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Speaker 1: Well, let's talking about this Kate Middleton gig is just

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Speaker 1: completely whack.

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Speaker 2: I'm so rattled about this.

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Speaker 1: Everyone is, everyone is. I just got LJ to bring

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Speaker 1: me in a photo that the photo that they've been

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Speaker 1: talking about, she's photoshopped her kids hands, which just.

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Speaker 2: I just but but I think she's photos It could.

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Speaker 1: Be the whole one, or you were just reading an

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Speaker 1: article then that said that her face in this photo

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Speaker 1: might have been from her cover of Vogue.

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Speaker 3: They've put the Vogue cover over this photoshop photo and

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Speaker 3: they're saying, I think they've used that face where they're

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Speaker 3: happy with how that looks, and then photoshopped in all

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Speaker 3: the kids and then made it look like she's embracing them.

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Speaker 1: So the idea, obviously is there a go that she's

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Speaker 1: either just doesn't look at this at all, like and

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Speaker 1: the whole photo is fake because they just needed to

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Speaker 1: release a happy, good looking Kate Middleton photo and so

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Speaker 1: they just made one.

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Speaker 4: Right.

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Speaker 1: It's pretty striking and.

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Speaker 2: Like the royal family would know this photo would have

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Speaker 2: been dis like, might you go missing? For two months?

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Speaker 3: She has been, She's still She's still here, like she's

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Speaker 3: been spotted in a car.

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Speaker 2: It's probably appropriate music.

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Speaker 1: Yeah, no, definitely, let's get Mulder and Scully on it.

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Speaker 2: They've seen her in a car, right, She's been spotted

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Speaker 2: in a car.

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Speaker 3: I don't even know will because if she, if she

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Speaker 3: has been spotted in a car, she wanted to be

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Speaker 3: spotted in a car.

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Speaker 2: Yeah, it could have been a look alike.

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Speaker 1: Bloody hell.

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Speaker 2: It just it just gets more and more.

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Speaker 1: Baffling. It is baffling, Like I mean, LJ has kind

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Speaker 1: of like circled all the children's hands in this photo,

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Speaker 1: and some of them I don't think needed circling. I

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Speaker 1: think it's just starts a little bit discriminatory towards maybe

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Speaker 1: William just got weird hands. At the end of the day.

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Speaker 2: Is there a William Jr?

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Speaker 1: I think so? Is there George Charles? I don't think George.

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Speaker 2: I don't think it's Willie, Prince George, Prince George. But

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Speaker 2: there's three of them. What's the other bloke called as

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Speaker 2: a fake kid?

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Speaker 1: That's Prince Louis. We've got them the next the next

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Speaker 1: plot hole in the photo, there's not three children. I

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Speaker 1: think they would have picked that up before they picked

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Speaker 1: up the hands. But it's cousin Terry and anyway, I do.

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Speaker 1: This photo got me thinking because obviously we're talking about

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Speaker 1: these kids hands that are photoshopped, and they've used some

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Speaker 1: other kid's hands. So ever, thought for the poor child

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Speaker 1: who's looking at this photo, who goes, mummy, I think,

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Speaker 1: I think that's my hand? Like, who's which child's hand?

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Speaker 1: Have they taken? Woods? It's not the actual Royal jewel,

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Speaker 1: it's not if it's not Terry or Charlie or Charlotte's hand,

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Speaker 1: whose hand is it?

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Speaker 2: Child models? Child hand models?

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Speaker 1: It's sick.

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Speaker 2: Yeah, be wrong with their hands, children totally.

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Speaker 3: I mean, I've never seen their real hands, the kids,

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Speaker 3: so I don't know. I don't know what the hands

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Speaker 3: look like.

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Speaker 1: I'm sure they're fine, but I'm saying that there's a

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Speaker 1: child out there who's just posed in a park in

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Speaker 1: front of a playground with a puppy. Yeah, but their

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Speaker 1: buddy hand thieved well the Royal Photo shop.

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Speaker 2: I'd hope they got paid. Well, we don't know that

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Speaker 2: it's true. We don't know that.

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Speaker 1: We don't know that.

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Speaker 2: Yep, they're endorsing slavery. I agree, Will No.

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Speaker 1: I didn't say that, and I wouldn't say that about

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Speaker 1: the Royal family. No, powerful institution.

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Speaker 5: What somebody please think of the children.

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Speaker 1: What I want to know right now, even that we're

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Speaker 1: talking about thieving hands is thirteen one O six ' five.

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Speaker 1: Where did you put your hand? We shouldn't have. Oh yeah,

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Speaker 1: can't keep my hands to myself.

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Speaker 3: There's one story that comes to mind immediately for me,

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Speaker 3: and I'm very embarrassed about this story. I went to

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Speaker 3: the concert. It was about ten fifteen years ago. It

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Speaker 3: was the Backstreet Boys and the New Kids on the Block.

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Speaker 1: So it was od geeg sad you have missed it.

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Speaker 2: They called it New Kids on the Backstreet Boys or

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Speaker 2: something like that. No, they definitely didn't call that, actually,

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Speaker 2: but it was something. It was an amalgamation of the

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Speaker 2: two bands.

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Speaker 3: There wasn't a New Kid on the Backstreet Boys anyway.

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Speaker 1: Again, they were.

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Speaker 3: Playing Everybody, and I was having like a bit of

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Speaker 3: a moment with the woman next to me, and when

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Speaker 3: Everybody came on, we just got out of our seats

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Speaker 3: and we were really going for it.

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Speaker 2: And at that point I noticed that she was pregnant.

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Speaker 3: In the throes of the excitement of dancing, I looked

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Speaker 3: at her and we were mouthing the words, and then

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Speaker 3: I don't know what I was thinking. I just double

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Speaker 3: handed it on the bump and then just started like

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Speaker 3: to the child. And we were such good friends until

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Speaker 3: that moment, and she was just like, you're just I'm sorry,

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Speaker 3: you just can't touch.

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Speaker 2: Of course you can't.

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Speaker 3: I don't know what I was thinking, but anyway, yeah,

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Speaker 3: I should not have put my hands on a pregnant belly.

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Speaker 3: Will and you shouldn't if anyone's listening or ask permission first.

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Speaker 1: Laurel's called it could be Laurel. This is when Laurel

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Speaker 1: is when you were ten? Yes, okay, what happened?

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Speaker 6: I was at the Royal Easter Show with my parents

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Speaker 6: and used to walk over like a little bridge and

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Speaker 6: there was all the geese and I thought that looked

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Speaker 6: really cute, so I wanted to see what would happen

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Speaker 6: if I padded one, and sure enough I grabbed a

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Speaker 6: hold of my fingers and shook it around like a dogwooden.

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Speaker 1: Oh, oh, geese can be very very aggressive.

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Speaker 2: What kind of teeth is it? Is a goose rocking?

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Speaker 6: I don't think it's They're like a little tiny raisor blades.

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Speaker 1: Oh I didn't know that, I know.

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Speaker 6: Yeah, my mum literally had to hit it over the

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Speaker 6: head with her handbag for to release my hand.

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Speaker 1: Yeah. They can be very aggressive, Geese, very aggressive about children.

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Speaker 3: Children get stuck in the in the Pelican. You know

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Speaker 3: that pelicans have a huge man. Yeah, yeah, yeah, children.

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Speaker 1: Get I don't think children. I think you're getting confused

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Speaker 1: with the fact that storks deliver babies a bit like

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Speaker 1: a Pelican, white white bed with a big, big baby.

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Speaker 1: I've seen that in a movie. I know, I know

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Speaker 1: your mind. You can't hide from me.

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Speaker 2: I've got a photo of it.

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Speaker 1: Stacey's called on thirteen and one O six five. Stace, Hi,

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Speaker 1: how are you find? That's what you've got it from?

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Speaker 1: He puts an em in his house. Sorry, Stacey, where

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Speaker 1: shouldn't you have put your hands?

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Speaker 7: Well, it wasn't me, but I was. I'm a disability

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Speaker 7: to support worker and I was supporting a a man

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Speaker 7: who had just recently become quadriplegic, and I accompanied him

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Speaker 7: to his first family gathering since since he became quadriplegic.

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Speaker 7: And his cousin came in with a big high five.

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Speaker 7: Oh yes, So obviously this man couldn't give him a

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Speaker 7: high five back. But thankfully he's a good sport and

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Speaker 7: we all had a bit of a laugh about it,

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Speaker 7: but it was definitely it Oh my god moment.

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Speaker 2: Absolutely. I'm glad he laughed about it as well.

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Speaker 4: Because I laughed.

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Speaker 1: Like did he just just tap him on the forehead

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Speaker 1: or something.

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Speaker 7: Or did he just kind of awkwardly hung it there

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Speaker 7: for a little bit and then awkwardly pulled it away

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Speaker 7: and just said, oh, how you going?

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Speaker 4: Yes, it was very awkward.

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Speaker 1: It's incredible.

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Speaker 2: No, there's no good way of getting out of that situation.

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Speaker 1: Let's got a little hope it'll be the last time.

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Speaker 1: But I had a shower with my daughter Max the

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Speaker 1: other day and she just went for the full, the

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Speaker 1: full Telly grab.

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Speaker 2: It's at the height, isn't it right?

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Speaker 1: That height at I height?

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Speaker 3: And it's an interesting thing for them to see. I

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Speaker 3: think at that age is like, what is what? Mommy

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Speaker 3: doesn't have one of them?

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Speaker 1: What is that? And I haven't got one of them either?

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Speaker 1: What the hell is that? Off guard? He caught me

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Speaker 1: off guard. She really got a grip on it, like

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Speaker 1: fully grabbed, pulled it down to her like a microphone.

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Speaker 1: Oh yeah, I hurt, it really hurt, I bet did, yeah,

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Speaker 1: and shere away got her. I swatted her hand away.

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Speaker 2: Yeah, yeah, well you reacted. Jerk reaction. Jerk reaction.

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Speaker 3: Don't analyze my words, Linda, where did you put your hand?

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Speaker 8: Well, my friend and I went to Europe back in

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Speaker 8: the day. My friend was a big massive Paul McCartney

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Speaker 8: or you know, and his daughter. I'm very big fans

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Speaker 8: of bears, So we stalked down he's found out where

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Speaker 8: he lived. He lived with his daughter. Went to the house.

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Speaker 8: The big gates out the front. One of them letter

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Speaker 8: boxes where you put your hand through to get the mail.

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Speaker 8: So we we thought we'll just put our hand in

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Speaker 8: seaf there's any mail, so we can get a photo

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Speaker 8: of their name and put our hands through. She put

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Speaker 8: hers too big, put mine through. Then the security guard

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Speaker 8: on the other side of the gate grabbing my hands,

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Speaker 8: so we're having a bit of tuger walk and the

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Speaker 8: letter he came out, so we just ran away.

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Speaker 2: Did you get the letter?

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Speaker 8: Well no, we got a photo of the letter, but

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Speaker 8: that was it.

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Speaker 6: We just let it go.

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Speaker 8: And then when he grabbed my hand so we got

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Speaker 8: a photo wobo, So that.

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Speaker 1: Was good, nice work. I don't think you should steal

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Speaker 1: other people's mail.

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Speaker 2: No, I think I'm just.

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Speaker 1: Going to put that out there.

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Speaker 3: Yeah, yeah, I probably I think I think a photo

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Speaker 3: outside his house.

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Speaker 2: Fine, then move on.

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Speaker 1: Yeah.

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Speaker 3: Ben Affleck kept the love letters that he had written

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Speaker 3: to Jennifer Lopez even though he had a thirteen married

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Speaker 3: thirteen year marriage to Jennifer Garner in in the middle.

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Speaker 1: Yes, that's right, and I should mention they're not just

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Speaker 1: the letters that he wrote. He'd obviously given those letters

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Speaker 1: to her the letters she'd written to him as well.

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Speaker 1: It was the correspondence, so he gives the total chorus back.

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Speaker 2: And forth between them when they were together.

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Speaker 1: I don't know how he kept his letters, like you

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Speaker 1: when you give a love that he didn't give it

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Speaker 1: to someone. But maybe I don't know. Maybe maybe he

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Speaker 1: made he made copies of his own gear.

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Speaker 3: Being god, I was good in that love letter. I'm

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Speaker 3: definitely keeping a copy of that anyway. I was particularly

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Speaker 3: critical of the fact that he was in a thirteen

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Speaker 3: year marriage to Jennifer Ghana and he didn't think it

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Speaker 3: was well that he didn't throw out the love letters

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Speaker 3: that he had written too, and Jennifer Gannah from since

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Speaker 3: said that it didn't surprise her because you didn't think

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Speaker 3: that for her entire marriage to Ben Affleck he had

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Speaker 3: gotten over jay Lo.

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Speaker 2: I just think that that's all very very sad.

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Speaker 1: I think they're good friends now though. Yeah.

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Speaker 3: And that's God kids. Very impressive from Jennifer Garner. To

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Speaker 3: see past all of Jennifer so impressive. Yeah, it seems

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Speaker 3: like a wonderful woman, extraordinary person. Anyway, I now realized

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Speaker 3: that I'm a bit of a potcorn a kettle black.

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Speaker 1: Oh wow.

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Speaker 2: And I went into these cardboard boxes.

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Speaker 1: That I've said any jokes that just passed through my head,

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Speaker 1: and I've let them all go. I want you to

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Speaker 1: know that, I want you to know on what. Don't

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Speaker 1: open that door. Don't anyway.

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Speaker 2: I've got two love letters that I want to read

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Speaker 2: to you.

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Speaker 1: Yes, one of.

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Speaker 3: Them is from uh, a girlfriend that I had when

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Speaker 3: I was ten years old.

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Speaker 1: Ah right, okay, yeah, great. Nice.

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Speaker 2: I don't know how I've kicked this.

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Speaker 1: By the way, it was weird because you crack. I

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Speaker 1: know I was very critical about this.

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Speaker 2: No, I haven't discussed it with her, but I have got.

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Speaker 3: A legend love letter from when I was from when

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Speaker 3: I was ten, and this is the one that you wrote. No,

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Speaker 3: this is no, this is from this is from you,

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Speaker 3: weren't stensling like, no, no, no.

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Speaker 2: Copies of my love letters?

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Speaker 3: Okay, But what I want to do, yeah, is I've

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Speaker 3: got that one, okay, and then I've also got a

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Speaker 3: love letter that Mim wrote to me within the last

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Speaker 3: two years.

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Speaker 2: It's nice after hearing both of them.

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Speaker 3: Yes, I want you to tell me which one is

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Speaker 3: from my ten year old ex girlfriend and which one

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Speaker 3: is from my current fiance.

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Speaker 1: Nice.

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Speaker 3: Okay, you have to close your eyes because I think

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Speaker 3: by the appearance of it, you'll be able to tell

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Speaker 3: just on what it's written on one of the one on.

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Speaker 1: My cartoon paper, which I would assume would be Mim

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Speaker 1: by the way.

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Speaker 2: Okay, okay, okay, here is love letter one.

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Speaker 3: Is this from my fiance Mim within the last two

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Speaker 3: years or my ten year old ex girlfriend. Have a

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Speaker 3: good trip, my little poo pooh. Don't fart too much

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Speaker 3: and make sure you smile and wave.

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Speaker 2: I'm so proud of you.

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Speaker 1: So man, let's love letter one.

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Speaker 2: That's love letter one.

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Speaker 1: I know who that is.

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Speaker 2: Okay, here is.

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Speaker 1: Here is I know what you've tried to do. Here

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Speaker 1: of it. I know exactly who that was his love

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Speaker 1: letter too.

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Speaker 3: Yeah, first of all, it says at the start, don't

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Speaker 3: show anyone, and it.

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Speaker 1: Says it's just so cute, and it says.

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Speaker 3: Dear woody, yeap, is it true that you told Han

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Speaker 3: Wrehn to come and tell me that you wanted to

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Speaker 3: kiss me? Jack and Kath are coming to the movies too.

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Speaker 3: Do you want them to question Mark? If you don't,

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Speaker 3: they don't have to.

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Speaker 2: Do you still like me? I still like you? O?

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Speaker 1: P is?

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Speaker 2: How much do you rate me?

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Speaker 1: Did she put a little like box out of five? There?

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Speaker 3: In the same letter, I mean, I think it's obvious,

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Speaker 3: which run by ten year old ex girlfriend. In the

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Speaker 3: same letter she made this for me, which I'm showing you.

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Speaker 3: It says you have one boy.

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Speaker 1: Of the year. Wow with a little fifty cent piece there.

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Speaker 1: That's why you kept it your china, That's how you

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Speaker 1: came to it. You've got a great shaddon No in

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Speaker 1: this shy.

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Speaker 9: What's going on?

293
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Speaker 2: Boys?

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Speaker 1: Not much, mate, not much?

295
00:14:15,280 --> 00:14:19,400
Speaker 3: Just excited about your nude tour mate, the twentieth anniversary tour.

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Speaker 2: I can't believe it.

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Speaker 9: Twenty years. Where's it gone? Where's it gone?

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Speaker 2: Does it feel like?

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Speaker 9: I mean, I don't know. That's a hard one too.

300
00:14:25,920 --> 00:14:29,520
Speaker 9: It does feel like, especially when I look in the mirror.

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00:14:31,640 --> 00:14:35,000
Speaker 3: Oh, hang on looking in the mirror though, Like you

302
00:14:35,360 --> 00:14:39,040
Speaker 3: did a photo which I love. So you put the

303
00:14:39,120 --> 00:14:41,560
Speaker 3: first album cover to the left and then you now

304
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Speaker 3: are right, You've recreated it.

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00:14:43,840 --> 00:14:45,280
Speaker 2: You're in better shape, man, he.

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Speaker 9: Mean I'm better shaped that way.

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Speaker 10: I'm a bit broken physically injuries, but I mean I'm

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Speaker 10: in better shape.

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Speaker 2: But yeah, seriously, more way, more hair back.

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Speaker 1: Then as big as my leg. You are, you are,

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00:14:59,040 --> 00:15:04,200
Speaker 1: you are looking enormous. Look, wow, my god, those pipes

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Speaker 1: and you are.

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Speaker 3: What I love about the new pipe Shannon is you

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Speaker 3: are using them to sell tickets as well.

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Speaker 2: I just I love this.

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Speaker 1: The internet has become the first trap, hasn't it.

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Speaker 11: It's a shot of you, just the full, the full

318
00:15:18,400 --> 00:15:21,880
Speaker 11: juke out and you've gone hit shoulders today and bloody

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00:15:21,920 --> 00:15:24,000
Speaker 11: hell they looked good. And what I love about it

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00:15:24,040 --> 00:15:25,920
Speaker 11: is that then you just drop in and I'm going

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Speaker 11: on tour.

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Speaker 2: Make sure you grab tickets. Did you see that?

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Speaker 9: The seamless, seamless from one.

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Speaker 4: In to the other.

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Speaker 1: Actually, I can see the record label standing outside. Do

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Speaker 1: you see a spike in ticket sales every time a

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Speaker 1: few shows down in Adelaide? Can you go to pipes.

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Speaker 10: They do get a bit of a of action than

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00:15:49,080 --> 00:15:51,480
Speaker 10: any gyms, I think. I think there's just so many

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Speaker 10: people go to the gym these days. Yeah, so that's

331
00:15:54,680 --> 00:15:56,760
Speaker 10: get a bit of a bit of a run around

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Speaker 10: with the gym stuff.

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Speaker 1: Look, I believable.

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Speaker 9: Now I'm going on to as well.

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Speaker 1: Yeah, I love that. You know you could put your

336
00:16:03,680 --> 00:16:05,360
Speaker 1: best put your best stuff forward, and then you know

337
00:16:05,400 --> 00:16:07,720
Speaker 1: everything comes up to that. So the only thing missing

338
00:16:07,720 --> 00:16:10,200
Speaker 1: from then, no nolesy having this before and after shot

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Speaker 1: from twenty years ago is the flavor saves the goat

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Speaker 1: is and look, we just thought, in the spirit of

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Speaker 1: the twentieth anniversary tour and the Flavorsaver, we think for

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00:16:18,520 --> 00:16:22,000
Speaker 1: this interview, if you could chuck that on, let's get it,

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00:16:22,120 --> 00:16:27,960
Speaker 1: let's get it back. Get that.

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Speaker 3: It's like I'm watching a Traian Idol thing, the original ones.

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Speaker 10: He's still in his running, he won't come out. He's

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00:16:37,640 --> 00:16:41,120
Speaker 10: been sucking for twenty years. I just have to throw

347
00:16:41,160 --> 00:16:42,040
Speaker 10: a bottle of Jack the Denners.

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Speaker 1: Right.

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Speaker 3: Absolutely, did you think about for the twentieth anniversary growing

350
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Speaker 3: growing the flavors?

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Speaker 10: Yeah, my wife actually brought up the other day, she guys,

352
00:16:54,080 --> 00:16:56,640
Speaker 10: I should should bring a comeback, get the flavors and

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Speaker 10: make it come back.

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Speaker 9: So I thought i'd right out there. But for your

355
00:17:00,840 --> 00:17:01,320
Speaker 9: great hare is it?

356
00:17:01,840 --> 00:17:05,840
Speaker 1: Yeah?

357
00:17:06,920 --> 00:17:08,239
Speaker 10: No, if it's going to happen, I have to get

358
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Speaker 10: the original back out.

359
00:17:12,040 --> 00:17:13,840
Speaker 1: You talk about it like it's a child. I know,

360
00:17:14,200 --> 00:17:21,960
Speaker 1: he's the stories we can talk.

361
00:17:25,119 --> 00:17:27,200
Speaker 2: Because I've got to think about my my hair.

362
00:17:27,359 --> 00:17:29,840
Speaker 3: Right, there's promo photos and to of us, like if

363
00:17:29,880 --> 00:17:32,439
Speaker 3: I shaved my hair, it would, no joke, be a

364
00:17:32,440 --> 00:17:34,480
Speaker 3: bit of a thing for the radio station that I

365
00:17:34,520 --> 00:17:36,200
Speaker 3: look too much like Will because he's got the shaved

366
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Speaker 3: bonds as well.

367
00:17:37,160 --> 00:17:38,760
Speaker 2: And also to retack all these photos.

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00:17:39,080 --> 00:17:41,280
Speaker 3: It was it a big moment when you decided to

369
00:17:41,359 --> 00:17:43,440
Speaker 3: shave off the flavor save And was that a conversation

370
00:17:43,520 --> 00:17:44,720
Speaker 3: with a record Yeah, it was.

371
00:17:44,840 --> 00:17:47,040
Speaker 10: I had a manager from the States and we sort

372
00:17:47,040 --> 00:17:49,040
Speaker 10: of I just want to break clean for a how

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00:17:49,160 --> 00:17:50,880
Speaker 10: new bit of a look and try and break into

374
00:17:50,920 --> 00:17:52,960
Speaker 10: America at the time, so he's sort of going, oh,

375
00:17:53,040 --> 00:17:55,600
Speaker 10: you know, probably it's just all too familion and I

376
00:17:55,640 --> 00:17:57,440
Speaker 10: think guy's shaved his thro off.

377
00:17:58,840 --> 00:18:00,280
Speaker 1: They do it to one.

378
00:18:04,040 --> 00:18:08,240
Speaker 9: Rebread We're gonna raise some money for charity.

379
00:18:08,400 --> 00:18:11,480
Speaker 1: Yeah, right, Absolu shaved off to try and look a

380
00:18:11,480 --> 00:18:12,560
Speaker 1: bit cleaner for America.

381
00:18:12,800 --> 00:18:14,680
Speaker 10: Yeah yeah, yeah, just a bit of a freshen up

382
00:18:14,680 --> 00:18:17,440
Speaker 10: look and and and sort of rebranding for heating.

383
00:18:17,359 --> 00:18:20,080
Speaker 1: Right, and then after that you put it in.

384
00:18:22,040 --> 00:18:22,480
Speaker 7: But he wasn't.

385
00:18:22,640 --> 00:18:26,080
Speaker 10: Everyone was having getting kicked off the.

386
00:18:26,359 --> 00:18:28,960
Speaker 1: You talk about it like it's a person. It was

387
00:18:29,080 --> 00:18:37,960
Speaker 1: just really gray, so strange. Oh wow, that's good stuff.

388
00:18:38,119 --> 00:18:41,040
Speaker 1: We had Guy in here a little while ago. Now,

389
00:18:41,040 --> 00:18:43,320
Speaker 1: obviously twenty anniversary for him as well. You guys are

390
00:18:43,359 --> 00:18:46,160
Speaker 1: kind of like, you know, bound together through time. Now

391
00:18:46,200 --> 00:18:48,480
Speaker 1: after that moment, and I know you're saying you're heading

392
00:18:48,480 --> 00:18:50,080
Speaker 1: over to Guy sooner to a podcast. I know you

393
00:18:50,080 --> 00:18:51,879
Speaker 1: guys are mates. But he had he was on the

394
00:18:51,920 --> 00:18:54,119
Speaker 1: show and he just pitched this idea to us. We

395
00:18:54,160 --> 00:18:56,399
Speaker 1: were talking about you and he said this.

396
00:18:56,520 --> 00:18:58,879
Speaker 12: It was, you know, what's twenty years in title? I

397
00:18:58,880 --> 00:19:01,080
Speaker 12: should do something at the ol House where I dive

398
00:19:01,160 --> 00:19:05,080
Speaker 12: back into my catalog. We were chatting off air about Nlsey. Actually, yeah,

399
00:19:04,680 --> 00:19:06,480
Speaker 12: it was I need to put in a call to

400
00:19:06,600 --> 00:19:07,720
Speaker 12: Nulsey to find.

401
00:19:07,560 --> 00:19:10,159
Speaker 1: Out would be going to come down. It would be

402
00:19:10,200 --> 00:19:15,919
Speaker 1: pretty the Opera house. So you and Guy did a

403
00:19:16,040 --> 00:19:17,960
Speaker 1: jewet a number of duets to get out in front

404
00:19:17,960 --> 00:19:18,640
Speaker 1: of the Opera House.

405
00:19:18,760 --> 00:19:20,520
Speaker 9: Yeah, too nice.

406
00:19:20,520 --> 00:19:21,359
Speaker 2: It was fantastic.

407
00:19:21,400 --> 00:19:25,359
Speaker 10: It was really really good, such a crazy yeah bag

408
00:19:25,400 --> 00:19:30,159
Speaker 10: of emotionious. But the opera House as well house yeaeah.

409
00:19:29,960 --> 00:19:32,040
Speaker 1: Yeah, it was almost a bit of I don't want

410
00:19:32,080 --> 00:19:36,880
Speaker 1: to say PTSD show was and how young you were

411
00:19:36,920 --> 00:19:38,000
Speaker 1: and how intense that was.

412
00:19:38,080 --> 00:19:40,399
Speaker 9: Yeah, it's a couple of like it is. It was

413
00:19:40,440 --> 00:19:43,000
Speaker 9: a really really mixed feelings. Yeah, you know what I

414
00:19:43,000 --> 00:19:43,399
Speaker 9: mean all that.

415
00:19:44,000 --> 00:19:46,720
Speaker 10: The Opera House itself represents so many great memories. There's

416
00:19:46,760 --> 00:19:49,520
Speaker 10: nothing really, you know, scary about it. But that's put

417
00:19:49,560 --> 00:19:51,760
Speaker 10: in context about how how fast the time's gone, how

418
00:19:51,800 --> 00:19:54,160
Speaker 10: long that was, because that's when you go like, bloody

419
00:19:54,200 --> 00:19:57,879
Speaker 10: hell it was twenty years ago. I'm stokey he reached

420
00:19:57,880 --> 00:19:59,280
Speaker 10: out to me for that one, because that was a

421
00:19:59,320 --> 00:20:00,040
Speaker 10: real joy to do.

422
00:20:00,400 --> 00:20:03,080
Speaker 1: Was it? What was the phone call? Because I noticed

423
00:20:03,119 --> 00:20:06,160
Speaker 1: that you ended up you ended up singing what about me? Yeah?

424
00:20:06,160 --> 00:20:07,879
Speaker 1: It was it a bit like all right, mate, well

425
00:20:07,880 --> 00:20:09,880
Speaker 1: look I'll come down, but we're not singing your ship.

426
00:20:13,440 --> 00:20:13,520
Speaker 5: You.

427
00:20:15,880 --> 00:20:17,400
Speaker 2: Know, we won't be down in there, and guy saying

428
00:20:17,440 --> 00:20:18,120
Speaker 2: I'm going to sing all.

429
00:20:18,080 --> 00:20:19,840
Speaker 9: My sings songs and yours as well.

430
00:20:25,760 --> 00:20:28,320
Speaker 10: The only reason that this whole twentye is this happened

431
00:20:28,400 --> 00:20:30,320
Speaker 10: is because of the grace of the Austrange people and

432
00:20:30,359 --> 00:20:32,639
Speaker 10: the generosity and their support, you know, right from voting

433
00:20:32,680 --> 00:20:34,760
Speaker 10: for me on the show at the start right through

434
00:20:34,800 --> 00:20:37,440
Speaker 10: to now I'm buying tickets and albums and all that

435
00:20:37,480 --> 00:20:38,480
Speaker 10: out of the last twenty years.

436
00:20:38,480 --> 00:20:40,000
Speaker 9: So I'm so thankful to them guys.

437
00:20:40,000 --> 00:20:42,120
Speaker 10: And yeah, they're the most important people in the music

438
00:20:42,119 --> 00:20:43,360
Speaker 10: industry in my opinion by far.

439
00:20:43,560 --> 00:20:46,280
Speaker 3: It's the effort you give, though, Shannon, every time, what's

440
00:20:46,359 --> 00:20:47,879
Speaker 3: up to you give them a lot of time. Like

441
00:20:47,920 --> 00:20:50,600
Speaker 3: I think about what you've done for our radio careers

442
00:20:51,119 --> 00:20:53,040
Speaker 3: when we were nothing. I remember you came in the

443
00:20:53,040 --> 00:20:54,960
Speaker 3: studio and we had this idea where we were going

444
00:20:55,040 --> 00:21:03,159
Speaker 3: to hook you up to an electric zappas just go put.

445
00:21:03,240 --> 00:21:05,720
Speaker 1: A horse in a horse in a lightning store.

446
00:21:05,800 --> 00:21:10,560
Speaker 3: Yeah, we actually fashioned a raft and putting olesy on

447
00:21:10,640 --> 00:21:13,200
Speaker 3: the Swan River in a lightning store.

448
00:21:13,280 --> 00:21:14,679
Speaker 2: He's the headline of a gig and.

449
00:21:16,840 --> 00:21:18,000
Speaker 1: We're going to ride this horse.

450
00:21:18,480 --> 00:21:21,280
Speaker 9: Then you have to ride a horse through the lightning.

451
00:21:22,240 --> 00:21:24,080
Speaker 3: That's the other thing you saw as well, Like you

452
00:21:24,119 --> 00:21:25,560
Speaker 3: ride in on a horse, which was pretty wild. I

453
00:21:25,600 --> 00:21:27,600
Speaker 3: can't believe you did that, but then you get up

454
00:21:27,640 --> 00:21:30,480
Speaker 3: on stage and it was taming down with to bring

455
00:21:30,640 --> 00:21:32,600
Speaker 3: so much energy coming up on that start.

456
00:21:33,440 --> 00:21:34,879
Speaker 10: I suppose have been part of a footy team or

457
00:21:34,880 --> 00:21:36,880
Speaker 10: anything like that. You don't sort of cruise along most

458
00:21:36,880 --> 00:21:38,520
Speaker 10: of the year and have it going three or four games,

459
00:21:38,800 --> 00:21:41,040
Speaker 10: just going hard at the shows and giving everything you've

460
00:21:41,080 --> 00:21:43,119
Speaker 10: got and really enjoy it, because if you're enjoying the

461
00:21:43,119 --> 00:21:46,119
Speaker 10: crowds enjoying it as a career choice. If you're not

462
00:21:46,200 --> 00:21:49,520
Speaker 10: enjoying it, then it can be the complete opposite of

463
00:21:49,720 --> 00:21:52,000
Speaker 10: anything good, if you know what I mean, absolutely.

464
00:21:51,640 --> 00:21:52,960
Speaker 3: I reckon the other The other thing that I love

465
00:21:52,960 --> 00:21:55,439
Speaker 3: about your performances is there's always a moment where the

466
00:21:55,480 --> 00:21:58,800
Speaker 3: top comes off. And obviously the rig is in outstanding

467
00:21:58,920 --> 00:22:02,040
Speaker 3: shape now. So when you looking at the twentieth anniversary tour,

468
00:22:02,119 --> 00:22:05,000
Speaker 3: like there is there a song where it's like top's coming.

469
00:22:04,760 --> 00:22:06,320
Speaker 2: Off, Top's coming or do you just feel it?

470
00:22:07,160 --> 00:22:11,880
Speaker 9: There's probably theater all left there We go with that one.

471
00:22:13,720 --> 00:22:15,280
Speaker 3: It's a bit of a cliche question, but what would

472
00:22:15,320 --> 00:22:17,160
Speaker 3: you say it a little Shannon? There he is at

473
00:22:17,160 --> 00:22:19,080
Speaker 3: the Sydney Opera House twenty years ago.

474
00:22:19,720 --> 00:22:21,800
Speaker 9: Yeah, you're talking about there from then? I was gonna

475
00:22:21,800 --> 00:22:24,120
Speaker 9: say it was five minutes ago.

476
00:22:28,760 --> 00:22:29,720
Speaker 1: Sorry bringing in.

477
00:22:33,880 --> 00:22:43,439
Speaker 13: Sorry years ago. Yeah, I think you know a lot

478
00:22:43,440 --> 00:22:44,720
Speaker 13: of the business side of things. You've got to be

479
00:22:44,760 --> 00:22:46,520
Speaker 13: right on top of a lot of money's going in

480
00:22:46,520 --> 00:22:48,560
Speaker 13: and out at different times, and I think that would

481
00:22:48,560 --> 00:22:49,800
Speaker 13: be one one major thing.

482
00:22:49,840 --> 00:22:52,639
Speaker 10: And I just make sure you're across everything and know

483
00:22:52,760 --> 00:22:53,280
Speaker 10: what's happening.

484
00:22:53,520 --> 00:22:56,400
Speaker 2: Yeah, yeah, definitely, mate.

485
00:22:56,480 --> 00:23:00,240
Speaker 1: You are just such a good dude so much. It's

486
00:23:00,320 --> 00:23:04,159
Speaker 1: so great to have you here. His congratulations twenty years

487
00:23:05,240 --> 00:23:07,840
Speaker 1: That's what I'm talking about. It is going around again.

488
00:23:07,960 --> 00:23:09,680
Speaker 1: As I said before, Shannon Old dot com, if you

489
00:23:09,680 --> 00:23:12,240
Speaker 1: would like to head along touring everywhere, you'll get a

490
00:23:12,320 --> 00:23:14,560
Speaker 1: chance to see him pretty much all over the country.

491
00:23:14,600 --> 00:23:16,399
Speaker 1: And he's doing some rural shows as well, so you

492
00:23:16,400 --> 00:23:18,240
Speaker 1: can see him in what Newcastle, are going down to,

493
00:23:18,280 --> 00:23:21,440
Speaker 1: Margaret River going too, Womba as well, Balarat, so really

494
00:23:21,480 --> 00:23:23,080
Speaker 1: all over the place. You would have gone see Nailsey

495
00:23:23,119 --> 00:23:24,240
Speaker 1: for what should be a hell of a show mate.

496
00:23:24,280 --> 00:23:26,680
Speaker 9: Yeah, I'm really looking forward to it. Thanks for the support, guys,

497
00:23:27,160 --> 00:23:28,119
Speaker 9: I really appreciate it.

498
00:23:28,160 --> 00:23:33,440
Speaker 3: Of course, new single as well, yeah, Costomer yeah, yeah, yeah.

499
00:23:33,280 --> 00:23:33,840
Speaker 1: Yeah, nice.

500
00:23:34,080 --> 00:23:36,640
Speaker 10: We want to do a juet and I thought her

501
00:23:36,680 --> 00:23:40,600
Speaker 10: better than because it was always sounding for yeah, of course, yeah, yeah,

502
00:23:40,960 --> 00:23:43,400
Speaker 10: it was really disappointing for her, and we're all really

503
00:23:43,400 --> 00:23:45,480
Speaker 10: supportive of each other. So I thought when an opportunity

504
00:23:45,560 --> 00:23:47,399
Speaker 10: came up to do a duet, I thought, I'd love

505
00:23:47,440 --> 00:23:49,560
Speaker 10: to give a call and see what she's up to.

506
00:23:49,600 --> 00:23:51,920
Speaker 9: And she's interested in the girl can sing.

507
00:23:51,960 --> 00:23:52,680
Speaker 1: That's awesome.

508
00:23:52,760 --> 00:23:55,119
Speaker 2: Yeah, So that's out today's nsy.

509
00:23:55,160 --> 00:23:55,720
Speaker 1: Thanks so much for.

510
00:23:57,960 --> 00:23:58,480
Speaker 9: Thank you.

511
00:24:01,400 --> 00:24:05,439
Speaker 1: Right now though, woods, Why Ryan Gosling and Ava Mendez

512
00:24:05,440 --> 00:24:07,879
Speaker 1: weren't on the red carpet together at the Oscars?

513
00:24:14,520 --> 00:24:17,680
Speaker 3: Bit of gas hot gus On guys, bit of gus

514
00:24:17,720 --> 00:24:18,760
Speaker 3: on guys, guys.

515
00:24:22,560 --> 00:24:24,520
Speaker 2: Did she did she go to the ceremony?

516
00:24:25,240 --> 00:24:27,320
Speaker 1: Eiva? Yeah, she was there and.

517
00:24:27,240 --> 00:24:29,040
Speaker 2: That just didn't walk Then I don't do it together.

518
00:24:29,119 --> 00:24:29,639
Speaker 1: I don't do it.

519
00:24:29,760 --> 00:24:32,200
Speaker 2: I don't they never walk around, don't do it.

520
00:24:32,320 --> 00:24:35,840
Speaker 1: So yeah, apparently, well, there's a there's actually a fan

521
00:24:36,680 --> 00:24:40,600
Speaker 1: who commented on an old photo of them at Beyond

522
00:24:40,640 --> 00:24:42,920
Speaker 1: the Pines, which is where they met. So they did

523
00:24:42,920 --> 00:24:45,320
Speaker 1: a photo for Beyond the Pines together because they were

524
00:24:45,359 --> 00:24:48,840
Speaker 1: both in the movie, right, So this person commented on

525
00:24:48,880 --> 00:24:54,040
Speaker 1: the photo, Hey, I really hope that Barbie gets nominated

526
00:24:54,080 --> 00:24:56,200
Speaker 1: for an award because I just want to see you

527
00:24:56,240 --> 00:24:57,879
Speaker 1: with Ryan. I just want to see you on the

528
00:24:57,920 --> 00:25:05,760
Speaker 1: carpet together. Sure, a bit of a loser this chip, anyway,

529
00:25:04,600 --> 00:25:09,240
Speaker 1: I get it. It's bigger things in life anyway, She responds.

530
00:25:09,840 --> 00:25:14,040
Speaker 1: Ava Mendez sees this and says, you're the best. That's

531
00:25:14,080 --> 00:25:17,040
Speaker 1: a really cool comment. But we just don't do those

532
00:25:17,080 --> 00:25:18,720
Speaker 1: things together.

533
00:25:19,840 --> 00:25:21,800
Speaker 2: As in like like work events.

534
00:25:21,880 --> 00:25:26,320
Speaker 1: I think what she's saying is that's Ryan's bit. He's

535
00:25:26,359 --> 00:25:29,280
Speaker 1: been nominated for it, it's his movie. I do not

536
00:25:29,400 --> 00:25:31,320
Speaker 1: need to be there for him. And in fact it's

537
00:25:31,320 --> 00:25:33,160
Speaker 1: important that that's his thing.

538
00:25:33,720 --> 00:25:35,480
Speaker 2: This should be the focus should be on you here,

539
00:25:35,640 --> 00:25:36,480
Speaker 2: not us exactly.

540
00:25:36,680 --> 00:25:38,879
Speaker 1: It's not about us as an event. It's about you

541
00:25:38,960 --> 00:25:42,120
Speaker 1: as it's about him as an individual. And it would

542
00:25:42,119 --> 00:25:44,480
Speaker 1: be the same if she was nominated. And it got

543
00:25:44,520 --> 00:25:50,120
Speaker 1: me thinking because I think that that for me shows

544
00:25:50,160 --> 00:25:53,160
Speaker 1: like real maturity in a relationship. And it's funny because

545
00:25:53,160 --> 00:25:54,280
Speaker 1: I was, as you know, I was at a music

546
00:25:54,320 --> 00:25:56,520
Speaker 1: festival on the weekend as the Golden Planes, and I

547
00:25:56,560 --> 00:25:58,320
Speaker 1: remember going and I went with Sem and Sem and

548
00:25:58,400 --> 00:26:00,560
Speaker 1: I haven't been in a music festival together for ages,

549
00:26:00,880 --> 00:26:02,760
Speaker 1: and I was actually a bit anxious about her coming

550
00:26:02,840 --> 00:26:06,080
Speaker 1: because I had all these memories in the past of

551
00:26:06,119 --> 00:26:09,080
Speaker 1: going with her and then spending a lot of my

552
00:26:09,160 --> 00:26:10,480
Speaker 1: time worried about.

553
00:26:10,160 --> 00:26:13,280
Speaker 2: Her because you think that's more your thing.

554
00:26:13,960 --> 00:26:17,680
Speaker 1: No, I just felt like I felt very codependent with her,

555
00:26:17,760 --> 00:26:20,439
Speaker 1: like I couldn't be sort of happy just doing my

556
00:26:20,480 --> 00:26:22,800
Speaker 1: own thing and offering I don't often be worried about her,

557
00:26:23,320 --> 00:26:26,840
Speaker 1: And I think that early in a relationship, that is

558
00:26:27,720 --> 00:26:30,320
Speaker 1: what you do. You kind of you both want to

559
00:26:30,320 --> 00:26:33,000
Speaker 1: look after each other well, early on, you get this

560
00:26:33,040 --> 00:26:36,280
Speaker 1: infatuation right, and then that kind of grows into this

561
00:26:36,320 --> 00:26:38,359
Speaker 1: bit where you want to look after each other. But

562
00:26:38,400 --> 00:26:40,840
Speaker 1: then I think I feel as if a lot of

563
00:26:40,880 --> 00:26:44,280
Speaker 1: relationships hit a roadblock or a hurdle at the next point,

564
00:26:44,640 --> 00:26:47,440
Speaker 1: which is moving from that we want to look after

565
00:26:47,520 --> 00:26:51,160
Speaker 1: each other too. We're trying to look after each other

566
00:26:51,240 --> 00:26:55,320
Speaker 1: too much that neither of us is confident to say

567
00:26:55,440 --> 00:26:58,239
Speaker 1: that we want time by ourselves. Neither of us is

568
00:26:58,280 --> 00:27:02,920
Speaker 1: willing to. I mean, you both are willing to let

569
00:27:02,920 --> 00:27:05,480
Speaker 1: go of the other one, but you're both scared to

570
00:27:05,680 --> 00:27:07,960
Speaker 1: say that you want that time by yourself, that you

571
00:27:08,040 --> 00:27:10,479
Speaker 1: want to do your own thing. And that's when it

572
00:27:10,480 --> 00:27:13,880
Speaker 1: becomes really toxic because ultimately, when you're trying to look

573
00:27:13,880 --> 00:27:16,639
Speaker 1: after each other, what happens, and you don't intend it

574
00:27:16,680 --> 00:27:21,119
Speaker 1: to happen, is you start resenting each other. M Yeah,

575
00:27:21,240 --> 00:27:25,600
Speaker 1: because you're silently working underneath it to care and compensate

576
00:27:25,680 --> 00:27:29,680
Speaker 1: and compromise. But you actually need to put a stake

577
00:27:29,720 --> 00:27:31,920
Speaker 1: in the ground at some stage and say, yo, this

578
00:27:32,080 --> 00:27:35,400
Speaker 1: is for me, and I actually don't want you there.

579
00:27:35,480 --> 00:27:37,679
Speaker 1: And I think it's a really hard thing to do

580
00:27:37,720 --> 00:27:39,520
Speaker 1: because you're scared you're going to lose that person because

581
00:27:39,560 --> 00:27:41,320
Speaker 1: you've just come out of that stage too of looking

582
00:27:41,359 --> 00:27:43,120
Speaker 1: after each other. Yeah, and you're like, if I stop

583
00:27:43,160 --> 00:27:45,800
Speaker 1: looking after You're not going to love me anymore. And

584
00:27:45,840 --> 00:27:49,439
Speaker 1: we only went through this recently, but we eventually got

585
00:27:49,480 --> 00:27:51,879
Speaker 1: to eventually got to a point where I was I

586
00:27:52,080 --> 00:27:55,040
Speaker 1: was broken and I couldn't continue to look after Sam.

587
00:27:55,040 --> 00:27:56,119
Speaker 1: It was it was killing and.

588
00:27:56,119 --> 00:27:58,280
Speaker 2: Everything you were going to you felt like you had

589
00:27:58,280 --> 00:27:58,920
Speaker 2: to look after it.

590
00:27:59,119 --> 00:28:01,399
Speaker 1: Yeah. Even when I was going out by myself, I

591
00:28:01,440 --> 00:28:03,160
Speaker 1: was anxious to get home to her. Am I standing

592
00:28:03,240 --> 00:28:05,120
Speaker 1: out too late. We're going to a festival. I kind

593
00:28:05,119 --> 00:28:07,760
Speaker 1: of enjoy myself because I'm thinking, is she okay? And

594
00:28:07,800 --> 00:28:09,639
Speaker 1: the funny thing was when we actually sat down and

595
00:28:09,640 --> 00:28:13,240
Speaker 1: spoke about it, she was like, I'm sick of you

596
00:28:13,359 --> 00:28:14,080
Speaker 1: looking after me.

597
00:28:14,280 --> 00:28:17,040
Speaker 2: Yeah, I don't need that. I don't want to.

598
00:28:17,640 --> 00:28:20,720
Speaker 1: Yeah, and I can see how much it's hurting you.

599
00:28:22,119 --> 00:28:24,160
Speaker 1: So anyway, I just thought it was a really cool correlation,

600
00:28:24,480 --> 00:28:27,280
Speaker 1: and I was actually I was talking to Sam about

601
00:28:27,320 --> 00:28:29,720
Speaker 1: this on the weekend because there's a quote from one

602
00:28:29,760 --> 00:28:32,080
Speaker 1: of my favorite writers, a guy called Khalil Gibrain, about

603
00:28:32,080 --> 00:28:33,520
Speaker 1: this and I'm not going to read what he actually

604
00:28:33,520 --> 00:28:34,879
Speaker 1: says because it's too hard to understand.

605
00:28:34,960 --> 00:28:38,080
Speaker 2: But he says, done it down for me. I don't

606
00:28:38,080 --> 00:28:39,120
Speaker 2: do that, don't be good.

607
00:28:39,160 --> 00:28:41,200
Speaker 1: I'll paraphrase it for you. Okay, So you know what

608
00:28:41,240 --> 00:28:44,600
Speaker 1: a loot is I thought I might ask me.

609
00:28:44,640 --> 00:28:45,120
Speaker 4: I'm sorry.

610
00:28:45,120 --> 00:28:49,520
Speaker 1: It's an old instrument. It's got four strings, okay, yep.

611
00:28:50,120 --> 00:28:52,960
Speaker 1: And basically he says, in a relationship, you've got to

612
00:28:52,960 --> 00:28:56,040
Speaker 1: be like the strings on a lute. So it's part

613
00:28:56,040 --> 00:28:58,920
Speaker 1: of the same instrument and you'll vibrate with the same chord,

614
00:28:59,440 --> 00:29:04,440
Speaker 1: but you're separate strings. And that's really important because otherwise, yeah,

615
00:29:04,440 --> 00:29:05,240
Speaker 1: you'll you'll crumble.

616
00:29:05,800 --> 00:29:08,000
Speaker 2: So true, you're not the same string that he's so true.

617
00:29:08,120 --> 00:29:10,520
Speaker 3: Yeah, you know, mem and I have navigated recently, and

618
00:29:11,040 --> 00:29:12,840
Speaker 3: when I want to do something by myself, I've told

619
00:29:12,880 --> 00:29:14,720
Speaker 3: you this, I just have to cuddle her and say

620
00:29:14,760 --> 00:29:16,120
Speaker 3: I love you, and then go and do that thing,

621
00:29:16,160 --> 00:29:16,960
Speaker 3: but myself as.

622
00:29:16,840 --> 00:29:18,000
Speaker 1: Well, just to remind her.

623
00:29:18,560 --> 00:29:21,160
Speaker 3: Yes, yes, just because we're doing separate things doesn't mean

624
00:29:21,160 --> 00:29:23,920
Speaker 3: that we're not the same loot and I would have

625
00:29:23,920 --> 00:29:24,760
Speaker 3: lost her if I said that.

626
00:29:30,240 --> 00:29:30,280
Speaker 1: Z.

627
00:29:30,520 --> 00:29:32,920
Speaker 2: How are you, Judy Alice?

628
00:29:33,320 --> 00:29:33,400
Speaker 4: Not?

629
00:29:33,600 --> 00:29:36,000
Speaker 1: Now? Finally some gen z energy in this place.

630
00:29:36,320 --> 00:29:37,240
Speaker 2: I think it's important to know.

631
00:29:37,760 --> 00:29:40,320
Speaker 3: We're not sure whether we're laughing at AB here or

632
00:29:40,360 --> 00:29:44,480
Speaker 3: if we're laughing at ourselves. Definitely, because I also think, well,

633
00:29:44,520 --> 00:29:46,880
Speaker 3: we're getting a bit old, and what we think is

634
00:29:46,920 --> 00:29:49,760
Speaker 3: just common household names actually isn't because they're from the

635
00:29:49,800 --> 00:29:51,000
Speaker 3: early noughties and nineties.

636
00:29:51,240 --> 00:29:56,120
Speaker 1: Let me know, And I'm laughing at AB. Okay, very

637
00:29:56,880 --> 00:29:59,120
Speaker 1: very glear that you should know.

638
00:29:59,480 --> 00:30:01,080
Speaker 2: Okay, so I to kick things off.

639
00:30:01,960 --> 00:30:03,560
Speaker 1: Els welcome, We asked how she is?

640
00:30:05,080 --> 00:30:08,000
Speaker 5: Sorry, I'm doing great. The oscars they were great, and

641
00:30:08,080 --> 00:30:09,440
Speaker 5: you were a lot of people. I'm sure you guys

642
00:30:09,440 --> 00:30:10,120
Speaker 5: didn't anyway.

643
00:30:10,720 --> 00:30:16,560
Speaker 1: Oh wow, a bit of a swipe. Wow wow, Okay,

644
00:30:16,840 --> 00:30:18,320
Speaker 1: I like it. I like it a.

645
00:30:18,840 --> 00:30:21,640
Speaker 3: First person who I was just gonna go right ahead

646
00:30:21,640 --> 00:30:26,280
Speaker 3: and say they've definitely won an Oscar Kevin Costner actor, damn,

647
00:30:26,280 --> 00:30:26,840
Speaker 3: and I gave it.

648
00:30:26,800 --> 00:30:27,800
Speaker 2: Away by Oscar.

649
00:30:28,400 --> 00:30:28,840
Speaker 1: Idiot.

650
00:30:30,120 --> 00:30:32,120
Speaker 2: This this, this has become what was he in?

651
00:30:32,160 --> 00:30:32,959
Speaker 1: A b what's he been?

652
00:30:33,840 --> 00:30:36,440
Speaker 5: Kevin Costner? He's the guy in.

653
00:30:37,120 --> 00:30:39,040
Speaker 1: Because she does this all the time. She says actor,

654
00:30:39,200 --> 00:30:41,040
Speaker 1: she says singer, and then she hasn't got any.

655
00:30:41,360 --> 00:30:44,640
Speaker 5: One movie The Magic movie with the name You see Me?

656
00:30:45,320 --> 00:30:45,840
Speaker 5: Is he in that?

657
00:30:45,960 --> 00:30:50,480
Speaker 1: Now? You see Me? So you don't know who he is? Gone?

658
00:30:50,920 --> 00:30:51,200
Speaker 7: The name?

659
00:30:51,400 --> 00:30:54,760
Speaker 1: Okay, the analyst, No, you don't know who he is?

660
00:30:55,760 --> 00:30:57,640
Speaker 1: Kevin Costner? What does he look like?

661
00:30:58,280 --> 00:31:01,680
Speaker 5: I was gonna say, kind of like Brunette here, it

662
00:31:01,720 --> 00:31:02,720
Speaker 5: could be a new one.

663
00:31:03,600 --> 00:31:05,760
Speaker 1: The Bodyguard Dances with Wolves?

664
00:31:06,280 --> 00:31:11,120
Speaker 5: No that I don't know those movies Yellowstone, Yellowstone, haven't

665
00:31:11,160 --> 00:31:11,600
Speaker 5: seen it.

666
00:31:12,960 --> 00:31:16,120
Speaker 2: You don't know Kevin is Stewart, Stewart.

667
00:31:22,240 --> 00:31:24,440
Speaker 5: I have no idea who Amelia?

668
00:31:24,760 --> 00:31:27,320
Speaker 1: Any ring any bells for you?

669
00:31:27,360 --> 00:31:30,440
Speaker 5: No, it kind of gives politician in a way. But

670
00:31:30,600 --> 00:31:33,400
Speaker 5: I would I would argue that he's maybe an actor.

671
00:31:35,160 --> 00:31:41,280
Speaker 5: I'm not going to slio Amelia.

672
00:31:42,560 --> 00:31:48,960
Speaker 1: The name famous brother, got a very famous brother, does he? Yeah?

673
00:31:49,120 --> 00:31:51,160
Speaker 1: Oh yeah, of course you know you know what I'm

674
00:31:51,160 --> 00:31:51,760
Speaker 1: talking about.

675
00:31:51,680 --> 00:31:55,880
Speaker 3: Right, yeah, Mary Ducks, the Marty Ducks. No, you've never

676
00:31:55,920 --> 00:31:59,040
Speaker 3: watched any of the money. His coach Bombay.

677
00:31:58,960 --> 00:32:01,840
Speaker 5: Coach bomb Oh my got I still don't know.

678
00:32:02,080 --> 00:32:05,640
Speaker 1: What about Charlie. He's Charlie Sheen's brother. He's in the Breakfast.

679
00:32:05,960 --> 00:32:07,680
Speaker 5: Why did they not have the same last name?

680
00:32:07,800 --> 00:32:09,200
Speaker 1: He changed his name Charlie Sheen?

681
00:32:09,240 --> 00:32:10,560
Speaker 5: Did Charlie Charlie?

682
00:32:10,840 --> 00:32:12,640
Speaker 1: What about this? Because I'm going to move away from

683
00:32:12,720 --> 00:32:13,800
Speaker 1: these are bigger marrying name.

684
00:32:14,000 --> 00:32:17,520
Speaker 5: Darryl Sommers, Yes, Darryl Summers, host of Dan with the Stars.

685
00:32:17,720 --> 00:32:20,440
Speaker 1: Oh oh damn, she got very good. I'm probably more

686
00:32:20,480 --> 00:32:26,840
Speaker 1: know miss, but with the Stars works. What about Sir

687
00:32:26,960 --> 00:32:27,680
Speaker 1: Edmund Hillary?

688
00:32:28,280 --> 00:32:31,120
Speaker 5: No, not Edmund Hillary.

689
00:32:31,320 --> 00:32:32,160
Speaker 1: To Edmund Hillary.

690
00:32:32,560 --> 00:32:35,200
Speaker 5: I just want to go say to Epp that's Edward.

691
00:32:36,200 --> 00:32:40,000
Speaker 1: It's also Edmund Edward. How long have you worked under

692
00:32:40,040 --> 00:32:47,920
Speaker 1: him for? She doesn't even know you. But you can

693
00:32:47,960 --> 00:32:49,960
Speaker 1: win ten thousand dollars with us if you've got a

694
00:32:50,000 --> 00:33:06,560
Speaker 1: good story. Will present the Squireliest, Tallest.

695
00:33:01,520 --> 00:33:05,560
Speaker 12: Explore Australia's biggest arts festival, Adelaide Fringe f sixteen to

696
00:33:05,640 --> 00:33:06,400
Speaker 12: March seventeen.

697
00:33:06,480 --> 00:33:08,760
Speaker 2: Tickets at Adelaide Fringe dot com dot at you.

698
00:33:09,360 --> 00:33:12,920
Speaker 1: Pretty unbelievable this woods. We're gonna be at the Wonderlandspiegel

699
00:33:13,000 --> 00:33:17,520
Speaker 1: tenth Thursday night. We're gonna be down there, hopefully with

700
00:33:17,640 --> 00:33:19,280
Speaker 1: a bunch of you guys. Come down, say today if

701
00:33:19,280 --> 00:33:21,160
Speaker 1: you're going to be going down to the Fringe, otherwise

702
00:33:21,160 --> 00:33:23,360
Speaker 1: you've got a good yarn, register William Woody dot com

703
00:33:23,480 --> 00:33:26,680
Speaker 1: or give us a call that six five if you've

704
00:33:26,680 --> 00:33:29,320
Speaker 1: got a great story, because look, we're gonna fill it

705
00:33:29,320 --> 00:33:31,680
Speaker 1: out with a bunch of you guys who've got great stories.

706
00:33:31,720 --> 00:33:34,520
Speaker 1: Winner takes ten grand home in the night, and we

707
00:33:34,560 --> 00:33:36,400
Speaker 1: are going to have some of the best comedians in

708
00:33:36,440 --> 00:33:40,360
Speaker 1: the country down there telling stories as well. So it's

709
00:33:40,360 --> 00:33:42,280
Speaker 1: going to be one of the best shows at the

710
00:33:42,320 --> 00:33:43,520
Speaker 1: Fringe to go and see.

711
00:33:43,440 --> 00:33:47,800
Speaker 3: A stupendous night, no doubt, William, thank you so much.

712
00:33:48,520 --> 00:33:51,120
Speaker 3: We have been putting a whole bunch of stories on

713
00:33:51,160 --> 00:33:55,400
Speaker 3: the shortlist, though wilbur two have already got their flights

714
00:33:55,440 --> 00:33:58,480
Speaker 3: and ACoM sorted to be flown into Adelaide to perform

715
00:33:58,520 --> 00:33:59,360
Speaker 3: on Thursday night.

716
00:34:00,280 --> 00:34:02,160
Speaker 2: But there was one in particular.

717
00:34:01,640 --> 00:34:05,760
Speaker 3: Will that we did throw on the short list that

718
00:34:05,800 --> 00:34:08,799
Speaker 3: we think is worth talking about again. It was a

719
00:34:08,840 --> 00:34:13,520
Speaker 3: woman called Vaughn who was a flight attendant and she

720
00:34:13,840 --> 00:34:18,680
Speaker 3: had to fly Tom Jones from Melbourne to Perth after

721
00:34:18,719 --> 00:34:22,480
Speaker 3: he hosted the logis and then Tom had a particular

722
00:34:22,560 --> 00:34:24,280
Speaker 3: request halfway through the flight.

723
00:34:25,280 --> 00:34:28,239
Speaker 4: Take you back to the late nineteen nineties.

724
00:34:28,440 --> 00:34:30,160
Speaker 8: I am a private flight.

725
00:34:29,920 --> 00:34:33,359
Speaker 4: Attendant on Alena Jets and I get a sign to

726
00:34:33,440 --> 00:34:38,560
Speaker 4: bring me Tom Jones, mister Jones from Melbourne to Perth

727
00:34:38,719 --> 00:34:43,480
Speaker 4: after he hosted the logos. Wow, wow, ain't that now?

728
00:34:43,520 --> 00:34:46,319
Speaker 4: After being serenaded by mister Jones, he was eating and

729
00:34:46,400 --> 00:34:49,120
Speaker 4: drinking on board and I kept calling him, mister Jones,

730
00:34:49,200 --> 00:34:52,520
Speaker 4: to be professional, because that's what flight attendants do. Mister

731
00:34:52,600 --> 00:34:56,279
Speaker 4: Joan's indicated to me he needed to go to the bathroom.

732
00:34:56,920 --> 00:35:00,720
Speaker 4: Now I have option one, my flight attendant. He lifts

733
00:35:00,800 --> 00:35:02,960
Speaker 4: up and becomes a toilet fault. But do you have

734
00:35:03,000 --> 00:35:06,399
Speaker 4: to hook a curtain around? Mister Jones was not too

735
00:35:06,440 --> 00:35:09,840
Speaker 4: excited about that because anyone can see what you do

736
00:35:09,880 --> 00:35:12,480
Speaker 4: and everyone can hear. So we man, and the.

737
00:35:12,800 --> 00:35:14,680
Speaker 7: Hillis's option too.

738
00:35:14,920 --> 00:35:19,240
Speaker 4: So look over there across that field, see that little

739
00:35:19,440 --> 00:35:25,359
Speaker 4: shed that's the way through Its pitch dark in the

740
00:35:25,400 --> 00:35:29,440
Speaker 4: middle of the night. So I am walking through this

741
00:35:29,880 --> 00:35:33,080
Speaker 4: field with mister Jones and we're just chatting away. Do

742
00:35:33,120 --> 00:35:35,839
Speaker 4: you remember the big dolphin torches with.

743
00:35:35,920 --> 00:35:36,800
Speaker 7: The carry handle.

744
00:35:37,680 --> 00:35:40,480
Speaker 6: There is no power through the toilet.

745
00:35:41,560 --> 00:35:42,880
Speaker 4: Guess what my option.

746
00:35:42,840 --> 00:35:43,200
Speaker 9: Was to do?

747
00:35:43,719 --> 00:35:45,680
Speaker 3: You gotta flash, You've gotta flash the light while he

748
00:35:45,920 --> 00:35:47,040
Speaker 3: while he goes toozies.

749
00:35:47,120 --> 00:35:49,440
Speaker 2: Please tell me that's the option we go.

750
00:35:49,920 --> 00:35:53,360
Speaker 4: It was only number one, but I have to be

751
00:35:53,560 --> 00:35:57,120
Speaker 4: quite professional. So he is faith here and all, and

752
00:35:57,280 --> 00:36:03,000
Speaker 4: I'm holding this torch streen. Are you okay?

753
00:36:03,200 --> 00:36:03,839
Speaker 8: Miss?

754
00:36:03,960 --> 00:36:07,040
Speaker 4: And he's going yeah. Now, I'm going to leave it

755
00:36:07,080 --> 00:36:09,560
Speaker 4: up to you if you thought I was super superfessional

756
00:36:10,000 --> 00:36:13,160
Speaker 4: or did I like cough or sneeze where the light

757
00:36:13,440 --> 00:36:16,319
Speaker 4: kind of dips and I had to turn around to

758
00:36:16,440 --> 00:36:22,400
Speaker 4: recess it. I may or may not have seen something

759
00:36:22,840 --> 00:36:24,759
Speaker 4: I probably shouldn't.

760
00:36:25,239 --> 00:36:35,160
Speaker 8: Wow, I was scary professional.

761
00:36:35,600 --> 00:36:39,040
Speaker 4: And then we walked back through with my high heels

762
00:36:39,040 --> 00:36:41,759
Speaker 4: and my little uniform and we were a professional.

763
00:36:42,120 --> 00:36:46,520
Speaker 1: Oh wow, how can I not?

764
00:36:47,280 --> 00:36:55,440
Speaker 4: Yeah, I'm as I'm talking about.

765
00:36:55,480 --> 00:36:59,319
Speaker 1: It's the hell of a story of vonn joins us

766
00:36:59,400 --> 00:37:02,279
Speaker 1: right now. Welcome back a von Hi hell A.

767
00:37:02,360 --> 00:37:06,240
Speaker 3: You can't stop thinking about your story with Tom Jones

768
00:37:06,440 --> 00:37:09,160
Speaker 3: and him effectively bringing down a plane in the middle

769
00:37:09,200 --> 00:37:13,399
Speaker 3: of the bush to go on do it tuessy so

770
00:37:13,680 --> 00:37:16,400
Speaker 3: avon given that we keep thinking about it, hik you

771
00:37:16,760 --> 00:37:18,520
Speaker 3: are you available this Thursday night?

772
00:37:19,000 --> 00:37:21,840
Speaker 4: I could possibly be Yes, well, we.

773
00:37:21,680 --> 00:37:24,320
Speaker 3: Want to fly you and put you up in Adelaide

774
00:37:24,320 --> 00:37:26,480
Speaker 3: and get you on stage this Thursday night of VON.

775
00:37:29,719 --> 00:37:30,360
Speaker 7: Thank you.

776
00:37:31,280 --> 00:37:34,200
Speaker 1: No worries at all, mate, I'm wait have you okay?

777
00:37:34,280 --> 00:37:36,040
Speaker 4: Looking forward to it?

778
00:37:36,200 --> 00:37:39,879
Speaker 1: You are our third storyteller to be or with us

779
00:37:39,920 --> 00:37:42,880
Speaker 1: at Australias Toles Tales at the Adelaide Friendship at the

780
00:37:42,880 --> 00:37:44,799
Speaker 1: Wonderlands Beagel Tent. We're going to fly you in all

781
00:37:44,840 --> 00:37:47,279
Speaker 1: thanks to Rex, Australi's most reliable airline booking next flight

782
00:37:47,280 --> 00:37:48,839
Speaker 1: Rex dot com dot i us, he said, would at

783
00:37:48,880 --> 00:37:51,080
Speaker 1: the a com as well. It's going to be on

784
00:37:51,120 --> 00:37:54,240
Speaker 1: stage VON with Merrick Watt's going to be on stage

785
00:37:54,280 --> 00:37:56,080
Speaker 1: with Claire Hooper Thursday night.

786
00:37:56,160 --> 00:37:58,440
Speaker 3: Isaac, you want to be there? You think you've got

787
00:37:58,440 --> 00:37:59,960
Speaker 3: a great story, crack into it.

788
00:38:00,360 --> 00:38:03,160
Speaker 14: Yes, So it's kind of a banged up a broad story.

789
00:38:03,520 --> 00:38:06,640
Speaker 14: Traveling by motorbike from Peru to Mexico with my cousin.

790
00:38:07,080 --> 00:38:11,560
Speaker 14: So we're there for eighteen months. The first week into Colombia,

791
00:38:11,880 --> 00:38:13,879
Speaker 14: we were going. We were hanging out with some new

792
00:38:13,920 --> 00:38:17,160
Speaker 14: people from the hostel at a restaurant and then we're

793
00:38:17,200 --> 00:38:18,520
Speaker 14: r on our way to a bar. So we've got

794
00:38:18,520 --> 00:38:22,279
Speaker 14: a taxi. We've stopped and got some money from atm

795
00:38:22,400 --> 00:38:26,000
Speaker 14: and then the taxi driver must have told someone who's

796
00:38:26,000 --> 00:38:27,640
Speaker 14: you know, called his mates and said, hey, I got

797
00:38:27,680 --> 00:38:31,000
Speaker 14: four gringos in the taxi. Five minutes later, he stole

798
00:38:31,080 --> 00:38:33,680
Speaker 14: the car in the middle of an intersection and these

799
00:38:33,719 --> 00:38:36,120
Speaker 14: two kids ran over. Must have been that a seventeen

800
00:38:36,200 --> 00:38:38,880
Speaker 14: or whatever, stuck a couple of pistols in the windows,

801
00:38:39,400 --> 00:38:42,719
Speaker 14: and we all put our hands up and started screaming, okay, sure,

802
00:38:43,000 --> 00:38:45,360
Speaker 14: take whatever you want. And then they opened the doors,

803
00:38:45,480 --> 00:38:48,399
Speaker 14: jumped in the taxi, and then the taxi driver sped off.

804
00:38:49,080 --> 00:38:50,600
Speaker 14: So one of them was sitting on my lap in

805
00:38:50,600 --> 00:38:52,680
Speaker 14: the front passenger seat, one of them's on my cousin's

806
00:38:52,760 --> 00:38:55,040
Speaker 14: lab the other two guys are in the back seat.

807
00:38:55,160 --> 00:38:58,480
Speaker 14: And they drove us like an hour or two hour

808
00:38:58,480 --> 00:39:01,279
Speaker 14: and a half out of town and took us to

809
00:39:02,080 --> 00:39:06,560
Speaker 14: sugar cane field. And when we arrived, there's another tax

810
00:39:06,600 --> 00:39:08,840
Speaker 14: with more guys as guns. They said, get out of

811
00:39:08,880 --> 00:39:10,719
Speaker 14: the taxi. We were like, no way, So they came

812
00:39:10,719 --> 00:39:13,479
Speaker 14: over and just ripped us out, matched us down into

813
00:39:13,520 --> 00:39:17,719
Speaker 14: the little mud track and take our shoes off. So

814
00:39:17,960 --> 00:39:21,600
Speaker 14: it's really well took everything. You know, we're getting punches

815
00:39:21,640 --> 00:39:25,480
Speaker 14: in the face and elbows and kick them whatever they're

816
00:39:25,520 --> 00:39:27,880
Speaker 14: trying to make us. Tell them the pin numbers of

817
00:39:27,480 --> 00:39:32,120
Speaker 14: our bank cards. And my cousin got pistol whipped on

818
00:39:32,160 --> 00:39:35,919
Speaker 14: the forehead he's got from it. And so they held

819
00:39:35,960 --> 00:39:39,319
Speaker 14: us there for about two hours, maybe three hours. They're

820
00:39:39,320 --> 00:39:40,920
Speaker 14: sitting in the mud in the cane field.

821
00:39:40,960 --> 00:39:41,799
Speaker 2: Did you give up the pin?

822
00:39:43,440 --> 00:39:45,719
Speaker 14: We gave them the pin straight away, but we didn't

823
00:39:45,719 --> 00:39:48,040
Speaker 14: know which bank to use, so it wasn't working. So

824
00:39:48,160 --> 00:39:49,920
Speaker 14: every time they would call them and say hey that

825
00:39:50,040 --> 00:39:51,800
Speaker 14: the card's not working, they would beat us up a

826
00:39:51,800 --> 00:39:54,719
Speaker 14: little bit more, and so the pin numbers again, and

827
00:39:55,360 --> 00:39:58,400
Speaker 14: eventually they got They went to the right ATMs and

828
00:39:58,440 --> 00:40:00,480
Speaker 14: then got all the money out of and said, you know,

829
00:40:00,560 --> 00:40:04,160
Speaker 14: you'd reached your daily limit or whatever. So then they said, okay,

830
00:40:04,160 --> 00:40:05,719
Speaker 14: we're going to leave, and you guys can leave in

831
00:40:05,760 --> 00:40:10,440
Speaker 14: ten minutes. And we had to walk back to find

832
00:40:10,440 --> 00:40:14,080
Speaker 14: the road and then hitch hike back to a toll

833
00:40:14,160 --> 00:40:17,600
Speaker 14: booth and then call the police from there. We waited

834
00:40:17,760 --> 00:40:20,200
Speaker 14: another two hours for the cops, so it took about

835
00:40:20,200 --> 00:40:24,040
Speaker 14: eight hours the whole ordeal. And yeah, we eventually got

836
00:40:24,080 --> 00:40:28,319
Speaker 14: home at about eight am in the morning. Oh yeah,

837
00:40:28,400 --> 00:40:28,960
Speaker 14: wild night.

838
00:40:29,160 --> 00:40:34,839
Speaker 1: Oh my god, you would have been traumatized. Yeah.

839
00:40:35,040 --> 00:40:37,360
Speaker 14: No, it didn't fly home. We stayed in Columbia another

840
00:40:37,400 --> 00:40:42,480
Speaker 14: six months. Yeah, it was pretty scary, but we were

841
00:40:42,520 --> 00:40:46,200
Speaker 14: traveling by motorbikes, We're scooming, diving with sharks, We're almost

842
00:40:46,320 --> 00:40:48,360
Speaker 14: falling off the side the mountains, so we're kind of

843
00:40:48,440 --> 00:40:49,080
Speaker 14: used to it by then.

844
00:40:49,120 --> 00:40:54,240
Speaker 2: I guess of pistol in between, you know, diving with sharks. Eh.

845
00:40:54,360 --> 00:40:56,560
Speaker 14: Yeah, it was a wild trip. I've got five hundred

846
00:40:56,600 --> 00:40:58,640
Speaker 14: other stories from it, but that's probably the best one.

847
00:40:59,239 --> 00:41:03,040
Speaker 1: Thank you man. It's not plenty bad. Pretty good. Yeah,

848
00:41:03,640 --> 00:41:04,879
Speaker 1: great stuff, pretty good.

849
00:41:04,920 --> 00:41:06,960
Speaker 2: And great that you're still with us as well, Isaac,

850
00:41:07,280 --> 00:41:10,120
Speaker 2: I agree. Hanging off cliffs my god.

851
00:41:10,040 --> 00:41:12,720
Speaker 1: Yeah, Isaac. Short Listen, you got out of the Adelaide

852
00:41:12,719 --> 00:41:15,239
Speaker 1: Fringe Mate, which is happening in a couple of nights time,

853
00:41:16,120 --> 00:41:19,919
Speaker 1: ten thousand dollars for the winner of our Tall Tales competition. Merrick,

854
00:41:19,960 --> 00:41:21,719
Speaker 1: what's going to be down there. Claire Hooper's going to

855
00:41:21,719 --> 00:41:24,719
Speaker 1: be down there, Wonderland's Beagle Tent. Two Nights Time at

856
00:41:24,719 --> 00:41:26,960
Speaker 1: the Adelaide Fringe. Best story on the night wins ten

857
00:41:27,000 --> 00:41:29,359
Speaker 1: grand Can't Wait. Make sure you read it to Willam

858
00:41:29,360 --> 00:41:31,279
Speaker 1: when you dot com if you want to win the

859
00:41:31,320 --> 00:41:31,920
Speaker 1: ten grand