinking like 135 00:06:43,960 --> 00:06:46,719 Speaker 3: a celebrity. And bring it all back to you. I 136 00:06:46,760 --> 00:06:50,840 Speaker 3: mean seven said it. I'm just saying I've taken it 137 00:06:50,880 --> 00:06:51,680 Speaker 3: to the next level. 138 00:06:51,720 --> 00:06:54,960 Speaker 1: Bring it all back to me now, Julia. I wanted 139 00:06:54,960 --> 00:06:56,960 Speaker 1: to bring it because obviously you're you're fresh out of 140 00:06:57,040 --> 00:07:00,880 Speaker 1: the I'm a Celeb Jungle you earlier in the year. 141 00:07:00,920 --> 00:07:03,440 Speaker 1: That's something we spoke about a lot on this show. Now, 142 00:07:03,520 --> 00:07:06,039 Speaker 1: what you wouldn't know is that one of the guests 143 00:07:06,040 --> 00:07:08,599 Speaker 1: that we had on this show after they left the Jungle, 144 00:07:08,720 --> 00:07:12,200 Speaker 1: after she won being the Jungles. Obviously, Abby Chatfield amazing. 145 00:07:13,120 --> 00:07:14,880 Speaker 1: We've had a great relationship for a long time. 146 00:07:15,000 --> 00:07:17,960 Speaker 2: Absolutely recently defended you. Actually in her podcast. I don't 147 00:07:17,960 --> 00:07:20,800 Speaker 2: know if you've heard that she's a good but you 148 00:07:20,800 --> 00:07:22,320 Speaker 2: know it came out people giving you a hard time 149 00:07:22,360 --> 00:07:25,120 Speaker 2: on comments on doctor Chris Brown's body. I don't want 150 00:07:25,160 --> 00:07:27,880 Speaker 2: to get into that, but she basically said, Julia Morris 151 00:07:27,960 --> 00:07:30,200 Speaker 2: is the effing funniest person I've ever met, and I 152 00:07:30,240 --> 00:07:31,400 Speaker 2: couldn't say a bad word about it. 153 00:07:31,640 --> 00:07:32,200 Speaker 1: I love that. 154 00:07:32,120 --> 00:07:33,440 Speaker 3: Girls, women supporting women. 155 00:07:33,520 --> 00:07:33,840 Speaker 4: Guys. 156 00:07:33,920 --> 00:07:35,280 Speaker 3: Yes, sister, just come on. 157 00:07:35,400 --> 00:07:42,560 Speaker 1: Yeah, Pridge, So I get this. Also, speaking of Abby Chatfield, 158 00:07:42,600 --> 00:07:47,080 Speaker 1: on a podcast, she said that she had a massive 159 00:07:48,160 --> 00:07:51,680 Speaker 1: fat crush on our dear boy. Would he hear in 160 00:07:51,840 --> 00:07:55,040 Speaker 1: the studio to the point. To the point, this is 161 00:07:55,040 --> 00:07:59,440 Speaker 1: her on the show revealing the death an extent of. 162 00:07:59,480 --> 00:08:02,360 Speaker 5: Her obsession, and I'm writing a book, right, and my 163 00:08:02,720 --> 00:08:06,800 Speaker 5: book publishers, okay, when I get a chapter done, as 164 00:08:06,800 --> 00:08:11,440 Speaker 5: a reward, I get sent a photo of you. 165 00:08:11,480 --> 00:08:13,240 Speaker 1: Can you believe that? 166 00:08:13,240 --> 00:08:14,840 Speaker 2: That's amazing she is. 167 00:08:15,200 --> 00:08:18,160 Speaker 3: But also have a little thing about your private home security, 168 00:08:20,640 --> 00:08:23,560 Speaker 3: a new system, maybe just a touch button to turn 169 00:08:23,600 --> 00:08:26,600 Speaker 3: a lot of things at not sleepy sleeping. 170 00:08:26,800 --> 00:08:29,200 Speaker 1: You've been watching over twenty seven twenty seven days in 171 00:08:29,240 --> 00:08:32,000 Speaker 1: the jungle. Yeah, yes, I mean, she's the queen of 172 00:08:32,000 --> 00:08:35,000 Speaker 1: the Jungle. I mean, but she's she's for, she's Forwed. 173 00:08:35,000 --> 00:08:35,760 Speaker 1: She knows what she was. 174 00:08:35,880 --> 00:08:37,800 Speaker 3: Oh, she's totally for. But let me tell you this much. 175 00:08:37,800 --> 00:08:42,240 Speaker 3: She is so very smart, a smart So we had 176 00:08:42,320 --> 00:08:44,600 Speaker 3: one of the challenges in the Jungle was it was 177 00:08:44,640 --> 00:08:46,439 Speaker 3: her and I think it might have been Adam, and 178 00:08:46,480 --> 00:08:48,280 Speaker 3: the two of them had a guessing game. Now you 179 00:08:48,280 --> 00:08:50,319 Speaker 3: can imagine what the neural pathways are doing when you're 180 00:08:50,320 --> 00:08:52,640 Speaker 3: in the jungle. You're not eating properly, you're not sleeping properly. 181 00:08:53,240 --> 00:08:55,400 Speaker 3: All of your senses are on overdrive, as if you 182 00:08:55,400 --> 00:08:58,480 Speaker 3: could string a thought together at all. And there would 183 00:08:58,480 --> 00:09:01,200 Speaker 3: have been maybe sixteen different pictures all mixed up and 184 00:09:01,240 --> 00:09:05,360 Speaker 3: trying to match them. And she seemed to keep going 185 00:09:05,400 --> 00:09:08,440 Speaker 3: back to the correct one, and then at the end 186 00:09:08,440 --> 00:09:09,920 Speaker 3: of the game, we're like, do you want to have 187 00:09:09,920 --> 00:09:11,520 Speaker 3: a go at the whole board? So we turned the 188 00:09:11,559 --> 00:09:15,079 Speaker 3: whole board around and she did the whole board by 189 00:09:15,160 --> 00:09:18,240 Speaker 3: like that matches, that the bridge matches that blah blah 190 00:09:18,240 --> 00:09:21,720 Speaker 3: blahs smarter than the average beer. And I think that 191 00:09:21,760 --> 00:09:25,520 Speaker 3: she's definitely in that younger phase which in my twenties, 192 00:09:25,559 --> 00:09:28,000 Speaker 3: I feel like I had a similar run, which is 193 00:09:28,440 --> 00:09:31,880 Speaker 3: I'm going to be very open and I'm going to 194 00:09:31,880 --> 00:09:34,280 Speaker 3: be very four because this stuff in my generation everyone's 195 00:09:34,280 --> 00:09:35,319 Speaker 3: a bit shy to talk about. 196 00:09:36,280 --> 00:09:38,800 Speaker 1: I'm going to go and we've enjoyed, so I'm going 197 00:09:38,840 --> 00:09:49,120 Speaker 1: to go. We ignore the second word bit there, but. 198 00:09:45,679 --> 00:09:49,360 Speaker 3: Like blowing your horn in in in getting your message 199 00:09:49,360 --> 00:09:52,480 Speaker 3: out there through an amplification type system. 200 00:09:53,440 --> 00:09:55,040 Speaker 1: Chapter three of your book Make Life Easy. 201 00:09:55,080 --> 00:09:57,840 Speaker 3: But there's chapter four getting your Way out. 202 00:09:57,679 --> 00:10:07,000 Speaker 1: Of It amazing. Julia Morris has been in the studio, 203 00:10:07,040 --> 00:10:10,480 Speaker 1: guys said. Audible is where you can get her audible book. 204 00:10:10,520 --> 00:10:12,959 Speaker 1: It is called Julia Morris Makes It Easy. You can 205 00:10:12,960 --> 00:10:14,640 Speaker 1: pre order it. It's available in the twenty third of 206 00:10:14,679 --> 00:10:16,880 Speaker 1: fab which is what tomorrow. Yeah, yes, you can pre 207 00:10:16,960 --> 00:10:17,440 Speaker 1: order it today. 208 00:10:17,440 --> 00:10:19,800 Speaker 2: If how modern would you be? 209 00:10:19,880 --> 00:10:22,680 Speaker 3: Do you what I can do? Pre order it day before? 210 00:10:22,720 --> 00:10:24,640 Speaker 3: You could actually just wait tomorrow and then just get 211 00:10:24,679 --> 00:10:25,120 Speaker 3: right into it. 212 00:10:25,160 --> 00:10:26,880 Speaker 1: What are you doing? You're not selling your book mate. 213 00:10:27,320 --> 00:10:29,720 Speaker 3: Pre record today though you should totally get But a 214 00:10:29,760 --> 00:10:32,240 Speaker 3: lot of people are audible anyway, so it becomes part 215 00:10:32,280 --> 00:10:37,240 Speaker 3: of their subscription. Yeah, I don't know if it downloads automatically. 216 00:10:37,280 --> 00:10:38,000 Speaker 3: I'm not bono. 217 00:10:38,280 --> 00:10:39,480 Speaker 1: No, no, that's true. 218 00:10:41,480 --> 00:10:43,199 Speaker 3: But I can also I can. 219 00:10:43,320 --> 00:10:46,400 Speaker 1: Imagine if you don't, if you downloaded. 220 00:10:49,080 --> 00:10:52,400 Speaker 3: Can you imagine the outrage of people going like revolting 221 00:10:52,520 --> 00:10:57,079 Speaker 3: Julia Morris, The stupid book has downloaded onto my subscription 222 00:10:57,120 --> 00:10:59,559 Speaker 3: without my imagine. 223 00:11:03,120 --> 00:11:05,800 Speaker 1: She's blowing the horn. She's in you go and get 224 00:11:05,800 --> 00:11:07,840 Speaker 1: her ball, going to get out of here? Makes it easy, 225 00:11:07,960 --> 00:11:11,280 Speaker 1: is available and audible, Julia Morrows, Thanks so much. The 226 00:11:11,320 --> 00:11:13,840 Speaker 1: biggest news story that's obviously going to impact all of 227 00:11:13,920 --> 00:11:17,520 Speaker 1: us is the fact that the COVID vaccine is alive 228 00:11:17,640 --> 00:11:20,720 Speaker 1: and well in Australia. The first vaccine jab was given 229 00:11:20,760 --> 00:11:25,480 Speaker 1: out yesterday. Woulds to a woman called Jane Malashak. Now 230 00:11:25,559 --> 00:11:29,440 Speaker 1: I'll place some audio of her and Scomo getting their 231 00:11:29,520 --> 00:11:33,280 Speaker 1: jabs in a sec because something quite extraordinary happened after 232 00:11:33,320 --> 00:11:35,560 Speaker 1: they got their jabs. But it is a really interesting 233 00:11:35,559 --> 00:11:37,679 Speaker 1: situation that we're in at the moment with this COVID 234 00:11:37,760 --> 00:11:40,560 Speaker 1: vaccine situation, guys, because I was just reading online that 235 00:11:40,840 --> 00:11:44,880 Speaker 1: Quantas are going to start installing an app which effectively 236 00:11:45,000 --> 00:11:50,960 Speaker 1: acts as a COVID nineteen passport if you've got the vaccine. 237 00:11:50,360 --> 00:11:52,640 Speaker 2: So you can travel overseas or in the future going 238 00:11:52,679 --> 00:11:53,920 Speaker 2: to be able to travel overseas if you've had the 239 00:11:53,960 --> 00:11:57,720 Speaker 2: vaccine exactly, and if you haven't, see you later exactly. 240 00:11:57,760 --> 00:11:59,719 Speaker 1: And I think that's an interesting situation given that you know, 241 00:11:59,720 --> 00:12:01,760 Speaker 1: we've got ten million vaccines, and we know the first 242 00:12:01,760 --> 00:12:03,679 Speaker 1: wave of people are going to be the front line workers, 243 00:12:04,280 --> 00:12:07,839 Speaker 1: and then essentially you've got your gray nomads. That's it. Yeah, 244 00:12:07,960 --> 00:12:09,600 Speaker 1: so there's going to be a lot of peanuts eating 245 00:12:09,600 --> 00:12:10,440 Speaker 1: on those planes. 246 00:12:10,720 --> 00:12:12,439 Speaker 2: Geez, mick, andos will be a different look for the 247 00:12:13,360 --> 00:12:21,000 Speaker 2: oldiest rocking out to Jua Lipa. Ge whiz, how time 248 00:12:21,080 --> 00:12:21,520 Speaker 2: has come. 249 00:12:26,080 --> 00:12:27,280 Speaker 1: Well, they're going to be the only ones that have 250 00:12:27,320 --> 00:12:29,199 Speaker 1: got apart the front line medical workers. 251 00:12:29,240 --> 00:12:29,440 Speaker 6: Yeah. 252 00:12:29,480 --> 00:12:32,720 Speaker 1: Yeah. But I mean the other things that it raises 253 00:12:32,800 --> 00:12:36,920 Speaker 1: naturally for me is obviously thinking about people who are 254 00:12:36,920 --> 00:12:39,480 Speaker 1: scared of needles. You're terrified of needles. 255 00:12:39,600 --> 00:12:41,160 Speaker 2: I've got a bit of a fear of needles. 256 00:12:41,559 --> 00:12:45,520 Speaker 1: Fear of needles, Yeah, genuinely. It's a pho. 257 00:12:45,679 --> 00:12:48,640 Speaker 2: So I pass out when I well, if someone's the 258 00:12:48,640 --> 00:12:50,400 Speaker 2: side of a needle, I'll just pass out straight away. 259 00:12:50,440 --> 00:12:52,880 Speaker 2: But when it gets inserted, it's a genuine Was. 260 00:12:52,880 --> 00:12:55,200 Speaker 1: It demoralizing for you watching an eight year old woman 261 00:12:55,240 --> 00:12:56,920 Speaker 1: coppered in the arm and not blink? 262 00:12:57,160 --> 00:12:59,160 Speaker 2: It was a bit because she said she actually said 263 00:12:59,160 --> 00:13:01,480 Speaker 2: it's not that hard, like she actually talked about how 264 00:13:01,520 --> 00:13:03,480 Speaker 2: easy it was, which did feel like a direct stab 265 00:13:03,520 --> 00:13:06,880 Speaker 2: at me. Yea, though, my man, I reckon, he's a 266 00:13:06,880 --> 00:13:09,920 Speaker 2: bit scared needles. If you look at him and copy 267 00:13:09,920 --> 00:13:12,160 Speaker 2: the inject he doesn't look at the needle, and that's 268 00:13:12,160 --> 00:13:13,880 Speaker 2: a telltale sign that you're scared of needles. 269 00:13:13,920 --> 00:13:15,760 Speaker 1: Really, I think he thought it was very important to 270 00:13:15,800 --> 00:13:16,319 Speaker 1: look tough. 271 00:13:16,600 --> 00:13:19,680 Speaker 2: I saw it right through those eyes in those stops. 272 00:13:19,880 --> 00:13:23,920 Speaker 1: No, I won't stop it schaming. The other thing that's 273 00:13:23,920 --> 00:13:26,600 Speaker 1: really interesting about this whole vaccine situation is the fact 274 00:13:26,640 --> 00:13:29,320 Speaker 1: that it's not tested on pregnant women yet, so there's 275 00:13:29,320 --> 00:13:30,920 Speaker 1: like a lot of doubt and a lot of uncertainty 276 00:13:30,920 --> 00:13:33,280 Speaker 1: around that. So it's a really interesting time right now, 277 00:13:33,280 --> 00:13:34,640 Speaker 1: people talking about if you're going to get it, if 278 00:13:34,640 --> 00:13:35,360 Speaker 1: they're not going to get it. 279 00:13:35,400 --> 00:13:37,360 Speaker 2: There's no long term tests at all with it. 280 00:13:37,440 --> 00:13:41,319 Speaker 1: Actually, I don't want to be effective either, so I. 281 00:13:41,240 --> 00:13:43,360 Speaker 2: Mean I would still get it. Like again, despite my 282 00:13:43,400 --> 00:13:44,360 Speaker 2: phobia and all of that. 283 00:13:44,800 --> 00:13:46,800 Speaker 1: You get a needle, well you don't back up, you 284 00:13:46,840 --> 00:13:49,960 Speaker 1: pass out. Do you just come to and they've got 285 00:13:49,960 --> 00:13:51,720 Speaker 1: a band aid on your arm? Or do you stop 286 00:13:51,760 --> 00:13:53,480 Speaker 1: when you pass out? Well, they just wait for you 287 00:13:53,520 --> 00:13:55,240 Speaker 1: to pass out, right, He's gone now, and then they 288 00:13:55,400 --> 00:13:56,120 Speaker 1: sort of hit you with. 289 00:13:56,040 --> 00:14:01,080 Speaker 2: It after I request a lie down because I say, can. 290 00:14:01,000 --> 00:14:04,880 Speaker 1: I I'm going to lie down? 291 00:14:05,040 --> 00:14:07,960 Speaker 2: Yeah, I'm gonna pass out. The Norse always thinks I' joking. 292 00:14:08,000 --> 00:14:09,640 Speaker 2: I'm like, it's really funny, but then I'm not. I'm 293 00:14:09,679 --> 00:14:12,000 Speaker 2: being on the bed scared of needles, right, and then 294 00:14:12,040 --> 00:14:14,280 Speaker 2: I go out on some stage and then you wake 295 00:14:14,360 --> 00:14:15,240 Speaker 2: up and you're you're good to. 296 00:14:15,160 --> 00:14:19,680 Speaker 1: Get And don't you also regrested in the touch because 297 00:14:19,680 --> 00:14:20,520 Speaker 1: you can't take it in the. 298 00:14:20,560 --> 00:14:22,840 Speaker 2: R with my GP because I've got a good relationship 299 00:14:22,840 --> 00:14:26,880 Speaker 2: with him. He I think if I'm just a poor 300 00:14:27,000 --> 00:14:28,360 Speaker 2: guy because I was. 301 00:14:28,400 --> 00:14:30,520 Speaker 7: Just sitting there doing flu shots and you just drop 302 00:14:30,560 --> 00:14:32,880 Speaker 7: your pants going to go you know the drill mat guys, Yes, 303 00:14:32,960 --> 00:14:35,040 Speaker 7: I don't know the drill And because taking it in 304 00:14:35,040 --> 00:14:36,920 Speaker 7: the in the in the cushy part of the bum 305 00:14:36,960 --> 00:14:38,640 Speaker 7: for me is far less invasive. 306 00:14:38,800 --> 00:14:43,080 Speaker 1: Yeah right, which nobody ever said about something in there bum. 307 00:14:43,880 --> 00:14:47,160 Speaker 1: But right now, what I'm going to do is play 308 00:14:47,240 --> 00:14:49,600 Speaker 1: the audio of Jane Malichhak. She is the woman that 309 00:14:49,640 --> 00:14:52,080 Speaker 1: they've got the vaccine for the first person that got 310 00:14:52,080 --> 00:14:56,000 Speaker 1: it yesterday, and you're here afterwards Scomo has got it 311 00:14:56,080 --> 00:14:58,760 Speaker 1: from marketing, goes for you know a bit of a 312 00:14:58,760 --> 00:15:01,400 Speaker 1: cushing up moment with the elderly woman to try and 313 00:15:01,400 --> 00:15:03,520 Speaker 1: get a nice shot. They're both holding up what he 314 00:15:03,600 --> 00:15:07,000 Speaker 1: calls the V sign for vaccine, and then you'll hear 315 00:15:07,040 --> 00:15:10,160 Speaker 1: what happens is Jane flips the V sign to the camera, 316 00:15:10,360 --> 00:15:16,479 Speaker 1: which obviously means something completely different. Have listened for vaccine 317 00:15:16,520 --> 00:15:23,600 Speaker 1: for vaccine? Very good, very good. Yeah, it actually was 318 00:15:23,640 --> 00:15:25,520 Speaker 1: a classic moment. So what do I to do right next? 319 00:15:25,600 --> 00:15:28,440 Speaker 1: Just based on this, because only there's nothing funnier than 320 00:15:28,560 --> 00:15:30,960 Speaker 1: older people trying to get hip and be cool Huge 321 00:15:30,960 --> 00:15:33,240 Speaker 1: thirty one six five If you're over the age of seventy, 322 00:15:33,480 --> 00:15:34,640 Speaker 1: give us a call because I've got a test for 323 00:15:34,720 --> 00:15:37,080 Speaker 1: your Right next on, will him kiss hope. Everyone's having 324 00:15:37,080 --> 00:15:38,640 Speaker 1: a great drive. Me and I want to be over 325 00:15:38,680 --> 00:15:41,560 Speaker 1: the age of seventy. No cheaters here, got a test 326 00:15:41,560 --> 00:15:43,880 Speaker 1: to see if you could be cool hip. Right up next, 327 00:15:44,000 --> 00:15:46,360 Speaker 1: we're talking about the first person in Australia to get 328 00:15:46,440 --> 00:15:52,000 Speaker 1: vaccinated with the Pfizer vaccine, Jane Malashak. If you haven't 329 00:15:52,040 --> 00:15:55,960 Speaker 1: heard the audio, Schomer's sidled over to her. He's sitting 330 00:15:56,000 --> 00:15:58,280 Speaker 1: next to her for the shot. You know, everything's peachy. 331 00:15:58,360 --> 00:16:02,760 Speaker 1: He then tells Jane to do a piece, or, as 332 00:16:02,760 --> 00:16:04,680 Speaker 1: he calls it, a V for vaccine. 333 00:16:04,880 --> 00:16:07,560 Speaker 2: That's good stuff. That's good stuff, good vaccine. 334 00:16:07,360 --> 00:16:12,640 Speaker 1: Classic Scotty for marketing. Jane misinterprets it, flips the V 335 00:16:12,720 --> 00:16:14,720 Speaker 1: around and ends up giving the camera the bird. Thanks, 336 00:16:14,840 --> 00:16:19,880 Speaker 1: you're making for a pretty nice moment for vaccine. For 337 00:16:20,000 --> 00:16:27,600 Speaker 1: vaccine that's very good. Absolutely goes up in the vaccination clinic. 338 00:16:28,320 --> 00:16:30,680 Speaker 1: Wild time's in there. So what I wanted to do 339 00:16:30,720 --> 00:16:32,520 Speaker 1: in that right now, because I mean like there is 340 00:16:32,560 --> 00:16:35,680 Speaker 1: something special about old people trying to get jiggy with it. 341 00:16:35,920 --> 00:16:38,800 Speaker 1: Of course trying to get down with the lingo and whatnot. 342 00:16:39,080 --> 00:16:42,160 Speaker 1: So I've asked other elderly people to call the show 343 00:16:42,280 --> 00:16:44,400 Speaker 1: right now just to try and see if we can 344 00:16:44,440 --> 00:16:45,480 Speaker 1: recapture that moment. 345 00:16:45,520 --> 00:16:48,880 Speaker 2: And we've got the seventy six year old Joan here. 346 00:16:48,920 --> 00:16:51,600 Speaker 1: Hello, Joan, Hello, Who am I speaking to? 347 00:16:52,120 --> 00:16:56,040 Speaker 2: This is Woody Hello, and you've also got Will here. 348 00:16:56,160 --> 00:16:58,080 Speaker 1: Hi? John, Hi? How are you? 349 00:16:58,560 --> 00:16:59,080 Speaker 4: I'm well? 350 00:16:59,080 --> 00:17:01,080 Speaker 1: Thank you and you beautiful? 351 00:17:01,120 --> 00:17:02,240 Speaker 2: Are you going to get the vaccine? 352 00:17:02,320 --> 00:17:03,280 Speaker 1: Joan? Have you had it yet? 353 00:17:03,480 --> 00:17:05,840 Speaker 4: No? I haven't had it yet. I've made inquiries at 354 00:17:05,880 --> 00:17:10,240 Speaker 4: the GPH. They don't do it in my category. You 355 00:17:10,359 --> 00:17:14,520 Speaker 4: need to wait until either you get an email or 356 00:17:14,960 --> 00:17:17,399 Speaker 4: SMS regarding what category you're in. 357 00:17:18,000 --> 00:17:19,840 Speaker 1: Right, are you hot on the emails? Joan? 358 00:17:20,359 --> 00:17:23,640 Speaker 4: Oh? Yes, I think I'm right on them emails and STMs, 359 00:17:23,640 --> 00:17:25,399 Speaker 4: So I try and keep up to date on that 360 00:17:25,480 --> 00:17:27,800 Speaker 4: modern stuff as best I can be. 361 00:17:27,880 --> 00:17:30,399 Speaker 1: All over this. Then, I've got a list of young 362 00:17:30,440 --> 00:17:37,240 Speaker 1: and hip and cool expressions. I just want to see 363 00:17:37,240 --> 00:17:39,199 Speaker 1: if you can put them in a sentence. You just 364 00:17:39,240 --> 00:17:40,920 Speaker 1: have to give it a crack. How does that sound. 365 00:17:41,320 --> 00:17:43,960 Speaker 4: I'll give it a go. I'll probably incriminate myself and 366 00:17:44,080 --> 00:17:49,080 Speaker 4: the great help I'll blame them because I haven't educated me. 367 00:17:49,320 --> 00:17:53,000 Speaker 1: Yeah, well feul safe there all right, here we go, Jones. 368 00:17:53,080 --> 00:17:58,199 Speaker 1: Your first word is a B A and then the 369 00:17:58,240 --> 00:18:01,600 Speaker 1: next one is three words. It's an expressure. It's Netflix. 370 00:18:01,920 --> 00:18:06,480 Speaker 4: No, I could go with next Netflix and chill. Yes, 371 00:18:06,720 --> 00:18:09,440 Speaker 4: I'm not sure about the Bay, but i'd certainly, you know, 372 00:18:10,800 --> 00:18:13,600 Speaker 4: go back with a G and T and chill out 373 00:18:13,640 --> 00:18:14,560 Speaker 4: with the Netflix. 374 00:18:18,600 --> 00:18:21,359 Speaker 1: Nice? Nice? Can you work Bay in there at all? 375 00:18:21,960 --> 00:18:22,560 Speaker 4: The AE? 376 00:18:23,080 --> 00:18:23,720 Speaker 1: Yeah? 377 00:18:24,400 --> 00:18:26,320 Speaker 4: I hope it hasn't got a sexual connotation. 378 00:18:27,200 --> 00:18:32,600 Speaker 1: No, no, it doesn't. Bay is a shortening, a contraction 379 00:18:32,720 --> 00:18:35,240 Speaker 1: of your loved one, your Bay. 380 00:18:36,040 --> 00:18:36,560 Speaker 4: Okay. 381 00:18:37,160 --> 00:18:41,720 Speaker 1: Uh? And Netflix and chill actually, funnily enough, does have 382 00:18:41,800 --> 00:18:45,119 Speaker 1: a sexual connotation. So when you said you were gonna 383 00:18:45,560 --> 00:18:47,080 Speaker 1: sit down with a G and T and had a 384 00:18:47,080 --> 00:18:51,200 Speaker 1: Netflix and chill, that's what you meant to come out 385 00:18:51,200 --> 00:18:51,760 Speaker 1: of your mouth. 386 00:18:52,040 --> 00:19:00,240 Speaker 4: Oh my grandchild will have real peal of chill out 387 00:19:00,320 --> 00:19:04,360 Speaker 4: to me. Is he just take it easy than Netflix? Well, yes, 388 00:19:04,400 --> 00:19:06,080 Speaker 4: I've got Netflix on the TV. 389 00:19:06,640 --> 00:19:10,080 Speaker 1: Yes, So you invite someone over to Netflix and chill, 390 00:19:10,119 --> 00:19:12,840 Speaker 1: which is effectively just euphemism for the fact that you're 391 00:19:12,840 --> 00:19:16,320 Speaker 1: gonna Yeah, okay, you're going. 392 00:19:16,280 --> 00:19:18,480 Speaker 4: To go a bit further than watching the TV. 393 00:19:18,800 --> 00:19:23,360 Speaker 1: Yeah, that's exactly right, that's exactly right. Yeah, why you got. 394 00:19:23,160 --> 00:19:24,639 Speaker 4: Some eligibles for me? Have you? 395 00:19:24,880 --> 00:19:26,240 Speaker 1: Are you single? Joan? 396 00:19:26,640 --> 00:19:28,760 Speaker 4: Oh? Yeah, here, my hobby died ten years ago. 397 00:19:29,040 --> 00:19:32,320 Speaker 2: All right, so you are interested in Netflix and chilling 398 00:19:32,400 --> 00:19:32,840 Speaker 2: in somewhere. 399 00:19:35,600 --> 00:19:38,399 Speaker 4: I would have my son standing at the door with 400 00:19:38,520 --> 00:19:44,560 Speaker 4: their rifles. I can't even have a strange tower in 401 00:19:44,600 --> 00:19:47,960 Speaker 4: front of my door. The checking her out? 402 00:19:48,080 --> 00:19:51,240 Speaker 2: No way, mum, Jane, what are you watching on Netflix? 403 00:19:51,240 --> 00:19:54,320 Speaker 2: Have you been watching Bridgeton talking about hot and Heavy? 404 00:19:54,720 --> 00:19:57,720 Speaker 4: No, I haven't watched Netflix for a little while. I 405 00:19:57,800 --> 00:19:59,800 Speaker 4: have to admit I've just been aty doing a lot 406 00:19:59,840 --> 00:20:00,879 Speaker 4: of Are you sitting on? 407 00:20:01,560 --> 00:20:02,840 Speaker 1: How many kids have you got, Joan? 408 00:20:03,000 --> 00:20:06,439 Speaker 4: I've got kids and twenty four grandchildren and twenty wives 409 00:20:06,560 --> 00:20:07,040 Speaker 4: on the way. 410 00:20:08,560 --> 00:20:11,920 Speaker 1: So the flack chat sounds like you've got your hands 411 00:20:11,920 --> 00:20:13,720 Speaker 1: hot and heavy. Well, John, given that you are busy, 412 00:20:13,720 --> 00:20:15,080 Speaker 1: I've only got one more for you. 413 00:20:15,280 --> 00:20:17,160 Speaker 4: It's all right, No today, it's my chill out. 414 00:20:21,440 --> 00:20:23,960 Speaker 2: Hey, guys, how I hope you enjoyed the first half. 415 00:20:23,960 --> 00:20:25,119 Speaker 2: How good was Julia Morris? 416 00:20:25,520 --> 00:20:28,840 Speaker 1: Dude? And she did come in on with his relationship 417 00:20:28,840 --> 00:20:31,720 Speaker 1: with Aby Chatfield. Stop lawyering? Me all right, said something 418 00:20:31,760 --> 00:20:32,919 Speaker 1: about show it blower. 419 00:20:33,320 --> 00:20:36,080 Speaker 2: Something about get some security cameras, a wild coming. 420 00:20:37,000 --> 00:20:41,000 Speaker 1: She is awesome anyway, Julia Julia. Of course. 421 00:20:41,720 --> 00:20:45,080 Speaker 2: A question in tomorrow's quiz is who is the Australian 422 00:20:45,240 --> 00:20:49,360 Speaker 2: of the year. Great question and the answer is the 423 00:20:50,400 --> 00:20:52,320 Speaker 2: amazingly talented. 424 00:20:52,359 --> 00:20:55,200 Speaker 1: Reigedly the wickedly Did you just forget her name? 425 00:20:55,280 --> 00:20:55,879 Speaker 2: No, No, I've got a. 426 00:20:57,440 --> 00:20:59,639 Speaker 1: Deal, like a deal you want. 427 00:20:59,520 --> 00:21:02,800 Speaker 2: To do a driple a bit you were padding written 428 00:21:02,800 --> 00:21:07,520 Speaker 2: in front of me. The name is Grace Tame. She's 429 00:21:07,520 --> 00:21:09,040 Speaker 2: been in the studio with this, for God's sake, man, 430 00:21:09,200 --> 00:21:11,760 Speaker 2: last Friday. God, that was a phenomenal chat. Didn't get 431 00:21:11,760 --> 00:21:13,239 Speaker 2: over that. Get that if you haven't heard that, by 432 00:21:13,280 --> 00:21:16,960 Speaker 2: the way, two podcasts ago. Get it there full extended chat. 433 00:21:16,960 --> 00:21:17,480 Speaker 1: She's awesome. 434 00:21:17,520 --> 00:21:19,920 Speaker 2: Actually I think it's a mini so just scroll down 435 00:21:20,080 --> 00:21:22,080 Speaker 2: Grace Tame. But before that, listen to the second half 436 00:21:22,119 --> 00:21:27,320 Speaker 2: of this podcast. It's good stuff. We're talking about embarrassing 437 00:21:27,359 --> 00:21:31,520 Speaker 2: your kids at school pickup or school drop off because 438 00:21:31,560 --> 00:21:39,399 Speaker 2: posh spy. She was doing an interview and she was 439 00:21:39,440 --> 00:21:42,880 Speaker 2: talking about the fact that she had a very wealthy upbringing, 440 00:21:42,960 --> 00:21:48,200 Speaker 2: like she's always been very very rich. Victoria Victoria, hence 441 00:21:48,280 --> 00:21:50,320 Speaker 2: posh spy. She's always been very posh. 442 00:21:50,400 --> 00:21:55,280 Speaker 1: What was she before she was a Beckham? Victoria. That's 443 00:21:55,280 --> 00:22:01,359 Speaker 1: a good quick question. That's your wheelhouse brought the story. 444 00:22:01,400 --> 00:22:03,920 Speaker 1: I should know, Victoria. It's on the tip of my tongue. 445 00:22:04,640 --> 00:22:06,959 Speaker 2: We'll find that out for you guys. But anyway, she 446 00:22:07,040 --> 00:22:10,240 Speaker 2: used to get angry at her dad because Dad he 447 00:22:10,520 --> 00:22:12,720 Speaker 2: would like to drop off posh at school in the 448 00:22:12,800 --> 00:22:13,560 Speaker 2: Rolls Royce. 449 00:22:14,480 --> 00:22:14,600 Speaker 1: Uh. 450 00:22:14,800 --> 00:22:17,159 Speaker 2: And she used to crack it and dad and go, Dad, 451 00:22:17,200 --> 00:22:20,160 Speaker 2: please do not drop me Rolls Royce. I don't want 452 00:22:20,200 --> 00:22:20,760 Speaker 2: to stand out. 453 00:22:20,800 --> 00:22:22,640 Speaker 1: So that's so anti posh. 454 00:22:22,680 --> 00:22:25,360 Speaker 2: Her last names Adams by the way, Victoria Adams. 455 00:22:25,080 --> 00:22:27,120 Speaker 1: Soh you just remember that. Yeah, it just popped into 456 00:22:27,160 --> 00:22:27,600 Speaker 1: the head there. 457 00:22:28,560 --> 00:22:30,640 Speaker 2: Anyway, So I want to hear more stories of embarrassing 458 00:22:30,640 --> 00:22:32,800 Speaker 2: your kids at school. Drop We got Maddie here on 459 00:22:32,840 --> 00:22:35,960 Speaker 2: thirteen one oh six five. Maddie, what did your dad 460 00:22:36,040 --> 00:22:36,439 Speaker 2: used to do? 461 00:22:37,680 --> 00:22:37,840 Speaker 4: Oh? 462 00:22:37,880 --> 00:22:41,520 Speaker 8: My gosh, So he used to drive us to school 463 00:22:41,560 --> 00:22:43,280 Speaker 8: when I was in year twelve and he used to 464 00:22:43,400 --> 00:22:46,159 Speaker 8: beer the horn. Yeah, but we know that he loves me. 465 00:22:46,280 --> 00:22:48,960 Speaker 8: Used to call me Maddie Bear in front of all 466 00:22:49,000 --> 00:22:51,640 Speaker 8: of my friends, So embarrassing. 467 00:22:51,720 --> 00:22:54,000 Speaker 1: Yeah, embarrassing. 468 00:22:54,040 --> 00:22:55,800 Speaker 2: You know off that Maddie I've got Oh yeah, I remember, 469 00:22:56,040 --> 00:22:57,240 Speaker 2: well we went to the same school. 470 00:22:57,359 --> 00:23:00,360 Speaker 1: We did h and I will never forget that when 471 00:23:00,400 --> 00:23:02,080 Speaker 1: your mom used to into the front fence. 472 00:23:02,600 --> 00:23:04,600 Speaker 2: I did drive my car into a front fence. But 473 00:23:04,640 --> 00:23:07,400 Speaker 2: that's not what we're talking about. We're talking about when 474 00:23:07,480 --> 00:23:09,879 Speaker 2: your mom used to drop you on school. Photo in 475 00:23:09,920 --> 00:23:12,200 Speaker 2: your school captain. Yeah, I was a bad school captain. 476 00:23:12,200 --> 00:23:14,560 Speaker 2: But that's not what we're talking about. We're talking about 477 00:23:14,600 --> 00:23:16,920 Speaker 2: embarrassing school drop offs and when your mom used to 478 00:23:17,000 --> 00:23:18,880 Speaker 2: drop you off, You guys would be doing this one 479 00:23:18,920 --> 00:23:23,639 Speaker 2: in the car, a big. 480 00:23:23,600 --> 00:23:28,159 Speaker 1: Musical family sing along in the cars. About that is 481 00:23:28,240 --> 00:23:29,400 Speaker 1: we talked you behind your back. 482 00:23:29,840 --> 00:23:32,160 Speaker 2: Let's go to Ali here on thirteen one oh six 483 00:23:32,240 --> 00:23:34,600 Speaker 2: y five. Ali, this isn't a parent, this is your 484 00:23:34,640 --> 00:23:36,879 Speaker 2: auntie who used to do something to embarrass you. 485 00:23:37,760 --> 00:23:40,159 Speaker 8: Yeah, it with my auntie. So she dropped me off 486 00:23:40,200 --> 00:23:43,520 Speaker 8: at school and then she won, and we know, starts 487 00:23:43,560 --> 00:23:44,960 Speaker 8: speaking and screaming out to. 488 00:23:44,920 --> 00:23:45,639 Speaker 1: Me, I love you. 489 00:23:46,040 --> 00:23:46,360 Speaker 3: I see. 490 00:23:46,400 --> 00:23:47,679 Speaker 8: I could have killed her from doing it. 491 00:23:47,560 --> 00:23:50,520 Speaker 6: It was so embarrassing, and I had some brand girls 492 00:23:50,560 --> 00:23:54,520 Speaker 6: say something to me, Oh my god, embarrassing. 493 00:23:54,760 --> 00:23:58,920 Speaker 2: Yeah, it's funny how embarrassed kids get about just shows 494 00:23:58,960 --> 00:24:01,400 Speaker 2: of love for the week. We're going to pair in 495 00:24:01,280 --> 00:24:03,640 Speaker 2: the in the studio here, but button push a Joel job? 496 00:24:03,680 --> 00:24:05,880 Speaker 2: Do you just Harland hate it when you say love 497 00:24:05,920 --> 00:24:06,439 Speaker 2: your mate? 498 00:24:06,600 --> 00:24:09,200 Speaker 9: Oh, I say it a lot because he's five, and 499 00:24:09,240 --> 00:24:11,000 Speaker 9: you sort of say that to toddler's a lot. But 500 00:24:11,240 --> 00:24:12,800 Speaker 9: what's worse is when you scream out I love you 501 00:24:12,840 --> 00:24:14,320 Speaker 9: at like his daycare and you drop him off and 502 00:24:14,359 --> 00:24:15,960 Speaker 9: he just turns and walks away in front of all 503 00:24:16,000 --> 00:24:17,280 Speaker 9: the teachers and doesn't say it back. 504 00:24:17,520 --> 00:24:21,320 Speaker 1: What's with that? Like? Enjoy being loved? I'm glad. That's 505 00:24:21,320 --> 00:24:22,879 Speaker 1: hard to say to a kid. I think that's what 506 00:24:22,920 --> 00:24:25,359 Speaker 1: they struggle with. Let's see, I don't think you're a 507 00:24:25,440 --> 00:24:29,320 Speaker 1: parent until your child's broken your heart. Oh that is 508 00:24:29,840 --> 00:24:31,520 Speaker 1: that wasn't my own gear. That's a that's a poet 509 00:24:31,560 --> 00:24:34,960 Speaker 1: called David White who said that. But it's good stuff though. Wow. Yeah, yeah, 510 00:24:35,000 --> 00:24:36,880 Speaker 1: let's just take a second to absorb that. That's good gear, 511 00:24:36,880 --> 00:24:37,159 Speaker 1: isn't it. 512 00:24:37,359 --> 00:24:39,720 Speaker 2: Let's go to Rayan here, who hopefully lift the vibe 513 00:24:39,760 --> 00:24:43,720 Speaker 2: a little bit. Rayanne, your mom does something to embarrass 514 00:24:43,760 --> 00:24:44,800 Speaker 2: you at the school drop off? 515 00:24:46,119 --> 00:24:52,320 Speaker 8: Yes, every like twice a week, should come and last 516 00:24:52,680 --> 00:24:58,600 Speaker 8: loud music Arabic like loud music. Yeah right, embarrassed Ma 517 00:24:58,680 --> 00:24:59,760 Speaker 8: in front of everyone. 518 00:25:00,080 --> 00:25:01,280 Speaker 1: Oh that. 519 00:25:02,920 --> 00:25:05,320 Speaker 2: Is tough to a lot of honking little lad music. 520 00:25:05,320 --> 00:25:07,119 Speaker 2: I hope for a little bit more creativity here, but 521 00:25:07,160 --> 00:25:08,439 Speaker 2: let's hope Susan's bringing it. 522 00:25:08,720 --> 00:25:10,880 Speaker 1: So I've got one if you want to hear it. 523 00:25:11,280 --> 00:25:13,560 Speaker 1: But it wasn't it wasn't a school pickup story, but 524 00:25:13,600 --> 00:25:15,800 Speaker 1: it's possibly the most my mum has ever embarrassed me 525 00:25:15,800 --> 00:25:17,720 Speaker 1: in my life. I wasn't going to say it on radio, 526 00:25:17,840 --> 00:25:19,400 Speaker 1: but I feel like you're going to enjoy. 527 00:25:19,200 --> 00:25:21,439 Speaker 2: It, so I think we should definitely do it. Do 528 00:25:21,480 --> 00:25:22,879 Speaker 2: you want to go to Susie or should be just 529 00:25:22,960 --> 00:25:24,200 Speaker 2: can Susie and get straight. 530 00:25:24,040 --> 00:25:26,200 Speaker 1: To you, big boy? Let's do that. Let's can sers 531 00:25:26,240 --> 00:25:30,520 Speaker 1: all right? Sorry Susie nous O producer said that we 532 00:25:30,600 --> 00:25:35,159 Speaker 1: definitely need to take Susie and she's a cracking story. Yeah, okay, 533 00:25:35,320 --> 00:25:38,639 Speaker 1: almost nearly can alright, that's all right, that's all right. 534 00:25:39,160 --> 00:25:42,280 Speaker 10: Look, my dad embarrassed me many times at school drop off, 535 00:25:42,359 --> 00:25:45,080 Speaker 10: but my first day of high school, he wound down 536 00:25:45,119 --> 00:25:48,000 Speaker 10: the window and he yells out, did you get your hemorrhoid. 537 00:25:47,680 --> 00:25:48,480 Speaker 2: Cream love. 538 00:25:49,960 --> 00:25:52,720 Speaker 1: Pretty good. A bit of cuteness from you here, mate. 539 00:25:52,800 --> 00:25:55,119 Speaker 1: Embarrassing kids at pickups. 540 00:25:55,160 --> 00:25:57,120 Speaker 2: Yeah, that's pretty much the bit. It does sound bad 541 00:25:57,119 --> 00:25:59,640 Speaker 2: next to Grace team, but here we are, so thirty 542 00:25:59,680 --> 00:26:01,960 Speaker 2: one whose six five? If your parents has done something 543 00:26:02,000 --> 00:26:04,639 Speaker 2: particularly bad at school, drop off or pick up to 544 00:26:04,720 --> 00:26:07,119 Speaker 2: embarrass you. Now I've got Christie who's called on thirteen 545 00:26:07,160 --> 00:26:09,920 Speaker 2: one oh sixty five. And Christy, this is your grandmama 546 00:26:10,000 --> 00:26:10,920 Speaker 2: who used to embarrassing. 547 00:26:11,119 --> 00:26:15,320 Speaker 10: Yeah, so embarrassing. Okay, So I used to go to 548 00:26:15,400 --> 00:26:18,359 Speaker 10: high school and she used to. It was two doors 549 00:26:18,400 --> 00:26:20,600 Speaker 10: down from the school where my grandmother used to live. 550 00:26:21,200 --> 00:26:23,600 Speaker 10: And she will drop me off to the front of 551 00:26:23,680 --> 00:26:27,960 Speaker 10: the school with her white ninety no bra or nickers 552 00:26:28,080 --> 00:26:29,560 Speaker 10: and she was a point stick. 553 00:26:30,200 --> 00:26:36,680 Speaker 7: Oh my god, wow, that looks like big Mama. 554 00:26:36,880 --> 00:26:41,200 Speaker 11: I know, I know big mamas gold standards. Now will 555 00:26:41,280 --> 00:26:42,960 Speaker 11: before the song, and I know you're going to try 556 00:26:42,960 --> 00:26:46,000 Speaker 11: and weasel out of this, but you said not drop off, relater, 557 00:26:46,119 --> 00:26:47,840 Speaker 11: But we're talking about parents embarrassing. 558 00:26:47,960 --> 00:26:49,400 Speaker 1: It's a bit of a long vige, to be honest. 559 00:26:49,440 --> 00:26:50,520 Speaker 1: I know I don't even need to do it. 560 00:26:50,680 --> 00:26:53,439 Speaker 2: Let's now let's draw the bow. People, will wait for 561 00:26:53,480 --> 00:26:56,520 Speaker 2: Grace time. This is the most embarrassing thing your mom 562 00:26:56,560 --> 00:27:01,000 Speaker 2: has ever done to you to embarrass you. Yeah, yeah, 563 00:27:01,040 --> 00:27:02,720 Speaker 2: So what happened floors yours? 564 00:27:03,359 --> 00:27:06,240 Speaker 1: Right, We'll just tell it quickly because you're going to 565 00:27:06,359 --> 00:27:08,040 Speaker 1: like it, and I don't want you to dwell on 566 00:27:08,080 --> 00:27:10,280 Speaker 1: that and be Grace Teams right at makes the strain 567 00:27:10,320 --> 00:27:11,160 Speaker 1: of the year, guys. 568 00:27:10,960 --> 00:27:13,280 Speaker 2: So genuinely unmissible, that chat with Grace Tames. 569 00:27:13,520 --> 00:27:15,479 Speaker 1: So I'll get to this quickly. So basically, we had 570 00:27:15,480 --> 00:27:17,919 Speaker 1: these family you used to get family photos, yes, and 571 00:27:17,960 --> 00:27:20,280 Speaker 1: you had, you know, get a professional photographer over to 572 00:27:20,320 --> 00:27:20,960 Speaker 1: the house. 573 00:27:20,960 --> 00:27:24,120 Speaker 2: If that was a thing, because have photos on her phone, 574 00:27:24,160 --> 00:27:24,800 Speaker 2: that's right, And. 575 00:27:24,760 --> 00:27:26,439 Speaker 1: So people would paying arm and a leg to you know, 576 00:27:26,480 --> 00:27:28,119 Speaker 1: get the kids on the same spot and get you 577 00:27:28,160 --> 00:27:30,000 Speaker 1: all nicely dressed and all this sort of thing. 578 00:27:30,040 --> 00:27:32,960 Speaker 2: Photographer always a bit creepy, but anyway, well. 579 00:27:33,119 --> 00:27:37,160 Speaker 1: We had quite a nice woman, to be honest, yours 580 00:27:37,240 --> 00:27:41,439 Speaker 1: was creepy, but very cheap. So the opposite, I think 581 00:27:41,480 --> 00:27:43,480 Speaker 1: Mum and had paid quite a bit for this woman 582 00:27:43,480 --> 00:27:44,760 Speaker 1: to come over and take photos of us. And they 583 00:27:44,760 --> 00:27:46,720 Speaker 1: had all four of us sitting next to the pool 584 00:27:46,840 --> 00:27:49,120 Speaker 1: at my mum and dad's old place. And all four 585 00:27:49,160 --> 00:27:50,600 Speaker 1: of us are sitting on the pool and Mum just 586 00:27:50,600 --> 00:27:53,600 Speaker 1: couldn't get us to crack the right smile, which is, 587 00:27:53,880 --> 00:27:55,480 Speaker 1: you know, when you're paying a thousand bucks for whatever 588 00:27:55,520 --> 00:27:57,120 Speaker 1: it is for this person to come over and take photos, 589 00:27:57,119 --> 00:27:58,840 Speaker 1: like she was just like, I need to get you 590 00:27:58,920 --> 00:28:01,400 Speaker 1: guys to react in some way. We're on the clock, 591 00:28:01,560 --> 00:28:02,800 Speaker 1: so I don't know what age I was. I think 592 00:28:02,800 --> 00:28:05,480 Speaker 1: I was been about thirteen at the time, maybe, so 593 00:28:05,680 --> 00:28:08,240 Speaker 1: you know, for me, very well, yeah, for me, this 594 00:28:08,400 --> 00:28:12,920 Speaker 1: is not the right but you know, anyway, what happened 595 00:28:13,000 --> 00:28:14,719 Speaker 1: is we're all sitting there and the photographer's standing there 596 00:28:14,720 --> 00:28:16,080 Speaker 1: trying to get us a smile, doing everything, you know, 597 00:28:16,160 --> 00:28:19,240 Speaker 1: say one bat's you know, everything, couldn't get it go anyway. 598 00:28:19,240 --> 00:28:25,639 Speaker 1: What happens is, Mom, I'm just find a photographer just 599 00:28:25,640 --> 00:28:29,680 Speaker 1: just on clipped her bra underneath those shot and then 600 00:28:29,880 --> 00:28:32,560 Speaker 1: fully flashes all four of us. 601 00:28:32,640 --> 00:28:36,840 Speaker 2: Holy moly, sorry and that made you that made you smile? 602 00:28:37,200 --> 00:28:41,520 Speaker 1: Well, no, no, no, you smile? What if we've got family? 603 00:28:42,080 --> 00:28:43,760 Speaker 2: And then Dad took his pants off and everyone was 604 00:28:43,760 --> 00:28:45,840 Speaker 2: having a rather what is wrong with you? 605 00:28:46,680 --> 00:28:49,800 Speaker 1: Ward? Sex? And the city's got itself a reboot. Hbos 606 00:28:50,280 --> 00:28:52,360 Speaker 1: oh a real flagship show. In a lot of ways, 607 00:28:55,920 --> 00:28:59,040 Speaker 1: they're staggering who's coming back and who's not coming back. 608 00:28:58,880 --> 00:29:01,760 Speaker 2: For the reboots. Sam a couple of weeks ago that 609 00:29:01,840 --> 00:29:02,440 Speaker 2: news came out. 610 00:29:02,760 --> 00:29:05,840 Speaker 1: Kin pulled a pin, but look, she was never going back. 611 00:29:05,880 --> 00:29:10,040 Speaker 1: She absolutely hate Carrie Bradshaw, so he hates her. 612 00:29:10,120 --> 00:29:11,160 Speaker 2: Yeah, Sarah Tisica Parker. 613 00:29:11,360 --> 00:29:14,880 Speaker 1: They've got a tiff there, So she was never coming back. 614 00:29:14,880 --> 00:29:16,080 Speaker 1: But there's a few other people that the cut for 615 00:29:16,120 --> 00:29:19,880 Speaker 1: the reboot. They said definitely not coming back for the reboot. 616 00:29:20,400 --> 00:29:23,320 Speaker 1: So tragedy, big tragedy this one. 617 00:29:23,360 --> 00:29:33,160 Speaker 2: But Steve, Steve, Steve still Miranda Squeeze Steve, little annoying character. 618 00:29:33,240 --> 00:29:36,120 Speaker 1: Unfortunately, he's he's on the way out. And for all 619 00:29:36,160 --> 00:29:38,560 Speaker 1: those Steve fans, he's not going to be on the 620 00:29:38,600 --> 00:29:41,320 Speaker 1: small screen come the reboot, no doubt. 621 00:29:41,360 --> 00:29:44,520 Speaker 2: The actor is furious. My roll's back and I know, Steve, 622 00:29:44,600 --> 00:29:47,120 Speaker 2: you're not in the reboot. It's been waiting this for 623 00:29:47,160 --> 00:29:47,920 Speaker 2: fifteen years. 624 00:29:48,120 --> 00:29:50,160 Speaker 1: That would have been sitting around HBO. She's the guy 625 00:29:50,160 --> 00:29:53,440 Speaker 1: that plays Steve is just down out the front again. 626 00:29:53,600 --> 00:29:55,880 Speaker 1: He said he'll do it for free. We still got 627 00:29:55,880 --> 00:29:59,000 Speaker 1: a bag of bagels for the whole offers. So no, 628 00:29:59,120 --> 00:30:02,800 Speaker 1: Steve's not coming back also, and this is interesting. It's 629 00:30:02,800 --> 00:30:04,120 Speaker 1: gonna be interesting for everyone to hear this. And I 630 00:30:04,160 --> 00:30:05,840 Speaker 1: suppose maybe this is a bit of a spoiler of 631 00:30:05,840 --> 00:30:11,720 Speaker 1: the plot wise, because mister big, you see, the guy 632 00:30:12,560 --> 00:30:16,680 Speaker 1: who carry ends up with is not coming back. Yeah, himself. 633 00:30:16,720 --> 00:30:19,160 Speaker 2: There's probably two options there isn't there. It's probably they 634 00:30:19,200 --> 00:30:23,880 Speaker 2: break up or he dies. Wow, that got no, Well, 635 00:30:24,280 --> 00:30:25,360 Speaker 2: what other options are there? 636 00:30:25,480 --> 00:30:26,360 Speaker 1: He moves out of town? 637 00:30:26,600 --> 00:30:32,800 Speaker 2: Oh yeah, three options? 638 00:30:33,160 --> 00:30:35,960 Speaker 1: Long term relationship. It's like, you know, they just send 639 00:30:36,120 --> 00:30:38,600 Speaker 1: emails like sleep since Seattle or something. He'd be in. 640 00:30:38,720 --> 00:30:40,880 Speaker 1: He'd be in the show, the relationship. 641 00:30:40,880 --> 00:30:43,200 Speaker 2: You think first scene will be boom, big, big funeral. 642 00:30:43,360 --> 00:30:45,680 Speaker 1: He might move to like Lord Howe Island where they 643 00:30:45,680 --> 00:30:48,800 Speaker 1: can't contact him on email and it's just letters. That's that's. 644 00:30:48,800 --> 00:30:51,440 Speaker 1: That's all she gets his letters from him. Shocking. If 645 00:30:51,480 --> 00:30:53,640 Speaker 1: that was the case, I'm terrible writing. We just try 646 00:30:53,720 --> 00:30:55,239 Speaker 1: to flick get it out of there where you just 647 00:30:55,240 --> 00:30:58,880 Speaker 1: got a death in the first step. Man, anyway, tell 648 00:30:58,920 --> 00:31:02,280 Speaker 1: the here's the thing. So this is my polarizing but 649 00:31:02,320 --> 00:31:03,760 Speaker 1: this is where I want to go with things here. 650 00:31:04,600 --> 00:31:07,600 Speaker 1: I'm pretty devastated. I read this headline today and it 651 00:31:07,640 --> 00:31:09,440 Speaker 1: was like, oh, a big character leaves from Sex and 652 00:31:09,480 --> 00:31:15,120 Speaker 1: the City. All right, call me cruelly. I mean, I'm 653 00:31:15,160 --> 00:31:18,960 Speaker 1: hoping it's Miranda. I'm hoping it's Miranda. She provides texture. 654 00:31:19,080 --> 00:31:21,720 Speaker 1: I mean, take Steve, you can take Miranda as well, 655 00:31:21,800 --> 00:31:23,720 Speaker 1: take him as a duo. There's a double death waiting 656 00:31:23,760 --> 00:31:25,560 Speaker 1: to happen there. I don't know how they do it. 657 00:31:25,600 --> 00:31:27,640 Speaker 1: Maybe they're in the elevator on the way after the apartment, 658 00:31:27,720 --> 00:31:30,440 Speaker 1: don't really care, but I mean, Steve goes, Miranda's going 659 00:31:30,480 --> 00:31:34,000 Speaker 1: to go with him, mister Big, mister Big. We love Big, 660 00:31:34,360 --> 00:31:37,000 Speaker 1: We love him, Seeze the Prince Charming of the show. 661 00:31:37,680 --> 00:31:39,640 Speaker 1: Love to have seen him to stay. So anyway, look 662 00:31:39,800 --> 00:31:42,360 Speaker 1: what I want to do right now is I want 663 00:31:42,360 --> 00:31:45,760 Speaker 1: to talk more about these situations where they've left something 664 00:31:46,160 --> 00:31:51,560 Speaker 1: strange behind. The writers of HBO Home have something strange 665 00:31:52,040 --> 00:31:55,840 Speaker 1: in Miranda. Do you think that was the one that 666 00:31:55,880 --> 00:31:59,400 Speaker 1: was obviously that she should have gone? She should have gone? 667 00:31:59,440 --> 00:32:01,480 Speaker 1: Thirty one is what do they leave behind? Maybe you 668 00:32:01,520 --> 00:32:04,680 Speaker 1: were robbed, oh yeah, and they left something strange behind there. 669 00:32:04,760 --> 00:32:07,640 Speaker 1: Maybe maybe you had a late night sess with a partner. 670 00:32:07,680 --> 00:32:11,480 Speaker 1: I was talking to our producer lj Or aka Missus 671 00:32:11,520 --> 00:32:16,080 Speaker 1: doubtfire on this show before uh doubt fire, You've got 672 00:32:16,120 --> 00:32:19,200 Speaker 1: a good example of somebody leaving something strange behind. 673 00:32:19,880 --> 00:32:22,680 Speaker 12: Yeah, when I was living in Melbourne, I left my 674 00:32:22,960 --> 00:32:26,680 Speaker 12: bike outside and when I woke up to go and 675 00:32:26,800 --> 00:32:29,280 Speaker 12: ride to work the next morning, they had taken my 676 00:32:29,440 --> 00:32:32,400 Speaker 12: bike but left the seat on the pavement. 677 00:32:33,320 --> 00:32:38,800 Speaker 1: Weird, outrageous. Was it a special seat, LJ, not just. 678 00:32:38,760 --> 00:32:42,600 Speaker 12: Your regular bicycle seat detachable and it was detached and 679 00:32:42,720 --> 00:32:43,600 Speaker 12: left on the side. 680 00:32:45,280 --> 00:32:45,880 Speaker 2: It is so. 681 00:32:46,000 --> 00:32:49,600 Speaker 1: Bizarre that that is really strange. Yeah, unless yeah, well, yeah, 682 00:32:49,640 --> 00:32:51,120 Speaker 1: there's lots of things we could say about what was 683 00:32:51,200 --> 00:32:53,240 Speaker 1: left there and how the trip would have been. But anyway, 684 00:32:54,240 --> 00:32:56,960 Speaker 1: what did they leave behind? What did you look at afterwards? 685 00:32:57,280 --> 00:33:02,040 Speaker 1: Why would they leave that? What do they leave behind? 686 00:33:03,000 --> 00:33:05,680 Speaker 1: The reason we're asking this is because mister bigg is 687 00:33:05,720 --> 00:33:10,240 Speaker 1: not returning to the Sex and the City reboot, but 688 00:33:10,320 --> 00:33:15,840 Speaker 1: the riders left behind Marenda I like Miranda. No one 689 00:33:16,000 --> 00:33:19,360 Speaker 1: likes her, no any jimsy guns on. You're like, oh God, 690 00:33:19,400 --> 00:33:20,920 Speaker 1: I'm gonna have to deal with her plot point for 691 00:33:20,960 --> 00:33:23,920 Speaker 1: a while. Here we go, Here we go, All right, 692 00:33:24,000 --> 00:33:26,720 Speaker 1: let's go to matt here On. She's I mean, she's 693 00:33:26,720 --> 00:33:31,000 Speaker 1: a lawyer. She's a lawyer, a guy that worked at a 694 00:33:31,040 --> 00:33:34,440 Speaker 1: law firm from a week pretty much all suck. Let's 695 00:33:34,480 --> 00:33:41,960 Speaker 1: go to Matt. I'm gonna get in trouble with that, Matt. Matt, 696 00:33:41,960 --> 00:33:43,440 Speaker 1: what do you leave behind or what are the robbers 697 00:33:43,560 --> 00:33:44,400 Speaker 1: leave behind for you? 698 00:33:45,680 --> 00:33:48,160 Speaker 13: So a few years ago I was over at Adelaide 699 00:33:48,160 --> 00:33:49,640 Speaker 13: and we're living in MAJORID and we went out of 700 00:33:49,640 --> 00:33:51,800 Speaker 13: adelade for the weekend. We got back in our house 701 00:33:51,840 --> 00:33:52,680 Speaker 13: has been broken. 702 00:33:52,440 --> 00:33:54,960 Speaker 1: Into a shocking feeling. Shocking feeling. 703 00:33:55,520 --> 00:33:59,800 Speaker 13: They stole the Wii remotes but left down into behind what. 704 00:34:00,680 --> 00:34:04,440 Speaker 1: So maybe they're so so they left they left the 705 00:34:04,440 --> 00:34:06,440 Speaker 1: they left the console, but took the remotes. 706 00:34:07,080 --> 00:34:08,880 Speaker 13: Yeah, it took the remotes for the console. Took the 707 00:34:08,880 --> 00:34:10,560 Speaker 13: TV in a few other things as well, But yeah, 708 00:34:10,560 --> 00:34:12,279 Speaker 13: it took the remotes for the console, but left the 709 00:34:12,320 --> 00:34:12,879 Speaker 13: console on. 710 00:34:13,040 --> 00:34:13,160 Speaker 4: Right. 711 00:34:13,239 --> 00:34:14,640 Speaker 2: Well, I guess you know if you do have a 712 00:34:14,719 --> 00:34:17,400 Speaker 2: we already go on and you don't have the remotes. 713 00:34:17,440 --> 00:34:21,600 Speaker 1: Yeah to a four player at home? Yeah, thanks the call, Matt. 714 00:34:21,640 --> 00:34:24,120 Speaker 1: That's an extraordinary year. We got down here, down and 715 00:34:24,200 --> 00:34:25,040 Speaker 1: what they leave behind? 716 00:34:26,080 --> 00:34:28,000 Speaker 6: Hi, my brother went out one morning, what did it? 717 00:34:28,520 --> 00:34:32,000 Speaker 6: Right up to union? His VW beetle and discovered a 718 00:34:32,040 --> 00:34:36,239 Speaker 6: massive stereo on the back seat. Completely shocked, couldn't work 719 00:34:36,239 --> 00:34:38,120 Speaker 6: out what had happened. It turned out the ninety five 720 00:34:38,200 --> 00:34:40,080 Speaker 6: year old across the road is being robbed and they 721 00:34:40,120 --> 00:34:44,080 Speaker 6: tried to use his beetle as the getaway colors, but 722 00:34:44,120 --> 00:34:45,000 Speaker 6: they couldn't start it. 723 00:34:45,239 --> 00:34:47,080 Speaker 1: Oh, they just put it in there. 724 00:34:47,600 --> 00:34:49,279 Speaker 6: Yeah, they put it in there, and it actually had 725 00:34:49,280 --> 00:34:52,480 Speaker 6: a modification for ignition because they were going out at 726 00:34:52,480 --> 00:34:54,680 Speaker 6: that stage and underneath the dashboard you actually had to 727 00:34:54,760 --> 00:34:56,200 Speaker 6: hit a button to start it. 728 00:34:56,320 --> 00:34:56,880 Speaker 1: And now as he. 729 00:34:56,880 --> 00:35:01,000 Speaker 6: Couldn't, so they planned the massive stereo on the back seat. 730 00:35:01,160 --> 00:35:03,480 Speaker 6: So we're talking in the late eighties, those massive you 731 00:35:03,520 --> 00:35:04,640 Speaker 6: know stereo. 732 00:35:05,000 --> 00:35:08,560 Speaker 2: Yeah, boombo, No, we get it, big boom box, big stereo. 733 00:35:08,840 --> 00:35:10,319 Speaker 2: Question is do you give back to the ninety five 734 00:35:10,400 --> 00:35:13,239 Speaker 2: year old? I'll keep it for yourself, obviously give it back. Yeah, 735 00:35:13,440 --> 00:35:14,920 Speaker 2: I thought as well, let's go to Mohammed here for 736 00:35:14,920 --> 00:35:19,200 Speaker 2: anyone who's sixty five, Mohammed, this is a story about 737 00:35:19,200 --> 00:35:20,160 Speaker 2: your mate's neighbor. 738 00:35:21,080 --> 00:35:23,600 Speaker 14: Yeah here you going boys, love your show, Thanks, thanks you. 739 00:35:24,680 --> 00:35:26,680 Speaker 14: So what happened is that my MAT's neighbors vehicle with. 740 00:35:27,280 --> 00:35:30,600 Speaker 1: Stolen sorry has just run that you just ran a 741 00:35:30,640 --> 00:35:32,760 Speaker 1: few words together a bit quickly. For me, there were. 742 00:35:32,800 --> 00:35:37,480 Speaker 14: Sorry, my mate's my mate's neighbors car got stolen. Yeah, 743 00:35:38,200 --> 00:35:39,920 Speaker 14: so what happened is a few days la Day has 744 00:35:39,960 --> 00:35:42,840 Speaker 14: show them up back into their spot with a letter 745 00:35:43,040 --> 00:35:45,919 Speaker 14: and envelope insider. So they've said read the letter, long 746 00:35:45,920 --> 00:35:47,879 Speaker 14: story shorts from us saying sorry, we're need to take 747 00:35:47,920 --> 00:35:50,280 Speaker 14: the car. I had an emergency. His two movie tickets 748 00:35:50,400 --> 00:35:54,080 Speaker 14: particular session as a repayment, and he's a full tank 749 00:35:54,200 --> 00:36:00,560 Speaker 14: of petrol in the vehicle. So other fish there spin. 750 00:36:01,160 --> 00:36:03,360 Speaker 14: This couple was taken and taking the bait, taking the 751 00:36:03,400 --> 00:36:06,080 Speaker 14: movie tickets, gone to the movies, watch the movies, come 752 00:36:06,120 --> 00:36:07,560 Speaker 14: back to find their house has been robbed. 753 00:36:07,960 --> 00:36:13,040 Speaker 2: Oh wow, what a why Wow? 754 00:36:14,840 --> 00:36:17,000 Speaker 1: So they knew they could get them out out of 755 00:36:17,040 --> 00:36:19,640 Speaker 1: their house by giving them movie tickets. 756 00:36:19,200 --> 00:36:20,440 Speaker 13: Pretty much and then. 757 00:36:22,800 --> 00:36:28,319 Speaker 1: Wow, that is so I mean, devastating but clever. When 758 00:36:28,320 --> 00:36:30,759 Speaker 1: they got back, were they like, were they upset or 759 00:36:30,760 --> 00:36:31,600 Speaker 1: were they impressed? 760 00:36:32,680 --> 00:36:34,520 Speaker 14: No? Definitely upset. 761 00:36:34,600 --> 00:36:38,239 Speaker 2: Yeah, questions years later that I think you look back 762 00:36:38,280 --> 00:36:39,719 Speaker 2: and go like, geez, they got it. You know, the 763 00:36:39,760 --> 00:36:42,440 Speaker 2: best goddess, the best goddess would It's like losing the 764 00:36:42,480 --> 00:36:45,040 Speaker 2: Australian Open to Know bak Jocovich. Imagine MEDVEDEVN years to come, 765 00:36:45,080 --> 00:36:46,440 Speaker 2: we'll be like whatever. 766 00:36:46,239 --> 00:36:49,279 Speaker 1: I don't think any of the things like that. Let's 767 00:36:49,280 --> 00:36:49,640 Speaker 1: go to the. 768 00:36:51,320 --> 00:36:52,240 Speaker 3: See what you're hearing. 769 00:36:52,400 --> 00:36:55,640 Speaker 4: Find us on Instagram and Facebook search Will and Woody