1 00:00:00,040 --> 00:00:04,000 Speaker 1: Right out, it's time for the podcast. Well her, what 2 00:00:04,120 --> 00:00:04,840 Speaker 1: a show today? 3 00:00:05,559 --> 00:00:09,720 Speaker 2: My evening scroll. I found some stories on British morning 4 00:00:09,760 --> 00:00:13,039 Speaker 2: television that are what. They're weird and unusual, all the 5 00:00:13,080 --> 00:00:13,840 Speaker 2: stuff that I like. 6 00:00:14,040 --> 00:00:17,040 Speaker 3: Speaking of weird and unusual, TikTok taka, that's. 7 00:00:16,880 --> 00:00:22,000 Speaker 2: Right, an unusual confluence of chocolate, marshmallows and baked beans. 8 00:00:22,040 --> 00:00:23,480 Speaker 2: What did we make of it? You'll have to wait 9 00:00:23,480 --> 00:00:24,000 Speaker 2: and find out. 10 00:00:24,160 --> 00:00:27,440 Speaker 1: M gillespie came in to talk about Taylor Swift's latest situation. 11 00:00:27,800 --> 00:00:30,120 Speaker 2: Yeah, she's brought back her master tapes? Who had them? 12 00:00:30,200 --> 00:00:31,440 Speaker 2: What does having them back mean? 13 00:00:31,600 --> 00:00:32,040 Speaker 3: All of that? 14 00:00:32,280 --> 00:00:34,400 Speaker 1: I know what it's like to be a young Taylor 15 00:00:34,440 --> 00:00:37,920 Speaker 1: Swift because I was the same as well. My tape, 16 00:00:38,040 --> 00:00:41,200 Speaker 1: my master tape, was out there with my band. Unfortunately, 17 00:00:41,280 --> 00:00:42,840 Speaker 1: no one is hanging on to that tape. 18 00:00:42,880 --> 00:00:44,800 Speaker 2: No one wants it. You found it in the garage 19 00:00:44,840 --> 00:00:48,240 Speaker 2: and you played it for us at my urging. You 20 00:00:48,360 --> 00:00:50,480 Speaker 2: and the guys who, as you say, are all still 21 00:00:50,479 --> 00:00:53,279 Speaker 2: tragically alive, have had to go to see if you've 22 00:00:53,320 --> 00:00:56,000 Speaker 2: still got what it takes. Have a go, mate, Today 23 00:00:56,120 --> 00:00:58,760 Speaker 2: is the day where we find out what you sound 24 00:00:58,880 --> 00:00:59,520 Speaker 2: like now. 25 00:01:00,160 --> 00:01:11,480 Speaker 4: The podcast A miracle of recording. 26 00:01:11,680 --> 00:01:13,360 Speaker 3: We have so many requests. 27 00:01:12,920 --> 00:01:15,240 Speaker 5: For them to do it again, Mistress Amanda and Miss 28 00:01:16,280 --> 00:01:17,880 Speaker 5: Amanda doesn't work alone. 29 00:01:19,640 --> 00:01:22,360 Speaker 3: Friend making the tools of the train. 30 00:01:22,440 --> 00:01:26,680 Speaker 1: I've heard them describe him as a drunken idiot, the 31 00:01:26,760 --> 00:01:27,520 Speaker 1: legendary part. 32 00:01:27,640 --> 00:01:30,600 Speaker 6: Jonesy, Amanda, the actress wigs. 33 00:01:30,640 --> 00:01:32,640 Speaker 2: Congratulations, were there right now? 34 00:01:33,560 --> 00:01:35,360 Speaker 3: Josey and Amanda. You're doing a great. 35 00:01:35,200 --> 00:01:40,600 Speaker 2: Job, Silk Giant, good Radio. 36 00:01:40,840 --> 00:01:46,480 Speaker 7: Sorry but it's a tone tongue twist set and Amanda's 37 00:01:46,640 --> 00:01:48,640 Speaker 7: shoot Tim we're. 38 00:01:48,400 --> 00:01:48,880 Speaker 8: On the air. 39 00:01:49,400 --> 00:01:50,800 Speaker 3: Hell, Amanda, how are you today? 40 00:01:51,280 --> 00:01:54,880 Speaker 2: I'm well, Brendan, And yesterday I set you an assignment. 41 00:01:55,280 --> 00:01:57,920 Speaker 2: I said, enough of the freu through we've got t shirts, 42 00:01:57,960 --> 00:02:00,280 Speaker 2: you've talked about the band, you've got together and had 43 00:02:00,360 --> 00:02:04,440 Speaker 2: drinks with the guys from Bad Element. I said, this 44 00:02:04,520 --> 00:02:07,880 Speaker 2: has to have a culmination and whether you guys can 45 00:02:07,920 --> 00:02:10,440 Speaker 2: sit down and whether you've still got it or not. 46 00:02:10,520 --> 00:02:13,320 Speaker 2: I just wanted to hear you guys play as fish 47 00:02:13,480 --> 00:02:14,239 Speaker 2: seven year old. 48 00:02:14,880 --> 00:02:17,160 Speaker 1: Sure, and I know that you sent me a lot 49 00:02:17,200 --> 00:02:20,839 Speaker 1: of messages last night, and I'm sorry. I could hear 50 00:02:20,880 --> 00:02:24,440 Speaker 1: you calling, but me and the boys were playing but 51 00:02:24,480 --> 00:02:25,840 Speaker 1: we just couldn't find the sound. 52 00:02:27,040 --> 00:02:31,320 Speaker 2: But you're quoting Beth from Kiss. How was the rest 53 00:02:31,320 --> 00:02:32,520 Speaker 2: of it? You don't even know. 54 00:02:32,760 --> 00:02:35,839 Speaker 3: Just a few more hours. Once that I'll be back 55 00:02:35,840 --> 00:02:36,400 Speaker 3: home to you. 56 00:02:36,480 --> 00:02:41,800 Speaker 2: Well that's not requie once can I do? So have 57 00:02:41,880 --> 00:02:42,360 Speaker 2: you done? 58 00:02:42,560 --> 00:02:46,160 Speaker 3: I know what it's like to be with the artist? 59 00:02:47,240 --> 00:02:50,600 Speaker 3: I tell you what We're okay. So you did it? 60 00:02:50,600 --> 00:02:51,200 Speaker 3: It's done. 61 00:02:51,600 --> 00:02:52,160 Speaker 2: What's done? 62 00:02:52,320 --> 00:02:55,239 Speaker 3: There? We've had we had a noodle in the set 63 00:02:55,320 --> 00:02:55,600 Speaker 3: in the. 64 00:02:55,560 --> 00:02:56,720 Speaker 2: Studio, speak English? 65 00:02:56,720 --> 00:02:58,760 Speaker 3: What did you do? We played in the studio and 66 00:02:59,360 --> 00:03:01,079 Speaker 3: you know which so much? 67 00:03:01,160 --> 00:03:02,760 Speaker 2: Just one song, no lies? 68 00:03:02,840 --> 00:03:06,520 Speaker 1: Yeah, the title the title track of the album is 69 00:03:06,520 --> 00:03:07,839 Speaker 1: the one that I sing. 70 00:03:07,840 --> 00:03:10,360 Speaker 2: Right, so the one that you've seen. So you've done 71 00:03:10,360 --> 00:03:13,880 Speaker 2: a version hand on heart. So we're going to hear 72 00:03:13,919 --> 00:03:14,400 Speaker 2: it today. 73 00:03:15,600 --> 00:03:17,440 Speaker 1: Look, yeah, you know, I don't want to just come 74 00:03:17,480 --> 00:03:19,280 Speaker 1: on on there. I don't think I can just put 75 00:03:19,280 --> 00:03:20,160 Speaker 1: it on there, but. 76 00:03:20,080 --> 00:03:23,119 Speaker 2: To sometime today will be So you did record? No longer. 77 00:03:23,120 --> 00:03:23,880 Speaker 3: I'll run a past you. 78 00:03:23,880 --> 00:03:26,040 Speaker 1: I'll run a past and if you don't like it, 79 00:03:26,080 --> 00:03:27,399 Speaker 1: I'll pull it off straight away. 80 00:03:27,480 --> 00:03:31,680 Speaker 2: Of course. So I'm excited this happened. So you Oma 81 00:03:31,800 --> 00:03:34,800 Speaker 2: and beers, yeah brilliant and no lies and you singing 82 00:03:34,960 --> 00:03:35,760 Speaker 2: no brilliant? 83 00:03:37,160 --> 00:03:41,120 Speaker 3: Oh wow, that hopes up to you get serious. We 84 00:03:41,160 --> 00:03:42,000 Speaker 3: haven't played. 85 00:03:43,240 --> 00:03:46,440 Speaker 2: Completely get it. I don't care whether it's terrible. I 86 00:03:46,520 --> 00:03:49,640 Speaker 2: just wanted you to be brave enough to have a go. 87 00:03:49,960 --> 00:03:52,320 Speaker 2: That's all that I asked of you. I'm excited. 88 00:03:52,360 --> 00:03:54,880 Speaker 3: This country was built on people having a go. Yeah, 89 00:03:54,920 --> 00:03:55,640 Speaker 3: and we had a go. 90 00:03:55,920 --> 00:04:00,440 Speaker 2: Yeah. I'm attracted to people have skin in the game, Brendan, 91 00:04:01,080 --> 00:04:04,040 Speaker 2: people who give it a go. This is part of 92 00:04:04,040 --> 00:04:05,760 Speaker 2: the thing these days is you've got to push through 93 00:04:05,760 --> 00:04:08,160 Speaker 2: the cringe to get where you want to be. And 94 00:04:08,320 --> 00:04:09,800 Speaker 2: I'm keen to hear the cringe. 95 00:04:11,040 --> 00:04:13,320 Speaker 3: Well, you might be suppressed, you might be. 96 00:04:14,240 --> 00:04:16,640 Speaker 2: Well, okay, so it's happening sometime today, but don't have 97 00:04:16,680 --> 00:04:19,080 Speaker 2: tom obviously to play stuff now. Because I've got magnificent seven. 98 00:04:19,480 --> 00:04:20,000 Speaker 3: We put it? 99 00:04:20,160 --> 00:04:22,160 Speaker 2: Will we put a brake in the rundown? 100 00:04:22,160 --> 00:04:24,599 Speaker 3: Well, you said there was a giant bad element side hole. 101 00:04:25,240 --> 00:04:29,080 Speaker 2: I did say eight ten. I've scheduled it in, but 102 00:04:29,400 --> 00:04:32,200 Speaker 2: I've left it blank in case it didn't happen. I'm excited. 103 00:04:32,200 --> 00:04:34,360 Speaker 2: I'm going to write on our rundown bad. 104 00:04:34,160 --> 00:04:39,359 Speaker 3: Element to maybe write it a pencil no, just in case. 105 00:04:39,440 --> 00:04:42,720 Speaker 2: No, it's going in my black pen getting a tattoo 106 00:04:42,880 --> 00:04:46,280 Speaker 2: saying eight ten. I'm excited. 107 00:04:46,680 --> 00:04:49,159 Speaker 1: You know, maybe we need to put a bit more 108 00:04:49,200 --> 00:04:51,119 Speaker 1: in the off Broadway part of the show. 109 00:04:51,480 --> 00:04:51,920 Speaker 2: Eighteen. 110 00:04:52,240 --> 00:04:54,800 Speaker 3: Well, eight ten's like full main stage. 111 00:04:55,520 --> 00:04:58,120 Speaker 2: What do you call this? There's no one listening now. 112 00:04:58,480 --> 00:05:00,599 Speaker 2: It's all main stage. 113 00:05:00,720 --> 00:05:01,839 Speaker 3: It's all main stage. 114 00:05:01,880 --> 00:05:05,520 Speaker 1: You know when if Jones and Amanda show was the 115 00:05:05,560 --> 00:05:06,240 Speaker 1: big day out. 116 00:05:06,279 --> 00:05:08,159 Speaker 3: This is the main stage. There's none of those piddle 117 00:05:08,200 --> 00:05:09,240 Speaker 3: the other last stages. 118 00:05:10,120 --> 00:05:11,799 Speaker 2: You see us, all sides, all the fire. 119 00:05:11,880 --> 00:05:13,960 Speaker 3: Read a quote poetry and you're going to where's the. 120 00:05:14,480 --> 00:05:18,000 Speaker 1: That's eight ten anyway, So we've got that for you. 121 00:05:18,120 --> 00:05:19,640 Speaker 3: TikTok tagger makes us return. 122 00:05:19,680 --> 00:05:22,800 Speaker 1: I'm looking forward to having that after last week's abomination 123 00:05:22,960 --> 00:05:24,840 Speaker 1: before the Lord it was it. 124 00:05:24,760 --> 00:05:27,640 Speaker 2: Was hot dog pancakes and I had to blitz them 125 00:05:27,680 --> 00:05:30,720 Speaker 2: down they look like human flesh and make the pancakes 126 00:05:30,760 --> 00:05:32,560 Speaker 2: and it looked like human tongue, didn't it. 127 00:05:32,640 --> 00:05:34,560 Speaker 3: Yeah, And we can't do anything too. 128 00:05:34,720 --> 00:05:36,359 Speaker 9: Had enough of that at the Christmas But until we 129 00:05:36,440 --> 00:05:38,400 Speaker 9: do the Magnificent seven. 130 00:05:38,480 --> 00:05:41,960 Speaker 2: Question number one, what shape is the scar on Harry 131 00:05:41,960 --> 00:05:42,840 Speaker 2: Potter's forehead? 132 00:05:43,160 --> 00:05:43,760 Speaker 9: Gen Nation? 133 00:05:44,040 --> 00:05:47,440 Speaker 1: We have a few the Magnificence. There are seven questions. 134 00:05:47,440 --> 00:05:48,760 Speaker 1: Can you go all the way and answer our seven 135 00:05:48,800 --> 00:05:50,440 Speaker 1: questions correctly. If you do that, Amanda will. 136 00:05:50,320 --> 00:05:51,839 Speaker 2: Say, I'm trying to get to the bottom of it. 137 00:05:51,880 --> 00:05:53,599 Speaker 2: I think it's true. I think we are going to 138 00:05:53,600 --> 00:05:56,680 Speaker 2: hear some bad element, recent bad element. We're going to 139 00:05:56,760 --> 00:05:57,360 Speaker 2: hear it today. 140 00:05:58,279 --> 00:05:59,240 Speaker 3: Sonya's in Como. 141 00:05:59,320 --> 00:06:04,719 Speaker 2: Hello, Sonya, Hello, you excited? You excited? 142 00:06:04,800 --> 00:06:05,840 Speaker 3: Well, look, you know, let's just. 143 00:06:07,120 --> 00:06:09,520 Speaker 2: I don't mind if it's bad. I'm just glad you 144 00:06:09,560 --> 00:06:09,880 Speaker 2: did it. 145 00:06:09,880 --> 00:06:11,640 Speaker 3: It's bad element, man, of course it's bad. 146 00:06:11,680 --> 00:06:14,039 Speaker 2: It could have been bad bad elements like bad le 147 00:06:14,160 --> 00:06:14,719 Speaker 2: Roy Brown. 148 00:06:15,120 --> 00:06:18,200 Speaker 1: Look, Sonya, I don't want a manage to build this 149 00:06:18,320 --> 00:06:18,880 Speaker 1: up too much. 150 00:06:18,880 --> 00:06:19,159 Speaker 6: All right. 151 00:06:19,920 --> 00:06:21,960 Speaker 2: I'm just building up the excitement that you've done it, 152 00:06:22,040 --> 00:06:24,240 Speaker 2: not that it's going to be good. How about that? 153 00:06:24,360 --> 00:06:26,080 Speaker 3: Wow, you hang on a minute. It might be good. 154 00:06:26,080 --> 00:06:28,000 Speaker 3: It might be good. I might end up leaving this 155 00:06:28,120 --> 00:06:29,120 Speaker 3: and going on the road. 156 00:06:30,000 --> 00:06:33,400 Speaker 2: It'll be happy, Sonya. Question number one, what shape is 157 00:06:33,400 --> 00:06:37,119 Speaker 2: the scar and Harry Potter's forehead lightning bolt? 158 00:06:37,240 --> 00:06:37,400 Speaker 10: Yes? 159 00:06:37,920 --> 00:06:40,680 Speaker 1: How many eyes does a spider typically have? 160 00:06:40,839 --> 00:06:41,239 Speaker 3: Sonya? 161 00:06:44,080 --> 00:06:45,799 Speaker 2: Yeah, makes a tricky spectator. 162 00:06:46,720 --> 00:06:49,360 Speaker 3: Look, did I chat Charlotte? 163 00:06:49,600 --> 00:06:51,760 Speaker 2: Let's Charlotte was the pig? 164 00:06:53,400 --> 00:06:54,839 Speaker 3: Who is the spider that died? Then? 165 00:06:55,800 --> 00:06:55,960 Speaker 6: Oh? 166 00:06:56,040 --> 00:07:00,520 Speaker 1: Was that the Spider, Charlie's webb pigstone, spin webs, be 167 00:07:00,600 --> 00:07:02,560 Speaker 1: too heavy, the little hooves. 168 00:07:02,880 --> 00:07:08,360 Speaker 2: Let's play sing it back because you learn on this show, 169 00:07:08,400 --> 00:07:11,280 Speaker 2: but you don't spin webs. So we're going to hear 170 00:07:11,320 --> 00:07:13,960 Speaker 2: a song here, sonya. When they stop singing, you start singing. 171 00:07:13,960 --> 00:07:32,760 Speaker 2: Here it comes. 172 00:07:23,840 --> 00:07:27,920 Speaker 11: What what are very special times? 173 00:07:30,920 --> 00:07:34,120 Speaker 3: Look at you guys around by now. 174 00:07:34,120 --> 00:07:36,720 Speaker 1: I was seeing that video of Frankie Valley being wheeled 175 00:07:36,720 --> 00:07:37,400 Speaker 1: out on stage. 176 00:07:37,400 --> 00:07:38,360 Speaker 3: He looks like a cadave. 177 00:07:38,560 --> 00:07:41,280 Speaker 2: He does, and his miming is why people. 178 00:07:41,080 --> 00:07:44,000 Speaker 3: Are citing elderly abusive. Yeah, butt the guy to hid. 179 00:07:44,160 --> 00:07:46,000 Speaker 3: But then again, if you're that agent, you still want 180 00:07:46,000 --> 00:07:46,320 Speaker 3: to do it. 181 00:07:46,360 --> 00:07:47,800 Speaker 2: You don't want to do it? 182 00:07:48,360 --> 00:07:49,600 Speaker 3: Well, I guess he doesn't even know. 183 00:07:49,640 --> 00:07:50,960 Speaker 2: If you're in the crowd, you're up the back, you 184 00:07:50,960 --> 00:07:52,400 Speaker 2: wouldn't see how awful it was. 185 00:07:52,480 --> 00:07:55,120 Speaker 3: You'd still yell aboo. You hate that song. 186 00:07:55,160 --> 00:07:57,520 Speaker 2: I don't like that song. Why don't question number four 187 00:07:57,800 --> 00:08:00,760 Speaker 2: this is multiple choice no answer today. Who is the 188 00:08:00,800 --> 00:08:04,880 Speaker 2: Greek goddess of love? Is it a aphrodite, b Venus 189 00:08:05,000 --> 00:08:07,960 Speaker 2: or c Cupid? 190 00:08:08,560 --> 00:08:10,200 Speaker 3: Yeah, you're going to be all the way, sonya. I 191 00:08:10,200 --> 00:08:11,920 Speaker 3: can feel it. The electric eel. 192 00:08:12,000 --> 00:08:13,480 Speaker 2: That's not a good tag for a woman. 193 00:08:14,080 --> 00:08:16,240 Speaker 1: Well, in the body blue world that we live, did 194 00:08:16,280 --> 00:08:17,880 Speaker 1: you read that you got arrest it the other day? 195 00:08:18,560 --> 00:08:19,160 Speaker 3: Bonny Blue? 196 00:08:19,200 --> 00:08:21,520 Speaker 2: Did you read that I don't want take that woman's 197 00:08:21,600 --> 00:08:22,720 Speaker 2: knee out of your mouth? 198 00:08:23,040 --> 00:08:27,559 Speaker 3: Apparently receiving swollen goods. The electric eel is native only 199 00:08:27,640 --> 00:08:28,560 Speaker 3: to what continents? 200 00:08:28,640 --> 00:08:31,520 Speaker 6: Sonya, South America? 201 00:08:31,960 --> 00:08:32,440 Speaker 3: Look at you? 202 00:08:32,559 --> 00:08:34,240 Speaker 2: G Can I ask you a question? 203 00:08:34,320 --> 00:08:34,480 Speaker 12: Here? 204 00:08:34,559 --> 00:08:37,640 Speaker 2: They can generate shocks of up to eight hundred and 205 00:08:37,679 --> 00:08:40,400 Speaker 2: sixty volts? Brendan, you know electricity? What's that the equivalent 206 00:08:40,480 --> 00:08:44,319 Speaker 2: of putting your tongue on a battery? What's eight sixty volts? 207 00:08:44,440 --> 00:08:48,240 Speaker 3: That's nine volts? Eight sixty volts? There's forty which is 208 00:08:48,400 --> 00:08:49,679 Speaker 3: standard electricity? 209 00:08:50,200 --> 00:08:51,000 Speaker 2: Answer the question. 210 00:08:51,679 --> 00:08:53,640 Speaker 1: I'm not too sure, but that would be enough to 211 00:08:53,679 --> 00:08:55,280 Speaker 1: kill you. What I'd imagine you don't want to mark 212 00:08:55,280 --> 00:08:56,360 Speaker 1: around with an electric eel? 213 00:08:56,600 --> 00:08:59,280 Speaker 2: Question? Well, we've heard first pigs don't spin webs. You 214 00:08:59,320 --> 00:09:01,120 Speaker 2: do not one of my around with an electric geel? 215 00:09:01,160 --> 00:09:04,240 Speaker 3: Sony? Are you taking notes? 216 00:09:05,000 --> 00:09:08,600 Speaker 2: Question number six? Would you find the letter Z on 217 00:09:08,679 --> 00:09:11,360 Speaker 2: the right hand side or left hand side of a keyboard? 218 00:09:13,200 --> 00:09:13,400 Speaker 13: Oh? 219 00:09:15,559 --> 00:09:16,280 Speaker 6: Right hand side? 220 00:09:16,440 --> 00:09:16,600 Speaker 2: Oh? 221 00:09:18,880 --> 00:09:21,320 Speaker 1: And Sonya wasn't even googling how good is she? I 222 00:09:21,360 --> 00:09:24,920 Speaker 1: know I'm going to miss them? Can you feel the 223 00:09:25,000 --> 00:09:26,000 Speaker 1: Sonya shaped hole? 224 00:09:26,040 --> 00:09:32,200 Speaker 3: In our show podcast The Magnificent the. 225 00:09:32,200 --> 00:09:34,560 Speaker 2: Question number six, it's going to Abby and French's Forest 226 00:09:34,600 --> 00:09:38,640 Speaker 2: High Abbey, Hi morning, Hello. If you heard Sonya before 227 00:09:38,760 --> 00:09:41,240 Speaker 2: she got this question wrong, that might be useful to you. 228 00:09:41,280 --> 00:09:43,440 Speaker 2: Would you find the letter Z on the right hand 229 00:09:43,480 --> 00:09:45,760 Speaker 2: side or the left hand side of a keyboard? 230 00:09:47,000 --> 00:09:50,240 Speaker 3: The left hand side? You know it? Who Abby? 231 00:09:50,320 --> 00:09:53,240 Speaker 1: Are the soccer who's playing against as we speak in 232 00:09:53,320 --> 00:09:53,920 Speaker 1: the World Cup? 233 00:09:53,960 --> 00:09:55,200 Speaker 3: Qualification is just wrapped up. 234 00:09:55,240 --> 00:10:00,640 Speaker 2: The game is over. Australia, Yes, ending away. 235 00:10:01,720 --> 00:10:02,560 Speaker 7: Shaudi Arabia. 236 00:10:02,720 --> 00:10:05,360 Speaker 2: Yes, Australia one two to one. We've qualified for the 237 00:10:05,360 --> 00:10:05,880 Speaker 2: World Cup. 238 00:10:06,240 --> 00:10:06,920 Speaker 3: Look at our sky? 239 00:10:07,080 --> 00:10:07,840 Speaker 2: How many years away? 240 00:10:07,880 --> 00:10:08,040 Speaker 6: Is that? 241 00:10:08,120 --> 00:10:10,560 Speaker 2: Rhyme? Won't you just pull a face? 242 00:10:12,640 --> 00:10:13,080 Speaker 3: Next year? 243 00:10:13,679 --> 00:10:14,079 Speaker 2: Next year? 244 00:10:14,400 --> 00:10:16,440 Speaker 3: Where's that going to be at? In Saudi Arabia? 245 00:10:16,840 --> 00:10:18,959 Speaker 5: That's in like the United States? 246 00:10:19,280 --> 00:10:21,120 Speaker 3: Yeah, editor, and also Mexico. 247 00:10:21,720 --> 00:10:22,240 Speaker 2: There you going. 248 00:10:22,440 --> 00:10:26,360 Speaker 9: Well, Australia is through book your tickets, Abby, good on us. 249 00:10:26,640 --> 00:10:27,400 Speaker 3: Congratulations. 250 00:10:27,520 --> 00:10:29,240 Speaker 2: Let's go straight to a lake because I'd love. 251 00:10:29,080 --> 00:10:31,080 Speaker 3: To be there. La is the place to be. 252 00:10:31,679 --> 00:10:34,720 Speaker 1: Just see those waygo taxis, you know, the self driving 253 00:10:34,720 --> 00:10:35,920 Speaker 1: taxis they've got over there. 254 00:10:36,000 --> 00:10:37,880 Speaker 3: They're all covered in graffiti and stuff and other g 255 00:10:38,040 --> 00:10:40,400 Speaker 3: those riders have gone crazy. That's what they look like 256 00:10:40,559 --> 00:10:41,320 Speaker 3: before the ride. 257 00:10:41,520 --> 00:10:44,439 Speaker 2: Really yeah, that's people just tag them. 258 00:10:44,559 --> 00:10:46,680 Speaker 3: It's like the Lime bikes. When you see around the city, 259 00:10:46,720 --> 00:10:51,240 Speaker 3: someone tags the Lime bike. Abby. Congratulations, you've won the 260 00:10:51,320 --> 00:10:52,559 Speaker 3: jam pack. It's all coming away. 261 00:10:52,720 --> 00:10:56,040 Speaker 1: A family Flex pass to Tarnga Zoo and Taronga Western 262 00:10:56,080 --> 00:10:56,760 Speaker 1: Plains Zoo. 263 00:10:57,080 --> 00:10:59,400 Speaker 3: Members get more every day, two. 264 00:10:59,320 --> 00:11:02,040 Speaker 1: Hundred dollars to better bay Visita World Famous Desserts and 265 00:11:02,080 --> 00:11:05,080 Speaker 1: bay Vista Paramatta and Brighton Sands and Jones Nomatic character 266 00:11:05,160 --> 00:11:06,720 Speaker 1: chus Feed the Color and some standard peenzls. 267 00:11:06,840 --> 00:11:08,880 Speaker 3: I say, Abbey, anything you'd like to add to. 268 00:11:08,840 --> 00:11:11,720 Speaker 6: This, thank you so much. That's awesome. 269 00:11:11,880 --> 00:11:13,360 Speaker 3: Thank you. Maybe you are welcome. 270 00:11:13,400 --> 00:11:20,400 Speaker 8: You are awesome, Abby, Jonesy and Amanda podcast are a 271 00:11:20,440 --> 00:11:21,120 Speaker 8: really good. 272 00:11:21,000 --> 00:11:23,400 Speaker 1: Pooh Jonesy and Amanda, I don't pull the poochube out 273 00:11:23,400 --> 00:11:24,199 Speaker 1: of your jokes. 274 00:11:24,920 --> 00:11:26,160 Speaker 2: You don't pull out the poochee. 275 00:11:26,200 --> 00:11:27,079 Speaker 3: It's extra care. 276 00:11:27,360 --> 00:11:28,439 Speaker 2: Who wants to eat the poop? 277 00:11:29,920 --> 00:11:32,120 Speaker 3: Thumbing through the jarmanac a big the music facts. 278 00:11:32,160 --> 00:11:35,160 Speaker 1: When you're finished making comments about my shirt today, you've. 279 00:11:35,000 --> 00:11:37,600 Speaker 2: Got some lovely shirts from what's the company that gives 280 00:11:37,600 --> 00:11:39,280 Speaker 2: you a laundry laundry. 281 00:11:39,000 --> 00:11:40,319 Speaker 3: John Lennon range of shirts. 282 00:11:40,360 --> 00:11:41,400 Speaker 2: Yeah, that's not the faith. 283 00:11:41,800 --> 00:11:42,719 Speaker 3: You don't like this one more. 284 00:11:42,880 --> 00:11:45,040 Speaker 2: It's a little bit Ryan, would you. It's a bit 285 00:11:45,040 --> 00:11:49,079 Speaker 2: wrapping paper ish. It's a bit like a greeting card 286 00:11:49,880 --> 00:11:52,800 Speaker 2: that you'd buy for a father in law or something. 287 00:11:53,080 --> 00:11:54,959 Speaker 3: This is coming from you who look like the Marlborough Man. 288 00:11:55,000 --> 00:11:57,760 Speaker 3: Today you are. I'm in flavor country when I see 289 00:11:57,760 --> 00:12:01,240 Speaker 3: you in matt jacket. It's very nice. Oh Pats stab 290 00:12:02,480 --> 00:12:05,400 Speaker 3: on this day in nineteen ninety one, simply. 291 00:12:05,160 --> 00:12:10,400 Speaker 1: Read oh bro Man released Smoking You are the track stars. 292 00:12:11,559 --> 00:12:13,839 Speaker 1: It's just been announced the lead singer Mick Harknell will 293 00:12:13,880 --> 00:12:16,680 Speaker 1: be receiving a Golden Note Award of the as CAP 294 00:12:16,880 --> 00:12:20,120 Speaker 1: London Music Awards blah blah blah for his songwriting gain. 295 00:12:20,160 --> 00:12:20,640 Speaker 3: Okay, good? 296 00:12:20,760 --> 00:12:22,920 Speaker 2: Is that how you're going to induct him into that game? 297 00:12:23,040 --> 00:12:23,240 Speaker 3: You know? 298 00:12:23,400 --> 00:12:24,440 Speaker 2: Blah blah blah. 299 00:12:24,440 --> 00:12:27,600 Speaker 3: Good on your champ, well done. He was rude to 300 00:12:27,640 --> 00:12:29,560 Speaker 3: me once and I don't forget I know you. 301 00:12:29,559 --> 00:12:32,160 Speaker 2: You don't like him and from our show forever? Is 302 00:12:32,160 --> 00:12:32,520 Speaker 2: that why? 303 00:12:32,520 --> 00:12:34,800 Speaker 3: Because he was dismissive. It was dismissive and rude. 304 00:12:35,040 --> 00:12:35,760 Speaker 2: He's gone. 305 00:12:36,040 --> 00:12:39,320 Speaker 1: Another artist almost on his level who will be receiving 306 00:12:39,320 --> 00:12:40,680 Speaker 1: an award is Lolly Young. 307 00:12:40,800 --> 00:12:43,120 Speaker 3: You know, lo love this song the show girl. 308 00:12:46,520 --> 00:12:48,920 Speaker 2: You told me so love his song. 309 00:12:51,440 --> 00:12:53,559 Speaker 3: She wouldn't be learned to us like that. 310 00:12:54,360 --> 00:13:01,560 Speaker 2: I love this Yes element, Can we play that not 311 00:13:01,600 --> 00:13:03,080 Speaker 2: bad element? Can we play that song? 312 00:13:03,640 --> 00:13:06,040 Speaker 1: No, We'll put on stars because that actually is a 313 00:13:06,080 --> 00:13:06,600 Speaker 1: good song. 314 00:13:06,720 --> 00:13:08,440 Speaker 3: And there's the rest of simply red. It's not all 315 00:13:08,480 --> 00:13:12,199 Speaker 3: about old Night jem Night Gold one on one point seven. 316 00:13:12,400 --> 00:13:14,880 Speaker 1: Hello there, it's Jonesy demanders we take in the full 317 00:13:14,960 --> 00:13:16,840 Speaker 1: moon over southwest Sydney right now. 318 00:13:16,840 --> 00:13:20,000 Speaker 2: I got an extraordinary sight, a big clear sky, a 319 00:13:20,080 --> 00:13:21,440 Speaker 2: big fat full moon. 320 00:13:21,600 --> 00:13:23,920 Speaker 3: I can't really see it from my vantage point. I'll 321 00:13:23,960 --> 00:13:25,720 Speaker 3: just have to settle with the harbor Bridge in the 322 00:13:25,760 --> 00:13:26,320 Speaker 3: opera House. 323 00:13:26,360 --> 00:13:29,440 Speaker 2: And I said to management, the way we're sitting in 324 00:13:29,440 --> 00:13:32,360 Speaker 2: the studio of Jonesy gets the harbor Bridge and the 325 00:13:32,360 --> 00:13:34,760 Speaker 2: opera house. I insist on seeing the full moon. You've 326 00:13:34,800 --> 00:13:36,600 Speaker 2: got every negotiation they show it to me. 327 00:13:39,080 --> 00:13:43,360 Speaker 9: It's ninety seven right now, it's time for It's time 328 00:13:43,440 --> 00:13:45,360 Speaker 9: once again for Amanda's evening. 329 00:13:45,480 --> 00:13:48,840 Speaker 2: Screw is this the stuff I see when I'm just 330 00:13:48,840 --> 00:13:51,720 Speaker 2: scrolling through my phone. My eyes bleeding at night, my 331 00:13:51,880 --> 00:13:56,160 Speaker 2: fingers raw. But I figure this show needs my input. 332 00:13:56,600 --> 00:13:58,839 Speaker 1: Sure, I'd send you a text at night every night. 333 00:13:58,920 --> 00:14:01,040 Speaker 1: I said, just go to bed? Would you find Dan? 334 00:14:01,440 --> 00:14:02,040 Speaker 3: Go to bed? 335 00:14:02,120 --> 00:14:03,720 Speaker 2: And I say, Brendan, it's only half an a. Doun't 336 00:14:03,720 --> 00:14:05,160 Speaker 2: I have to get up? I may as well push through. 337 00:14:05,640 --> 00:14:07,280 Speaker 2: So this is just a couple of things I saw 338 00:14:07,280 --> 00:14:09,280 Speaker 2: on my evening scroll last night. This is an English 339 00:14:09,320 --> 00:14:11,800 Speaker 2: talk show. Let's start with this. This was a woman 340 00:14:12,200 --> 00:14:14,199 Speaker 2: who's on this talk show. It's a couple of years 341 00:14:14,200 --> 00:14:17,360 Speaker 2: old now, but she talks about her very real phobia 342 00:14:18,400 --> 00:14:19,520 Speaker 2: of Simon Cowell. 343 00:14:20,440 --> 00:14:20,640 Speaker 14: Yeah. 344 00:14:20,640 --> 00:14:24,800 Speaker 11: Now, this is Michelle Hall. She is terrified of Simon Cowe. 345 00:14:24,920 --> 00:14:27,400 Speaker 11: And this is very real for Michelle. She is so scared. 346 00:14:27,720 --> 00:14:30,280 Speaker 11: It has become a real phobia and she's had. 347 00:14:30,200 --> 00:14:32,560 Speaker 2: Enough now and she really wants it to stop. 348 00:14:32,600 --> 00:14:35,840 Speaker 11: So we've got schema conditioning therapists Nick and Either speak 349 00:14:35,880 --> 00:14:37,120 Speaker 11: when you see them hear a loss. 350 00:14:36,880 --> 00:14:37,320 Speaker 3: On the show. 351 00:14:37,640 --> 00:14:40,120 Speaker 11: They're hoping to help today. But before we get started 352 00:14:40,280 --> 00:14:44,080 Speaker 11: with that, Michelle, this is how Simon cow actually affects 353 00:14:44,080 --> 00:14:45,000 Speaker 11: Michelle's life. 354 00:14:45,200 --> 00:14:48,200 Speaker 10: This phobia Simon cow started about ten years ago. 355 00:14:48,360 --> 00:14:49,360 Speaker 2: And he came on. 356 00:14:49,280 --> 00:14:52,120 Speaker 12: And his trousers up to his waist and that winking 357 00:14:52,200 --> 00:14:54,160 Speaker 12: of his eyes and he would just say, I started 358 00:14:54,160 --> 00:14:54,360 Speaker 12: to the. 359 00:14:56,400 --> 00:14:56,960 Speaker 3: Goodness. 360 00:14:57,040 --> 00:14:59,120 Speaker 2: Yeah, she said, his trousers are really high and a 361 00:14:59,160 --> 00:15:01,160 Speaker 2: wink of his eye and it set her off. And 362 00:15:01,200 --> 00:15:03,120 Speaker 2: when you watch her, it's quite extraordinary. So they hooked 363 00:15:03,120 --> 00:15:06,960 Speaker 2: her up to a heart machine and showed her photos 364 00:15:07,000 --> 00:15:07,880 Speaker 2: of Simon Cowell. 365 00:15:08,440 --> 00:15:10,560 Speaker 11: I'm just going to shave you some pictures, okay, because 366 00:15:10,720 --> 00:15:11,600 Speaker 11: we're going to try. 367 00:15:11,400 --> 00:15:14,840 Speaker 2: And kind of get you there slowly. If I was 368 00:15:14,880 --> 00:15:17,040 Speaker 2: looking for her before and after, fellow, So if. 369 00:15:16,920 --> 00:15:19,280 Speaker 11: I just show you a picture of cancer, this's. 370 00:15:19,040 --> 00:15:19,440 Speaker 12: Not on. 371 00:15:23,880 --> 00:15:26,200 Speaker 3: What's making you feel like? 372 00:15:27,240 --> 00:15:28,240 Speaker 2: It's the same. 373 00:15:29,760 --> 00:15:30,600 Speaker 3: Stop. Stop. 374 00:15:31,280 --> 00:15:35,640 Speaker 2: It's like when you see Sidney Sweeney's bathwater. Start breathing heavily. 375 00:15:35,840 --> 00:15:37,760 Speaker 3: I'm not after the byproducts someone there. 376 00:15:38,440 --> 00:15:43,120 Speaker 2: Oh, anyway, that's the That was one thing I thought. 377 00:15:43,200 --> 00:15:46,720 Speaker 2: Then I saw another Jonglish and I saw another English 378 00:15:46,760 --> 00:15:49,680 Speaker 2: talk show with the host. There they're talking to a 379 00:15:49,720 --> 00:15:52,200 Speaker 2: woman and an off sider on a couch. The woman 380 00:15:52,280 --> 00:15:55,800 Speaker 2: is wrapped in a dona and now that douna happens 381 00:15:55,840 --> 00:15:57,240 Speaker 2: to be her fiance. 382 00:15:57,880 --> 00:16:00,440 Speaker 15: Taking it one step further because she's decided to marry 383 00:16:00,440 --> 00:16:04,120 Speaker 15: her do They. Pascal Selik describes her feelings stores her 384 00:16:04,120 --> 00:16:07,400 Speaker 15: Do They as the most intermous and reliable relationship that 385 00:16:07,480 --> 00:16:10,440 Speaker 15: she's ever had. She's here now with her wedding planner, 386 00:16:10,520 --> 00:16:14,400 Speaker 15: Anna and the douvet to be so good morning also, 387 00:16:14,760 --> 00:16:18,040 Speaker 15: And as we were to start any of these interviews, 388 00:16:18,320 --> 00:16:20,520 Speaker 15: when did you first meet your dovet oh? 389 00:16:20,720 --> 00:16:22,920 Speaker 2: I met my a long long time ago. We always 390 00:16:23,000 --> 00:16:25,360 Speaker 2: knew it's going to be loved. It was love at 391 00:16:25,360 --> 00:16:25,840 Speaker 2: the first sight. 392 00:16:25,920 --> 00:16:28,360 Speaker 15: I think, what is it about about this do They? 393 00:16:28,440 --> 00:16:30,040 Speaker 15: I mean, you must have had other duvets before. 394 00:16:30,320 --> 00:16:32,840 Speaker 2: I had other duvots before, but always be loyal to visit. 395 00:16:34,880 --> 00:16:37,240 Speaker 3: And I've had so many duvets before. 396 00:16:37,400 --> 00:16:39,520 Speaker 2: And she's sitting on the couch next to her wedding planner. 397 00:16:39,960 --> 00:16:43,360 Speaker 2: I e enabler, Come on, but you know I was 398 00:16:43,400 --> 00:16:45,160 Speaker 2: looking at this and I know that you happen to 399 00:16:45,200 --> 00:16:48,040 Speaker 2: have a relationship with one of your appliances. Don't you 400 00:16:48,120 --> 00:16:49,600 Speaker 2: talk to your microwave. 401 00:16:50,640 --> 00:16:54,440 Speaker 3: One time? I just put it one time in the microwave. 402 00:16:54,840 --> 00:16:57,400 Speaker 3: I was standing there and said, enjoy your meal, and 403 00:16:57,480 --> 00:16:58,920 Speaker 3: you spoke back to her. I said, well, no, it's 404 00:16:58,960 --> 00:17:00,720 Speaker 3: not a mew he needed to cup of coffee. 405 00:17:00,760 --> 00:17:01,560 Speaker 2: So it's like you're married. 406 00:17:01,600 --> 00:17:05,880 Speaker 1: You're arguing with it didn't talk back. 407 00:17:06,200 --> 00:17:08,119 Speaker 2: Well, I hope you've enjoyed my evening Scroll. It was 408 00:17:08,160 --> 00:17:08,600 Speaker 2: worth it. 409 00:17:09,640 --> 00:17:13,040 Speaker 3: Join us next time for another exciting episode of Amanda's 410 00:17:13,119 --> 00:17:18,960 Speaker 3: Evening Scroll. Indeed, indeed, Jung XM. 411 00:17:17,760 --> 00:17:22,359 Speaker 1: Nations, let's get on down today, Jersey Amanda arms I 412 00:17:22,480 --> 00:17:25,760 Speaker 1: fired up gen z As declared being paid fortnightly in 413 00:17:25,800 --> 00:17:29,439 Speaker 1: Australia should be straight up and because she finds it 414 00:17:29,480 --> 00:17:31,200 Speaker 1: difficult to manage her salary. 415 00:17:31,320 --> 00:17:34,360 Speaker 2: Yes, she's been paid fortnite at ly. She's twenty one 416 00:17:34,400 --> 00:17:37,880 Speaker 2: years old and she says, one week I'm rich, next 417 00:17:37,880 --> 00:17:41,040 Speaker 2: week I'm living off genuine scraps. She has said that 418 00:17:41,240 --> 00:17:43,960 Speaker 2: it's not her fault because gen Za's were never taught 419 00:17:43,960 --> 00:17:46,120 Speaker 2: how to manage money. She said, you get a huge 420 00:17:46,119 --> 00:17:47,840 Speaker 2: influx of money at once, and of course you're going 421 00:17:47,880 --> 00:17:49,720 Speaker 2: to get excited and blow it all in the next week. 422 00:17:49,760 --> 00:17:54,920 Speaker 2: There's none. Other people have said, well I get paid monthly, Hey, 423 00:17:55,000 --> 00:17:57,840 Speaker 2: hold my beer. I've got more complaints than that the party. 424 00:17:58,160 --> 00:18:01,000 Speaker 2: This is how you learn to budget. It is hard. 425 00:18:01,320 --> 00:18:03,800 Speaker 2: It is hard when you're younger, particularly and you don't 426 00:18:03,800 --> 00:18:06,160 Speaker 2: have that much money coming in. How you can make 427 00:18:06,160 --> 00:18:09,720 Speaker 2: it all work? But you blow it? You get paid fortnightly, 428 00:18:10,000 --> 00:18:12,159 Speaker 2: first fortnight, you blow it. Next time you think, oh, 429 00:18:12,160 --> 00:18:14,680 Speaker 2: maybe I need to think about making it last a 430 00:18:14,720 --> 00:18:17,600 Speaker 2: little bit longer. Some of the comments here have said, yes, 431 00:18:17,640 --> 00:18:20,960 Speaker 2: you're right. The majority of Australians, not a vast majority, 432 00:18:20,960 --> 00:18:25,040 Speaker 2: I must say, get paid fortnightly fifty two percent. Only 433 00:18:25,119 --> 00:18:30,240 Speaker 2: thirty three percent are paid weekly, twelve percent paid monthly, 434 00:18:30,600 --> 00:18:33,640 Speaker 2: three percent of paid quarterly or infrequently. And if you're freelance, 435 00:18:34,000 --> 00:18:38,200 Speaker 2: you're constantly chasing trade's chasing money or chasing money constantly. 436 00:18:38,280 --> 00:18:39,000 Speaker 2: Such a hard way. 437 00:18:39,240 --> 00:18:39,959 Speaker 3: How they do it? 438 00:18:40,000 --> 00:18:41,960 Speaker 2: How do they budget? I really don't know it. 439 00:18:41,840 --> 00:18:44,119 Speaker 1: But it's I remember when I first started in on 440 00:18:44,160 --> 00:18:47,280 Speaker 1: the building side, you get paid weekly and that was great. 441 00:18:47,080 --> 00:18:49,359 Speaker 2: Because cash you probably got cash in location. 442 00:18:49,160 --> 00:18:50,159 Speaker 3: Hand in those days. 443 00:18:50,400 --> 00:18:52,840 Speaker 1: And then when I started in radio, I used to 444 00:18:52,840 --> 00:18:53,680 Speaker 1: get paid. 445 00:18:53,560 --> 00:18:57,760 Speaker 3: In CDs and icy kurds coke and. 446 00:18:57,760 --> 00:19:00,159 Speaker 1: I started getting paid fortnightally. I how do I live 447 00:19:00,200 --> 00:19:04,359 Speaker 1: with this? And then when I started to spread my 448 00:19:04,440 --> 00:19:06,600 Speaker 1: wings and got my first job in the Capital City 449 00:19:06,680 --> 00:19:09,400 Speaker 1: radio station in Brisbane, I. 450 00:19:09,320 --> 00:19:11,040 Speaker 3: Got paid monthly. I went, oh my god, how am 451 00:19:11,080 --> 00:19:12,040 Speaker 3: I going to live with it, and then you get 452 00:19:12,080 --> 00:19:13,720 Speaker 3: used to that because you live like a king. I 453 00:19:13,760 --> 00:19:17,520 Speaker 3: get paid monthly. All I get paid monthly. Now I'll 454 00:19:17,520 --> 00:19:19,240 Speaker 3: tell you how much I get paid if you want sure. 455 00:19:19,400 --> 00:19:21,240 Speaker 3: So that's on there. It's on the internet. I believe, 456 00:19:21,359 --> 00:19:22,720 Speaker 3: is it? Yeah? You you too? 457 00:19:23,359 --> 00:19:25,440 Speaker 2: But no, how would anyone? No, none of that's true. 458 00:19:25,480 --> 00:19:27,000 Speaker 2: I've read those stories. They're not true. 459 00:19:27,160 --> 00:19:30,640 Speaker 3: Yeah, well anyway away from that. 460 00:19:31,680 --> 00:19:33,359 Speaker 2: The one they said about me wasn't true. 461 00:19:33,560 --> 00:19:35,119 Speaker 3: It's not you know, when I grew up. 462 00:19:35,000 --> 00:19:37,240 Speaker 2: We never I never knew how much my parents you 463 00:19:37,280 --> 00:19:39,520 Speaker 2: never talk about. I never knew how old they were. 464 00:19:39,680 --> 00:19:40,600 Speaker 2: Big secrets. 465 00:19:41,080 --> 00:19:42,399 Speaker 3: Yeah, neighbor. 466 00:19:42,440 --> 00:19:43,920 Speaker 1: The trade is to say to me, what do you 467 00:19:43,920 --> 00:19:45,760 Speaker 1: get paid for the hour of these days? I said, well, 468 00:19:45,760 --> 00:19:47,440 Speaker 1: and he guess how many hours you work? I said, well, 469 00:19:47,480 --> 00:19:50,160 Speaker 1: you know anyway, it's a different world in that world. 470 00:19:50,240 --> 00:19:53,080 Speaker 1: But the monthly thing, I say, kid, when you grow. 471 00:19:52,920 --> 00:19:55,560 Speaker 2: Up, they're paid fortnightly and they want to be paid weekly. 472 00:19:55,680 --> 00:19:56,719 Speaker 2: They want to be paid weekly. 473 00:19:56,760 --> 00:19:58,159 Speaker 3: Fortnightly is a sweet spot. 474 00:19:58,240 --> 00:20:00,520 Speaker 1: I think that's the best time to that's the best 475 00:20:00,520 --> 00:20:02,000 Speaker 1: amount or the best time. 476 00:20:01,800 --> 00:20:05,240 Speaker 2: Period to be paid well, being paid fortnightly. How do 477 00:20:05,280 --> 00:20:07,080 Speaker 2: you feel does it pass the pump test for. 478 00:20:07,200 --> 00:20:09,880 Speaker 6: Jem jam nation Jonesian, Amanda. 479 00:20:09,640 --> 00:20:10,560 Speaker 3: You gotta be testified. 480 00:20:10,840 --> 00:20:14,280 Speaker 2: Oh, Brendon, you wanted to call this competition that, and 481 00:20:14,359 --> 00:20:16,520 Speaker 2: I said, don't do it because you can't do it. 482 00:20:17,080 --> 00:20:19,919 Speaker 1: We moved on to other stuff, though, like TikTok taka. 483 00:20:19,840 --> 00:20:24,640 Speaker 2: That's coming up. Last week's was hot dog pancakes. They 484 00:20:24,680 --> 00:20:28,200 Speaker 2: were disgraceful, yes, but you know, I saw a couple 485 00:20:28,240 --> 00:20:32,120 Speaker 2: of food influences. These are two Americans who were food influences. 486 00:20:32,640 --> 00:20:35,080 Speaker 2: They've never had a boiled egg. Haven't listened to this. 487 00:20:35,320 --> 00:20:38,080 Speaker 13: We're gonna trust some hard boiled eggs. I've never had 488 00:20:38,160 --> 00:20:40,360 Speaker 13: a hard boiled egg before. It was the last time 489 00:20:40,400 --> 00:20:43,160 Speaker 13: you did. I actually have never cuked a hard boiled egg. 490 00:20:43,240 --> 00:20:43,840 Speaker 12: So let's see. 491 00:20:44,320 --> 00:20:45,199 Speaker 13: Thank you tap it? 492 00:20:45,359 --> 00:20:48,679 Speaker 3: You pill it off to like he. 493 00:20:48,720 --> 00:20:52,159 Speaker 13: Has taxture issues. Oh this feels tedious. I feel like 494 00:20:52,160 --> 00:20:53,040 Speaker 13: I'm going to break it. 495 00:20:53,760 --> 00:20:56,040 Speaker 2: I don't trust anyone who likes hard boiled eggs. 496 00:20:56,040 --> 00:20:59,240 Speaker 12: By the way, what's your preferred egg fraight up in 497 00:20:59,280 --> 00:20:59,640 Speaker 12: a pan? 498 00:21:00,080 --> 00:21:02,800 Speaker 13: I prefer it as a scramble. 499 00:21:04,000 --> 00:21:05,919 Speaker 2: I got mine now, is what it looks like. 500 00:21:07,880 --> 00:21:08,480 Speaker 8: I don't like that? 501 00:21:10,200 --> 00:21:15,840 Speaker 3: Fine? Is it true? That well, Meg, that are taking 502 00:21:15,880 --> 00:21:16,399 Speaker 3: our jobs. 503 00:21:16,560 --> 00:21:19,320 Speaker 2: They are the influencers. If only we could blame my eye. 504 00:21:19,359 --> 00:21:22,320 Speaker 2: They're real people anyway, Yes, TikTok Tucker is on the 505 00:21:22,320 --> 00:21:25,760 Speaker 2: Way podcast. 506 00:21:26,080 --> 00:21:32,280 Speaker 3: When I wanted to get right now, Now go to 507 00:21:32,320 --> 00:21:39,760 Speaker 3: your windows, stick your head on a yell the pub 508 00:21:39,840 --> 00:21:40,359 Speaker 3: test today? 509 00:21:40,440 --> 00:21:43,359 Speaker 1: Being paid fortnightly does it pass the pub test? I'd 510 00:21:43,359 --> 00:21:46,520 Speaker 1: say it's the sweet spot of payer being paid weekly. 511 00:21:46,960 --> 00:21:50,359 Speaker 3: I currently get paid monthly. Fortnightly was great, But this 512 00:21:50,760 --> 00:21:53,160 Speaker 3: gen Zhi, she's a twenty one year old. She can't 513 00:21:53,160 --> 00:21:54,159 Speaker 3: deal with fortnightly. 514 00:21:54,560 --> 00:21:58,080 Speaker 2: She said, being paid fortnightly has to be banned. She said, 515 00:21:58,280 --> 00:22:00,639 Speaker 2: one week I'm rich, next I'm living off anyone scrap. 516 00:22:00,760 --> 00:22:02,880 Speaker 2: She said, we were never taught to manage money properly. 517 00:22:03,200 --> 00:22:05,399 Speaker 2: She'd like to be paid weekly. Lots of people have 518 00:22:05,480 --> 00:22:07,800 Speaker 2: wighed in and said, what you're saying, try monthly? How 519 00:22:07,800 --> 00:22:08,880 Speaker 2: hard that is to budget? 520 00:22:09,000 --> 00:22:10,760 Speaker 3: This is how you want to be paid daily? 521 00:22:11,320 --> 00:22:15,080 Speaker 2: Well, I guess the first fortnight if she got paid fortnightly, 522 00:22:15,119 --> 00:22:17,480 Speaker 2: the first fortnight she discovers week number two, she's got 523 00:22:17,480 --> 00:22:20,560 Speaker 2: no money left next fortnight, then she'd learn how to budget. 524 00:22:20,560 --> 00:22:23,479 Speaker 2: You'd think, but do you want to be paid weekly. 525 00:22:23,480 --> 00:22:26,000 Speaker 2: How does it work for you being paid fortnightly? Is 526 00:22:26,040 --> 00:22:29,160 Speaker 2: it past the pub test? Yes, learn the budget, don't 527 00:22:29,200 --> 00:22:30,240 Speaker 2: spend it all at once. 528 00:22:30,560 --> 00:22:33,320 Speaker 7: I think it's definitely passes the pub test. I get 529 00:22:33,359 --> 00:22:36,879 Speaker 7: paid monthly, so I would do anything to get paid fortnightly. 530 00:22:37,320 --> 00:22:39,960 Speaker 7: I live on a single income, and it's so so 531 00:22:40,119 --> 00:22:42,760 Speaker 7: hard to be able to budget monthly. So to be 532 00:22:42,840 --> 00:22:44,679 Speaker 7: able to pay fortnightly one hundred percent. 533 00:22:44,800 --> 00:22:45,440 Speaker 2: Yes, you does. 534 00:22:45,560 --> 00:22:49,560 Speaker 7: I'm paid fortnightly at the moment. I've been paid weekly. 535 00:22:50,160 --> 00:22:52,280 Speaker 7: I was paid monthly. 536 00:22:51,840 --> 00:22:53,240 Speaker 5: For many many years. 537 00:22:53,680 --> 00:22:54,320 Speaker 16: It's easy. 538 00:22:54,359 --> 00:22:55,480 Speaker 7: Actually, you just need. 539 00:22:55,720 --> 00:22:58,720 Speaker 2: What I do is to have a little spreadsheet, what. 540 00:22:58,760 --> 00:23:01,520 Speaker 5: Money you got coming in, what money you've got coming. 541 00:23:01,280 --> 00:23:04,400 Speaker 7: Out, and you just budget. For example, it does past 542 00:23:04,440 --> 00:23:06,960 Speaker 7: the pubcast. I remember when I was young, twenty one, 543 00:23:07,359 --> 00:23:10,040 Speaker 7: I had a mortgage and was pregant with my first daughter, 544 00:23:10,480 --> 00:23:12,920 Speaker 7: and I had to budget. It was dan hard back then. 545 00:23:13,119 --> 00:23:15,400 Speaker 7: Kids to today don't understand how hard it was. So 546 00:23:15,760 --> 00:23:16,800 Speaker 7: it passes the pub test. 547 00:23:16,800 --> 00:23:17,679 Speaker 12: Suck it up and deal with it. 548 00:23:17,760 --> 00:23:18,800 Speaker 3: See, I would dispute that. 549 00:23:19,080 --> 00:23:23,680 Speaker 2: I think probably in her day, tertiory education was free. 550 00:23:24,880 --> 00:23:28,479 Speaker 2: Housing didn't cost as didn't cost the same percentage of 551 00:23:28,520 --> 00:23:30,800 Speaker 2: your pay packet it was easier to get a mortgage. 552 00:23:31,520 --> 00:23:33,600 Speaker 2: So I don't think it's simple enough to say it 553 00:23:33,680 --> 00:23:34,720 Speaker 2: was harder in our day. 554 00:23:34,760 --> 00:23:36,720 Speaker 3: You got to work, do your stuff. 555 00:23:36,800 --> 00:23:38,560 Speaker 2: Yeah, you got to do your stuff. This person is working. 556 00:23:38,560 --> 00:23:40,240 Speaker 2: The twenty one year old is working. 557 00:23:40,359 --> 00:23:42,360 Speaker 1: Three days a week, gets up with the crack of moon. 558 00:23:42,440 --> 00:23:43,000 Speaker 3: How do you know? 559 00:23:43,119 --> 00:23:47,080 Speaker 2: How do you know? Brendan? These stereotypes you come up with. 560 00:23:47,080 --> 00:23:50,959 Speaker 2: If everyone's young and tagging trains, you have no you 561 00:23:51,000 --> 00:23:52,800 Speaker 2: have no information about that person. 562 00:23:52,920 --> 00:23:56,400 Speaker 3: Your person goes here, here's its spray can sweep. They 563 00:23:56,440 --> 00:23:59,000 Speaker 3: have a fun day out there tagging you train. 564 00:23:59,200 --> 00:24:01,600 Speaker 2: I'm a big believer in our youth, unlike you, Brent. 565 00:24:01,760 --> 00:24:04,560 Speaker 3: I love the youth. I'm a big fan of the youth. 566 00:24:04,640 --> 00:24:05,840 Speaker 3: You know, the youth are great. 567 00:24:05,880 --> 00:24:08,240 Speaker 2: Look at Ryan, Yeah, Ryan is great. 568 00:24:08,480 --> 00:24:09,240 Speaker 3: Of course he's great. 569 00:24:09,280 --> 00:24:11,240 Speaker 2: So it's not out tagging trains as you team seem 570 00:24:11,320 --> 00:24:18,720 Speaker 2: to think. Are you right? Good? Coming up? Next? 571 00:24:19,000 --> 00:24:20,760 Speaker 3: Tip took Tucker. 572 00:24:20,840 --> 00:24:25,520 Speaker 6: Jamous started what do you do? 573 00:24:25,600 --> 00:24:30,080 Speaker 17: It's a fancy the moldy, bacteria infested slavers. 574 00:24:29,640 --> 00:24:37,840 Speaker 3: Meat fall off to give you tiktokker. We make food 575 00:24:37,840 --> 00:24:39,000 Speaker 3: from TikTok and eat it. 576 00:24:39,080 --> 00:24:44,280 Speaker 2: Last week's was disgusting. It was hot dog pancakes dreadful. 577 00:24:44,680 --> 00:24:46,760 Speaker 2: Do you like the sound of chopped bean pocket? 578 00:24:48,640 --> 00:24:49,120 Speaker 3: Do you? 579 00:24:49,600 --> 00:24:52,000 Speaker 2: I'm asking you, I don't. 580 00:24:51,800 --> 00:24:54,760 Speaker 3: Know what is that a some sort of urban dictionary things? 581 00:24:54,800 --> 00:24:58,800 Speaker 2: Well, once again, this is a recipe that combined sweet 582 00:24:58,800 --> 00:25:02,160 Speaker 2: and savory, could be brilliant, might be awful. That TikToker 583 00:25:02,200 --> 00:25:04,640 Speaker 2: who made it said it was delicious. But we've been 584 00:25:04,680 --> 00:25:08,800 Speaker 2: tricked before. We start with two pieces of bread. One 585 00:25:08,800 --> 00:25:10,000 Speaker 2: of these has to be fresh bread. 586 00:25:10,119 --> 00:25:11,080 Speaker 3: Are you going brown bread? 587 00:25:11,280 --> 00:25:14,120 Speaker 2: Because the first thing you do is use your fingers 588 00:25:14,240 --> 00:25:20,159 Speaker 2: or a spoon to make a little dent. We're making 589 00:25:20,160 --> 00:25:25,320 Speaker 2: a dent in the in the bread, okay, cold spoon. 590 00:25:25,560 --> 00:25:28,080 Speaker 2: Next to that we add, hey, look look at the 591 00:25:28,160 --> 00:25:33,000 Speaker 2: name of these little marshmallows mar Baker, mar Baker crafted 592 00:25:33,040 --> 00:25:35,439 Speaker 2: with love. So the first thing we do is we 593 00:25:35,480 --> 00:25:37,960 Speaker 2: put in some chocolate chips. Put a little scoop of 594 00:25:38,000 --> 00:25:41,080 Speaker 2: chocolate chips into the little dent we've made in our 595 00:25:41,119 --> 00:25:46,080 Speaker 2: fresh bread. Okay, couse, you can so nice. 596 00:25:46,160 --> 00:25:47,960 Speaker 3: I think they've got a laxit of effective. You eat 597 00:25:47,960 --> 00:25:49,320 Speaker 3: too many, though, how many of you had? 598 00:25:51,400 --> 00:25:55,320 Speaker 2: On top of that, we put some little mini marshmallows. 599 00:25:56,000 --> 00:25:58,639 Speaker 2: I'm not a fan of mini marshmallows or big marshmallows, 600 00:25:58,640 --> 00:26:01,399 Speaker 2: are you. Here's the ingredient. We press that down a 601 00:26:01,440 --> 00:26:06,479 Speaker 2: little bit. Here's the ingredient that is unusual. Baked beans. Ah, 602 00:26:06,960 --> 00:26:07,480 Speaker 2: a scoop. 603 00:26:07,480 --> 00:26:09,280 Speaker 3: I thought you were going to say, baked beans. 604 00:26:09,520 --> 00:26:14,040 Speaker 2: A scoop of baked beans goes on top of the 605 00:26:14,080 --> 00:26:19,080 Speaker 2: marshmallows and the chocolate bits. So we've got chalk bits, 606 00:26:19,440 --> 00:26:23,280 Speaker 2: tiny little baby marshmallows and baked beans. I now put 607 00:26:23,359 --> 00:26:25,919 Speaker 2: another piece of bread over the top, and what I 608 00:26:26,040 --> 00:26:29,359 Speaker 2: do squish it down a little bit. I use what 609 00:26:29,400 --> 00:26:33,000 Speaker 2: do you call this a cup, a plastic cup, to 610 00:26:33,600 --> 00:26:38,600 Speaker 2: squeeze down and create a little round waffle a little minute. 611 00:26:38,680 --> 00:26:40,600 Speaker 2: You know about waffle brendan A pocket? 612 00:26:40,760 --> 00:26:41,320 Speaker 3: A pocket? 613 00:26:41,400 --> 00:26:43,520 Speaker 2: So I scrape the bread around from it like this 614 00:26:43,600 --> 00:26:47,600 Speaker 2: is scrape the crusts away, so you're left with a 615 00:26:47,680 --> 00:26:51,760 Speaker 2: little pocket that you Then I can't get it out that. 616 00:26:51,960 --> 00:26:54,439 Speaker 2: Oh look at that, So that's all sealed up. That 617 00:26:54,560 --> 00:26:58,360 Speaker 2: is pretty impressive. Inside that pocket of bread is baked beans, 618 00:26:59,480 --> 00:27:03,119 Speaker 2: chalk bit, a little marshmallow. What happens now, What happens 619 00:27:03,160 --> 00:27:05,600 Speaker 2: now is I eat some butter and I fry it, 620 00:27:06,000 --> 00:27:06,800 Speaker 2: and then we eat it. 621 00:27:06,840 --> 00:27:09,560 Speaker 3: Okay, Well, why don't you get your little pan going? 622 00:27:09,680 --> 00:27:12,240 Speaker 2: Why don't I do that? Brendan, I'll get my little 623 00:27:12,320 --> 00:27:15,439 Speaker 2: pan going, and while I do that, you go and 624 00:27:15,480 --> 00:27:16,200 Speaker 2: earn a living. 625 00:27:16,280 --> 00:27:17,199 Speaker 3: Okay, we'll do that. 626 00:27:17,760 --> 00:27:20,600 Speaker 8: Jonesy and Amanda podcasts. 627 00:27:25,040 --> 00:27:27,880 Speaker 2: Amanda, what do you know about numerology? How many fingers 628 00:27:27,920 --> 00:27:29,120 Speaker 2: am I holding up? Just that little? 629 00:27:31,000 --> 00:27:32,240 Speaker 3: We're doing TikTok tucker? 630 00:27:32,280 --> 00:27:34,120 Speaker 1: We make food from TikTok and eat it. 631 00:27:34,240 --> 00:27:36,360 Speaker 3: You're making this dish today? What's it called again? Mom? 632 00:27:36,520 --> 00:27:39,400 Speaker 2: Chok bean pocket? So you get a piece of bread, 633 00:27:39,480 --> 00:27:41,719 Speaker 2: make a little pocket in it, flatten it down. You 634 00:27:41,760 --> 00:27:45,479 Speaker 2: put some chalk chips. You said they're a laxative effects. 635 00:27:45,480 --> 00:27:47,159 Speaker 3: I've eaten so many of those chalk chips. I'm a 636 00:27:47,160 --> 00:27:47,520 Speaker 3: bit worried. 637 00:27:48,400 --> 00:27:50,119 Speaker 2: But then you were saying that maybe your mother just 638 00:27:50,160 --> 00:27:51,800 Speaker 2: told you that when you were younges, so you wouldn't 639 00:27:51,800 --> 00:27:52,040 Speaker 2: eat them. 640 00:27:52,119 --> 00:27:54,840 Speaker 3: Yeah? Possibly? Did you use a lot of these? Why 641 00:27:55,080 --> 00:27:55,879 Speaker 3: the chock chips? 642 00:27:56,520 --> 00:27:58,720 Speaker 2: Recently I went through a phase of coming home from 643 00:27:58,720 --> 00:28:01,280 Speaker 2: working just eating a whole packet them, right, not a pack, 644 00:28:01,359 --> 00:28:05,439 Speaker 2: but a handful, a handful, And what happened? I dreamt 645 00:28:05,440 --> 00:28:07,960 Speaker 2: of a laxative of faith, get rid of it. So anyway, 646 00:28:08,000 --> 00:28:09,760 Speaker 2: we have tell when you put it on a bit 647 00:28:09,760 --> 00:28:14,360 Speaker 2: of condition anyway, so it's chop chip buds, whatever those 648 00:28:14,400 --> 00:28:17,160 Speaker 2: things are called. Then we put those little mini marshmallows 649 00:28:17,160 --> 00:28:19,720 Speaker 2: that look like earplugs. You can easily make that mistake. 650 00:28:20,040 --> 00:28:22,880 Speaker 2: And then you put a few scoops of baked beans. 651 00:28:23,119 --> 00:28:25,000 Speaker 2: You put a lid on it, you make a little pocket, 652 00:28:25,240 --> 00:28:25,840 Speaker 2: and now. 653 00:28:26,080 --> 00:28:26,680 Speaker 3: Put it in the pan. 654 00:28:26,760 --> 00:28:30,399 Speaker 2: Then don't call me man. Now it's time to cook them. 655 00:28:30,440 --> 00:28:31,959 Speaker 2: I'm going to cook two in here. Think you can 656 00:28:32,040 --> 00:28:32,639 Speaker 2: fit more than that. 657 00:28:34,960 --> 00:28:36,480 Speaker 3: Okay, get a bit of sizzle there. 658 00:28:36,480 --> 00:28:39,000 Speaker 2: We got a bit of sizzle. Let's coat them with butter. 659 00:28:40,560 --> 00:28:44,720 Speaker 2: And it's going to take a while. Go to a song. 660 00:28:44,800 --> 00:28:47,080 Speaker 1: Well, put to Michael Jackson on Ryan. I'm sure it 661 00:28:47,120 --> 00:28:48,800 Speaker 1: will be done by the time he's finished. 662 00:28:49,040 --> 00:28:49,800 Speaker 2: When he comes back. 663 00:28:50,880 --> 00:28:54,640 Speaker 3: I got twenty two to eight. There we go, Here 664 00:28:54,680 --> 00:28:54,960 Speaker 3: we go. 665 00:28:55,480 --> 00:28:57,160 Speaker 2: Chop bean pocket. 666 00:28:59,480 --> 00:29:03,800 Speaker 6: Podcast started that you do. 667 00:29:03,920 --> 00:29:09,840 Speaker 17: It's a fancy the moldy bacteria invested slavs meat fall off. 668 00:29:09,880 --> 00:29:12,720 Speaker 2: The result. 669 00:29:14,760 --> 00:29:17,160 Speaker 3: Tetok. We make food from TikTok and eat it. 670 00:29:17,440 --> 00:29:21,280 Speaker 2: Chock bean pocket. It's been frying away. It's brown. Now 671 00:29:21,720 --> 00:29:24,240 Speaker 2: I'm going to take them out. We've only got two hicks. 672 00:29:24,240 --> 00:29:26,640 Speaker 2: I can only fit two into this saucepan. And take 673 00:29:26,680 --> 00:29:29,920 Speaker 2: them out and cut them up one. 674 00:29:30,360 --> 00:29:30,600 Speaker 3: Two. 675 00:29:30,800 --> 00:29:35,080 Speaker 2: They look pretty good. Yeah, they look good, but remember 676 00:29:35,120 --> 00:29:37,840 Speaker 2: what's inside them. It's a slice of bread that has 677 00:29:38,680 --> 00:29:42,880 Speaker 2: chocolate chips, tiny little marshmallows and looks good. Yeah, and 678 00:29:42,920 --> 00:29:45,560 Speaker 2: baked beans. Let's cut the first one in half. 679 00:29:45,840 --> 00:29:47,040 Speaker 3: You get a cup one in the studio. 680 00:29:47,560 --> 00:29:49,120 Speaker 2: Do you want to do it because it's going to ooze? 681 00:29:49,320 --> 00:29:52,320 Speaker 1: Oh yeah, yeah, kids asked mom and dad if you're 682 00:29:52,320 --> 00:29:53,320 Speaker 1: gonna use the sharp knife? 683 00:29:55,040 --> 00:30:01,440 Speaker 2: So pink, pink marshmallow is melted inside it? Think all right, 684 00:30:01,520 --> 00:30:05,960 Speaker 2: So Ryan, here's your piece. There's you give Ryan a piece, 685 00:30:07,200 --> 00:30:08,920 Speaker 2: and Brendan, here's your piece. 686 00:30:09,120 --> 00:30:09,560 Speaker 3: Thank you. 687 00:30:10,880 --> 00:30:12,840 Speaker 2: I'm putting this half the thing there. But you can 688 00:30:12,880 --> 00:30:16,840 Speaker 2: see that the colored marshmallow has leaked out, which I 689 00:30:16,840 --> 00:30:18,520 Speaker 2: don't know. Okay, when I say three. 690 00:30:18,520 --> 00:30:20,600 Speaker 3: The confluence of colors. 691 00:30:23,560 --> 00:30:27,200 Speaker 2: Well, I kind't like it, do you think, Ryan? 692 00:30:28,720 --> 00:30:31,720 Speaker 3: How weird? It's odd, a. 693 00:30:31,680 --> 00:30:36,680 Speaker 2: Little bit sweet, but the baked beans cuts through the 694 00:30:36,680 --> 00:30:41,520 Speaker 2: sweetness of it. Oh yeah, I can't like it. How 695 00:30:41,840 --> 00:30:44,120 Speaker 2: I would never have thought that that would have been 696 00:30:44,120 --> 00:30:45,320 Speaker 2: palatable in any way? 697 00:30:45,680 --> 00:30:48,040 Speaker 3: You know a pop tart. 698 00:30:50,000 --> 00:30:54,880 Speaker 2: I've never had a pop tart. No, actually, I actually 699 00:30:54,920 --> 00:30:57,280 Speaker 2: really like it. The baked beans give it a nice 700 00:30:57,360 --> 00:31:01,000 Speaker 2: texture and cut the sweetness of the other stuff that 701 00:31:01,600 --> 00:31:06,440 Speaker 2: perversely is it success? Can I speak English? I can't tell. 702 00:31:06,640 --> 00:31:09,320 Speaker 2: This very detailed recipe will be on our socials today. 703 00:31:09,520 --> 00:31:10,800 Speaker 2: Try it and let us know what you think. 704 00:31:11,520 --> 00:31:12,760 Speaker 6: Are we started thing? 705 00:31:12,920 --> 00:31:14,120 Speaker 2: What you do with that? 706 00:31:14,280 --> 00:31:14,800 Speaker 12: You do it? 707 00:31:14,840 --> 00:31:15,640 Speaker 2: That's a fancy. 708 00:31:15,720 --> 00:31:20,760 Speaker 17: The moldy bacteria infested slavs meat fall off. 709 00:31:20,600 --> 00:31:25,360 Speaker 1: The popult too much chance to give your diary. 710 00:31:25,560 --> 00:31:30,400 Speaker 3: It's going to clean this up, you jamdacious. 711 00:31:31,960 --> 00:31:34,400 Speaker 6: Entertainment of advertise, put. 712 00:31:34,320 --> 00:31:35,200 Speaker 2: On your dance and shoes. 713 00:31:35,280 --> 00:31:36,920 Speaker 3: Don't give me your best shop. 714 00:31:37,040 --> 00:31:40,120 Speaker 1: And the goat of entertainment editors is M Gillespie. 715 00:31:40,160 --> 00:31:43,120 Speaker 16: Hello, M, Hello, Well we are here to talk about 716 00:31:43,160 --> 00:31:45,200 Speaker 16: the goat of pop culture law. 717 00:31:45,400 --> 00:31:47,840 Speaker 2: I'm so excited today to talk to you about this. 718 00:31:47,960 --> 00:31:52,160 Speaker 16: Guys, because Taylor Swift has brought back her masters after 719 00:31:52,160 --> 00:31:54,000 Speaker 16: what some could say would be a twenty year battle, 720 00:31:54,000 --> 00:31:55,120 Speaker 16: but at least the better part. 721 00:31:55,000 --> 00:31:57,959 Speaker 2: Of a decade. Howctually lose them? What happened? Great question? 722 00:31:58,120 --> 00:32:00,560 Speaker 16: Well, when she was just a wee fifty year old, 723 00:32:00,600 --> 00:32:03,720 Speaker 16: she signed to this record label, Big Machine Records, and 724 00:32:04,080 --> 00:32:08,120 Speaker 16: essentially they owned the masters to her first six albums. Now, 725 00:32:08,160 --> 00:32:10,800 Speaker 16: in the music industry, when we're talking masters, we're referring 726 00:32:10,800 --> 00:32:15,000 Speaker 16: to the original official recording of a song, So that's 727 00:32:15,040 --> 00:32:18,320 Speaker 16: the source material that from which other versions are licensed. 728 00:32:18,600 --> 00:32:20,520 Speaker 16: A good kind of metaphor is like think about the 729 00:32:20,560 --> 00:32:23,680 Speaker 16: Mona Lisa in the louver. That's the master copy, and 730 00:32:23,720 --> 00:32:25,600 Speaker 16: then you can buy a print, but you don't own 731 00:32:26,080 --> 00:32:27,360 Speaker 16: the original painting. 732 00:32:27,640 --> 00:32:29,920 Speaker 2: And basically, Taylor Swift always had. 733 00:32:29,760 --> 00:32:31,840 Speaker 16: This intention, this plan that one day she would buy 734 00:32:31,880 --> 00:32:35,040 Speaker 16: back her masters. Now Big Machine Records, that label that 735 00:32:35,080 --> 00:32:38,840 Speaker 16: she signed with originally was sold in twenty nineteen to 736 00:32:38,920 --> 00:32:40,479 Speaker 16: a man called Scooter Braun. 737 00:32:40,840 --> 00:32:42,280 Speaker 2: You may have heard of him because he was. 738 00:32:42,280 --> 00:32:45,120 Speaker 16: A very famous music manager, but also because he became 739 00:32:45,160 --> 00:32:47,479 Speaker 16: the villain of the music industry when he bought this 740 00:32:47,600 --> 00:32:50,320 Speaker 16: record label. He's worked with people like Justin Bieber. He's 741 00:32:50,360 --> 00:32:54,040 Speaker 16: kind of credited as discovering Biber. He's worked with Conney West, 742 00:32:54,200 --> 00:32:57,720 Speaker 16: Ariana Grande. Anyway, he acquired this record label for a 743 00:32:57,760 --> 00:33:00,880 Speaker 16: reported three hundred million dollars in twenty nineteen, which gave 744 00:33:00,960 --> 00:33:03,760 Speaker 16: him control of Taylor Swift's first six. 745 00:33:03,600 --> 00:33:05,720 Speaker 2: Albums, so he could have used that to do anything 746 00:33:06,320 --> 00:33:06,880 Speaker 2: pretty much. 747 00:33:06,880 --> 00:33:08,480 Speaker 16: And it also means that he makes a lot of 748 00:33:08,520 --> 00:33:11,360 Speaker 16: money from her six Shoe albums being licensed. 749 00:33:11,400 --> 00:33:14,400 Speaker 1: This is like Michael Jackson buying the Beatles back catalog. 750 00:33:14,640 --> 00:33:16,040 Speaker 2: Yes, yes, exactly. 751 00:33:16,520 --> 00:33:16,680 Speaker 3: So. 752 00:33:17,000 --> 00:33:19,840 Speaker 16: Taylor Swift by that point had already moved record labels. 753 00:33:19,880 --> 00:33:22,680 Speaker 16: She was with Universal by that point, and she came 754 00:33:22,680 --> 00:33:25,920 Speaker 16: out and released this famous statement to Tumblr very retro 755 00:33:26,280 --> 00:33:29,000 Speaker 16: in twenty nineteen, where she called the deal her worst 756 00:33:29,040 --> 00:33:32,880 Speaker 16: case scenario. She said the sale was a nightmare for her. 757 00:33:32,960 --> 00:33:36,640 Speaker 16: She accused Braun of incessant manipulative bullying over the years, 758 00:33:36,920 --> 00:33:40,440 Speaker 16: and that was the start of this very very public fallout. Now, 759 00:33:40,480 --> 00:33:44,400 Speaker 16: this bullying she refers to Scooter Braun managed Kanye West. 760 00:33:44,520 --> 00:33:47,680 Speaker 16: You might remember the infamous two thousand and nine bmas 761 00:33:47,800 --> 00:33:50,120 Speaker 16: he stormed the stage Taylor won an award, he said 762 00:33:50,120 --> 00:33:52,600 Speaker 16: it should have gone to Beyonce. And then later he 763 00:33:52,640 --> 00:33:55,680 Speaker 16: made this song called Famous where he said he implied 764 00:33:55,720 --> 00:33:58,120 Speaker 16: that him and Taylor might still have sex because he 765 00:33:58,200 --> 00:34:01,360 Speaker 16: made her famous. The video clip had like an AI 766 00:34:01,600 --> 00:34:04,120 Speaker 16: or like a modeled version of Taylor Swift naked in 767 00:34:04,160 --> 00:34:06,960 Speaker 16: a bed. It was all very seedy and very offensive. 768 00:34:07,080 --> 00:34:10,640 Speaker 16: She hated it. The world hated it anyway. Scooter Braun 769 00:34:11,040 --> 00:34:14,240 Speaker 16: has now done a podcast where he has spoken about 770 00:34:14,280 --> 00:34:16,520 Speaker 16: the whole saga. He's admitted that he was kind of 771 00:34:16,560 --> 00:34:19,960 Speaker 16: shocked by Taylor Swift's response to him buying the records, 772 00:34:19,960 --> 00:34:22,520 Speaker 16: and that he kind of the whole thing just blew 773 00:34:22,600 --> 00:34:23,480 Speaker 16: up out of proportion. 774 00:34:23,640 --> 00:34:24,959 Speaker 2: He's a little bit of what he said. 775 00:34:25,160 --> 00:34:27,840 Speaker 14: I started managing Kanye West, I managed Justin Bieber. I 776 00:34:27,920 --> 00:34:29,640 Speaker 14: knew she didn't get along with them. This is where 777 00:34:29,680 --> 00:34:31,720 Speaker 14: my arrogance came in. I had a feeling she probably 778 00:34:31,760 --> 00:34:34,040 Speaker 14: didn't like me because I managed them, But I thought 779 00:34:34,080 --> 00:34:36,799 Speaker 14: that once this announcement happened, she would talk to me 780 00:34:37,000 --> 00:34:40,640 Speaker 14: and we would work together. I can't worry about everyone's 781 00:34:40,719 --> 00:34:46,040 Speaker 14: niece being mad at me, you know. I wish everyone 782 00:34:46,120 --> 00:34:48,040 Speaker 14: involved nothing but good wishes. 783 00:34:48,080 --> 00:34:49,960 Speaker 2: But he should worry about her being mad at him 784 00:34:49,960 --> 00:34:52,120 Speaker 2: because all her followers would be mad at him. Yes, 785 00:34:52,239 --> 00:34:54,520 Speaker 2: and so was the last I guess. 786 00:34:54,560 --> 00:34:57,120 Speaker 16: Eight years of his life has been kind of this 787 00:34:57,760 --> 00:35:00,279 Speaker 16: sticking point for not only Taylor Swift, but the whole 788 00:35:00,320 --> 00:35:02,200 Speaker 16: world and all of her fans and all of the 789 00:35:02,280 --> 00:35:05,719 Speaker 16: criticism against him. He says that criticism has given him 790 00:35:05,760 --> 00:35:07,759 Speaker 16: kind of a new understanding of what it's like to 791 00:35:07,800 --> 00:35:10,319 Speaker 16: be on the receiving end of scrutiny, that it taught 792 00:35:10,400 --> 00:35:14,000 Speaker 16: him real empathy. He's being very kind of like, oh, like, 793 00:35:14,200 --> 00:35:16,560 Speaker 16: I've had this full personal journey and now I've come 794 00:35:16,600 --> 00:35:18,080 Speaker 16: out on the other side and I'm a great guy. 795 00:35:18,160 --> 00:35:20,560 Speaker 2: But the jury's out on that. How she buy the 796 00:35:20,560 --> 00:35:21,200 Speaker 2: stuff back? 797 00:35:21,320 --> 00:35:25,600 Speaker 16: Well, Scooter Braun sold the Masters to a private equity 798 00:35:25,640 --> 00:35:30,160 Speaker 16: firm in twenty twenty called Shamrock Capital. Swift declined to 799 00:35:30,280 --> 00:35:32,919 Speaker 16: partner with them on that deal because Scooter Braun would 800 00:35:32,960 --> 00:35:36,040 Speaker 16: still profit from it, so she wanted absolutely nothing to 801 00:35:36,080 --> 00:35:39,000 Speaker 16: do with him. But a couple of weeks ago we 802 00:35:39,040 --> 00:35:41,240 Speaker 16: heard from her. She posted a letter to a website 803 00:35:41,239 --> 00:35:45,239 Speaker 16: saying she'd finally bought back her entire catalog from Shamrock. 804 00:35:45,640 --> 00:35:48,240 Speaker 16: This means she's regained control of all of the songs, 805 00:35:48,280 --> 00:35:50,840 Speaker 16: of all the videos, the related assets of her first 806 00:35:50,920 --> 00:35:53,520 Speaker 16: six albums. She said, all of the music I've ever 807 00:35:53,560 --> 00:35:56,000 Speaker 16: made now belongs to me. The best things that have 808 00:35:56,160 --> 00:36:00,520 Speaker 16: never that have ever been mine finally actually are. Shamrock 809 00:36:00,560 --> 00:36:03,480 Speaker 16: Capital has released a statement in support, saying it's thrilled 810 00:36:03,480 --> 00:36:05,520 Speaker 16: at the outcome so happy for Taylor. 811 00:36:05,800 --> 00:36:06,960 Speaker 2: Of course, it's thrilled. 812 00:36:07,000 --> 00:36:08,760 Speaker 16: It just made a room at three hundred and sixty 813 00:36:08,760 --> 00:36:09,480 Speaker 16: million offers. 814 00:36:10,239 --> 00:36:10,879 Speaker 3: Done all right over. 815 00:36:10,920 --> 00:36:12,960 Speaker 1: But it's like me, I own the original masters to 816 00:36:13,000 --> 00:36:14,040 Speaker 1: Bad Elements. 817 00:36:13,719 --> 00:36:16,680 Speaker 3: So exactly, and you hold on to those that's under 818 00:36:16,680 --> 00:36:17,239 Speaker 3: lock and key. 819 00:36:17,360 --> 00:36:18,760 Speaker 2: Is anyone fighting you for them? 820 00:36:19,000 --> 00:36:19,400 Speaker 3: People? 821 00:36:19,719 --> 00:36:20,879 Speaker 2: They're lining up out the door. 822 00:36:20,920 --> 00:36:24,040 Speaker 16: Don't you let those big music industry types take that 823 00:36:24,080 --> 00:36:27,880 Speaker 16: away from Scooter Braunze of the world exactly, No more scooters. 824 00:36:28,080 --> 00:36:32,160 Speaker 3: Check it out and check it out editor the Daily Lesbie. 825 00:36:31,800 --> 00:36:38,719 Speaker 2: Thank You. 826 00:36:37,040 --> 00:36:48,800 Speaker 3: Podcast right now instance, and Amanda's no lies. Ten questions 827 00:36:48,840 --> 00:36:50,799 Speaker 3: sixty seconds on the clock. You can pass if you 828 00:36:50,800 --> 00:36:52,400 Speaker 3: don't know an answer will come back to that question 829 00:36:52,440 --> 00:36:55,040 Speaker 3: of time. For me, it's you get all the questions right, boom, 830 00:36:55,200 --> 00:36:55,959 Speaker 3: one thousand dollars. 831 00:36:56,080 --> 00:36:58,399 Speaker 2: You can use it to buy Bad Element merch. I'm 832 00:36:58,400 --> 00:37:00,440 Speaker 2: excited shortly going to. 833 00:37:00,440 --> 00:37:03,520 Speaker 3: Hear be a part of the b Army, the new. 834 00:37:03,440 --> 00:37:06,440 Speaker 2: Version of Bad Element. But in the meantime, we have 835 00:37:06,480 --> 00:37:08,600 Speaker 2: ten questions, we got sixty seconds. How far can you go? 836 00:37:08,640 --> 00:37:10,880 Speaker 2: If you get all ten questions right, get one thousand bucks. 837 00:37:11,120 --> 00:37:13,480 Speaker 2: You can double it to two thousand dollars. But it's 838 00:37:13,560 --> 00:37:16,760 Speaker 2: double or nothing Zackson windsor Hello, Zach. 839 00:37:17,560 --> 00:37:19,160 Speaker 3: Good morning, Hell? Are you right? 840 00:37:19,360 --> 00:37:23,040 Speaker 2: Very well? Thank you? As I said? Ten questions sixty seconds. 841 00:37:23,080 --> 00:37:25,640 Speaker 2: If you're not sure, say passed, because chances are we 842 00:37:25,680 --> 00:37:29,439 Speaker 2: have time to come back. Okay, all right, Zach, Let's 843 00:37:29,440 --> 00:37:31,919 Speaker 2: do it because here it comes. Here comes? Question number one? 844 00:37:32,280 --> 00:37:36,640 Speaker 2: How many numbers are on an analog clock? Twelve? Question two? 845 00:37:36,680 --> 00:37:38,719 Speaker 2: What color is go at a traffic light? 846 00:37:39,520 --> 00:37:39,800 Speaker 3: Green? 847 00:37:40,040 --> 00:37:44,439 Speaker 2: Question three? Knichia means hello in which language Japanese? Question four? 848 00:37:44,480 --> 00:37:46,160 Speaker 2: Which company makes the MacBook pro? 849 00:37:47,400 --> 00:37:47,760 Speaker 3: Apple? 850 00:37:47,960 --> 00:37:50,879 Speaker 2: Question five? True or false? Video killed the radio style 851 00:37:51,000 --> 00:37:55,839 Speaker 2: was the first song played on MTV. True Question six 852 00:37:56,080 --> 00:38:00,680 Speaker 2: red and white combined make which color pink? Question seven? 853 00:38:00,719 --> 00:38:05,040 Speaker 2: In which hemisphere is Australia seven? Question eight? What is 854 00:38:05,080 --> 00:38:10,239 Speaker 2: Banksy known for? Question nine? Karafa and port Headland are 855 00:38:10,239 --> 00:38:11,920 Speaker 2: towns in which Australian state. 856 00:38:13,600 --> 00:38:13,880 Speaker 9: Pass. 857 00:38:14,280 --> 00:38:16,919 Speaker 2: Question ten C one is the number plate for which 858 00:38:16,960 --> 00:38:22,399 Speaker 2: prominent Australian prime ministers to Question nine Karafa and port 859 00:38:22,400 --> 00:38:27,040 Speaker 2: Headland are towns in which Australian state w A there 860 00:38:27,120 --> 00:38:33,920 Speaker 2: it is, Oh, Zach, well done as. 861 00:38:33,760 --> 00:38:34,319 Speaker 3: A bit of a doll. 862 00:38:35,440 --> 00:38:38,279 Speaker 1: You did that, so you had ten seconds to go 863 00:38:38,440 --> 00:38:38,960 Speaker 1: as well. 864 00:38:39,640 --> 00:38:42,360 Speaker 13: Oh, oh my god. 865 00:38:42,440 --> 00:38:43,719 Speaker 10: That one's so stressful. 866 00:38:44,080 --> 00:38:44,279 Speaker 3: Zach. 867 00:38:44,320 --> 00:38:46,200 Speaker 2: You've done it. You've got one thousand dollars. 868 00:38:46,239 --> 00:38:48,120 Speaker 3: You say stressful. I believe it was a walk in 869 00:38:48,120 --> 00:38:48,839 Speaker 3: the park for you. 870 00:38:49,120 --> 00:38:51,120 Speaker 2: Well, do you want to do another lap around the 871 00:38:51,440 --> 00:38:54,160 Speaker 2: park because this is where the music changes. Zach, you've 872 00:38:54,160 --> 00:38:57,280 Speaker 2: got a thousand dollars. Let me just talk you through 873 00:38:57,320 --> 00:39:00,879 Speaker 2: and tempt you with the rules. You can with our 874 00:39:00,920 --> 00:39:03,200 Speaker 2: love and best wishes, Zach for one thousand dollars and 875 00:39:03,239 --> 00:39:06,600 Speaker 2: we think you're a hero. Or you could risk it 876 00:39:06,640 --> 00:39:09,920 Speaker 2: all with one bonus question for two thousand dollars. 877 00:39:11,280 --> 00:39:13,080 Speaker 5: How long do I get for the bonus question? 878 00:39:14,600 --> 00:39:14,839 Speaker 2: Wow? 879 00:39:14,960 --> 00:39:16,839 Speaker 3: Do you get a reasonable amount of times? 880 00:39:17,160 --> 00:39:22,359 Speaker 2: Seconds? We don't allow googling time? So after wrap you up. 881 00:39:22,840 --> 00:39:25,759 Speaker 3: I know you've got a bit of a helping you 882 00:39:25,800 --> 00:39:28,919 Speaker 3: out there, Zach. I look at you. 883 00:39:29,160 --> 00:39:32,080 Speaker 1: I've never let anyone astray on this. 884 00:39:32,280 --> 00:39:32,560 Speaker 3: You have? 885 00:39:32,719 --> 00:39:33,279 Speaker 2: You know you have? 886 00:39:33,760 --> 00:39:37,399 Speaker 3: Okay, there there was that one time started. 887 00:39:37,200 --> 00:39:41,680 Speaker 2: You started with nothing. Is it worth risking nothing for 888 00:39:41,719 --> 00:39:42,680 Speaker 2: two thousand dollars? 889 00:39:43,360 --> 00:39:47,320 Speaker 3: Or would you I think so? I said, you know what, No, 890 00:39:47,440 --> 00:39:49,600 Speaker 3: I'll do I'll try for the two thousand. I'll do it. 891 00:39:49,640 --> 00:39:51,799 Speaker 3: I'll put the pants on. 892 00:39:51,880 --> 00:39:58,160 Speaker 2: Put them on anyway, just pants less, Jack protecting pants. 893 00:39:58,400 --> 00:39:59,319 Speaker 2: I've even gone back. 894 00:39:59,239 --> 00:40:02,080 Speaker 1: Into the very confidence act that you'll get this very 895 00:40:02,320 --> 00:40:03,399 Speaker 1: confident Zach. 896 00:40:03,480 --> 00:40:07,560 Speaker 2: Let me do the dramatic words here, Zach. Suddenly there's 897 00:40:07,600 --> 00:40:10,560 Speaker 2: no money on the table. There is except for two thousand. 898 00:40:10,960 --> 00:40:13,000 Speaker 2: Listen to my dramatic words. See if they make any sense. 899 00:40:13,440 --> 00:40:14,640 Speaker 3: Eddie, you're really showing him. 900 00:40:14,680 --> 00:40:18,200 Speaker 2: The thousand dollars has disappeared. Two thousand dollars is on 901 00:40:18,239 --> 00:40:20,680 Speaker 2: the line with this one question. 902 00:40:21,719 --> 00:40:22,120 Speaker 3: Mm hmm. 903 00:40:23,360 --> 00:40:30,239 Speaker 2: What image is on the Canadian flag? Zach? The leaf? 904 00:40:30,520 --> 00:40:37,640 Speaker 3: The maple leaf, Zach the parts? Thank you so much. 905 00:40:37,600 --> 00:40:43,719 Speaker 2: Oh, Zach, you've won two thousand dollars. Congratulations, Oh, thank 906 00:40:43,760 --> 00:40:46,040 Speaker 2: you so much. It sounds like that money is going 907 00:40:46,080 --> 00:40:47,080 Speaker 2: to come in very handy. 908 00:40:48,080 --> 00:40:49,560 Speaker 6: Yes, towards the first car. 909 00:40:50,000 --> 00:40:52,399 Speaker 3: Oh really, what are you going to buy? I got 910 00:40:52,400 --> 00:40:54,240 Speaker 3: something you could slip into. 911 00:40:56,160 --> 00:40:57,960 Speaker 5: I'm not sure yet, not sure. 912 00:40:57,880 --> 00:41:01,000 Speaker 2: But two thousand dollars is a Brillian time to be good, 913 00:41:01,080 --> 00:41:02,560 Speaker 2: thinking about a new graduation. 914 00:41:02,680 --> 00:41:05,280 Speaker 1: Two thousand dollars for you, Go and enjoy yourself. 915 00:41:06,000 --> 00:41:08,399 Speaker 2: Thank you so much, Thank you, Zach, Sam. 916 00:41:09,200 --> 00:41:14,080 Speaker 1: I'm beyond myself in beyond yourself, beside myself with excitement, 917 00:41:14,280 --> 00:41:16,920 Speaker 1: not just for Zach winning Instagram just then the two 918 00:41:16,960 --> 00:41:19,400 Speaker 1: thousand dollars. But you know, as young Zach reminds me 919 00:41:19,480 --> 00:41:22,360 Speaker 1: of young me, it's all about DLS. 920 00:41:22,360 --> 00:41:22,720 Speaker 2: A winner. 921 00:41:23,280 --> 00:41:24,160 Speaker 3: Yeah, I'm a winner. 922 00:41:24,600 --> 00:41:27,440 Speaker 1: And when we recorded that band, Bad Element, all those 923 00:41:27,520 --> 00:41:29,240 Speaker 1: years ago, and we put out our EP. 924 00:41:29,280 --> 00:41:30,239 Speaker 2: You didn't put out an EP. 925 00:41:30,520 --> 00:41:31,800 Speaker 3: Well, we released it. 926 00:41:34,360 --> 00:41:37,160 Speaker 2: Let's go back. You found it pretty much in a crypt. 927 00:41:37,280 --> 00:41:39,680 Speaker 2: You found it in your garage. There'd been four songs 928 00:41:39,719 --> 00:41:42,279 Speaker 2: on it. You were eighteen nineteen at the time. As 929 00:41:42,320 --> 00:41:45,080 Speaker 2: you say, the three band members you, Omo and Bisrael 930 00:41:45,200 --> 00:41:50,240 Speaker 2: still tragically alive. So it's leading to a natural conclusion. 931 00:41:50,280 --> 00:41:52,279 Speaker 2: You want a T shirt, you wanted film clips. I said, 932 00:41:52,280 --> 00:41:54,080 Speaker 2: we actually need to hear and it doesn't have to 933 00:41:54,120 --> 00:41:58,000 Speaker 2: be great, but to fulfill the destiny of Bad Element. 934 00:41:58,120 --> 00:42:01,200 Speaker 2: And I would like to know what you sound like 935 00:42:01,239 --> 00:42:04,239 Speaker 2: with how you feel when you get together. Do you 936 00:42:04,239 --> 00:42:06,560 Speaker 2: still have it, do you still love it? How does 937 00:42:06,560 --> 00:42:06,839 Speaker 2: it sound. 938 00:42:06,880 --> 00:42:10,120 Speaker 3: I've reconnected with the Fellas and you know we're brothers. 939 00:42:10,480 --> 00:42:11,479 Speaker 3: We get on very well. 940 00:42:11,880 --> 00:42:14,640 Speaker 1: And that Element when it first came out, I just 941 00:42:14,640 --> 00:42:16,839 Speaker 1: played it off a cassette player into a microphone, into 942 00:42:16,880 --> 00:42:20,640 Speaker 1: the studio and you know what, as you said, what 943 00:42:20,680 --> 00:42:21,080 Speaker 1: did you say? 944 00:42:21,080 --> 00:42:22,240 Speaker 3: It sound like what's passion? 945 00:42:22,560 --> 00:42:24,240 Speaker 2: So you're playing on paintings. 946 00:42:25,960 --> 00:42:28,120 Speaker 3: And the recording equipment back then wasn't good. 947 00:42:28,360 --> 00:42:35,359 Speaker 1: I got to admit the lyrics weren't given justice. So 948 00:42:35,480 --> 00:42:38,200 Speaker 1: we got together and we just where we tinkered, We 949 00:42:38,360 --> 00:42:39,480 Speaker 1: tinkered with our sound. 950 00:42:42,840 --> 00:42:45,719 Speaker 2: Is this is this just last night? Just you now? 951 00:42:45,760 --> 00:42:47,400 Speaker 3: This wasn't last night? 952 00:42:48,080 --> 00:42:52,040 Speaker 1: This is where just a bit of tinkering with the sound. 953 00:42:52,680 --> 00:42:53,600 Speaker 2: But is this you now? 954 00:42:54,120 --> 00:42:57,440 Speaker 3: And the lyrics is getting better? You tell what to do? 955 00:42:58,160 --> 00:43:00,160 Speaker 2: That is issue? Now? 956 00:43:01,360 --> 00:43:04,160 Speaker 3: Is this is us? Is this just two days ago? 957 00:43:05,480 --> 00:43:05,520 Speaker 6: No? 958 00:43:05,840 --> 00:43:09,640 Speaker 3: Lie? Okay? Do you want to hear us last night? 959 00:43:10,239 --> 00:43:12,719 Speaker 2: Yes? So hang on, so that was two nights ago 960 00:43:13,480 --> 00:43:14,839 Speaker 2: and you did it again last night. 961 00:43:15,080 --> 00:43:21,320 Speaker 3: Have a listen. 962 00:43:28,600 --> 00:43:29,440 Speaker 10: Are you kidding me? 963 00:43:29,840 --> 00:43:36,160 Speaker 3: Stop? That's why are smoking face? Nodded guitar song? Here 964 00:43:36,200 --> 00:43:39,640 Speaker 3: we go, lies, Telien, you want to do no lies? 965 00:43:39,800 --> 00:43:44,960 Speaker 3: You Tellian you want to be no lies? My voice 966 00:43:45,000 --> 00:43:45,440 Speaker 3: is thinned. 967 00:43:52,160 --> 00:43:55,440 Speaker 1: And just have a listen to the drums from old 968 00:43:55,520 --> 00:43:58,760 Speaker 1: drums paintings. 969 00:43:58,760 --> 00:44:04,279 Speaker 3: So now drums, all those years of air drumming. 970 00:44:05,760 --> 00:44:10,600 Speaker 1: That wasn't really and the fa lyrics are there. 971 00:44:12,560 --> 00:44:13,040 Speaker 3: Remember this. 972 00:44:20,680 --> 00:44:24,520 Speaker 2: Anyone. It sounds like a proper song. 973 00:44:25,040 --> 00:44:26,520 Speaker 3: Funny you didn's was still alive. 974 00:44:27,480 --> 00:44:30,520 Speaker 2: That would have killed him. I'm impressed. How did you 975 00:44:30,600 --> 00:44:32,600 Speaker 2: feel all being together and doing it? Did you all 976 00:44:32,600 --> 00:44:33,160 Speaker 2: look around and. 977 00:44:33,120 --> 00:44:36,760 Speaker 3: Go wow, Wow, let's give up our respective jobs. 978 00:44:37,200 --> 00:44:40,760 Speaker 1: This is running a factory as putting boats together? 979 00:44:40,800 --> 00:44:41,319 Speaker 2: What are you doing? 980 00:44:41,320 --> 00:44:42,759 Speaker 3: I'm doing whatever this is. 981 00:44:43,040 --> 00:44:45,680 Speaker 2: I'm very, very impressed. So that's the whole song? 982 00:44:45,719 --> 00:44:48,240 Speaker 3: There, No, that's not the whole song. Would I wouldn't. 983 00:44:48,280 --> 00:44:49,280 Speaker 3: There's a bit self indulgent. 984 00:44:49,800 --> 00:44:50,640 Speaker 2: What are you the whole song? 985 00:44:51,239 --> 00:44:53,400 Speaker 3: Oh? Come on, drugs, I want to. 986 00:44:53,400 --> 00:44:55,560 Speaker 2: Hit No, really, let's put this baby to bed and 987 00:44:55,600 --> 00:44:57,200 Speaker 2: hear the whole song. What do you play the whole song? 988 00:44:57,680 --> 00:45:01,200 Speaker 1: No, it's because it hasn't been tested by our audience 989 00:45:01,320 --> 00:45:03,560 Speaker 1: or anything like that. So I don't think we can 990 00:45:03,600 --> 00:45:05,040 Speaker 1: play that song and only g it's for a minute 991 00:45:05,040 --> 00:45:06,040 Speaker 1: forty it's not a long song. 992 00:45:06,040 --> 00:45:07,400 Speaker 2: Should we put it to a whipole? Do and hear 993 00:45:07,440 --> 00:45:09,319 Speaker 2: the whole song? What was the song we're going to play? Ryan? 994 00:45:09,840 --> 00:45:12,640 Speaker 8: Oh, I've got Lady Gaga man. 995 00:45:14,239 --> 00:45:14,799 Speaker 2: Tough call? 996 00:45:14,960 --> 00:45:15,480 Speaker 3: Do we go? 997 00:45:15,920 --> 00:45:19,759 Speaker 2: Give us a call? Thirteen fifty five twenty two. You 998 00:45:19,920 --> 00:45:23,799 Speaker 2: decide whether we play Lady Gaga, Bad Romance. We play 999 00:45:23,840 --> 00:45:25,400 Speaker 2: Bad Element no longer. 1000 00:45:25,239 --> 00:45:27,239 Speaker 3: The arbiter of what's wrong and right in the world, 1001 00:45:27,320 --> 00:45:29,000 Speaker 3: the whib pole call. 1002 00:45:28,920 --> 00:45:31,919 Speaker 1: Us and I will abide the decision that you make, 1003 00:45:32,080 --> 00:45:34,480 Speaker 1: all right, and you'll never hear Bad Element again. 1004 00:45:34,719 --> 00:45:38,279 Speaker 6: Okay, it's quite the three, all right. 1005 00:45:38,360 --> 00:45:46,719 Speaker 8: Give us a call Jonesy and Amanda podcast Jonesy and 1006 00:45:46,719 --> 00:45:49,800 Speaker 8: Amanda in the Morning on Gold one oh one twenty seven. 1007 00:45:50,239 --> 00:45:52,560 Speaker 1: You can teach an old band, new tricks, bad eld 1008 00:45:52,600 --> 00:45:54,680 Speaker 1: of my garage band of the eighties. 1009 00:45:55,480 --> 00:45:56,160 Speaker 2: What's their name? 1010 00:45:56,239 --> 00:45:57,840 Speaker 3: Bad Element. I'm too excited to speak. 1011 00:45:57,960 --> 00:46:00,359 Speaker 2: Well, we are we going to play the new song. 1012 00:46:00,400 --> 00:46:02,960 Speaker 2: We're going to put it now to seem. 1013 00:46:02,800 --> 00:46:04,399 Speaker 3: To want to play the full song. 1014 00:46:04,440 --> 00:46:05,719 Speaker 2: I want to play the full song and then we 1015 00:46:05,760 --> 00:46:07,319 Speaker 2: can put this baby to bed. I want to really 1016 00:46:07,320 --> 00:46:08,280 Speaker 2: hear how you sound. 1017 00:46:08,719 --> 00:46:11,759 Speaker 1: It sounds great under the U twenty twenty five microscope. 1018 00:46:12,800 --> 00:46:13,600 Speaker 3: The lyrics are there. 1019 00:46:15,040 --> 00:46:15,960 Speaker 2: I want to hear the whole song. 1020 00:46:16,160 --> 00:46:17,080 Speaker 3: The drums are there. 1021 00:46:17,960 --> 00:46:19,200 Speaker 2: That's not enough for me. I want to hear the 1022 00:46:19,200 --> 00:46:21,719 Speaker 2: whole song. Give us a call. Thirteen fifty five, twenty two, 1023 00:46:21,760 --> 00:46:24,680 Speaker 2: we were scheduled to play Bad Romance My Lady Gaga 1024 00:46:24,719 --> 00:46:27,800 Speaker 2: would you rather hear that or the classic no lies 1025 00:46:27,880 --> 00:46:29,360 Speaker 2: by the new bad Elements? 1026 00:46:29,440 --> 00:46:31,680 Speaker 1: The whip pole is the arbors of what people want, 1027 00:46:31,960 --> 00:46:33,760 Speaker 1: bad romance or bad element. 1028 00:46:34,000 --> 00:46:35,640 Speaker 3: Carol's and Silver hover, do you Carol? 1029 00:46:36,719 --> 00:46:39,279 Speaker 2: Yes, Sir Jones, I'd love to hear it. Mate, let's 1030 00:46:39,280 --> 00:46:40,080 Speaker 2: get this finished. 1031 00:46:40,120 --> 00:46:41,279 Speaker 12: We want to hear the whole thing. 1032 00:46:41,560 --> 00:46:42,640 Speaker 2: We want to hear the whole thing, and then we're 1033 00:46:42,640 --> 00:46:43,239 Speaker 2: going to wrap it. 1034 00:46:43,239 --> 00:46:45,279 Speaker 3: Up with a big bow mixed with us. 1035 00:46:45,320 --> 00:46:46,640 Speaker 2: Hello, Mick, what would you like to hear? 1036 00:46:47,480 --> 00:46:48,200 Speaker 5: Bad Element? 1037 00:46:48,320 --> 00:46:48,839 Speaker 6: All the way? 1038 00:46:49,360 --> 00:46:52,920 Speaker 2: Jes thank you, Mick co version. Come on, Deborah, what 1039 00:46:52,920 --> 00:46:53,680 Speaker 2: would you like to hear? 1040 00:46:54,440 --> 00:46:55,720 Speaker 5: I'd love to hear bad Element? 1041 00:46:55,800 --> 00:46:56,960 Speaker 3: I think they sound great. 1042 00:46:56,800 --> 00:47:00,279 Speaker 2: Now, okay. Rosies in more Bank, Hello, Rosie, what would 1043 00:47:00,320 --> 00:47:00,800 Speaker 2: you like to hear it? 1044 00:47:01,800 --> 00:47:02,120 Speaker 8: Lady? 1045 00:47:02,120 --> 00:47:02,960 Speaker 7: Go go please? 1046 00:47:03,560 --> 00:47:09,760 Speaker 3: Thanks? Right, what's the matter with you? Cheryl's with Cheryl? 1047 00:47:09,800 --> 00:47:14,440 Speaker 2: Hello Cheryl, what would you like to hear a bad element? 1048 00:47:14,719 --> 00:47:16,520 Speaker 3: Good Bye? Cheryl? Think about it. 1049 00:47:17,640 --> 00:47:21,680 Speaker 1: Maybe it's a bad line, bad element, bad line, bad romance. 1050 00:47:21,280 --> 00:47:25,840 Speaker 2: Bad luck. Peter's in Calli Vale, Hello Peter, Hello, what 1051 00:47:25,880 --> 00:47:26,680 Speaker 2: would you like to hear? 1052 00:47:28,560 --> 00:47:31,560 Speaker 5: I'm going to say one hundred percent absolutely I agree 1053 00:47:31,560 --> 00:47:34,480 Speaker 5: with Amanda. I'm going for nigh lize Bad Element. 1054 00:47:36,080 --> 00:47:38,640 Speaker 1: Well, let's do it, Brendan beauty is it only guys 1055 00:47:38,640 --> 00:47:39,080 Speaker 1: for a minute? 1056 00:47:39,120 --> 00:47:39,440 Speaker 3: Forty? 1057 00:47:39,640 --> 00:47:43,320 Speaker 2: That's great. Here we are the new Bad. 1058 00:47:43,040 --> 00:47:45,760 Speaker 3: Element debut on the radio. 1059 00:47:47,320 --> 00:48:13,080 Speaker 1: Excuse me while I rock out, please, twenty seven doll. 1060 00:48:01,960 --> 00:48:03,719 Speaker 2: Lies telling me want to do? 1061 00:48:04,080 --> 00:48:08,040 Speaker 6: No lies, telling you want to be no unknown to 1062 00:48:08,040 --> 00:48:08,759 Speaker 6: see this through? 1063 00:48:09,040 --> 00:48:14,240 Speaker 2: No, tell me about the nuns. 1064 00:48:17,040 --> 00:48:19,200 Speaker 3: Alright, that's hard to do, you know. 1065 00:48:21,719 --> 00:48:35,800 Speaker 6: Here we guys. Wow, yeah, wow, so he said, I know. 1066 00:48:37,040 --> 00:48:38,320 Speaker 3: It's like it's someone else. 1067 00:48:51,920 --> 00:48:53,960 Speaker 2: That's we see the Las Nuns. 1068 00:48:55,719 --> 00:48:56,839 Speaker 3: It's my favorite lyric. 1069 00:48:57,120 --> 00:49:03,719 Speaker 2: Ever is so thank yous rap? Yet out of here. 1070 00:49:04,360 --> 00:49:05,640 Speaker 12: I'm not listening to. 1071 00:49:05,800 --> 00:49:07,440 Speaker 6: The Bard your life. 1072 00:49:20,280 --> 00:49:21,640 Speaker 3: This is not to do as well? 1073 00:49:30,320 --> 00:49:35,840 Speaker 2: Wow, look at our production team clapping, screaming, ye, screaming 1074 00:49:35,880 --> 00:49:36,279 Speaker 2: in a good one. 1075 00:49:36,320 --> 00:49:38,200 Speaker 3: Steady on their girls. Just be calm. 1076 00:49:38,400 --> 00:49:44,800 Speaker 9: We're all still married. I think I think everyone separated. 1077 00:49:50,520 --> 00:49:54,120 Speaker 9: There it is that was to yourself a fighter. 1078 00:49:53,960 --> 00:49:58,240 Speaker 2: I expected. I must say what happens now we re move. 1079 00:49:58,400 --> 00:50:00,360 Speaker 1: Let it, let it be what it's be, and just 1080 00:50:00,440 --> 00:50:07,960 Speaker 1: you know, we'll just carry on our business. 1081 00:50:07,960 --> 00:50:09,719 Speaker 3: Podcast point seven. 1082 00:50:09,719 --> 00:50:12,480 Speaker 1: Hello, there, it's Jersey Demanda Sunny eighteen degrees in the 1083 00:50:12,480 --> 00:50:13,839 Speaker 1: city and our west by. 1084 00:50:13,920 --> 00:50:16,320 Speaker 3: Now it's ten degrees the eleventh of June. You'll remember 1085 00:50:16,440 --> 00:50:17,319 Speaker 3: this day when you. 1086 00:50:17,400 --> 00:50:21,200 Speaker 2: Heard be no lies for the new bad Element. I'm 1087 00:50:21,239 --> 00:50:22,839 Speaker 2: you know, well done. 1088 00:50:23,080 --> 00:50:23,880 Speaker 3: You know what I thought about it? 1089 00:50:24,080 --> 00:50:24,640 Speaker 2: So well done. 1090 00:50:25,000 --> 00:50:27,279 Speaker 1: For years when I first started this business, I had 1091 00:50:27,320 --> 00:50:31,080 Speaker 1: to fill out my APRAA sheets, the Australia Performing Rights 1092 00:50:31,280 --> 00:50:33,520 Speaker 1: Records Association Performing Rights thing. 1093 00:50:33,600 --> 00:50:35,200 Speaker 3: You have to fill that stuff out. 1094 00:50:35,239 --> 00:50:37,120 Speaker 2: Meaning what how many Australian songs you playing? 1095 00:50:37,200 --> 00:50:39,160 Speaker 3: Yeah, because there's a quota that we go. 1096 00:50:39,600 --> 00:50:44,040 Speaker 2: So now Farnham Osfield high Rotation there it is. 1097 00:50:44,400 --> 00:50:46,919 Speaker 3: Fill that out. I used to just make stuff up, 1098 00:50:48,040 --> 00:50:48,960 Speaker 3: write anything. 1099 00:50:48,680 --> 00:50:51,200 Speaker 2: Did you It was tysome to do, so you just 1100 00:50:51,239 --> 00:50:52,000 Speaker 2: make bands up. 1101 00:50:52,320 --> 00:50:54,800 Speaker 3: Kids don't do it anymore. These days it's all in 1102 00:50:54,840 --> 00:50:55,200 Speaker 3: the computer. 1103 00:50:55,239 --> 00:50:57,319 Speaker 1: But anyway, it doesn't matter. It was great to hear. 1104 00:50:57,360 --> 00:50:59,120 Speaker 1: It was great to see the band back together. I 1105 00:50:59,120 --> 00:51:00,399 Speaker 1: go admit, know I. 1106 00:51:00,600 --> 00:51:01,399 Speaker 2: Hear a little bit more. 1107 00:51:01,480 --> 00:51:03,800 Speaker 1: Well, you know the lyrics there is you love them 1108 00:51:04,400 --> 00:51:12,279 Speaker 1: remastered unless these days it hgs to my voice and 1109 00:51:12,320 --> 00:51:16,320 Speaker 1: the drums. You know, I've had a tough relationship with drums. 1110 00:51:16,360 --> 00:51:20,520 Speaker 1: But sometimes stick to skin just works. What is it 1111 00:51:21,120 --> 00:51:22,600 Speaker 1: stick to skin. 1112 00:51:24,320 --> 00:51:26,959 Speaker 2: And you can't is that will be is doing that. 1113 00:51:26,960 --> 00:51:28,720 Speaker 2: That's I's amazing. 1114 00:51:29,719 --> 00:51:32,960 Speaker 1: You should be very happy for the people who spoken 1115 00:51:33,600 --> 00:51:33,879 Speaker 1: to skin. 1116 00:51:33,960 --> 00:51:35,799 Speaker 2: It's incredible. I don't know what that means. 1117 00:51:36,560 --> 00:51:38,680 Speaker 3: But we'll be too indulge it about it. 1118 00:51:38,760 --> 00:51:39,480 Speaker 2: No, well, we played it. 1119 00:51:39,600 --> 00:51:41,680 Speaker 3: We played it because that's what the people wanted. 1120 00:51:42,000 --> 00:51:45,200 Speaker 2: Yes, I'd love to hear it, mate, let's get this finish. 1121 00:51:45,320 --> 00:51:48,200 Speaker 2: We want to hear the whole thing all the way. 1122 00:51:49,480 --> 00:51:50,760 Speaker 5: I'd love to hear that element. 1123 00:51:50,960 --> 00:51:54,120 Speaker 2: You must sound great now, lady, go go please. 1124 00:51:56,480 --> 00:52:00,480 Speaker 5: Absolutely, I agree with Amanda. I'm going to the nihilized element. 1125 00:52:01,080 --> 00:52:03,600 Speaker 1: Maybe we should put it in our music auditoriums as 1126 00:52:03,640 --> 00:52:07,359 Speaker 1: part of testing with the people, so they really think. 1127 00:52:08,080 --> 00:52:09,560 Speaker 2: I was hoping that we'd wrap it up with a 1128 00:52:09,560 --> 00:52:12,640 Speaker 2: big bow today and that'd be there. But I'm very 1129 00:52:12,680 --> 00:52:15,239 Speaker 2: impressed and thank you for pushing through you guys. I 1130 00:52:15,320 --> 00:52:16,960 Speaker 2: hope you keep going. I hope you just enjoy it 1131 00:52:17,000 --> 00:52:17,640 Speaker 2: because it sounded. 1132 00:52:17,960 --> 00:52:19,000 Speaker 3: I don't think there's any need. 1133 00:52:19,200 --> 00:52:20,480 Speaker 2: Oh, it sounded really good. 1134 00:52:22,560 --> 00:52:23,120 Speaker 12: Of me like that. 1135 00:52:23,920 --> 00:52:25,879 Speaker 3: It's just, you know, I feel like I need more. 1136 00:52:26,040 --> 00:52:27,680 Speaker 3: Now I see here we go. 1137 00:52:28,600 --> 00:52:34,520 Speaker 2: There's three more songs that's out there. Jem jam Nation. 1138 00:52:43,239 --> 00:52:45,359 Speaker 2: We are officially in the second half of the year, 1139 00:52:45,719 --> 00:52:48,520 Speaker 2: counting down now towards someone winning our favorite Gulie of 1140 00:52:48,600 --> 00:52:50,320 Speaker 2: the year and winning twenty thousand dollars. 1141 00:52:50,440 --> 00:52:51,960 Speaker 3: Goodness, what have we got today? 1142 00:52:52,520 --> 00:52:55,480 Speaker 10: What gets my girlies is when us women go into 1143 00:52:55,520 --> 00:52:59,520 Speaker 10: labor and we ring the birthing sweet and they say, oh, 1144 00:52:59,560 --> 00:53:01,600 Speaker 10: you're not in true lady yet, don't come in yet. 1145 00:53:01,960 --> 00:53:02,759 Speaker 2: What this happened to me? 1146 00:53:03,160 --> 00:53:05,160 Speaker 10: I sat on the toilet, thought I needed to go 1147 00:53:05,280 --> 00:53:08,120 Speaker 10: the toilet, but it was the baby's head. I stood up, 1148 00:53:08,280 --> 00:53:10,360 Speaker 10: her head came out in my hand, and I waddled 1149 00:53:10,400 --> 00:53:13,560 Speaker 10: off the toilet and accidentally had her at home. That 1150 00:53:13,680 --> 00:53:16,480 Speaker 10: got my gholies and I had my little girlie, a 1151 00:53:16,600 --> 00:53:17,720 Speaker 10: girlie and a ghoulie. 1152 00:53:17,800 --> 00:53:19,880 Speaker 3: Gratulations. Yeah, you don't want to be like a hippie 1153 00:53:19,920 --> 00:53:21,280 Speaker 3: home birth person if you don't. 1154 00:53:21,120 --> 00:53:22,600 Speaker 2: Want to not if you don't want a bet. 1155 00:53:22,840 --> 00:53:27,440 Speaker 3: Wow, Well I'm so glad that everything worked out. Absolutely congratulations. 1156 00:53:27,640 --> 00:53:28,480 Speaker 3: What else have we got? 1157 00:53:29,239 --> 00:53:32,799 Speaker 12: What gets my girlies is when you're having a nice, relaxing, 1158 00:53:33,120 --> 00:53:38,480 Speaker 12: warm shower, usually rinsing your hair, and then someone flushes 1159 00:53:38,520 --> 00:53:40,920 Speaker 12: the loo or turns on a tap and suddenly you're 1160 00:53:40,960 --> 00:53:46,000 Speaker 12: having an ice shower. It's absolutely a heartstopper and a 1161 00:53:46,040 --> 00:53:49,959 Speaker 12: square inducer, and the clowns that cause it usually laugh 1162 00:53:50,120 --> 00:53:52,520 Speaker 12: their heads off and think it's bloody hilarious. 1163 00:53:53,120 --> 00:53:54,400 Speaker 2: Well that gets my girlie. 1164 00:53:54,520 --> 00:53:55,600 Speaker 3: Make minute you're give him birth. 1165 00:53:56,239 --> 00:53:57,839 Speaker 2: It shrinks your goolies, that's for sure. 1166 00:53:58,840 --> 00:53:59,680 Speaker 3: How the bad dam of the good. 1167 00:53:59,719 --> 00:54:01,839 Speaker 1: If you do doubt, you can always contact us by 1168 00:54:01,920 --> 00:54:03,239 Speaker 1: the iHeartRadio app. 1169 00:54:03,560 --> 00:54:04,640 Speaker 3: It's seven to nine. 1170 00:54:06,120 --> 00:54:08,680 Speaker 2: My favorite color malor Facebook friend wins a harbor of 1171 00:54:08,800 --> 00:54:11,760 Speaker 2: you long lunch for two thanks to Captain Cook Cruisers 1172 00:54:12,080 --> 00:54:14,359 Speaker 2: who's in Sydney Harbor for over fifty five years. 1173 00:54:14,440 --> 00:54:17,600 Speaker 3: There it goes. Now look at it? How good is that? 1174 00:54:18,080 --> 00:54:19,759 Speaker 3: Gather the jones you demand of ttail as well. 1175 00:54:19,960 --> 00:54:22,560 Speaker 2: Now you have teased us for a long time, and 1176 00:54:22,640 --> 00:54:25,360 Speaker 2: today was the moment a remastered version. 1177 00:54:25,840 --> 00:54:27,560 Speaker 1: I know what it's like to artist to put their 1178 00:54:27,600 --> 00:54:29,040 Speaker 1: soul out there, you know when you see him on 1179 00:54:29,080 --> 00:54:29,600 Speaker 1: those shows. 1180 00:54:29,880 --> 00:54:33,360 Speaker 3: Very brave, I feel very safe to us. 1181 00:54:33,400 --> 00:54:35,919 Speaker 2: Great, But we decided we couldn't play it in full 1182 00:54:36,239 --> 00:54:39,320 Speaker 2: without asking. You are loyal listeners. If you wanted to 1183 00:54:39,400 --> 00:54:41,440 Speaker 2: hear it, it was you had to choose between bad 1184 00:54:41,520 --> 00:54:45,960 Speaker 2: element or bad Romance by Lady Gaga. A resounding yes 1185 00:54:46,840 --> 00:54:51,360 Speaker 2: from just about everyone except Rosie from Moorebank, who said this, 1186 00:54:51,680 --> 00:54:56,600 Speaker 2: but would you like to hear it? So she's getting 1187 00:54:56,640 --> 00:54:57,120 Speaker 2: mad at the match. 1188 00:54:57,200 --> 00:55:02,040 Speaker 3: Madeoven had his critics that big dog Friday. 1189 00:55:03,239 --> 00:55:05,680 Speaker 1: Enough well up next week are giving you the chance 1190 00:55:05,760 --> 00:55:08,560 Speaker 1: to win the greatest weekend of your life. Brian Adams 1191 00:55:08,800 --> 00:55:11,800 Speaker 1: and Sting at the Hard Rock Live in Florida with 1192 00:55:11,960 --> 00:55:14,279 Speaker 1: a bonus trip to the Bahamas. 1193 00:55:14,400 --> 00:55:17,040 Speaker 3: Excellent, you can win that. After nine o'clock. We are 1194 00:55:17,120 --> 00:55:18,520 Speaker 3: back again tomorrow. 1195 00:55:18,400 --> 00:55:21,400 Speaker 2: For jam Nation. We're back tomorrow with me throwing darts 1196 00:55:21,400 --> 00:55:23,799 Speaker 2: at you to big footy teams. Bring in your bike 1197 00:55:23,840 --> 00:55:26,040 Speaker 2: helmet and your bike gloves. I don't want to be 1198 00:55:26,239 --> 00:55:27,640 Speaker 2: stabbing you with the darts. 1199 00:55:27,719 --> 00:55:29,880 Speaker 3: Well last week you did all right, you know what? 1200 00:55:30,480 --> 00:55:32,920 Speaker 2: Well the experts got six out of eight. I got 1201 00:55:33,000 --> 00:55:35,040 Speaker 2: six out of eight. But I am so far winning 1202 00:55:35,120 --> 00:55:37,279 Speaker 2: the year. Just goes to show you don't need to 1203 00:55:37,280 --> 00:55:37,880 Speaker 2: be an expert. 1204 00:55:37,960 --> 00:55:40,760 Speaker 3: It does. We're back tonight for jam Nation at six o'clock. 1205 00:55:40,960 --> 00:55:43,319 Speaker 3: We'll catch you then see you. Good day to you. Well, 1206 00:55:43,680 --> 00:55:44,879 Speaker 3: thank god that's over. 1207 00:55:45,000 --> 00:55:48,600 Speaker 12: Good fit, good bike wipe. 1208 00:55:49,920 --> 00:55:53,600 Speaker 8: You catch Jonesy and Amanda's podcast on the iHeartRadio app 1209 00:55:53,800 --> 00:56:07,319 Speaker 8: or wherever you get your podcasts, you advice, catch up 1210 00:56:07,360 --> 00:56:11,480 Speaker 8: on what you've missed on the free iHeartRadio app MMM