1
00:00:01,440 --> 00:00:04,800
Speaker 1: And Amanda jam Nation. So I saw my friend Anita

2
00:00:04,840 --> 00:00:06,040
Speaker 1: McGregor on the weekend She's.

3
00:00:05,960 --> 00:00:08,720
Speaker 2: Canadian podcast Double a Chattery.

4
00:00:08,480 --> 00:00:11,600
Speaker 1: She does with You, and I thought that put another

5
00:00:11,640 --> 00:00:14,200
Speaker 1: log on the fire. I thought it was just an

6
00:00:14,240 --> 00:00:17,680
Speaker 1: intrinsically Australian song. I didn't realize that. I guess they're

7
00:00:17,720 --> 00:00:19,840
Speaker 1: originally done by an American duo. I think that they

8
00:00:19,880 --> 00:00:21,960
Speaker 1: also went, you know, in Canada, it became a big

9
00:00:22,040 --> 00:00:22,320
Speaker 1: hit too.

10
00:00:22,440 --> 00:00:24,239
Speaker 3: Yeah, back in those days because you didn't have the

11
00:00:24,239 --> 00:00:26,440
Speaker 3: connectivity we have now, so you get.

12
00:00:26,760 --> 00:00:27,560
Speaker 1: A local version.

13
00:00:27,600 --> 00:00:29,480
Speaker 3: Won't do their version of Bill and Boyd also did

14
00:00:29,520 --> 00:00:31,720
Speaker 3: sand It never made it into darn they did.

15
00:00:32,159 --> 00:00:34,280
Speaker 1: But it was funny because when you remembered the song

16
00:00:34,400 --> 00:00:37,120
Speaker 1: it was I knew it was satirical, but it was

17
00:00:37,240 --> 00:00:40,760
Speaker 1: kind of jaunty and good natured at seemed another log

18
00:00:41,000 --> 00:00:41,920
Speaker 1: on the fire.

19
00:00:43,800 --> 00:00:47,120
Speaker 2: Cooped Me Up, some baker, some bean, anything where you

20
00:00:47,120 --> 00:00:48,959
Speaker 2: got one of those rubber band except.

21
00:00:53,000 --> 00:00:56,720
Speaker 1: Wash My Sucks and soul Male Blue Jeans, Come on baby.

22
00:00:57,520 --> 00:00:59,960
Speaker 1: Well we were talking about the nature of.

23
00:01:00,120 --> 00:01:02,400
Speaker 4: The lyrics and inviteful the flashbacks.

24
00:01:02,600 --> 00:01:07,440
Speaker 1: No though now you mention it. So the song says, yes,

25
00:01:07,480 --> 00:01:09,480
Speaker 1: cook me up some bacon and beans a guide to

26
00:01:09,520 --> 00:01:11,240
Speaker 1: the car and change the tire, wash my socks on

27
00:01:11,280 --> 00:01:13,760
Speaker 1: mobi jeans, you can fill my pipe, then go fetch

28
00:01:13,760 --> 00:01:16,280
Speaker 1: my slippers, Boil me up another cup of tea, Put

29
00:01:16,280 --> 00:01:18,120
Speaker 1: another log on the fire, babe, and come and tell

30
00:01:18,120 --> 00:01:19,039
Speaker 1: me why you're leaving me.

31
00:01:19,200 --> 00:01:22,560
Speaker 2: It's funny, it's ironic, yeah, but it kind of was.

32
00:01:22,600 --> 00:01:24,280
Speaker 1: But it's something in such a jaunty way that I

33
00:01:24,360 --> 00:01:27,080
Speaker 1: kind of missed the next verse here. Now, don't I

34
00:01:27,160 --> 00:01:29,720
Speaker 1: let you wash the car on Sunday? Don't I warn

35
00:01:29,760 --> 00:01:33,440
Speaker 1: you when you're getting fat? Ain't I gonna take you

36
00:01:33,560 --> 00:01:36,600
Speaker 1: fishing with me someday. A man can't love a woman

37
00:01:36,640 --> 00:01:40,520
Speaker 1: more than that? And this one completely skipped me. And

38
00:01:40,760 --> 00:01:43,800
Speaker 1: ain't I always nice to your kid's sister? Don't I

39
00:01:43,880 --> 00:01:47,440
Speaker 1: take her driving every night? So sit her at my feet?

40
00:01:47,720 --> 00:01:49,800
Speaker 1: I like it when you're sweet. You know it ain't

41
00:01:49,840 --> 00:01:53,680
Speaker 1: feminine to fight. And yes, it was a satirical song,

42
00:01:53,720 --> 00:01:57,480
Speaker 1: but wow, those lyrics. Looking back at them, now, I go,

43
00:01:57,640 --> 00:02:00,360
Speaker 1: we all just sang along and thought, what a cute song, but.

44
00:02:00,320 --> 00:02:01,600
Speaker 2: Now we're seeing along to wop.

45
00:02:01,920 --> 00:02:06,080
Speaker 1: Yeah, well, but that's supposedly female empowerment. Those lyrics would

46
00:02:06,080 --> 00:02:10,400
Speaker 1: have blown my hair off then and then this is

47
00:02:10,400 --> 00:02:16,760
Speaker 1: another song. I love this one by Kenny Rodgers. Don't

48
00:02:16,760 --> 00:02:17,680
Speaker 1: take your love to town.

49
00:02:19,520 --> 00:02:21,320
Speaker 2: Don't take your love to town.

50
00:02:22,480 --> 00:02:24,320
Speaker 1: You know I love this line here, Well, he says,

51
00:02:24,360 --> 00:02:27,080
Speaker 1: it wasn't me that started that old crazy Asian war,

52
00:02:27,360 --> 00:02:29,720
Speaker 1: but I was proud to go and do my patriotic chore.

53
00:02:30,040 --> 00:02:30,720
Speaker 2: Yes, it's true.

54
00:02:30,720 --> 00:02:33,600
Speaker 1: I'm not the man I used to be. Ruby, I

55
00:02:33,639 --> 00:02:36,160
Speaker 1: still need some company. This is one of my favorite lines.

56
00:02:36,440 --> 00:02:38,679
Speaker 1: It's hard to love a man whose legs are bent

57
00:02:38,760 --> 00:02:41,480
Speaker 1: and paralyzed, and the wants and needs of a worn

58
00:02:41,520 --> 00:02:44,679
Speaker 1: your age Ruby, I realize. But it won't be long.

59
00:02:44,680 --> 00:02:48,240
Speaker 1: I've heard them say until I'm not around. Ruby, don't

60
00:02:48,240 --> 00:02:50,519
Speaker 1: take your love to town. And then he says, she's

61
00:02:50,639 --> 00:02:53,040
Speaker 1: leaving now because I just heard the slamming of the

62
00:02:53,080 --> 00:02:56,520
Speaker 1: door the way I heard it slam one hundred times before.

63
00:02:56,800 --> 00:02:58,480
Speaker 1: And here's the kicker, here's the final line.

64
00:02:59,680 --> 00:03:03,400
Speaker 2: Back, get my gun and put her on the ground.

65
00:03:04,480 --> 00:03:06,639
Speaker 1: If I could move, I'd get my gun and put

66
00:03:06,680 --> 00:03:09,080
Speaker 1: her in the ground. Why doesn't she stay home more?

67
00:03:09,120 --> 00:03:10,080
Speaker 1: Because he's lovely.

68
00:03:10,440 --> 00:03:12,160
Speaker 2: Someone's got that as a wedding dance.

69
00:03:13,400 --> 00:03:14,959
Speaker 3: Because I remember when I was a kid, I got

70
00:03:15,080 --> 00:03:17,320
Speaker 3: one of the first Kiss albums was Love.

71
00:03:17,120 --> 00:03:19,960
Speaker 2: Gun from We Had Love Gun to Love Gun was

72
00:03:19,960 --> 00:03:20,640
Speaker 2: a great album.

73
00:03:20,720 --> 00:03:24,080
Speaker 3: It was there I think sixth studio album, possibly one

74
00:03:24,120 --> 00:03:26,520
Speaker 3: of their most successful albums. But one of the tracks

75
00:03:26,600 --> 00:03:28,720
Speaker 3: on that, next to the song love Gun was this

76
00:03:28,760 --> 00:03:29,880
Speaker 3: one plaster Castle.

77
00:03:34,320 --> 00:03:35,280
Speaker 1: I remember this month.

78
00:03:39,480 --> 00:03:43,200
Speaker 3: So this is the story about Cynthia plaster Casta who

79
00:03:43,280 --> 00:03:48,200
Speaker 3: was an artist who used to cast men's appendages in.

80
00:03:48,160 --> 00:03:50,119
Speaker 1: Plaster after she'd had her way with them.

81
00:03:50,200 --> 00:03:52,520
Speaker 2: No, no, no. This became a thing when she was

82
00:03:52,520 --> 00:03:53,080
Speaker 2: at art school.

83
00:03:53,080 --> 00:03:56,080
Speaker 3: A teacher taught her how to make plaster molds, and

84
00:03:56,120 --> 00:03:58,160
Speaker 3: she thought, well, here's the way I could go and

85
00:03:58,200 --> 00:03:58,880
Speaker 3: meet bands.

86
00:03:59,200 --> 00:04:02,520
Speaker 2: So her probable to hang your umbrella on was Jimmy Hendrix.

87
00:04:03,320 --> 00:04:06,840
Speaker 1: So she didn't necessarily they weren't her lovers. She just

88
00:04:07,040 --> 00:04:07,600
Speaker 1: molded them.

89
00:04:07,640 --> 00:04:09,640
Speaker 2: I think there was a bit of spade work there.

90
00:04:11,760 --> 00:04:14,320
Speaker 2: I think when a woman comes in with the finger.

91
00:04:14,080 --> 00:04:17,520
Speaker 3: Plaster, drop your axe, you know you're pretty sure.

92
00:04:17,360 --> 00:04:20,120
Speaker 1: That And so who'd she do?

93
00:04:20,240 --> 00:04:24,520
Speaker 4: Plaster casts of Jimmy Hendrix, Jello Biaffa from the Dead,

94
00:04:24,600 --> 00:04:28,640
Speaker 4: Kennedy's Eric Burden from the Animals, famously not Gene Simmons

95
00:04:28,680 --> 00:04:30,400
Speaker 4: from Kiss, although he wrote the song about a lot

96
00:04:30,400 --> 00:04:31,480
Speaker 4: of people thought it was Gene.

97
00:04:31,520 --> 00:04:33,000
Speaker 2: I reckon. Gene would have given it a go. You

98
00:04:33,200 --> 00:04:34,960
Speaker 2: just left him with the plaster who had it off

99
00:04:34,960 --> 00:04:38,800
Speaker 2: with her. I don't need to be here speaking. That's

100
00:04:38,800 --> 00:04:39,520
Speaker 2: where all of a guy.

101
00:04:39,560 --> 00:04:41,360
Speaker 1: I'd have a packet of chips if you could