1 00:00:04,480 --> 00:00:06,680 Speaker 1: The Will and Woody podcast. 2 00:00:07,720 --> 00:00:11,319 Speaker 2: Loose Changed Legends? Is it seven thousand dollars tomorrow? If 3 00:00:11,360 --> 00:00:13,920 Speaker 2: you can believe it? We've been throwing those coins in 4 00:00:13,960 --> 00:00:17,720 Speaker 2: that ball. No, I don't for two weeks now. I 5 00:00:17,720 --> 00:00:19,520 Speaker 2: mean seven thousand dollars One of you guys going to 6 00:00:19,560 --> 00:00:22,880 Speaker 2: win tomorrow if someone gets it right? How much money 7 00:00:22,920 --> 00:00:23,119 Speaker 2: is that? 8 00:00:23,480 --> 00:00:25,400 Speaker 1: Don't call now, though, we're taking those calls tomorrow. 9 00:00:25,720 --> 00:00:28,560 Speaker 3: Right now, I really need to hear a female perspective 10 00:00:28,680 --> 00:00:30,600 Speaker 3: on this. I mean, you can obviously engage Will, but 11 00:00:31,000 --> 00:00:34,320 Speaker 3: one of our male producers say the thumb from outside? 12 00:00:34,440 --> 00:00:37,000 Speaker 1: Is the producer comfortable with me naming who they are? 13 00:00:37,960 --> 00:00:39,920 Speaker 4: I think it was a friend of the producer, Is 14 00:00:39,920 --> 00:00:40,400 Speaker 4: that right? 15 00:00:40,640 --> 00:00:46,000 Speaker 2: That's right? Sorry, sounding sus, sounding fairy sus. 16 00:00:46,159 --> 00:00:48,400 Speaker 3: I forgot that. That's important detail. It wasn't one of 17 00:00:48,400 --> 00:00:49,479 Speaker 3: our producers a friend. 18 00:00:49,800 --> 00:00:50,360 Speaker 2: It wasn't you. 19 00:00:50,400 --> 00:00:52,040 Speaker 5: Joe happy to say it was a friend of mine 20 00:00:52,920 --> 00:00:54,880 Speaker 5: because it was friend of a friend or just a 21 00:00:54,880 --> 00:00:55,600 Speaker 5: friend just mine. 22 00:00:55,960 --> 00:00:58,600 Speaker 1: It's a friend. Yeah, how did. 23 00:00:58,520 --> 00:01:01,680 Speaker 4: You know it's changing friend and a housemate? 24 00:01:02,240 --> 00:01:03,560 Speaker 2: How did you know they told you? 25 00:01:04,040 --> 00:01:04,759 Speaker 4: I witnessed it? 26 00:01:05,400 --> 00:01:08,559 Speaker 2: Oh okay, yeah, yeah, yeah, yeah, okay. 27 00:01:08,800 --> 00:01:13,280 Speaker 3: We've covered it beautifully so this housemate of Joe, definitely, 28 00:01:13,360 --> 00:01:13,679 Speaker 3: you can. 29 00:01:13,640 --> 00:01:15,679 Speaker 2: Just say, can you not say that it's you? You're 30 00:01:15,680 --> 00:01:16,360 Speaker 2: worried about that? 31 00:01:16,720 --> 00:01:17,959 Speaker 4: No, I mean it wasn't me. 32 00:01:19,040 --> 00:01:23,000 Speaker 1: I haven't involved her lying. Well, it's just kidding it 33 00:01:23,040 --> 00:01:24,080 Speaker 1: wasn't her. 34 00:01:24,240 --> 00:01:27,280 Speaker 2: Well, it's fine. It's a safe space. So I don't 35 00:01:27,280 --> 00:01:29,480 Speaker 2: know why you feel so so weird about it. It's fine. 36 00:01:29,480 --> 00:01:30,720 Speaker 2: We all there's a vulnerable space. 37 00:01:31,560 --> 00:01:34,280 Speaker 5: I just don't want to disclose my friend's info without 38 00:01:34,520 --> 00:01:35,360 Speaker 5: having asked her. 39 00:01:35,520 --> 00:01:37,680 Speaker 4: So I'm just going to keep her name under. 40 00:01:37,480 --> 00:01:39,360 Speaker 2: Wrapped safe with us. Wink is as good as a 41 00:01:39,400 --> 00:01:41,560 Speaker 2: nudge to a blind beat. All right, All right, here 42 00:01:41,560 --> 00:01:41,800 Speaker 2: we go. 43 00:01:42,400 --> 00:01:46,720 Speaker 3: So friend, housemate of Joe's, she's she's talking up with 44 00:01:46,760 --> 00:01:48,480 Speaker 3: a guy, right, happy days. 45 00:01:49,240 --> 00:01:51,720 Speaker 1: The guy leaves the guys you got a name Joe. 46 00:01:53,400 --> 00:01:55,200 Speaker 4: I haven't met him before. 47 00:01:57,960 --> 00:02:00,880 Speaker 2: Mystery guy who hasn't met Yeah, hooking up with her 48 00:02:00,880 --> 00:02:01,400 Speaker 2: house mate. 49 00:02:01,960 --> 00:02:06,600 Speaker 3: He leaves something in the housemate's room. Okay, Joe's house 50 00:02:06,680 --> 00:02:13,120 Speaker 3: mate decides to dowse his thing, just confirming it was 51 00:02:13,160 --> 00:02:16,440 Speaker 3: a shirt or a few shirts. A few shirts. He 52 00:02:16,520 --> 00:02:19,560 Speaker 3: was wearing multiple shirts for some reason. He left both of. 53 00:02:19,480 --> 00:02:21,040 Speaker 2: The shit, why was there a few shirts? Had he 54 00:02:21,080 --> 00:02:22,560 Speaker 2: been over a few times, been over a. 55 00:02:22,560 --> 00:02:24,400 Speaker 4: Couple of times. I think I think they're seeing each 56 00:02:24,400 --> 00:02:26,560 Speaker 4: other so much like you. 57 00:02:27,960 --> 00:02:31,880 Speaker 1: She chooses to spray the shirts with her perfume. 58 00:02:32,160 --> 00:02:33,200 Speaker 2: What perfume was it? 59 00:02:33,800 --> 00:02:35,920 Speaker 4: I think she wears my way by Georgia or money. 60 00:02:39,120 --> 00:02:46,000 Speaker 2: You've got all the details. So housemat sprays it with that. Okay, 61 00:02:46,200 --> 00:02:48,680 Speaker 2: Why what's the intent of the house mate? Well, I 62 00:02:48,680 --> 00:02:51,120 Speaker 2: don't think on behalf of the house mate. Can you 63 00:02:51,120 --> 00:02:52,440 Speaker 2: speak on behalf of the house mate? 64 00:02:52,560 --> 00:02:53,520 Speaker 4: Very close? I think. 65 00:02:55,000 --> 00:02:58,200 Speaker 5: I think like anytime anyone leaves, even friends, leave like 66 00:02:58,240 --> 00:03:00,760 Speaker 5: an item of clothing behind, I want to wash it 67 00:03:00,760 --> 00:03:02,639 Speaker 5: so it smells good. But secondly I'm like, I want 68 00:03:02,680 --> 00:03:05,920 Speaker 5: it to return. They want it to return smell me 69 00:03:07,440 --> 00:03:10,440 Speaker 5: like nice, like that scent of theirs, and they want 70 00:03:10,560 --> 00:03:12,399 Speaker 5: people to reflect them as having a nice scent. 71 00:03:13,280 --> 00:03:13,480 Speaker 6: Oh. 72 00:03:14,080 --> 00:03:16,400 Speaker 2: So there's a big difference here between my mum leaving 73 00:03:16,400 --> 00:03:17,440 Speaker 2: a jumper at my house. 74 00:03:17,520 --> 00:03:19,560 Speaker 1: Though we're talking about someone. 75 00:03:19,560 --> 00:03:21,760 Speaker 2: Someone that I'm sleeping with, leaving something at my house. 76 00:03:21,760 --> 00:03:23,760 Speaker 2: That's very different in terms of what I want them 77 00:03:23,840 --> 00:03:26,000 Speaker 2: to how I want their experience in my house to be. 78 00:03:26,320 --> 00:03:30,560 Speaker 5: Well, I if it was me personally, would perfume both 79 00:03:30,560 --> 00:03:31,040 Speaker 5: of those things. 80 00:03:31,040 --> 00:03:32,840 Speaker 2: So if your mum left a T shirt at your house, 81 00:03:32,840 --> 00:03:33,600 Speaker 2: you would perfume it. 82 00:03:33,680 --> 00:03:35,880 Speaker 4: Maybe not mum, but if a friend, if a friend 83 00:03:35,920 --> 00:03:36,440 Speaker 4: left something. 84 00:03:36,480 --> 00:03:38,080 Speaker 3: When you were sleeping with your dad was staying with 85 00:03:38,120 --> 00:03:40,520 Speaker 3: you recently, did you spray his stuff with your perfume? 86 00:03:40,720 --> 00:03:42,360 Speaker 4: I did it, but my housemate may have. 87 00:03:43,120 --> 00:03:46,160 Speaker 1: Sorry, any bit lost in this. 88 00:03:46,880 --> 00:03:51,640 Speaker 2: Right, so hey on? So so your intent sorry there, 89 00:03:51,760 --> 00:03:56,440 Speaker 2: your housemad's intention is just for the person to think 90 00:03:56,520 --> 00:03:58,040 Speaker 2: fondly and. 91 00:03:57,960 --> 00:04:00,400 Speaker 5: To receive that item of clothing back and be like, Wow, 92 00:04:00,520 --> 00:04:01,880 Speaker 5: that smells amazing. 93 00:04:01,920 --> 00:04:03,360 Speaker 2: That's something that I feel like I would do if 94 00:04:03,360 --> 00:04:04,440 Speaker 2: I was hooking out with someone. 95 00:04:04,920 --> 00:04:06,440 Speaker 4: Yeah, and I agree with that. 96 00:04:07,280 --> 00:04:09,480 Speaker 3: And in this scenario, the housemate was hooking up with 97 00:04:09,560 --> 00:04:12,440 Speaker 3: this guy right right now, I think, let's specifically. 98 00:04:12,040 --> 00:04:18,840 Speaker 2: The housemate like the guy. I think, yeah, so specifically 99 00:04:18,880 --> 00:04:20,560 Speaker 2: in the context of hooking up with someone. 100 00:04:20,640 --> 00:04:22,720 Speaker 1: Yeah, I think let's let's strike out everything else. 101 00:04:22,800 --> 00:04:25,120 Speaker 3: Yeah, yeah, I just need to know from people on 102 00:04:25,240 --> 00:04:27,040 Speaker 3: thirteen one oh sixty five now, and I think women, 103 00:04:27,040 --> 00:04:29,440 Speaker 3: because I'm wrong. I don't think any bloke has ever 104 00:04:29,480 --> 00:04:33,320 Speaker 3: done that. I have never sprayed a girl's possessions with 105 00:04:33,440 --> 00:04:37,400 Speaker 3: my cologne when she's left it in my room. 106 00:04:37,520 --> 00:04:39,880 Speaker 1: Oh you have no, Oh my god, you have. 107 00:04:40,040 --> 00:04:40,120 Speaker 2: No. 108 00:04:40,160 --> 00:04:42,480 Speaker 1: I haven't made vulnerable space. You were saying before, Was 109 00:04:42,480 --> 00:04:43,360 Speaker 1: this your housemaid as well? 110 00:04:43,560 --> 00:04:47,040 Speaker 2: Was it you John the same houseboat? No? No, no, 111 00:04:47,080 --> 00:04:49,039 Speaker 2: do it? No, no, no, done it. No, I haven't done it. 112 00:04:49,080 --> 00:04:51,600 Speaker 2: I have had I've had it the reverse way though, 113 00:04:51,640 --> 00:04:52,039 Speaker 2: I reckon. 114 00:04:52,240 --> 00:04:54,240 Speaker 1: So you think a girl sprayed yours. 115 00:04:54,120 --> 00:04:56,080 Speaker 2: And just and if we are going down the line 116 00:04:56,080 --> 00:04:58,640 Speaker 2: of like whether this is effective or not, because the 117 00:04:58,680 --> 00:05:02,720 Speaker 2: perfume that she had, m hm, I can still if 118 00:05:02,720 --> 00:05:04,640 Speaker 2: I walk down the street and smell that perfume, I'm 119 00:05:04,680 --> 00:05:09,479 Speaker 2: reminded of her. It was like that perfume was like 120 00:05:09,760 --> 00:05:12,200 Speaker 2: I've never smelled anything like it like that. That is 121 00:05:12,279 --> 00:05:14,479 Speaker 2: full trigger for me, that perfume whenever I can't be 122 00:05:14,480 --> 00:05:15,760 Speaker 2: around people that that smell, like. 123 00:05:15,760 --> 00:05:17,640 Speaker 1: That is your housemate's perfume, like. 124 00:05:17,640 --> 00:05:19,440 Speaker 4: That stunning, stunning scent. 125 00:05:19,839 --> 00:05:21,600 Speaker 2: Well there you go. All right, Okay, so I think 126 00:05:21,640 --> 00:05:24,120 Speaker 2: takes some calls. Here's a double question. Yeah, thirteen one, 127 00:05:24,279 --> 00:05:24,719 Speaker 2: six y five? 128 00:05:24,720 --> 00:05:26,200 Speaker 1: Do you do it? Is it effective? 129 00:05:26,320 --> 00:05:26,800 Speaker 2: Okay? 130 00:05:28,160 --> 00:05:30,839 Speaker 3: Honestly I thought she was the housemate, was the only 131 00:05:30,920 --> 00:05:32,480 Speaker 3: person that would have done this before. 132 00:05:34,040 --> 00:05:35,520 Speaker 1: Yeah, I did not think people were doing it. 133 00:05:35,520 --> 00:05:36,800 Speaker 2: You don't think like a lady. 134 00:05:37,720 --> 00:05:42,440 Speaker 1: Thank you? I think I think, yeah, I'll take it 135 00:05:42,760 --> 00:05:43,159 Speaker 1: just a fact. 136 00:05:43,200 --> 00:05:44,480 Speaker 2: Just a fact, doesn't need to be the other way. 137 00:05:44,880 --> 00:05:46,880 Speaker 4: I think it's not specific to that one guy. 138 00:05:47,000 --> 00:05:48,080 Speaker 1: Like if you guys. 139 00:05:50,120 --> 00:05:53,839 Speaker 3: Ring the bell, we ringing the bell for you guys. 140 00:05:53,839 --> 00:05:58,279 Speaker 3: Interesting that bell means many things. Someone had the bell 141 00:05:58,320 --> 00:06:01,240 Speaker 3: means yet it just haphazardly belling, and one of them 142 00:06:01,279 --> 00:06:03,120 Speaker 3: will feel you went for it then, but unfortunately I 143 00:06:03,120 --> 00:06:04,120 Speaker 3: had your fingers clammed on it. 144 00:06:04,160 --> 00:06:07,360 Speaker 1: You more on, Rhiannon, what do you film means? 145 00:06:08,520 --> 00:06:13,040 Speaker 2: Just? Don't you tried to bel your own You've also 146 00:06:13,080 --> 00:06:14,279 Speaker 2: tried to bel your own comment. 147 00:06:14,920 --> 00:06:16,760 Speaker 3: You can't bell your own comment. Let's just get into 148 00:06:16,800 --> 00:06:20,400 Speaker 3: the calls, shall we, Rhannon. We want to know if 149 00:06:20,440 --> 00:06:24,240 Speaker 3: people do this, whether it's common. Do you do you 150 00:06:24,279 --> 00:06:24,600 Speaker 3: do it? 151 00:06:25,600 --> 00:06:25,800 Speaker 4: Yes? 152 00:06:25,960 --> 00:06:26,159 Speaker 7: Yes? 153 00:06:27,120 --> 00:06:27,599 Speaker 1: Can you hear me? 154 00:06:27,720 --> 00:06:27,920 Speaker 2: Yeah? 155 00:06:27,960 --> 00:06:28,200 Speaker 1: Got you? 156 00:06:30,520 --> 00:06:30,719 Speaker 7: Yeah? 157 00:06:30,800 --> 00:06:31,320 Speaker 4: Can you hear me? 158 00:06:31,400 --> 00:06:31,560 Speaker 2: Yeah? 159 00:06:31,600 --> 00:06:34,760 Speaker 1: We got you, Rhannam. Can you hear us, Rhiannon. 160 00:06:34,880 --> 00:06:36,080 Speaker 7: Yes, I can hear you. 161 00:06:36,480 --> 00:06:41,240 Speaker 2: Here's sorry, she could be done. Let's move on. Cat, 162 00:06:41,800 --> 00:06:43,880 Speaker 2: I can't hear you anymore. Rhiannon, you're a bit shaky. 163 00:06:44,320 --> 00:06:46,440 Speaker 2: Maybe check she's got a clean line. Cat's called on 164 00:06:46,480 --> 00:06:48,719 Speaker 2: thirty one and six five Cat. That's what the bell 165 00:06:48,800 --> 00:06:51,240 Speaker 2: could be for, just bell callers when they call the 166 00:06:51,279 --> 00:06:53,360 Speaker 2: show and then say we can't hear, you can't hear, 167 00:06:53,560 --> 00:06:55,960 Speaker 2: let's go to cat Cat. 168 00:06:56,240 --> 00:06:57,800 Speaker 1: Do people do this? Is it common? 169 00:06:59,520 --> 00:07:02,200 Speaker 6: Look? I can't speak from personal experience, but what I 170 00:07:02,279 --> 00:07:05,839 Speaker 6: do reckon is you were talking about how like guys 171 00:07:05,880 --> 00:07:08,520 Speaker 6: wouldn't do it like return girls clothes with it, But 172 00:07:08,600 --> 00:07:11,160 Speaker 6: you know what they do do? They put their sense 173 00:07:11,200 --> 00:07:14,480 Speaker 6: on their own clothes. So when like the girls quote 174 00:07:14,520 --> 00:07:17,280 Speaker 6: unquote steal it, like hoodies and shirts and stuff, when 175 00:07:17,280 --> 00:07:18,920 Speaker 6: they steal it, so that when the girl wears it, 176 00:07:18,920 --> 00:07:19,640 Speaker 6: it smells like them. 177 00:07:19,720 --> 00:07:21,440 Speaker 3: Okay, And I think that's just because we wore it though, 178 00:07:21,600 --> 00:07:23,960 Speaker 3: Like if you've taken like a shirt from my closet, 179 00:07:24,640 --> 00:07:27,360 Speaker 3: it might smell like my cologne because I've probably done 180 00:07:27,400 --> 00:07:29,080 Speaker 3: that thing where I've won once, given it a sniff 181 00:07:29,080 --> 00:07:31,600 Speaker 3: on the armpits and decided that get to rewar. I 182 00:07:31,600 --> 00:07:34,640 Speaker 3: don't think i'd be specifically spraying it, so you think 183 00:07:34,680 --> 00:07:35,720 Speaker 3: of me when you take it home. 184 00:07:36,680 --> 00:07:39,000 Speaker 6: I think you're giving it to us, so we think 185 00:07:39,040 --> 00:07:40,640 Speaker 6: of you when we wear it though, And it's not 186 00:07:40,680 --> 00:07:43,080 Speaker 6: like the girls can give our own clothes the guys 187 00:07:43,080 --> 00:07:44,720 Speaker 6: to wear, so we put our s menal on the 188 00:07:44,720 --> 00:07:45,480 Speaker 6: guy's clothes. 189 00:07:45,640 --> 00:07:48,440 Speaker 2: Ah, I say, what's down there? Sometimes that I mean 190 00:07:48,720 --> 00:07:51,240 Speaker 2: it's wine in the clock back fifteen to twenty years 191 00:07:51,280 --> 00:07:53,800 Speaker 2: here would But I mean, ordinarily I would just give 192 00:07:53,840 --> 00:07:57,600 Speaker 2: someone a shirt or something because or a jumper if 193 00:07:57,640 --> 00:07:59,760 Speaker 2: the clothes they wore home like the clothes that they 194 00:07:59,800 --> 00:08:00,480 Speaker 2: took the club. 195 00:08:00,920 --> 00:08:01,680 Speaker 1: Yeah, no, of course no. 196 00:08:01,720 --> 00:08:03,680 Speaker 2: And they can't go ye can't be seen any broad 197 00:08:03,760 --> 00:08:04,320 Speaker 2: daylight than that. 198 00:08:05,280 --> 00:08:06,840 Speaker 1: That's not really not doing it. You're not doing it 199 00:08:06,880 --> 00:08:07,640 Speaker 1: to give them me a cent. 200 00:08:08,200 --> 00:08:10,560 Speaker 2: No, that's my point as well, my point as well. 201 00:08:10,560 --> 00:08:13,080 Speaker 2: I think it just it just sounds like us because outside, 202 00:08:13,080 --> 00:08:17,320 Speaker 2: would you like a jumper's been gentlemen, Sarah at the 203 00:08:17,400 --> 00:08:22,080 Speaker 2: end of the day, Sarah, God, you can't be seen 204 00:08:22,160 --> 00:08:23,720 Speaker 2: outside in that and it's a bit of gold. Would 205 00:08:23,720 --> 00:08:24,400 Speaker 2: you like a jumper? 206 00:08:26,520 --> 00:08:27,600 Speaker 1: Sarah? 207 00:08:27,680 --> 00:08:27,920 Speaker 7: Yes? 208 00:08:28,000 --> 00:08:29,440 Speaker 1: Yes, oh god, it's the gentleman. 209 00:08:29,520 --> 00:08:29,720 Speaker 2: Bill. 210 00:08:31,440 --> 00:08:34,000 Speaker 1: Have you have you will try and take the bell off? 211 00:08:34,000 --> 00:08:35,600 Speaker 1: Will have you? 212 00:08:35,679 --> 00:08:37,960 Speaker 3: Why do you feel like a Friday Sarah? Have you 213 00:08:38,200 --> 00:08:41,080 Speaker 3: have you done this before? Have you sprayed something that 214 00:08:41,080 --> 00:08:42,480 Speaker 3: the bloke's left in your room? 215 00:08:43,559 --> 00:08:44,600 Speaker 6: I have I have. 216 00:08:44,920 --> 00:08:48,680 Speaker 8: So I was planning ongoing. Well, I had already planned 217 00:08:48,679 --> 00:08:51,640 Speaker 8: to go away on a three week holiday with my 218 00:08:51,760 --> 00:08:55,439 Speaker 8: best friend and my ex boyfriend was like, I want 219 00:08:55,480 --> 00:08:57,920 Speaker 8: to miss you so much. I love like your smell, 220 00:08:57,960 --> 00:09:00,360 Speaker 8: I love your scent. So he handed me in two 221 00:09:00,360 --> 00:09:03,240 Speaker 8: of his shirts and I spray like my perfume all 222 00:09:03,280 --> 00:09:05,560 Speaker 8: over it, so that every night when you went to 223 00:09:05,559 --> 00:09:07,920 Speaker 8: fall asleep, he was like cuddling it and he took 224 00:09:07,960 --> 00:09:10,439 Speaker 8: photos and you'll send it to me being like sleeping 225 00:09:10,480 --> 00:09:12,400 Speaker 8: next to you. But it was just my shirt with 226 00:09:12,440 --> 00:09:13,320 Speaker 8: my scent on it. 227 00:09:15,320 --> 00:09:18,760 Speaker 2: Across the line there for me like making that decision 228 00:09:18,760 --> 00:09:20,360 Speaker 2: that it gets a bit sick at the sick belt. 229 00:09:20,880 --> 00:09:22,800 Speaker 2: Oh yeah, if someone if someone came up to me 230 00:09:22,840 --> 00:09:24,640 Speaker 2: and now that I'm going overseas, I'm going to miss 231 00:09:24,640 --> 00:09:25,040 Speaker 2: your smell. 232 00:09:25,440 --> 00:09:27,360 Speaker 1: Yeah yeah, yeah, there's a flag there. 233 00:09:27,440 --> 00:09:29,600 Speaker 2: Oh really, if someone says they're going to miss you, 234 00:09:29,600 --> 00:09:32,200 Speaker 2: I'm going to miss you lovely, I'm going to miss 235 00:09:32,200 --> 00:09:36,319 Speaker 2: your scent and then sleeps next to a shirt of mine. 236 00:09:36,160 --> 00:09:37,120 Speaker 1: It's a bit murdery. 237 00:09:37,400 --> 00:09:40,360 Speaker 2: Well, it's just a bit like you know, buffalo bill yea, yeah, 238 00:09:40,559 --> 00:09:43,400 Speaker 2: I hear that silence of the lambs. Yeah, there's that 239 00:09:43,440 --> 00:09:46,080 Speaker 2: movie reference Bell there. It is. It's a belt for 240 00:09:46,120 --> 00:09:51,560 Speaker 2: all seasons that one Olivia hopefully takes the cake. 241 00:09:52,200 --> 00:09:53,720 Speaker 1: Okay, teak me, what do you do? Live? 242 00:09:54,640 --> 00:09:54,760 Speaker 2: All? 243 00:09:54,840 --> 00:09:55,040 Speaker 7: Right? 244 00:09:55,120 --> 00:09:57,560 Speaker 9: So, in fairness, if I've been like kind of seeing 245 00:09:57,600 --> 00:09:59,360 Speaker 9: a guy and I'm not sure if he's like seeing 246 00:09:59,400 --> 00:10:01,760 Speaker 9: other people or not, and I've stated his house when 247 00:10:01,800 --> 00:10:03,400 Speaker 9: I like make his bed, I've been known to like 248 00:10:03,440 --> 00:10:04,559 Speaker 9: stray my perfume on it. 249 00:10:06,679 --> 00:10:09,600 Speaker 1: You you spray your perfume on his bed? 250 00:10:10,160 --> 00:10:10,920 Speaker 6: Absolutely? 251 00:10:11,320 --> 00:10:13,600 Speaker 3: That is that like how a dog wheees on a 252 00:10:13,679 --> 00:10:15,239 Speaker 3: tree to take like ownership. 253 00:10:16,120 --> 00:10:17,000 Speaker 7: Because if you're. 254 00:10:16,840 --> 00:10:19,439 Speaker 9: Like seeing someone say me regularly, right, and you don't 255 00:10:19,480 --> 00:10:21,800 Speaker 9: know if they're seeing other people, a way to like 256 00:10:21,920 --> 00:10:24,000 Speaker 9: let them know that, like, oh maybe there is someone 257 00:10:24,000 --> 00:10:25,960 Speaker 9: here quite often and that he doesn't quite make his 258 00:10:26,000 --> 00:10:28,480 Speaker 9: own bed, pray a bit of your perfume on they. 259 00:10:28,880 --> 00:10:33,440 Speaker 2: Yeah, so it's marking your territory live. Yeah, it's on 260 00:10:33,480 --> 00:10:38,800 Speaker 2: a tree, is the analogy it is coming into Christmas. 261 00:10:38,920 --> 00:10:40,560 Speaker 2: I don't think we can ignore that. I don't think 262 00:10:40,559 --> 00:10:40,839 Speaker 2: we can. 263 00:10:41,080 --> 00:10:45,120 Speaker 3: Trees are my trees are sanders? He's visiting shopping centers. 264 00:10:45,160 --> 00:10:47,400 Speaker 2: Have you got a live tray? Live tree? We had 265 00:10:47,400 --> 00:10:49,560 Speaker 2: a live tree last year, the last time I do it, 266 00:10:49,600 --> 00:10:52,240 Speaker 2: just a shocking idea. The things was like, the smell 267 00:10:52,320 --> 00:10:54,319 Speaker 2: smells great. It does smell good. Now I'll give her 268 00:10:54,320 --> 00:10:56,720 Speaker 2: that smells great, but it's not with all the stickiness 269 00:10:57,400 --> 00:11:01,679 Speaker 2: in the stickiness, what does it drop? Sap, leave the 270 00:11:01,920 --> 00:11:04,920 Speaker 2: sticky needles. But they're needles. Then you've got to get out. 271 00:11:04,920 --> 00:11:06,240 Speaker 2: Then you've got to get out of it. You've got 272 00:11:06,240 --> 00:11:08,400 Speaker 2: to get it out of there a dead body. You've 273 00:11:08,400 --> 00:11:10,760 Speaker 2: got to bag it. Yep, that I've done that for. 274 00:11:10,920 --> 00:11:13,959 Speaker 2: But hey, so one of the things that does come 275 00:11:14,040 --> 00:11:16,400 Speaker 2: up a lot at Christmas or the Carols of course. 276 00:11:16,720 --> 00:11:19,240 Speaker 1: Now look, it's in all the shoppings. You can't escape it. 277 00:11:19,520 --> 00:11:22,360 Speaker 2: There is one song that I hear every year at 278 00:11:22,400 --> 00:11:26,120 Speaker 2: this time, and I'm over it. I'm done with it now. 279 00:11:26,440 --> 00:11:27,000 Speaker 2: I don't want to. 280 00:11:27,080 --> 00:11:28,720 Speaker 1: I know, I know what you're referring to it. Everyone 281 00:11:28,720 --> 00:11:29,480 Speaker 1: knows what you're referring to. 282 00:11:29,960 --> 00:11:31,559 Speaker 2: I can name the artist. I can name the artist 283 00:11:31,600 --> 00:11:32,280 Speaker 2: Mariah Carey. 284 00:11:32,559 --> 00:11:33,160 Speaker 1: Everyone knows. 285 00:11:33,400 --> 00:11:35,160 Speaker 2: And I think and I've looked this up already because 286 00:11:35,160 --> 00:11:37,600 Speaker 2: I've decided not to give her any more plays. That's 287 00:11:37,640 --> 00:11:40,880 Speaker 2: just my decision that I think we can play five 288 00:11:40,920 --> 00:11:43,840 Speaker 2: seconds of it without it counting towards a play. Okay, 289 00:11:43,880 --> 00:11:50,520 Speaker 2: So it's this song now, so we all know the 290 00:11:50,520 --> 00:11:51,800 Speaker 2: song now. I don't want to hear that. 291 00:11:51,880 --> 00:11:54,840 Speaker 1: It's a banger, though, Will it's a shock, it's a banger. 292 00:11:55,160 --> 00:11:57,319 Speaker 2: I am done with that. But I've heard that song 293 00:11:57,480 --> 00:12:02,640 Speaker 2: that many times. There are so many other Christmas songs woulds. 294 00:12:02,640 --> 00:12:04,360 Speaker 3: I just think you put it away for ten months 295 00:12:04,360 --> 00:12:05,599 Speaker 3: and then you feel like it again, do you know 296 00:12:05,640 --> 00:12:08,120 Speaker 3: what I mean? Like I'm ready for it. You don't 297 00:12:08,120 --> 00:12:10,040 Speaker 3: listen to it during the year, you have a bit 298 00:12:10,040 --> 00:12:16,400 Speaker 3: of a reset. I'm pumped from I'm going to get Yes, Okay, 299 00:12:16,440 --> 00:12:18,200 Speaker 3: you're gonna have to pitch me some better Christmas songs though, 300 00:12:18,240 --> 00:12:20,440 Speaker 3: because that is for me comfortably welcome. 301 00:12:20,760 --> 00:12:22,319 Speaker 1: Well with the party, okay. 302 00:12:22,040 --> 00:12:24,080 Speaker 2: Because there are lots of artists that have done Christmas 303 00:12:24,120 --> 00:12:26,720 Speaker 2: songs over the year. It's just these these TikTok brainwashed 304 00:12:26,760 --> 00:12:33,800 Speaker 2: gen z nuffies. You know everything in the generation below me. 305 00:12:34,120 --> 00:12:37,840 Speaker 3: So she was big pre TikTok ma Riah, Yeah, man's 306 00:12:37,880 --> 00:12:38,840 Speaker 3: been huge for ten years. 307 00:12:38,880 --> 00:12:42,120 Speaker 2: You know that Mariah Carey is made to Mariah Carey 308 00:12:42,120 --> 00:12:46,000 Speaker 2: while your mum was changing your nappies right now, So 309 00:12:46,000 --> 00:12:48,920 Speaker 2: so these are some of the songs, Like, great artists 310 00:12:48,920 --> 00:12:52,360 Speaker 2: do great Christmas songs. Yeah, sure, Wham did a great 311 00:12:52,400 --> 00:12:57,280 Speaker 2: Christmas song, Slow for Mine. That is a great song. 312 00:12:57,400 --> 00:12:59,960 Speaker 2: It's a good song. I'm not pumped to drink some 313 00:13:00,080 --> 00:13:03,040 Speaker 2: eggnog listening to that. You don't drink ignog If I did, 314 00:13:03,520 --> 00:13:05,080 Speaker 2: I wouldn't drink it to that. So let me take 315 00:13:05,080 --> 00:13:06,240 Speaker 2: you to one. This is I know, this is your 316 00:13:06,280 --> 00:13:09,160 Speaker 2: mum's favorite. This is your mother's favorite. Booblade is a 317 00:13:09,160 --> 00:13:17,360 Speaker 2: great version police Navir Dad. Oh, it's your man makes 318 00:13:17,400 --> 00:13:19,679 Speaker 2: it a jeet. It's cute, it's a bit sexy. 319 00:13:20,400 --> 00:13:22,600 Speaker 1: Sure anything Boo blow Touches is sexy. 320 00:13:23,120 --> 00:13:25,120 Speaker 2: I'm a huge fan. I mean, do you remember that 321 00:13:25,160 --> 00:13:27,240 Speaker 2: you were this single Michael Bolton? Oh? 322 00:13:27,320 --> 00:13:29,120 Speaker 3: Yeah, he had a great song. How can we be 323 00:13:29,160 --> 00:13:31,360 Speaker 3: lovers if we can't be friends? Great song, unbelievable song. 324 00:13:31,520 --> 00:13:34,000 Speaker 2: He does an incredible version of Santa Claus Is Coming 325 00:13:34,040 --> 00:13:34,360 Speaker 2: to Town. 326 00:13:39,440 --> 00:13:40,400 Speaker 1: That's your best so far. 327 00:13:41,160 --> 00:13:42,839 Speaker 2: That's a true because that's up and about too, Like 328 00:13:42,880 --> 00:13:45,120 Speaker 2: I'm pumped now, I'm pumped coming to town. 329 00:13:46,120 --> 00:13:48,720 Speaker 1: Oh and Bolton has got for stuff, like he's not 330 00:13:48,720 --> 00:13:49,480 Speaker 1: the best voice in the world. 331 00:13:49,520 --> 00:13:59,920 Speaker 2: Michael Bolton you reckon. Yeah, this unbelievable. That's unbelievable. All right, 332 00:14:00,080 --> 00:14:02,280 Speaker 2: might be in for that. The other one maybe for me, 333 00:14:02,840 --> 00:14:13,559 Speaker 2: big one for me, Lennon, this is a cracker War 334 00:14:13,760 --> 00:14:14,080 Speaker 2: is over. 335 00:14:14,240 --> 00:14:17,760 Speaker 3: I've always found that that song was recorded poorly. 336 00:14:17,800 --> 00:14:19,920 Speaker 1: Yeah, just sounds like a bit so quiet. 337 00:14:19,920 --> 00:14:22,080 Speaker 2: Well, we'll probably was recorded in the sixties. 338 00:14:22,800 --> 00:14:24,000 Speaker 1: Yeah, well they need to do that. 339 00:14:24,200 --> 00:14:25,800 Speaker 3: What do they do when they give it the audio 340 00:14:25,840 --> 00:14:28,040 Speaker 3: treatment or something? They say it's mastering. Yeah, they need 341 00:14:28,040 --> 00:14:30,240 Speaker 3: to be mastered. Someone needs to master that. That must 342 00:14:30,240 --> 00:14:32,320 Speaker 3: be our copy now and bring it back out, doesn't 343 00:14:32,320 --> 00:14:33,360 Speaker 3: they recording the tin shid? 344 00:14:33,520 --> 00:14:36,000 Speaker 2: Okay? Yeah, very weird person? All right? 345 00:14:36,720 --> 00:14:38,800 Speaker 1: At them for mine? Can I throw one in the ring? 346 00:14:39,440 --> 00:14:47,120 Speaker 2: Oh? Sure? A ce DC mistress for Christmas? 347 00:14:47,920 --> 00:14:51,280 Speaker 1: Clear I'm against the idea for a song. 348 00:14:51,440 --> 00:14:54,160 Speaker 2: Everyone listening right now? Phone number he's thirteen one o 349 00:14:54,280 --> 00:14:57,120 Speaker 2: six five. I want to have a different number one 350 00:14:57,200 --> 00:15:02,680 Speaker 2: Christmas song this year other than Maria Carries Christmas song 351 00:15:02,880 --> 00:15:04,840 Speaker 2: I shan't even name. It shall not be named like 352 00:15:04,880 --> 00:15:08,920 Speaker 2: Voldemort thirteen one oh six five. What song would you 353 00:15:09,040 --> 00:15:11,000 Speaker 2: like to try and make the number one song with Christmas? 354 00:15:11,080 --> 00:15:12,320 Speaker 2: And then we can all get around and then let's 355 00:15:12,320 --> 00:15:17,120 Speaker 2: buddy do it. Yeah, okay for mine, Bolton's in the lead. Same, 356 00:15:22,480 --> 00:15:24,200 Speaker 2: I can't play anymore than that. Otherwise she gets to 357 00:15:24,200 --> 00:15:27,640 Speaker 2: play five seconds like ma'am Daniel our audio for Jesus, 358 00:15:27,640 --> 00:15:29,160 Speaker 2: he's in the game, he said, don't give any more 359 00:15:29,200 --> 00:15:30,920 Speaker 2: than that. Otherwise she gets a little tick from Opra. 360 00:15:31,280 --> 00:15:32,400 Speaker 2: She goes up one in the charts. 361 00:15:32,560 --> 00:15:34,680 Speaker 3: I'm not doing that, and every play counts because we 362 00:15:34,720 --> 00:15:36,840 Speaker 3: want another song to knock her off her perch. 363 00:15:37,120 --> 00:15:38,520 Speaker 2: I love that. I'd love that because you know that 364 00:15:38,640 --> 00:15:42,200 Speaker 2: will that will then affect the supermarket algorithms. You know 365 00:15:42,320 --> 00:15:44,880 Speaker 2: that will affect that all the Christmas store algorithms, like, 366 00:15:44,920 --> 00:15:48,080 Speaker 2: oh hey, look, the number one song is, for example, 367 00:15:49,040 --> 00:15:51,360 Speaker 2: Michael Bolton, Santa Claus is coming to Town. I mean, 368 00:15:51,440 --> 00:15:55,280 Speaker 2: just as an example, but ge whiz, it sounds pretty good. 369 00:15:53,440 --> 00:15:59,280 Speaker 2: But it's Bolton. You're gonna hear a whole lot more 370 00:15:59,280 --> 00:15:59,560 Speaker 2: of that. 371 00:15:59,600 --> 00:16:02,480 Speaker 3: It's a good song. I love Bolton. You gave me 372 00:16:02,520 --> 00:16:06,080 Speaker 3: some absolute trite before the song. But Bolton, what. 373 00:16:06,000 --> 00:16:06,520 Speaker 2: About the boob? 374 00:16:06,520 --> 00:16:08,880 Speaker 3: You like the boob, and that boob for me is 375 00:16:08,920 --> 00:16:11,720 Speaker 3: in Mariah Carey areas already where we're hearing too much 376 00:16:11,720 --> 00:16:12,400 Speaker 3: of him at Grandit. 377 00:16:14,720 --> 00:16:17,760 Speaker 1: I've hit my quota. I like him. I love him 378 00:16:18,000 --> 00:16:18,920 Speaker 1: a borderline love him. 379 00:16:19,000 --> 00:16:24,600 Speaker 2: Amanda's called thirteen one and six five, Amanda, Amanda, would 380 00:16:24,640 --> 00:16:27,960 Speaker 2: you like to see Mariah Carey's Christmins Anthem knocked off? 381 00:16:28,040 --> 00:16:31,600 Speaker 2: Let's start with that? Yes, okay, great? What would you like? 382 00:16:32,520 --> 00:16:34,520 Speaker 6: I saw Mummy kissing Santa Claus. 383 00:16:41,880 --> 00:16:45,000 Speaker 1: Wow, I sounded I've never heard that. Who sings that? Amanda? 384 00:16:45,880 --> 00:16:48,120 Speaker 7: I'm not sure, but I grew up with it, and 385 00:16:48,560 --> 00:16:51,400 Speaker 7: quite a few of my residents at Christmas time likes 386 00:16:51,440 --> 00:16:52,480 Speaker 7: to hear that being played. 387 00:16:52,520 --> 00:16:56,000 Speaker 2: Okay. John Mellencamp, John Cougar Mellencamp, I think his name 388 00:16:56,000 --> 00:16:57,520 Speaker 2: actually was a long time ago, but yeah, there you go, 389 00:16:57,600 --> 00:17:00,360 Speaker 2: John Mellencamp, all right, I like an Amanda. There was 390 00:17:00,360 --> 00:17:05,119 Speaker 2: a great Australian Christmas song which is how to Make Gravy, 391 00:17:04,600 --> 00:17:07,520 Speaker 2: which really should almost be the one that we are 392 00:17:07,560 --> 00:17:09,800 Speaker 2: championing in a lot of senses at the moment. It 393 00:17:09,880 --> 00:17:13,080 Speaker 2: is just an all time tune. Who's Gonna Make the Grave? 394 00:17:18,160 --> 00:17:20,560 Speaker 3: It would be nice to see an Australian song with 395 00:17:20,640 --> 00:17:21,280 Speaker 3: the number one. 396 00:17:21,400 --> 00:17:24,600 Speaker 2: You get Paul in it is a Christmas concert every 397 00:17:24,680 --> 00:17:27,000 Speaker 2: year because he really is a Christmas concert every year 398 00:17:27,640 --> 00:17:30,360 Speaker 2: sells out. Let's get Paul in here. Have we ever 399 00:17:30,400 --> 00:17:32,480 Speaker 2: had Paul? Spoking to Paul, I've never had Paul. I'd 400 00:17:32,480 --> 00:17:33,960 Speaker 2: loved I'd love to have Paul. I saw him. I 401 00:17:33,960 --> 00:17:35,760 Speaker 2: actually saw him recently in Amsterdam. He was amazing. 402 00:17:35,800 --> 00:17:39,240 Speaker 1: We'd love to have you, Paul, Lauren, he might be. 403 00:17:39,320 --> 00:17:43,439 Speaker 3: You never know, Lauren, Lauren, what what what song do 404 00:17:43,520 --> 00:17:46,440 Speaker 3: you want to see become the number one song for Christmas? 405 00:17:46,760 --> 00:17:46,879 Speaker 2: Well? 406 00:17:46,960 --> 00:17:49,280 Speaker 6: I know you're not very happy with the boobs that 407 00:17:49,480 --> 00:17:52,439 Speaker 6: boobs and mend Mendez. 408 00:17:53,240 --> 00:17:59,719 Speaker 2: Menzel Menzel wickedly tell of the Frozen women the Frozen Yeah, yeah, exactly. 409 00:18:00,440 --> 00:18:03,600 Speaker 6: They think, Baby, it's cold outside and it is a ripper. 410 00:18:04,040 --> 00:18:18,960 Speaker 2: Ah, here we go like this really can't. 411 00:18:21,240 --> 00:18:23,960 Speaker 3: That's good gear And I quite like that. It's kind 412 00:18:23,960 --> 00:18:27,960 Speaker 3: of Elsa. It's Elsa and Boo Blaine, my daughter. I've 413 00:18:28,000 --> 00:18:28,600 Speaker 3: never heard that. 414 00:18:29,160 --> 00:18:30,240 Speaker 2: I like that a lot. Is that? 415 00:18:30,359 --> 00:18:31,960 Speaker 1: Is that better than Bolton for you will? 416 00:18:34,200 --> 00:18:38,119 Speaker 3: I really like it. I don't know, I don't know 417 00:18:38,119 --> 00:18:39,720 Speaker 3: where it sits with me? All right, why don't we 418 00:18:39,760 --> 00:18:41,159 Speaker 3: think about that a little bit more. Let's got to 419 00:18:41,200 --> 00:18:45,119 Speaker 3: live here live. What song do you think deserves to 420 00:18:45,160 --> 00:18:46,480 Speaker 3: be number one at Christmas. 421 00:18:47,640 --> 00:18:49,760 Speaker 7: I'd like to hear Feed the World. 422 00:18:50,440 --> 00:18:51,560 Speaker 2: It was very good. 423 00:18:51,760 --> 00:18:56,479 Speaker 7: Jay's Home two version with Mark Wildberg. 424 00:18:58,040 --> 00:19:02,280 Speaker 2: Will Ferrell A second are there. It wasn't the original 425 00:19:02,320 --> 00:19:05,200 Speaker 2: cast for for for band that Live Aid or band 426 00:19:05,240 --> 00:19:07,720 Speaker 2: Aid or whatever they did like it had Bono in there, and. 427 00:19:10,440 --> 00:19:12,879 Speaker 6: The vision of Daddy's Time Too is better? 428 00:19:13,760 --> 00:19:22,040 Speaker 1: Okay this Christmas? Is this the Will Ferrell version? 429 00:19:23,119 --> 00:19:30,240 Speaker 2: Wow? Have we got the original there? Tell me? Or 430 00:19:30,280 --> 00:19:31,959 Speaker 2: have we just got the walk? Oh? 431 00:19:32,040 --> 00:19:32,240 Speaker 1: Yeah? 432 00:19:32,240 --> 00:19:36,920 Speaker 2: This is the Yeah, it's very good. 433 00:19:37,119 --> 00:19:41,919 Speaker 1: It's like it's nice. You're like a dender Men's love 434 00:19:41,960 --> 00:19:43,240 Speaker 1: the choirs. I don't love the choir. 435 00:19:43,840 --> 00:19:45,919 Speaker 3: I just think the sound audio when you've got so 436 00:19:46,040 --> 00:19:47,520 Speaker 3: many people singing so much, I. 437 00:19:47,440 --> 00:19:49,560 Speaker 2: Think they are mal Nourri's children that might be singing in. 438 00:19:49,520 --> 00:19:51,600 Speaker 1: That And that's a. That's a that's that's beautiful. 439 00:19:52,359 --> 00:19:53,960 Speaker 3: If we can focus though on what song, we can 440 00:19:54,000 --> 00:19:56,320 Speaker 3: only have one song being number one? Well, look, I 441 00:19:56,359 --> 00:19:59,480 Speaker 3: think you pitched hard with Bolton. I really do like Bolton. Okay, 442 00:19:59,640 --> 00:20:01,920 Speaker 3: I also so really like the boob and men'zelle. 443 00:20:02,760 --> 00:20:04,479 Speaker 2: That was good. Who pitched that? 444 00:20:04,600 --> 00:20:05,879 Speaker 1: Lauren Lauren did? Yeah? 445 00:20:05,880 --> 00:20:09,560 Speaker 2: Can we get Lauren back? Lauren? Lauren how do you 446 00:20:09,600 --> 00:20:16,560 Speaker 2: feel about Mariah Carey's current despotic Christmas Christmas anthem? 447 00:20:16,600 --> 00:20:19,040 Speaker 6: I watched her live and seriously it's time to. 448 00:20:18,960 --> 00:20:25,879 Speaker 2: Go oh savage, sorry live a concept? We can't. I 449 00:20:25,960 --> 00:20:27,959 Speaker 2: love that. I'm in your team. I've had enough. 450 00:20:27,960 --> 00:20:29,600 Speaker 1: It's an absolute ear bleed for me. 451 00:20:29,800 --> 00:20:31,960 Speaker 2: Lauren. Did you did you hear the Michael Bolton Santa 452 00:20:31,960 --> 00:20:32,920 Speaker 2: Claus is coming to town? 453 00:20:33,040 --> 00:20:33,520 Speaker 9: I did. 454 00:20:33,680 --> 00:20:38,280 Speaker 6: I didn't mind that one. Not bad. 455 00:20:39,080 --> 00:20:42,000 Speaker 2: Here's the other thing I'd say, if we get this 456 00:20:42,160 --> 00:20:44,920 Speaker 2: song to the number one of the Christmas charts, I'd 457 00:20:44,920 --> 00:20:47,400 Speaker 2: say we get the artist on, we have a chat 458 00:20:47,440 --> 00:20:47,760 Speaker 2: with them. 459 00:20:48,160 --> 00:20:49,320 Speaker 1: So you reckon, we get Bolton? 460 00:20:49,400 --> 00:20:50,520 Speaker 2: I reckon? We could get Bolton? 461 00:20:50,680 --> 00:20:52,320 Speaker 3: What is I said this to you in the song 462 00:20:52,359 --> 00:20:54,320 Speaker 3: what is Bolton up to? Did you find out what? 463 00:20:54,560 --> 00:20:55,919 Speaker 2: I think he's good. I think he's just living at 464 00:20:55,920 --> 00:20:56,879 Speaker 2: his home in Connecticut. 465 00:20:57,160 --> 00:20:57,880 Speaker 1: He's living at home. 466 00:20:57,960 --> 00:21:04,760 Speaker 2: That's good a Lauren, Lauren, Oh wow, you're just going 467 00:21:04,840 --> 00:21:07,240 Speaker 2: we play it every day as the first song in 468 00:21:07,320 --> 00:21:09,560 Speaker 2: four o'clock on willing Woodie. Wow? How does that? 469 00:21:09,680 --> 00:21:10,160 Speaker 1: How does that's? 470 00:21:10,200 --> 00:21:10,240 Speaker 5: It? 471 00:21:10,320 --> 00:21:13,399 Speaker 2: Wouldn't have thought I'm getting shakes his headst okay, wouldn't 472 00:21:13,400 --> 00:21:13,600 Speaker 2: I thought? 473 00:21:13,680 --> 00:21:16,479 Speaker 1: Would you play Boublay and Idina Menzel at four o'clock 474 00:21:16,480 --> 00:21:16,960 Speaker 1: every day. 475 00:21:17,400 --> 00:21:19,440 Speaker 2: I think, so wow, we'll have a chat with the 476 00:21:19,480 --> 00:21:21,320 Speaker 2: music director. Okay, look, I reckon what we need to do. 477 00:21:21,359 --> 00:21:22,719 Speaker 2: There's a lot of red tape. I'm feeling a lot 478 00:21:22,720 --> 00:21:25,960 Speaker 2: of red tape. Do we think we could get Booblay 479 00:21:26,000 --> 00:21:26,400 Speaker 2: on the show? 480 00:21:27,200 --> 00:21:29,119 Speaker 4: I reckon. He's a pretty nice guy. 481 00:21:29,320 --> 00:21:30,440 Speaker 1: He's been on the show before. 482 00:21:30,600 --> 00:21:35,160 Speaker 3: Okay, eventually he put it like a thing from our interview. 483 00:21:34,760 --> 00:21:36,560 Speaker 2: On his re shared story areciated it. 484 00:21:36,560 --> 00:21:38,680 Speaker 1: I think that's a sign of him being interested in us. 485 00:21:38,840 --> 00:21:41,919 Speaker 2: Let's let's leave for today. She need to come back 486 00:21:41,920 --> 00:21:44,440 Speaker 2: to the polls tomorrow. Put a pole on. Okay, put 487 00:21:44,440 --> 00:21:47,680 Speaker 2: a pole on. I'll throw it over to Maddie in digital. 488 00:21:47,840 --> 00:21:49,720 Speaker 1: I reckon, we go pole, I reckon all of us 489 00:21:49,760 --> 00:21:50,800 Speaker 1: bitter home, where we go home? 490 00:21:50,800 --> 00:21:55,679 Speaker 3: And listen to those two just those Michael Bolton or 491 00:21:55,680 --> 00:21:59,680 Speaker 3: it's Ideena Menzell and Booblay. 492 00:21:58,400 --> 00:22:01,760 Speaker 2: Michael Bolton seeing Santa Claus coming, or Michael Burblade de 493 00:22:02,040 --> 00:22:07,080 Speaker 2: Menzel's maybe it's cold outside. 494 00:22:07,840 --> 00:22:08,800 Speaker 1: It's really my number two. 495 00:22:08,840 --> 00:22:10,680 Speaker 2: But let's all go away, Hey, don't you, Derek. 496 00:22:11,359 --> 00:22:13,240 Speaker 1: I'm enjoying that more button. 497 00:22:14,240 --> 00:22:17,200 Speaker 2: All right, guys, go and vote. Will Woody Instagram is 498 00:22:17,200 --> 00:22:19,520 Speaker 2: where you can vote, and then we'll decide to mow 499 00:22:19,560 --> 00:22:22,159 Speaker 2: which song winning. Go for a wow big moment, all right, 500 00:22:22,440 --> 00:22:25,080 Speaker 2: and then every day four o'clock and five o'clock Christmas care. 501 00:22:33,840 --> 00:22:34,440 Speaker 1: It's just a. 502 00:22:34,359 --> 00:22:36,359 Speaker 3: Really important question that we need to get to the 503 00:22:36,359 --> 00:22:39,080 Speaker 3: bottom of. Thirteen sixty five is the number if you 504 00:22:39,080 --> 00:22:42,280 Speaker 3: could have excuse me, if you could have one condiment 505 00:22:43,040 --> 00:22:47,120 Speaker 3: for the rest of your life, which condiment would you choose? Now, 506 00:22:47,119 --> 00:22:48,959 Speaker 3: there is a reason why I'm asking this as a 507 00:22:49,160 --> 00:22:53,800 Speaker 3: convicted murderer who is suing a prison for the right 508 00:22:53,840 --> 00:22:57,719 Speaker 3: to eat veggimite behind bars. 509 00:22:59,359 --> 00:22:59,919 Speaker 1: It's all we want. 510 00:23:00,160 --> 00:23:02,440 Speaker 3: So obviously, if if he could call the show, he 511 00:23:02,440 --> 00:23:06,679 Speaker 3: would probably say Veggie mighte. A little fun fact, the 512 00:23:06,760 --> 00:23:09,560 Speaker 3: reason they ban veggiemite is because they use it to 513 00:23:09,640 --> 00:23:12,120 Speaker 3: disguise the smell of contraband. 514 00:23:12,640 --> 00:23:14,440 Speaker 2: Oh yeah, I think anyone that's been to a music 515 00:23:14,680 --> 00:23:15,119 Speaker 2: would not that. 516 00:23:15,400 --> 00:23:17,720 Speaker 3: You shmear veggie mighte on it and then you can't 517 00:23:17,720 --> 00:23:21,119 Speaker 3: sniff the the content that that's extraordinary. 518 00:23:21,040 --> 00:23:24,359 Speaker 1: Anyway, it's I don't know why you're asking me. You 519 00:23:24,520 --> 00:23:25,239 Speaker 1: I didn't ask you. 520 00:23:25,119 --> 00:23:29,880 Speaker 3: You just brought it up willingly, which was strange. 521 00:23:29,320 --> 00:23:31,440 Speaker 2: Like the staff, like, I've heard from the staff that 522 00:23:31,440 --> 00:23:33,439 Speaker 2: that's a thing they have. A friend of mine works 523 00:23:33,520 --> 00:23:35,120 Speaker 2: at the staff at the music festival. 524 00:23:34,800 --> 00:23:36,040 Speaker 1: And beautiful. 525 00:23:37,200 --> 00:23:37,520 Speaker 2: Dylan. 526 00:23:38,080 --> 00:23:40,320 Speaker 1: Now look, Will suggested butter before the song there. 527 00:23:40,359 --> 00:23:42,800 Speaker 3: I think butter's a cheap I just don't think you 528 00:23:42,800 --> 00:23:44,320 Speaker 3: classify butter as a condiment. 529 00:23:44,359 --> 00:23:45,040 Speaker 1: It's more like a. 530 00:23:45,040 --> 00:23:47,160 Speaker 2: Don't change the rules on condiment. I'm happy for you 531 00:23:47,240 --> 00:23:50,560 Speaker 2: to disallow butter on account of the fact that I 532 00:23:50,600 --> 00:23:54,400 Speaker 2: clocked the game, but you can't not call butter a condiment. 533 00:23:54,520 --> 00:23:56,639 Speaker 1: Are you just going to go? Will you won? Okay, 534 00:23:56,800 --> 00:23:58,400 Speaker 1: well done, you won. You can turn your mic off. 535 00:23:58,400 --> 00:23:58,800 Speaker 1: You've done it. 536 00:23:58,960 --> 00:24:02,000 Speaker 3: You've clocked the game. Dylan, what do you think? What's 537 00:24:02,119 --> 00:24:04,000 Speaker 3: what's your one condiment that you'd want for. 538 00:24:03,920 --> 00:24:06,800 Speaker 8: THEA has to be a chili sauce and I'm a 539 00:24:06,840 --> 00:24:07,520 Speaker 8: no butter fan. 540 00:24:08,040 --> 00:24:11,040 Speaker 2: Interesting, So when you make a piece of toast, Dylan. 541 00:24:12,480 --> 00:24:16,040 Speaker 6: Oh, honey, Jemla, no, but. 542 00:24:17,000 --> 00:24:19,080 Speaker 2: Chili sauce made. It's one for the rest of your life. 543 00:24:19,200 --> 00:24:19,800 Speaker 2: So you're gonna have. 544 00:24:20,240 --> 00:24:21,240 Speaker 8: Chili sauce for sure. 545 00:24:21,240 --> 00:24:23,520 Speaker 6: A bit of avocado on there goes with everything. 546 00:24:23,760 --> 00:24:26,800 Speaker 3: Yeah, no, on a savory front. I think chili sauce 547 00:24:26,880 --> 00:24:28,960 Speaker 3: is great. I think you need a condiment that can 548 00:24:29,000 --> 00:24:31,399 Speaker 3: work in sweets as well. So, for example, if you 549 00:24:31,440 --> 00:24:34,200 Speaker 3: had peanut butter, Yeah, peanut butter makes a great sate, 550 00:24:34,359 --> 00:24:35,560 Speaker 3: do you know what I mean? Like you put peanut 551 00:24:35,600 --> 00:24:37,680 Speaker 3: butter on chicken, but then you can also have peanut 552 00:24:37,680 --> 00:24:38,399 Speaker 3: butter in your dessert. 553 00:24:38,400 --> 00:24:42,080 Speaker 1: Would depend on the chili sauce. Gillan, use chili sauce 554 00:24:42,119 --> 00:24:42,800 Speaker 1: in a in a dessert. 555 00:24:42,880 --> 00:24:45,600 Speaker 2: Dylan, you're talking like cabinaro. We're talking, Sasha. What are 556 00:24:45,600 --> 00:24:51,600 Speaker 2: we talking? Sauce wise? So RASA wow for the rest 557 00:24:51,640 --> 00:24:54,080 Speaker 2: of my life. Nah, I sometimes you don't feel like 558 00:24:54,280 --> 00:24:56,040 Speaker 2: it's good though it is good. I mean there's hot 559 00:24:56,080 --> 00:24:58,200 Speaker 2: hot sweet is a bit of in vogue, A little 560 00:24:58,240 --> 00:24:59,880 Speaker 2: bit of people do chili chocolate. 561 00:25:00,040 --> 00:25:00,880 Speaker 1: Yeah, no, that's true. 562 00:25:00,960 --> 00:25:02,920 Speaker 3: Let's go to Sarah here, Sarah, one condiment for the 563 00:25:02,960 --> 00:25:04,280 Speaker 3: rest of your life, what would you choose? 564 00:25:04,680 --> 00:25:04,840 Speaker 2: Oh? 565 00:25:04,920 --> 00:25:06,960 Speaker 3: Honey, honey? 566 00:25:07,240 --> 00:25:07,440 Speaker 1: Yeah. 567 00:25:07,560 --> 00:25:11,200 Speaker 3: Now, the reason I like honey because honey versatile, very versative. 568 00:25:12,040 --> 00:25:14,760 Speaker 6: You can do everything with it and it saves the bees. 569 00:25:14,920 --> 00:25:17,280 Speaker 6: But you can eat it, you can use it when 570 00:25:17,320 --> 00:25:19,560 Speaker 6: you've got a cold, you can put it on you. 571 00:25:21,600 --> 00:25:25,800 Speaker 7: You can use it on your face. You can use it, Sarah. 572 00:25:25,960 --> 00:25:28,520 Speaker 1: You can honey on wounds. It's a thing. 573 00:25:29,200 --> 00:25:31,600 Speaker 3: Chuck a bit of honey on water natural preservative as well, 574 00:25:31,640 --> 00:25:34,600 Speaker 3: and there you can liz one condiment for the rest 575 00:25:34,640 --> 00:25:35,080 Speaker 3: of your life. 576 00:25:35,080 --> 00:25:35,760 Speaker 1: What are you choosing? 577 00:25:37,160 --> 00:25:41,520 Speaker 7: Absolutely cup Mayo? 578 00:25:42,800 --> 00:25:45,240 Speaker 1: I don't. Here's my issue with QB Mayo though, the 579 00:25:45,640 --> 00:25:46,760 Speaker 1: vessel that it comes in. 580 00:25:47,160 --> 00:25:47,919 Speaker 2: I love that bottle. 581 00:25:47,920 --> 00:25:49,040 Speaker 1: Okay for the first half. 582 00:25:49,240 --> 00:25:51,520 Speaker 3: Yes, once you get to the bottom half, God, you're 583 00:25:51,520 --> 00:25:53,719 Speaker 3: trying to It's all crinkled and scrunched out of the bot. 584 00:25:54,640 --> 00:25:58,280 Speaker 1: Oh god, he's good. Let's go to Chris here. 585 00:25:58,520 --> 00:26:00,879 Speaker 2: The same with toothpaste, by the way, these things chopping 586 00:26:00,920 --> 00:26:01,240 Speaker 2: in half. 587 00:26:01,640 --> 00:26:03,479 Speaker 1: Drop it in half. Yeah, then you're getting too much 588 00:26:03,520 --> 00:26:06,240 Speaker 1: toothpaste on your toothbrush and you control. 589 00:26:07,119 --> 00:26:08,640 Speaker 2: When you're right at the end of it, you've done 590 00:26:08,640 --> 00:26:10,920 Speaker 2: your last squeeze through the top. Yeah yeah, yeah, cut 591 00:26:10,960 --> 00:26:12,280 Speaker 2: it in half and then you get the stuff at 592 00:26:12,280 --> 00:26:13,840 Speaker 2: the bottom. Oh yeah, that's pretty good. 593 00:26:13,880 --> 00:26:14,040 Speaker 1: Well. 594 00:26:14,920 --> 00:26:18,119 Speaker 2: I agree on the on the Mayo front. 595 00:26:19,760 --> 00:26:22,000 Speaker 1: I use Mayo a lot. It's just not going well 596 00:26:22,040 --> 00:26:24,879 Speaker 1: with like fruit, though, is it. I've never tried it. 597 00:26:25,000 --> 00:26:26,600 Speaker 2: You'd have it with meat, you'd have it with meat, 598 00:26:26,600 --> 00:26:29,480 Speaker 2: you'd have it with bread. I don't think it's working 599 00:26:29,560 --> 00:26:32,160 Speaker 2: well on the on the fruit anyway. You're falling down 600 00:26:32,200 --> 00:26:33,600 Speaker 2: on the on the sweet factor. Do you know what 601 00:26:33,640 --> 00:26:36,280 Speaker 2: I mean? You're not having it it needs because it's 602 00:26:36,320 --> 00:26:38,800 Speaker 2: so sweet, it needs a bit of savory factor with it. 603 00:26:39,640 --> 00:26:42,080 Speaker 2: I think Honey is currently will Butter's in Eli, but 604 00:26:42,240 --> 00:26:45,760 Speaker 2: now ban but then we'll go to Honey. I think Honey, Yes, 605 00:26:45,920 --> 00:26:52,120 Speaker 2: I agree you're but it's a good argument. But Honey 606 00:26:52,400 --> 00:26:53,400 Speaker 2: glazers as well. 607 00:26:53,520 --> 00:26:56,160 Speaker 1: Yeah, I get that. But the peanut butter with chicken, 608 00:26:56,320 --> 00:26:57,720 Speaker 1: or you can put peanut butter on steak. 609 00:26:57,960 --> 00:27:03,680 Speaker 2: Let's go to Chris Caroline, Carolina Caroline condiment for the 610 00:27:03,720 --> 00:27:04,280 Speaker 2: rest of your life. 611 00:27:04,320 --> 00:27:05,000 Speaker 1: What would you choose? 612 00:27:05,520 --> 00:27:06,600 Speaker 9: Smoky barbecue? 613 00:27:07,800 --> 00:27:09,840 Speaker 1: Yeah, I mean, look, it's a delicious sauce, there's no 614 00:27:09,960 --> 00:27:10,440 Speaker 1: doubt about it. 615 00:27:10,520 --> 00:27:12,440 Speaker 2: What's that famous one that's gone? What's that one? What's 616 00:27:12,480 --> 00:27:16,680 Speaker 2: the pangs Hanks? No, baby barbecue sauce? What's that one? Something? 617 00:27:16,760 --> 00:27:17,280 Speaker 1: Baby something? 618 00:27:17,280 --> 00:27:17,600 Speaker 4: I don't know. 619 00:27:18,400 --> 00:27:20,600 Speaker 6: I'm not fussed on brand, but as I said, once 620 00:27:20,640 --> 00:27:22,040 Speaker 6: you had Smokey, it'd never go back. 621 00:27:22,480 --> 00:27:24,920 Speaker 2: Carolina baby raised baby rays. 622 00:27:25,920 --> 00:27:28,760 Speaker 3: Outside of meat, though, where are we putting that smoky barbecue. 623 00:27:28,760 --> 00:27:30,200 Speaker 3: I think it's a bit one dimensional. 624 00:27:31,400 --> 00:27:34,800 Speaker 6: It's nice on it's actually sounds the gross, but it's nicest. 625 00:27:34,880 --> 00:27:35,919 Speaker 6: Cheese on a sandwich. 626 00:27:36,080 --> 00:27:38,000 Speaker 2: I'd buy that. I'd buy that. I'd buy that because 627 00:27:38,000 --> 00:27:39,520 Speaker 2: I'd have like a chili jam with the cheese, because 628 00:27:39,520 --> 00:27:40,720 Speaker 2: you have a chili quiz paste to have that with 629 00:27:40,760 --> 00:27:43,240 Speaker 2: the cheese as well. So I'd buy that. That beats 630 00:27:43,280 --> 00:27:44,760 Speaker 2: honey for mine. All of a sudden, well, hang on, 631 00:27:44,840 --> 00:27:46,920 Speaker 2: hang on, dessert, how are you putting smoky barbecue on 632 00:27:46,960 --> 00:27:50,399 Speaker 2: a dessert? That would be good? It with what if 633 00:27:50,440 --> 00:27:52,880 Speaker 2: I like caramelized some pears and any bit of ice cream? 634 00:27:53,400 --> 00:27:54,000 Speaker 2: Holy do? 635 00:27:54,560 --> 00:27:59,560 Speaker 3: Yeah, you have that, Chris, Chris, one condiment for the 636 00:27:59,600 --> 00:28:01,720 Speaker 3: rest of your life. I never thought smoking barbecue wou. 637 00:28:03,880 --> 00:28:04,840 Speaker 2: Come from nowhere? 638 00:28:05,359 --> 00:28:06,119 Speaker 1: What do you reckon? 639 00:28:07,359 --> 00:28:10,840 Speaker 8: I'm liking like a truffle oil to. 640 00:28:11,480 --> 00:28:14,600 Speaker 2: What I'm done with truffle oil. It's a phase. Everybody 641 00:28:14,640 --> 00:28:16,520 Speaker 2: needs to get over it. Stop putting it on my pasta. 642 00:28:16,680 --> 00:28:19,399 Speaker 2: Can't taste anything else. Loose Change Legends is right up 643 00:28:19,480 --> 00:28:22,240 Speaker 2: next truffle That is a sin. I'm so sick of 644 00:28:22,320 --> 00:28:24,359 Speaker 2: truffle oil. I hope that phase dies. 645 00:28:24,480 --> 00:28:26,399 Speaker 3: Isn't the idea of truffle that just brings out the 646 00:28:26,440 --> 00:28:27,840 Speaker 3: flavor of everything dominates? 647 00:28:28,200 --> 00:28:31,200 Speaker 2: It dominates, so it's all you can taste. Hey, that's enough, 648 00:28:32,359 --> 00:28:34,359 Speaker 2: Will and what is loose? 649 00:28:34,640 --> 00:28:35,600 Speaker 4: Change legends? 650 00:28:37,840 --> 00:28:41,640 Speaker 3: Six and a half thousand dollars goes home with you 651 00:28:42,560 --> 00:28:45,920 Speaker 3: if you can tell us how much this is. 652 00:28:50,120 --> 00:28:50,800 Speaker 1: Not my best drop. 653 00:28:51,000 --> 00:28:53,600 Speaker 3: I'm still I'm I'm looking to do the perfect drop. 654 00:28:53,680 --> 00:28:55,600 Speaker 3: We haven't got there yet, but lots of fresh drops 655 00:28:55,640 --> 00:28:57,920 Speaker 3: to come, Will, so I know you love it. Rachel 656 00:28:58,320 --> 00:29:02,040 Speaker 3: wants to have a guess at how much money it is? Rachel, 657 00:29:02,640 --> 00:29:03,320 Speaker 3: where are you at? 658 00:29:04,840 --> 00:29:08,560 Speaker 8: I'm sure it is four dollars and thirty five. 659 00:29:10,000 --> 00:29:13,760 Speaker 2: Yeah, thirty five cents, four dollars, thirty five cents yeah, 660 00:29:14,920 --> 00:29:15,560 Speaker 2: final guess. 661 00:29:17,320 --> 00:29:17,560 Speaker 4: Yeah. 662 00:29:17,760 --> 00:29:20,320 Speaker 2: I don't know why I think that, but six and 663 00:29:20,360 --> 00:29:31,160 Speaker 2: a half thousand dollars, yeah, look it in final guess incorrect? 664 00:29:33,680 --> 00:29:36,560 Speaker 2: Do you think I should ring the bell after each sure? 665 00:29:36,600 --> 00:29:38,000 Speaker 1: Mate, you can ring the bell. 666 00:29:38,200 --> 00:29:40,200 Speaker 3: You kind of you hit the bell over a sound effect, 667 00:29:40,240 --> 00:29:42,200 Speaker 3: so if people didn't really hear it, so your timing's off. 668 00:29:42,680 --> 00:29:43,280 Speaker 2: Did you not hear it? 669 00:29:43,360 --> 00:29:43,400 Speaker 5: Not? 670 00:29:43,520 --> 00:29:43,760 Speaker 2: Really? 671 00:29:43,840 --> 00:29:46,560 Speaker 1: It was just this yeah coming. You just gonna work 672 00:29:46,560 --> 00:29:47,280 Speaker 1: on your timing mat. 673 00:29:47,240 --> 00:29:47,959 Speaker 2: Cold hold it up here? 674 00:29:48,680 --> 00:29:51,800 Speaker 1: Oh awful, awful, that was jarring for me. 675 00:29:52,920 --> 00:29:53,240 Speaker 2: Liam. 676 00:29:55,040 --> 00:29:57,080 Speaker 1: First question, Liam, would you like a fresh drop of 677 00:29:57,160 --> 00:29:57,680 Speaker 1: the coins? 678 00:29:59,240 --> 00:30:01,240 Speaker 6: Don't need a fresh up? I think I'm pretty sure. 679 00:30:01,480 --> 00:30:03,480 Speaker 1: Okay, I have a quick guess. 680 00:30:04,880 --> 00:30:05,440 Speaker 3: Six fifty. 681 00:30:06,640 --> 00:30:09,040 Speaker 2: Final guest, LAMB six fifty. 682 00:30:11,920 --> 00:30:14,280 Speaker 1: Why are you saying, Vinyl, guess like you're an auctioneer? 683 00:30:15,440 --> 00:30:16,120 Speaker 1: No more bets? 684 00:30:17,520 --> 00:30:17,920 Speaker 2: Croupier? 685 00:30:18,440 --> 00:30:21,920 Speaker 1: Excuse me, croupier, croupier? What's a creopy? 686 00:30:22,240 --> 00:30:24,400 Speaker 2: Said the casino the croupiers, They say, no more bets? 687 00:30:24,560 --> 00:30:29,560 Speaker 2: Sorrys Incorrectam, Sorry, it's a crepier. I didn't know. 688 00:30:30,840 --> 00:30:33,239 Speaker 1: Sorry, sorry about you were there? Sorry about that? Might 689 00:30:33,280 --> 00:30:33,840 Speaker 1: be a crepiers. 690 00:30:33,840 --> 00:30:35,640 Speaker 2: If anybody that the people who work at the blackjack 691 00:30:35,680 --> 00:30:38,000 Speaker 2: tables are called croupier's strange strange. 692 00:30:38,040 --> 00:30:39,080 Speaker 1: I thought they were called dealers. 693 00:30:40,480 --> 00:30:43,200 Speaker 2: Uh No, that's the people that look outside the casino. 694 00:30:44,280 --> 00:30:49,600 Speaker 1: Sarah, Sarah, you want to have a would you like 695 00:30:49,640 --> 00:30:51,200 Speaker 1: a fresh drop of the coin? Sarah? 696 00:30:52,320 --> 00:30:52,480 Speaker 2: Oh? 697 00:30:52,720 --> 00:30:53,280 Speaker 8: I'm all good. 698 00:30:53,320 --> 00:30:55,360 Speaker 6: Thank you though, but I think I think I've got this. 699 00:30:55,720 --> 00:30:59,800 Speaker 2: I love this. You meant to roup to drop three 700 00:31:00,040 --> 00:31:00,760 Speaker 2: people too? 701 00:31:00,880 --> 00:31:04,040 Speaker 1: Only people, Sarah? How much do you think it is? 702 00:31:05,360 --> 00:31:07,600 Speaker 8: Alrighty, I've had time to think, and I think it's 703 00:31:07,880 --> 00:31:11,600 Speaker 8: two dollars and eighty five cents for. 704 00:31:11,680 --> 00:31:14,600 Speaker 2: Six and a half thousand dollars. Sarah, two dollars and 705 00:31:14,680 --> 00:31:16,040 Speaker 2: eighty five cents is what you're going for? 706 00:31:17,320 --> 00:31:21,400 Speaker 7: Oh yeah, final guest, yep, two and eighty five cents. 707 00:31:21,480 --> 00:31:22,080 Speaker 5: Let's walk it in. 708 00:31:23,240 --> 00:31:25,760 Speaker 2: Lock it in? Is that the so? 709 00:31:25,960 --> 00:31:27,960 Speaker 3: Is that a symbol for locked in? It's locked in? 710 00:31:28,120 --> 00:31:32,160 Speaker 3: I think yeah, that's good. Okay, so it's been locked in, 711 00:31:32,880 --> 00:31:35,720 Speaker 3: so that probably sounds that probably sounds better. Sorry, I 712 00:31:35,800 --> 00:31:37,240 Speaker 3: wonder I just wanted to have something that I was 713 00:31:37,320 --> 00:31:40,000 Speaker 3: doing live sounds. I haven't got that, all right, he 714 00:31:40,120 --> 00:31:41,480 Speaker 3: was jealous. I going to drop the coins. 715 00:31:41,560 --> 00:31:41,880 Speaker 2: Not anymore. 716 00:31:41,920 --> 00:31:42,160 Speaker 7: You don't. 717 00:31:42,360 --> 00:31:47,400 Speaker 1: You're wondering if this is it's what you're wondering. Even 718 00:31:47,640 --> 00:31:51,960 Speaker 1: incorrect Sarah? All right, dad, like Sarah? 719 00:31:52,600 --> 00:31:54,880 Speaker 3: Okay, the good news, Yes, what's the good news for 720 00:31:55,000 --> 00:31:58,600 Speaker 3: everybody listening? Not so much for Sarah, who unfortunately had 721 00:31:58,640 --> 00:31:59,560 Speaker 3: a wrong guess. 722 00:31:59,360 --> 00:32:04,120 Speaker 1: But everyone listening. The kitty, Yeah, the kitty for tomorrow 723 00:32:05,560 --> 00:32:13,000 Speaker 1: is increasing to seven thousand dollars. Wow, you can tell 724 00:32:13,120 --> 00:32:27,200 Speaker 1: us how much this is? No phone along all right? 725 00:32:27,320 --> 00:32:30,480 Speaker 3: Right now you are calling us thirteen one oh sixty five. 726 00:32:30,680 --> 00:32:34,320 Speaker 3: You're trying to convince us that you are in the 727 00:32:34,560 --> 00:32:39,880 Speaker 3: car with someone else, and we decide is someone actually 728 00:32:40,040 --> 00:32:43,400 Speaker 3: there or you just put it on a very good voice? Now, Will, 729 00:32:43,480 --> 00:32:46,360 Speaker 3: this time last week I gave a masterclass in phone alone. 730 00:32:46,480 --> 00:32:48,360 Speaker 1: I showed you guys how you should be doing it. 731 00:32:48,800 --> 00:32:50,280 Speaker 1: This week, you will be. 732 00:32:50,320 --> 00:32:52,480 Speaker 3: Gracing us with your master class as to how you 733 00:32:52,560 --> 00:32:55,200 Speaker 3: think phone alone should be done. So step outside, mate, 734 00:32:55,640 --> 00:32:58,960 Speaker 3: step outside, And for you guys listening right now, take 735 00:32:59,000 --> 00:33:02,160 Speaker 3: some notes. Because Will is a trained actor. He's a 736 00:33:02,200 --> 00:33:05,960 Speaker 3: professional broadcaster, and I have no doubt that he's going 737 00:33:06,040 --> 00:33:06,760 Speaker 3: to be incredible at this. 738 00:33:06,960 --> 00:33:09,080 Speaker 1: So Will, are you there? 739 00:33:09,960 --> 00:33:10,200 Speaker 7: Yeah? 740 00:33:10,640 --> 00:33:12,080 Speaker 2: Yeah, me right right. 741 00:33:12,360 --> 00:33:13,200 Speaker 1: Who are you in the car with? 742 00:33:13,360 --> 00:33:18,880 Speaker 2: Will? I'm here with my coworker, Terry. Terry. Okay, we work, Will, 743 00:33:19,920 --> 00:33:23,080 Speaker 2: We're just on our way back from a job. We work. 744 00:33:23,360 --> 00:33:27,800 Speaker 2: We work for Sacred Heart Mission in clothes collecting. 745 00:33:28,120 --> 00:33:31,960 Speaker 1: That's a that's a beautiful thing, Will, it's beautiful. Okay. 746 00:33:32,040 --> 00:33:37,720 Speaker 1: Can you pass the phone to Terry please? Yummy, Terry. 747 00:33:38,240 --> 00:33:41,120 Speaker 1: What was the best piece of clothing you got today? Terry? 748 00:33:41,480 --> 00:33:43,760 Speaker 8: We've got a couple of cardigans. 749 00:33:45,360 --> 00:33:49,480 Speaker 1: Right right, cardigan. That's good to say. Put a message 750 00:33:49,480 --> 00:33:51,760 Speaker 1: out there for people that are thinking of donating clothes. 751 00:33:51,760 --> 00:33:53,680 Speaker 1: What clothes do you need more of? Terry? 752 00:33:59,160 --> 00:34:00,120 Speaker 8: Well, we don't want any more. 753 00:34:02,160 --> 00:34:02,520 Speaker 2: Drooks. 754 00:34:03,480 --> 00:34:05,800 Speaker 1: Okay, great, you just passed the phone back to Will. 755 00:34:06,800 --> 00:34:07,320 Speaker 2: Yeah today. 756 00:34:07,400 --> 00:34:07,880 Speaker 7: How's it going? 757 00:34:07,960 --> 00:34:08,480 Speaker 2: So I'm here? 758 00:34:10,680 --> 00:34:12,919 Speaker 1: Absolute loves a cardio Terry? 759 00:34:14,880 --> 00:34:15,280 Speaker 2: You want. 760 00:34:18,600 --> 00:34:28,479 Speaker 1: With realist? How long is the drive with Terry? 761 00:34:30,760 --> 00:34:35,520 Speaker 2: Absolutely? Balloon? Oh? 762 00:34:35,560 --> 00:34:37,160 Speaker 3: That was that was That was amazing though, mate, John 763 00:34:37,160 --> 00:34:38,839 Speaker 3: to run us through just what you were doing there 764 00:34:38,920 --> 00:34:41,160 Speaker 3: and how people can good. 765 00:34:41,120 --> 00:34:43,520 Speaker 2: Voice lined up, have a good name lined up, have 766 00:34:43,640 --> 00:34:44,880 Speaker 2: a good backstory lined up? 767 00:34:45,440 --> 00:34:47,280 Speaker 1: Tick tick tick tick tick from me, mate. 768 00:34:48,800 --> 00:34:50,640 Speaker 2: If you can make the if you can make them, 769 00:34:50,719 --> 00:34:53,879 Speaker 2: if you can make the voice entertaining, that would also 770 00:34:54,000 --> 00:34:58,200 Speaker 2: be helpful, Terry, very boy, Tony. 771 00:34:58,239 --> 00:34:59,680 Speaker 1: Who are you in the car with my friend? 772 00:35:00,400 --> 00:35:01,560 Speaker 8: If I Johnny? 773 00:35:02,160 --> 00:35:02,520 Speaker 1: Johnny? 774 00:35:02,600 --> 00:35:02,880 Speaker 2: Johnny? 775 00:35:02,920 --> 00:35:06,440 Speaker 1: Kay, Johnny colleague? Or where are you and Johnny off to? 776 00:35:07,520 --> 00:35:08,680 Speaker 8: We're just sitting in to bar. 777 00:35:08,760 --> 00:35:09,920 Speaker 6: We're gonna have a few drinks. 778 00:35:10,719 --> 00:35:13,280 Speaker 1: For its Wednesday? Why not can we hear from Johnny? Please? 779 00:35:13,840 --> 00:35:14,040 Speaker 2: Yeah? 780 00:35:14,080 --> 00:35:14,239 Speaker 8: Sure? 781 00:35:15,760 --> 00:35:19,520 Speaker 6: Hey guys a game? 782 00:35:20,120 --> 00:35:23,839 Speaker 1: Yeah, pretty good, Johnny? What's your what's your what's your poison? Mate? 783 00:35:23,840 --> 00:35:24,839 Speaker 1: What trick are you gonna order? 784 00:35:25,360 --> 00:35:27,480 Speaker 7: I'm going to get a B B B B nice? 785 00:35:29,000 --> 00:35:30,839 Speaker 1: What do you reckon? Tony's going to drink? 786 00:35:32,320 --> 00:35:35,120 Speaker 2: He can go for a ginger Oh yeah, ginger beer. 787 00:35:35,120 --> 00:35:38,640 Speaker 1: Beautiful, unbelievable. Can you pass the phone back to Tony please? 788 00:35:39,719 --> 00:35:41,160 Speaker 2: Yeah? Thanks? 789 00:35:42,840 --> 00:35:43,279 Speaker 8: Here you guys. 790 00:35:44,040 --> 00:35:47,960 Speaker 1: Okay, So look, here's where I'm at. Will not a 791 00:35:48,040 --> 00:35:48,600 Speaker 1: bad voice. 792 00:35:48,680 --> 00:35:50,359 Speaker 3: I'm gonna be honest, like it sounds like there's two 793 00:35:50,360 --> 00:35:52,920 Speaker 3: different people where you're falling down, Tony. For mine is 794 00:35:53,000 --> 00:35:55,399 Speaker 3: that when you pass the phone to someone in real life, 795 00:35:55,440 --> 00:35:58,920 Speaker 3: you don't go here here you go. You're you're selling 796 00:35:59,000 --> 00:36:02,320 Speaker 3: the phone change And because of that, I'm picking you apart, 797 00:36:02,400 --> 00:36:03,560 Speaker 3: my friend. You're alone in the car. 798 00:36:06,239 --> 00:36:08,759 Speaker 6: Usually I actually do pass the phone to them. They're 799 00:36:08,760 --> 00:36:10,440 Speaker 6: on the they're playing with their own phone. 800 00:36:10,760 --> 00:36:12,799 Speaker 8: Oh is that your final guest? 801 00:36:12,920 --> 00:36:14,480 Speaker 1: Okay, it is my final guest. 802 00:36:14,560 --> 00:36:18,200 Speaker 2: Despite your hard defense there of saying here's the phone, 803 00:36:18,400 --> 00:36:20,799 Speaker 2: I still think you're alone, Tony. Ah. 804 00:36:21,040 --> 00:36:21,759 Speaker 8: Yeah, you're right, man. 805 00:36:23,320 --> 00:36:29,200 Speaker 2: I liked it. As much as I want to agree 806 00:36:29,200 --> 00:36:31,000 Speaker 2: with you. I don't you never pass a phone to 807 00:36:31,080 --> 00:36:34,680 Speaker 2: something child? You might, sure, but Johnny was not a child. 808 00:36:34,880 --> 00:36:36,040 Speaker 2: Was Johnny a child, Tony? 809 00:36:37,080 --> 00:36:37,120 Speaker 5: No? 810 00:36:37,239 --> 00:36:37,879 Speaker 8: No, I was my mate. 811 00:36:38,000 --> 00:36:40,360 Speaker 1: Was ordering a VB from the pub must have missed that. 812 00:36:40,640 --> 00:36:43,560 Speaker 3: We are trying to figure out the top five jobs 813 00:36:43,600 --> 00:36:46,160 Speaker 3: that are most likely to cheat on you. 814 00:36:46,960 --> 00:36:48,919 Speaker 1: Thirteen one, six five is the number. 815 00:36:49,000 --> 00:36:51,600 Speaker 3: This is according to a private detective who I think 816 00:36:52,040 --> 00:36:55,040 Speaker 3: a lot of his job is just finding out who's 817 00:36:55,600 --> 00:36:56,960 Speaker 3: who your partner's looking at with. 818 00:36:57,760 --> 00:36:58,640 Speaker 1: Yep, that's what they do. 819 00:36:59,640 --> 00:37:03,000 Speaker 3: Okay, So we've had a lot of guesses have been wrong. 820 00:37:03,200 --> 00:37:04,560 Speaker 3: A lot of them have been wrong. The two we've 821 00:37:04,640 --> 00:37:09,280 Speaker 3: got flight attendants and medical professionals. Those those naughty, naughty 822 00:37:09,320 --> 00:37:11,960 Speaker 3: flight attendants and doctors. We've got three to go. Have 823 00:37:12,040 --> 00:37:14,879 Speaker 3: you got any fresh guess as well? Now, okay, let's 824 00:37:14,880 --> 00:37:15,680 Speaker 3: go to Susie here. 825 00:37:15,760 --> 00:37:17,480 Speaker 2: I mean you've had you've had twenty four hours thinking, well, 826 00:37:17,840 --> 00:37:18,880 Speaker 2: but I just know you're going to tell me that 827 00:37:18,880 --> 00:37:21,239 Speaker 2: they're wrong. One of them was an explorer, one of 828 00:37:21,280 --> 00:37:22,279 Speaker 2: them was a cartographer. 829 00:37:22,800 --> 00:37:25,640 Speaker 1: Both wrong, shocking guesses. 830 00:37:26,280 --> 00:37:26,640 Speaker 8: Susie. 831 00:37:26,880 --> 00:37:29,759 Speaker 2: You said they work away from home, and both explorers 832 00:37:29,760 --> 00:37:31,960 Speaker 2: and cartographers. Is true, work away from home? 833 00:37:32,000 --> 00:37:34,359 Speaker 3: I would imagine cartographers do it digitally now, so maybe 834 00:37:34,400 --> 00:37:34,960 Speaker 3: they stay home. 835 00:37:35,080 --> 00:37:35,840 Speaker 2: You don't exist. 836 00:37:35,640 --> 00:37:39,680 Speaker 3: Anymore, oh, sadus put a map out for the cartologists. 837 00:37:40,000 --> 00:37:42,880 Speaker 1: Susie were sorry, Susie. 838 00:37:43,000 --> 00:37:45,480 Speaker 2: Oh boys, what profession is most likely to cheat? 839 00:37:45,520 --> 00:37:46,600 Speaker 1: Go and give us the reason why? 840 00:37:47,600 --> 00:37:48,719 Speaker 2: Number one on the lead? 841 00:37:48,920 --> 00:37:53,840 Speaker 7: Yes, speaking from experience and observations. 842 00:37:53,360 --> 00:37:54,239 Speaker 1: Sorry Susie, yep. 843 00:37:55,080 --> 00:37:55,840 Speaker 4: Truck drivers. 844 00:37:56,400 --> 00:38:02,880 Speaker 1: Oh, truck drivers not on the list, Susie. Sorry, astronaut 845 00:38:02,920 --> 00:38:03,680 Speaker 1: and on the list. 846 00:38:05,120 --> 00:38:07,200 Speaker 8: Got to be some low ast guys out there, then 847 00:38:07,440 --> 00:38:08,520 Speaker 8: is that not on the list? 848 00:38:09,080 --> 00:38:11,960 Speaker 2: So from experience, a bit of truck stop action, sus 849 00:38:13,160 --> 00:38:16,360 Speaker 2: that's a fair question, I reckon, Michelle. 850 00:38:16,400 --> 00:38:20,920 Speaker 3: Come, we've got three to go. Professionals where that's that's 851 00:38:21,000 --> 00:38:23,080 Speaker 3: thanks for pulling me out. I appreciate that that's what 852 00:38:23,160 --> 00:38:27,560 Speaker 3: you're here for, Michelle. Profession most likely to cheat on you? 853 00:38:27,960 --> 00:38:31,400 Speaker 5: I would say tradesmen, specifically electricians. 854 00:38:31,719 --> 00:38:34,320 Speaker 2: This also sounds like it's coming from experience, Michelle, and 855 00:38:34,320 --> 00:38:35,120 Speaker 2: we're right in saying that. 856 00:38:36,360 --> 00:38:40,600 Speaker 1: Hey, it's incorrect, Michelle. 857 00:38:42,280 --> 00:38:44,960 Speaker 3: Yeah, I mean, look, I'm sure the reasoning behind it 858 00:38:45,080 --> 00:38:48,839 Speaker 3: is you know they're in your house, so you're halfway there. 859 00:38:49,480 --> 00:38:52,080 Speaker 1: It's got a dipsey of dibbs. Which profession do you 860 00:38:52,160 --> 00:38:54,239 Speaker 1: think is most likely to cheat on you? 861 00:38:54,960 --> 00:38:55,080 Speaker 6: Can? 862 00:38:55,120 --> 00:38:55,640 Speaker 7: I guess two? 863 00:38:55,840 --> 00:38:57,759 Speaker 1: Of course you can go for it. We're stilling to 864 00:38:57,760 --> 00:38:59,840 Speaker 1: get three Okay, I. 865 00:39:00,280 --> 00:39:04,759 Speaker 7: Think somebody who works in advertising and like a stockbroker 866 00:39:04,880 --> 00:39:11,760 Speaker 7: or investment banker. Why so the advertising is because of mad. 867 00:39:11,640 --> 00:39:15,320 Speaker 1: Men sleeping around. 868 00:39:15,440 --> 00:39:18,920 Speaker 7: Yeah, sure, and the stockbroking thing is like fall for 869 00:39:19,080 --> 00:39:20,720 Speaker 7: Fall Street, and also personal experience. 870 00:39:21,680 --> 00:39:24,000 Speaker 2: It does feel like there's a lot of Jerdie laundry 871 00:39:24,080 --> 00:39:26,600 Speaker 2: is getting air during this segment. Is DIM's got it right, 872 00:39:26,840 --> 00:39:29,839 Speaker 2: Div's incorrect, So no one's got the last three. 873 00:39:30,560 --> 00:39:32,800 Speaker 1: I'm going to I'm going to move on so I 874 00:39:32,880 --> 00:39:33,480 Speaker 1: can give you the. 875 00:39:33,520 --> 00:39:35,520 Speaker 2: Holidays in the studio right up next Woods. You have 876 00:39:35,600 --> 00:39:36,239 Speaker 2: to save that bit. 877 00:39:36,320 --> 00:39:36,640 Speaker 1: I reckon. 878 00:39:36,719 --> 00:39:40,719 Speaker 2: Sorry Maney dancing to the Arias are tonight kidding? Well, 879 00:39:40,840 --> 00:39:42,759 Speaker 2: you have to be quick, and you didn't get it out. 880 00:39:42,800 --> 00:39:44,560 Speaker 2: You didn't get out in the time. That's just poor craft.