1 00:00:01,080 --> 00:00:04,760 Speaker 1: Dowered by the radio WAB from ninety six air FM 2 00:00:04,960 --> 00:00:06,800 Speaker 1: to whereever you're listening today. 3 00:00:07,160 --> 00:00:09,879 Speaker 2: This is Clearzy and Lisa's podcast. 4 00:00:10,240 --> 00:00:10,680 Speaker 3: Coming up. 5 00:00:10,720 --> 00:00:13,119 Speaker 1: On the podcast, Kyle and Leslie joined us from the 6 00:00:13,119 --> 00:00:15,840 Speaker 1: Block and where we went wa represent We. 7 00:00:15,960 --> 00:00:18,360 Speaker 2: Took your calls on what should Nicholas Cage do while 8 00:00:18,360 --> 00:00:19,959 Speaker 2: he's INU W Way making a movie? 9 00:00:20,040 --> 00:00:21,640 Speaker 1: I didn't take my phone to the toilet for a 10 00:00:21,720 --> 00:00:24,160 Speaker 1: change after hearing Alex Leikos talk about his doc o 11 00:00:24,320 --> 00:00:25,440 Speaker 1: Disconnect Me and in the. 12 00:00:25,360 --> 00:00:28,800 Speaker 2: Shore Report called Millie Vanelli actually win a Grammy next year. 13 00:00:29,080 --> 00:00:29,960 Speaker 3: Ex blaming on the rain. 14 00:00:30,400 --> 00:00:34,040 Speaker 2: The Block continues seven point thirty on Channel nine and 15 00:00:34,159 --> 00:00:37,279 Speaker 2: nine now continues tonight. We are well and truly at 16 00:00:37,280 --> 00:00:39,800 Speaker 2: the pointy end, as they say, because we're moving outside 17 00:00:39,840 --> 00:00:44,120 Speaker 2: and to love the backyard week joining us now, Kyl 18 00:00:44,159 --> 00:00:46,920 Speaker 2: and Leslie are w Way couple on the Block. Good morning, guys, 19 00:00:46,960 --> 00:00:52,080 Speaker 2: we doam Hello, so good good Now. It's no secret 20 00:00:52,280 --> 00:00:54,800 Speaker 2: Claresy and I both love a bit of real estate 21 00:00:54,840 --> 00:00:58,600 Speaker 2: porn and for the last ten minutes, our last ten minutes, 22 00:00:58,640 --> 00:01:02,200 Speaker 2: I've been pouring over the listing on domain for fourteen 23 00:01:02,320 --> 00:01:12,880 Speaker 2: Charming Street Inhampton East in Victoria and guys, it looks beautiful. Really, Yes, 24 00:01:13,200 --> 00:01:16,040 Speaker 2: it photographs beautifully, well done. 25 00:01:15,800 --> 00:01:16,600 Speaker 4: Thank you so much. 26 00:01:16,640 --> 00:01:20,840 Speaker 5: No, it really does come together really amazingly at the end, 27 00:01:21,040 --> 00:01:23,920 Speaker 5: and it even has a different feel to it when 28 00:01:24,280 --> 00:01:27,640 Speaker 5: you're there in person. So you see it and it 29 00:01:28,240 --> 00:01:30,560 Speaker 5: looks stunny, but then when you're in there, it just 30 00:01:30,600 --> 00:01:34,440 Speaker 5: has a whole different feel. We just had our open 31 00:01:34,440 --> 00:01:37,839 Speaker 5: for inspections of the public over the weekend, as everyone 32 00:01:37,840 --> 00:01:39,200 Speaker 5: would have seen, and yeah, I think that's a lot 33 00:01:39,240 --> 00:01:41,520 Speaker 5: of the feedback that we got was just that it 34 00:01:41,640 --> 00:01:45,280 Speaker 5: felt different, look even better in person, a lot more spacious, 35 00:01:45,280 --> 00:01:48,680 Speaker 5: and so yeah, it was really validating. Yeah, a way, 36 00:01:48,680 --> 00:01:52,440 Speaker 5: we're all on the validation station. It's like what you've 37 00:01:52,480 --> 00:01:54,120 Speaker 5: done over the twelve weeks and just getting to share 38 00:01:54,120 --> 00:01:55,080 Speaker 5: that as well with people. 39 00:01:55,280 --> 00:01:58,320 Speaker 2: Yeah, because it's been I mean, if it's been tough 40 00:01:58,360 --> 00:02:01,200 Speaker 2: for me to watch sometimes, imagine what it's been like 41 00:02:01,280 --> 00:02:03,920 Speaker 2: for you. Because here you are building this beautiful house, 42 00:02:03,920 --> 00:02:08,000 Speaker 2: staying all out of all the extracurricular unnecessary drama that's 43 00:02:08,040 --> 00:02:11,240 Speaker 2: been involved this year, and then it comes to Sunday 44 00:02:11,320 --> 00:02:14,680 Speaker 2: night and the judges are like, are you even looking 45 00:02:14,720 --> 00:02:18,120 Speaker 2: at the same house? You know, and can I just 46 00:02:18,160 --> 00:02:20,440 Speaker 2: say the judges have been really wrong before. 47 00:02:22,520 --> 00:02:25,200 Speaker 6: No, absolutely, and that's and that's the kind of thing 48 00:02:25,240 --> 00:02:27,440 Speaker 6: that you know, people keep that sort of at the 49 00:02:27,440 --> 00:02:30,639 Speaker 6: front of your mind as you're going along on a Monday. 50 00:02:30,639 --> 00:02:32,560 Speaker 6: They've like, you know, it's about the end games like 51 00:02:32,720 --> 00:02:35,520 Speaker 6: it happened in the past. The judges will slammed someone 52 00:02:35,600 --> 00:02:37,920 Speaker 6: and they have success at the end, and you know 53 00:02:38,000 --> 00:02:40,040 Speaker 6: we did. We didn't know that. We're aware of that, 54 00:02:40,120 --> 00:02:43,240 Speaker 6: but I guess it is. It is different watching it 55 00:02:43,360 --> 00:02:46,720 Speaker 6: back and having sort of those feelings all over again, 56 00:02:46,760 --> 00:02:48,359 Speaker 6: but then not being able to sort of move on 57 00:02:48,360 --> 00:02:50,040 Speaker 6: on a Monday and start a new area. 58 00:02:50,600 --> 00:02:53,960 Speaker 2: Yeah, exactly something else. 59 00:02:54,040 --> 00:02:57,160 Speaker 6: Now it is tough, you know, state about what the 60 00:02:57,240 --> 00:02:57,799 Speaker 6: judges said. 61 00:02:57,840 --> 00:03:02,000 Speaker 2: Again, it's tested your resolve, I imagine, absolutely get up and. 62 00:03:02,040 --> 00:03:02,600 Speaker 3: Get up with it. 63 00:03:02,919 --> 00:03:04,720 Speaker 1: As Lisa mentioned the drama, I mean, did you think 64 00:03:04,720 --> 00:03:06,239 Speaker 1: there'd be this level of bitching because I've watched a 65 00:03:06,240 --> 00:03:08,280 Speaker 1: couple of hips co of weeks ago and turned it on. 66 00:03:08,320 --> 00:03:10,160 Speaker 3: I went my watching math, so here what's going on? 67 00:03:10,320 --> 00:03:13,320 Speaker 7: Yeah, it's actually bizarre. 68 00:03:13,840 --> 00:03:16,280 Speaker 5: Do people know that firstly we were on the show, 69 00:03:17,080 --> 00:03:18,320 Speaker 5: we were actually building a house. 70 00:03:18,440 --> 00:03:22,120 Speaker 2: Yeah, yeah, it is mind blowing that people don't think 71 00:03:22,160 --> 00:03:24,040 Speaker 2: about how this is going to you know, how they're 72 00:03:24,040 --> 00:03:27,280 Speaker 2: going to look when it actually ends up on the 73 00:03:27,360 --> 00:03:29,280 Speaker 2: telly the Sunday night. 74 00:03:29,320 --> 00:03:31,800 Speaker 8: Of course, the redo room was for your living room. 75 00:03:31,720 --> 00:03:35,160 Speaker 2: Which it did seem a bit small first time round, 76 00:03:35,400 --> 00:03:38,840 Speaker 2: but it's it's it's a completely different room now. 77 00:03:40,720 --> 00:03:41,160 Speaker 3: Absolutely. 78 00:03:41,200 --> 00:03:44,480 Speaker 6: I think it was like it ended up being the 79 00:03:44,520 --> 00:03:47,720 Speaker 6: best result that we could have gotten. I think, you know, 80 00:03:47,840 --> 00:03:50,600 Speaker 6: if that on that Wednesday when Dan came in and 81 00:03:50,720 --> 00:03:52,960 Speaker 6: had a discussion about taking the wall out, I think 82 00:03:53,000 --> 00:03:55,200 Speaker 6: if we pulled the trigger down, we would never have 83 00:03:55,280 --> 00:03:58,800 Speaker 6: gotten the result that we have gotten now. With just 84 00:03:58,840 --> 00:04:01,080 Speaker 6: that little bit of extra time to have the discussion 85 00:04:01,120 --> 00:04:03,400 Speaker 6: with the engineer about what we could do in that 86 00:04:03,520 --> 00:04:07,640 Speaker 6: room in that phase. Yeah and yeah, I think, you know, 87 00:04:08,480 --> 00:04:13,640 Speaker 6: an extra week of sort of thinking about the functionality 88 00:04:13,680 --> 00:04:16,640 Speaker 6: and the layout of the rooms really proved beneficial for us, 89 00:04:16,680 --> 00:04:18,360 Speaker 6: and I think you got the best result ever. 90 00:04:18,520 --> 00:04:20,760 Speaker 2: Hindsight's a wonderful thing. It's great that you have the 91 00:04:20,800 --> 00:04:24,520 Speaker 2: opportunity to actually do something with it with hindsight. 92 00:04:25,640 --> 00:04:26,960 Speaker 5: Yeah, no, I know. 93 00:04:26,960 --> 00:04:29,159 Speaker 4: Right, we would just go through through every room and 94 00:04:29,200 --> 00:04:30,000 Speaker 4: just see that again. 95 00:04:33,080 --> 00:04:36,120 Speaker 5: For that particular space, because it was such a huge 96 00:04:36,560 --> 00:04:40,520 Speaker 5: part of what is the main hub of the house. Yeah, 97 00:04:40,760 --> 00:04:43,680 Speaker 5: it just yeah, and we just think we'd gone through 98 00:04:43,720 --> 00:04:46,840 Speaker 5: so many options. Even late into redo week, we were 99 00:04:46,880 --> 00:04:50,359 Speaker 5: still tossing and turning about with we were going to 100 00:04:50,360 --> 00:04:53,920 Speaker 5: put furniture because it just the space is very difficult 101 00:04:53,960 --> 00:04:55,359 Speaker 5: to sort of And of course I was never getting 102 00:04:55,400 --> 00:04:56,200 Speaker 5: rid of my dining table. 103 00:04:56,240 --> 00:04:58,919 Speaker 2: So no, I mean, you've got the King of absolutely 104 00:05:00,640 --> 00:05:03,560 Speaker 2: the best table ever. What is what is your favorite 105 00:05:03,640 --> 00:05:05,920 Speaker 2: room in your house? What's the room you're most proud of. 106 00:05:08,720 --> 00:05:10,480 Speaker 5: I really love the studio still. 107 00:05:10,560 --> 00:05:14,880 Speaker 2: Yeah, with the pilates, Yes, yes, I love it. 108 00:05:15,400 --> 00:05:18,839 Speaker 6: Yeah, yeah, the studio space is amazing and people sort 109 00:05:18,839 --> 00:05:21,360 Speaker 6: of I don't realize that's the studio when they come 110 00:05:21,360 --> 00:05:22,839 Speaker 6: and look at the house in person. They sort of 111 00:05:22,839 --> 00:05:25,960 Speaker 6: think a position differently to where it is. But for me, 112 00:05:26,000 --> 00:05:29,760 Speaker 6: it was it's the master on tweet Okay. So yeah, 113 00:05:29,800 --> 00:05:34,120 Speaker 6: those curves sort of walls on either side. Yeah, I 114 00:05:34,160 --> 00:05:36,479 Speaker 6: really love that room, despite what the judge said. 115 00:05:36,600 --> 00:05:38,800 Speaker 2: Well, I love that curve in the in the newly 116 00:05:38,920 --> 00:05:41,200 Speaker 2: redone lound room. And I still think your tiny powder 117 00:05:41,279 --> 00:05:43,880 Speaker 2: room is the cutest place to go to the toilet 118 00:05:43,920 --> 00:05:48,400 Speaker 2: in the world. I you know how I love that 119 00:05:48,560 --> 00:05:51,839 Speaker 2: little basin so much. I wish I could have that 120 00:05:51,880 --> 00:05:55,800 Speaker 2: in my bathroom you want. Guys, we really look forward 121 00:05:55,800 --> 00:05:58,280 Speaker 2: to seeing what happens in the backyard because it's you know, 122 00:05:58,360 --> 00:06:01,880 Speaker 2: it's such a siding space in any house in these days, 123 00:06:01,920 --> 00:06:04,640 Speaker 2: isn't it. So that's We've got two more weeks to go, 124 00:06:04,920 --> 00:06:07,880 Speaker 2: is that right? And then I guess early next month 125 00:06:08,040 --> 00:06:08,839 Speaker 2: over for the auction. 126 00:06:10,080 --> 00:06:12,360 Speaker 5: We are absolutely yeah, on the home stretch now. 127 00:06:12,920 --> 00:06:14,760 Speaker 1: Well, by the way, I forget about hughsy. I know 128 00:06:14,800 --> 00:06:16,640 Speaker 1: another radio person who like, we're putting an offer in. 129 00:06:20,880 --> 00:06:23,120 Speaker 5: I'm saying we should all just people should just get 130 00:06:23,120 --> 00:06:24,400 Speaker 5: together in a group. 131 00:06:24,600 --> 00:06:26,640 Speaker 4: And you'll have Yeah. 132 00:06:26,880 --> 00:06:27,359 Speaker 2: I like that. 133 00:06:28,080 --> 00:06:29,920 Speaker 8: We can just pop over to Melbourne to go shopping 134 00:06:29,920 --> 00:06:30,560 Speaker 8: and have lunch. 135 00:06:30,960 --> 00:06:32,480 Speaker 3: I like it all right. 136 00:06:32,400 --> 00:06:34,640 Speaker 2: Guys, good luck fingers crossed for the last two weeks. 137 00:06:34,920 --> 00:06:35,280 Speaker 4: Talk he. 138 00:06:36,920 --> 00:06:39,440 Speaker 1: Congrats are going very stealthily through all the drama as well. 139 00:06:39,520 --> 00:06:40,080 Speaker 1: I've done that. 140 00:06:40,120 --> 00:06:42,840 Speaker 2: Well, they just they have just stood head and shoulders 141 00:06:42,880 --> 00:06:44,840 Speaker 2: above everyone else in terms of the class. 142 00:06:45,920 --> 00:06:50,919 Speaker 4: Absolutely more more Lisa, more podcasts. Soon. 143 00:06:53,520 --> 00:06:55,960 Speaker 2: The worst kept secret is out. Nicholas Cage is in 144 00:06:56,000 --> 00:06:58,239 Speaker 2: town to make a movie. Well, he's down south because 145 00:06:58,240 --> 00:07:02,960 Speaker 2: it's a movie called The Surfer. There were, you know, 146 00:07:03,080 --> 00:07:05,240 Speaker 2: rumors that he would be heading down to film a 147 00:07:05,279 --> 00:07:08,719 Speaker 2: movie around margaretover and yelling up. I'd say that that 148 00:07:08,800 --> 00:07:11,160 Speaker 2: is one hundred percent correct, that it is around margarover 149 00:07:11,200 --> 00:07:15,440 Speaker 2: and yelling up. But he arrived at Perth Airport yesterday morning. 150 00:07:15,560 --> 00:07:21,400 Speaker 3: He did what's my first time for before? 151 00:07:21,880 --> 00:07:22,520 Speaker 2: How are you feeling? 152 00:07:22,520 --> 00:07:23,080 Speaker 3: How's it pling? 153 00:07:23,640 --> 00:07:24,400 Speaker 7: Thank you for asking? 154 00:07:24,400 --> 00:07:27,840 Speaker 5: You're excited to make your film? 155 00:07:28,040 --> 00:07:33,160 Speaker 4: Can you tell us as like not a midlight crisis, 156 00:07:33,160 --> 00:07:34,480 Speaker 4: but a larga. 157 00:07:36,200 --> 00:07:37,120 Speaker 2: Scared of the shop. 158 00:07:38,400 --> 00:07:41,520 Speaker 3: Of the sharp not do it, but I kind of 159 00:07:41,520 --> 00:07:44,400 Speaker 3: have to stick around for my little right the little 160 00:07:44,400 --> 00:07:45,520 Speaker 3: one was demanding were there. 161 00:07:45,880 --> 00:07:49,800 Speaker 2: He was really polite in the light of you know, 162 00:07:50,120 --> 00:07:53,040 Speaker 2: considering he just what did he get through and get 163 00:07:53,040 --> 00:07:55,120 Speaker 2: out and get to the hotel and that family? 164 00:07:55,160 --> 00:07:56,960 Speaker 1: You know, like, yes, it gave more than people do 165 00:07:57,160 --> 00:07:59,360 Speaker 1: you know when they're walking out of court for the journals, one. 166 00:07:59,360 --> 00:08:02,560 Speaker 2: Hundred percent more than the average person being accosted at 167 00:08:02,560 --> 00:08:07,080 Speaker 2: the airport. So anyway, they're very very excited down my 168 00:08:07,200 --> 00:08:11,200 Speaker 2: groove away with the cages heading down there. I think 169 00:08:11,240 --> 00:08:13,560 Speaker 2: with the cages, he'd be an interesting cat. Would he 170 00:08:14,200 --> 00:08:16,600 Speaker 2: feel interested and I reckon. I reckon that if he 171 00:08:16,680 --> 00:08:19,440 Speaker 2: was having a bit of breakfast at a cafe. 172 00:08:19,200 --> 00:08:21,320 Speaker 8: Or something, he would have a chat with you. 173 00:08:21,400 --> 00:08:23,160 Speaker 3: He probably would. He'd be an interesting god to have 174 00:08:23,160 --> 00:08:23,760 Speaker 3: dinner or lunch with. 175 00:08:23,840 --> 00:08:27,840 Speaker 2: I reckon, Well, there are some lovely places for Nicholas 176 00:08:28,520 --> 00:08:32,240 Speaker 2: and his wife to try out down south there, food 177 00:08:32,280 --> 00:08:32,880 Speaker 2: and wine. 178 00:08:32,679 --> 00:08:35,000 Speaker 3: Wise, people do leave him alone, though I hope they do. 179 00:08:35,200 --> 00:08:37,160 Speaker 3: You give him a bit of space and let him 180 00:08:37,200 --> 00:08:37,600 Speaker 3: head off. 181 00:08:37,520 --> 00:08:39,600 Speaker 2: To the wineries and have a bit of a you know, 182 00:08:39,640 --> 00:08:42,360 Speaker 2: a bit of a drink, a. 183 00:08:41,640 --> 00:08:44,319 Speaker 3: Bit of a feed his manners, but you don't want 184 00:08:44,320 --> 00:08:44,800 Speaker 3: to test it. 185 00:08:44,920 --> 00:08:49,160 Speaker 2: So he knows. People are speculating, of course, about what 186 00:08:49,200 --> 00:08:51,839 Speaker 2: should be on his must do while in w away list, 187 00:08:51,880 --> 00:08:54,000 Speaker 2: and of course everyone's gone straight for we've got to 188 00:08:54,000 --> 00:08:56,959 Speaker 2: get a corcers selfie. Well, he doesn't got to, but 189 00:08:57,880 --> 00:09:01,360 Speaker 2: if he so chooses, I would definitely recommend a trip 190 00:09:01,400 --> 00:09:03,800 Speaker 2: to Rottenest not for the purpose of getting a picture 191 00:09:03,800 --> 00:09:05,800 Speaker 2: with a cocker, but for the purpose of it being 192 00:09:05,800 --> 00:09:08,840 Speaker 2: one of the most beautiful places on earth. Be ashamed 193 00:09:09,120 --> 00:09:12,960 Speaker 2: to miss it if you were in w a way. 194 00:09:13,280 --> 00:09:15,520 Speaker 1: I reckon, he's got to go to the Golden Bakery 195 00:09:15,559 --> 00:09:17,079 Speaker 1: and get a win pie. 196 00:09:17,520 --> 00:09:23,000 Speaker 2: Right, they should be sending you pies every day of 197 00:09:23,080 --> 00:09:23,360 Speaker 2: the week. 198 00:09:24,480 --> 00:09:26,280 Speaker 8: Yeah, I know what you do, of course, And that's 199 00:09:26,280 --> 00:09:28,040 Speaker 8: why I'm saying you talk. 200 00:09:27,920 --> 00:09:30,520 Speaker 1: Them up so much, and you won't be surprised that the 201 00:09:30,520 --> 00:09:32,160 Speaker 1: next time we are getting your car and go down 202 00:09:32,160 --> 00:09:33,960 Speaker 1: to South Frio and go to a little loaf and 203 00:09:33,960 --> 00:09:34,920 Speaker 1: get a cinnamon scroll. 204 00:09:35,160 --> 00:09:35,839 Speaker 2: Don't talk about it. 205 00:09:35,960 --> 00:09:36,840 Speaker 3: It's always about food. 206 00:09:36,960 --> 00:09:41,240 Speaker 2: Come on, love a cinnamon scroll. All right, let's make 207 00:09:41,280 --> 00:09:45,640 Speaker 2: a list. What should Nicholas Cage do while he's in 208 00:09:45,720 --> 00:09:48,120 Speaker 2: doub way? Is there a Bunnings in margat River? Will 209 00:09:48,120 --> 00:09:54,000 Speaker 2: we get to a wenks Ago? I should know bunnies 210 00:09:54,440 --> 00:09:55,800 Speaker 2: know there's a hardware store on the streets. 211 00:09:55,880 --> 00:09:57,319 Speaker 8: I don't think there's one down there. They'd have to 212 00:09:57,360 --> 00:09:58,160 Speaker 8: go to Brusseleton. 213 00:09:59,400 --> 00:10:02,920 Speaker 3: It's not far, not too fair to travel. Hello, so 214 00:10:03,200 --> 00:10:03,680 Speaker 3: and Broom. 215 00:10:03,800 --> 00:10:04,720 Speaker 2: So are you going to say Broom? 216 00:10:04,800 --> 00:10:06,160 Speaker 3: Yes, I'm going to suggest Broom. 217 00:10:06,160 --> 00:10:08,360 Speaker 2: I think he should come to Broom, come to the 218 00:10:08,400 --> 00:10:11,160 Speaker 2: amazing broomtown and come to my fish and chip shop 219 00:10:11,320 --> 00:10:12,640 Speaker 2: and have some amazing. 220 00:10:12,240 --> 00:10:12,840 Speaker 7: Fish and chip. 221 00:10:13,000 --> 00:10:16,760 Speaker 3: What's it called to fish and chips? Called macis takeaway? 222 00:10:17,160 --> 00:10:18,199 Speaker 4: Is very good? 223 00:10:18,640 --> 00:10:22,439 Speaker 2: What's the most popular fish on the menu are usually 224 00:10:22,520 --> 00:10:23,560 Speaker 2: Barre and Snapper. 225 00:10:24,000 --> 00:10:28,640 Speaker 3: Yeah, yes, and Salmon's also quite popular, but really normally 226 00:10:28,679 --> 00:10:30,559 Speaker 3: gril Bearer, gil Bear and Snapper. 227 00:10:30,800 --> 00:10:33,120 Speaker 8: Oh I can when you're being a healthy day. 228 00:10:33,800 --> 00:10:36,000 Speaker 1: Yes, and people say in broom they say we're going 229 00:10:36,000 --> 00:10:37,600 Speaker 1: to Macca's and they're not talking about McDonald's. 230 00:10:37,600 --> 00:10:38,800 Speaker 3: It's that's pretty cool. 231 00:10:39,320 --> 00:10:42,200 Speaker 4: Well, we do get a couple of people saying, I've 232 00:10:42,200 --> 00:10:43,400 Speaker 4: got to go go to Macis. 233 00:10:43,440 --> 00:10:46,079 Speaker 3: Take Macis and they go to McDonald's. No, no, it's 234 00:10:46,080 --> 00:10:46,440 Speaker 3: not here. 235 00:10:47,000 --> 00:10:51,319 Speaker 2: Yeah, John in Como, Hello. 236 00:10:51,280 --> 00:10:54,720 Speaker 3: John, there's going what are we going to put it. 237 00:10:54,720 --> 00:10:56,520 Speaker 8: On the list for NIX must do? 238 00:10:57,480 --> 00:11:00,920 Speaker 7: Well? Actually one is quite a while away. It's going 239 00:11:00,920 --> 00:11:02,720 Speaker 7: to see if you're in w A. That's the pink Lake. 240 00:11:03,160 --> 00:11:03,640 Speaker 4: Gregory? 241 00:11:03,840 --> 00:11:05,640 Speaker 3: Well, yeah, a lot of tourist like that one. Which 242 00:11:05,640 --> 00:11:06,360 Speaker 3: one's that is? 243 00:11:06,480 --> 00:11:06,600 Speaker 4: That? 244 00:11:06,880 --> 00:11:08,960 Speaker 2: Is that? Which? Paul Gregory? Where is that? 245 00:11:08,960 --> 00:11:10,160 Speaker 8: Because I've seen the one? 246 00:11:10,440 --> 00:11:14,360 Speaker 2: Nick Barry, Yeah, that's right. 247 00:11:14,600 --> 00:11:19,199 Speaker 6: Yeah. And also since he's Johnny are for surfing and beaches, 248 00:11:19,240 --> 00:11:21,000 Speaker 6: he needs to go to Espant and go to all 249 00:11:21,040 --> 00:11:22,800 Speaker 6: the lovely beaches at Esprins. 250 00:11:23,240 --> 00:11:25,640 Speaker 8: And another pink lake. He can do a pink lake. 251 00:11:26,880 --> 00:11:30,599 Speaker 3: You could can go from pink could Yeah. 252 00:11:30,160 --> 00:11:33,720 Speaker 2: Yeah, nice, Oh yeah, Johnny should he should go to Esperance. 253 00:11:34,040 --> 00:11:36,040 Speaker 1: Yeah, maybe they feel like you get some good shots 254 00:11:36,080 --> 00:11:38,280 Speaker 1: down there to you getting a decent bas and swell 255 00:11:38,280 --> 00:11:38,640 Speaker 1: down there. 256 00:11:38,720 --> 00:11:40,440 Speaker 8: Well, then get some good beach and stuff. 257 00:11:41,080 --> 00:11:43,040 Speaker 3: Thank you, John John ideas? 258 00:11:43,960 --> 00:11:45,120 Speaker 2: All right, Paul and Tapping. 259 00:11:45,120 --> 00:11:47,840 Speaker 3: Good morning, Hey Paul morning, How is good? 260 00:11:48,440 --> 00:11:50,160 Speaker 2: What have you got must do list? 261 00:11:50,480 --> 00:11:53,400 Speaker 7: I think he has to go to yan Chap National 262 00:11:53,480 --> 00:11:57,040 Speaker 7: Park and catch the ultra light helicopter and con aer 263 00:11:57,120 --> 00:12:00,800 Speaker 7: at Freemantle Prison. You put the. 264 00:12:00,760 --> 00:12:02,040 Speaker 2: Bone bag in the bark. 265 00:12:03,880 --> 00:12:05,319 Speaker 3: Great idea. That movie. 266 00:12:06,760 --> 00:12:13,120 Speaker 7: Oh yeah, there's nothing better to do that. 267 00:12:13,200 --> 00:12:15,520 Speaker 3: There were some bad dudes on their plane, especially the 268 00:12:15,520 --> 00:12:15,880 Speaker 3: one with. 269 00:12:15,880 --> 00:12:18,000 Speaker 7: A one eighty seven tatooed on his foreheads. 270 00:12:18,040 --> 00:12:21,320 Speaker 3: That's the code for murder, that's right, Yeah, absolutely. 271 00:12:22,240 --> 00:12:24,720 Speaker 2: I thought a tear drop tattooed on your face was 272 00:12:24,760 --> 00:12:26,280 Speaker 2: code for our murdered somewhere. 273 00:12:27,120 --> 00:12:30,120 Speaker 7: Maybe, but I think that's I think that's for one person. 274 00:12:30,160 --> 00:12:31,640 Speaker 7: I think two for two and three. 275 00:12:32,320 --> 00:12:39,080 Speaker 1: Okay, right, but keeping count. 276 00:12:39,840 --> 00:12:42,040 Speaker 2: So we are taking your calls making a must do 277 00:12:42,120 --> 00:12:44,600 Speaker 2: list for Nicholas Cage things to do while he's here 278 00:12:44,600 --> 00:12:46,719 Speaker 2: in w A making a film in Margover. I think 279 00:12:46,720 --> 00:12:50,000 Speaker 2: seeing he's already in Magroover. Just hike up back up 280 00:12:50,080 --> 00:12:53,040 Speaker 2: the coast a little bit and go and check out Nomesville. 281 00:12:53,800 --> 00:12:57,280 Speaker 3: You never heard of it. You never Hadsville. 282 00:12:57,600 --> 00:13:00,760 Speaker 2: Oh my gosh, you need to take a detour to 283 00:13:00,800 --> 00:13:03,440 Speaker 2: Wellington Mill in the Ferguson River Valley next time you're 284 00:13:03,440 --> 00:13:06,280 Speaker 2: heading down south and check out Namesville. I'm not saying 285 00:13:06,320 --> 00:13:10,560 Speaker 2: it's as mystical as stone here, okay, right, it's pretty 286 00:13:10,600 --> 00:13:11,080 Speaker 2: damn good. 287 00:13:12,040 --> 00:13:14,080 Speaker 3: Catch the last train to names Do you do? All 288 00:13:14,160 --> 00:13:14,600 Speaker 3: right now? 289 00:13:14,720 --> 00:13:17,359 Speaker 8: And Andrew in Mount Helena, Good morning. 290 00:13:17,320 --> 00:13:18,160 Speaker 3: Good morning guys. 291 00:13:18,160 --> 00:13:18,880 Speaker 4: There we're going today? 292 00:13:18,920 --> 00:13:20,720 Speaker 3: GOODNIGHTE got for our list? 293 00:13:21,000 --> 00:13:23,720 Speaker 4: Well, he should come to my house and come to 294 00:13:23,760 --> 00:13:26,960 Speaker 4: my cousin's fiftieth birthday party and have a honey. 295 00:13:27,960 --> 00:13:30,439 Speaker 1: Get a bit of Hollywood celeb there for the birthday, 296 00:13:30,679 --> 00:13:32,360 Speaker 1: a full traditional. 297 00:13:33,760 --> 00:13:35,000 Speaker 4: It's a keg honey, but. 298 00:13:36,840 --> 00:13:39,200 Speaker 3: Then it's still good, all right. 299 00:13:39,559 --> 00:13:41,360 Speaker 7: The grounds not good enough over here, for. 300 00:13:43,280 --> 00:13:47,760 Speaker 8: Right, there's nothing like it, yes, but I'll. 301 00:13:47,600 --> 00:13:47,960 Speaker 4: Tell you what. 302 00:13:48,000 --> 00:13:49,520 Speaker 7: It would be the best birthday preson ever. 303 00:13:51,080 --> 00:13:52,920 Speaker 3: It's a great photos and all that kind of stuff. 304 00:13:53,000 --> 00:13:54,840 Speaker 8: I can't promise, but we'll put it on our list. 305 00:13:54,920 --> 00:13:58,120 Speaker 3: Andrew, I hope you I hope he's listening. 306 00:13:59,160 --> 00:14:02,200 Speaker 2: Zia, Danny and Swan view what can we put on 307 00:14:02,240 --> 00:14:02,600 Speaker 2: the list? 308 00:14:02,920 --> 00:14:05,400 Speaker 4: I actually would like to see him come to tell 309 00:14:05,440 --> 00:14:07,560 Speaker 4: us one and give him a cobur and blind to 310 00:14:07,559 --> 00:14:09,199 Speaker 4: pronounce oh. 311 00:14:09,120 --> 00:14:11,360 Speaker 3: Yes, yes, now you're talking. 312 00:14:12,160 --> 00:14:20,080 Speaker 2: You're not satisfied with Karen yet? You want to go that? Okay? Hello? 313 00:14:20,280 --> 00:14:20,480 Speaker 4: Yeah? 314 00:14:21,400 --> 00:14:30,640 Speaker 2: Is your favorite part of telephone days? Pronunciation the mispronunciation exactly? 315 00:14:31,640 --> 00:14:33,080 Speaker 8: It would be amazing, wouldn't it. 316 00:14:33,160 --> 00:14:35,120 Speaker 2: Danny. I don't know if he's already left town to 317 00:14:35,200 --> 00:14:37,560 Speaker 2: go down there, and he probably doesn't know about it. 318 00:14:37,520 --> 00:14:43,000 Speaker 3: But it's probably busy working out remember his lines exactly. 319 00:14:43,240 --> 00:14:45,200 Speaker 2: I think you know, if he knew and he was 320 00:14:45,280 --> 00:14:47,000 Speaker 2: and he was able to, it's the kind of thing 321 00:14:47,000 --> 00:14:51,920 Speaker 2: that I'm sure someone like Nicholas Cage will do. Thanks Danny. 322 00:14:53,320 --> 00:14:56,360 Speaker 3: The Sure Report on ninety six airm. 323 00:14:58,240 --> 00:15:00,520 Speaker 2: The only group in the history of the Ground Awards 324 00:15:00,560 --> 00:15:03,880 Speaker 2: to have their Golden Grammophone revoked, could pull off the 325 00:15:03,960 --> 00:15:07,800 Speaker 2: ultimate redemption story if the stars aligned at next year's Grammys. 326 00:15:08,000 --> 00:15:12,560 Speaker 2: The upcoming Milli Vanilli documentary has been submitted for consideration 327 00:15:12,720 --> 00:15:14,880 Speaker 2: in the Best Film category at the awards, set to 328 00:15:14,880 --> 00:15:17,360 Speaker 2: take place on the fourth of February, more than three 329 00:15:17,400 --> 00:15:20,880 Speaker 2: decades after the duo's Best New Artist trophy was recalled 330 00:15:21,040 --> 00:15:22,360 Speaker 2: by the Recording Academy. 331 00:15:22,880 --> 00:15:26,040 Speaker 8: We all know why, don't we? They didn't do the singing. 332 00:15:27,120 --> 00:15:31,120 Speaker 2: Milivanilli is among ninety four films vying ninety four Felt 333 00:15:31,640 --> 00:15:35,000 Speaker 2: vying for a nomination for Best Music Film, including moon Age, 334 00:15:35,160 --> 00:15:38,480 Speaker 2: Daydream about David Bowie, Hallelujah about Leonard Cohen, as well 335 00:15:38,480 --> 00:15:42,760 Speaker 2: as films about Duran durand You Too and Food Fighters. Evidently, 336 00:15:43,040 --> 00:15:46,200 Speaker 2: Justin Timberlake is a bit worried about his ex girlfriend, 337 00:15:46,200 --> 00:15:52,000 Speaker 2: Britney Spears upcoming memoir. Sources say he's very curious what 338 00:15:52,240 --> 00:15:57,120 Speaker 2: she'll reveal from their relationship, and it is eating him up. 339 00:15:57,520 --> 00:16:00,720 Speaker 2: A recent US Weekly report claims spears book goes after 340 00:16:00,760 --> 00:16:05,480 Speaker 2: Timberlake hard, but a publishing insider insists is not a takedown. 341 00:16:05,520 --> 00:16:08,600 Speaker 2: It's just Brittany finally getting the chance to tell her story. Well, 342 00:16:08,640 --> 00:16:11,600 Speaker 2: I think that's precisely what he's worried about. And you 343 00:16:11,640 --> 00:16:13,800 Speaker 2: know what, I don't blame him for being right. I 344 00:16:13,920 --> 00:16:16,760 Speaker 2: like Justin Timberlake, but I just always had this feeling 345 00:16:16,760 --> 00:16:19,800 Speaker 2: that he kind of just hung Brittany out to dry 346 00:16:20,120 --> 00:16:25,120 Speaker 2: a little bit like he did Jason Jason Janet Jackson. Yes, 347 00:16:26,280 --> 00:16:29,600 Speaker 2: with Nipplegate, I think he hung her out to dry 348 00:16:29,640 --> 00:16:35,400 Speaker 2: as well, And maybe that's just the way Justin rolls. Anyway, 349 00:16:36,080 --> 00:16:39,240 Speaker 2: Angelina Jolly and Australian director Philip Nois may have worked 350 00:16:39,280 --> 00:16:42,960 Speaker 2: on To Noise have worked on two films together over 351 00:16:43,000 --> 00:16:46,920 Speaker 2: their careers, but it's a collaboration. It's unlikely to be repeated. 352 00:16:47,160 --> 00:16:49,920 Speaker 2: After Noise opened up about his less than warm relationship 353 00:16:49,960 --> 00:16:53,640 Speaker 2: with her, does she have a really warm relationship with anyone? 354 00:16:53,880 --> 00:16:57,040 Speaker 2: He directed Jollie in The Bone Collector and Insult and 355 00:16:57,120 --> 00:17:00,600 Speaker 2: apparently they clashed fiercely over the fire or cut of 356 00:17:00,640 --> 00:17:02,800 Speaker 2: salt before he got his way. 357 00:17:03,280 --> 00:17:04,440 Speaker 8: And they haven't spoken since. 358 00:17:05,080 --> 00:17:08,280 Speaker 2: And people on Reddit have pictor who the scariest person 359 00:17:08,400 --> 00:17:10,600 Speaker 2: in Lord of the Rings is and it's probably not 360 00:17:10,840 --> 00:17:15,720 Speaker 2: who you think. Labellia Sackville Baggins got the vote over 361 00:17:16,080 --> 00:17:19,560 Speaker 2: dark Lord, Soreen and Greemer worm Tongue. 362 00:17:19,720 --> 00:17:23,160 Speaker 3: Oh great names. I love the sound of that. More Clezy, 363 00:17:23,560 --> 00:17:26,399 Speaker 3: more Lisa Poor podcast. 364 00:17:25,960 --> 00:17:32,720 Speaker 2: Soon then you must see Australian documentary Disconnect Me examine 365 00:17:32,760 --> 00:17:36,280 Speaker 2: society's ever increasing addiction to our devices. 366 00:17:36,320 --> 00:17:38,480 Speaker 8: In particular, I would say our. 367 00:17:38,359 --> 00:17:41,680 Speaker 2: Phone and documentary maker Alex Lycos is joining us now. 368 00:17:41,680 --> 00:17:44,560 Speaker 8: Good morning, Alex, good morning. 369 00:17:44,600 --> 00:17:46,199 Speaker 4: Thank you very much for having me so. 370 00:17:46,240 --> 00:17:48,880 Speaker 2: On a scale of one to ten, how shocked were 371 00:17:48,920 --> 00:17:51,440 Speaker 2: you at how addicted people are to their devices? 372 00:17:53,640 --> 00:17:55,679 Speaker 4: Well, I think it's pretty common that we're all very 373 00:17:55,720 --> 00:17:58,399 Speaker 4: addiscy to our devices, but I wasn't aware of just 374 00:17:58,480 --> 00:18:01,520 Speaker 4: how much the young people are addicted to their devices. 375 00:18:01,880 --> 00:18:05,040 Speaker 4: We interviewed a fifteen year old kid who is on 376 00:18:05,119 --> 00:18:06,600 Speaker 4: his phone twelve hours a day. 377 00:18:06,800 --> 00:18:09,720 Speaker 2: Yes, just fell over that bit at watching the trailer 378 00:18:09,800 --> 00:18:10,560 Speaker 2: that's on that. 379 00:18:10,680 --> 00:18:13,760 Speaker 3: I mean, that's who has that time half the day. 380 00:18:14,520 --> 00:18:16,359 Speaker 4: Well, not only that, and then he follows it up 381 00:18:16,400 --> 00:18:18,560 Speaker 4: by saying he sleeps for eight hours a day. 382 00:18:18,840 --> 00:18:26,320 Speaker 2: Well, that's four hours to live his life. Yes, I heard. Basically, 383 00:18:26,560 --> 00:18:30,400 Speaker 2: it's pretty self explanatory, isn't it. Disconnect me is about 384 00:18:30,560 --> 00:18:32,359 Speaker 2: the addiction we have to these things. 385 00:18:33,480 --> 00:18:36,399 Speaker 4: Yeah, basically, I've read thirty Days without my technology to 386 00:18:36,400 --> 00:18:38,680 Speaker 4: see how I would go. I was struggling a little 387 00:18:38,680 --> 00:18:42,760 Speaker 4: bit with being present in my relationships and that rabbit 388 00:18:42,840 --> 00:18:46,960 Speaker 4: hole of constantly scrolling through my social media, and you know, 389 00:18:47,080 --> 00:18:49,399 Speaker 4: you fall into that trap of comparing your life to 390 00:18:49,480 --> 00:18:52,800 Speaker 4: others and then getting a little envious. I needed a rabbit, 391 00:18:53,000 --> 00:18:55,439 Speaker 4: I needed a bit of a circuit breaker, and this 392 00:18:55,520 --> 00:18:56,960 Speaker 4: was a good way for me to kind of hold 393 00:18:57,000 --> 00:19:00,199 Speaker 4: myself to account. But we look at holistically, you know, 394 00:19:01,040 --> 00:19:05,720 Speaker 4: you know, as I said, you know children, teenagers, us adults, 395 00:19:06,000 --> 00:19:08,840 Speaker 4: how we are engaging with technology and how it's you. 396 00:19:09,040 --> 00:19:10,920 Speaker 4: Is it serving us or is it controlling us? 397 00:19:12,720 --> 00:19:14,040 Speaker 3: It can be dangerous kind of Alex. 398 00:19:14,119 --> 00:19:16,800 Speaker 2: I think I heard a statistic in the news the 399 00:19:16,880 --> 00:19:18,600 Speaker 2: other day, or a story in the news the other day, 400 00:19:18,640 --> 00:19:24,800 Speaker 2: Alex said, jen Z says, you know, we're complaining about 401 00:19:24,840 --> 00:19:25,880 Speaker 2: being lonely. 402 00:19:26,000 --> 00:19:27,240 Speaker 8: They've never been lonelier, And. 403 00:19:27,200 --> 00:19:29,479 Speaker 2: I thought, well, that kind of makes me laugh at 404 00:19:29,520 --> 00:19:32,199 Speaker 2: the generation that forced us to have nothing to do 405 00:19:32,320 --> 00:19:35,399 Speaker 2: with people in the flesh and now complaining they're lonely. 406 00:19:35,520 --> 00:19:39,520 Speaker 2: It's like, well, kelser prize, do you think that throw 407 00:19:39,720 --> 00:19:40,320 Speaker 2: very well? 408 00:19:42,560 --> 00:19:46,400 Speaker 4: Look, look you've got to remember too, right, these these 409 00:19:46,400 --> 00:19:51,880 Speaker 4: social media companies, the executives, these engineers are working day 410 00:19:51,880 --> 00:19:55,600 Speaker 4: and night to try to keep us on our phone 411 00:19:55,720 --> 00:19:59,439 Speaker 4: for a long job. The more time we spend on 412 00:19:59,480 --> 00:20:02,840 Speaker 4: our phone, obviously, the more money they're maybe now you know, 413 00:20:03,040 --> 00:20:07,560 Speaker 4: us in our middle age whatever, I can be conscious 414 00:20:07,560 --> 00:20:09,800 Speaker 4: of it. But for the poor children. For the poor kids, 415 00:20:09,880 --> 00:20:12,240 Speaker 4: I mean, they don't have that kind of awareness to 416 00:20:12,320 --> 00:20:14,720 Speaker 4: understand it, right, but they don't even know they're doing it. 417 00:20:15,480 --> 00:20:18,280 Speaker 4: We don't even see it. Yeah, so much of the problem. 418 00:20:18,400 --> 00:20:19,960 Speaker 1: Yeah, Alex, I work with a guy on the weekend 419 00:20:20,040 --> 00:20:21,840 Speaker 1: who said he's trying to combat that thing. I've always 420 00:20:21,880 --> 00:20:24,520 Speaker 1: been contactable, you know, through work. So what he did 421 00:20:24,800 --> 00:20:27,400 Speaker 1: he got another phone for family and one for work. 422 00:20:27,400 --> 00:20:28,800 Speaker 1: But all of a sudden, the guys got two. He's 423 00:20:28,800 --> 00:20:31,840 Speaker 1: got two phones to worry about. You're backfight on it, I. 424 00:20:31,840 --> 00:20:34,879 Speaker 4: Think, But I think that's I think that's kind of 425 00:20:34,960 --> 00:20:37,679 Speaker 4: what the objective of the film is. The film is, 426 00:20:37,960 --> 00:20:40,200 Speaker 4: you know, if it's a light entertaining movie, don't think 427 00:20:40,240 --> 00:20:43,800 Speaker 4: it's some drive documentary. It's not for people to have fun. 428 00:20:44,240 --> 00:20:47,480 Speaker 4: You know, the film's actually interacted. But the idea of 429 00:20:47,520 --> 00:20:51,000 Speaker 4: the film is the trigger some discussion. If you can 430 00:20:51,119 --> 00:20:54,520 Speaker 4: discuss with your partner, or your children or yourself, do 431 00:20:54,640 --> 00:20:56,800 Speaker 4: a bit of an order yourself about how you're using 432 00:20:56,840 --> 00:20:59,960 Speaker 4: your phone. Is it healthy? Can you make some mind 433 00:21:00,040 --> 00:21:03,040 Speaker 4: own amendments? You know, for example, myself, since I got 434 00:21:03,040 --> 00:21:05,800 Speaker 4: my phone back, I took all the social media apps 435 00:21:05,800 --> 00:21:09,040 Speaker 4: off my phone, so I will use social media, right, 436 00:21:09,240 --> 00:21:11,159 Speaker 4: I still do it because the good tools. 437 00:21:11,200 --> 00:21:11,800 Speaker 2: Right, I've got some. 438 00:21:11,760 --> 00:21:14,320 Speaker 4: Friends all over the world, but I use them when 439 00:21:14,320 --> 00:21:17,560 Speaker 4: I'm on my laptop, predominantly in the morning and at night. 440 00:21:17,920 --> 00:21:20,440 Speaker 4: But during the day, my phone is not pinging every 441 00:21:20,480 --> 00:21:23,119 Speaker 4: five seconds. I'm not waiting at the coffee shop for 442 00:21:23,200 --> 00:21:27,600 Speaker 4: my coffee scrolling mindlessly through someone, you know, pictures of 443 00:21:27,640 --> 00:21:30,120 Speaker 4: someone who's just gone to Hawaii while it's raining here 444 00:21:30,119 --> 00:21:31,720 Speaker 4: in Sydney. You know it's feeling work. 445 00:21:32,119 --> 00:21:35,840 Speaker 2: Yeah, yeah, Alex you mentioned a moment ago about you know, 446 00:21:35,960 --> 00:21:39,359 Speaker 2: some of the younger the kids, and how they don't 447 00:21:39,400 --> 00:21:42,800 Speaker 2: really have the ability to turn off and see it 448 00:21:42,840 --> 00:21:44,600 Speaker 2: the way it is. Are we because we still live 449 00:21:44,640 --> 00:21:46,760 Speaker 2: in a bit of a cusp situation. Half of us 450 00:21:46,840 --> 00:21:50,280 Speaker 2: did survive our lives without these things, and then there's 451 00:21:50,280 --> 00:21:53,760 Speaker 2: a generation which don't know any different. Are we, in 452 00:21:53,800 --> 00:21:57,600 Speaker 2: all seriousness, at risk of mutating the brain to you know, 453 00:21:58,240 --> 00:22:01,399 Speaker 2: to become like the phone is just an extension in 454 00:22:01,440 --> 00:22:03,680 Speaker 2: the hand of the way they live. 455 00:22:05,280 --> 00:22:07,359 Speaker 4: I think so, I think that's where we're headed. And 456 00:22:07,400 --> 00:22:11,120 Speaker 4: the documentary kind of asks that question as well, Where 457 00:22:11,160 --> 00:22:13,200 Speaker 4: are we going? To be in twenty years, if we've 458 00:22:13,800 --> 00:22:19,120 Speaker 4: moved so much in the last twenty years relates biology, Yeah, yeah, 459 00:22:19,240 --> 00:22:23,680 Speaker 4: we actually interview a person, a Spanish person who actually 460 00:22:23,720 --> 00:22:28,800 Speaker 4: identifies himself as a cybernetic organism because he has inserted, 461 00:22:30,080 --> 00:22:34,919 Speaker 4: not attacked, not attacked, inserted an antenna into his brain 462 00:22:35,880 --> 00:22:40,840 Speaker 4: right right, so his color line, so he hears color 463 00:22:40,960 --> 00:22:41,760 Speaker 4: through the antenna. 464 00:22:41,800 --> 00:22:44,400 Speaker 2: It was done illegally, but done illegally. 465 00:22:44,480 --> 00:22:49,200 Speaker 4: Yeah, yeah, But if everybody else, you know, you're talking 466 00:22:49,240 --> 00:22:53,440 Speaker 4: about neuralink developing the brain chip, which is basically a 467 00:22:53,480 --> 00:22:57,040 Speaker 4: processor to make the brain work better. If everybody else 468 00:22:57,080 --> 00:22:59,960 Speaker 4: has inserted a processor to make their brain more efficient, 469 00:23:00,160 --> 00:23:02,639 Speaker 4: more more productive, what are you going to do? And 470 00:23:02,760 --> 00:23:03,440 Speaker 4: shit on the fence? 471 00:23:03,480 --> 00:23:08,359 Speaker 3: Probably not right? Is it a black mirror episode? 472 00:23:08,880 --> 00:23:13,359 Speaker 1: We're freaking us out. Just quickly, Alex, before you go back. 473 00:23:13,560 --> 00:23:15,320 Speaker 1: At least, and I've been to a few media workers. 474 00:23:15,359 --> 00:23:17,320 Speaker 1: You're in the media go to a movie preview sometimes 475 00:23:17,440 --> 00:23:19,560 Speaker 1: and we see the fear on people around us, and 476 00:23:19,560 --> 00:23:22,080 Speaker 1: maybe sometimes we've been responsible for this, the fear when 477 00:23:22,119 --> 00:23:23,639 Speaker 1: they go and look, kick your phone up in a 478 00:23:23,680 --> 00:23:26,399 Speaker 1: bag or something before a movie preview. Because there's not 479 00:23:26,440 --> 00:23:28,320 Speaker 1: a load of escape in a letter give it away. 480 00:23:28,480 --> 00:23:29,800 Speaker 1: You must have seen a bit of that fear in 481 00:23:29,840 --> 00:23:32,119 Speaker 1: people's faces when you're threatening to take their phones away. 482 00:23:32,119 --> 00:23:33,720 Speaker 2: Oh you're not doing it for this film, now, are 483 00:23:33,760 --> 00:23:35,600 Speaker 2: you're doing the opposite. 484 00:23:36,200 --> 00:23:36,840 Speaker 4: I'm going for me. 485 00:23:37,960 --> 00:23:40,879 Speaker 3: Yeah, you locked yours up. Your film is interactive, isn't it. 486 00:23:41,760 --> 00:23:45,639 Speaker 4: Yes, So basically we said, you know what, we're here 487 00:23:45,680 --> 00:23:47,960 Speaker 4: the announcement at the beginning of the movie and people say, 488 00:23:48,000 --> 00:23:50,359 Speaker 4: you know, the aphancies or penalty phone, and you're like, yeah, right, 489 00:23:50,440 --> 00:23:56,200 Speaker 4: I'm going to Yeah, We're like, bugger, you know, this 490 00:23:56,800 --> 00:24:00,359 Speaker 4: Humanly is about you know, you know, hypocrisy and contradictions. 491 00:24:00,600 --> 00:24:02,480 Speaker 4: So you know what, it's filmed out the phone. We're 492 00:24:02,520 --> 00:24:04,119 Speaker 4: going to ask you to use it. We have a 493 00:24:04,160 --> 00:24:07,359 Speaker 4: chop top in one hand. Fun We ask you to 494 00:24:07,440 --> 00:24:12,320 Speaker 4: kind of you know we are and yes to our questions. 495 00:24:12,440 --> 00:24:14,639 Speaker 4: We ask you to google stuff. We ask you to. 496 00:24:14,760 --> 00:24:17,119 Speaker 4: We even give you time to check you notifications if 497 00:24:17,160 --> 00:24:20,080 Speaker 4: you want. So We're try and keep it light funny. 498 00:24:20,200 --> 00:24:23,080 Speaker 2: You know that's quite the intermission. All right, Well, Alex 499 00:24:23,160 --> 00:24:27,359 Speaker 2: the movie is out on Thursdays, the nineteenth, isn't it? 500 00:24:27,560 --> 00:24:27,760 Speaker 7: Yeah? 501 00:24:27,880 --> 00:24:32,720 Speaker 2: Thursday Cinema is rain Square is a Cinemas, Rain Square 502 00:24:32,880 --> 00:24:36,720 Speaker 2: in a lovely spot. You may take your phone, Alex 503 00:24:36,760 --> 00:24:40,720 Speaker 2: takes for thanks. It's it's such an interesting conversation which 504 00:24:40,720 --> 00:24:42,480 Speaker 2: I think that we do, you know, has to be 505 00:24:42,480 --> 00:24:43,480 Speaker 2: continued a bit more. 506 00:24:44,560 --> 00:24:46,680 Speaker 4: Absolutely, thanks very much for giving me your time. Much 507 00:24:46,720 --> 00:24:50,840 Speaker 4: appreciate it, and 508 00:24:50,920 --> 00:24:57,000 Speaker 1: We'll be diving into his direct messages in Lisa