1
00:00:04,519 --> 00:00:07,800
Speaker 1: The Will and Woody Podcast.

2
00:00:10,400 --> 00:00:14,080
Speaker 2: Hello everyone, Happy New Year. I don't know I sounded

3
00:00:14,160 --> 00:00:18,240
Speaker 2: like that. I like it. Hello, Hello everyone.

4
00:00:18,640 --> 00:00:23,959
Speaker 3: Any resolutions resolutions for me? As drop sounded about it.

5
00:00:24,040 --> 00:00:27,600
Speaker 2: But you had a few in twenty twenty four, Will, Yeah,

6
00:00:27,640 --> 00:00:29,400
Speaker 2: you said you weren't going to eat red meat? How

7
00:00:29,440 --> 00:00:30,920
Speaker 2: did you go with that? Did I? Really?

8
00:00:31,560 --> 00:00:32,200
Speaker 1: We had three?

9
00:00:32,479 --> 00:00:34,040
Speaker 4: You've got a steak in front of you right now,

10
00:00:34,200 --> 00:00:37,040
Speaker 4: my three you did in twenty four.

11
00:00:37,080 --> 00:00:39,360
Speaker 3: Yeah, I actually did stick to that at home, which

12
00:00:39,400 --> 00:00:42,920
Speaker 3: I'm which I'm yeah, Well, if.

13
00:00:42,800 --> 00:00:44,600
Speaker 4: It's a fair old cavia that you didn't tell us about,

14
00:00:44,640 --> 00:00:47,880
Speaker 4: Like I won't eat red meat at home every time

15
00:00:47,920 --> 00:00:49,880
Speaker 4: I go out, I'm back in the red meat game.

16
00:00:50,040 --> 00:00:52,800
Speaker 2: We probably only go out. Yeah, no, I know. I'm

17
00:00:52,840 --> 00:00:53,760
Speaker 2: actually I'm proud of that.

18
00:00:53,800 --> 00:00:56,000
Speaker 3: Actually I'm going to double down on that. That's a

19
00:00:56,040 --> 00:00:57,880
Speaker 3: big that's a big cutout. We used to eat a

20
00:00:57,960 --> 00:01:03,320
Speaker 3: lot of red meat. We would have balln a y sausages, yeah,

21
00:01:03,480 --> 00:01:05,200
Speaker 3: the works. So I feel good about that. I think

22
00:01:05,200 --> 00:01:07,319
Speaker 3: I've done well. There a couple of other ones I

23
00:01:07,319 --> 00:01:10,440
Speaker 3: didn't do as well at, but you know the.

24
00:01:09,959 --> 00:01:11,080
Speaker 2: Other aim high boys.

25
00:01:11,520 --> 00:01:12,759
Speaker 1: Can you stop playing with your microphone?

26
00:01:12,760 --> 00:01:14,399
Speaker 2: What do you mean? By the way, the other.

27
00:01:14,280 --> 00:01:18,960
Speaker 3: Ones weren't for an air oh ah, yeah, and I

28
00:01:19,040 --> 00:01:19,880
Speaker 3: fouled at both of them.

29
00:01:19,920 --> 00:01:22,560
Speaker 2: Anyway, I tried, I try.

30
00:01:22,600 --> 00:01:23,880
Speaker 1: It's how naughty?

31
00:01:23,920 --> 00:01:25,000
Speaker 2: Are they? Pretty naughty?

32
00:01:25,040 --> 00:01:25,679
Speaker 1: Pretty naughty?

33
00:01:25,920 --> 00:01:26,480
Speaker 5: Okay?

34
00:01:27,080 --> 00:01:31,120
Speaker 3: Anyway, any resolutions for you woulds.

35
00:01:32,680 --> 00:01:33,479
Speaker 1: It's a great question.

36
00:01:33,560 --> 00:01:36,360
Speaker 2: Out of three? Oh bad? Someone said that that's two

37
00:01:36,360 --> 00:01:37,959
Speaker 2: out of three bad, But one out of three.

38
00:01:37,840 --> 00:01:39,480
Speaker 1: Is pretty good.

39
00:01:39,920 --> 00:01:41,880
Speaker 2: You take one out of three, you take it.

40
00:01:42,040 --> 00:01:43,399
Speaker 1: Did I have a resolution.

41
00:01:43,040 --> 00:01:44,640
Speaker 2: Two out of three bad? One out of three? You

42
00:01:44,680 --> 00:01:45,039
Speaker 2: take it?

43
00:01:45,400 --> 00:01:45,600
Speaker 3: Yeah?

44
00:01:45,600 --> 00:01:48,480
Speaker 1: Absolutely, there's still a win there. If you get one

45
00:01:48,520 --> 00:01:49,800
Speaker 1: out of the three, there's still a win there.

46
00:01:50,560 --> 00:01:53,920
Speaker 3: Did I did I have any I've got half.

47
00:01:53,760 --> 00:01:55,000
Speaker 2: Of the one out of the three.

48
00:01:55,480 --> 00:01:59,600
Speaker 5: That may embrace the whole thing you you obviously misheard

49
00:01:59,640 --> 00:02:00,280
Speaker 5: you slip.

50
00:02:00,280 --> 00:02:01,480
Speaker 1: Was I'm not eating red meat? You know?

51
00:02:01,920 --> 00:02:04,160
Speaker 2: No? I said, did.

52
00:02:04,000 --> 00:02:07,280
Speaker 1: I have any resolutions? Last year? Did I come in

53
00:02:07,320 --> 00:02:10,320
Speaker 1: here and say this is how I'm changing my life?

54
00:02:10,320 --> 00:02:12,200
Speaker 3: No, you don't like to make yourself vulnerable like I do.

55
00:02:14,160 --> 00:02:16,840
Speaker 1: That's my resolution and make myself vulnerable this year?

56
00:02:17,560 --> 00:02:19,280
Speaker 2: Nice. I think you came.

57
00:02:19,160 --> 00:02:20,640
Speaker 1: In here and when I don't like to put that

58
00:02:20,680 --> 00:02:23,959
Speaker 1: type of restriction on myself. Yeah, it sounds like you

59
00:02:24,520 --> 00:02:25,880
Speaker 1: as in like resolutions wise.

60
00:02:26,000 --> 00:02:28,720
Speaker 3: Yeah, yeah, you were like, I don't think I I

61
00:02:28,720 --> 00:02:30,000
Speaker 3: think you had a whole thing around.

62
00:02:30,680 --> 00:02:33,359
Speaker 2: I don't want to do that because that's not healthy

63
00:02:33,400 --> 00:02:34,280
Speaker 2: for me. I think.

64
00:02:35,840 --> 00:02:36,720
Speaker 1: That does sound like me.

65
00:02:36,840 --> 00:02:39,120
Speaker 2: I think you said something something on the lines of

66
00:02:39,480 --> 00:02:42,079
Speaker 2: I will definitely not at some stage.

67
00:02:42,720 --> 00:02:44,320
Speaker 1: Yeah, that's and I've never done that, so.

68
00:02:46,440 --> 00:02:46,760
Speaker 2: You said that.

69
00:02:46,960 --> 00:02:50,240
Speaker 1: I'm stuck to that, which is good anyway.

70
00:02:52,240 --> 00:02:59,360
Speaker 5: Here's a bit of gear for everyone. I hope there

71
00:02:59,400 --> 00:03:02,799
Speaker 5: was some significant beeps there and then they think we're

72
00:03:02,840 --> 00:03:07,280
Speaker 5: good anyway. And just to make sure that no one

73
00:03:07,320 --> 00:03:09,040
Speaker 5: thinks that, he says, I'm really it was just you

74
00:03:09,160 --> 00:03:11,320
Speaker 5: just can't. It's just breaking codes if he's to say that.

75
00:03:11,960 --> 00:03:18,839
Speaker 5: But I'm still a very good boy. Um okay, let's

76
00:03:18,840 --> 00:03:19,639
Speaker 5: play some stuff.

77
00:03:19,400 --> 00:03:20,959
Speaker 4: From our radio shows, shall we. We've been on a

78
00:03:20,960 --> 00:03:22,520
Speaker 4: hot advert toe long, got a bit of loose. You've

79
00:03:22,560 --> 00:03:23,360
Speaker 4: forgotten the codes.

80
00:03:23,919 --> 00:03:26,560
Speaker 2: I've ever forgotten the codes? Generally the codes don't play

81
00:03:26,600 --> 00:03:27,639
Speaker 2: right now because we're not on there.

82
00:03:28,400 --> 00:03:30,720
Speaker 5: Well, I mean I think the codes all I live

83
00:03:30,800 --> 00:03:33,320
Speaker 5: my life by the radio codes will even in day

84
00:03:33,360 --> 00:03:33,920
Speaker 5: to day life.

85
00:03:34,080 --> 00:03:38,160
Speaker 1: I don't swear or break any other code. I don't

86
00:03:38,160 --> 00:03:39,080
Speaker 1: incite violence.

87
00:03:38,880 --> 00:03:42,000
Speaker 2: And more guidelines. Yeah, you bloody pirate.

88
00:03:43,080 --> 00:03:45,680
Speaker 5: Okay, here's some stuff from the Medio shore where we

89
00:03:45,680 --> 00:03:46,880
Speaker 5: definitely stick to codes.

90
00:03:48,520 --> 00:03:52,760
Speaker 3: Now, we all have an office fridge with a bottom corner,

91
00:03:53,480 --> 00:03:55,680
Speaker 3: which is where all food goes to die.

92
00:03:55,840 --> 00:03:58,440
Speaker 2: And not a clean death. There's no guillotine here.

93
00:03:58,480 --> 00:04:01,400
Speaker 3: This is a very live sort of death where you

94
00:04:01,520 --> 00:04:03,360
Speaker 3: decompose and fester in the earth.

95
00:04:04,000 --> 00:04:05,600
Speaker 2: That's what it all ends up, smelling like woods.

96
00:04:05,640 --> 00:04:08,280
Speaker 4: And we've decided I think either the person whose food

97
00:04:08,320 --> 00:04:11,080
Speaker 4: it was gets fired or quits and forgets they had

98
00:04:11,080 --> 00:04:12,880
Speaker 4: a tap. We're in there, hence white stays in there

99
00:04:12,920 --> 00:04:14,560
Speaker 4: for years. Or do you think it gets to a

100
00:04:14,560 --> 00:04:17,320
Speaker 4: point where you go, oh, I think I've left my tapa.

101
00:04:17,320 --> 00:04:18,600
Speaker 4: We're in there for a week, and then you get

102
00:04:18,680 --> 00:04:21,040
Speaker 4: embarrassed and go, I'm just going to pretend it wasn't mine.

103
00:04:21,760 --> 00:04:24,719
Speaker 3: I think a bit of column, maybe a columba, because

104
00:04:24,720 --> 00:04:26,280
Speaker 3: when you see it, because absolutely, when you open the

105
00:04:26,279 --> 00:04:27,720
Speaker 3: fridge and you see something you put in there two

106
00:04:27,760 --> 00:04:33,280
Speaker 3: weeks ago, that's not mine. That true, okay, But in

107
00:04:33,400 --> 00:04:34,960
Speaker 3: a lot of there's a lot of there's a lot

108
00:04:35,000 --> 00:04:37,160
Speaker 3: of food. So you've gone out to the common fridge

109
00:04:37,160 --> 00:04:40,440
Speaker 3: here at work. Yes, it's a huge stainless steel that

110
00:04:41,040 --> 00:04:43,680
Speaker 3: you've gone to the bottom corner. Now I've asked you

111
00:04:43,720 --> 00:04:45,599
Speaker 3: in the song to get all the worst meals that

112
00:04:45,640 --> 00:04:46,200
Speaker 3: are out of there.

113
00:04:46,440 --> 00:04:47,159
Speaker 1: There's some six stuff.

114
00:04:47,160 --> 00:04:49,159
Speaker 3: There's some really sick stuff in there. I sniff front

115
00:04:49,160 --> 00:04:50,839
Speaker 3: of them before and vomited in my mouth.

116
00:04:50,880 --> 00:04:51,360
Speaker 2: Straight up.

117
00:04:51,560 --> 00:04:54,960
Speaker 3: Now I've now you and I can't. We simply can't

118
00:04:54,960 --> 00:04:56,080
Speaker 3: eat this company assets.

119
00:04:56,400 --> 00:04:57,160
Speaker 2: We just can't do it.

120
00:04:57,240 --> 00:04:59,360
Speaker 3: I think it's in our contract not to put our

121
00:04:59,360 --> 00:05:01,239
Speaker 3: bodies on the line because it would cost the company

122
00:05:01,240 --> 00:05:04,000
Speaker 3: a lot of money. EP Captain poop Pants, though, has

123
00:05:04,080 --> 00:05:06,040
Speaker 3: nobody put up his hand?

124
00:05:07,000 --> 00:05:10,960
Speaker 6: I didn't, And can I just say I have to

125
00:05:10,960 --> 00:05:12,680
Speaker 6: come onto this show and do this sort of stuff

126
00:05:12,960 --> 00:05:15,960
Speaker 6: analse Jennifer analyse or she has to come on and go,

127
00:05:16,000 --> 00:05:17,719
Speaker 6: oh do you guys who Madison Beer.

128
00:05:17,680 --> 00:05:25,960
Speaker 7: Is your old boo pants?

129
00:05:25,520 --> 00:05:25,760
Speaker 2: Wow?

130
00:05:26,040 --> 00:05:27,479
Speaker 1: Very true, A bit of aw.

131
00:05:28,839 --> 00:05:32,000
Speaker 3: He's angry, he's angry, he's not happy about this.

132
00:05:32,560 --> 00:05:36,760
Speaker 7: Let's start with your okay, So if I can describe

133
00:05:36,800 --> 00:05:39,240
Speaker 7: this one, there's a mean, a very poor attempt to

134
00:05:39,279 --> 00:05:45,960
Speaker 7: put an elastic band over this hideous thing in whats

135
00:05:46,000 --> 00:05:48,360
Speaker 7: This isn't even like a you know, one of those

136
00:05:48,400 --> 00:05:50,799
Speaker 7: tapawi's you buy this looks like from a takeaway. Ready,

137
00:05:52,160 --> 00:05:55,040
Speaker 7: someone's obviously ordered a take away, gone not for me,

138
00:05:55,160 --> 00:05:56,440
Speaker 7: and then just chuck it in the fridge.

139
00:05:56,520 --> 00:05:59,120
Speaker 3: Now, this is the one I opened before, and it

140
00:05:59,200 --> 00:06:01,880
Speaker 3: was a little bit like, Yeah, I mean, I'm not

141
00:06:01,880 --> 00:06:03,800
Speaker 3: if anyone's seen Raiders the Lost Dark with like the

142
00:06:03,880 --> 00:06:05,800
Speaker 3: lasers shoot out of the box when they open it,

143
00:06:05,839 --> 00:06:07,040
Speaker 3: but that's kind of.

144
00:06:06,960 --> 00:06:07,880
Speaker 2: What happens with this one.

145
00:06:07,880 --> 00:06:09,800
Speaker 3: It's I feel as soon as you open that we

146
00:06:09,839 --> 00:06:12,680
Speaker 3: are in the blast zone and we will all go down.

147
00:06:12,720 --> 00:06:15,680
Speaker 2: So just don't open it yet. Okay, Woodie, what do

148
00:06:15,720 --> 00:06:18,200
Speaker 2: you think is in there? So you said I thought

149
00:06:18,200 --> 00:06:19,080
Speaker 2: it was chicken.

150
00:06:18,800 --> 00:06:21,840
Speaker 1: And I was like, I smell fish. I smell like

151
00:06:22,040 --> 00:06:23,080
Speaker 1: off fish.

152
00:06:23,880 --> 00:06:27,159
Speaker 2: Okay, so what do you because what do you say?

153
00:06:27,240 --> 00:06:30,320
Speaker 6: Oh, it looks like it looks but it's not meantal

154
00:06:30,560 --> 00:06:32,960
Speaker 6: It looks like a cheer pudding, but it's definitely not

155
00:06:33,080 --> 00:06:34,560
Speaker 6: meant to look like a cheer puddage.

156
00:06:35,040 --> 00:06:37,880
Speaker 3: Yeah, there's there's a little there's a little village in there.

157
00:06:37,920 --> 00:06:38,120
Speaker 2: Now.

158
00:06:38,440 --> 00:06:40,440
Speaker 3: Yeah, it's like it's if anyone's been in a plane

159
00:06:40,440 --> 00:06:42,119
Speaker 3: and you fly over a remote town.

160
00:06:43,200 --> 00:06:45,280
Speaker 2: Yeah, you can see all the little houses there.

161
00:06:45,400 --> 00:06:48,160
Speaker 3: They've they've built, they've grown. It's like Age of Empires.

162
00:06:48,200 --> 00:06:49,640
Speaker 3: All right, hay on a second, hay on a second.

163
00:06:50,400 --> 00:06:51,359
Speaker 3: You're gonna have a sniff of it.

164
00:06:51,400 --> 00:06:54,719
Speaker 1: I've got a weapon here, I think, just a sniff

165
00:06:54,760 --> 00:06:55,120
Speaker 1: for this one.

166
00:06:55,160 --> 00:06:56,440
Speaker 2: I'm going to make you eat it.

167
00:06:56,600 --> 00:07:02,040
Speaker 1: We can't make it. Sniff liven go go go, big sniff.

168
00:07:04,680 --> 00:07:09,560
Speaker 2: You've got a mat Oh a big one.

169
00:07:10,080 --> 00:07:11,160
Speaker 1: That's a big one.

170
00:07:14,480 --> 00:07:17,760
Speaker 2: Wow, that was a big that's that. I almost swore

171
00:07:17,800 --> 00:07:19,520
Speaker 2: that that is that's wild.

172
00:07:19,800 --> 00:07:23,840
Speaker 1: Really missed up what we're getting the notes of sewage?

173
00:07:24,400 --> 00:07:25,200
Speaker 2: Are you?

174
00:07:25,200 --> 00:07:25,760
Speaker 1: Can you put it in?

175
00:07:25,800 --> 00:07:28,960
Speaker 2: You're gonna go, You're gonna go. Yeah, Oh my.

176
00:07:28,760 --> 00:07:32,520
Speaker 1: Gosh, close it close.

177
00:07:32,600 --> 00:07:36,720
Speaker 3: It was all right, okay, now shut it off and

178
00:07:36,840 --> 00:07:38,360
Speaker 3: shout it off off.

179
00:07:38,680 --> 00:07:39,800
Speaker 1: It's in here, it's in here.

180
00:07:39,800 --> 00:07:42,480
Speaker 2: Can you open the door? Can you over the door.

181
00:07:44,120 --> 00:07:46,280
Speaker 1: No, we're all in this together. No doors get open

182
00:07:46,360 --> 00:07:49,480
Speaker 1: because I'm not done. We've done the sniff. I say,

183
00:07:49,520 --> 00:07:51,120
Speaker 1: we're getting eating what.

184
00:07:52,000 --> 00:07:52,640
Speaker 2: No that was it?

185
00:07:53,000 --> 00:07:53,240
Speaker 3: No?

186
00:07:53,240 --> 00:07:57,320
Speaker 1: No, no, no, no, because I've got a whole box and

187
00:07:57,360 --> 00:07:58,920
Speaker 1: I think that was the most disgusting. So we just

188
00:07:58,960 --> 00:07:59,600
Speaker 1: needed a sniff.

189
00:07:59,640 --> 00:08:02,160
Speaker 3: But I think.

190
00:08:04,240 --> 00:08:04,960
Speaker 2: What is that?

191
00:08:05,400 --> 00:08:06,440
Speaker 1: It's a sandwich.

192
00:08:06,960 --> 00:08:08,680
Speaker 2: I'm not eating that in.

193
00:08:08,680 --> 00:08:14,360
Speaker 1: A gland bag. That still looks good, That.

194
00:08:14,360 --> 00:08:16,280
Speaker 2: Looks all right? Can you be okay there?

195
00:08:16,360 --> 00:08:16,680
Speaker 4: You can.

196
00:08:18,840 --> 00:08:20,760
Speaker 2: Just sniff for the first I'll give you.

197
00:08:20,800 --> 00:08:24,000
Speaker 1: I'll give you the choice between sandwich the mystery.

198
00:08:24,080 --> 00:08:27,600
Speaker 2: Help do you want in this mystery box?

199
00:08:29,960 --> 00:08:32,880
Speaker 1: What would you like sand I'm gonna go with the mystery.

200
00:08:36,160 --> 00:08:38,680
Speaker 3: What was in the hanging by the way to tell

201
00:08:38,760 --> 00:08:41,479
Speaker 3: that I don't know the bread helgers?

202
00:08:44,960 --> 00:08:46,040
Speaker 1: I think no chicken?

203
00:08:47,200 --> 00:08:49,239
Speaker 2: Okay, I think you can see it's on the social.

204
00:08:49,280 --> 00:08:51,640
Speaker 6: I'm unfurling the alfa oil and.

205
00:08:53,679 --> 00:08:56,360
Speaker 2: It's an old piece of corn? How old is that?

206
00:09:02,679 --> 00:09:05,000
Speaker 1: Pretty old? Pretty old? Are we getting a pretty old?

207
00:09:05,600 --> 00:09:09,640
Speaker 3: Who? By the way, again, just office could office fridge culture?

208
00:09:10,760 --> 00:09:13,880
Speaker 2: Who brings in a piece of corn, wraps it in

209
00:09:13,920 --> 00:09:16,120
Speaker 2: our foil? And just by the way, it's like a

210
00:09:16,200 --> 00:09:17,160
Speaker 2: bite sized piece of corn.

211
00:09:17,200 --> 00:09:19,520
Speaker 3: It's not even a whole cop and it's cooked and

212
00:09:19,559 --> 00:09:22,120
Speaker 3: they've left that by itself in the fridge.

213
00:09:22,320 --> 00:09:25,240
Speaker 6: Well, if I do this and this, are we stopping?

214
00:09:25,920 --> 00:09:26,880
Speaker 2: Yeah? Are you gonna?

215
00:09:27,000 --> 00:09:28,559
Speaker 1: You're gonna buy it? I think he's got I was

216
00:09:28,559 --> 00:09:32,160
Speaker 1: going to accept the lick. Really, look at look at

217
00:09:32,160 --> 00:09:33,000
Speaker 1: what's in his hand?

218
00:09:33,040 --> 00:09:34,480
Speaker 2: He's gonna look at him as well. Bite it.

219
00:09:34,920 --> 00:09:36,320
Speaker 1: How are you feeling about You're gonna have to buy it?

220
00:09:36,360 --> 00:09:37,640
Speaker 2: Yeah, I'm not feeling great, would he.

221
00:09:39,720 --> 00:09:42,160
Speaker 6: But I'll do it if I need to end this.

222
00:09:42,280 --> 00:09:48,679
Speaker 3: Yeah yeah, Oh.

223
00:09:47,280 --> 00:09:49,840
Speaker 6: That's I'm going in five over.

224
00:09:50,240 --> 00:09:53,680
Speaker 2: Get it down, mate, vacuu in poop pants for the win.

225
00:09:57,600 --> 00:10:01,720
Speaker 8: He went big, He went big, big eyes, got straight out.

226
00:10:02,240 --> 00:10:08,840
Speaker 8: Oh no, he's at the end of him.

227
00:10:08,880 --> 00:10:10,480
Speaker 1: Wash it down with the sandwich.

228
00:10:10,080 --> 00:10:28,920
Speaker 2: Big fowl teeth. We're asking thirty and six.

229
00:10:29,040 --> 00:10:38,160
Speaker 3: Five the worst things to wait for in life?

230
00:10:39,080 --> 00:10:41,400
Speaker 4: Sorry, everyone will have shot me with a nerve blaster.

231
00:10:42,280 --> 00:10:43,880
Speaker 4: That was unexpected.

232
00:10:44,800 --> 00:10:48,760
Speaker 5: Now, well, microphone that was I was saved, saved by

233
00:10:48,760 --> 00:10:49,360
Speaker 5: the mic.

234
00:10:51,920 --> 00:10:56,760
Speaker 1: Thrown me. I was at the chemist yesterday. Will Yeah,

235
00:10:57,040 --> 00:10:58,760
Speaker 1: the chemist. You know I've been quite ill.

236
00:10:59,360 --> 00:11:02,040
Speaker 2: Yeah, they're well broadcast, very well broadcast.

237
00:11:02,160 --> 00:11:04,440
Speaker 1: Spiratory system virus really threw me.

238
00:11:05,800 --> 00:11:06,320
Speaker 4: I know.

239
00:11:06,600 --> 00:11:08,880
Speaker 1: Mine was more significant and serious than that.

240
00:11:09,000 --> 00:11:11,800
Speaker 5: I was prescribed some antibiotics and I was like, perfect,

241
00:11:12,360 --> 00:11:13,960
Speaker 5: get them to me kind of things. I did it

242
00:11:14,000 --> 00:11:15,920
Speaker 5: online and no, no, you got to go to the

243
00:11:15,960 --> 00:11:17,880
Speaker 5: chemist to go and get your prescription. I was like, yeah,

244
00:11:17,880 --> 00:11:20,040
Speaker 5: no worries anyway, I don't know if you feel this,

245
00:11:20,360 --> 00:11:23,160
Speaker 5: but you hand in your prescription at the chemist and

246
00:11:23,200 --> 00:11:25,920
Speaker 5: you go box of that please, And then they go, yep,

247
00:11:25,920 --> 00:11:30,679
Speaker 5: no worries, we'll call your name. Just go to the

248
00:11:30,679 --> 00:11:32,600
Speaker 5: shelf and pick it up like I can.

249
00:11:32,720 --> 00:11:35,559
Speaker 3: They can't do that. Then, that's why they go to

250
00:11:35,679 --> 00:11:37,720
Speaker 3: UNI for five years, because we don't know what happens

251
00:11:37,760 --> 00:11:40,240
Speaker 3: between the slip going in and the box coming out.

252
00:11:40,320 --> 00:11:43,439
Speaker 3: But that's what five years. I see the shell pharmaceutical

253
00:11:43,480 --> 00:11:44,520
Speaker 3: schools does for you.

254
00:11:44,640 --> 00:11:46,600
Speaker 1: I can see the shells. There are boxes of drugs.

255
00:11:46,640 --> 00:11:47,480
Speaker 2: They're drugs, dude.

256
00:11:47,559 --> 00:11:49,800
Speaker 3: That's they can't just go and go, oh, here we

257
00:11:49,840 --> 00:11:52,920
Speaker 3: go just look up a pack of these. It's not

258
00:11:52,960 --> 00:11:56,280
Speaker 3: a daily grocery shop for them. They've got to be specific, yes.

259
00:11:56,080 --> 00:11:57,440
Speaker 1: But it should be like looking for a book, and.

260
00:11:57,440 --> 00:11:59,120
Speaker 2: They've got to print. They've got to print. The sticker

261
00:11:59,800 --> 00:12:01,800
Speaker 2: there's your name on it says how many times you take?

262
00:12:01,800 --> 00:12:04,520
Speaker 1: It should take ten. Stop defending chemists. What's going on here?

263
00:12:04,720 --> 00:12:05,880
Speaker 1: It takes ages. You're sick.

264
00:12:06,000 --> 00:12:08,040
Speaker 4: You're sitting there. You sitting there with Bruce who comes

265
00:12:08,040 --> 00:12:09,800
Speaker 4: there four times a day. I don't know what he's

266
00:12:09,840 --> 00:12:12,440
Speaker 4: getting made up, but you're all sitting there like absolute muppets.

267
00:12:12,480 --> 00:12:12,960
Speaker 1: I hate it.

268
00:12:13,000 --> 00:12:15,440
Speaker 3: Don't you ask them? I always ask them, I go,

269
00:12:15,559 --> 00:12:17,240
Speaker 3: how long is it going to be? Because I'll go

270
00:12:17,320 --> 00:12:19,079
Speaker 3: next door, go with coffee, I'll go for a walk.

271
00:12:19,200 --> 00:12:22,760
Speaker 1: I did that recently and the lady goes on space

272
00:12:22,760 --> 00:12:25,000
Speaker 1: of string. I don't know she did.

273
00:12:25,440 --> 00:12:27,040
Speaker 4: She did, and I said, I will never come back

274
00:12:27,040 --> 00:12:29,520
Speaker 4: here again. The other one that really gets up my goat.

275
00:12:29,559 --> 00:12:31,320
Speaker 4: Will a lot of these get up my goat. We

276
00:12:31,360 --> 00:12:34,240
Speaker 4: have a finite period of time on this planet, you know.

277
00:12:34,320 --> 00:12:37,000
Speaker 4: And you go to check into a hotel yep, and

278
00:12:37,040 --> 00:12:40,600
Speaker 4: you've booked it. It is locked in that you are

279
00:12:40,600 --> 00:12:42,440
Speaker 4: booked into the hotel and your rocket. It should just

280
00:12:42,440 --> 00:12:44,160
Speaker 4: be a here's my last name, let's go.

281
00:12:44,440 --> 00:12:45,760
Speaker 2: Yeah, that largely is that.

282
00:12:45,960 --> 00:12:48,760
Speaker 1: No, it is not. They start ramming down on that keyboard.

283
00:12:49,240 --> 00:12:50,720
Speaker 1: What what could you possibly be?

284
00:12:50,840 --> 00:12:56,160
Speaker 5: No, they're doing they're doing the type people.

285
00:12:56,240 --> 00:12:57,640
Speaker 2: The only piple that do the type.

286
00:12:57,679 --> 00:12:59,680
Speaker 3: The unnecessary typing is when you have to go to

287
00:12:59,720 --> 00:13:03,080
Speaker 3: an end line check in and then they're pressing keys.

288
00:13:03,120 --> 00:13:04,840
Speaker 2: I've never even dreamt of pressing.

289
00:13:05,000 --> 00:13:07,080
Speaker 3: Like sure like they don't even type your name, they're

290
00:13:07,080 --> 00:13:09,760
Speaker 3: just on the F elevens F ten's.

291
00:13:10,400 --> 00:13:14,800
Speaker 2: Surely it's just McMahon enter. But they're like on a second,

292
00:13:14,840 --> 00:13:16,200
Speaker 2: and they're like they're out here.

293
00:13:17,160 --> 00:13:19,800
Speaker 3: And you're like, what's on the key pad of like,

294
00:13:19,840 --> 00:13:22,200
Speaker 3: I've never used the number the numb lock key pad

295
00:13:22,200 --> 00:13:23,199
Speaker 3: in my bloody line.

296
00:13:23,000 --> 00:13:24,280
Speaker 1: And all of a sudden they go, watch watch your

297
00:13:24,280 --> 00:13:26,320
Speaker 1: mobile number. I'm like, why do I have to give

298
00:13:26,320 --> 00:13:28,319
Speaker 1: you my mobile number? Just look up my.

299
00:13:28,360 --> 00:13:31,920
Speaker 4: Last name kills me F seven seven another one for me,

300
00:13:32,000 --> 00:13:33,040
Speaker 4: will Yeah.

301
00:13:33,120 --> 00:13:36,080
Speaker 1: I went shoe shopping recently. Yeah, and you know when

302
00:13:36,120 --> 00:13:38,320
Speaker 1: you found your shoe, you're happy with the shoe that

303
00:13:38,360 --> 00:13:38,960
Speaker 1: you found.

304
00:13:38,760 --> 00:13:40,520
Speaker 5: And you go, you know what, though, I am a

305
00:13:40,520 --> 00:13:43,400
Speaker 5: different size and you go, I'm after that one.

306
00:13:44,000 --> 00:13:46,360
Speaker 1: Do you have size ten and a half out the back?

307
00:13:46,640 --> 00:13:48,200
Speaker 1: And they go just a look.

308
00:13:48,160 --> 00:13:53,120
Speaker 4: Oh yeah, how long could it take back there?

309
00:13:54,080 --> 00:13:55,640
Speaker 3: I've never been in the back of a shoesho but

310
00:13:55,640 --> 00:13:58,600
Speaker 3: it must be massive. I'm picturing like I'm picturing like

311
00:13:58,640 --> 00:14:00,640
Speaker 3: in Indiana Jones, you know when I go to those

312
00:14:01,200 --> 00:14:03,640
Speaker 3: when they put the arc away in the end of

313
00:14:03,679 --> 00:14:07,719
Speaker 3: rators of the Lost Targets in that like massive airline

314
00:14:07,760 --> 00:14:08,440
Speaker 3: style hangar.

315
00:14:08,800 --> 00:14:09,520
Speaker 1: It has to be.

316
00:14:11,240 --> 00:14:14,120
Speaker 5: Or there's just twelve people having the nap piecing us

317
00:14:14,160 --> 00:14:14,520
Speaker 5: all off.

318
00:14:14,520 --> 00:14:15,079
Speaker 1: Out the front.

319
00:14:15,320 --> 00:14:17,440
Speaker 3: Another organizing weight for me, I know we've got there's

320
00:14:17,440 --> 00:14:20,200
Speaker 3: so many pop who have gone with this. Another orgonamizing

321
00:14:20,280 --> 00:14:24,000
Speaker 3: weight for me was, you know when you you you

322
00:14:24,000 --> 00:14:25,320
Speaker 3: probably don't have this because you don't get a lot

323
00:14:25,320 --> 00:14:27,840
Speaker 3: of sandwiches made for you. But like, there are certain

324
00:14:27,880 --> 00:14:30,880
Speaker 3: places where they make your sandwich and they're really particular

325
00:14:30,960 --> 00:14:34,240
Speaker 3: with how they place the salad. And if they're making

326
00:14:34,280 --> 00:14:36,680
Speaker 3: the salad to hit the sandwich ahead of you, that

327
00:14:36,840 --> 00:14:37,800
Speaker 3: is the worst.

328
00:14:37,560 --> 00:14:41,240
Speaker 2: Weight in your whole life because all you want is

329
00:14:41,240 --> 00:14:42,040
Speaker 2: the person to come.

330
00:14:42,080 --> 00:14:44,000
Speaker 3: And you know that because I think is when you've

331
00:14:44,000 --> 00:14:46,400
Speaker 3: got the conch, when you're making your sandwich, you.

332
00:14:46,440 --> 00:14:47,000
Speaker 2: Take you much.

333
00:14:47,480 --> 00:14:50,440
Speaker 3: Of course maybe I will have klipenos, but for everyone

334
00:14:50,520 --> 00:14:53,560
Speaker 3: behind you, that is a shocking time.

335
00:14:53,600 --> 00:14:55,680
Speaker 1: Indecision with an order when someone is.

336
00:14:55,640 --> 00:14:59,080
Speaker 2: In front of where it's food as well.

337
00:14:58,760 --> 00:15:01,640
Speaker 1: Stand back. If you haven't a of what you're reading, you.

338
00:15:01,320 --> 00:15:03,960
Speaker 2: Step away, step away, down, Marie, figure it out at

339
00:15:04,000 --> 00:15:04,280
Speaker 2: the till.

340
00:15:05,040 --> 00:15:08,400
Speaker 1: Let's go to Michayla on thirteen one, six five.

341
00:15:08,400 --> 00:15:11,520
Speaker 4: Before you get too hot in here, Mikayla, what's the

342
00:15:11,560 --> 00:15:12,920
Speaker 4: worst thing to wait for for you?

343
00:15:14,240 --> 00:15:15,000
Speaker 3: When you asked the.

344
00:15:14,920 --> 00:15:18,480
Speaker 4: Petrol stations and you're at the end of the line

345
00:15:19,200 --> 00:15:21,280
Speaker 4: and you still have the person who don't walk into

346
00:15:21,280 --> 00:15:21,960
Speaker 4: the petrol station.

347
00:15:22,040 --> 00:15:24,000
Speaker 3: You're waiting for them to take forever.

348
00:15:23,720 --> 00:15:25,960
Speaker 4: To pay, and then when they get back to their.

349
00:15:25,800 --> 00:15:27,360
Speaker 3: Car, they're through hesitant to get out.

350
00:15:27,400 --> 00:15:28,800
Speaker 5: They don't need to have luff rooms, so you have

351
00:15:28,880 --> 00:15:30,040
Speaker 5: to wait for the next person.

352
00:15:30,360 --> 00:15:31,000
Speaker 4: That makes sense.

353
00:15:31,520 --> 00:15:32,240
Speaker 1: I hate that.

354
00:15:32,480 --> 00:15:33,920
Speaker 2: It's like you've got the space.

355
00:15:34,080 --> 00:15:35,480
Speaker 3: Or even when they get back in the car and

356
00:15:35,520 --> 00:15:38,840
Speaker 3: they get their phone out, you know, when they get

357
00:15:38,880 --> 00:15:41,880
Speaker 3: in they've paid, and then they check their messages and

358
00:15:41,920 --> 00:15:45,280
Speaker 3: you're like, you're at there are forty five cars back here.

359
00:15:45,480 --> 00:15:47,840
Speaker 1: Check now, what could you be checking another one for me?

360
00:15:47,920 --> 00:15:48,920
Speaker 2: Will? Yeah?

361
00:15:49,520 --> 00:15:53,040
Speaker 1: I don't know if you've used those robotic public toilets, no,

362
00:15:53,720 --> 00:15:54,800
Speaker 1: you know the robot door?

363
00:15:55,000 --> 00:15:55,400
Speaker 2: Nuh?

364
00:15:55,440 --> 00:15:57,760
Speaker 1: Well, are you too good for public toilets?

365
00:15:58,040 --> 00:16:00,240
Speaker 2: Mate? Just as an inside.

366
00:16:00,200 --> 00:16:01,640
Speaker 1: Your career has gone to your head.

367
00:16:02,320 --> 00:16:04,920
Speaker 4: Well anyway, if you do experience it, the dor moves

368
00:16:05,040 --> 00:16:10,640
Speaker 4: very slowly and you're busting and it's gone, and sometimes

369
00:16:10,640 --> 00:16:43,600
Speaker 4: you just have to start.

370
00:16:27,440 --> 00:16:29,800
Speaker 3: Sixty five six years Disney character were taking your calls

371
00:16:29,800 --> 00:16:31,800
Speaker 3: because what he's thrown open the gauntlet.

372
00:16:32,280 --> 00:16:34,880
Speaker 4: I have just James L. Jones passed away, so that

373
00:16:35,000 --> 00:16:36,760
Speaker 4: the age of ninety three. He was, of course the

374
00:16:36,840 --> 00:16:39,360
Speaker 4: voice of Mufasa.

375
00:16:38,800 --> 00:16:42,800
Speaker 2: Who Simba, you could have been killed you deliberately. This

376
00:16:42,840 --> 00:16:43,320
Speaker 2: will beat me.

377
00:16:43,680 --> 00:16:45,479
Speaker 1: He's got warmth, he's got an aggression.

378
00:16:45,600 --> 00:16:52,280
Speaker 3: He's also animal and lines made in a very aggressive fashion. Me. No,

379
00:16:52,360 --> 00:16:54,600
Speaker 3: you wouldn't because they put their their mouths around your neck.

380
00:16:55,040 --> 00:16:57,320
Speaker 3: Now you know you made you made it practical for

381
00:16:57,360 --> 00:16:58,120
Speaker 3: me before I'll make.

382
00:16:58,040 --> 00:16:58,760
Speaker 2: A practical for you.

383
00:16:58,880 --> 00:16:59,960
Speaker 1: It's totally fair enough.

384
00:17:02,120 --> 00:17:05,280
Speaker 3: It's just if there's no practical issues, we can't go

385
00:17:05,320 --> 00:17:07,080
Speaker 3: into that. I don't think otherwise, we're just going to

386
00:17:07,160 --> 00:17:07,760
Speaker 3: knock them all down.

387
00:17:08,080 --> 00:17:09,680
Speaker 1: I'll throw one more at you, just to get the

388
00:17:09,720 --> 00:17:12,600
Speaker 1: ball rolling. The one eyed girl from Futurama.

389
00:17:13,760 --> 00:17:17,720
Speaker 2: You always had a thing with Loela leilaayla ye.

390
00:17:18,880 --> 00:17:20,960
Speaker 1: Go to Amelia here, Amelia.

391
00:17:20,960 --> 00:17:23,280
Speaker 3: She's a Disney character, by the way, who's the animated

392
00:17:24,440 --> 00:17:26,680
Speaker 3: broadly animated stug with Disney.

393
00:17:26,800 --> 00:17:28,680
Speaker 2: Okay, you're a Disney purist.

394
00:17:28,760 --> 00:17:30,639
Speaker 3: I'm glad that I'm interested that you've opened the doors

395
00:17:30,640 --> 00:17:32,520
Speaker 3: to women, because that's understand a bit sick.

396
00:17:32,800 --> 00:17:33,880
Speaker 2: Amelia is called.

397
00:17:34,840 --> 00:17:39,360
Speaker 3: Amelia, called Amelia, who's the hottest character animated character.

398
00:17:40,520 --> 00:17:46,240
Speaker 4: Who framed Roger Rabbit. Jess Oh yes, Jessica Rabbit, beautiful

399
00:17:46,240 --> 00:17:46,800
Speaker 4: red gown.

400
00:17:47,880 --> 00:17:51,399
Speaker 1: Yes, yes, she is rabbit from memory. She's been of

401
00:17:51,400 --> 00:17:52,080
Speaker 1: a whistleblower.

402
00:17:52,119 --> 00:17:56,280
Speaker 2: Oh g wiz. Yeah, yeah, yeah, she's the hottest. Yeah,

403
00:17:56,320 --> 00:17:56,879
Speaker 2: she's the hottest.

404
00:17:56,960 --> 00:17:57,720
Speaker 1: Yeah, it's true.

405
00:18:00,200 --> 00:18:02,320
Speaker 2: Issues with them. Let's go to Claire. I'm going to

406
00:18:02,359 --> 00:18:04,200
Speaker 2: stay no obvious one Jasmine.

407
00:18:05,920 --> 00:18:06,840
Speaker 1: She has been in the ladder.

408
00:18:07,119 --> 00:18:09,680
Speaker 2: How about that pairing Hilaire.

409
00:18:09,680 --> 00:18:11,639
Speaker 1: Who's the hardest animatic character, Claire.

410
00:18:12,600 --> 00:18:15,520
Speaker 2: I'm going to have to go for Murphoster's son, Simba

411
00:18:16,280 --> 00:18:17,400
Speaker 2: in his teenage years.

412
00:18:17,680 --> 00:18:20,280
Speaker 3: Oh yeah, when he's kind of when he hasn't got

413
00:18:20,320 --> 00:18:25,120
Speaker 3: the full maine when he's with but he's doing the matata.

414
00:18:24,800 --> 00:18:28,240
Speaker 2: Earlier on in the jungle. Yeah, and.

415
00:18:29,720 --> 00:18:31,879
Speaker 4: He's walking across that he's walking across that log in

416
00:18:31,920 --> 00:18:33,679
Speaker 4: front of the waterfall, and he's getting older.

417
00:18:33,840 --> 00:18:34,600
Speaker 1: Yeah that's nice.

418
00:18:35,480 --> 00:18:38,800
Speaker 2: Yeah, that's we are talking about an animal here.

419
00:18:40,000 --> 00:18:41,240
Speaker 1: Taking it to practical.

420
00:18:42,240 --> 00:18:44,800
Speaker 2: Let's do their codes. Yeah, there we need to consider.

421
00:18:44,680 --> 00:18:47,679
Speaker 1: Before we move on to Adelasia's back on more Fasta.

422
00:18:48,040 --> 00:18:50,960
Speaker 4: Yeah, Michelle Brazier was actually in here in the studio,

423
00:18:51,080 --> 00:18:53,560
Speaker 4: and I mean she brought up something about more Fasta

424
00:18:53,600 --> 00:18:54,639
Speaker 4: which no one saw coming.

425
00:18:55,520 --> 00:18:57,760
Speaker 1: Scar though I'm kind of into Scar.

426
00:18:57,920 --> 00:18:58,600
Speaker 3: Is in the Lion.

427
00:18:58,920 --> 00:19:00,959
Speaker 2: Yeah is that I don't know?

428
00:19:01,359 --> 00:19:05,679
Speaker 1: Yeah? Yeah, so sorry you go Scar over one night.

429
00:19:08,160 --> 00:19:16,040
Speaker 4: So boring's gonna like absolutely Scar can get it.

430
00:19:15,720 --> 00:19:20,440
Speaker 2: When with animals, that was Michelle. I mean, I I don't.

431
00:19:20,520 --> 00:19:22,600
Speaker 3: I hate to keep banging on about the hunks here,

432
00:19:22,640 --> 00:19:25,119
Speaker 3: but there's a few that needs to be mentioned. General

433
00:19:25,200 --> 00:19:28,639
Speaker 3: Lee Shang in Mulan is absolute sex on legs. He

434
00:19:28,720 --> 00:19:30,280
Speaker 3: spends a lot of he spends a lot of time

435
00:19:30,320 --> 00:19:32,120
Speaker 3: with his shirt off, and he sings the best song

436
00:19:32,560 --> 00:19:34,720
Speaker 3: I'm going to say in Disney of the last ten years.

437
00:19:34,880 --> 00:19:40,240
Speaker 2: Oh yeah, when he sings, uh, get down to bouziness.

438
00:19:40,280 --> 00:19:46,359
Speaker 2: You know that song? Anyway? It's red hot man bun Man, beautiful, gorgeous.

439
00:19:46,840 --> 00:19:49,480
Speaker 3: Analyts agree with me. He's a hot hunks punk, isn't he?

440
00:19:49,480 --> 00:19:54,240
Speaker 2: Analyst? Talk to me, General Lee Shang. He's got a

441
00:19:54,280 --> 00:19:57,200
Speaker 2: heart as well. He's got a heart. It's important he has.

442
00:19:57,440 --> 00:19:59,919
Speaker 5: But I love Love Win Riders from Tangle.

443
00:20:00,800 --> 00:20:06,119
Speaker 2: Oh yeah, and he's funny. He's funny.

444
00:20:07,359 --> 00:20:10,240
Speaker 4: I have and I cannot remember he's the male protagonist.

445
00:20:10,480 --> 00:20:14,560
Speaker 4: He's speaking of male protagonists. Actually, what about that? Dude

446
00:20:14,600 --> 00:20:16,840
Speaker 4: from Frozen who's hooking up with Ana.

447
00:20:16,960 --> 00:20:19,440
Speaker 3: I believe the Prince who turns out to be the

448
00:20:19,480 --> 00:20:20,959
Speaker 3: bad guy bit sexy.

449
00:20:21,160 --> 00:20:26,520
Speaker 2: No, he's not another hunk.

450
00:20:26,560 --> 00:20:30,159
Speaker 3: I don't know if as she hung up, I can

451
00:20:30,200 --> 00:20:35,679
Speaker 3: talk to Lisa about it. Lay off, General Sang, Captain

452
00:20:35,760 --> 00:20:38,400
Speaker 3: John Smith, Captain John Smith, Pocahontas.

453
00:20:38,840 --> 00:20:40,240
Speaker 1: Oh, very sexy.

454
00:20:40,359 --> 00:20:42,760
Speaker 2: He could color my wind very anytime.

455
00:20:45,160 --> 00:20:47,520
Speaker 1: Lisa, Who do you think is the hottest animated character?

456
00:20:48,200 --> 00:20:54,639
Speaker 3: Definitely put him boots off Shrek the Cat, Yeah, you.

457
00:20:55,440 --> 00:20:59,440
Speaker 2: Talking about it? Who plays the Lisa? You can't take

458
00:20:59,480 --> 00:21:02,880
Speaker 2: it into that realm. Bads, you've just got a thing

459
00:21:03,800 --> 00:21:04,359
Speaker 2: for sort of