1 00:00:00,120 --> 00:00:01,319 Speaker 1: I was about to go Barleys. 2 00:00:01,680 --> 00:00:03,440 Speaker 2: Yeah, look, I'm not gonna I'm not gonna lie. That 3 00:00:03,520 --> 00:00:07,160 Speaker 2: was hard, very that was hard, and we may have 4 00:00:07,440 --> 00:00:10,320 Speaker 2: really rambled and rolled. 5 00:00:10,680 --> 00:00:14,040 Speaker 1: M well, considering on banter we ramble for three of 6 00:00:14,080 --> 00:00:16,120 Speaker 1: the five minutes every week, but there was a lot 7 00:00:16,120 --> 00:00:19,599 Speaker 1: of rambling. Rambling, yeah, yeah, and sometimes a bit. 8 00:00:19,520 --> 00:00:24,319 Speaker 2: Of Diversionsion to have not, you know, gone to the 9 00:00:24,320 --> 00:00:26,800 Speaker 2: emergency tape because we stop speaking for it so long. 10 00:00:27,120 --> 00:00:28,080 Speaker 3: I think it was all right. 11 00:00:28,080 --> 00:00:30,319 Speaker 1: I wouldn't want to ramble with anyone else there. It is. 12 00:00:33,040 --> 00:00:36,680 Speaker 2: An envelope contains the music topic to discuss. 13 00:00:36,479 --> 00:00:39,320 Speaker 4: This five minutes on the clock to feel and this 14 00:00:39,720 --> 00:00:44,839 Speaker 4: no time to prep This is banter with Clezy and Lisa. 15 00:00:45,000 --> 00:00:45,720 Speaker 1: Are you ready? Lis? 16 00:00:46,040 --> 00:00:50,440 Speaker 2: Are we ready? What's in the envelope? 17 00:00:50,720 --> 00:00:52,640 Speaker 4: To pretend we're Warren Birding and Fade Donaway at the 18 00:00:52,640 --> 00:00:59,080 Speaker 4: oscars messing it up? It is yeah, yeah, you've seen already. 19 00:00:59,160 --> 00:01:02,639 Speaker 1: It's simply Rare, simply Red. Ah, there we go, time 20 00:01:02,680 --> 00:01:11,160 Speaker 1: starts now. Mmm. Mick Harcknell Manchester. 21 00:01:11,120 --> 00:01:14,480 Speaker 2: Is the lead singer of Simply Red. He is a 22 00:01:14,520 --> 00:01:19,000 Speaker 2: red head and his money is too tight. 23 00:01:19,080 --> 00:01:23,000 Speaker 4: Demention certainly is Mick Harcknall's been He's a real survivor, 24 00:01:23,080 --> 00:01:26,400 Speaker 4: isn't he. He just celebrated a big birthday and he's 25 00:01:27,000 --> 00:01:28,520 Speaker 4: he has been around for a long time, and I 26 00:01:28,520 --> 00:01:32,319 Speaker 4: think people underestimated how incredible his songwriting skills were, especially 27 00:01:32,319 --> 00:01:34,480 Speaker 4: in the early days. But that picture book album was 28 00:01:34,480 --> 00:01:35,000 Speaker 4: a huge hit. 29 00:01:35,040 --> 00:01:35,760 Speaker 3: It was a huge hit. 30 00:01:35,800 --> 00:01:39,640 Speaker 2: They made quite the splash, yeah, into the world of 31 00:01:39,920 --> 00:01:42,199 Speaker 2: you know music simply Read when they came on the scene. 32 00:01:42,200 --> 00:01:44,280 Speaker 3: What else was on that album money Holding Back the 33 00:01:44,360 --> 00:01:45,679 Speaker 3: Years was years? 34 00:01:45,760 --> 00:01:46,240 Speaker 2: Yeah. 35 00:01:46,280 --> 00:01:52,400 Speaker 4: Absolutely, that album did capture people's imagination, didn't it. And 36 00:01:52,440 --> 00:01:55,440 Speaker 4: they became a staple of because radio stations all around 37 00:01:55,440 --> 00:01:57,840 Speaker 4: the world started playing Simply Read because it was music 38 00:01:57,880 --> 00:02:00,360 Speaker 4: that was, you know, a catchy pops on and the 39 00:02:00,360 --> 00:02:02,520 Speaker 4: rest of it, but also not too full on, too 40 00:02:02,760 --> 00:02:03,440 Speaker 4: put people off. 41 00:02:03,520 --> 00:02:06,520 Speaker 2: I think he was probably instrumental in the turn for 42 00:02:06,600 --> 00:02:10,639 Speaker 2: Redheaded people everywhere, no doubt. 43 00:02:08,919 --> 00:02:12,799 Speaker 3: He put red Head on the map. 44 00:02:12,800 --> 00:02:14,119 Speaker 1: Where do you think you got the band name from? 45 00:02:14,280 --> 00:02:14,840 Speaker 3: Simply Read? 46 00:02:14,880 --> 00:02:17,160 Speaker 1: Simply Read? Yeah? 47 00:02:17,280 --> 00:02:20,040 Speaker 4: So that album made a real impact. In those two singles, 48 00:02:20,040 --> 00:02:21,680 Speaker 4: money to Type to Mention and Holding Back the Years 49 00:02:21,720 --> 00:02:23,320 Speaker 4: were the ones that put them into the charts. And 50 00:02:23,360 --> 00:02:25,320 Speaker 4: if you get that debut album into the charts. That 51 00:02:25,400 --> 00:02:28,560 Speaker 4: gets momentum for that second album and also with record 52 00:02:28,560 --> 00:02:31,040 Speaker 4: companies because the record company loved this new band and 53 00:02:31,320 --> 00:02:33,040 Speaker 4: this new white boy soul voice. 54 00:02:33,040 --> 00:02:35,320 Speaker 2: That it was a white boy soul voice, which was 55 00:02:35,360 --> 00:02:37,080 Speaker 2: popular at the time. But he and he did it 56 00:02:37,120 --> 00:02:42,560 Speaker 2: particularly well. As you said from Manchester, I'm not sure 57 00:02:42,720 --> 00:02:47,280 Speaker 2: exactly when and how simply read disbanded, but Mick went 58 00:02:47,360 --> 00:02:50,720 Speaker 2: on and continued in various forms, and he's done some 59 00:02:50,840 --> 00:02:54,200 Speaker 2: amazing covers of songs in recent years. And he did 60 00:02:54,200 --> 00:02:56,680 Speaker 2: a version of I'm not too sure if it's called 61 00:02:56,720 --> 00:02:57,840 Speaker 2: You make Me Feel brand New? 62 00:02:58,120 --> 00:03:00,520 Speaker 3: Yeah, but that's do you know the song? Is it 63 00:03:00,520 --> 00:03:01,519 Speaker 3: called you make Me Feel Brain? 64 00:03:02,040 --> 00:03:03,520 Speaker 1: You made Me Feel brand New? 65 00:03:03,800 --> 00:03:04,080 Speaker 2: That's it? 66 00:03:04,120 --> 00:03:04,600 Speaker 3: Thank you clear. 67 00:03:05,000 --> 00:03:08,160 Speaker 2: He does the most beautiful version of. 68 00:03:08,040 --> 00:03:09,200 Speaker 3: That that I've ever heard. 69 00:03:09,320 --> 00:03:10,959 Speaker 1: This is a hell of a voice, hell of a voice. 70 00:03:11,000 --> 00:03:12,600 Speaker 4: And we talk about that white we talk about that 71 00:03:12,639 --> 00:03:14,120 Speaker 4: white boy soul because that's what they call it in 72 00:03:14,160 --> 00:03:16,200 Speaker 4: the UK pop press in the mid to early to 73 00:03:16,240 --> 00:03:18,160 Speaker 4: mid eighties. So we talked about you know, Tony Hadley 74 00:03:18,200 --> 00:03:22,000 Speaker 4: who had on the radio recently. You had Paul Young 75 00:03:22,160 --> 00:03:23,680 Speaker 4: who was one of those guys as well, who used 76 00:03:23,680 --> 00:03:25,560 Speaker 4: to be in the Q Tips and then a solo star, 77 00:03:25,840 --> 00:03:29,120 Speaker 4: and Mick was continuing that line of British soul singers 78 00:03:29,560 --> 00:03:30,359 Speaker 4: just happen to be white. 79 00:03:30,440 --> 00:03:32,919 Speaker 2: I may be imagining it, but I have a feeling 80 00:03:33,080 --> 00:03:37,080 Speaker 2: he was one of Princess Diana's favorites. 81 00:03:36,640 --> 00:03:37,440 Speaker 1: Which is a bit of a fan. 82 00:03:37,520 --> 00:03:39,080 Speaker 2: I feel like she was a fan. I feel like 83 00:03:39,200 --> 00:03:41,960 Speaker 2: he was one of the ones that she always requested 84 00:03:42,040 --> 00:03:45,400 Speaker 2: play at the the what do they call those things? 85 00:03:45,400 --> 00:03:50,560 Speaker 3: The variety up in the box. The Royals picture her 86 00:03:51,080 --> 00:03:53,680 Speaker 3: dancing to Money's too trd to. 87 00:03:53,680 --> 00:03:56,640 Speaker 4: Mention it was for her, but yeah, there are the 88 00:03:56,840 --> 00:03:57,360 Speaker 4: songs as well. 89 00:03:57,440 --> 00:03:59,440 Speaker 1: Yeah, I think I think she was. 90 00:03:59,440 --> 00:04:01,880 Speaker 3: I think she was. That was not one of Lady 91 00:04:01,960 --> 00:04:02,720 Speaker 3: Di's problems. 92 00:04:02,800 --> 00:04:04,880 Speaker 4: No, even if the Queen Honey cut the purse strings, 93 00:04:06,000 --> 00:04:07,760 Speaker 4: no relationship. I think they knew where the next meal 94 00:04:07,800 --> 00:04:11,560 Speaker 4: was coming from. Mick, as he said, has continued on. 95 00:04:11,600 --> 00:04:13,360 Speaker 4: But he's one of those guys. He'd been like over Davies, 96 00:04:13,360 --> 00:04:15,280 Speaker 4: you can sort of put any good musos around you 97 00:04:15,320 --> 00:04:18,480 Speaker 4: and still call yourself ice house. So he's called himself. 98 00:04:18,520 --> 00:04:20,599 Speaker 4: You know, he's had that simply red thing going on, 99 00:04:20,680 --> 00:04:24,320 Speaker 4: as opposed to a band with strong personalities and guys 100 00:04:24,360 --> 00:04:26,560 Speaker 4: who were there, and also being the principal songwriter that 101 00:04:26,680 --> 00:04:27,560 Speaker 4: really helps as well. 102 00:04:27,680 --> 00:04:29,120 Speaker 2: Well, you know, you're listening to him as soon as 103 00:04:29,160 --> 00:04:30,840 Speaker 2: you start, so as soon as he kicks off, it's 104 00:04:30,880 --> 00:04:32,479 Speaker 2: one of those very distinct voices. 105 00:04:32,680 --> 00:04:32,920 Speaker 1: Yep. 106 00:04:33,200 --> 00:04:36,400 Speaker 4: And he's like your Tony Hadley's and your Jim Kurz 107 00:04:36,560 --> 00:04:39,000 Speaker 4: and you your Elvis Costello's who you listen to them 108 00:04:39,040 --> 00:04:41,800 Speaker 4: as an older man, and it happens with female things 109 00:04:41,839 --> 00:04:44,039 Speaker 4: as well, and you go, the voice is still damn good. 110 00:04:44,080 --> 00:04:45,000 Speaker 1: They look after the pipes. 111 00:04:45,080 --> 00:04:48,560 Speaker 3: I d say he was kind of underrated, yeah, i'd. 112 00:04:48,360 --> 00:04:50,360 Speaker 4: Imagine, so, yeah, yeah, I don't know if the music 113 00:04:50,440 --> 00:04:52,000 Speaker 4: industry took has taken mick. 114 00:04:52,400 --> 00:04:54,640 Speaker 2: I don't think the music industry took me as seriously 115 00:04:54,920 --> 00:04:55,680 Speaker 2: as he should have been. 116 00:04:55,760 --> 00:04:58,039 Speaker 1: Yeah, he's won a lot of British music awards. 117 00:04:58,040 --> 00:05:02,680 Speaker 2: Exactly that you just said, exactly, really trying. There's not 118 00:05:02,800 --> 00:05:06,280 Speaker 2: a lot to know about simply around. My definition of 119 00:05:07,560 --> 00:05:10,760 Speaker 2: this is the thing. They're not someone who you've read 120 00:05:10,800 --> 00:05:13,080 Speaker 2: a lot about over the years, you've heard a lot 121 00:05:13,160 --> 00:05:16,120 Speaker 2: about over the years, and that's why we're saying they're 122 00:05:16,120 --> 00:05:17,120 Speaker 2: probably a little underrated. 123 00:05:17,160 --> 00:05:18,520 Speaker 1: I want to hear Mick Hacknoll's story. 124 00:05:18,680 --> 00:05:20,320 Speaker 3: Yes, yes I do because. 125 00:05:20,240 --> 00:05:22,599 Speaker 4: McK hacknell I know someone. We know people in the 126 00:05:22,640 --> 00:05:25,159 Speaker 4: music industry, right, And there was a oh can we 127 00:05:25,200 --> 00:05:27,279 Speaker 4: get suit for this? So simply ready be to per 128 00:05:27,320 --> 00:05:29,960 Speaker 4: A few times this played the Old Entertainment Center, and 129 00:05:30,040 --> 00:05:33,240 Speaker 4: apparently there was a story going around that Mick was 130 00:05:33,440 --> 00:05:35,520 Speaker 4: looking for a date one night and asked the record 131 00:05:35,520 --> 00:05:37,279 Speaker 4: wrap to see if you can find him a date. 132 00:05:37,600 --> 00:05:39,960 Speaker 1: Yes, I'm not about to get suit to this. We'll 133 00:05:40,040 --> 00:05:40,600 Speaker 1: change his name. 134 00:05:40,800 --> 00:05:44,160 Speaker 4: John was looking for a date after the gig and 135 00:05:44,320 --> 00:05:49,520 Speaker 4: ask the record person follow someone. Yeah, someone who we 136 00:05:49,600 --> 00:05:54,159 Speaker 4: know very well was asked to perhaps line him up 137 00:05:54,160 --> 00:05:57,640 Speaker 4: for a date. I don't know how successful that Nick was. 138 00:06:01,080 --> 00:06:04,080 Speaker 1: Fancy Time Is Over Years 139 00:06:06,040 --> 00:06:10,520 Speaker 2: Ninety six, AFM Crazy and Lisa