1 00:00:04,160 --> 00:00:06,640 Speaker 1: What's on the cutting room floor today, friendy. 2 00:00:06,680 --> 00:00:10,720 Speaker 2: An interview is on the cutting room floor today. Let 3 00:00:10,720 --> 00:00:14,320 Speaker 2: me explain who these people are. She is the darling 4 00:00:14,360 --> 00:00:17,239 Speaker 2: of the small screen. She's delighted us in everything from 5 00:00:17,280 --> 00:00:20,759 Speaker 2: Gossip Girl to How I Met Your Father. He is 6 00:00:20,800 --> 00:00:24,240 Speaker 2: an Aussie doing us proud in the US. They are 7 00:00:24,360 --> 00:00:29,120 Speaker 2: latent mister and Luke Cook, and the pair have teamed 8 00:00:29,160 --> 00:00:32,600 Speaker 2: up for a fabulous news series called Good Cop, Bad Cop. 9 00:00:33,200 --> 00:00:34,200 Speaker 2: Let's catch up with them. 10 00:00:34,159 --> 00:00:36,080 Speaker 1: With a bit of dicking around. We caught up with 11 00:00:36,159 --> 00:00:37,239 Speaker 1: them on the zoom. 12 00:00:37,479 --> 00:00:40,240 Speaker 3: Hello, can you hear ay looke? 13 00:00:40,280 --> 00:00:42,840 Speaker 2: We'll start with you in that you're an Australian. You're 14 00:00:42,920 --> 00:00:48,519 Speaker 2: playing an American Layton's brother in a series set in 15 00:00:48,560 --> 00:00:51,160 Speaker 2: America but filmed in Australia. Did it get confusing? 16 00:00:53,080 --> 00:00:56,240 Speaker 3: Yes, especially when you say it like that. It's deeply confusing. 17 00:00:56,280 --> 00:00:58,440 Speaker 3: When you've moved to Los Angeles to work only to 18 00:00:58,480 --> 00:01:01,280 Speaker 3: go back to Australia to work on an American show. 19 00:01:01,680 --> 00:01:03,360 Speaker 3: It's it's it is confusing. 20 00:01:04,000 --> 00:01:06,200 Speaker 1: Well, you certainly now the American accent. 21 00:01:07,840 --> 00:01:09,640 Speaker 3: Yeah, been there for a lot. Yeah, I've been here 22 00:01:09,640 --> 00:01:11,880 Speaker 3: for a long time. Yeah, I'm good at that. 23 00:01:11,880 --> 00:01:13,600 Speaker 4: That that thing am and Lighton. 24 00:01:13,600 --> 00:01:15,800 Speaker 2: How's your Australian accent? I know that you've spent a 25 00:01:15,800 --> 00:01:17,520 Speaker 2: lot of time on the Gold Coast. How did you 26 00:01:17,560 --> 00:01:18,000 Speaker 2: find us? 27 00:01:20,440 --> 00:01:23,520 Speaker 4: It's the best accent. It's so addictive, it's so fun, 28 00:01:23,640 --> 00:01:27,560 Speaker 4: it's so musical. I don't think that I'm pretty good 29 00:01:27,560 --> 00:01:30,160 Speaker 4: at it, and I thought I was, but I've been 30 00:01:30,160 --> 00:01:32,120 Speaker 4: told don't talk yourself out of it. 31 00:01:32,200 --> 00:01:33,360 Speaker 3: Just give us a little bit of. 32 00:01:33,319 --> 00:01:35,640 Speaker 4: A come on there it is. 33 00:01:39,959 --> 00:01:40,960 Speaker 1: That's what we say. 34 00:01:41,000 --> 00:01:45,920 Speaker 2: This series is hilarious. You play brother and sister. Tell 35 00:01:46,000 --> 00:01:47,840 Speaker 2: us a bit about how it all came came to 36 00:01:47,880 --> 00:01:49,360 Speaker 2: be and what attracted you to the role. 37 00:01:50,480 --> 00:01:53,520 Speaker 3: Yeah, I'll go sure. So I really wanted to play 38 00:01:53,560 --> 00:01:57,680 Speaker 3: this character, Henry Hickman. He's always wanted to be a 39 00:01:57,680 --> 00:02:01,480 Speaker 3: detective and it's not the until the pilot happens that 40 00:02:01,520 --> 00:02:04,120 Speaker 3: he gets his chance to go back to his hometown 41 00:02:04,200 --> 00:02:09,960 Speaker 3: with his fact over feelings. He's not a charming social 42 00:02:10,360 --> 00:02:13,760 Speaker 3: personality at all. He's hardlined by the book. 43 00:02:13,919 --> 00:02:17,160 Speaker 2: And what's his relationship with his sister Lighton, Well. 44 00:02:19,280 --> 00:02:24,440 Speaker 4: You know they've been estranged because they're very different personalities 45 00:02:24,480 --> 00:02:26,560 Speaker 4: and do things very differently. And one of the main 46 00:02:26,600 --> 00:02:30,359 Speaker 4: things that they have conflict over is lou. My character 47 00:02:30,880 --> 00:02:33,959 Speaker 4: is fairly close and has remained so with their father, 48 00:02:34,160 --> 00:02:37,919 Speaker 4: who Henry, who Luke places, is very at odds with. 49 00:02:39,760 --> 00:02:42,160 Speaker 4: Our father is the chief of police, so he's technically 50 00:02:42,200 --> 00:02:48,079 Speaker 4: our boss, and he kind of, you know, fudges statistics 51 00:02:48,120 --> 00:02:51,079 Speaker 4: and makes his town look like it's a little bit 52 00:02:51,520 --> 00:02:55,720 Speaker 4: more of a happy, serene, idyllic place than it truly is. 53 00:02:57,040 --> 00:02:59,480 Speaker 4: And my character is kind of like the son that 54 00:02:59,520 --> 00:03:01,760 Speaker 4: he never had and happy to go along with that 55 00:03:01,800 --> 00:03:03,800 Speaker 4: a little bit and to kind of see the best 56 00:03:03,800 --> 00:03:10,240 Speaker 4: in people, and that that pesky Henry really rubs her 57 00:03:10,320 --> 00:03:12,560 Speaker 4: the wrong way sometimes because he's pretty by the book 58 00:03:12,600 --> 00:03:13,840 Speaker 4: and he's rigid. 59 00:03:14,200 --> 00:03:16,120 Speaker 1: Yeah, I think a man and I we'd be like that. 60 00:03:16,160 --> 00:03:18,760 Speaker 1: If we were cops. I'd be like the slack cop 61 00:03:19,000 --> 00:03:20,440 Speaker 1: and you'd be little misdetailed. 62 00:03:20,480 --> 00:03:22,200 Speaker 2: I think it's all often the way we'll go to 63 00:03:22,240 --> 00:03:23,760 Speaker 2: an event and I've done all the reading and I 64 00:03:23,800 --> 00:03:25,520 Speaker 2: know exactly what we're doing, and you turn up and 65 00:03:25,560 --> 00:03:27,079 Speaker 2: just write a unicycle and show off. 66 00:03:27,160 --> 00:03:28,440 Speaker 1: And I kind of even write a unicycle. 67 00:03:28,960 --> 00:03:31,639 Speaker 2: And it's the girls that have to do the work. 68 00:03:31,639 --> 00:03:33,640 Speaker 1: I had to see something by myself, and it was 69 00:03:33,680 --> 00:03:36,440 Speaker 1: so hard. Thank you I was doing all the work. Yeah, 70 00:03:36,880 --> 00:03:38,400 Speaker 1: you know who's going to do the goof off? 71 00:03:38,720 --> 00:03:40,720 Speaker 3: That's right. You better take your partner in crime. 72 00:03:40,880 --> 00:03:45,160 Speaker 2: Yeah, that's right. Speaking of work and busy households, lateon 73 00:03:45,280 --> 00:03:49,200 Speaker 2: your husband, Adam Brody, how fabulous he's had a we've 74 00:03:49,200 --> 00:03:51,040 Speaker 2: all fallen in love with that show where he plays 75 00:03:51,040 --> 00:03:54,400 Speaker 2: the hot rabbi obviously, and nobody wants this busy household 76 00:03:54,400 --> 00:03:56,480 Speaker 2: for the two of you. I noticed there's a very 77 00:03:56,480 --> 00:03:58,440 Speaker 2: small cameo of him in this show. 78 00:04:00,280 --> 00:04:04,119 Speaker 4: That's right, that's right, he's on the show. I got 79 00:04:04,160 --> 00:04:04,840 Speaker 4: him that job. 80 00:04:07,160 --> 00:04:08,880 Speaker 2: You read the paperwork, you knew. 81 00:04:10,880 --> 00:04:13,200 Speaker 1: And look, I've just noticed on your Instagram you're you know, 82 00:04:13,240 --> 00:04:15,760 Speaker 1: you're you're you're cashing it on the fame. A lot 83 00:04:15,760 --> 00:04:17,960 Speaker 1: of people when they get into Hollywood, they become all 84 00:04:17,960 --> 00:04:20,440 Speaker 1: Hollywood and they don't want to be famous. But you're, 85 00:04:20,720 --> 00:04:23,560 Speaker 1: you're leaning into it. And I remember years ago, i 86 00:04:23,640 --> 00:04:25,320 Speaker 1: was over in America. I've been on the plane. I've 87 00:04:25,360 --> 00:04:27,320 Speaker 1: been watching the transport on the plane. I was with 88 00:04:27,360 --> 00:04:29,400 Speaker 1: my brother and we've been drinking all day and we're 89 00:04:29,440 --> 00:04:32,880 Speaker 1: walking a down roy Day Drive and Jason Statham was 90 00:04:32,880 --> 00:04:35,159 Speaker 1: walking towards us. But I've forgotten his name. I just 91 00:04:35,200 --> 00:04:37,640 Speaker 1: knew him as Transporter Guy. And I said to my brother, 92 00:04:37,680 --> 00:04:39,880 Speaker 1: I said, that's the guy I'm from the movie. And 93 00:04:39,920 --> 00:04:42,039 Speaker 1: Matt said, yeah, transporter guy. I said, we can't call 94 00:04:42,120 --> 00:04:43,840 Speaker 1: him that. We don't know his name. And I said, 95 00:04:43,920 --> 00:04:45,160 Speaker 1: he said, we're going to say something. I said, we 96 00:04:45,200 --> 00:04:46,919 Speaker 1: don't have to say anything. And he came up to 97 00:04:47,000 --> 00:04:49,760 Speaker 1: us and I went, hey, transporter guy, we love you 98 00:04:49,800 --> 00:04:52,760 Speaker 1: in that movie. So would you be happy with good 99 00:04:52,800 --> 00:04:53,880 Speaker 1: cop bad cop guy? 100 00:04:54,360 --> 00:04:56,400 Speaker 3: Call me good cop bad cop guy? Called me by, 101 00:04:57,279 --> 00:04:59,320 Speaker 3: call me by whatever you need to. You know, I'm 102 00:04:59,320 --> 00:05:02,800 Speaker 3: just ready for this as of Thursday morning. You know, 103 00:05:02,920 --> 00:05:06,279 Speaker 3: when this show comes out. Don't talk to me, you know, 104 00:05:06,360 --> 00:05:09,000 Speaker 3: don't look me in the eye. There's a paparazzi everywhere. 105 00:05:09,760 --> 00:05:12,640 Speaker 3: I'm not cleaning nappies no more. You know, it's it's. 106 00:05:12,480 --> 00:05:16,080 Speaker 2: Over and you don't even have a child. That's what 107 00:05:16,120 --> 00:05:17,240 Speaker 2: was weird about the nappies. 108 00:05:19,880 --> 00:05:22,560 Speaker 1: You know, late and he has changed so much, hasn't 109 00:05:22,560 --> 00:05:26,320 Speaker 1: he changed from like two minutes ago he was like 110 00:05:26,400 --> 00:05:29,120 Speaker 1: missed everybody, and now look at him. What's happened? 111 00:05:29,320 --> 00:05:31,040 Speaker 4: Yeah, it's just. 112 00:05:31,760 --> 00:05:34,680 Speaker 2: Well, this show is so funny, it's so sharp. We 113 00:05:34,839 --> 00:05:36,840 Speaker 2: just absolutely loved it. It's so nice to talk to you. 114 00:05:36,720 --> 00:05:39,200 Speaker 1: You won't be able to walk the streets. Good Cop, 115 00:05:39,240 --> 00:05:42,600 Speaker 1: Bad Cop is out now on stand Late and Mista 116 00:05:42,720 --> 00:05:44,200 Speaker 1: and Look Look. Thank you for joining us. 117 00:05:44,560 --> 00:05:47,400 Speaker 3: Oh come on, thanks Jonesy and Amanda, thank you. 118 00:05:47,520 --> 00:05:50,320 Speaker 1: Okay, kids, that's for the day. Come back tomorrow from Laura, 119 00:05:50,400 --> 00:05:52,080 Speaker 1: Johnsy and A Man That's Coming Room