1 00:00:00,240 --> 00:00:00,960 Speaker 1: Jones and Amanda. 2 00:00:01,040 --> 00:00:19,520 Speaker 2: You're listening to the Jonesy and Amanda podcast. 3 00:00:11,600 --> 00:00:14,160 Speaker 3: The Jonesy and Amanda Show. Georgeous Amanda. 4 00:00:14,280 --> 00:00:16,560 Speaker 1: Mistress Amanda is delivering discipline. 5 00:00:16,640 --> 00:00:19,080 Speaker 3: It hurts, but someone's got to do a mad Amanda, 6 00:00:19,280 --> 00:00:22,239 Speaker 3: Mad Mad Amanda. I go to see Jonesy and the 7 00:00:22,400 --> 00:00:23,480 Speaker 3: Eryle Jonesy. 8 00:00:23,600 --> 00:00:27,120 Speaker 1: I heard them describe him as a drunken idiot, stay 9 00:00:27,160 --> 00:00:28,920 Speaker 1: in school and learned school. 10 00:00:29,520 --> 00:00:33,400 Speaker 4: Yeah, okay, Jonesy and Amanda, those are names that. 11 00:00:33,360 --> 00:00:34,320 Speaker 3: You would never forget. 12 00:00:34,840 --> 00:00:39,720 Speaker 1: Shut up, Amanda, It's Friday the thirteenth. 13 00:00:39,920 --> 00:00:42,400 Speaker 3: Wow, do you think people are still scared of Finn 14 00:00:42,479 --> 00:00:43,640 Speaker 3: of the thirteenth. 15 00:00:43,720 --> 00:00:48,159 Speaker 1: I don't mess with it. I just don't mess with 16 00:00:48,280 --> 00:00:50,120 Speaker 1: I don't go walking under the ladders. 17 00:00:49,760 --> 00:00:52,159 Speaker 3: Breaking mirrors or breaking wind. 18 00:00:53,560 --> 00:00:55,840 Speaker 1: Catch on that. But you know, black cats and all 19 00:00:55,840 --> 00:00:56,400 Speaker 1: that sort of stuff. 20 00:00:56,760 --> 00:00:59,160 Speaker 3: Today more than other days or any day. 21 00:00:59,400 --> 00:01:02,120 Speaker 1: Well, I'm probably more aware of it. But also I 22 00:01:02,120 --> 00:01:03,920 Speaker 1: don't want to make people anxious, because I don't know 23 00:01:03,960 --> 00:01:05,360 Speaker 1: if you've noticed, there's a lot of things to make 24 00:01:05,360 --> 00:01:06,960 Speaker 1: people anxious in the world at the moment. 25 00:01:07,040 --> 00:01:09,679 Speaker 3: I've just gone this very second to chat GPT to say, 26 00:01:10,000 --> 00:01:13,240 Speaker 3: what are the superstitions around Friday the thirteenth. It's considered 27 00:01:13,319 --> 00:01:16,479 Speaker 3: unlucky in many Western cultures because Friday and the number 28 00:01:16,560 --> 00:01:19,040 Speaker 3: thirteen have long histories of superstition. I didn't know if 29 00:01:19,040 --> 00:01:22,160 Speaker 3: Friday did. When they fall together, some people think it's 30 00:01:22,200 --> 00:01:25,520 Speaker 3: particularly unlucky day here. Some of the biggest superstitions. Avoid 31 00:01:25,520 --> 00:01:28,720 Speaker 3: travel or major decision. Don't fly and start a new job, 32 00:01:28,760 --> 00:01:33,720 Speaker 3: dot's only contract. Don't get married, don't make any big 33 00:01:33,760 --> 00:01:36,560 Speaker 3: purchases as if I'm not going to do that. Although 34 00:01:36,600 --> 00:01:38,880 Speaker 3: interesting and this is what you need to hold on to, 35 00:01:38,920 --> 00:01:43,080 Speaker 3: studies show no increases in accidents on that day, So 36 00:01:43,120 --> 00:01:46,480 Speaker 3: statistically this is all fine. Everyone chill app But it 37 00:01:46,480 --> 00:01:49,200 Speaker 3: does say don't walk under ladders on be where black 38 00:01:49,200 --> 00:01:52,400 Speaker 3: Cat's on Friday the thirteenth. Breaking a mirror is worse today. 39 00:01:53,680 --> 00:01:55,800 Speaker 3: Don't open a number oll other indoors, stay in or 40 00:01:55,840 --> 00:01:58,440 Speaker 3: be extra cautious. It said that a surprisingly large number 41 00:01:58,480 --> 00:02:01,600 Speaker 3: of people avoid driving, They postpone trips, They call in 42 00:02:01,680 --> 00:02:03,240 Speaker 3: sick to work because they think the day's on. 43 00:02:03,400 --> 00:02:05,080 Speaker 1: Lady, okay, but it's even more. 44 00:02:05,080 --> 00:02:07,600 Speaker 3: I'mlucky to sit your own home, isn't it exactly? 45 00:02:07,800 --> 00:02:10,320 Speaker 1: Imagine that you're calling sick and a plane falls on 46 00:02:10,360 --> 00:02:10,720 Speaker 1: your house. 47 00:02:10,760 --> 00:02:12,920 Speaker 3: There's a name for the fear of the day of 48 00:02:13,080 --> 00:02:16,120 Speaker 3: Friday the thirteenth. I'm going to attempt to read it out. Wow, 49 00:02:16,320 --> 00:02:18,720 Speaker 3: don't try and get this tattooed. You wouldn't have enough space. 50 00:02:19,520 --> 00:02:22,519 Speaker 3: Para scavy decker triphobia. 51 00:02:23,080 --> 00:02:26,519 Speaker 1: Para scavy deck of triphobia. What he said, look out 52 00:02:26,560 --> 00:02:29,959 Speaker 1: for it? Well, you know what distracts you from Friday 53 00:02:29,960 --> 00:02:31,639 Speaker 1: over thirteenth, Guy. 54 00:02:31,560 --> 00:02:33,280 Speaker 3: Sebastian, Oh, he's on our show today. 55 00:02:33,400 --> 00:02:35,640 Speaker 1: Yeah, because you know what. That show is starring that lady. 56 00:02:35,680 --> 00:02:37,560 Speaker 1: What's that lady? That nice lady from the Telly She's 57 00:02:37,560 --> 00:02:39,520 Speaker 1: on the Living Room. She's on so many shows beyond 58 00:02:39,560 --> 00:02:43,240 Speaker 1: two thousands nice lady. Oh she's a nice lady. Anyway, 59 00:02:43,240 --> 00:02:46,120 Speaker 1: That show starting again on Sunday and Sunday Night. And 60 00:02:46,160 --> 00:02:48,200 Speaker 1: Guy sat as we like to call him, will be 61 00:02:48,280 --> 00:02:50,200 Speaker 1: joining us and we can't do anything until we do 62 00:02:50,240 --> 00:02:50,880 Speaker 1: the fast fire. 63 00:02:50,960 --> 00:02:52,560 Speaker 3: Do you like to give us a call? Thirteen fifty 64 00:02:52,600 --> 00:02:53,920 Speaker 3: five twenty two please do? 65 00:02:54,120 --> 00:02:57,880 Speaker 1: On Gold gam Nation Gold it's Jonesy demand of driving 66 00:02:57,919 --> 00:02:59,520 Speaker 1: you home for jam Nation. 67 00:03:03,440 --> 00:03:06,720 Speaker 2: Jonesy and demanders. 68 00:03:05,440 --> 00:03:09,040 Speaker 1: Fine, not leaning into the Friday the thirteenth vibe, but 69 00:03:09,200 --> 00:03:11,040 Speaker 1: five questions can you go all the way and answer 70 00:03:11,080 --> 00:03:12,639 Speaker 1: all five questions correctly? 71 00:03:13,200 --> 00:03:14,840 Speaker 3: What will you sounds that you are leaning in? 72 00:03:15,320 --> 00:03:18,079 Speaker 1: I don't want to be anxious in this anxious world 73 00:03:18,080 --> 00:03:18,760 Speaker 1: in which we live. 74 00:03:19,040 --> 00:03:21,040 Speaker 3: Look, hello, Jacob, how are you. 75 00:03:23,000 --> 00:03:23,280 Speaker 1: Good? 76 00:03:23,360 --> 00:03:23,680 Speaker 3: Thank you? 77 00:03:23,680 --> 00:03:24,760 Speaker 1: How you guys? 78 00:03:24,800 --> 00:03:29,960 Speaker 3: Are you a subscriber to being anxious on Friday the thirteenth? 79 00:03:30,120 --> 00:03:30,919 Speaker 1: Not necessarily? 80 00:03:30,960 --> 00:03:31,200 Speaker 5: Why? 81 00:03:31,919 --> 00:03:37,120 Speaker 3: I just wondering because some people are suspicious, suspicious, superstitious, superstitious, 82 00:03:37,360 --> 00:03:38,320 Speaker 3: very superstitious. 83 00:03:38,360 --> 00:03:39,960 Speaker 1: The writing's on the wall, Jacob. 84 00:03:39,720 --> 00:03:43,040 Speaker 3: Stevie wonders, So don't don't be freaked out, Jacob, You're 85 00:03:43,040 --> 00:03:43,760 Speaker 3: going to be okay. 86 00:03:44,840 --> 00:03:47,600 Speaker 1: That's good. His question is freaking out? 87 00:03:47,880 --> 00:03:51,000 Speaker 3: Don't freak out? Question number one, which celebrity chef is 88 00:03:51,000 --> 00:03:55,520 Speaker 3: infamous for his use of foul language. I'm God, Randy 89 00:03:55,880 --> 00:04:00,560 Speaker 3: Ramsey here is who are you an idiot? Sandwich? That 90 00:04:00,680 --> 00:04:03,920 Speaker 3: sandwich has earned him a crust over the years. Apparently, 91 00:04:03,960 --> 00:04:06,240 Speaker 3: in his autobiography he was unaware of the extent of 92 00:04:06,280 --> 00:04:10,040 Speaker 3: his swearing until he watched himself on television. 93 00:04:10,080 --> 00:04:11,760 Speaker 1: Maybe a lot more people should do. 94 00:04:11,720 --> 00:04:13,080 Speaker 3: That a bit more self aware. 95 00:04:13,320 --> 00:04:15,440 Speaker 1: Let's play monster mass Jacob. 96 00:04:19,520 --> 00:04:22,200 Speaker 3: Jacob, we've munched two songs together. Can you tell us 97 00:04:22,240 --> 00:04:22,720 Speaker 3: what they are? 98 00:04:24,760 --> 00:04:35,400 Speaker 4: Sorry, goodness, Jacob. 99 00:04:39,160 --> 00:04:42,360 Speaker 1: Rubs, Yes, very good and. 100 00:04:43,640 --> 00:04:45,200 Speaker 6: Was there some Rob Thomas in. 101 00:04:47,480 --> 00:04:48,719 Speaker 3: Surprise? You got scrubs? 102 00:04:48,760 --> 00:04:53,359 Speaker 1: That's Jacob, Jacob, Jacob. Let's go do Heidelberg. Kathy, Hello, 103 00:04:53,400 --> 00:04:53,760 Speaker 1: how are you? 104 00:04:55,080 --> 00:04:55,640 Speaker 7: How are you? 105 00:04:55,760 --> 00:04:58,960 Speaker 1: I was once run over by a motorcycle in Heidelberg 106 00:04:59,400 --> 00:05:00,719 Speaker 1: when I was fine years of age. 107 00:05:00,720 --> 00:05:02,600 Speaker 3: It's just like you know how elephant man was His 108 00:05:02,640 --> 00:05:04,839 Speaker 3: mother was trampled by an elephant, and hence. 109 00:05:04,839 --> 00:05:07,239 Speaker 1: That's why I love motorcycles. I remember it very vividly. 110 00:05:07,520 --> 00:05:09,040 Speaker 1: I was in a back lane, just in the back 111 00:05:09,080 --> 00:05:11,280 Speaker 1: streets of Heidelberg. They're kicking the footy around as you 112 00:05:11,320 --> 00:05:15,200 Speaker 1: would do, were visiting our cousins, and this motorcycle came 113 00:05:15,240 --> 00:05:17,039 Speaker 1: out and know where I ran out straight in front 114 00:05:17,040 --> 00:05:19,120 Speaker 1: of it? Was my fault, ran straight out in front 115 00:05:19,120 --> 00:05:21,919 Speaker 1: of it, and I remember my dad putting his cigarette 116 00:05:21,960 --> 00:05:24,960 Speaker 1: down on My brother tells me put his cigarette down 117 00:05:25,000 --> 00:05:27,760 Speaker 1: on the fence and came over, switched the motorbike up 118 00:05:28,040 --> 00:05:30,720 Speaker 1: and off and gathered me up. And I had all 119 00:05:30,760 --> 00:05:32,920 Speaker 1: this like blood in my hair, and the ambulance came. 120 00:05:33,560 --> 00:05:35,880 Speaker 1: You were injured, Yeah, I was split my head right 121 00:05:35,920 --> 00:05:39,000 Speaker 1: open and she broke a leg the motorcyclist. 122 00:05:38,480 --> 00:05:40,839 Speaker 3: Really and so you thought, you know what this is 123 00:05:40,880 --> 00:05:41,159 Speaker 3: for me? 124 00:05:41,400 --> 00:05:43,799 Speaker 1: That was shout out to the Alfred Hospital. They stitched 125 00:05:43,800 --> 00:05:45,440 Speaker 1: me back up and look at me today. 126 00:05:45,240 --> 00:05:49,000 Speaker 3: Look at you today, the stitches around your neck. Now 127 00:05:49,040 --> 00:05:51,719 Speaker 3: we know. One of these songs is No Scrubs by TLC. 128 00:05:51,920 --> 00:05:53,680 Speaker 3: What's the other song in this monster match? 129 00:05:55,200 --> 00:06:06,880 Speaker 5: Sorry, Kathy, It's How You Remind Me by Nickelback? 130 00:06:07,080 --> 00:06:07,279 Speaker 8: Yeah? 131 00:06:08,839 --> 00:06:09,239 Speaker 4: Sorry? 132 00:06:12,800 --> 00:06:14,800 Speaker 1: Or Cathy didn't actually say no Scrubs? Did she? 133 00:06:14,960 --> 00:06:17,400 Speaker 3: I told her it was question number three? This is 134 00:06:17,400 --> 00:06:20,560 Speaker 3: a multiple choice in twenty twenty six, how many days 135 00:06:21,680 --> 00:06:24,039 Speaker 3: will be Friday the thirteenth? Today is one of them? 136 00:06:24,279 --> 00:06:24,880 Speaker 3: But how many? 137 00:06:24,960 --> 00:06:25,120 Speaker 5: Is it? 138 00:06:25,240 --> 00:06:28,800 Speaker 3: One? Two? Or three? How many Friday the thirteenth do 139 00:06:28,839 --> 00:06:29,479 Speaker 3: we get this year? 140 00:06:30,560 --> 00:06:30,920 Speaker 5: Three? 141 00:06:31,160 --> 00:06:34,360 Speaker 3: Yes, it is worry February, March, and November. 142 00:06:34,480 --> 00:06:37,360 Speaker 1: Was that a guess? There's nothing going on in the world. 143 00:06:37,480 --> 00:06:39,039 Speaker 3: This is the most you can have in a year. 144 00:06:39,080 --> 00:06:41,640 Speaker 3: This has been the rarest combination, last occurring in twenty 145 00:06:41,680 --> 00:06:43,680 Speaker 3: fifteen or twenty fifteen is not that long ago. There 146 00:06:43,720 --> 00:06:46,320 Speaker 3: was going to be in eighteen fifty two or something. 147 00:06:47,160 --> 00:06:51,640 Speaker 1: Kathy, which musical instrument is also the name of a 148 00:06:51,680 --> 00:06:59,880 Speaker 1: glass used to drink champagne, a fleet, a flute, whoa well, 149 00:07:00,200 --> 00:07:07,440 Speaker 1: this happened yesterday. So Kathy, what's the drama? Radio drama? Kathy, 150 00:07:08,680 --> 00:07:10,840 Speaker 1: you can choose to hang on the. 151 00:07:10,760 --> 00:07:14,240 Speaker 3: Line and play for the prize of five hundred dollars 152 00:07:14,280 --> 00:07:17,600 Speaker 3: voucher to hijik with question five, go now with nothing? 153 00:07:17,720 --> 00:07:22,120 Speaker 5: Yeah, oh no, I'm definitely gonna stay. 154 00:07:22,120 --> 00:07:22,800 Speaker 3: Thanks Kathy. 155 00:07:22,920 --> 00:07:25,680 Speaker 1: Okay, Kathy, will you hang on there. We'll come back. 156 00:07:25,720 --> 00:07:27,640 Speaker 1: But you can still take on Kathy. There's a good 157 00:07:27,720 --> 00:07:29,200 Speaker 1: chance that she might muck it up. I know you 158 00:07:29,200 --> 00:07:32,920 Speaker 1: can hear all this, Kathy, but you'll be okay. 159 00:07:32,960 --> 00:07:33,400 Speaker 3: I'm sure. 160 00:07:33,920 --> 00:07:37,280 Speaker 1: Give us gold thirteen fifty five twenty two on Gold. 161 00:07:37,760 --> 00:07:41,880 Speaker 2: Here every second of Jonesy and Demander on demand. Search 162 00:07:41,920 --> 00:07:44,000 Speaker 2: for us now on the iHeart app Gold. 163 00:07:44,160 --> 00:07:46,240 Speaker 1: It's Jonesy Demander driving you home. 164 00:07:49,960 --> 00:07:53,640 Speaker 2: Light Jonesy and Demanders. 165 00:07:52,320 --> 00:07:55,280 Speaker 1: Five waste number five of the fast five. We've got 166 00:07:55,320 --> 00:07:57,640 Speaker 1: Kathy of Hardelberg. What we've learned about Kathy. 167 00:07:58,080 --> 00:07:59,120 Speaker 3: Is that she's a stay out. 168 00:07:59,240 --> 00:07:59,840 Speaker 1: She's a stage. 169 00:08:00,000 --> 00:08:02,280 Speaker 3: You didn't want to go home with nothing when she 170 00:08:02,280 --> 00:08:04,000 Speaker 3: could have stayed on the line to play for something. 171 00:08:04,040 --> 00:08:06,160 Speaker 1: If she gets this wrong, you get nothing. Kathy. You're 172 00:08:06,200 --> 00:08:07,640 Speaker 1: gambling nothing for nothing? 173 00:08:08,320 --> 00:08:11,520 Speaker 5: I know, I mean, you know, what was the choice, Kathy? 174 00:08:11,680 --> 00:08:12,280 Speaker 3: Question five? 175 00:08:12,400 --> 00:08:16,560 Speaker 1: Question number five. Yes, there's a new season of a 176 00:08:16,680 --> 00:08:21,160 Speaker 1: show starting on Sunday, hosted by Amanda. 177 00:08:21,200 --> 00:08:21,400 Speaker 5: Here. 178 00:08:21,800 --> 00:08:23,480 Speaker 1: What is the name of this show? 179 00:08:24,840 --> 00:08:28,280 Speaker 3: Oh my god, it's not that unlikely, Kathy. 180 00:08:29,000 --> 00:08:30,520 Speaker 5: No, no, no, I'm sure it's not. 181 00:08:33,480 --> 00:08:41,120 Speaker 3: I believe me, Cathy. Oh, don't play that, Ryan, Kathy, Kathy, 182 00:08:41,280 --> 00:08:43,440 Speaker 3: Oh my god. Like it's the most unlikely thing in 183 00:08:43,440 --> 00:08:46,240 Speaker 3: the world. It has been heavily advertised. I'd like to think. 184 00:08:46,400 --> 00:08:47,800 Speaker 1: Now, don't get up at you about this. 185 00:08:47,920 --> 00:08:50,240 Speaker 3: Well, you read it incorrectly. That's why we. 186 00:08:50,240 --> 00:08:53,559 Speaker 1: Go from Kathy to Matthew in Belden, we go from 187 00:08:53,640 --> 00:08:55,439 Speaker 1: Victoria to Western Australia. 188 00:08:55,640 --> 00:08:59,880 Speaker 3: Matthew, Hello, Matthew, Hey, here you go. Very well, you've come. 189 00:09:00,280 --> 00:09:03,760 Speaker 1: Question Pappy got question five wrong, and she hung on 190 00:09:03,800 --> 00:09:04,800 Speaker 1: and everything. 191 00:09:04,760 --> 00:09:07,680 Speaker 3: She hung on and everything got question five wrong. Brendan's 192 00:09:07,679 --> 00:09:08,800 Speaker 3: going to ask this question. 193 00:09:09,040 --> 00:09:12,520 Speaker 1: The new season of which show, hosted by Amanda starts 194 00:09:12,520 --> 00:09:13,200 Speaker 1: on Sunday. 195 00:09:15,559 --> 00:09:17,640 Speaker 6: Uh is it Scarf Petter or. 196 00:09:17,600 --> 00:09:18,040 Speaker 2: Something like that? 197 00:09:18,320 --> 00:09:22,000 Speaker 3: No, but thank you. Nicole Kidman's in that. I can 198 00:09:22,040 --> 00:09:24,760 Speaker 3: see why you'd mistake me for her. Maybe the ABC 199 00:09:24,920 --> 00:09:26,920 Speaker 3: publicity machine needs to work a little harder. 200 00:09:27,040 --> 00:09:28,880 Speaker 1: Jessica's in WAYWI if anyone. 201 00:09:28,600 --> 00:09:32,560 Speaker 3: Knows, Jessica, Hi, jess how are you, guys, Jessica, The 202 00:09:32,600 --> 00:09:35,120 Speaker 3: new season of which show of which I'm a host 203 00:09:35,320 --> 00:09:36,280 Speaker 3: starts on Sunday. 204 00:09:38,160 --> 00:09:42,400 Speaker 1: Yes, I believe it's the piano, right, Jessica, Yeah, yes 205 00:09:42,440 --> 00:09:42,680 Speaker 1: it is. 206 00:09:43,000 --> 00:09:44,040 Speaker 8: Yay, Thank you so. 207 00:09:44,040 --> 00:09:46,319 Speaker 1: Much, Jessica. Are you looking forward to it? 208 00:09:47,679 --> 00:09:48,400 Speaker 3: A definitely? 209 00:09:48,480 --> 00:09:49,760 Speaker 1: Yes, I'm definitely looking forward to it. 210 00:09:49,800 --> 00:09:52,360 Speaker 8: Hopefully my toddler behaves and we can watch it together. 211 00:09:53,000 --> 00:09:53,520 Speaker 3: Guys. 212 00:09:53,720 --> 00:09:57,720 Speaker 1: Congratulations Jessica, you won the jam pack in which you'll 213 00:09:57,720 --> 00:10:00,000 Speaker 1: find a fight. Well, Jessica, let me talk about it. 214 00:10:00,080 --> 00:10:03,000 Speaker 1: This a five hundred dollars ouch at a Hijig's Hotel 215 00:10:03,160 --> 00:10:06,640 Speaker 1: where fun chicks checks in, fun chicks go, fun chicks 216 00:10:06,679 --> 00:10:08,840 Speaker 1: like you, Jesse to go and bought them checks out 217 00:10:09,040 --> 00:10:15,120 Speaker 1: search Hijink's Hotel. Jessica, thank you, thanks, jess have a 218 00:10:15,120 --> 00:10:19,880 Speaker 1: good weekend. How good are you? You know? Maybe we 219 00:10:19,880 --> 00:10:20,880 Speaker 1: should talk about the piano. 220 00:10:20,920 --> 00:10:21,960 Speaker 3: Maybe I need to talk it up. 221 00:10:22,440 --> 00:10:24,720 Speaker 1: Let's talk it up next because people seem to be 222 00:10:24,800 --> 00:10:28,120 Speaker 1: unaware of it. Yes, absolutely, we'll do that next. On 223 00:10:28,200 --> 00:10:32,520 Speaker 1: Gold Gold It's Jonesy Demanda driving you home. 224 00:10:33,040 --> 00:10:37,079 Speaker 3: Sunday Night, The Piano, Season two is back on the tele. 225 00:10:37,240 --> 00:10:39,240 Speaker 1: You shouldn't have to sprug it. I should be your 226 00:10:39,280 --> 00:10:42,880 Speaker 1: Colonel Trautman's from Rambo like when I talk you up. 227 00:10:43,200 --> 00:10:45,320 Speaker 1: Remember I did that for your Logi's campaign all those 228 00:10:45,400 --> 00:10:45,719 Speaker 1: years ago. 229 00:10:45,840 --> 00:10:46,720 Speaker 3: Mind me how that went? 230 00:10:47,280 --> 00:10:48,240 Speaker 1: You want and I remember? 231 00:10:48,240 --> 00:10:49,559 Speaker 3: No, I didn't win the Gold LOGI. 232 00:10:49,640 --> 00:10:51,559 Speaker 1: I look good in a trench coat and a beret 233 00:10:51,840 --> 00:10:55,120 Speaker 1: talking you up. She thought you frank, she could eat 234 00:10:55,120 --> 00:10:56,640 Speaker 1: things that would make a billy go puke. 235 00:10:57,559 --> 00:10:59,200 Speaker 3: You don't need to talk up this show because it 236 00:10:59,240 --> 00:11:03,840 Speaker 3: talks up itself. This is one of the most beautiful 237 00:11:03,840 --> 00:11:05,839 Speaker 3: things I've ever been involved with. And I thought season 238 00:11:05,920 --> 00:11:10,439 Speaker 3: one could not be topped, but season two is quite extraordinary. 239 00:11:10,880 --> 00:11:13,160 Speaker 3: Here's the trailer for Sunday Night, or here's a trailer 240 00:11:13,200 --> 00:11:15,080 Speaker 3: for the entire season season two. 241 00:11:15,240 --> 00:11:17,880 Speaker 1: Okay, once again, music is. 242 00:11:17,880 --> 00:11:21,560 Speaker 3: Echoing from public pianos all over this country. The Piano 243 00:11:21,880 --> 00:11:25,520 Speaker 3: returns and joining us is one of Australia's most successful 244 00:11:25,559 --> 00:11:29,840 Speaker 3: recording artists of all time. Guy Sebastian, Hello, beautiful people. 245 00:11:31,559 --> 00:11:34,559 Speaker 3: Together with world renowned pianist Andrea. 246 00:11:34,240 --> 00:11:35,880 Speaker 8: Lamb, It's as fabulous. 247 00:11:36,040 --> 00:11:39,640 Speaker 3: They'll be searching for more incredible, undiscovered pianists. 248 00:11:39,880 --> 00:11:42,360 Speaker 1: I'm a zookeeper, I'm a mum and a cara. 249 00:11:42,640 --> 00:11:43,840 Speaker 2: I'm rugby players. 250 00:11:43,840 --> 00:11:45,880 Speaker 3: You are the Rugbys. To rugby players, I want to 251 00:11:45,920 --> 00:11:49,800 Speaker 3: feel the fields. I'm one hundred names, one hundred. Each 252 00:11:49,840 --> 00:11:53,000 Speaker 3: week they'll choose one pianist and offer them a once 253 00:11:53,040 --> 00:11:56,439 Speaker 3: in a lifetime opportunity and perform in concert on one 254 00:11:56,440 --> 00:12:01,440 Speaker 3: of the country's most prestigious stages. Welcome to the Piano. 255 00:12:01,640 --> 00:12:04,480 Speaker 3: And the thing about this show is it's not a competition, 256 00:12:05,120 --> 00:12:07,560 Speaker 3: and I think the producers are very careful in who 257 00:12:07,559 --> 00:12:09,280 Speaker 3: they select, so they put out a wide net of 258 00:12:09,360 --> 00:12:12,080 Speaker 3: what's your story with the piano, come and talk to us. 259 00:12:12,240 --> 00:12:15,600 Speaker 3: And so the people who who come down to join 260 00:12:15,679 --> 00:12:18,160 Speaker 3: us are people who just love the piano. They're not 261 00:12:18,200 --> 00:12:20,720 Speaker 3: there hoping they'll get record contracts. It's not about any 262 00:12:20,720 --> 00:12:20,960 Speaker 3: of that. 263 00:12:21,520 --> 00:12:24,800 Speaker 1: But how many dare I say? Mentals? Did you get 264 00:12:24,880 --> 00:12:25,319 Speaker 1: this time? 265 00:12:26,240 --> 00:12:27,319 Speaker 3: What day did you turn? 266 00:12:27,840 --> 00:12:30,720 Speaker 1: Remember that time you asked? You were down there, you 267 00:12:30,720 --> 00:12:32,520 Speaker 1: were hungry and someone had a bag of twist. 268 00:12:32,280 --> 00:12:35,000 Speaker 3: At Central Railway station in Sydney and. 269 00:12:34,960 --> 00:12:37,880 Speaker 1: You said, can I have a twisty? What happened. 270 00:12:38,000 --> 00:12:41,199 Speaker 3: Well, I reached into the bag and I took out 271 00:12:41,440 --> 00:12:43,720 Speaker 3: what may have been a twisty I don't know, and 272 00:12:43,760 --> 00:12:47,560 Speaker 3: I ate it, but it was very wet. It was 273 00:12:47,760 --> 00:12:50,640 Speaker 3: very inside that bag was something that was very wet. 274 00:12:50,880 --> 00:12:52,439 Speaker 1: Why are you eating wet twist? 275 00:12:52,520 --> 00:12:54,520 Speaker 3: I had to I didn't want to be judgmental, So 276 00:12:54,559 --> 00:12:57,440 Speaker 3: whatever I pulled out, yep, I had to eat. Then 277 00:12:57,480 --> 00:13:00,880 Speaker 3: I saw giant lizards in the sky. Well, this is 278 00:13:00,880 --> 00:13:03,680 Speaker 3: what's lovely about this show is that the people were 279 00:13:03,760 --> 00:13:05,880 Speaker 3: in public. So we put a public We put a 280 00:13:05,880 --> 00:13:08,640 Speaker 3: piano in a public place, a shopping center this time. 281 00:13:08,640 --> 00:13:11,200 Speaker 3: We're at an international airport this year, which is amazing, 282 00:13:12,440 --> 00:13:16,200 Speaker 3: at big shopping malls, at fruit and veg stalls. 283 00:13:16,240 --> 00:13:17,200 Speaker 1: Yeah, we get a show. 284 00:13:18,880 --> 00:13:21,480 Speaker 3: People may not have seen it, but I'm telling you 285 00:13:21,520 --> 00:13:25,040 Speaker 3: that therefore, you are surrounded by humanity, not only other 286 00:13:25,080 --> 00:13:27,360 Speaker 3: people who are playing the piano. People with the story. 287 00:13:27,520 --> 00:13:29,920 Speaker 3: The people I stand within the crowd, have a story, 288 00:13:30,080 --> 00:13:32,559 Speaker 3: People who care? Who have you know? One guy had 289 00:13:32,559 --> 00:13:35,120 Speaker 3: a pet lorikeet that was just in his shopping bag. 290 00:13:35,559 --> 00:13:37,560 Speaker 3: You know, you meet a lot of life when you 291 00:13:37,600 --> 00:13:38,559 Speaker 3: film the show. 292 00:13:39,360 --> 00:13:42,960 Speaker 1: Well, I'm looking forward to seeing it. It's Sunday night, 293 00:13:43,440 --> 00:13:47,000 Speaker 1: and you may know the Appointment Tintment. 294 00:13:46,280 --> 00:13:49,439 Speaker 3: TV, and you may know by now that the people 295 00:13:49,440 --> 00:13:51,640 Speaker 3: who play the piano are being watched by two people, 296 00:13:51,679 --> 00:13:53,480 Speaker 3: one of whom, as we say, is Guy Sebastian, and 297 00:13:53,520 --> 00:13:55,000 Speaker 3: he's going to be joining us later on the show. 298 00:13:55,120 --> 00:14:01,040 Speaker 1: On Gold Gold it's Jonesy Demanda's jam Nation driving you home. 299 00:14:01,360 --> 00:14:03,559 Speaker 1: You know, the bad thing about a fuel crisis, or 300 00:14:03,600 --> 00:14:06,280 Speaker 1: even a whiff of a fuel crisis is if you 301 00:14:06,400 --> 00:14:09,000 Speaker 1: drive a big gas guzzling four by four. 302 00:14:09,120 --> 00:14:12,520 Speaker 3: We've been talking about that is that the fuel crisis 303 00:14:12,640 --> 00:14:15,520 Speaker 3: is the idea of that is being fueled by talkback radio. 304 00:14:15,840 --> 00:14:18,400 Speaker 3: Apparently we have enough fuel. The price may go up, 305 00:14:18,720 --> 00:14:20,680 Speaker 3: but there is enough fuel. But yes, if you've got 306 00:14:20,680 --> 00:14:22,200 Speaker 3: one of those big gas got yes, it's going to 307 00:14:22,200 --> 00:14:22,680 Speaker 3: be expensive. 308 00:14:22,680 --> 00:14:24,480 Speaker 1: You look at my mate, the scamp. He's got that 309 00:14:24,520 --> 00:14:27,720 Speaker 1: big Dodge Ram that comes with its own refinery. It's 310 00:14:27,720 --> 00:14:31,440 Speaker 1: that big. It's huge. I'm too scared to even get 311 00:14:31,440 --> 00:14:33,000 Speaker 1: in it. It's so big. I feel like a little 312 00:14:33,080 --> 00:14:34,080 Speaker 1: kid sitting in the drivers. 313 00:14:34,160 --> 00:14:36,120 Speaker 3: So that's the thing. Trying to park next to them 314 00:14:36,120 --> 00:14:38,240 Speaker 3: in car parks, trying to get into them. I need 315 00:14:38,280 --> 00:14:39,440 Speaker 3: to be fork lifted in. 316 00:14:40,880 --> 00:14:42,640 Speaker 1: When was the last time you got forklifted in a 317 00:14:42,680 --> 00:14:43,200 Speaker 1: car park? 318 00:14:44,600 --> 00:14:45,320 Speaker 3: I dream of it. 319 00:14:45,680 --> 00:14:49,480 Speaker 1: I do appreciate the nicknames for all those big trucks, 320 00:14:49,520 --> 00:14:52,240 Speaker 1: you know, the Ford raptor, the Ford Ranger, the Dmax, 321 00:14:52,600 --> 00:14:54,920 Speaker 1: all those things. You know what My favorite ones are 322 00:14:55,840 --> 00:15:00,480 Speaker 1: the daycare Dasher, that's good, the Debt sled nice, the 323 00:15:00,520 --> 00:15:05,320 Speaker 1: Fifo Lambo. What about the cf emmy ute that's pretty 324 00:15:05,320 --> 00:15:08,480 Speaker 1: good of its own neck tattoo. So there, that's for 325 00:15:08,520 --> 00:15:11,560 Speaker 1: the petrol ones. But what about the electric cousins. Do 326 00:15:11,600 --> 00:15:13,040 Speaker 1: you want to hear some of the good nicknames? They're 327 00:15:13,040 --> 00:15:17,640 Speaker 1: coming over sot bring their own extension lead. I'm talking 328 00:15:17,640 --> 00:15:18,600 Speaker 1: about the Byd. 329 00:15:18,680 --> 00:15:21,400 Speaker 3: You know, the by that's a big cellar, isn't it. 330 00:15:21,880 --> 00:15:24,200 Speaker 1: The Keya Tasman, you know what they call the by 331 00:15:24,320 --> 00:15:30,600 Speaker 1: D Shark, the Mongolian Lambeau that's good, the one Ton 332 00:15:30,680 --> 00:15:39,000 Speaker 1: Rodeo one Ton, the Genger's cart, and for the Keia Tasman, 333 00:15:39,600 --> 00:15:43,240 Speaker 1: the tapperwar Triton, the Sole Trader. 334 00:15:44,360 --> 00:15:47,080 Speaker 3: Oh so you're the guy who doesn't like pun. 335 00:15:47,040 --> 00:15:51,840 Speaker 1: No, that's good, the Lego land Cruiser, the Kim Jong's 336 00:15:51,920 --> 00:15:57,320 Speaker 1: jump Buck, and my favorite, the succulent Chinese. 337 00:15:56,880 --> 00:15:59,160 Speaker 3: Wheels pay that that one is excellent. 338 00:16:00,240 --> 00:16:00,920 Speaker 1: Oh, thank you. 339 00:16:00,920 --> 00:16:02,880 Speaker 3: You're welcome from the man who doesn't like puns. You've 340 00:16:02,880 --> 00:16:03,680 Speaker 3: done very well. 341 00:16:04,200 --> 00:16:06,680 Speaker 1: Coming up. Yes, he's going to be joining us. Tell 342 00:16:06,720 --> 00:16:09,600 Speaker 1: me your mate, star of the Piano. I know you're 343 00:16:09,600 --> 00:16:10,880 Speaker 1: the star of the piano. 344 00:16:10,600 --> 00:16:12,040 Speaker 3: One of the stars of the piano. 345 00:16:12,160 --> 00:16:14,440 Speaker 1: Thank you, guys. Sebastian joining us on goal. 346 00:16:14,800 --> 00:16:20,440 Speaker 2: You're listening to the Jonesy and Demanda podcast now, by 347 00:16:20,520 --> 00:16:21,440 Speaker 2: the miracle of recording. 348 00:16:21,880 --> 00:16:23,800 Speaker 6: And Amanda, don't be an Amanda. 349 00:16:23,840 --> 00:16:25,040 Speaker 3: Those are two great names. 350 00:16:25,880 --> 00:16:28,360 Speaker 1: I'm not a scatter. That's the chemistry between them. 351 00:16:28,360 --> 00:16:30,160 Speaker 3: But how much of that real? Find your own business 352 00:16:30,160 --> 00:16:30,960 Speaker 3: and shut your pie. 353 00:16:31,280 --> 00:16:32,560 Speaker 6: I wish you were with your show. 354 00:16:33,120 --> 00:16:35,840 Speaker 1: Where Hello, there, it is Friday, The weekend is ahead. 355 00:16:35,880 --> 00:16:37,200 Speaker 1: Everything's going picturly pie. 356 00:16:37,280 --> 00:16:39,440 Speaker 3: Actually, Ryan, what do you do on your weekends? Now 357 00:16:39,440 --> 00:16:42,040 Speaker 3: that your show is done and dusted from Adelaide friends, 358 00:16:42,080 --> 00:16:44,120 Speaker 3: you had rehearsals leading up to it. What are you doing? 359 00:16:44,200 --> 00:16:47,560 Speaker 1: Yeah, not a lot? Actually, yeah, going to be relaxing. 360 00:16:47,360 --> 00:16:49,960 Speaker 3: Relaxing without your suit of armor. Actually, where is that 361 00:16:50,040 --> 00:16:51,120 Speaker 3: sum Yeah? 362 00:16:51,160 --> 00:16:54,440 Speaker 1: For those who don't know Ryan's play Kingdom of Fools, 363 00:16:54,560 --> 00:16:57,400 Speaker 1: you got a right featured a suit of armor. I 364 00:16:57,480 --> 00:17:00,880 Speaker 1: dare say all of the budget too a suit of armor. 365 00:17:01,240 --> 00:17:03,200 Speaker 1: But actually I am curious. What are you going to 366 00:17:03,240 --> 00:17:04,080 Speaker 1: do with that suit of armor? 367 00:17:04,160 --> 00:17:06,200 Speaker 2: Well, it's still in Adelaide at the moment, so it's 368 00:17:06,240 --> 00:17:10,159 Speaker 2: in like a storage pod that needs to travel back home. 369 00:17:10,440 --> 00:17:11,919 Speaker 3: Are you trying to raise some more money to get 370 00:17:11,960 --> 00:17:12,359 Speaker 3: at home? 371 00:17:13,280 --> 00:17:17,760 Speaker 1: Yeah, you are not. Why did you wear it on 372 00:17:17,760 --> 00:17:20,880 Speaker 1: the plane? Well, it's really heavy, like you do if. 373 00:17:20,840 --> 00:17:23,000 Speaker 3: You've got a lot of excess luggage, you just wear it. 374 00:17:23,200 --> 00:17:25,600 Speaker 1: But I tell it a lot for you. If you 375 00:17:25,600 --> 00:17:27,359 Speaker 1: need a place to store it, I'll just set it 376 00:17:27,440 --> 00:17:29,240 Speaker 1: up in my house. You on the suit of armor, 377 00:17:29,400 --> 00:17:30,119 Speaker 1: I'll just set it up. 378 00:17:30,119 --> 00:17:31,080 Speaker 3: Would you live near the water? 379 00:17:31,160 --> 00:17:33,160 Speaker 1: It at a rust not that close to the water. 380 00:17:33,320 --> 00:17:37,399 Speaker 3: Oh, yes, you're right on the water, Brenda. When you 381 00:17:37,400 --> 00:17:39,520 Speaker 3: said I need to get me a waterfront, that's what 382 00:17:39,560 --> 00:17:44,720 Speaker 3: that means. And do you need the armor to keep 383 00:17:44,760 --> 00:17:49,880 Speaker 3: the neighbors from taking all your boat ramps out? 384 00:17:50,160 --> 00:17:52,680 Speaker 1: No, I'm just offering Ryan, I've got a space in 385 00:17:52,720 --> 00:17:53,160 Speaker 1: my house. 386 00:17:53,600 --> 00:17:55,200 Speaker 3: He's got a lot of space. 387 00:17:55,800 --> 00:17:57,840 Speaker 1: And I could set it up and that would be 388 00:17:57,920 --> 00:18:01,120 Speaker 1: a nice because I've got flight set of man at 389 00:18:01,119 --> 00:18:02,440 Speaker 1: my house. The five of us. 390 00:18:03,480 --> 00:18:04,960 Speaker 3: Don't you want to keep it? Way? Would you get 391 00:18:05,760 --> 00:18:08,320 Speaker 3: You haven't even seen the play, didn't even come to. 392 00:18:08,240 --> 00:18:12,160 Speaker 1: See, right, I haven't had time to see the the. 393 00:18:11,960 --> 00:18:14,119 Speaker 3: Time that I went to see the play with some 394 00:18:14,119 --> 00:18:17,199 Speaker 3: people here from the office, you said that you couldn't 395 00:18:17,200 --> 00:18:18,679 Speaker 3: go because you had to sit at home on the 396 00:18:18,720 --> 00:18:21,000 Speaker 3: couch to watch your team play football. You didn't even 397 00:18:21,000 --> 00:18:21,560 Speaker 3: go to the feet. 398 00:18:21,600 --> 00:18:25,280 Speaker 1: I had to urge the mine. Have they lost anyway? 399 00:18:25,320 --> 00:18:26,400 Speaker 1: I would like to see your. 400 00:18:26,640 --> 00:18:29,800 Speaker 3: Neighbors away take away your vot take. 401 00:18:33,240 --> 00:18:37,200 Speaker 1: Because you're struggling anyway. The offer is there. 402 00:18:37,600 --> 00:18:38,320 Speaker 3: The offer is there? 403 00:18:38,400 --> 00:18:40,760 Speaker 1: Right, yes, the offer? Is there? Anything else you'd like 404 00:18:40,760 --> 00:18:41,399 Speaker 1: to add? Amount of? 405 00:18:42,000 --> 00:18:43,080 Speaker 3: I'm out now. 406 00:18:43,520 --> 00:18:45,440 Speaker 1: Coming up, we've got the pop test. We don't even 407 00:18:45,440 --> 00:18:47,040 Speaker 1: know what we're talking about in a pub test today, 408 00:18:47,280 --> 00:18:47,760 Speaker 1: but there's. 409 00:18:47,600 --> 00:18:50,160 Speaker 3: Something interesting I want to play you next. Inn I mean, 410 00:18:50,200 --> 00:18:52,560 Speaker 3: you didn't go to Ryan's play, and probably luckily so, 411 00:18:52,680 --> 00:18:55,359 Speaker 3: you'd have pulled a face. I've seen something where a 412 00:18:55,440 --> 00:18:57,640 Speaker 3: boyfriend's been dragged along for something. 413 00:18:57,400 --> 00:19:00,719 Speaker 1: Like Ryan's play, perhaps, but I haven't seen it, so 414 00:19:00,880 --> 00:19:03,439 Speaker 1: how would I know? Instagram is coming up a bit 415 00:19:03,480 --> 00:19:07,680 Speaker 1: later as well, and guy Sebastian Gold it's Jonesy and 416 00:19:07,720 --> 00:19:09,800 Speaker 1: Demanda driving you home for jam Nation. 417 00:19:10,080 --> 00:19:13,360 Speaker 3: I saw a fantastic social media post the other day. 418 00:19:13,440 --> 00:19:15,000 Speaker 3: I don't know who the people are, but I think 419 00:19:15,040 --> 00:19:17,800 Speaker 3: that it probably speaks for a lot of people. A 420 00:19:17,840 --> 00:19:22,880 Speaker 3: woman has filmed her boyfriend in a club, yes listening 421 00:19:23,400 --> 00:19:34,240 Speaker 3: to this his face jazz. His face looks like someone 422 00:19:34,320 --> 00:19:39,080 Speaker 3: has farted under his nose, and she says, POV, you're 423 00:19:39,119 --> 00:19:42,879 Speaker 3: experiencing jazz for the first time. He looks like, what 424 00:19:43,200 --> 00:19:47,159 Speaker 3: the hell is this? Because the idea of jazz is 425 00:19:47,200 --> 00:19:52,760 Speaker 3: a smoky bar and something fabulous happening. But really it's 426 00:19:52,920 --> 00:19:55,479 Speaker 3: that you don't like jazz. No, And I wonder how 427 00:19:55,520 --> 00:19:58,159 Speaker 3: do they know when to finish? How do I know, 428 00:19:58,600 --> 00:20:01,560 Speaker 3: like I said, different every time? Do they write notes down? 429 00:20:01,760 --> 00:20:03,560 Speaker 3: I'mber once going to a place in New York when 430 00:20:03,560 --> 00:20:05,200 Speaker 3: I was on a beyond two thousand trip years ago. 431 00:20:05,200 --> 00:20:07,280 Speaker 3: It just on my own. I was in my twenties 432 00:20:07,480 --> 00:20:10,199 Speaker 3: because they said that Woody Allen was playing there, and 433 00:20:10,240 --> 00:20:13,240 Speaker 3: I thought, how great. He used to play every week 434 00:20:13,280 --> 00:20:14,080 Speaker 3: at this jazz class. 435 00:20:14,080 --> 00:20:15,639 Speaker 1: So you're in your twenty seve you would have been 436 00:20:15,640 --> 00:20:16,240 Speaker 1: too old for it. 437 00:20:17,640 --> 00:20:20,200 Speaker 3: And we weren't related in any way. So he wouldn't 438 00:20:20,200 --> 00:20:23,680 Speaker 3: have been interested. But you sit down and think how exciting, 439 00:20:23,760 --> 00:20:26,560 Speaker 3: and then pretty much you just hear Can I hear 440 00:20:26,600 --> 00:20:26,920 Speaker 3: it again? 441 00:20:27,480 --> 00:20:28,840 Speaker 1: I reckon, that's pretty good, Like. 442 00:20:28,880 --> 00:20:34,119 Speaker 3: You know, if you've got a really exotic drink in 443 00:20:34,160 --> 00:20:37,080 Speaker 3: your hand and you're flirting with attractive people. But to 444 00:20:37,119 --> 00:20:39,919 Speaker 3: sit there and listen to it, it sounds like my 445 00:20:40,000 --> 00:20:40,720 Speaker 3: idea of hell. 446 00:20:40,880 --> 00:20:43,200 Speaker 1: My late father was a big jazz fan and my 447 00:20:43,280 --> 00:20:45,440 Speaker 1: late uncle was a big jazz fan. Of my late 448 00:20:45,520 --> 00:20:47,440 Speaker 1: uncle sixtieth they had a jazz band. 449 00:20:48,280 --> 00:20:49,479 Speaker 3: But did it people dance? 450 00:20:49,760 --> 00:20:51,560 Speaker 1: Well, they're just playing in the back alley of He 451 00:20:51,840 --> 00:20:56,200 Speaker 1: lived in a nice place in what's called him Richmond 452 00:20:57,040 --> 00:20:59,160 Speaker 1: in Melbourne, and they have a nice little back hours. 453 00:20:59,160 --> 00:20:59,879 Speaker 3: It's not a dance. 454 00:21:00,320 --> 00:21:02,199 Speaker 1: Yeah, you're just out there at the back, you know. 455 00:21:02,280 --> 00:21:04,520 Speaker 1: And Mick malloy was He lived just down the road, 456 00:21:04,560 --> 00:21:08,240 Speaker 1: so he was there and mixeding there watching this jazz band. 457 00:21:08,080 --> 00:21:11,240 Speaker 3: Can be atmospheric, I guess. But I would not seek 458 00:21:11,280 --> 00:21:12,720 Speaker 3: it out, would you? 459 00:21:12,720 --> 00:21:13,000 Speaker 1: No? 460 00:21:13,520 --> 00:21:15,840 Speaker 3: Oh, so I thought you were just champing. 461 00:21:16,680 --> 00:21:18,840 Speaker 1: Like when I was watching these old blakes play jazz 462 00:21:19,119 --> 00:21:22,879 Speaker 1: and they've got their brushes on the drums and and 463 00:21:22,920 --> 00:21:26,439 Speaker 1: old blakes are getting teary eyed. I appreciated it. I 464 00:21:26,520 --> 00:21:31,159 Speaker 1: appreciated it that afternoon. That was nice. I know that 465 00:21:31,200 --> 00:21:34,280 Speaker 1: you have beef against jazz. I don't have beef you've got. 466 00:21:34,560 --> 00:21:38,240 Speaker 3: I didn't know. If I didn't know what I was 467 00:21:38,240 --> 00:21:41,520 Speaker 3: going to hear and I went and then I heard this, 468 00:21:43,320 --> 00:21:46,879 Speaker 3: I'd be pulling that face to you. What the hell? 469 00:21:47,000 --> 00:21:49,159 Speaker 1: When finished? How do you know when you're finished? 470 00:21:49,600 --> 00:21:51,080 Speaker 3: Let me know when you finish your warm up. 471 00:21:52,600 --> 00:21:54,440 Speaker 1: I don't Timothy Charlemaye yourself. 472 00:21:54,520 --> 00:21:57,879 Speaker 3: No, I'm just saying. I'm saying it's not for me. 473 00:21:58,200 --> 00:22:00,760 Speaker 3: If Timothy Charlomaye had said that about opera and ballet, 474 00:22:00,800 --> 00:22:02,640 Speaker 3: that it's not for me, that'd be one thing he said. 475 00:22:02,640 --> 00:22:03,200 Speaker 3: It's a dying. 476 00:22:04,119 --> 00:22:05,399 Speaker 1: So you haven't slagged jazz. 477 00:22:05,480 --> 00:22:09,040 Speaker 3: No, I don't personally seek it out. I'm not saying 478 00:22:09,040 --> 00:22:09,800 Speaker 3: it shouldn't exist. 479 00:22:09,880 --> 00:22:13,399 Speaker 1: I think the greatest bastion of diplomacy is when we 480 00:22:13,440 --> 00:22:15,600 Speaker 1: go down to the pub to put this to the pot. 481 00:22:15,640 --> 00:22:17,480 Speaker 1: I think there's a perfect pub test right now. 482 00:22:17,560 --> 00:22:19,000 Speaker 3: I might start liking it if I hear it with 483 00:22:19,040 --> 00:22:19,880 Speaker 3: a drink in my hand. 484 00:22:20,440 --> 00:22:22,760 Speaker 1: I'll get some other examples of the great jazz. 485 00:22:23,080 --> 00:22:25,600 Speaker 3: Don't You don't need so you really don't need. Okay, 486 00:22:25,880 --> 00:22:27,480 Speaker 3: remember when we were kids and all you'd hear is 487 00:22:27,560 --> 00:22:30,200 Speaker 3: Kenny Ball and that jazz band. If you can find 488 00:22:30,200 --> 00:22:32,399 Speaker 3: someone that I think you're showing your hands, find it, 489 00:22:32,520 --> 00:22:34,280 Speaker 3: you find that no one likes that. 490 00:22:34,240 --> 00:22:36,440 Speaker 1: I tell you, we'll come back with the pub Test 491 00:22:36,560 --> 00:22:37,600 Speaker 1: on Gold. 492 00:22:37,840 --> 00:22:40,680 Speaker 2: Jonesy and Amanda listen to the podcast whenever you want 493 00:22:40,760 --> 00:22:42,840 Speaker 2: with the free iHeart app Gold. 494 00:22:42,960 --> 00:22:46,040 Speaker 1: It's Jonesy Demanda's jam Nation. This Friday, when there's big 495 00:22:46,080 --> 00:22:49,160 Speaker 1: issues to discuss, Friday is the perfect day to get 496 00:22:49,200 --> 00:22:51,639 Speaker 1: on down to the Jonesy Demand of arms four. The 497 00:22:51,680 --> 00:22:54,120 Speaker 1: pub Test top test does not past the pub Test 498 00:22:54,200 --> 00:22:59,159 Speaker 1: Hub Test Test Test doesn't pass the Sliff test, and 499 00:22:59,400 --> 00:23:00,840 Speaker 1: stop it. It's not helpful. 500 00:23:01,000 --> 00:23:03,119 Speaker 3: It's not helpful. It's not helpful in any way to 501 00:23:03,160 --> 00:23:04,000 Speaker 3: listen to this. 502 00:23:04,000 --> 00:23:07,440 Speaker 1: This comes from one of our patrons, Amanda keller Well. 503 00:23:07,520 --> 00:23:10,560 Speaker 3: I saw a social media post of a girl filming 504 00:23:10,600 --> 00:23:14,600 Speaker 3: her boyfriend's face. He'd been taken to a jazz club 505 00:23:14,880 --> 00:23:16,880 Speaker 3: for the first time. He didn't know what to expect, 506 00:23:16,880 --> 00:23:23,560 Speaker 3: and he heard this yeah, and his face looked like 507 00:23:23,600 --> 00:23:25,520 Speaker 3: someone had let off in front of him. 508 00:23:27,600 --> 00:23:30,600 Speaker 1: And you say not to Timothy Charlemaye yourself and how 509 00:23:30,720 --> 00:23:32,120 Speaker 1: the jazz community after you. 510 00:23:32,200 --> 00:23:34,920 Speaker 3: Jazz is very popular, and I'm sure in certain circumstances 511 00:23:34,920 --> 00:23:38,840 Speaker 3: it's great fun, but it's not my bag. Man, And 512 00:23:39,480 --> 00:23:41,960 Speaker 3: we were going, what about when I grew up on television? 513 00:23:42,080 --> 00:23:46,240 Speaker 3: Or you've heard the worst shrill, horrible jazz? Kenny Ball 514 00:23:46,359 --> 00:23:49,320 Speaker 3: and his friggin' jazz band. You got me of that? 515 00:23:49,560 --> 00:23:51,879 Speaker 1: Kenny Ball and I do. As a matter of fact, 516 00:23:52,000 --> 00:23:57,120 Speaker 1: I'm here, we go Kenny Ball now and he's jazz man. 517 00:23:58,840 --> 00:24:03,560 Speaker 3: Oh this is great. Do you like that? I love 518 00:24:03,560 --> 00:24:09,719 Speaker 3: to listen, at least when he's singing. I can't hear 519 00:24:09,760 --> 00:24:10,160 Speaker 3: the music. 520 00:24:13,000 --> 00:24:14,520 Speaker 1: Stop it, big horns. 521 00:24:14,560 --> 00:24:15,919 Speaker 3: What other examples have you got there? 522 00:24:16,640 --> 00:24:17,560 Speaker 1: I love this all right? 523 00:24:17,640 --> 00:24:18,119 Speaker 3: What else do you do? 524 00:24:18,400 --> 00:24:19,680 Speaker 1: What about Dave Brubeck? 525 00:24:21,560 --> 00:24:24,159 Speaker 3: That one's more bluesy jazz. I can handle that. I 526 00:24:24,200 --> 00:24:25,879 Speaker 3: can handle this one. I know this one, okay. 527 00:24:25,880 --> 00:24:31,520 Speaker 1: What about Glenn Miller? That's you know, that's sweetes. 528 00:24:31,800 --> 00:24:34,399 Speaker 3: I like that. That is swing, that's not classical jazz. 529 00:24:34,560 --> 00:24:35,760 Speaker 1: Sounds like a bit of an expert. 530 00:24:36,000 --> 00:24:37,280 Speaker 3: Yeah, I know what I like. 531 00:24:37,640 --> 00:24:45,119 Speaker 1: What about John Coltrane train Johnny Coltran, Oh, yeah, come on? 532 00:24:45,400 --> 00:24:49,119 Speaker 1: What about the come on? That's that sounds like, okay, 533 00:24:49,240 --> 00:24:52,919 Speaker 1: what about maybe that's too structured, Maybe you're too structured. 534 00:24:53,280 --> 00:24:54,520 Speaker 3: That's too structured. 535 00:24:54,640 --> 00:24:55,959 Speaker 1: Maybe it's a free jazz. 536 00:24:58,920 --> 00:25:04,200 Speaker 3: I'm taking my headphones off. Seriously, I can't tolerate, you know. 537 00:25:05,040 --> 00:25:08,760 Speaker 3: Is that actual music? That's such a good my idea 538 00:25:08,800 --> 00:25:11,320 Speaker 3: of hell, you don't be stuck on a plane having 539 00:25:11,320 --> 00:25:14,200 Speaker 3: to listen to that afternoon parachute. 540 00:25:13,720 --> 00:25:17,040 Speaker 1: Out on a wintry Melbourne's day and it was Crisp 541 00:25:17,160 --> 00:25:20,240 Speaker 1: Melbourne Day and my uncle sixtieth and they had like 542 00:25:20,280 --> 00:25:22,720 Speaker 1: a jazz tree out in the back lane there in 543 00:25:22,800 --> 00:25:25,800 Speaker 1: East Richmond and it was just lovely and we're having 544 00:25:25,920 --> 00:25:27,760 Speaker 1: some nice frosty Carlton Dryandon. 545 00:25:27,960 --> 00:25:30,080 Speaker 3: Play the last one again, Play that last one again? 546 00:25:30,560 --> 00:25:32,840 Speaker 3: If it was this, yeah, it wasn't. 547 00:25:33,040 --> 00:25:36,080 Speaker 1: No, it was more. It was more Kenny Ball, you know. 548 00:25:36,480 --> 00:25:40,000 Speaker 1: It was this, Hey, Ken, come on, that's the least 549 00:25:40,160 --> 00:25:43,320 Speaker 1: take you right off. You're crazy team Okay. 550 00:25:43,320 --> 00:25:47,160 Speaker 3: Anyway, jazz does it pass the pub test? 551 00:25:47,240 --> 00:25:48,880 Speaker 1: We'd love to hear from you. Your calls are coming 552 00:25:48,920 --> 00:25:52,439 Speaker 1: up next. Thirteen fifty five, twenty two on Gold, Jam 553 00:25:52,520 --> 00:25:56,080 Speaker 1: Nation Gold, It's Jonesy Demand, It's jam Nation. Whenever there's 554 00:25:56,080 --> 00:25:58,560 Speaker 1: big issues to discuss. Friday is always a good day. 555 00:25:58,840 --> 00:26:00,840 Speaker 1: Let's get on down to the jay A Arms four. 556 00:26:01,440 --> 00:26:02,280 Speaker 6: The pub test. 557 00:26:02,119 --> 00:26:04,520 Speaker 1: Top test does not past the pub test hub test 558 00:26:04,640 --> 00:26:09,280 Speaker 1: to test put the test doesn't pass the sniff test, 559 00:26:09,000 --> 00:26:09,960 Speaker 1: and stop it. 560 00:26:09,960 --> 00:26:10,760 Speaker 2: It's not helpful. 561 00:26:10,800 --> 00:26:13,520 Speaker 1: I think a man was about to Timothy char herself. 562 00:26:13,560 --> 00:26:16,399 Speaker 3: Don't say that, because I'm not Timothy Charlomaye said he 563 00:26:16,520 --> 00:26:20,640 Speaker 3: thinks that ballet and opera are dying arts. I didn't 564 00:26:20,640 --> 00:26:23,520 Speaker 3: say that about jazz. I'd have said it's not my preference. 565 00:26:23,640 --> 00:26:26,119 Speaker 1: This came up on your social feed, and I didn't 566 00:26:26,119 --> 00:26:28,719 Speaker 1: expect it to be a pub test. But you cited 567 00:26:28,720 --> 00:26:30,560 Speaker 1: the case of a guy going to a jazz. 568 00:26:30,359 --> 00:26:33,239 Speaker 3: Clip and his partner has taken a photo of him 569 00:26:33,280 --> 00:26:35,840 Speaker 3: and says, you're experiencing jazz for the first time. He's 570 00:26:35,840 --> 00:26:38,840 Speaker 3: written underneath and his face is going, oh my god, 571 00:26:41,240 --> 00:26:43,199 Speaker 3: can't handle it. 572 00:26:43,400 --> 00:26:45,040 Speaker 1: Yeah, okay, but maybe if you had a bit of 573 00:26:45,080 --> 00:26:46,520 Speaker 1: like Glenn Milla, I. 574 00:26:46,600 --> 00:26:48,679 Speaker 3: See that's Maura's swing. I don't see that jazz. 575 00:26:48,800 --> 00:26:49,440 Speaker 1: That's jazz. 576 00:26:50,960 --> 00:26:53,159 Speaker 3: That sweet, that's not that to me. That's not that 577 00:26:53,240 --> 00:26:54,560 Speaker 3: strip about jazz. 578 00:26:54,680 --> 00:27:00,639 Speaker 1: You mentioned this man, Kenny Ball, and he's jazz man. Yeah. 579 00:27:01,600 --> 00:27:06,960 Speaker 3: The singing's not bad, it's the music. It's just shrills. 580 00:27:07,200 --> 00:27:10,480 Speaker 1: Okay, what about Dave Dave. 581 00:27:10,359 --> 00:27:12,720 Speaker 3: Buck This is a very famous one. This is more bluesy. 582 00:27:12,760 --> 00:27:13,400 Speaker 3: I can handle that. 583 00:27:13,400 --> 00:27:18,200 Speaker 1: What about some modern jazz? Oh my god, maybe what 584 00:27:18,359 --> 00:27:19,760 Speaker 1: you need is some free jazz. 585 00:27:22,880 --> 00:27:25,600 Speaker 3: Even you were pulling a face. It is so stressful. 586 00:27:25,720 --> 00:27:26,520 Speaker 3: Could you just stop? 587 00:27:26,640 --> 00:27:28,679 Speaker 1: Yeah? I saw that. What's the name Katie Noonan that 588 00:27:28,760 --> 00:27:30,359 Speaker 1: used to be in George and she was doing all 589 00:27:30,359 --> 00:27:32,320 Speaker 1: these songs of the Beatles. 590 00:27:32,000 --> 00:27:33,760 Speaker 3: In jazz jazz. Did you like that? 591 00:27:33,840 --> 00:27:35,680 Speaker 1: I couldn't work out what songs you were singing until 592 00:27:35,720 --> 00:27:40,760 Speaker 1: she said the words eleanor Rigby. It Eleen and Rigby is. 593 00:27:41,080 --> 00:27:43,000 Speaker 3: Once you said you loved jazz. 594 00:27:42,880 --> 00:27:46,680 Speaker 1: I love jazz. And you say about jazz, you could 595 00:27:46,720 --> 00:27:47,679 Speaker 1: say to me, jazz. 596 00:27:47,680 --> 00:27:49,440 Speaker 3: Does it pass the pub test? 597 00:27:49,920 --> 00:27:52,119 Speaker 6: Jazz definitely passes the pub test. 598 00:27:52,200 --> 00:27:54,960 Speaker 1: It's still cool as long as I can be sitting 599 00:27:55,000 --> 00:27:57,520 Speaker 1: in a bar listening to it with a nice cocktail 600 00:27:57,600 --> 00:27:58,080 Speaker 1: in hand. 601 00:27:58,240 --> 00:27:59,920 Speaker 3: Definitely doesn't pass the pub test. 602 00:28:00,160 --> 00:28:02,520 Speaker 1: Leave it in the clubs, rock and roll or disco 603 00:28:02,560 --> 00:28:03,240 Speaker 1: only for me. 604 00:28:03,560 --> 00:28:07,440 Speaker 8: Jazz it definitely passes the pub pest. I have recently 605 00:28:07,480 --> 00:28:10,360 Speaker 8: started listening to it, and I am absolutely obsessed. 606 00:28:10,400 --> 00:28:11,560 Speaker 7: Give me a bit of sacks. 607 00:28:11,680 --> 00:28:12,719 Speaker 3: It's a chill vibe. 608 00:28:13,040 --> 00:28:14,080 Speaker 7: Get lost in the music. 609 00:28:14,280 --> 00:28:16,400 Speaker 1: It does, mate, it does. I listen to a bruising 610 00:28:16,480 --> 00:28:17,520 Speaker 1: jazz on a Friday night. 611 00:28:17,560 --> 00:28:19,800 Speaker 8: He up in new job and it's body great. 612 00:28:19,960 --> 00:28:22,199 Speaker 7: It's being chassy, nudge. 613 00:28:24,800 --> 00:28:27,200 Speaker 3: What about that woman who said it's chill? What part 614 00:28:27,240 --> 00:28:28,200 Speaker 3: about this is chill? 615 00:28:28,280 --> 00:28:30,280 Speaker 1: He likes a bit of sacks. Don't you like chill? One? 616 00:28:30,359 --> 00:28:31,399 Speaker 1: Don't you like sax? 617 00:28:33,440 --> 00:28:37,480 Speaker 3: What part of that is chill? I would have to 618 00:28:37,560 --> 00:28:39,560 Speaker 3: drink chlorine to enjoy that. 619 00:28:40,440 --> 00:28:44,240 Speaker 1: Any complaints send to the jonesy Amanda Arms. Courtesy of 620 00:28:44,440 --> 00:28:49,200 Speaker 1: Amanda Keller. Thank you for all your calls. Jam Nations Gold. 621 00:28:49,320 --> 00:28:51,040 Speaker 1: It's jonesy Amanda's jam Nation. 622 00:28:51,600 --> 00:28:53,680 Speaker 3: Well this is very exciting. The new season of The 623 00:28:53,720 --> 00:28:57,920 Speaker 3: Piano is back on our screens on Sunday. I just loved, loved, 624 00:28:57,920 --> 00:29:00,520 Speaker 3: love being part of season one, and I didn't think 625 00:29:00,520 --> 00:29:02,480 Speaker 3: anything could be better than season one. But I'll tell 626 00:29:02,480 --> 00:29:05,760 Speaker 3: you what I think. Season two hits it right out 627 00:29:05,760 --> 00:29:08,880 Speaker 3: of the park. Along for the ride this year is 628 00:29:08,960 --> 00:29:11,880 Speaker 3: Guy Sebastian, and Guy Sebastian joins us. 629 00:29:11,920 --> 00:29:16,120 Speaker 7: Now, yeah, hey, I've been waiting for the chance to 630 00:29:16,160 --> 00:29:19,640 Speaker 7: speak to you on your show about our show. This 631 00:29:19,800 --> 00:29:20,840 Speaker 7: is exciting and. 632 00:29:20,840 --> 00:29:23,240 Speaker 3: Isn't it a great thing to be part of. It's 633 00:29:23,280 --> 00:29:25,080 Speaker 3: a show that for those who haven't seen the Piano, 634 00:29:25,120 --> 00:29:27,680 Speaker 3: we put a piano in a public place and we 635 00:29:27,720 --> 00:29:30,080 Speaker 3: ask people to come down who have a connection to 636 00:29:30,120 --> 00:29:32,440 Speaker 3: the piano. People who don't want to be stars, people 637 00:29:32,440 --> 00:29:36,120 Speaker 3: who don't want record contracts, people who just love music 638 00:29:36,200 --> 00:29:38,800 Speaker 3: and have a story to tell us. And they don't 639 00:29:38,840 --> 00:29:40,920 Speaker 3: know that they're being watched. Well, this series, they did, 640 00:29:40,920 --> 00:29:43,520 Speaker 3: but they didn't know who they're being watched by. Andrew 641 00:29:43,600 --> 00:29:46,880 Speaker 3: Lamb and Guy Sebastian, who pick someone from each episode 642 00:29:47,040 --> 00:29:49,400 Speaker 3: to join us on stage for a big concert. That, 643 00:29:49,480 --> 00:29:51,320 Speaker 3: in a nutshell, is what the show is. But that 644 00:29:51,360 --> 00:29:53,480 Speaker 3: doesn't do justice to the emotion of the show, Guy, 645 00:29:53,560 --> 00:29:54,560 Speaker 3: does it. 646 00:29:54,800 --> 00:29:54,960 Speaker 1: No? 647 00:29:55,360 --> 00:29:59,560 Speaker 7: I mean, if you pitched a show to a TV exec, 648 00:30:00,080 --> 00:30:03,240 Speaker 7: Imagine if I was that TV exec and someone said, Okay, 649 00:30:03,280 --> 00:30:07,200 Speaker 7: we're going to place this inanimate object in public. People 650 00:30:07,200 --> 00:30:08,600 Speaker 7: are going to come and play the piano a bit 651 00:30:08,640 --> 00:30:10,640 Speaker 7: and we'll just ask them about their life. Which should 652 00:30:10,640 --> 00:30:12,480 Speaker 7: we make a whole show about it? Let's do a 653 00:30:12,480 --> 00:30:15,720 Speaker 7: whole series. I probably think they're mad and there's not 654 00:30:15,840 --> 00:30:20,360 Speaker 7: enough content. But then you watch it unfold and I mean, 655 00:30:20,400 --> 00:30:23,160 Speaker 7: you know that it's very different to the shiny floor 656 00:30:23,200 --> 00:30:26,200 Speaker 7: format that I've been a part of for a long time. 657 00:30:26,280 --> 00:30:30,800 Speaker 7: And I think you know, there's no winner, there's no 658 00:30:31,240 --> 00:30:34,400 Speaker 7: record contract at the end, they're just sharing what the instrument. 659 00:30:34,800 --> 00:30:38,080 Speaker 3: Yeah, this is what's so refreshing about this is that 660 00:30:38,840 --> 00:30:41,720 Speaker 3: you see someone who looks completely unassuming, they step up 661 00:30:41,960 --> 00:30:44,840 Speaker 3: and they tell you a story. And you when we're 662 00:30:44,840 --> 00:30:48,360 Speaker 3: filming at a shopping center or in a mall or 663 00:30:48,360 --> 00:30:51,360 Speaker 3: in an airport, and I stand there thinking, who is it, 664 00:30:51,400 --> 00:30:53,760 Speaker 3: who amongst these people is about to walk towards me 665 00:30:54,280 --> 00:30:56,360 Speaker 3: and tell me an amazing story. 666 00:30:56,720 --> 00:31:00,440 Speaker 7: Yeah, it covers the whole spectrum, doesn't it. It's very oiful. 667 00:31:00,800 --> 00:31:04,280 Speaker 7: Like you said, you know, we're sitting in circular key 668 00:31:04,360 --> 00:31:08,280 Speaker 7: and here comes this, this kind of tough looking bearded 669 00:31:09,200 --> 00:31:13,040 Speaker 7: construction worker in high viz and he sits down and 670 00:31:13,080 --> 00:31:16,400 Speaker 7: plays something called something Butterfly. It's a Lebanese folk song 671 00:31:16,640 --> 00:31:20,280 Speaker 7: and it's so unexpected. But in the hustle and bustle 672 00:31:20,320 --> 00:31:23,440 Speaker 7: of Sydney, very different to where I grew up in Adelaide. 673 00:31:23,760 --> 00:31:26,160 Speaker 7: Everyone's getting off the ferry and they're going to their 674 00:31:26,200 --> 00:31:29,600 Speaker 7: office jobs. But here's this piano and this bearded high 675 00:31:29,720 --> 00:31:34,040 Speaker 7: viz guy who says his influences ranged from Celiindi onto 676 00:31:34,040 --> 00:31:37,200 Speaker 7: Black Sabbath. He sits down and stops people in their tracks. 677 00:31:37,560 --> 00:31:40,000 Speaker 7: You know. The catalyst for that is obviously that instrument. 678 00:31:40,040 --> 00:31:42,920 Speaker 7: Eighty eight keys in a box and it can represent 679 00:31:43,040 --> 00:31:47,280 Speaker 7: so many things. It was kind of very soul drenching. 680 00:31:47,440 --> 00:31:50,800 Speaker 7: If that's a. 681 00:31:49,400 --> 00:31:52,160 Speaker 1: Soul drenching and here it is. It's going to be 682 00:31:52,240 --> 00:31:54,440 Speaker 1: on Sunday when that construction workers showed up with you 683 00:31:54,520 --> 00:31:56,680 Speaker 1: sort of hoping that there would be an Indian chief, 684 00:31:57,040 --> 00:32:02,959 Speaker 1: a motorcycle cop, a sailor, and an army guy because that. 685 00:32:01,720 --> 00:32:04,040 Speaker 7: We were hoping to form a group like one directed. 686 00:32:05,440 --> 00:32:09,080 Speaker 3: Who would be the village who amongst us? 687 00:32:09,120 --> 00:32:09,280 Speaker 5: Who? 688 00:32:10,800 --> 00:32:14,320 Speaker 1: The piano premiere is Sunday, the fifteenth of March. That's 689 00:32:14,360 --> 00:32:16,880 Speaker 1: this Sunday at seven thirty on the ABC and I 690 00:32:17,040 --> 00:32:20,480 Speaker 1: View Guys. Sebastian, thank you for joining us. My pleasure 691 00:32:20,720 --> 00:32:24,640 Speaker 1: coming out your chance to win two thousand dollars with Instagram. 692 00:32:24,960 --> 00:32:29,120 Speaker 2: You're listening to the Jonesy and Amanda podcast. 693 00:32:30,040 --> 00:32:31,800 Speaker 1: Yeah sing a request for them to do it. 694 00:32:31,760 --> 00:32:41,240 Speaker 3: Again mentioned lay off the moonshine A man, it's so week. 695 00:32:43,200 --> 00:32:45,959 Speaker 1: Hello there. I know you left school when you were 696 00:32:46,880 --> 00:32:48,160 Speaker 1: I left school in year ten. 697 00:32:48,240 --> 00:32:49,440 Speaker 3: Did you have long pants by then? 698 00:32:49,760 --> 00:32:52,520 Speaker 1: Yes, of course I have long pants. School wasn't good 699 00:32:52,560 --> 00:32:54,880 Speaker 1: for me and I wasn't good for school? 700 00:32:55,240 --> 00:32:55,520 Speaker 8: Did you? 701 00:32:55,840 --> 00:32:59,360 Speaker 3: And the year that you left were you doing any shakespirits? 702 00:32:59,640 --> 00:33:02,320 Speaker 1: Actually? I did. I did do Shakespeare. I did King 703 00:33:02,400 --> 00:33:07,480 Speaker 1: Leah and Julius Caesar. What did you so? I have 704 00:33:07,600 --> 00:33:09,480 Speaker 1: been trained classically in Shakespeare. 705 00:33:09,720 --> 00:33:12,120 Speaker 3: Shakespeare, I think, is one of those things that if 706 00:33:12,160 --> 00:33:14,640 Speaker 3: you see it performed, you follow the language. Just reading 707 00:33:14,680 --> 00:33:15,520 Speaker 3: it can be hard. 708 00:33:15,600 --> 00:33:17,960 Speaker 1: Going the merchant in Venice, I really enjoyed, you know 709 00:33:18,000 --> 00:33:22,720 Speaker 1: that we had Shylock with his pound of flesh, and 710 00:33:22,760 --> 00:33:23,760 Speaker 1: then he really wanted to get it. 711 00:33:23,880 --> 00:33:24,760 Speaker 3: He went to Jenny Craig. 712 00:33:25,120 --> 00:33:27,280 Speaker 1: He wanted to get his pound of flesh, and then 713 00:33:27,320 --> 00:33:30,520 Speaker 1: at the end there was he could only scoop out 714 00:33:30,560 --> 00:33:32,240 Speaker 1: a pound but nothing else. 715 00:33:32,360 --> 00:33:33,440 Speaker 3: Spoiler alert. 716 00:33:34,080 --> 00:33:36,440 Speaker 1: So that's that's a metaphor for life. Really, if you're 717 00:33:36,440 --> 00:33:38,800 Speaker 1: going to pursue something, you want your pound of flesh, 718 00:33:39,040 --> 00:33:40,800 Speaker 1: you've got to read the fine print. 719 00:33:41,040 --> 00:33:43,400 Speaker 3: I went to see years and how old was? And 720 00:33:43,440 --> 00:33:46,240 Speaker 3: I as a teenager. Really at high school we went 721 00:33:46,280 --> 00:33:49,200 Speaker 3: to see a production of Romeo and Juliet with the 722 00:33:49,240 --> 00:33:55,040 Speaker 3: school and Mel Gibson was Romeo really in tights? It 723 00:33:55,200 --> 00:33:58,280 Speaker 3: stays with a woman an image like that. But I've 724 00:33:58,280 --> 00:34:01,040 Speaker 3: come across an interesting story about Shakespeare and something that 725 00:34:01,040 --> 00:34:04,240 Speaker 3: may explain why his language can be difficult to understand. 726 00:34:04,440 --> 00:34:07,440 Speaker 1: That's coming up. Also, Instagram makes its return your chance 727 00:34:07,560 --> 00:34:11,000 Speaker 1: for two thousand dollars on gold jem jam Na gold. 728 00:34:11,120 --> 00:34:13,919 Speaker 1: It's jones you demand as jam nation driving you home 729 00:34:13,960 --> 00:34:14,600 Speaker 1: this Friday. 730 00:34:14,800 --> 00:34:16,919 Speaker 3: Here's something I've come across. It's a sentence you don't 731 00:34:16,920 --> 00:34:23,520 Speaker 3: see see every day. Was Shakespeare a stoner? A bit 732 00:34:23,560 --> 00:34:26,040 Speaker 3: of the Hayman? Was he on the Hayman? And what's 733 00:34:26,080 --> 00:34:31,440 Speaker 3: making people think this is a team of South African 734 00:34:31,480 --> 00:34:36,160 Speaker 3: scientists have analyzed twenty four clay smoking pipes found in 735 00:34:36,200 --> 00:34:39,480 Speaker 3: his garden. I don't know when if they smoke the 736 00:34:39,520 --> 00:34:44,120 Speaker 3: same way that say you do, Brendan, But they're saying this. 737 00:34:44,640 --> 00:34:48,879 Speaker 1: A Orchie bottle and the garden. This is the stereotype 738 00:34:48,920 --> 00:34:50,480 Speaker 1: you're putting out there about. 739 00:34:50,200 --> 00:34:55,120 Speaker 3: Me, No stereotype. Traces of cannabis were found in pipes 740 00:34:55,200 --> 00:34:58,040 Speaker 3: excavated from his garden. This is not definitive proof that 741 00:34:58,120 --> 00:35:01,560 Speaker 3: he's on the Hayman, but they have found traces of 742 00:35:01,560 --> 00:35:05,480 Speaker 3: cannabis in several pipes, cocaine residue in two pipes that 743 00:35:05,480 --> 00:35:09,720 Speaker 3: were found near his home disclaimer not in his actual garden, 744 00:35:09,760 --> 00:35:14,280 Speaker 3: but garden adjacent yep. And no evidence of tobacco, despite 745 00:35:14,320 --> 00:35:18,480 Speaker 3: tobacco being very common at the time. Interesting. Some scholars 746 00:35:18,520 --> 00:35:21,400 Speaker 3: believe cannabis may have helped him write some complex poetry, 747 00:35:21,840 --> 00:35:24,200 Speaker 3: to invent new words, craft legendary. 748 00:35:23,760 --> 00:35:25,320 Speaker 1: Characters, and worked for John Lennon. 749 00:35:25,960 --> 00:35:28,360 Speaker 3: Well maybe, And when you go back to some of 750 00:35:28,400 --> 00:35:32,719 Speaker 3: his soliloquies, remember this one, hey man, to be or 751 00:35:32,800 --> 00:35:35,400 Speaker 3: not to be? I don't know. I'm off ru kebab. 752 00:35:36,040 --> 00:35:40,400 Speaker 3: What about this one? Friends Romans, countrymen, lend me fifteen 753 00:35:40,440 --> 00:35:41,440 Speaker 3: bucks for a by? 754 00:35:42,400 --> 00:35:43,439 Speaker 1: Was that Shakespeare? 755 00:35:43,520 --> 00:35:46,800 Speaker 3: I come to bury Caesar salad and grab some chocks. 756 00:35:47,560 --> 00:35:50,840 Speaker 3: That was Shakespeare. That's the written word, but I also 757 00:35:51,719 --> 00:35:53,040 Speaker 3: have some of the spoken words. 758 00:35:53,080 --> 00:35:53,960 Speaker 1: No, really have a. 759 00:35:53,920 --> 00:35:56,439 Speaker 3: Listen you too? 760 00:35:56,600 --> 00:35:59,840 Speaker 1: There from the Joshua Tree album without or. 761 00:36:00,440 --> 00:36:04,319 Speaker 8: With with with or without you sorry? 762 00:36:04,320 --> 00:36:07,480 Speaker 1: A bit of a tonguele tongue twist there to kill 763 00:36:07,480 --> 00:36:11,680 Speaker 1: the sunrise? Before that and reasons. Johnny Farnham led it 764 00:36:11,800 --> 00:36:12,920 Speaker 1: up first. 765 00:36:13,040 --> 00:36:13,520 Speaker 5: Lead it up? 766 00:36:13,760 --> 00:36:16,120 Speaker 3: Must everything about that's terrible? 767 00:36:16,320 --> 00:36:19,000 Speaker 1: Must you go back to my community radio as when 768 00:36:19,040 --> 00:36:21,680 Speaker 1: I used to partake a little bit? You can not that. 769 00:36:21,800 --> 00:36:22,680 Speaker 1: You can hear it there. 770 00:36:24,920 --> 00:36:28,160 Speaker 3: It's like you're going to exphyxiate. Wish I had listening 771 00:36:28,160 --> 00:36:31,280 Speaker 3: to that. Who would have thought that you and Shakespeare 772 00:36:31,320 --> 00:36:34,120 Speaker 3: have a lot in common apart from the big baggy pantaloons? 773 00:36:36,680 --> 00:36:38,240 Speaker 3: What wind through yonder window? 774 00:36:38,280 --> 00:36:40,480 Speaker 1: Bres you finished? 775 00:36:40,760 --> 00:36:41,360 Speaker 3: I finished? 776 00:36:41,719 --> 00:36:45,600 Speaker 1: Jam Nacious gold. It's Jonesy Demander driving you home for 777 00:36:45,719 --> 00:36:48,760 Speaker 1: jam Nation. A priest from the US has been caught 778 00:36:48,800 --> 00:36:52,120 Speaker 1: spending church donations on blank on. 779 00:36:52,760 --> 00:36:54,000 Speaker 3: Food for the poor. 780 00:36:53,920 --> 00:36:56,200 Speaker 1: Food for the poor. If by food for the poor, 781 00:36:56,239 --> 00:36:59,960 Speaker 1: do you mean Mexican prostitutes? Wow? And yes. A Manuel 782 00:37:00,200 --> 00:37:04,600 Speaker 1: Schletta regularly traveled from San Diego to Tijuana, where he 783 00:37:04,719 --> 00:37:09,880 Speaker 1: visited the Hong Kong Gentleman's Club brothel paying for gentlemen. 784 00:37:10,200 --> 00:37:14,400 Speaker 1: Gentleman's call them are gentlemen's clubs. Whatever I'm in there, 785 00:37:14,400 --> 00:37:15,880 Speaker 1: I go, he come, they going, Oh yes. 786 00:37:15,840 --> 00:37:17,280 Speaker 3: And someone's smoking a cigar. 787 00:37:17,520 --> 00:37:18,520 Speaker 1: Where's my monacle? 788 00:37:20,200 --> 00:37:21,839 Speaker 3: I'll have some of the Chateau. 789 00:37:21,640 --> 00:37:25,359 Speaker 1: Margot he'd be in at Hong Kong Gentleman's club there 790 00:37:25,400 --> 00:37:28,360 Speaker 1: in Tijuana. Maybe he just got lost. Maybe his GPS 791 00:37:28,440 --> 00:37:30,719 Speaker 1: was he every week paying for trips with money from 792 00:37:30,719 --> 00:37:36,200 Speaker 1: the parish. You know where the scheme unraveled. A colleague 793 00:37:36,400 --> 00:37:40,320 Speaker 1: noticed irregularities in the church's financial records. 794 00:37:40,320 --> 00:37:42,880 Speaker 3: So that wasn't someone else who was down there and recognized. 795 00:37:42,320 --> 00:37:47,120 Speaker 1: That, because then you've got a two gentlemen, two gentlemen. 796 00:37:46,840 --> 00:37:49,240 Speaker 3: And there never going to each other out. 797 00:37:49,520 --> 00:37:49,600 Speaker 4: Uh. 798 00:37:50,280 --> 00:37:54,279 Speaker 1: The priest with a taste for Mexican escorts, that's not 799 00:37:54,320 --> 00:37:57,080 Speaker 1: a car that was made in Mexico was later detained 800 00:37:57,080 --> 00:38:00,560 Speaker 1: at the airport or try to leave the country. This 801 00:38:00,640 --> 00:38:04,360 Speaker 1: is what happens with that whole celibacy thing. Although I'm married. 802 00:38:05,120 --> 00:38:08,680 Speaker 3: You're more celibate than he is, and you're no gentleman. 803 00:38:12,160 --> 00:38:15,440 Speaker 1: Instagram is here. Would you like to play best? You 804 00:38:15,480 --> 00:38:17,880 Speaker 1: call us thirteen fifty five twenty two on gold. 805 00:38:18,280 --> 00:38:20,279 Speaker 2: You can see a whole lot more of Jonesy and 806 00:38:20,320 --> 00:38:23,640 Speaker 2: Demanda on our socials. Follow us on Instagram and Facebook. 807 00:38:23,760 --> 00:38:26,600 Speaker 1: Gold It's Jonesy Demander's jam Nation driving your home. 808 00:38:27,480 --> 00:38:31,560 Speaker 2: Everybody that's money extra cash any Jonesy and Amanda's. 809 00:38:32,680 --> 00:38:35,759 Speaker 1: It's time. Ten questions sixty seconds on the clock. You 810 00:38:35,760 --> 00:38:37,680 Speaker 1: could pass if you don't know an answer. We'll come 811 00:38:37,680 --> 00:38:39,560 Speaker 1: back to that question of time. Province. You get all 812 00:38:39,560 --> 00:38:42,360 Speaker 1: the questions right, one thousand dollar dues. 813 00:38:42,200 --> 00:38:44,240 Speaker 3: And you can make it two thousand dollars by answering 814 00:38:44,280 --> 00:38:46,000 Speaker 3: a bonus question, but it's double or nothing. 815 00:38:46,120 --> 00:38:49,000 Speaker 1: I like the sound of Mason in Sprayton. Hello, Mason 816 00:38:49,040 --> 00:38:49,520 Speaker 1: of Sprayton. 817 00:38:50,680 --> 00:38:52,040 Speaker 6: Good Eh, how are you good? 818 00:38:52,040 --> 00:38:52,400 Speaker 1: How are you? 819 00:38:52,480 --> 00:38:54,960 Speaker 3: As we going to the weekend? Does everyone in Sprayton 820 00:38:55,000 --> 00:38:56,160 Speaker 3: get a spray tn. 821 00:38:58,160 --> 00:38:59,200 Speaker 6: I wouldn't know about that. 822 00:38:59,719 --> 00:39:02,920 Speaker 1: They have a spray t hand emporium in Sprayton, because 823 00:39:02,920 --> 00:39:03,680 Speaker 1: that would be it. 824 00:39:03,640 --> 00:39:05,359 Speaker 3: Would be a good business spray and spray can. 825 00:39:05,520 --> 00:39:09,120 Speaker 2: Yeah, we'll be able to look into that, or you 826 00:39:09,120 --> 00:39:11,320 Speaker 2: could start one if you win some money. 827 00:39:11,560 --> 00:39:14,440 Speaker 1: All you need is like a little little they used 828 00:39:14,480 --> 00:39:17,080 Speaker 1: to be called a little beaver little spray gun, and 829 00:39:17,120 --> 00:39:18,000 Speaker 1: you just get there and you. 830 00:39:18,040 --> 00:39:21,680 Speaker 3: Just spray people, get your booth up and I think 831 00:39:21,719 --> 00:39:23,920 Speaker 3: you need some permissions or else you get tasered by 832 00:39:23,920 --> 00:39:24,319 Speaker 3: the love. 833 00:39:24,440 --> 00:39:25,120 Speaker 1: Do you have to have that? 834 00:39:25,480 --> 00:39:27,560 Speaker 3: Yes, Brendon. You can't just walk up to people and 835 00:39:27,600 --> 00:39:31,720 Speaker 3: tell them to strip off and spray people will want it. Mason, 836 00:39:32,040 --> 00:39:32,920 Speaker 3: that's neither here nor that. 837 00:39:33,000 --> 00:39:35,359 Speaker 1: Mason. I'm not hearing a pen writing this information down. 838 00:39:36,880 --> 00:39:39,760 Speaker 6: Uh, I've got it on tape recorder. 839 00:39:40,640 --> 00:39:43,480 Speaker 3: You've written on an eggshell to keep it safe. Now, Mason, 840 00:39:43,520 --> 00:39:45,560 Speaker 3: we have ten questions. We've got sixty seconds. If you're 841 00:39:45,600 --> 00:39:47,719 Speaker 3: not sure, say passed, because we might have time to 842 00:39:47,760 --> 00:39:51,640 Speaker 3: come back. Okay, Mason, good luck, because here we go. 843 00:39:51,760 --> 00:39:54,760 Speaker 3: Question number one? What color is our one dollar coin? 844 00:39:56,360 --> 00:39:56,680 Speaker 6: Gold? 845 00:39:56,840 --> 00:39:58,919 Speaker 3: Question two? What vitamin do you get from the sun? 846 00:40:01,200 --> 00:40:06,479 Speaker 3: Question three? What game is traditionally played on Anzac Day? Path? 847 00:40:06,920 --> 00:40:09,799 Speaker 3: Question four? What's the only food or condiment you can 848 00:40:10,360 --> 00:40:11,439 Speaker 3: that can never go off? 849 00:40:12,640 --> 00:40:13,040 Speaker 6: Honey? 850 00:40:13,320 --> 00:40:15,520 Speaker 3: Question five? What's the name of the pet dinosaur in 851 00:40:15,560 --> 00:40:21,480 Speaker 3: the Flintstones? Path? Question six? Yen is the currency used 852 00:40:21,480 --> 00:40:22,280 Speaker 3: in which country? 853 00:40:22,680 --> 00:40:23,040 Speaker 6: Japan? 854 00:40:23,280 --> 00:40:26,000 Speaker 3: Question seven? In which decade was Mariah Carey's song All 855 00:40:26,000 --> 00:40:26,920 Speaker 3: I Want for Christmas? 856 00:40:26,960 --> 00:40:30,560 Speaker 6: Released nineteen ninety? 857 00:40:30,880 --> 00:40:36,840 Speaker 3: Question eight? Which politician is currently the Treasurer of Australia Park? 858 00:40:37,120 --> 00:40:39,120 Speaker 3: Question nine? A group of what bird is known as 859 00:40:39,160 --> 00:40:44,320 Speaker 3: a murder? Question ten? Anna, Elsa and Olive are characters 860 00:40:44,320 --> 00:40:47,439 Speaker 3: in which movie Frozen? Okay? What game do you play 861 00:40:47,480 --> 00:40:51,279 Speaker 3: on Anzac Day? What's the name of the dinosaur in flintstones? 862 00:40:53,600 --> 00:40:58,040 Speaker 3: Which politicians are treasurer? Are you almost got there? Who 863 00:40:58,080 --> 00:40:59,680 Speaker 3: would you have said? Is the treasurer? Mason? 864 00:41:01,200 --> 00:41:03,840 Speaker 6: I don't know. I'm not the dig into treasury. 865 00:41:06,280 --> 00:41:07,720 Speaker 3: It was old mate, Jim Chambers. 866 00:41:07,719 --> 00:41:09,800 Speaker 1: Who are gonna asked for your spray team Charmers? 867 00:41:09,800 --> 00:41:11,960 Speaker 3: I haven't got the name wrong. It's Jim Charmers, Jimmy 868 00:41:12,040 --> 00:41:16,000 Speaker 3: charm Sorry, mister Chalmers. Oh Mason, Mason, you you almost 869 00:41:16,000 --> 00:41:17,200 Speaker 3: did the comeback of the century. 870 00:41:17,280 --> 00:41:18,480 Speaker 1: That would have been pretty good. 871 00:41:20,440 --> 00:41:22,640 Speaker 3: You'll have to fund your own tanning business farm. 872 00:41:22,440 --> 00:41:25,239 Speaker 1: Afraid the sun will shine upon you that, Mason. I'm 873 00:41:25,239 --> 00:41:29,560 Speaker 1: sure once you set up your spray tanned business in Spray. 874 00:41:30,120 --> 00:41:32,680 Speaker 3: Thanks, have a good weekend. 875 00:41:33,000 --> 00:41:36,439 Speaker 1: Thank you Instagram back Monday. In the meantime, a lot's 876 00:41:36,440 --> 00:41:39,560 Speaker 1: happened this week on our socials, our social media dipstick 877 00:41:39,760 --> 00:41:43,719 Speaker 1: Digital Jenna is coming up next on Gold Gold It's 878 00:41:43,760 --> 00:41:46,600 Speaker 1: Jonesy Demanda driving you home this Friday of the thirteenth. 879 00:41:46,640 --> 00:41:49,640 Speaker 1: We straddle many medias, don't we. We're on the TikTok, 880 00:41:49,680 --> 00:41:52,360 Speaker 1: We're on the Instagram, We're on the facy. 881 00:41:52,160 --> 00:41:54,840 Speaker 3: Yeah, Snapchat, all the all of them. And we're on 882 00:41:54,920 --> 00:41:56,560 Speaker 3: the wireless. How freaky is that? 883 00:41:56,920 --> 00:41:59,600 Speaker 1: We are sensitive souls so we can't keep our eyes. 884 00:42:00,320 --> 00:42:05,200 Speaker 1: But someone has super eyes is digital jennammis Jenna and 885 00:42:05,239 --> 00:42:07,880 Speaker 1: she lost cats tuck snapcha. 886 00:42:08,080 --> 00:42:10,320 Speaker 2: She's a social media girl. 887 00:42:11,000 --> 00:42:13,719 Speaker 3: We like to call her social media dance dick. 888 00:42:15,000 --> 00:42:18,160 Speaker 1: We call her asbestos eyes. She can read anything and 889 00:42:18,200 --> 00:42:20,399 Speaker 1: it's all okay. Since when? 890 00:42:20,760 --> 00:42:23,719 Speaker 3: Since when has she been called a spesticide. 891 00:42:23,680 --> 00:42:26,200 Speaker 1: Because you have to read a lot of stuff. 892 00:42:26,320 --> 00:42:29,200 Speaker 3: Yeah, but we call her also our social media dipstick 893 00:42:29,239 --> 00:42:32,080 Speaker 3: because she's the gauge of how we're going and what 894 00:42:32,120 --> 00:42:34,920 Speaker 3: we're up to. What things have touched a nerve this week, Jane. Yeah. 895 00:42:35,000 --> 00:42:37,560 Speaker 8: So it's been yet another massive week for the Joins 896 00:42:37,600 --> 00:42:41,040 Speaker 8: in Amanda socials, and once again, it all stems back 897 00:42:41,080 --> 00:42:43,560 Speaker 8: to our infamous tin hat Tuesday segment. 898 00:42:43,680 --> 00:42:46,399 Speaker 3: Right, this is where we look at conspiracy theories. People 899 00:42:46,480 --> 00:42:49,600 Speaker 3: are loving conspiracy theories, so some people believing them and 900 00:42:49,640 --> 00:42:52,000 Speaker 3: others are going it's funny but not real. 901 00:42:52,120 --> 00:42:53,520 Speaker 8: Yeah, a combination of both. 902 00:42:53,600 --> 00:42:53,880 Speaker 1: Really. 903 00:42:53,960 --> 00:42:56,399 Speaker 8: But I'll start with the video that has become our 904 00:42:56,480 --> 00:42:59,560 Speaker 8: third most popular video for the year, and that is 905 00:42:59,640 --> 00:43:02,239 Speaker 8: the con spiracy theory around the death of actress and 906 00:43:02,480 --> 00:43:06,480 Speaker 8: hash in twenty twenty two, so he has now received 907 00:43:06,480 --> 00:43:09,120 Speaker 8: close to five million views socials. 908 00:43:09,200 --> 00:43:12,759 Speaker 3: Yes, this conspiracy theory is that Ellen, who had been 909 00:43:12,760 --> 00:43:16,480 Speaker 3: a former partner of Anne's, had her killed and then 910 00:43:16,800 --> 00:43:22,240 Speaker 3: ate her in a cannibal fashion. And so a people 911 00:43:22,920 --> 00:43:27,000 Speaker 3: of fashion is will I watch maybe she just putish 912 00:43:27,239 --> 00:43:28,440 Speaker 3: just to the side of the plate. 913 00:43:29,239 --> 00:43:32,719 Speaker 1: I've had enough haste to take the skin off. It's 914 00:43:32,719 --> 00:43:33,759 Speaker 1: two fair pop. 915 00:43:33,800 --> 00:43:36,280 Speaker 3: You can't stop people believing it, Jenna. 916 00:43:36,480 --> 00:43:38,920 Speaker 8: Yeah, so a lot of people are thanking us for 917 00:43:38,960 --> 00:43:40,600 Speaker 8: bringing this to the table. 918 00:43:40,920 --> 00:43:42,240 Speaker 3: Because it's a dining table. 919 00:43:42,360 --> 00:43:45,640 Speaker 8: Yes, exactly. It's been circulating online for the past few years, 920 00:43:45,880 --> 00:43:50,720 Speaker 8: but never in mainstream media, so where essentially the first. 921 00:43:50,520 --> 00:43:53,080 Speaker 1: You don't get more mainstream than us, exactly. 922 00:43:53,160 --> 00:43:55,759 Speaker 8: And people in the comments also linking it to the 923 00:43:55,800 --> 00:43:58,920 Speaker 8: death of Twitch, who was best known as the Dancing 924 00:43:59,000 --> 00:44:00,480 Speaker 8: DJ Show. 925 00:44:00,719 --> 00:44:01,360 Speaker 1: Is he dead? 926 00:44:01,760 --> 00:44:04,279 Speaker 3: Yes, he took his own life a couple of years ago. 927 00:44:04,360 --> 00:44:05,839 Speaker 1: I did not know that I loved him. 928 00:44:05,880 --> 00:44:08,880 Speaker 8: Well, he died only four months after Anne died. 929 00:44:09,040 --> 00:44:12,440 Speaker 3: And is there some inference that they've both uncovered Ellen's 930 00:44:12,600 --> 00:44:13,160 Speaker 3: dark life? 931 00:44:13,239 --> 00:44:13,439 Speaker 1: Yeah? 932 00:44:13,440 --> 00:44:17,640 Speaker 8: Well, Angela, she commented, car crashes and suicide are the 933 00:44:17,719 --> 00:44:21,319 Speaker 8: two most common excuses for someone who's been off, and 934 00:44:21,360 --> 00:44:22,719 Speaker 8: that's the case for these too. 935 00:44:22,840 --> 00:44:27,239 Speaker 1: That's true the Royals in Morning, Prince Andrew's car crash. 936 00:44:27,320 --> 00:44:28,120 Speaker 1: Next week when. 937 00:44:27,960 --> 00:44:30,080 Speaker 3: He dies, he'll be delicious. 938 00:44:31,480 --> 00:44:36,040 Speaker 8: Another popular video for the week was yet another Ellen conspiracy, 939 00:44:36,120 --> 00:44:38,640 Speaker 8: which one brought to us by Emma, who claims that 940 00:44:38,719 --> 00:44:42,719 Speaker 8: the set design of Ellen's show mimicked that of Epstein Island. 941 00:44:43,120 --> 00:44:45,279 Speaker 3: And you showed us the imagery you put it on 942 00:44:45,280 --> 00:44:47,240 Speaker 3: the socials. There are some similarities. 943 00:44:47,320 --> 00:44:50,840 Speaker 8: Yeah, yeah, there are. There's the palm trees, there's the colors, 944 00:44:50,880 --> 00:44:53,680 Speaker 8: the stripes, all of that. So it received close to 945 00:44:53,680 --> 00:44:58,320 Speaker 8: two million views and thousands of likes and comments. Aalira commented, 946 00:44:58,719 --> 00:45:01,960 Speaker 8: My mum has always said Elle a reptilian. Remember she 947 00:45:02,080 --> 00:45:04,320 Speaker 8: did her shows from home because she had an ankle 948 00:45:04,360 --> 00:45:07,080 Speaker 8: bracelet on. It makes so much sense now. 949 00:45:09,400 --> 00:45:09,839 Speaker 1: It does. 950 00:45:10,280 --> 00:45:10,440 Speaker 8: Well. 951 00:45:10,480 --> 00:45:13,000 Speaker 3: You have to be thick skinned to survive this industry. 952 00:45:13,120 --> 00:45:14,920 Speaker 1: You've got to have reptilian skin. 953 00:45:16,680 --> 00:45:17,200 Speaker 3: Naturally. 954 00:45:17,239 --> 00:45:21,440 Speaker 8: People are also loving your responses to Timothy Chalomay's claim 955 00:45:21,480 --> 00:45:26,200 Speaker 8: that no one cares about opera and ballet, so Wendy commented, 956 00:45:26,600 --> 00:45:28,920 Speaker 8: and yet he is an actor playing the role of 957 00:45:28,960 --> 00:45:31,920 Speaker 8: a ping pong player. Yes, which is his recent role. 958 00:45:33,440 --> 00:45:37,840 Speaker 8: Yes yes. Fatima also added, hmm, hanging out with the 959 00:45:37,920 --> 00:45:40,839 Speaker 8: Kardashians is making his ego go up a little bit 960 00:45:40,880 --> 00:45:41,440 Speaker 8: too much. 961 00:45:42,280 --> 00:45:44,520 Speaker 1: I'm looking for all the hate coming Amanda's way for 962 00:45:44,719 --> 00:45:47,000 Speaker 1: hating on jazz in the pub test just in this 963 00:45:47,120 --> 00:45:47,960 Speaker 1: very show today. 964 00:45:48,120 --> 00:45:51,880 Speaker 3: Well, we said at the time about Timothy Charlomage. To 965 00:45:51,920 --> 00:45:54,319 Speaker 3: say I don't like it is one thing. To say 966 00:45:54,440 --> 00:45:57,200 Speaker 3: it's a disappearing art is another. 967 00:45:57,840 --> 00:45:59,879 Speaker 1: It sounded like art when you said it. 968 00:46:01,120 --> 00:46:02,600 Speaker 3: You pulled a face with most of those. 969 00:46:02,520 --> 00:46:03,839 Speaker 1: Jezz Oh, I love jazz. 970 00:46:03,880 --> 00:46:06,160 Speaker 3: I'll look at you pulling a face, Jenna. 971 00:46:06,280 --> 00:46:07,560 Speaker 1: Have you have you got your man? 972 00:46:08,120 --> 00:46:12,600 Speaker 8: Yes? So this is where I pick my favorite call 973 00:46:12,760 --> 00:46:14,959 Speaker 8: of the week. He will win a bespoke tin hat 974 00:46:15,000 --> 00:46:15,800 Speaker 8: made by Amanda. 975 00:46:15,920 --> 00:46:16,880 Speaker 3: I'm going to get onto it. 976 00:46:17,520 --> 00:46:21,520 Speaker 8: And this week's winner is Matthew from Belden, who, despite 977 00:46:21,560 --> 00:46:24,920 Speaker 8: all the publicity, didn't know Amanda's show, which is starting 978 00:46:25,000 --> 00:46:25,640 Speaker 8: this Sunday. 979 00:46:26,200 --> 00:46:29,640 Speaker 1: The new season of which show hosted by Amanda, starts 980 00:46:29,680 --> 00:46:31,839 Speaker 1: on Sunday. Is it. 981 00:46:33,520 --> 00:46:36,960 Speaker 3: No, he's mistaking me for Nicole Kidney. 982 00:46:37,040 --> 00:46:39,440 Speaker 1: It was just today that happened. 983 00:46:39,640 --> 00:46:40,160 Speaker 3: That happened. 984 00:46:40,200 --> 00:46:41,279 Speaker 1: I was today years old. 985 00:46:41,320 --> 00:46:43,440 Speaker 3: The show is the piano you're starting on the ABAC 986 00:46:43,520 --> 00:46:43,880 Speaker 3: on Sunday. 987 00:46:43,920 --> 00:46:45,000 Speaker 1: I like to call it the piano. 988 00:46:45,440 --> 00:46:48,279 Speaker 3: Do you why? I don't let you talk about it much? 989 00:46:48,800 --> 00:46:56,400 Speaker 1: Thank you and us two heroes must leave this place. 990 00:46:56,520 --> 00:46:57,120 Speaker 3: Absolutely. 991 00:46:57,600 --> 00:46:59,120 Speaker 1: Have a good weekend, friend, I. 992 00:46:59,040 --> 00:47:03,440 Speaker 3: Feel like tonight write au two. That's enough. What a 993 00:47:03,440 --> 00:47:04,040 Speaker 3: good weekend. 994 00:47:04,960 --> 00:47:07,600 Speaker 1: You can check us out at Jonesydemander dot com dot 995 00:47:07,640 --> 00:47:10,240 Speaker 1: au if you want to catch up with today's show. 996 00:47:10,560 --> 00:47:13,560 Speaker 1: Have a good weekend, Good day to you. Well, thank 997 00:47:13,680 --> 00:47:14,560 Speaker 1: god that's over. 998 00:47:15,239 --> 00:47:18,319 Speaker 2: Catch up on the Jonesy and Demanda podcast. Download the 999 00:47:18,360 --> 00:47:19,520 Speaker 2: free Iheard app. 1000 00:47:19,640 --> 00:47:25,319 Speaker 1: Now time let's skip it to how are you Dear? 1001 00:47:25,520 --> 00:47:29,360 Speaker 2: Every second of Jonesy and Demander on demand. Search for 1002 00:47:29,440 --> 00:47:30,880 Speaker 2: us now on the iHeart app