1 00:00:10,204 --> 00:00:13,484 Speaker 1: My Heart podcasts here, more Gold one on one point 2 00:00:13,524 --> 00:00:15,204 Speaker 1: seven podcasts. 3 00:00:14,604 --> 00:00:17,724 Speaker 2: Playlists and listen live on the Free iHeart app. 4 00:00:18,564 --> 00:00:21,004 Speaker 3: Jersey and Amanda jam Nation. 5 00:00:21,364 --> 00:00:25,163 Speaker 2: The Taylor Swift's new album has dropped and everyone's going crazy. 6 00:00:24,844 --> 00:00:27,124 Speaker 1: As you said, sixty five and a half million views 7 00:00:27,164 --> 00:00:29,524 Speaker 1: on Spotify. It's only been out for a couple of days. 8 00:00:30,204 --> 00:00:31,964 Speaker 1: What are the well, the haters are going to hate, 9 00:00:32,004 --> 00:00:33,724 Speaker 1: as we know, and people are looking for all the 10 00:00:33,724 --> 00:00:37,644 Speaker 1: disc tracks, all the information that's secreted in the songs. Okay, 11 00:00:38,084 --> 00:00:39,723 Speaker 1: but the songs that we love and the songs we 12 00:00:39,763 --> 00:00:41,604 Speaker 1: don't love so much. We thought we'd cross to our 13 00:00:41,724 --> 00:00:45,443 Speaker 1: entertainment reporter stateside Cooper Lawrence, who's a Swifty herself. 14 00:00:45,524 --> 00:00:50,284 Speaker 3: Hi Cooper, Hi, good morning, yes, big time, good afternoon. 15 00:00:50,404 --> 00:00:51,644 Speaker 3: And there what time it is there? I know what 16 00:00:51,684 --> 00:00:52,123 Speaker 3: time is here? 17 00:00:52,364 --> 00:00:55,924 Speaker 2: Morning time here? And I think so too early for 18 00:00:55,964 --> 00:00:57,684 Speaker 2: the word secrete. I'll tell you that. 19 00:00:59,284 --> 00:01:00,004 Speaker 3: Sorry about that. 20 00:01:00,844 --> 00:01:03,364 Speaker 1: So give us an overview, Cooper, of the album and 21 00:01:03,404 --> 00:01:04,764 Speaker 1: what people are saying in general. 22 00:01:05,724 --> 00:01:08,204 Speaker 3: You know, it's funny because the Swifties, of course love it. 23 00:01:08,244 --> 00:01:10,244 Speaker 3: They've been weird for this. The hype has been going 24 00:01:10,244 --> 00:01:12,964 Speaker 3: on for so long. But it's interesting all the hate 25 00:01:12,964 --> 00:01:15,564 Speaker 3: that Taylor Swift is getting, and I need to make 26 00:01:15,564 --> 00:01:18,044 Speaker 3: a statement about it because as a as a Swifty myself, 27 00:01:18,564 --> 00:01:21,564 Speaker 3: it kind of bothers me because the concept, first of all, 28 00:01:21,684 --> 00:01:24,004 Speaker 3: Taylor Swift is more than just her music. You know, 29 00:01:24,044 --> 00:01:26,884 Speaker 3: the concept of being a Swiftie means you're part of 30 00:01:26,964 --> 00:01:29,524 Speaker 3: a community. You have all these kids all over the 31 00:01:29,564 --> 00:01:32,484 Speaker 3: country who like they have a lot of friends, or 32 00:01:32,484 --> 00:01:34,844 Speaker 3: they feel lonely, or they just feel like out of place. 33 00:01:35,244 --> 00:01:38,164 Speaker 3: She has given them a community, so that's really important. 34 00:01:38,524 --> 00:01:40,684 Speaker 3: And then you're talking about a woman who is one 35 00:01:40,684 --> 00:01:44,364 Speaker 3: of the most charitable celebrities, like of all time. You know, 36 00:01:44,404 --> 00:01:46,884 Speaker 3: we had this huge hurricane here too in a row 37 00:01:46,924 --> 00:01:49,884 Speaker 3: Helene and then Milton. She gave ten million dollars to 38 00:01:49,924 --> 00:01:53,044 Speaker 3: those people. Then we had the La fires. She gave 39 00:01:53,124 --> 00:01:56,044 Speaker 3: ten million dollars to those people. And she's been very 40 00:01:56,084 --> 00:01:59,284 Speaker 3: generous with everyone who works around her. She pays them well, 41 00:01:59,564 --> 00:02:02,444 Speaker 3: she gives them like great health insurance and every year 42 00:02:02,484 --> 00:02:06,284 Speaker 3: gives them life changing bonuses. So she's more than just 43 00:02:06,364 --> 00:02:10,844 Speaker 3: her music. She's really like set out this community of positivity. 44 00:02:10,924 --> 00:02:13,124 Speaker 3: So Okay, if you hate her, maybe you don't like 45 00:02:13,163 --> 00:02:15,684 Speaker 3: her music, and just say that, you know, because she's 46 00:02:15,724 --> 00:02:19,203 Speaker 3: not somebody to be hated. She's somebody who's actually kind 47 00:02:19,244 --> 00:02:20,163 Speaker 3: of aspirational. 48 00:02:20,363 --> 00:02:22,964 Speaker 2: Well for her, I don't see why. 49 00:02:23,244 --> 00:02:25,804 Speaker 1: But when it comes but when it comes to the music, 50 00:02:26,204 --> 00:02:29,603 Speaker 1: there is some and I'm just repeating what I've seen 51 00:02:29,644 --> 00:02:32,604 Speaker 1: written is people saying that the music, and maybe it's 52 00:02:32,603 --> 00:02:35,644 Speaker 1: now that she's in love, doesn't have the big isn't 53 00:02:35,644 --> 00:02:39,763 Speaker 1: as catchy, doesn't Well, there's still some distracks and things 54 00:02:39,803 --> 00:02:44,444 Speaker 1: like that, but the music isn't as satisfying. Maybe right. 55 00:02:44,524 --> 00:02:46,724 Speaker 3: I think a lot of her fans were kind of hoping, 56 00:02:46,724 --> 00:02:48,364 Speaker 3: and I have to say, we have to take Travis 57 00:02:48,444 --> 00:02:51,204 Speaker 3: Kelce off all marketing from here on end, because he 58 00:02:51,363 --> 00:02:53,644 Speaker 3: was the one that said that's gonna be lots of bangers. 59 00:02:53,884 --> 00:02:56,403 Speaker 3: So we were expecting like shake it Off too, or 60 00:02:56,444 --> 00:02:59,923 Speaker 3: something that was really like a dance track and her music. 61 00:02:59,964 --> 00:03:02,644 Speaker 3: It's a great album, but it's definitely not I wouldn't 62 00:03:02,844 --> 00:03:06,964 Speaker 3: characterize these songs as bangers necessarily, but they're fun songs 63 00:03:07,004 --> 00:03:10,364 Speaker 3: and they're very it's our same honest open. You know, 64 00:03:10,444 --> 00:03:14,204 Speaker 3: people don't like the song would because that song is 65 00:03:14,324 --> 00:03:17,444 Speaker 3: very personal. It seems very uncomfortable for people because it 66 00:03:17,483 --> 00:03:21,404 Speaker 3: seems to be about something very personal about Travis Kelsey, 67 00:03:21,444 --> 00:03:22,444 Speaker 3: a certain body part. 68 00:03:22,524 --> 00:03:24,724 Speaker 1: Well, here's some of the lyrics. It says, forgive me, 69 00:03:24,844 --> 00:03:29,364 Speaker 1: it sounds cocky. He had dicmatized me and opened my 70 00:03:29,444 --> 00:03:32,163 Speaker 1: eyes Redwood Tree, it ain't hard to see his love 71 00:03:32,284 --> 00:03:33,603 Speaker 1: was the key that opened my thone. 72 00:03:34,084 --> 00:03:40,123 Speaker 2: Oh my god, let's have a listen to some wood. 73 00:03:40,324 --> 00:03:42,804 Speaker 2: Did you say redwood tree? 74 00:03:44,124 --> 00:03:46,803 Speaker 3: Yeah? I mean I don't want to know that about him, 75 00:03:46,803 --> 00:03:47,044 Speaker 3: do you. 76 00:03:47,803 --> 00:03:50,284 Speaker 1: Well? That is the thing too, is that talk about 77 00:03:50,284 --> 00:03:54,083 Speaker 1: opening her thighs, et cetera. Her young fans might find 78 00:03:54,164 --> 00:03:55,844 Speaker 1: this sort of the sexual nature new. 79 00:03:57,084 --> 00:03:58,964 Speaker 3: I think that's one of the big issues Amanda. That's 80 00:03:59,004 --> 00:04:02,764 Speaker 3: exactly it, because she has always been very you know, 81 00:04:02,884 --> 00:04:05,884 Speaker 3: all ages friendly for everybody, and this is a very 82 00:04:06,044 --> 00:04:10,324 Speaker 3: racy song. It's even it's provoc it's something that is 83 00:04:10,363 --> 00:04:13,004 Speaker 3: really not on her brand. So I think, you know, 84 00:04:13,044 --> 00:04:15,364 Speaker 3: the moms who are saying to their kids, like the 85 00:04:15,444 --> 00:04:17,164 Speaker 3: you know, the thirty something year old swifties who are 86 00:04:17,204 --> 00:04:19,804 Speaker 3: saying to their five year olds, hey, let's listen to whoops, 87 00:04:19,844 --> 00:04:23,204 Speaker 3: not this song. Let's not listen to this song, kiddo, Like, 88 00:04:23,284 --> 00:04:24,124 Speaker 3: may skip this. 89 00:04:24,044 --> 00:04:26,844 Speaker 2: One because I look at her I don't see her 90 00:04:26,884 --> 00:04:28,604 Speaker 2: as a sexual thing, you know what I mean? 91 00:04:28,724 --> 00:04:32,844 Speaker 3: Like I write, I think that's the other issue. That's 92 00:04:32,884 --> 00:04:35,364 Speaker 3: the exact other issue, is that people don't look She's 93 00:04:35,404 --> 00:04:38,324 Speaker 3: never been a Christina Guilera. She's never come out like, 94 00:04:38,644 --> 00:04:41,084 Speaker 3: you know, hot, like look at my body. She's always 95 00:04:41,084 --> 00:04:44,124 Speaker 3: been very like, here's a sweet love song about heartbreak. 96 00:04:44,564 --> 00:04:46,604 Speaker 3: So for her to be so provocative all of a 97 00:04:46,604 --> 00:04:48,684 Speaker 3: sudden just feels really off brand. And I think there 98 00:04:48,724 --> 00:04:50,044 Speaker 3: are people that are very put off by that. 99 00:04:50,244 --> 00:04:52,204 Speaker 1: And what about some of these songs. Isn't there one 100 00:04:52,204 --> 00:04:53,964 Speaker 1: that's about Charlie XCX. 101 00:04:54,644 --> 00:04:56,444 Speaker 3: So this one's really interesting. I don't know if you 102 00:04:56,484 --> 00:04:59,524 Speaker 3: know this whole story behind it, but in a nutshell, 103 00:04:59,604 --> 00:05:03,524 Speaker 3: Charlie XCX basically drew first blood. She went after Taylor 104 00:05:03,604 --> 00:05:06,484 Speaker 3: Swift first because she is now married to but at 105 00:05:06,484 --> 00:05:08,844 Speaker 3: the time she was dating the drummer of the Night 106 00:05:08,884 --> 00:05:11,964 Speaker 3: teen seventy five, while Taylor Swift was dating Matt Heeley, 107 00:05:12,044 --> 00:05:15,204 Speaker 3: the lead singer for like five minutes. And for some reason, 108 00:05:15,324 --> 00:05:18,884 Speaker 3: every time Taylor Swift went backstage, Charlie XCX was put 109 00:05:18,924 --> 00:05:21,644 Speaker 3: off by her and said really negative things about her 110 00:05:21,644 --> 00:05:24,004 Speaker 3: to other people that got back to Taylor because it's 111 00:05:24,044 --> 00:05:26,644 Speaker 3: Taylor Swift. And then she wrote a disc song about 112 00:05:26,684 --> 00:05:29,604 Speaker 3: Taylor Swift saying really negative things about her, saying that 113 00:05:29,684 --> 00:05:33,764 Speaker 3: she's happy that Matt Heally ghosted her. So this was 114 00:05:33,884 --> 00:05:37,084 Speaker 3: Taylor Swift's response to that. Because Taylor took her on 115 00:05:37,124 --> 00:05:39,324 Speaker 3: her tour with her, she was trying to help her. 116 00:05:39,564 --> 00:05:42,724 Speaker 3: She was trying to empower Charlie XCX. And the very 117 00:05:42,764 --> 00:05:46,284 Speaker 3: first thing Charlie XIX did during an interview was saying, Oh, 118 00:05:46,364 --> 00:05:48,444 Speaker 3: it was like I was sitting there waving to five 119 00:05:48,524 --> 00:05:51,724 Speaker 3: year olds. You were on tour with Taylor Swift, this 120 00:05:51,884 --> 00:05:55,564 Speaker 3: all ages show. Maybe don't bite the hand. So I 121 00:05:55,604 --> 00:05:58,324 Speaker 3: think it came across very like yesh. 122 00:05:59,324 --> 00:06:00,164 Speaker 1: Yeah. 123 00:06:00,204 --> 00:06:01,604 Speaker 3: And that's another track from the album. 124 00:06:01,644 --> 00:06:03,124 Speaker 2: What's your favorite track for the album? 125 00:06:06,684 --> 00:06:09,284 Speaker 3: No, it's the Life of the show Girl. I don't 126 00:06:09,324 --> 00:06:11,524 Speaker 3: know why that's not the first single for me. That's 127 00:06:11,844 --> 00:06:15,644 Speaker 3: that is the most interesting song. It's the most like earwormy. 128 00:06:15,684 --> 00:06:17,404 Speaker 3: It's when I heard the album for the first time. 129 00:06:17,444 --> 00:06:19,684 Speaker 3: That's a song that I kept like singing over in 130 00:06:19,764 --> 00:06:21,164 Speaker 3: my head. What about you, guys? 131 00:06:22,004 --> 00:06:24,044 Speaker 2: I like, like the show Girl? This is it here? 132 00:06:24,084 --> 00:06:24,564 Speaker 2: I heard it. 133 00:06:24,644 --> 00:06:28,644 Speaker 1: I instantly you play them that it is Earwormy's and 134 00:06:28,684 --> 00:06:29,204 Speaker 1: I love it too. 135 00:06:29,444 --> 00:06:31,724 Speaker 2: She just does that. Well, I kind of like that. 136 00:06:31,724 --> 00:06:34,804 Speaker 2: That was for me, right, you know, I'm starting to 137 00:06:34,804 --> 00:06:36,363 Speaker 2: make my little bracelet. 138 00:06:35,924 --> 00:06:39,564 Speaker 3: And yeah, you need it bracelet. You need several of them. 139 00:06:40,404 --> 00:06:42,724 Speaker 3: But the other thing people like is Opalte because that's 140 00:06:42,764 --> 00:06:46,204 Speaker 3: a very romantic song. You know. She explained it herself 141 00:06:46,204 --> 00:06:49,044 Speaker 3: on an interview recently that that song is basically a 142 00:06:49,084 --> 00:06:53,204 Speaker 3: love song for Taylor, for Travis Kelsey and and you 143 00:06:53,204 --> 00:06:54,084 Speaker 3: know it's really personal. 144 00:06:54,284 --> 00:07:06,244 Speaker 2: So let's have a listen. You know what, Travis is 145 00:07:06,284 --> 00:07:07,844 Speaker 2: going to do something wrong and then she can get 146 00:07:07,884 --> 00:07:11,124 Speaker 2: a bit of the anger against midnight one night and 147 00:07:11,164 --> 00:07:13,084 Speaker 2: then she goes, you didn't take out the being married. 148 00:07:13,524 --> 00:07:16,604 Speaker 2: This is what happens. You didn't look after the kids. Cooper, 149 00:07:16,644 --> 00:07:18,684 Speaker 2: it's always great to talk to you. Thank you for 150 00:07:18,724 --> 00:07:21,604 Speaker 2: bringing the new New York Sounds is where you've got dogs, dogs, 151 00:07:21,604 --> 00:07:23,724 Speaker 2: You've got sirens in the background. 152 00:07:23,804 --> 00:07:27,164 Speaker 3: Hey us here, Yeah, of course it is Cooper Lawrence. 153 00:07:27,204 --> 00:07:29,644 Speaker 3: Thank you for joining us, Thanks for having me. 154 00:07:29,684 --> 00:07:30,244 Speaker 1: Thanks Cooper,