1 00:00:00,800 --> 00:00:03,400 Speaker 1: Jersey and Amanda jam Nys. 2 00:00:03,360 --> 00:00:04,240 Speaker 2: Pump Up the Jam. 3 00:00:04,280 --> 00:00:07,480 Speaker 1: Twenty years of Jonesy Diamandra's on sale now through book Tapia. 4 00:00:07,640 --> 00:00:11,040 Speaker 1: Deets are on our website. What about Margo Robbie. 5 00:00:10,680 --> 00:00:14,000 Speaker 3: We have interviewed her throughout the years, from her first 6 00:00:14,040 --> 00:00:18,200 Speaker 3: Hollywood movies to the giant superstardom that she encompasses now. 7 00:00:18,560 --> 00:00:22,040 Speaker 3: And every single time, Brendan, you're obsessed with buying her 8 00:00:22,040 --> 00:00:22,520 Speaker 3: a present. 9 00:00:22,600 --> 00:00:25,200 Speaker 2: I like to get her a little gift Thatcher, that's all. 10 00:00:25,280 --> 00:00:26,440 Speaker 3: Who doesn't like one of those? 11 00:00:26,520 --> 00:00:26,840 Speaker 4: You know what? 12 00:00:27,120 --> 00:00:28,760 Speaker 2: It wouldn't kill her to give me a gift? 13 00:00:28,760 --> 00:00:29,400 Speaker 4: Thatcher with you? 14 00:00:30,280 --> 00:00:34,879 Speaker 1: And here we are, Diego Margo, how are you? Congratulations 15 00:00:34,880 --> 00:00:38,640 Speaker 1: on the movie? First things first, Diego Margo. Amanda and 16 00:00:38,640 --> 00:00:40,680 Speaker 1: I have a bit of a relationship in the past. 17 00:00:40,760 --> 00:00:43,960 Speaker 1: So some time ago, we brought you a Bunnings vaucher, 18 00:00:44,479 --> 00:00:46,720 Speaker 1: remember that when the it on year because it was 19 00:00:46,720 --> 00:00:49,240 Speaker 1: all Oscar bars, and I said to build a shelf 20 00:00:49,280 --> 00:00:51,680 Speaker 1: so you can put your oscar and that didn't manifest, 21 00:00:52,000 --> 00:00:55,280 Speaker 1: So then we got a BWS boucher to drown her sorrows. 22 00:00:55,320 --> 00:00:58,320 Speaker 1: But then watching this particular movie, there's a lot of 23 00:00:58,400 --> 00:01:00,880 Speaker 1: lot going on in that movie like you you cry 24 00:01:00,920 --> 00:01:04,280 Speaker 1: on queue, you throw up on que. There's a I 25 00:01:04,319 --> 00:01:06,560 Speaker 1: don't want to be spoiler alert. He there's a snake thing. 26 00:01:06,680 --> 00:01:10,280 Speaker 1: So I have man and I chipped in. We got 27 00:01:10,280 --> 00:01:12,119 Speaker 1: your chemist Warehouse gift card. 28 00:01:12,160 --> 00:01:14,000 Speaker 3: I don't know if the anti venine is in our 29 00:01:14,040 --> 00:01:14,960 Speaker 3: four five. 30 00:01:15,400 --> 00:01:18,080 Speaker 1: But also we should give Diego something. Course it's down 31 00:01:18,120 --> 00:01:21,280 Speaker 1: here and this is for you and my friend Australian 32 00:01:21,280 --> 00:01:23,920 Speaker 1: delicacy because he had his little face. 33 00:01:24,640 --> 00:01:31,680 Speaker 2: This is this. You've heard me talk about a lot 34 00:01:31,840 --> 00:01:33,440 Speaker 2: off like little rings, little. 35 00:01:33,240 --> 00:01:34,840 Speaker 1: Rings, like an engagement in Australia. 36 00:01:34,880 --> 00:01:40,080 Speaker 2: Be careful be sharing those with me after this. Thank 37 00:01:40,120 --> 00:01:41,120 Speaker 2: you for the audition. 38 00:01:41,640 --> 00:01:45,720 Speaker 3: Was was unusual in that it was in the director's backyard. Diego, 39 00:01:45,760 --> 00:01:48,440 Speaker 3: you get flown to l A. The picture of the 40 00:01:48,480 --> 00:01:50,480 Speaker 3: two of you in someone's backyard. I imagine you're playing 41 00:01:50,520 --> 00:01:52,600 Speaker 3: totem tennis or picking up the dog poose. But there 42 00:01:52,600 --> 00:01:54,800 Speaker 3: was some incredible chemistry that went on that day. It 43 00:01:54,840 --> 00:01:55,280 Speaker 3: wasn't there. 44 00:01:55,920 --> 00:01:57,880 Speaker 2: Yeah, it was amazing, didn't you tell it. 45 00:01:58,720 --> 00:02:01,160 Speaker 4: I like to see that. I owned being cast in 46 00:02:01,200 --> 00:02:04,080 Speaker 4: this movie to Margot because it was my first time 47 00:02:04,080 --> 00:02:06,560 Speaker 4: in LA, my first time working with superstars, meeting them 48 00:02:06,600 --> 00:02:09,240 Speaker 4: and chasel and everything, and I don't know. We've been 49 00:02:09,240 --> 00:02:12,359 Speaker 4: trying to explain what happened, but I guess when something 50 00:02:12,400 --> 00:02:14,720 Speaker 4: is meant to be is meant to be. Absolutely. 51 00:02:15,639 --> 00:02:18,960 Speaker 3: The film tells the story of early Hollywood and the 52 00:02:19,000 --> 00:02:22,399 Speaker 3: transition into talkies and how not everyone survives that transition, 53 00:02:22,480 --> 00:02:25,960 Speaker 3: but it's also the debauch raucous life that so many 54 00:02:26,040 --> 00:02:29,160 Speaker 3: people in Hollywood were living. That opening scene of that 55 00:02:29,200 --> 00:02:33,840 Speaker 3: incredible party, there's nudity, there's sex, there's drugs, there's urination. 56 00:02:33,919 --> 00:02:34,600 Speaker 3: It's all happening. 57 00:02:34,680 --> 00:02:38,320 Speaker 1: It's every classification pretty much. It must be a class there's. 58 00:02:38,200 --> 00:02:40,679 Speaker 2: A lot of bodily fluids film. 59 00:02:41,200 --> 00:02:43,280 Speaker 3: How is that just another day at the office or 60 00:02:43,280 --> 00:02:46,040 Speaker 3: are you aware that when the director says action, weird 61 00:02:46,080 --> 00:02:47,400 Speaker 3: stuff's happening it. 62 00:02:47,639 --> 00:02:51,360 Speaker 2: Honestly, we've always said it. You've become desensitized so fast 63 00:02:51,360 --> 00:02:54,560 Speaker 2: to the nudity, to the kind of extreme content it was. 64 00:02:55,000 --> 00:02:56,920 Speaker 2: It's funny. At first you're kind of like, WHOA is 65 00:02:56,919 --> 00:02:59,640 Speaker 2: this happening? And then by day three you're just like 66 00:02:59,680 --> 00:03:03,720 Speaker 2: another day at the office. Honestly, people just stopped even 67 00:03:03,760 --> 00:03:06,480 Speaker 2: covering up up in between two. Yeah, because you're just 68 00:03:06,520 --> 00:03:08,720 Speaker 2: so used to it. At some point whatever, and. 69 00:03:08,760 --> 00:03:10,760 Speaker 3: When the director to assume the positions, you go, oh 70 00:03:10,760 --> 00:03:12,040 Speaker 3: my god, we're seeing the position. 71 00:03:12,400 --> 00:03:14,720 Speaker 1: Oh yeah, today you're straddling an ice sculpt. 72 00:03:14,880 --> 00:03:17,680 Speaker 2: Yes, yes, yes, at that party scene. I think Jeane 73 00:03:17,720 --> 00:03:20,760 Speaker 2: Smart said just don't look down and don't back up. 74 00:03:24,400 --> 00:03:25,040 Speaker 2: It's a wisdom. 75 00:03:25,200 --> 00:03:28,760 Speaker 1: I like how it goes that era from silent movies 76 00:03:28,800 --> 00:03:31,840 Speaker 1: to the talkies, and a lot of people don't know that, 77 00:03:31,880 --> 00:03:33,320 Speaker 1: but there was a big struggle for a lot of 78 00:03:33,360 --> 00:03:38,280 Speaker 1: actors to adapt from those two two themes. What would 79 00:03:38,280 --> 00:03:40,160 Speaker 1: be the next thing for you guys, Like, as a 80 00:03:40,200 --> 00:03:42,400 Speaker 1: young actor, did you think about that? Did you think, Wow, 81 00:03:42,440 --> 00:03:44,520 Speaker 1: what will be our next what will be our talkie? 82 00:03:44,560 --> 00:03:45,040 Speaker 1: As it were? 83 00:03:45,280 --> 00:03:47,880 Speaker 2: I think we're like the big shift in the industry 84 00:03:47,920 --> 00:03:50,880 Speaker 2: that we're all making the transition with right now is 85 00:03:50,920 --> 00:03:53,280 Speaker 2: not as seismic as what it was. Obviously going from 86 00:03:53,320 --> 00:03:56,080 Speaker 2: silent to talkies was more drastic, but you know, the 87 00:03:56,080 --> 00:03:58,960 Speaker 2: theatrical verse streaming is definitely the biggest shake up in 88 00:03:58,960 --> 00:03:59,440 Speaker 2: the industry. 89 00:03:59,480 --> 00:04:02,800 Speaker 4: I think, at least holograms like one day they are 90 00:04:02,840 --> 00:04:06,080 Speaker 4: not going to need actors anymore. So we really have 91 00:04:06,120 --> 00:04:06,880 Speaker 4: to make money, like. 92 00:04:07,080 --> 00:04:10,280 Speaker 2: We most we need a hustle now because our avatars 93 00:04:10,320 --> 00:04:12,160 Speaker 2: are going to be breaking it in in a decade 94 00:04:12,240 --> 00:04:13,160 Speaker 2: and we'll be out of work. 95 00:04:14,400 --> 00:04:17,920 Speaker 3: There must be incredible pinch me moments, Margo. Even though 96 00:04:17,960 --> 00:04:19,600 Speaker 3: you've worked in the industry for so long, you sit 97 00:04:19,720 --> 00:04:21,719 Speaker 3: next to Brad Pitt at the Golden Globes, your teenage 98 00:04:21,760 --> 00:04:26,960 Speaker 3: self must be thinking and diego Welcome to Australia. I 99 00:04:27,000 --> 00:04:28,960 Speaker 3: hope you soak it all. You know, you're just loving it. 100 00:04:29,440 --> 00:04:31,320 Speaker 4: I love it. I are actually going to stay for 101 00:04:32,000 --> 00:04:34,440 Speaker 4: one extra day because it's just hard to come to 102 00:04:34,480 --> 00:04:36,680 Speaker 4: Sydney and don't be able to see the city. So yeah, 103 00:04:36,680 --> 00:04:37,480 Speaker 4: I'm happy about it. 104 00:04:37,600 --> 00:04:39,000 Speaker 1: Well, you gotta be careful when you walk out in 105 00:04:39,000 --> 00:04:42,680 Speaker 1: the street with those burgher rings, Mate, you might be 106 00:04:42,760 --> 00:04:43,360 Speaker 1: set upon. 107 00:04:44,560 --> 00:04:46,440 Speaker 3: Do you still feel it too, Margo? Do you still 108 00:04:46,480 --> 00:04:49,480 Speaker 3: have the I can't believe my luck moments. It's not 109 00:04:49,640 --> 00:04:51,599 Speaker 3: like it's hard work and talent, but. 110 00:04:51,480 --> 00:04:53,640 Speaker 2: It's also like you can work hard and not get 111 00:04:53,680 --> 00:04:56,279 Speaker 2: as lucky as I've gotten in life. So I all 112 00:04:56,320 --> 00:04:59,120 Speaker 2: the time, and particularly being on this film set, it 113 00:04:59,240 --> 00:05:01,840 Speaker 2: was there was very much a feeling of we are 114 00:05:01,960 --> 00:05:04,040 Speaker 2: so lucky to get to do what we do and 115 00:05:04,520 --> 00:05:07,080 Speaker 2: we just got to give it out all like everyone 116 00:05:07,120 --> 00:05:08,560 Speaker 2: on this film. I don't mean just in front of 117 00:05:08,600 --> 00:05:10,919 Speaker 2: the camera, behind the camera too. There was a real 118 00:05:11,040 --> 00:05:14,120 Speaker 2: energy of it was like everyone was behaving, like no 119 00:05:14,160 --> 00:05:15,880 Speaker 2: one was going to let them make a movie ever again. 120 00:05:15,960 --> 00:05:17,600 Speaker 2: And maybe it's because we just come out of COVID, 121 00:05:17,600 --> 00:05:20,520 Speaker 2: and maybe because this movie is so big and so 122 00:05:20,839 --> 00:05:23,520 Speaker 2: crazy that it seemed insane that anyone was paying for 123 00:05:23,560 --> 00:05:25,400 Speaker 2: it and letting us do it at all. But there 124 00:05:25,440 --> 00:05:27,000 Speaker 2: was a real feeling of like we have to go 125 00:05:27,080 --> 00:05:27,320 Speaker 2: for it. 126 00:05:27,360 --> 00:05:31,359 Speaker 3: While you feel the energy come off the screen, Yeah. 127 00:05:30,880 --> 00:05:33,760 Speaker 1: Well, you guys worked incredibly hard and I really enjoyed 128 00:05:33,800 --> 00:05:36,360 Speaker 1: it. It was such a great absolutely and it's a treat 129 00:05:36,360 --> 00:05:38,360 Speaker 1: to catch up with you again. Margo Diego. It's great 130 00:05:38,400 --> 00:05:41,240 Speaker 1: to meet you. Thank you, thank you for having us. 131 00:05:41,440 --> 00:05:45,440 Speaker 1: Thank you so crazy at Chemists ware House mat Muscles 132 00:05:45,480 --> 00:05:46,039 Speaker 1: on special. 133 00:05:47,320 --> 00:05:49,800 Speaker 3: It's one scene we didn't see exactly