1 00:00:00,600 --> 00:00:04,600 Speaker 1: Great the flick with Ben o'she Good morning, Ben, Good 2 00:00:04,640 --> 00:00:05,200 Speaker 1: morning guys. 3 00:00:05,240 --> 00:00:08,440 Speaker 2: How do we feel about James McAvoy, Oh, very very clever. 4 00:00:08,960 --> 00:00:10,799 Speaker 1: Well, you're going to feel different about him after you 5 00:00:10,840 --> 00:00:12,800 Speaker 1: watch Speak No Evil. I'm just warning you. 6 00:00:13,640 --> 00:00:17,000 Speaker 2: So lucky. We know he's a great actor. 7 00:00:17,079 --> 00:00:19,400 Speaker 1: You know, we've seen him in films like a tonements, 8 00:00:19,680 --> 00:00:23,960 Speaker 1: the Split movies, and the X Men movies. He's been 9 00:00:24,000 --> 00:00:27,960 Speaker 1: great in everything across a range of different styles and genres. 10 00:00:28,440 --> 00:00:29,080 Speaker 2: But in this. 11 00:00:29,040 --> 00:00:35,680 Speaker 1: Movie he is such an unlikable, unhinged a hole that 12 00:00:35,840 --> 00:00:37,600 Speaker 1: if we didn't know that he was a good actor, 13 00:00:37,720 --> 00:00:40,080 Speaker 1: you would think there's something wrong with this bloke. He 14 00:00:40,200 --> 00:00:43,920 Speaker 1: is so good at it. He leans into his villain 15 00:00:44,040 --> 00:00:47,239 Speaker 1: era in a way that a lot of actors just 16 00:00:47,360 --> 00:00:50,200 Speaker 1: do not commit in the same le. And so this film, 17 00:00:50,240 --> 00:00:53,400 Speaker 1: Speak No Evil is a remake of a Danish thriller 18 00:00:53,560 --> 00:00:57,720 Speaker 1: from twenty twenty two, quite a recent movie. And it 19 00:00:57,760 --> 00:01:00,160 Speaker 1: wasn't just this under the radar Danish movie. This was 20 00:01:00,200 --> 00:01:04,240 Speaker 1: an acclaimed Danish thriller in a way that you know, 21 00:01:04,319 --> 00:01:07,400 Speaker 1: like Scandinavian films are grim, in a way that only 22 00:01:07,440 --> 00:01:10,199 Speaker 1: the Scandies can do. Yeah, and that's what this film 23 00:01:10,280 --> 00:01:14,040 Speaker 1: was like, and this new film has been remade by 24 00:01:14,319 --> 00:01:16,520 Speaker 1: Blumhouse Productions, who make you know, they're kind of the 25 00:01:16,520 --> 00:01:17,759 Speaker 1: biggest producers of horror. 26 00:01:18,600 --> 00:01:19,880 Speaker 2: They do all the big horror move. 27 00:01:21,280 --> 00:01:24,480 Speaker 1: And so, but it follows the very same premise, which 28 00:01:24,480 --> 00:01:27,000 Speaker 1: is basically, you've got this couple. In this case, it's 29 00:01:27,000 --> 00:01:30,680 Speaker 1: an American couple played by Mackenzie Davis who was in 30 00:01:31,080 --> 00:01:33,759 Speaker 1: Terminated Dark Fate. She was a super soldier and she's 31 00:01:33,800 --> 00:01:37,280 Speaker 1: also in Blade Runner twenty forty nine, and Scoot McNairy 32 00:01:37,560 --> 00:01:40,399 Speaker 1: who was in Argo. So they're this American couple with 33 00:01:40,480 --> 00:01:43,720 Speaker 1: a young daughter on holiday. Yes, Scoot Scoot couldn't be 34 00:01:43,760 --> 00:01:44,120 Speaker 1: anything but. 35 00:01:44,240 --> 00:01:46,919 Speaker 3: American, exactly exactly a company who flows. 36 00:01:47,400 --> 00:01:51,360 Speaker 1: They're on holiday in Italy and Tuscany maybe, and they're 37 00:01:51,360 --> 00:01:53,120 Speaker 1: having a nice time, but you can tell maybe the 38 00:01:53,160 --> 00:01:56,680 Speaker 1: marriage is a bit rocky. And then they bump into 39 00:01:56,720 --> 00:01:58,880 Speaker 1: this other couple who happens to be holidaying at the 40 00:01:58,920 --> 00:02:03,120 Speaker 1: same resort, played by James McAvoy. He plays Paddy and 41 00:02:03,160 --> 00:02:07,000 Speaker 1: his partner Kira played by Aisling Franciosi, who was in 42 00:02:07,040 --> 00:02:10,440 Speaker 1: The Nightingale. And this couple, you know, compared to these 43 00:02:10,440 --> 00:02:14,720 Speaker 1: buttoned down Americans, they're free spirits, and so straight away 44 00:02:14,760 --> 00:02:17,960 Speaker 1: they're kind of attracted to, you know, how laid back 45 00:02:18,040 --> 00:02:19,960 Speaker 1: they are, how they just want to have fun because 46 00:02:20,000 --> 00:02:22,600 Speaker 1: you know, their own marriage is maybe you know, on 47 00:02:22,639 --> 00:02:25,080 Speaker 1: the is a bit rough at the moment. They're not 48 00:02:25,120 --> 00:02:27,440 Speaker 1: experiencing that same sort of happiness that they once did, 49 00:02:27,880 --> 00:02:30,919 Speaker 1: so they just kind of gravitate towards these larger than 50 00:02:30,960 --> 00:02:34,640 Speaker 1: life Brits. And so then when they get an invitation 51 00:02:35,000 --> 00:02:38,560 Speaker 1: to visit their home in the UK countryside for a 52 00:02:38,600 --> 00:02:41,639 Speaker 1: weekend get away, they're like, oh, we don't really know them, 53 00:02:41,680 --> 00:02:43,520 Speaker 1: is it a good idea? And like, come on, like 54 00:02:43,560 --> 00:02:45,920 Speaker 1: they're such good fun. This is what we need. This 55 00:02:45,960 --> 00:02:48,680 Speaker 1: will help us get our marriage back on track. So far, 56 00:02:48,760 --> 00:02:51,000 Speaker 1: so good, right, So off they go pack up the 57 00:02:51,080 --> 00:02:54,040 Speaker 1: doorter in a little special like sleepy Toy. Off they 58 00:02:54,080 --> 00:02:57,960 Speaker 1: go into the UK countryside. Straight away things start to 59 00:02:58,040 --> 00:03:02,840 Speaker 1: unravel because Paddy James mack boy just loves needling people. 60 00:03:02,880 --> 00:03:05,280 Speaker 1: He just loves getting under their skin in a way 61 00:03:05,600 --> 00:03:07,120 Speaker 1: that you know, there's no other way around. 62 00:03:07,120 --> 00:03:07,960 Speaker 2: It's just a bit of a prick. 63 00:03:08,080 --> 00:03:12,480 Speaker 1: Yeah, And so so Mackenzie Davis's character, Luise is a vegan, 64 00:03:12,800 --> 00:03:14,960 Speaker 1: and so the first thing he does is I'm cooking 65 00:03:15,000 --> 00:03:18,080 Speaker 1: a special dinner tonight, a roast duck. I've killed the 66 00:03:18,120 --> 00:03:20,679 Speaker 1: prized duck on the farm. I've been raising this duck 67 00:03:20,720 --> 00:03:22,760 Speaker 1: since it was a chick. It was a big deal. 68 00:03:22,800 --> 00:03:25,160 Speaker 1: It actually I was almost crying when I chopped its 69 00:03:25,160 --> 00:03:27,399 Speaker 1: head off. And that's what we're having for dinner tonight. 70 00:03:27,800 --> 00:03:32,560 Speaker 1: And then she's those people's favorite, a vegan. She's and 71 00:03:32,560 --> 00:03:35,600 Speaker 1: she's thinking to herself to hold this bloke. Yeah, And 72 00:03:35,640 --> 00:03:37,880 Speaker 1: she's saying to her husband like, what am I supposed 73 00:03:37,920 --> 00:03:39,280 Speaker 1: to do here? Like I don't want to offend them. 74 00:03:39,280 --> 00:03:42,400 Speaker 1: We've just arrived. And the husband's like, well, you just 75 00:03:42,440 --> 00:03:44,440 Speaker 1: like have a bite. And then of course she's looking 76 00:03:44,440 --> 00:03:45,720 Speaker 1: at her husband like what do you mean, just have 77 00:03:45,760 --> 00:03:48,400 Speaker 1: a bite? He serious, mate, And then of course you 78 00:03:48,480 --> 00:03:51,160 Speaker 1: got James McAvoy carving up the duck and like with 79 00:03:51,240 --> 00:03:53,400 Speaker 1: the with the with the carving fork with a piece 80 00:03:53,400 --> 00:03:55,200 Speaker 1: of duck holding it out for her to take a 81 00:03:55,240 --> 00:03:58,040 Speaker 1: bite off the fork, and everybody's just waiting to see 82 00:03:58,080 --> 00:04:00,520 Speaker 1: what happens, and not wanting to cause a fust, not 83 00:04:00,560 --> 00:04:01,800 Speaker 1: wanting to cause conflict. 84 00:04:02,120 --> 00:04:02,840 Speaker 2: She takes a bite. 85 00:04:03,800 --> 00:04:07,320 Speaker 1: So that sets the scene for how their values are 86 00:04:07,320 --> 00:04:10,600 Speaker 1: going to be slowly eroded over this weekend as Patty 87 00:04:10,760 --> 00:04:14,280 Speaker 1: just keeps pushing their buttons over and over again because 88 00:04:14,280 --> 00:04:17,080 Speaker 1: they're quite woke. They're kind of you know, all about 89 00:04:17,160 --> 00:04:19,640 Speaker 1: kind of like modern life these days and trying to 90 00:04:19,680 --> 00:04:20,680 Speaker 1: avoid confrontation. 91 00:04:20,920 --> 00:04:21,680 Speaker 2: He's the opposite. 92 00:04:21,839 --> 00:04:24,000 Speaker 1: He's like, you know, how can we create the friction, 93 00:04:24,400 --> 00:04:27,279 Speaker 1: Like why aren't people honest these days? If nothing else, 94 00:04:27,400 --> 00:04:28,839 Speaker 1: you know, by the end of this weekend, I'm going 95 00:04:28,920 --> 00:04:31,040 Speaker 1: to make you have honest conversations, which is the last 96 00:04:31,040 --> 00:04:35,240 Speaker 1: thing these Americans really want to do. And so if 97 00:04:35,279 --> 00:04:37,960 Speaker 1: films that are a bit cringe worthy are a bit awkward, 98 00:04:38,000 --> 00:04:40,080 Speaker 1: and if you feel that, if you feel that kind 99 00:04:40,120 --> 00:04:43,160 Speaker 1: of social awkwardness yourself when you're watching movies, this is 100 00:04:43,200 --> 00:04:44,760 Speaker 1: going to be a tough watch. Figure the fact that 101 00:04:44,800 --> 00:04:47,000 Speaker 1: it's kind of like a thriller horror movie, just that 102 00:04:47,120 --> 00:04:50,960 Speaker 1: alone is enough to terrify you. And there's one there's 103 00:04:51,000 --> 00:04:53,920 Speaker 1: one moment that you just never forget. It's got James 104 00:04:53,960 --> 00:04:59,200 Speaker 1: McAvoy staring into Scoots character's eyes so awkwardly as he's 105 00:04:59,240 --> 00:05:05,479 Speaker 1: singing the Bangle Eternal Flame. No, So just picture that. 106 00:05:06,040 --> 00:05:09,479 Speaker 1: And then where it differs from the Danish original is 107 00:05:09,560 --> 00:05:13,599 Speaker 1: the Danish original is just so dark and grim all 108 00:05:13,640 --> 00:05:15,320 Speaker 1: the way to the end of the ending. You walk 109 00:05:15,360 --> 00:05:17,040 Speaker 1: away from it going, oh my god, I never want 110 00:05:17,040 --> 00:05:19,320 Speaker 1: to watch a movie again. And this one ops in 111 00:05:19,360 --> 00:05:21,120 Speaker 1: the final act to go for a bit more of 112 00:05:21,120 --> 00:05:23,880 Speaker 1: a Hollywood ending, and it throws in a bit of horror, 113 00:05:23,960 --> 00:05:27,600 Speaker 1: bit of violence as Mackenzie Davis's character tries to kind 114 00:05:27,600 --> 00:05:32,400 Speaker 1: of take control of everything and save her family. You know, 115 00:05:32,040 --> 00:05:37,239 Speaker 1: I don't hate that necessarily because it's a better viewing 116 00:05:37,279 --> 00:05:40,960 Speaker 1: experience probably, but it does kind of mean that this 117 00:05:41,040 --> 00:05:43,640 Speaker 1: film just turns into a fairly standard. 118 00:05:43,200 --> 00:05:46,480 Speaker 2: Genre movie themselves. They've got to can't help themselves. 119 00:05:46,920 --> 00:05:48,760 Speaker 1: And before that, it's such a slow burn, and it's 120 00:05:48,760 --> 00:05:51,560 Speaker 1: a film that explores like some really interesting themes, you know, 121 00:05:51,640 --> 00:05:54,880 Speaker 1: themes about masculinity, themes of like parenting. Like if you 122 00:05:54,920 --> 00:05:56,840 Speaker 1: see someone who you don't agree with their parenting, it's 123 00:05:57,000 --> 00:05:59,800 Speaker 1: taboo to criticize, right, you just go, I'm not the parents, 124 00:05:59,839 --> 00:06:02,160 Speaker 1: so I'm gonna I can't sleave it into them. But 125 00:06:02,480 --> 00:06:05,880 Speaker 1: this film is all about testing those boundaries and that 126 00:06:06,040 --> 00:06:09,400 Speaker 1: side of it. The first kind of half awesome. The 127 00:06:09,520 --> 00:06:12,120 Speaker 1: last thirty percent of the film kind of goes okay, well, 128 00:06:12,120 --> 00:06:13,040 Speaker 1: it becomes pretty standard. 129 00:06:13,080 --> 00:06:15,160 Speaker 3: I wonder if they did change it with test audiences. 130 00:06:15,160 --> 00:06:17,479 Speaker 3: They still do that. Sometimes the thing is. 131 00:06:17,480 --> 00:06:21,479 Speaker 1: The original is just is just so bleak. There's no 132 00:06:21,520 --> 00:06:23,800 Speaker 1: way Western audiences on mainstream morning I. 133 00:06:23,800 --> 00:06:27,599 Speaker 2: Don't muck around with it. Don't play, they don't play. 134 00:06:27,760 --> 00:06:31,720 Speaker 2: They're not making it for you. Well, how many duck 135 00:06:31,880 --> 00:06:36,360 Speaker 2: alah wrongs are you giving? Duck allah wrong? That is brilliant. 136 00:06:37,600 --> 00:06:39,880 Speaker 1: Just because of James macavoy's performance alone, I'm going to 137 00:06:39,880 --> 00:06:42,400 Speaker 1: give this one a really solid three stars. 138 00:06:42,080 --> 00:06:45,840 Speaker 3: Right, very good, I mean, yeah, definitely. Look, we're both 139 00:06:45,839 --> 00:06:47,719 Speaker 3: watching the trailer. We're both still recovering from the trailer. 140 00:06:47,760 --> 00:06:49,000 Speaker 2: Thank you, Ben, thank you