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Speaker 1: Two flashes on the grassy null. Now I'm not going

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Speaker 1: to give away too much here, but uh, breasts come up.

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Speaker 2: I feel like that's I think I'm just in a

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Speaker 2: way the ghost there no.

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Speaker 3: What context could breasts come up? Why are they on

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Speaker 3: a grassy.

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Speaker 4: Yeah, because we've been under instruction in this podcasting show.

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Speaker 4: Because Captain Poop pans of the day off on last

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Speaker 4: Friday to go to Splendor in the Ars yep.

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Speaker 2: And and I don't know why I find that that's good.

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Speaker 4: Well, yeah, well I think there might have been a

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Speaker 4: little bit of that for him as well. Who knows,

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Speaker 4: But essentially, yeah, who knows, and that's his bag at

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Speaker 4: the end of the day.

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Speaker 3: We don't ask personal questions. We definitely don't talk about it.

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Speaker 5: Anyway.

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Speaker 2: Poop Pant's been a Splendor in the Ars and.

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Speaker 4: We we did a podcast top as we always do.

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Speaker 4: We had this little chat with you guys, and then

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Speaker 4: he came back and was like, guys, it's very confusing.

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Speaker 3: You're talking about the show. You're talking about bits that

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Speaker 3: I haven't heard before.

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Speaker 4: Talking about things in the show that you know. I

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Speaker 4: can't track. It's too hard for me. And I don't

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Speaker 4: know if that's just because he'd already been he was

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Speaker 4: ten beers deep as splendor in the hours. Essentially he

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Speaker 4: could have been a big drinker, huge drinker. Got a

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Speaker 4: bit of a problem, ye, a bit of an issue.

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Speaker 3: Talking about it to his face. It's we cover all

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Speaker 3: these things.

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Speaker 2: So anyway, so he's he's twelve.

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Speaker 3: Deep probably minimum.

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Speaker 2: He can't see his hands in front of his face.

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Speaker 2: Jaxon Willam Woody podcast. I was like, can't buy.

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Speaker 4: Understand a thing that these two are on about in

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Speaker 4: the intros. So we're not allowed to talk about things

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Speaker 4: in the show now you know we can't. We're not

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Speaker 4: allowed to We're not allowed to like talk too much

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Speaker 4: in depth about them, which which canes me a little

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Speaker 4: bit because I like these podcast tops is a bit

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Speaker 4: of a debrief, to be honest.

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Speaker 2: We have talked about to throw it to the listeners.

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Speaker 1: We have talked about doing a wrap up or follow up,

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Speaker 1: so the end of the podcast we have a bit

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Speaker 1: of chat rather than before, which actually that makes a

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Speaker 1: bit of sense, you reckon after you've heard the show.

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Speaker 1: Then we cover a few things that are still earn insiders.

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Speaker 1: But that's a lot of work for us, which is

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Speaker 1: obviously a concern. What I'd like to do is, rather

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Speaker 1: than getting I'm just gonna name things that pop up.

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Speaker 1: Brazilian waxes on coffee tables. These are all things that

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Speaker 1: come up.

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Speaker 4: You try lost the plot not too much.

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Speaker 2: What do you mean you said something that comes up

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Speaker 2: for me?

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Speaker 3: That was very like I think it's a whole bit,

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Speaker 3: like say, like does Superman eat food? We discuss it.

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Speaker 2: Okay, we prank a woman called Julie.

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Speaker 3: That's too much, too.

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Speaker 2: Much, it's hard to do for me.

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Speaker 3: Give you no one, give you another one.

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Speaker 2: Breasts at a gig.

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Speaker 3: Well, we know you've given away the my obscure.

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Speaker 2: You said they were flashing her.

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Speaker 3: I said, and why were they? We're not good at this.

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Speaker 3: I don't know what this is anymore.

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Speaker 2: I don't know what it is either.

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Speaker 4: You've thrown us into disarray, per pants with this whole

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Speaker 4: what's your intro?

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Speaker 3: Has this been a good intro?

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Speaker 2: Undoubtedly?

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Speaker 5: Not? Well, we don't know what we meant.

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Speaker 2: To be doing.

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Speaker 3: It's tough work.

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Speaker 2: It took away our favorite bit that was like debriefing

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Speaker 2: the show. And now I feel like I don't even

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Speaker 2: know what I don't know.

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Speaker 3: I know I know what he means, but it's hard

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Speaker 3: to know how to fix it.

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Speaker 2: Yeah, what about because all you've done is you've pointed

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Speaker 2: out the problem. We haven't got a solution. You met

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Speaker 2: Ti Verders, what was he like?

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Speaker 3: Lovely guy?

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Speaker 4: But am I giving away too much there? Like and

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Speaker 4: now all of a sudden, I'm like you is now

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Speaker 4: I know that tis a lovely guy.

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Speaker 1: I think it's point is that sorry poop pans, I

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Speaker 1: had dare I call you ed? I think your point though, is,

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Speaker 1: let's not talk about what happens in the chat.

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Speaker 3: You're going to get that in the show. But bit

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Speaker 3: of off here, Giar. He's a bit of off he

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Speaker 3: give with Tis when he first met.

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Speaker 1: Us, very casual with how he shook her hand, very polite,

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Speaker 1: little bit shy by the end.

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Speaker 3: Yeah, I almost almost had sex with him on the floor.

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Speaker 2: I don't know about that.

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Speaker 3: That's probably a bit of excessive.

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Speaker 4: How you embraced how you said hello and goodbye to

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Speaker 4: Tiger Dair is not going.

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Speaker 2: To make me go God. I can't wait to hear

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Speaker 2: the chat with Ti Verds.

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Speaker 3: That's a good point.

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Speaker 2: I just feel like, Okay, this is what I would do,

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Speaker 2: what I would.

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Speaker 4: Talk about if we were not hamstrung by poop pants.

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Speaker 3: We've been hamstrung.

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Speaker 2: Yeah.

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Speaker 4: I'm just saying just as an example, because I kind

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Speaker 4: of want people to reach out to us and tell

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Speaker 4: us what you prefer here. So there's a call from

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Speaker 4: a woman that we got last week called Julie. Yes, right,

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Speaker 4: and she called us and she told us this, you

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Speaker 4: want to play the audio?

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Speaker 2: Yeah, I was going to play the audio. I was

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Speaker 2: going to play the audio.

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Speaker 3: All right, So you're doing the bit?

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Speaker 2: Well, no, no, we'll just give me a second.

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Speaker 3: No, I'm not giving away to You've done half the

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Speaker 3: bit here.

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Speaker 2: No, I haven't done half the bitch.

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Speaker 3: All of this in the beau. They're about to hear

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Speaker 3: all of this, no I know.

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Speaker 1: So then they go, oh, god, I've heard this fast

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Speaker 1: forward when the bit comes on.

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Speaker 2: Because it's a twenty second grabs. It's like when you

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Speaker 2: go to the movies.

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Speaker 4: When you watch a movie trailer, you don't go, oh,

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Speaker 4: I've just seen the whole buddy thing.

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Speaker 3: But before watching you wouldn't go you wouldn't go oh.

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Speaker 1: Before I watched Bond, I better watch the trailer right

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Speaker 1: before I watched the movie.

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Speaker 2: What do people do that?

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Speaker 3: That's ridiculous?

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Speaker 4: Let's how you choose what movie you're going to. People

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Speaker 4: go online, you go what's out right now?

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Speaker 2: I watch the trailers. I don't think. I just think

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Speaker 2: that we've got to give people a little.

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Speaker 4: Bit about something that's in the show you know and

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Speaker 4: don't and it can't be limited to how you should

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Speaker 4: tie his hand.

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Speaker 3: That's pretty good behind the scenes.

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Speaker 2: I think there's a happy medium here. What have you got, George,

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Speaker 2: You've got credits in the bank.

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Speaker 1: After I got two people who swore on the show

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Speaker 1: to that, so I had to go, what about second

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Speaker 1: or second?

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Speaker 3: Not the top second break? You made someone's dream come true?

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Speaker 2: By I'm not sure if that'll make the podcast. What

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Speaker 2: that's That was a hot bit.

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Speaker 3: That's one of my bits. That was my bit.

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Speaker 2: We're just doing this, I didn't never mind is the

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Speaker 2: center piece.

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Speaker 3: Of their bits a hot bit?

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Speaker 4: We're pretty much canvas everything in the show about covering

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Speaker 4: it at all?

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Speaker 2: I don't know. I feel like we're shambles. I wouldn't

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Speaker 2: mind going back to the old ways.

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Speaker 1: Well, let's let's start the show. Let's give everyone the show.

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Speaker 1: I don't know what you're gonna if you if you're

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Speaker 1: listening to this, I'm sure a lot.

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Speaker 3: Of what we've talked about being edited out. I'm sure.

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Speaker 2: No, I think it will play on. I can't be

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Speaker 2: bothered editing. Yeah, that's a great point.

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Speaker 4: Why would you, because I actually think it's a lovely

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Speaker 4: piece of curtain pulling down in Because the people that

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Speaker 4: are listening to this podcast are the people that listen

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Speaker 4: to us week in, week out, and you would get

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Speaker 4: a lot of intros. And you've heard the smorgasboard now,

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Speaker 4: and so the best people to ask other people that

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Speaker 4: listen to it, so you like, so the d M Yeah,

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Speaker 4: let us know, will on Instagram, d m s and

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Speaker 4: just tell us what do you want in your podcast?

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Speaker 1: And please be if it's like I hate those podcast intros,

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Speaker 1: just don't do them. Please let us know if you

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Speaker 1: get enough people going like because let's be honest, I mean,

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Speaker 1: we could be going home now, but here we are

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Speaker 1: doing a podcast and short works. If you hate this, yeah,

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Speaker 1: just go boys, just get on with the show.

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Speaker 4: I want to hear the show, yes, or if you've

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Speaker 4: got a solution, yeah yeah.

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Speaker 2: As to what we could do in the podcast, hop yeah, yeah, I'd.

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Speaker 4: Love to hear that from you guys, And we could

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Speaker 4: even get you on in the next podcast top and

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Speaker 4: you can suggest it to us in the next podcast top.

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Speaker 2: Yes, podcast topic you seem disappointed angry is really good?

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Speaker 3: All right, Yeah, that's a great idea.

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Speaker 1: MS please DMN will talk to you in the podcast

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Speaker 1: top for tomorrow's show.

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Speaker 2: Perfect.

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Speaker 3: That's a great idea.

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Speaker 2: Will thanks, mate, start anything else?

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Speaker 1: Just start the show about to hook the showdod hooking

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Speaker 1: face on. This is the Will and Woody podcast.

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Speaker 3: Right now, I mean struth or mighty.

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Speaker 1: A woman called Brittany has committed some extraordinary blunders as

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Speaker 1: a housemate and these were shared on TikTok by her

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Speaker 1: former housemate Maggie. So this woman, Brittany has now been evicted.

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Speaker 1: But when you see the list, and I'm going to

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Speaker 1: read the list to your will.

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Speaker 2: Read that list to me baby for me, she had.

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Speaker 3: Just so many blunders here. That is an instant eviction.

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Speaker 4: Right, I think that's inn Eviction is a strong word.

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Speaker 4: Strong words, I should say, yeah.

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Speaker 1: They are very strong words because it's a fine line

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Speaker 1: between do I have the chat with my housemate or

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Speaker 1: instant eviction.

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Speaker 4: So when we were living together in Perth and when

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Speaker 4: I would occasionally, you know, on the rare chance I

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Speaker 4: might bring a woman home to our apartment in my

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Speaker 4: early days every.

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Speaker 1: Day that ended in why if you know what I'm

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Speaker 1: saying in Australia, when he had hair, I'm going to.

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Speaker 2: Let that one go.

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Speaker 4: But when that was going on, when you used to

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Speaker 4: fart into the vent which connected our rooms, so I

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Speaker 4: would smell that while we were intimate with each other.

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Speaker 2: Is that an instant eviction.

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Speaker 3: Or you tell me no, Well you tell me definitely not.

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Speaker 3: That's funny.

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Speaker 2: Uh And I.

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Speaker 1: Think, to be honest with you, highlights that you should

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Speaker 1: have been spending more time with your mate who just

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Speaker 1: moved to a new city. And just because you were

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Speaker 1: getting dates and he wasn't because going through a chubby phase,

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Speaker 1: maybe you should have just got around him a bit more.

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Speaker 2: So, No, something we need to dig up.

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Speaker 3: Okay, I'll read you some of the staff that Brittany

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Speaker 3: you said it.

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Speaker 1: Okay, So Brittany had a cat but didn't have a

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Speaker 1: litter box, so the cat would just pool all over

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Speaker 1: the house talk or walk?

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Speaker 2: That's a talk. Well, because if you got to give

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Speaker 2: her a chance to get a kit, to get it,

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Speaker 2: what do you call it?

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Speaker 3: A little kitty litter box?

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Speaker 2: A litter box. Box, that's a letter boxes. We put

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Speaker 2: the mail in. What's it called kitty litter?

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Speaker 1: Sorry, kitty litter. Yeah, that's on the saying letter box.

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Speaker 1: I'm saying litter box. It doesn't matter anyway. Okay, So

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Speaker 1: that's a talk. That's a talk. Next one she gave someone.

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Speaker 1: This is Brittany.

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Speaker 2: She the litter box.

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Speaker 1: She gave she gave a complete stranger. Yep, a Brazilian

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Speaker 1: whack X on the shared coffee table. Is that is

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Speaker 1: that a talk a complete stranger?

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Speaker 2: How do you say? Well, I'm probably more interested in

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Speaker 2: how she makes you get from I.

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Speaker 3: Think, Hi, I'm what's her name, Brittany?

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Speaker 4: Hi, I'm Brittany too. Do you mind if I wax you?

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Speaker 4: I think that's just impressive. I think that's not a

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Speaker 4: walk for mine. That's just how the hell did you

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Speaker 4: do that?

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Speaker 3: I think her side hustle was doing waxes, so she

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Speaker 3: was making.

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Speaker 2: Much talk though, I mean, you're talk, you're really you're not.

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Speaker 1: You're not evicting someone who was giving Brazilian waxes on

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Speaker 1: your coffee table.

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Speaker 2: No, she put it, she got a sheep down.

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Speaker 4: I mean, if it's a business, you'd probably go look mate,

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Speaker 4: if you're running the hustle in the house, that's fine,

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Speaker 4: but you know, just put a sheep down.

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Speaker 3: That's the talk as well playing Hell, it's a Brazilian wax.

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Speaker 2: So it's a guy you guys.

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Speaker 3: Yeah, I don't think guys can get a Brazilian wax. No,

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Speaker 3: hence why I said I think it's a good Yeah,

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Speaker 3: can they that's a really good question.

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Speaker 2: No, you get a sack back and crack.

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Speaker 4: I think which is a which is a which is

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Speaker 4: an equivalent to a Brazilian suggested I don't know.

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Speaker 3: Well, I think you're right, you know what I mean.

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Speaker 4: No, I mean I think it's a guy getting a

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Speaker 4: wax on the table to be different.

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Speaker 3: To exist. That's a bit sexist mine. No, it's just

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Speaker 3: if you know, yeah, I'll give it you.

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Speaker 4: Yeah, okaycause if you're sorry, just you neither your I girls.

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Speaker 4: But if you're waxing a girl, I mean all the

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Speaker 4: businesses you know, sort of tucked up there. You know,

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Speaker 4: it's not touching everyone, it's not touching the table. Well,

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Speaker 4: I'm sorry if you're lying on the back and you table,

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Speaker 4: But do you know, do.

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Speaker 2: You know what I mean? Antalyast? You know, like if

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Speaker 2: you're need a wax, it's.

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Speaker 3: All junior producer anilytion.

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Speaker 1: Well, move on, I say, we move on, move it along.

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Speaker 2: But it wouldn't have been near the table.

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Speaker 1: You know, I don't know to write a calls, so

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Speaker 1: there's one people to call for. Thirty one on sixty

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Speaker 1: five is our number? What housemate blunder for you? Is

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Speaker 1: an instant eviction?

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Speaker 6: Wow?

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Speaker 3: So you probably experienced this before. Was the blunder so bad?

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Speaker 7: Yes?

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Speaker 3: If you get the talk and was an instant eviction? Like,

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Speaker 3: how bad was the blunder?

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Speaker 4: Okay, give us a call thirty one oh six five,

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Speaker 4: it's willing.

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Speaker 2: What do you hope? You having a one off? A

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Speaker 2: drive home?

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Speaker 4: And at least we probably weren't there yet in our relationship.

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Speaker 4: I appreciate that I just needed a girl's opinion and

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Speaker 4: you were the only.

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Speaker 3: One in sight not there with anyone no.

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Speaker 2: Third one oh six ' five.

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Speaker 4: Have has a housemate of it done something so grievously

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Speaker 4: wrong that it was grounds for you to immediately evict them?

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Speaker 2: I think it's impossible. I don't think there's a there's

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Speaker 2: an immediately evictible offense.

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Speaker 3: Let me throw a few more. These are just hypotheticals.

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Speaker 1: Yep, I will go to calls in a second, but

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Speaker 1: these are as hypotheticals. What if your housemate was allergic

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Speaker 1: to towels, so after showering, they just drip water all

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Speaker 1: through your house and get everything wet.

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Speaker 2: Oh no, that's a chat. I mean that's a shocking condition.

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Speaker 2: I mean if I found that out about someone, I'd

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Speaker 2: be like, geez.

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Speaker 3: But if you have the chat, though, there's no way, like,

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Speaker 3: how do you fix that?

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Speaker 2: Oh, we'd work around and get some paper towel.

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Speaker 3: You're an understanding go well, if someone.

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Speaker 2: Came to me is like, I'm allergic to towels, I'd

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Speaker 2: be like, geez, that sucks. It's to be one of

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Speaker 2: the best feelings in the world.

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Speaker 3: A towel yourself. How about this?

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Speaker 2: Somebody to kick him out of my house for it?

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Speaker 3: How about this?

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Speaker 2: What are you?

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Speaker 3: I'm a savage? You know what?

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Speaker 2: I'm hear that?

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Speaker 1: What if every time you were in the kitchen and

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Speaker 1: they entered the room and saw you in the kitchen,

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Speaker 1: they said, what's cooking good looking? Every time that piss off?

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Speaker 1: Every time they go what's cooking good looking?

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Speaker 4: Yeah, I'd be like, oh, what's what's on? Your horse

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Speaker 4: hot sauce, you know, something like that. But that'd be

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Speaker 4: a good bit.

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Speaker 2: So every time they come in, what about its back

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Speaker 2: and cracking?

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Speaker 3: What about? Are you gonna do another ray?

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Speaker 2: What's on the fly? Stir fry? Nice?

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Speaker 5: What if?

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Speaker 1: What another hypothetical voye? Every time they eat, they really loudly.

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Speaker 8: Go mmmm.

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Speaker 2: Mmmm loving my cooking? You ridiculous, you'd really enjoy that.

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Speaker 4: In Japan, it's actually customary to eat very loudly so

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Speaker 4: that you approve of the person's cooking.

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Speaker 2: Yeah, you don't cook for enough people.

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Speaker 3: I can't. It's not safe.

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Speaker 1: It's not safe anymore because I make people sick because

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Speaker 1: I just do it badly.

350
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Speaker 4: You nearly had an evictible offense from one of your

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Speaker 4: houses because you combined the soup fry.

352
00:14:21,520 --> 00:14:24,520
Speaker 2: What was that sushi and s fry, sushi and stir fry.

353
00:14:24,560 --> 00:14:26,960
Speaker 3: I put sushi in the oven. Apparently that's not what

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00:14:27,000 --> 00:14:30,480
Speaker 3: you do. Let's go to Charlie here. I also did

355
00:14:31,320 --> 00:14:34,480
Speaker 3: nacho's and dumplings. I called them numblings. Yes, made a

356
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Speaker 3: lot of people sick.

357
00:14:35,960 --> 00:14:38,920
Speaker 1: Let's go to Charlie. Charlie, this happened to your sister,

358
00:14:39,040 --> 00:14:41,400
Speaker 1: so sorry? Was she the one getting instantly evicted or

359
00:14:41,400 --> 00:14:42,640
Speaker 1: did she instantly evict?

360
00:14:43,360 --> 00:14:45,920
Speaker 6: No, she should have instantly evicted her housemate.

361
00:14:46,760 --> 00:14:47,280
Speaker 2: What do they do?

362
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Speaker 6: I first, I love your.

363
00:14:48,560 --> 00:14:50,480
Speaker 2: Show boys, Charlie.

364
00:14:50,800 --> 00:14:53,640
Speaker 6: My sister came home one time and found the entire

365
00:14:53,680 --> 00:14:57,560
Speaker 6: house reeked of gas and the housemaid had left the

366
00:14:57,600 --> 00:15:00,720
Speaker 6: stove on, like, left the gas on the stove all day.

367
00:15:00,840 --> 00:15:03,240
Speaker 6: Thought the I thought the bills would have gone up.

368
00:15:03,280 --> 00:15:05,480
Speaker 6: And then I went to have a chat and he

369
00:15:05,640 --> 00:15:09,120
Speaker 6: literally just packed up and moved to Sydney. She finally

370
00:15:09,120 --> 00:15:10,680
Speaker 6: got onto him and he was just gone.

371
00:15:11,360 --> 00:15:12,480
Speaker 3: He actually wanted to blow her up.

372
00:15:12,520 --> 00:15:14,840
Speaker 2: Wow, he actually wanted to blow the joint up. That's extraordinary.

373
00:15:15,120 --> 00:15:17,000
Speaker 3: That is that is I was not expecting that.

374
00:15:18,000 --> 00:15:19,880
Speaker 2: Did you find out if he wanted to kill her?

375
00:15:20,680 --> 00:15:24,640
Speaker 6: I don't think. I don't know, but wow, Yeah, I

376
00:15:24,800 --> 00:15:26,520
Speaker 6: just fully left it on all day.

377
00:15:26,400 --> 00:15:29,840
Speaker 3: And trying to kill you.

378
00:15:30,080 --> 00:15:32,120
Speaker 2: Yeah, there isn't it.

379
00:15:32,240 --> 00:15:34,280
Speaker 3: They tried to kill me when I was sleeping. Probably

380
00:15:34,280 --> 00:15:35,920
Speaker 3: got to Yeah, you got to get rid of him. Look,

381
00:15:35,920 --> 00:15:37,320
Speaker 3: if you're trying to kill me, I can't live with you.

382
00:15:37,440 --> 00:15:38,960
Speaker 2: Yeah, that stress will.

383
00:15:40,960 --> 00:15:42,760
Speaker 1: Imagine if your house mate was trying to kill you

384
00:15:42,840 --> 00:15:46,440
Speaker 1: and you knew I need help. Paying the bills though,

385
00:15:46,440 --> 00:15:49,120
Speaker 1: So I need you here. That's a TV show right down.

386
00:15:49,680 --> 00:15:50,800
Speaker 2: He just called the cops.

387
00:15:51,400 --> 00:15:53,680
Speaker 3: You need the rent, You need the rent. Let's go

388
00:15:53,720 --> 00:15:57,400
Speaker 3: to Matthew here. I think it's a sitcom. Matthew, it is.

389
00:15:57,520 --> 00:16:00,840
Speaker 3: What just chuck it? Just me write the pilot.

390
00:16:01,040 --> 00:16:04,480
Speaker 2: Let me write you look for a new housemate. You'd

391
00:16:04,480 --> 00:16:06,480
Speaker 2: call the cops and you go back to the Well.

392
00:16:06,280 --> 00:16:07,880
Speaker 1: What if it was a real shortage and people weren't

393
00:16:07,880 --> 00:16:11,160
Speaker 1: moving around like in COVID. It's hard to find dystopian

394
00:16:11,240 --> 00:16:13,280
Speaker 1: future a lot of places we can take it. Well,

395
00:16:13,640 --> 00:16:16,480
Speaker 1: matt you, Matt you, what did what did your housemate

396
00:16:16,560 --> 00:16:18,600
Speaker 1: do to you? There was an instant eviction.

397
00:16:19,600 --> 00:16:22,160
Speaker 9: I had some drinks with him and the partner at

398
00:16:22,200 --> 00:16:24,640
Speaker 9: the time the night before, woke up the next morning

399
00:16:24,680 --> 00:16:26,160
Speaker 9: and he'd done the dirty with her, and she was

400
00:16:26,160 --> 00:16:27,680
Speaker 9: still in his bed with him the next morning and

401
00:16:28,440 --> 00:16:29,360
Speaker 9: tell me nothing happened.

402
00:16:29,720 --> 00:16:32,000
Speaker 3: They said, nothing happened, and quite.

403
00:16:33,520 --> 00:16:36,480
Speaker 9: Caught caught her in bed with him and said you

404
00:16:36,520 --> 00:16:39,120
Speaker 9: can get out. And then they both walked out and

405
00:16:39,120 --> 00:16:40,760
Speaker 9: tried to tell me nothing happened that night, And it

406
00:16:40,840 --> 00:16:42,320
Speaker 9: just so happened as they ended up in the same

407
00:16:42,320 --> 00:16:43,040
Speaker 9: bed with each other.

408
00:16:43,200 --> 00:16:47,080
Speaker 2: Ah, how did they justify it though, Matthew.

409
00:16:47,200 --> 00:16:49,920
Speaker 9: Nothing, no, no idea there was. There was lots of

410
00:16:49,960 --> 00:16:52,920
Speaker 9: stories and then all sorts of stuff of drinking and

411
00:16:52,920 --> 00:16:56,120
Speaker 9: stuff and say that, yeah nothing, nothing actually happened. It

412
00:16:56,200 --> 00:17:00,960
Speaker 9: was just they ended up in bed naked.

413
00:16:59,360 --> 00:17:03,920
Speaker 4: Naked as well, pretty hard. Yeah.

414
00:17:04,440 --> 00:17:05,800
Speaker 2: I wouldn't have bought that, that's for sure.

415
00:17:06,800 --> 00:17:09,200
Speaker 3: Instant of I am gullible. I am gullible.

416
00:17:09,280 --> 00:17:11,200
Speaker 2: Sarah's called on third and when I said, oh, that's

417
00:17:11,200 --> 00:17:11,520
Speaker 2: tough for.

418
00:17:11,520 --> 00:17:13,680
Speaker 3: Maddie, that's really but that's obviously instant of viction.

419
00:17:14,080 --> 00:17:16,400
Speaker 4: You found one of your housemates and it wasn't a housemates,

420
00:17:16,400 --> 00:17:17,679
Speaker 4: it's a guy after a party.

421
00:17:17,560 --> 00:17:19,359
Speaker 2: Nerd in your bed. He was ned in my bed

422
00:17:19,480 --> 00:17:20,320
Speaker 2: another woman.

423
00:17:20,080 --> 00:17:23,640
Speaker 1: And he was somehow he put my dinner in between

424
00:17:23,640 --> 00:17:24,520
Speaker 1: his legs.

425
00:17:24,920 --> 00:17:28,359
Speaker 3: I don't know, just between the sexy show or he

426
00:17:28,440 --> 00:17:28,960
Speaker 3: was giant.

427
00:17:29,280 --> 00:17:30,119
Speaker 2: She would have just pulled it.

428
00:17:31,080 --> 00:17:34,560
Speaker 1: Well, he was girating my dinner anyway, didn't Wah, it

429
00:17:34,600 --> 00:17:35,280
Speaker 1: couldn't be bothered.

430
00:17:35,440 --> 00:17:37,120
Speaker 3: Let's go to Sarah bring us.

431
00:17:40,600 --> 00:17:41,600
Speaker 2: Sorry.

432
00:17:42,400 --> 00:17:44,840
Speaker 10: I had a flatmate and her boyfriend come down from

433
00:17:44,880 --> 00:17:50,200
Speaker 10: Byron and I confronted her on it and she told

434
00:17:50,200 --> 00:17:50,520
Speaker 10: me to.

435
00:17:51,320 --> 00:17:54,440
Speaker 3: Oh yeah, I know Sarah as well.

436
00:17:54,800 --> 00:17:56,639
Speaker 2: I don't know. I didn't even get to the bottom

437
00:17:56,680 --> 00:17:57,800
Speaker 2: of the story. What her house.

438
00:17:58,119 --> 00:18:02,000
Speaker 4: She just came down from Byron, how they going out?

439
00:18:02,119 --> 00:18:12,119
Speaker 4: Ever said that he snapped his ear. I mean, it

440
00:18:12,240 --> 00:18:14,680
Speaker 4: kills the producers, guys, that's the lesson. You didn't hear

441
00:18:14,680 --> 00:18:16,639
Speaker 4: it there, but she did swear. That's why the audio

442
00:18:16,800 --> 00:18:18,879
Speaker 4: jumped a bit. And it kills the producers out there.

443
00:18:18,920 --> 00:18:21,240
Speaker 4: They work hard to get your good stories on air.

444
00:18:21,119 --> 00:18:23,360
Speaker 1: And now poop poopen di. It'd only be frustrated because

445
00:18:23,359 --> 00:18:24,680
Speaker 1: he knows that she had a good story. Can you

446
00:18:24,760 --> 00:18:25,600
Speaker 1: just give it to us quickly?

447
00:18:25,960 --> 00:18:29,480
Speaker 11: Yeah, So she her her housemate gave these other two

448
00:18:29,480 --> 00:18:32,280
Speaker 11: people keys to the house. Sarah didn't know them very well,

449
00:18:32,359 --> 00:18:35,159
Speaker 11: so confronted her housemate. The housemates said that thing that

450
00:18:35,200 --> 00:18:38,440
Speaker 11: we can't say, and then so Sarah what she did

451
00:18:38,480 --> 00:18:42,800
Speaker 11: as revenge is moved all of the kitchen items, cutlery,

452
00:18:43,480 --> 00:18:47,720
Speaker 11: microwave frigid stuff into Sarah's room and put a lock

453
00:18:47,760 --> 00:18:49,879
Speaker 11: on the door so that only Sarah could use them

454
00:18:49,920 --> 00:18:50,879
Speaker 11: and her housemates couldn't.

455
00:18:51,720 --> 00:18:57,240
Speaker 2: That's a great story. That's how you tell your stories.

456
00:19:00,520 --> 00:19:03,680
Speaker 4: The Will and Woody Podcast, what it was our Junior

457
00:19:03,680 --> 00:19:07,800
Speaker 4: Producers Birthday Analyse, she turned twenty two on the weekend Heavy.

458
00:19:07,600 --> 00:19:09,639
Speaker 2: Birthday Analse, we love you here at William when you

459
00:19:09,640 --> 00:19:10,240
Speaker 2: do a great.

460
00:19:10,119 --> 00:19:12,520
Speaker 4: Job, and we were very very excited to say because

461
00:19:12,520 --> 00:19:14,200
Speaker 4: she's a massive one direction fan. She used to run

462
00:19:14,200 --> 00:19:16,560
Speaker 4: a one direction fan page. You can hear the whole

463
00:19:16,600 --> 00:19:18,560
Speaker 4: interview wherever you get you podcasts Will and Woody or

464
00:19:18,640 --> 00:19:19,680
Speaker 4: check it out in our socials.

465
00:19:19,680 --> 00:19:24,600
Speaker 1: But it popped off the socials absolutely socials.

466
00:19:24,240 --> 00:19:25,720
Speaker 3: And then it is a credit to you, Analyse and

467
00:19:25,800 --> 00:19:27,000
Speaker 3: actually to be around with Louis.

468
00:19:27,000 --> 00:19:29,160
Speaker 2: I'll see what I was astounded by on the socials.

469
00:19:29,240 --> 00:19:32,320
Speaker 4: So there's a video of obviously Analyse interviewing Louis over zoom.

470
00:19:32,600 --> 00:19:36,360
Speaker 2: She's glammed up to the times. It's really it's it's cute,

471
00:19:36,359 --> 00:19:37,000
Speaker 2: it's adorable.

472
00:19:37,040 --> 00:19:40,120
Speaker 4: But she goes and interviews Louis, and then Analyse wrote

473
00:19:40,119 --> 00:19:42,480
Speaker 4: on the comments underneath the video, I wonder if he'll

474
00:19:42,480 --> 00:19:47,160
Speaker 4: now marry me, which was met with just a cavalcade

475
00:19:47,640 --> 00:19:51,680
Speaker 4: of one direction that's going like yeah, get in line, bitch, yeah,

476
00:19:51,920 --> 00:19:54,119
Speaker 4: which was so aggressive.

477
00:19:53,560 --> 00:19:55,560
Speaker 1: And they were like people writeing different languages and stuff,

478
00:19:55,600 --> 00:19:58,719
Speaker 1: but this thing went all absolutely why you offended?

479
00:19:58,760 --> 00:19:59,879
Speaker 3: The French, the.

480
00:20:00,080 --> 00:20:04,960
Speaker 4: German people adore him is the point. So the fact that, well,

481
00:20:05,000 --> 00:20:07,400
Speaker 4: first of all, you had possibly the most awkward interview

482
00:20:07,480 --> 00:20:09,840
Speaker 4: of all time in the UK?

483
00:20:10,040 --> 00:20:15,240
Speaker 12: Is Christmas a big deal? Because I around that time

484
00:20:15,320 --> 00:20:17,119
Speaker 12: I was like, oh, I wonder if they actually have

485
00:20:17,200 --> 00:20:20,160
Speaker 12: Christmas lights in there in their like streets or whether

486
00:20:20,160 --> 00:20:22,800
Speaker 12: they just like sit in complete darkness during Christmas?

487
00:20:22,800 --> 00:20:23,679
Speaker 13: Like what was I thinking?

488
00:20:26,440 --> 00:20:26,480
Speaker 14: That?

489
00:20:26,800 --> 00:20:28,600
Speaker 2: That's that's astonishing.

490
00:20:29,840 --> 00:20:31,960
Speaker 4: So you had the words interview with them all time,

491
00:20:32,040 --> 00:20:34,880
Speaker 4: very awkward interview, but it ended out in this amazing

492
00:20:34,920 --> 00:20:36,960
Speaker 4: moment where Louis promises her that he's going to sing

493
00:20:36,960 --> 00:20:40,240
Speaker 4: a happy birthday tonight at his gig.

494
00:20:41,680 --> 00:20:44,920
Speaker 13: Louis, would you please sing me Happy Birthday.

495
00:20:45,080 --> 00:20:47,719
Speaker 8: Here's what's going to happen. Come to the show whenever

496
00:20:47,720 --> 00:20:51,200
Speaker 8: you get the chance. I sing it live here? Really yeah,

497
00:20:51,359 --> 00:20:52,200
Speaker 8: oh my god.

498
00:20:52,320 --> 00:20:54,520
Speaker 15: Okay, it's a deal. I'm going to be the girl

499
00:20:54,600 --> 00:20:56,520
Speaker 15: with the sign and it's going to be held up

500
00:20:56,520 --> 00:20:59,320
Speaker 15: and it's going to say Louis's Analyse from Wilhelm Morti

501
00:20:59,480 --> 00:21:00,919
Speaker 15: sing me happy birthday.

502
00:21:02,280 --> 00:21:02,560
Speaker 2: Okay.

503
00:21:02,560 --> 00:21:05,320
Speaker 4: So that's a set of place and as much noise

504
00:21:05,320 --> 00:21:07,159
Speaker 4: as Analyse is going to make and as pretty as

505
00:21:07,160 --> 00:21:09,000
Speaker 4: her sign will be she's got an a one piece

506
00:21:09,040 --> 00:21:11,040
Speaker 4: of card here, she's got all the textures from office works.

507
00:21:11,080 --> 00:21:13,800
Speaker 4: This morning, you bumped into another sign maker down there,

508
00:21:13,800 --> 00:21:16,159
Speaker 4: didn't you, analyst another person going or wanting to go

509
00:21:16,200 --> 00:21:16,919
Speaker 4: to Louis.

510
00:21:16,680 --> 00:21:18,240
Speaker 3: With you, someone wanting to go.

511
00:21:18,400 --> 00:21:18,680
Speaker 5: Wow.

512
00:21:18,960 --> 00:21:22,520
Speaker 4: Okay, so here's the situation. There's what fifteen thousand people

513
00:21:22,520 --> 00:21:23,480
Speaker 4: at Louis Toominson gig.

514
00:21:23,480 --> 00:21:24,840
Speaker 2: It's a big deal. He's a one direction.

515
00:21:25,000 --> 00:21:26,879
Speaker 3: I'm not good with numbers, but sure, great.

516
00:21:27,600 --> 00:21:29,400
Speaker 2: That's why I love you, mate. I can always guarantee

517
00:21:29,440 --> 00:21:30,040
Speaker 2: you for those things.

518
00:21:30,119 --> 00:21:30,920
Speaker 3: I'm good at other things.

519
00:21:31,000 --> 00:21:31,720
Speaker 2: Yeah, no, I know you.

520
00:21:31,800 --> 00:21:33,200
Speaker 1: Name a restaurant. I'll tell you three things that it

521
00:21:33,200 --> 00:21:35,920
Speaker 1: will be on the menu. Don't know how I do it, but.

522
00:21:36,200 --> 00:21:36,600
Speaker 5: I'll do that.

523
00:21:37,400 --> 00:21:39,480
Speaker 2: I want that in the podcast. That's actually a good

524
00:21:39,520 --> 00:21:41,040
Speaker 2: one that the podcast.

525
00:21:41,560 --> 00:21:45,879
Speaker 4: But anyway, so Louis tonight, I really want Louis to

526
00:21:45,880 --> 00:21:49,240
Speaker 4: sing Analyt's Happy birthday. You really want Louis tossing. I

527
00:21:49,280 --> 00:21:52,640
Speaker 4: think everyone in Australia wants Louis to sing her happy birthday.

528
00:21:52,720 --> 00:21:53,439
Speaker 3: She deserves it.

529
00:21:53,520 --> 00:21:56,359
Speaker 1: But I think our only worry is that maybe he's

530
00:21:56,440 --> 00:21:57,879
Speaker 1: forgotten that he said that.

531
00:21:57,960 --> 00:22:00,800
Speaker 3: So I think we need to get his attention somehow

532
00:22:00,840 --> 00:22:02,639
Speaker 3: tonight while he's performing tonight.

533
00:22:02,720 --> 00:22:06,520
Speaker 4: Okay, I agree, obviously, here's what we're going to do.

534
00:22:07,160 --> 00:22:09,560
Speaker 4: Thirteen one oh six five. We've got lots of people

535
00:22:09,600 --> 00:22:11,360
Speaker 4: that are going to the gig already that are called

536
00:22:11,400 --> 00:22:14,520
Speaker 4: and I really appreciate that, but like they're already kind

537
00:22:14,520 --> 00:22:16,280
Speaker 4: of going and they're not desperate enough.

538
00:22:16,760 --> 00:22:17,400
Speaker 2: Here's the deal.

539
00:22:18,080 --> 00:22:19,800
Speaker 4: I've got a double pass to go and see Louis

540
00:22:19,840 --> 00:22:26,120
Speaker 4: Tomlinson right now. You can have that double pass if

541
00:22:26,160 --> 00:22:28,840
Speaker 4: you have a great idea as to how we're going

542
00:22:28,880 --> 00:22:30,000
Speaker 4: to get his attention.

543
00:22:29,680 --> 00:22:32,119
Speaker 1: At the gig, great idea or what you're willing to

544
00:22:32,200 --> 00:22:34,080
Speaker 1: do to get his attention as well?

545
00:22:34,160 --> 00:22:36,119
Speaker 2: Yes, yes, oh no, it's all on you. It's all

546
00:22:36,119 --> 00:22:36,320
Speaker 2: on you.

547
00:22:36,400 --> 00:22:38,480
Speaker 4: So third and one and six five, double pass to

548
00:22:38,520 --> 00:22:41,439
Speaker 4: see Louis Tomlinson. What are you willing to do to

549
00:22:41,480 --> 00:22:44,080
Speaker 4: get his attention at the gig tonight so that he

550
00:22:44,119 --> 00:22:46,920
Speaker 4: will sing? Analyse Happy Birthday over to you Australia. Third

551
00:22:46,960 --> 00:22:48,760
Speaker 4: and one and six five will take him right up next,

552
00:22:49,200 --> 00:22:51,040
Speaker 4: woulds you? And I got our junior producer analyst to

553
00:22:51,080 --> 00:22:52,560
Speaker 4: interview Louis Tomlinson over the weekend.

554
00:22:52,720 --> 00:22:54,280
Speaker 2: It was a massive moment for her.

555
00:22:54,320 --> 00:22:56,720
Speaker 4: It was her birthday, so she turned twenty two on

556
00:22:56,760 --> 00:22:59,159
Speaker 4: the weekend, and she used to run a one direction vampage,

557
00:22:59,200 --> 00:23:01,680
Speaker 4: so she's a massive direction fan. She played him videos

558
00:23:01,720 --> 00:23:04,600
Speaker 4: of when she used to do video blogs to one Direction,

559
00:23:04,960 --> 00:23:07,520
Speaker 4: which didn't go anywhere. They just things that she filmed

560
00:23:07,520 --> 00:23:10,159
Speaker 4: with herself. While imagine you're interviewing him. She had some

561
00:23:10,200 --> 00:23:12,040
Speaker 4: of the how the biggest how is the most awkward

562
00:23:12,080 --> 00:23:12,680
Speaker 4: interview've ever seen?

563
00:23:12,840 --> 00:23:15,160
Speaker 2: Like it was actually adorable and she did a brilliant job.

564
00:23:15,240 --> 00:23:16,600
Speaker 4: Yes, if you want to hear the whole thing will

565
00:23:16,640 --> 00:23:19,399
Speaker 4: and Woody on Instagram or get the podcast with him Woddy.

566
00:23:19,440 --> 00:23:21,239
Speaker 2: But there's a promise that Louis made her.

567
00:23:21,280 --> 00:23:23,800
Speaker 4: At the end, she asked him to sing her Happy birthday.

568
00:23:24,160 --> 00:23:25,600
Speaker 4: He said, well, you know, I've got the audio of

569
00:23:25,680 --> 00:23:26,560
Speaker 4: him saying what he's going to do.

570
00:23:26,600 --> 00:23:30,800
Speaker 13: Have listen, Louis, would you please sing me Happy birthday.

571
00:23:30,960 --> 00:23:33,560
Speaker 8: Here's what's going to happen. Come to the show whenever

572
00:23:33,600 --> 00:23:35,200
Speaker 8: you get the chance, I sing it live here.

573
00:23:35,520 --> 00:23:39,520
Speaker 15: Really yeah, oh my god, Okay, it's a deal. I'm

574
00:23:39,520 --> 00:23:41,520
Speaker 15: going to be the girl with the sign and it's

575
00:23:41,520 --> 00:23:43,200
Speaker 15: going to be held up and it's going to say

576
00:23:43,520 --> 00:23:45,840
Speaker 15: Louis's Analye's from Willem Mordy sing.

577
00:23:45,640 --> 00:23:46,760
Speaker 5: Me Happy Birthday.

578
00:23:47,960 --> 00:23:49,920
Speaker 4: It's horrible stuff and it's a girl's it's a girl's

579
00:23:50,000 --> 00:23:51,600
Speaker 4: dream to get this guy to sing her.

580
00:23:51,520 --> 00:23:53,639
Speaker 2: Happy birthday tonight. She's going to the gig tonight.

581
00:23:53,680 --> 00:23:55,560
Speaker 4: She's rocked up with her big a one piece of

582
00:23:55,560 --> 00:23:57,320
Speaker 4: card and all her texts and stuff to make the sign.

583
00:23:57,359 --> 00:23:58,720
Speaker 4: And I'm sure the sign will be great, but we're

584
00:23:58,760 --> 00:23:59,959
Speaker 4: just worried it's not going to be enough to get

585
00:24:00,119 --> 00:24:03,480
Speaker 4: big fella to sing Happy Birthday. So we have a

586
00:24:03,560 --> 00:24:06,280
Speaker 4: double pass right now to see Louis Tomlinson tonight. We've

587
00:24:06,280 --> 00:24:07,439
Speaker 4: got connections in the biz.

588
00:24:08,040 --> 00:24:08,679
Speaker 2: What of it now?

589
00:24:08,760 --> 00:24:09,840
Speaker 3: We bought them, did we?

590
00:24:10,040 --> 00:24:10,520
Speaker 5: Yeah?

591
00:24:10,560 --> 00:24:13,359
Speaker 2: I wasn't going to reveal that. Oh sorry, So anyway,

592
00:24:13,400 --> 00:24:19,000
Speaker 2: we've got a double past Louis Tomlinson. What are you

593
00:24:19,040 --> 00:24:20,000
Speaker 2: guys willing to do.

594
00:24:20,080 --> 00:24:22,800
Speaker 4: We're happy to give you the tickets if you've got

595
00:24:22,840 --> 00:24:24,679
Speaker 4: an idea as to how you're going to get Louie's

596
00:24:24,680 --> 00:24:26,840
Speaker 4: attention at the gig. What are you willing to do

597
00:24:26,920 --> 00:24:29,439
Speaker 4: to make sure he sings Anally's Happy Birthday tonight.

598
00:24:29,680 --> 00:24:32,720
Speaker 1: I've got race here, Reese. This is totally wild, Reese,

599
00:24:32,920 --> 00:24:33,960
Speaker 1: what are you willing to do?

600
00:24:35,960 --> 00:24:39,080
Speaker 6: I work on the show, and I'm not sure what

601
00:24:39,560 --> 00:24:40,360
Speaker 6: I can do.

602
00:24:40,400 --> 00:24:42,520
Speaker 2: You work on the show? What do you do? What

603
00:24:42,520 --> 00:24:43,359
Speaker 2: do you do on the show?

604
00:24:43,560 --> 00:24:46,320
Speaker 3: I work for a production god in we're doing the

605
00:24:46,359 --> 00:24:48,080
Speaker 3: cameras and everything for the show.

606
00:24:48,119 --> 00:24:49,320
Speaker 6: But we're at the side of the stage.

607
00:24:49,359 --> 00:24:51,240
Speaker 1: We don't really have access to him at all, Like

608
00:24:51,240 --> 00:24:51,560
Speaker 1: it's going.

609
00:24:51,520 --> 00:24:52,520
Speaker 6: To click you off limits.

610
00:24:52,560 --> 00:24:55,240
Speaker 1: But you could probably, Reaese, if you're side of stage,

611
00:24:55,440 --> 00:24:58,080
Speaker 1: like he's surely walking past you at some point, could

612
00:24:58,080 --> 00:25:00,960
Speaker 1: you maybe yell like a don't don't forget to say

613
00:25:00,960 --> 00:25:01,520
Speaker 1: happy birthday?

614
00:25:01,520 --> 00:25:02,119
Speaker 3: To analyse.

615
00:25:03,480 --> 00:25:04,360
Speaker 1: Have you been to a gig?

616
00:25:04,400 --> 00:25:04,800
Speaker 7: Do you know how?

617
00:25:06,280 --> 00:25:06,639
Speaker 5: That's good?

618
00:25:07,119 --> 00:25:07,840
Speaker 2: That's a really good point.

619
00:25:08,240 --> 00:25:11,800
Speaker 4: What have you been to your live music? But he

620
00:25:11,800 --> 00:25:13,639
Speaker 4: actually hasn't been in ten years to a gig. He

621
00:25:13,640 --> 00:25:16,639
Speaker 4: finds a bit loud, Yeah, which is ironic because he

622
00:25:16,680 --> 00:25:19,600
Speaker 4: works in radio. But Reese, what about if we got

623
00:25:19,600 --> 00:25:21,440
Speaker 4: you a sign? What about if we got you a

624
00:25:21,520 --> 00:25:22,520
Speaker 4: sign you could hold up?

625
00:25:23,600 --> 00:25:24,359
Speaker 6: I might be able to.

626
00:25:24,840 --> 00:25:26,800
Speaker 13: Maybe I'll see if there's somewhere we can leave it,

627
00:25:26,960 --> 00:25:29,720
Speaker 13: maybe some stands or something on I don't know.

628
00:25:29,760 --> 00:25:31,439
Speaker 2: Maybe we're trying and find something that's that.

629
00:25:31,600 --> 00:25:32,040
Speaker 3: That's great.

630
00:25:32,119 --> 00:25:32,320
Speaker 5: Race.

631
00:25:33,200 --> 00:25:33,919
Speaker 2: Do you sign?

632
00:25:34,520 --> 00:25:38,240
Speaker 3: Do you He might not sign you sign language?

633
00:25:38,359 --> 00:25:41,200
Speaker 1: Yeah, but then we then were expecting Louis to understand

634
00:25:41,200 --> 00:25:44,360
Speaker 1: sign language as well, So even if Reese could learn Osland.

635
00:25:43,920 --> 00:25:45,960
Speaker 2: Do you sign? Do you sign? Rece?

636
00:25:47,760 --> 00:25:49,480
Speaker 4: No, No, no, it's a silly cashion. At the end

637
00:25:49,480 --> 00:25:50,840
Speaker 4: of the day, we'll get you a sign. It's probably

638
00:25:50,920 --> 00:25:51,440
Speaker 4: more practical.

639
00:25:51,640 --> 00:25:53,440
Speaker 2: We'll get you a signed if you can put it

640
00:25:53,480 --> 00:25:53,920
Speaker 2: in his way.

641
00:25:53,960 --> 00:25:56,240
Speaker 1: That's huge sign or like slip a note under his

642
00:25:56,320 --> 00:25:57,679
Speaker 1: dressing room door or something.

643
00:25:57,800 --> 00:25:59,480
Speaker 3: So could you do that, Rece?

644
00:26:00,760 --> 00:26:01,639
Speaker 6: I definitely can't do that.

645
00:26:01,800 --> 00:26:02,800
Speaker 2: Yeah, anywhere near?

646
00:26:03,640 --> 00:26:06,359
Speaker 4: Yeah, Rues, I feel like you just caught up with

647
00:26:06,359 --> 00:26:08,000
Speaker 4: a bit of a flex that you work on the

648
00:26:08,040 --> 00:26:11,920
Speaker 4: show but zero access, but a sign would be huge.

649
00:26:11,920 --> 00:26:13,959
Speaker 4: I don't mean to sound ungrateful. Thank you so much

650
00:26:14,000 --> 00:26:14,320
Speaker 4: for the call.

651
00:26:14,359 --> 00:26:16,240
Speaker 2: Let's get into some people that are actually really keen

652
00:26:16,280 --> 00:26:18,199
Speaker 2: to get along to the gig here, Ashley, what are

653
00:26:18,200 --> 00:26:19,760
Speaker 2: you willing to do if we give you the tickets

654
00:26:19,760 --> 00:26:20,000
Speaker 2: to go?

655
00:26:20,920 --> 00:26:25,000
Speaker 14: So I'm thinking Slurro outfits like sluro you know those

656
00:26:25,040 --> 00:26:26,080
Speaker 14: like Slurro sticks.

657
00:26:26,119 --> 00:26:26,679
Speaker 10: I could do like.

658
00:26:26,720 --> 00:26:32,720
Speaker 4: A Sluro sign yes, glow sticks, Yeah, you.

659
00:26:32,720 --> 00:26:35,159
Speaker 15: Know those sticks need to make sign and I'll make

660
00:26:35,160 --> 00:26:37,880
Speaker 15: it big enough I can hold it and that way

661
00:26:37,920 --> 00:26:39,480
Speaker 15: he can read it.

662
00:26:41,320 --> 00:26:42,440
Speaker 2: Glow stick signs clever.

663
00:26:42,600 --> 00:26:44,880
Speaker 1: If I'm going to ask, I think he's talking to someone.

664
00:26:44,920 --> 00:26:48,080
Speaker 1: Poop pants, poop pants. Hang up on them, poop pants,

665
00:26:48,119 --> 00:26:51,240
Speaker 1: Captain poop pens. Sorry, executive producers called captain poop pens

666
00:26:51,280 --> 00:26:51,760
Speaker 1: poop pants.

667
00:26:52,200 --> 00:26:54,760
Speaker 3: You bought the tickets? Where is the seating.

668
00:26:56,080 --> 00:26:56,159
Speaker 8: Ge?

669
00:26:56,400 --> 00:27:03,639
Speaker 2: Great question? So they're not on the floor.

670
00:27:03,800 --> 00:27:07,919
Speaker 4: We didn't have floor tickets for they're all gone.

671
00:27:08,040 --> 00:27:10,520
Speaker 3: They're all gone National Drive.

672
00:27:11,040 --> 00:27:13,800
Speaker 4: Surely we killed the production that with the record label

673
00:27:13,920 --> 00:27:17,000
Speaker 4: or something we did, and they gave us tickets on the.

674
00:27:17,119 --> 00:27:19,120
Speaker 2: Sunday could complaining.

675
00:27:18,760 --> 00:27:22,480
Speaker 1: That I love the idea.

676
00:27:23,280 --> 00:27:26,280
Speaker 4: So I'm in the bleachers key here as we get

677
00:27:26,280 --> 00:27:28,320
Speaker 4: the big vellos and binocular so that you can read

678
00:27:28,359 --> 00:27:29,560
Speaker 4: our sign from the stage.

679
00:27:29,640 --> 00:27:30,280
Speaker 3: It has an idea.

680
00:27:30,320 --> 00:27:31,240
Speaker 2: He's in a stadium.

681
00:27:31,560 --> 00:27:33,680
Speaker 3: Yeah, So that's why I'm like, I love the idea. Ractionally,

682
00:27:33,680 --> 00:27:34,800
Speaker 3: I'm not sure if signs on a cut up.

683
00:27:34,840 --> 00:27:37,119
Speaker 1: Let's go to Shay here, Shay, what are you willing

684
00:27:37,160 --> 00:27:38,440
Speaker 1: to do to get Louis attention?

685
00:27:40,320 --> 00:27:40,560
Speaker 8: Wow?

686
00:27:41,080 --> 00:27:44,920
Speaker 10: Funny you say that because about rees. Ironically, I can

687
00:27:45,040 --> 00:27:48,439
Speaker 10: sign so I can, so.

688
00:27:48,440 --> 00:27:53,040
Speaker 2: I can do that of Louis. Sorry, we'll go to

689
00:27:53,080 --> 00:27:53,480
Speaker 2: option B.

690
00:27:53,720 --> 00:27:55,240
Speaker 6: What was that?

691
00:27:55,560 --> 00:27:57,719
Speaker 10: I can flash. It might not be appropriate for all

692
00:27:57,720 --> 00:27:59,960
Speaker 10: the kids there, but I can definitely flash and sign

693
00:28:00,040 --> 00:28:02,359
Speaker 10: and to him if you can understand it.

694
00:28:03,040 --> 00:28:04,800
Speaker 1: I'm definitely picking up what you're putting down there, Sha,

695
00:28:04,960 --> 00:28:07,840
Speaker 1: So you at what at what point would you flash?

696
00:28:07,880 --> 00:28:11,600
Speaker 3: Is there in between songs.

697
00:28:11,280 --> 00:28:15,439
Speaker 10: Or maybe yeah, whenever I feel suitable, I guess.

698
00:28:15,720 --> 00:28:18,080
Speaker 1: Yeah, Okay, that's brilliant. I think I think that's that's

699
00:28:18,119 --> 00:28:21,119
Speaker 1: definitely winning. That's just so funny. Even if it doesn't work.

700
00:28:23,280 --> 00:28:27,120
Speaker 3: Is just going to flash? Sha hold the line.

701
00:28:26,920 --> 00:28:29,760
Speaker 2: Because you're on the line, You are in the lead. Yeah,

702
00:28:30,040 --> 00:28:33,560
Speaker 2: that's simple, But that's it.

703
00:28:33,760 --> 00:28:34,359
Speaker 3: Men are simple.

704
00:28:34,440 --> 00:28:38,200
Speaker 1: Look gets flashed, stroke, it's a couple of breasts and

705
00:28:38,240 --> 00:28:40,160
Speaker 1: then he'll go, oh, hang on a second, singing.

706
00:28:39,920 --> 00:28:42,240
Speaker 2: Heavy, where's the connection?

707
00:28:42,560 --> 00:28:44,440
Speaker 4: I don't know unless we get Shay to write it

708
00:28:44,480 --> 00:28:47,400
Speaker 4: on her breasts. Yeah, that's an option, Yeah, definitely on Shae.

709
00:28:47,440 --> 00:28:51,960
Speaker 4: Can we get you back there, Shay shake, Could you

710
00:28:52,000 --> 00:28:53,120
Speaker 4: write it on your breasts?

711
00:28:53,920 --> 00:28:54,160
Speaker 2: Yeah?

712
00:28:54,240 --> 00:28:58,360
Speaker 1: Definitely, that's pretty home and host Okay, okay, shave hold

713
00:28:58,360 --> 00:28:59,880
Speaker 1: the line because you're definitely in the lead. Let's go

714
00:29:00,160 --> 00:29:02,480
Speaker 1: Eden here, Eden, what are you willing to do to

715
00:29:02,480 --> 00:29:05,440
Speaker 1: get Louis's attention so that he sings Junior Producer and

716
00:29:05,480 --> 00:29:07,120
Speaker 1: a Ly's Happy Birthday on stage.

717
00:29:08,000 --> 00:29:09,920
Speaker 14: Well, first I was going to say I'll make it,

718
00:29:10,200 --> 00:29:12,160
Speaker 14: and then someone took that idea, and then I was like,

719
00:29:12,160 --> 00:29:14,720
Speaker 14: all right, I'm doing boasting. That idea was taken and

720
00:29:14,760 --> 00:29:17,200
Speaker 14: I was like, oh I know, oh flash, no idea

721
00:29:17,360 --> 00:29:21,600
Speaker 14: was taken through. So I'm going to try everything and anything, but.

722
00:29:23,400 --> 00:29:26,480
Speaker 3: I think duel flashes. It's like it's like two shooters

723
00:29:26,480 --> 00:29:27,280
Speaker 3: on the grassy knoll.

724
00:29:27,800 --> 00:29:29,479
Speaker 2: IM not gonna know what it is.

725
00:29:29,600 --> 00:29:31,400
Speaker 3: Can we give can we give them both the flashes?

726
00:29:31,440 --> 00:29:32,280
Speaker 3: Double passes?

727
00:29:32,720 --> 00:29:32,760
Speaker 10: You?

728
00:29:32,920 --> 00:29:37,240
Speaker 3: We can one for each boom? All right, so we're

729
00:29:37,280 --> 00:29:40,360
Speaker 3: gonna Okay, So, Shay, Eden, will you do agree with

730
00:29:40,360 --> 00:29:40,680
Speaker 3: this bill?

731
00:29:40,800 --> 00:29:40,960
Speaker 5: You know?

732
00:29:41,040 --> 00:29:43,440
Speaker 4: I mean I think we can be on as well.

733
00:29:43,480 --> 00:29:49,400
Speaker 4: Can we get We'll get Shay on a well, Shay Shane, Shay, Yes,

734
00:29:49,440 --> 00:29:51,360
Speaker 4: I'm here, Okay, Shay Aiden, you both got.

735
00:29:51,240 --> 00:29:53,200
Speaker 2: Double passes going see Louis Thomason.

736
00:29:56,760 --> 00:30:01,920
Speaker 4: On the condition that you both write sing Analie's Happy

737
00:30:01,960 --> 00:30:03,600
Speaker 4: Birthday on your breasts.

738
00:30:04,120 --> 00:30:04,959
Speaker 6: We will do us.

739
00:30:05,640 --> 00:30:06,880
Speaker 14: Yeah, yeah, for sure.

740
00:30:06,920 --> 00:30:07,520
Speaker 2: It's amazing.

741
00:30:07,600 --> 00:30:08,640
Speaker 1: Do you guys want to talk? Do you want to

742
00:30:08,640 --> 00:30:11,240
Speaker 1: do like flash at the same time? Like is there

743
00:30:11,240 --> 00:30:13,960
Speaker 1: a certain song? We'll let you guys discuss stuff.

744
00:30:13,960 --> 00:30:16,200
Speaker 4: There you guys going tossum and to walk away from

745
00:30:16,200 --> 00:30:18,760
Speaker 4: the flash chat Now, then we've secured the flashing.

746
00:30:19,080 --> 00:30:21,000
Speaker 2: Any more details around the flashing?

747
00:30:21,160 --> 00:30:27,040
Speaker 1: Can I get a ticket to Louis? Well, we're putting

748
00:30:27,040 --> 00:30:29,880
Speaker 1: a woman called Julie to the test right now. She

749
00:30:29,960 --> 00:30:33,080
Speaker 1: called her show last Friday, and she told us a

750
00:30:33,080 --> 00:30:35,400
Speaker 1: great story, and I gave her a little bit of feedback.

751
00:30:36,040 --> 00:30:38,400
Speaker 7: My son was about three or four months old and

752
00:30:38,440 --> 00:30:41,600
Speaker 7: I was just carrying him into the lamb room for

753
00:30:41,720 --> 00:30:43,640
Speaker 7: him to have a bath, and I heard a smash

754
00:30:43,760 --> 00:30:46,520
Speaker 7: and a bullet that comes through the window and the lamps.

755
00:30:46,880 --> 00:30:49,120
Speaker 7: My son could have been killed if it hit him.

756
00:30:50,640 --> 00:30:53,440
Speaker 1: Jules, when you tell the story again, say the bullet

757
00:30:53,440 --> 00:30:56,120
Speaker 1: went through the bath, that would have been hot.

758
00:30:56,320 --> 00:31:00,640
Speaker 2: Oh okay, okay.

759
00:31:00,720 --> 00:31:02,480
Speaker 4: In listening back to that, like it was a pretty

760
00:31:02,480 --> 00:31:04,840
Speaker 4: good story. She had a whole story about getting shot

761
00:31:04,840 --> 00:31:06,080
Speaker 4: at It was great story.

762
00:31:06,120 --> 00:31:08,400
Speaker 1: Really, No you didn't before the grab, I was like,

763
00:31:08,480 --> 00:31:12,560
Speaker 1: great story, not to her, No, no, no, no, Well I

764
00:31:12,600 --> 00:31:14,520
Speaker 1: was a bit disappointed at the time, because honestly, I

765
00:31:14,560 --> 00:31:16,000
Speaker 1: was listening to that story and I was like, a

766
00:31:16,000 --> 00:31:17,000
Speaker 1: phenomenal story.

767
00:31:17,040 --> 00:31:19,440
Speaker 3: Here is bullet goes through the bath.

768
00:31:19,280 --> 00:31:22,160
Speaker 1: By the bath because the child was in the bath,

769
00:31:22,520 --> 00:31:25,000
Speaker 1: so the idea of a bullets.

770
00:31:26,520 --> 00:31:27,360
Speaker 2: You missed that detail.

771
00:31:27,440 --> 00:31:30,160
Speaker 4: So she's she's bathing the child by the grab again,

772
00:31:30,640 --> 00:31:31,480
Speaker 4: she's bathing the.

773
00:31:32,480 --> 00:31:34,840
Speaker 7: My son was about three or four months old, and

774
00:31:34,880 --> 00:31:38,080
Speaker 7: I was just carrying him into the lamb room for

775
00:31:38,160 --> 00:31:38,960
Speaker 7: him to have a bath.

776
00:31:39,480 --> 00:31:39,720
Speaker 4: Ah.

777
00:31:39,880 --> 00:31:41,320
Speaker 2: Right, So she says that.

778
00:31:41,400 --> 00:31:45,160
Speaker 1: Yeah, that's the reason why I mentioned great anyway, Yeah, no,

779
00:31:45,240 --> 00:31:45,800
Speaker 1: it makes sense.

780
00:31:45,920 --> 00:31:46,480
Speaker 3: Thank you will.

781
00:31:46,560 --> 00:31:49,080
Speaker 1: I want to put her on Thank you will. I

782
00:31:49,080 --> 00:31:51,280
Speaker 1: want to put her to the test right now. I

783
00:31:51,280 --> 00:31:54,480
Speaker 1: want to call her as like a newspaper or something.

784
00:31:55,160 --> 00:31:57,120
Speaker 1: They've heard the radio bit and they want to do

785
00:31:57,200 --> 00:32:01,600
Speaker 1: a news story on her story. Right now, when I

786
00:32:01,640 --> 00:32:03,800
Speaker 1: ask her as a news reporter, is.

787
00:32:03,760 --> 00:32:04,560
Speaker 3: It not believable?

788
00:32:06,280 --> 00:32:06,880
Speaker 2: Newspaper?

789
00:32:09,920 --> 00:32:10,200
Speaker 11: Held?

790
00:32:10,280 --> 00:32:13,040
Speaker 4: Tim's driving home, like God, that story about the bath

791
00:32:13,200 --> 00:32:13,520
Speaker 4: was good.

792
00:32:13,560 --> 00:32:14,600
Speaker 3: What about news dot com?

793
00:32:14,640 --> 00:32:17,040
Speaker 2: I mean she might believe it. She might believe it.

794
00:32:17,040 --> 00:32:17,640
Speaker 3: Thank you all right?

795
00:32:17,680 --> 00:32:19,560
Speaker 1: So I reckon I call his news dot com okay,

796
00:32:19,560 --> 00:32:21,040
Speaker 1: all right, But she's a fan of the show.

797
00:32:21,320 --> 00:32:22,640
Speaker 3: So I may have to put a little bit of

798
00:32:22,680 --> 00:32:23,240
Speaker 3: a voice.

799
00:32:23,640 --> 00:32:25,840
Speaker 1: Ah, yes, I'm thinking of just calling her as an

800
00:32:25,840 --> 00:32:28,920
Speaker 1: English guy. All right, Kevin White here calling from news

801
00:32:28,920 --> 00:32:31,640
Speaker 1: dot com. Is this Julie speaking cracking?

802
00:32:31,880 --> 00:32:32,080
Speaker 4: Yeah?

803
00:32:32,160 --> 00:32:33,320
Speaker 2: I reckon, that's believable.

804
00:32:33,440 --> 00:32:34,520
Speaker 3: That didn't sound like me, did it.

805
00:32:34,520 --> 00:32:35,040
Speaker 2: What's your name?

806
00:32:35,320 --> 00:32:38,800
Speaker 3: Kevin White? Kevin, Kevin White from news dot com. Okay, perfect,

807
00:32:38,800 --> 00:32:40,520
Speaker 3: all right. Now the big test here is when you

808
00:32:40,560 --> 00:32:42,600
Speaker 3: come to Kevin A couple of years ago.

809
00:32:42,640 --> 00:32:44,320
Speaker 1: Actually, I was working for the Sun over there in

810
00:32:44,320 --> 00:32:47,360
Speaker 1: the UK, and now I'm here.

811
00:32:47,200 --> 00:32:50,440
Speaker 3: At news dot com. Dot your favorite meal Bangers.

812
00:32:50,000 --> 00:32:52,800
Speaker 1: And mash right, okay, so the big test is your

813
00:32:52,800 --> 00:32:56,080
Speaker 1: favorite band? Oh, ge whiz, I don't mind. Who was

814
00:32:56,480 --> 00:33:02,560
Speaker 1: PEG's a leads to libertines. I like the liver.

815
00:33:08,040 --> 00:33:08,840
Speaker 2: The big test.

816
00:33:09,360 --> 00:33:11,840
Speaker 1: The big test here is when I asked her to

817
00:33:11,880 --> 00:33:14,680
Speaker 1: repeat the story. Is she going to take my feedback

818
00:33:14,720 --> 00:33:16,840
Speaker 1: on board and say the bullet went through the bar?

819
00:33:17,000 --> 00:33:17,320
Speaker 5: Okay?

820
00:33:17,360 --> 00:33:20,080
Speaker 3: This is okay, that's the whole purpose of this, because.

821
00:33:19,880 --> 00:33:21,520
Speaker 4: You did say, next time you tell the story, yes

822
00:33:21,560 --> 00:33:22,200
Speaker 4: it went through the bath.

823
00:33:22,240 --> 00:33:33,560
Speaker 3: All right, that's the whole bit. All right, let's get Julie. Hello.

824
00:33:33,680 --> 00:33:34,880
Speaker 3: Is that is that Julie speaking.

825
00:33:35,680 --> 00:33:36,000
Speaker 8: It is.

826
00:33:37,920 --> 00:33:40,000
Speaker 1: Oh Julie, my name is Kevin White. I'm just calling

827
00:33:40,040 --> 00:33:43,040
Speaker 1: from news dot com. Dote you am I to believe

828
00:33:43,080 --> 00:33:49,400
Speaker 1: that this is the Julie who called a radio show. Yeah,

829
00:33:49,400 --> 00:33:53,280
Speaker 1: that's what I got written down there, and it's an

830
00:33:53,280 --> 00:33:56,480
Speaker 1: incredible story. I'm actually doing a I'm doing a piece

831
00:33:56,520 --> 00:34:00,000
Speaker 1: on news dot com effectively with close shaves with death,

832
00:34:00,040 --> 00:34:03,560
Speaker 1: and absolutely i'd love that story to be in the

833
00:34:03,640 --> 00:34:05,120
Speaker 1: article if you'd be okay about it.

834
00:34:05,560 --> 00:34:06,520
Speaker 7: Yeah, that'd be fine.

835
00:34:06,760 --> 00:34:07,240
Speaker 3: Oat.

836
00:34:07,320 --> 00:34:09,280
Speaker 7: I didn't think it would ever be that important really,

837
00:34:09,360 --> 00:34:11,200
Speaker 7: but yeah, that's fine.

838
00:34:11,480 --> 00:34:14,040
Speaker 1: It's a phenomenal story, Julie. But just while I've got you,

839
00:34:14,080 --> 00:34:16,280
Speaker 1: would you mind just telling me the story again?

840
00:34:16,880 --> 00:34:21,760
Speaker 7: Okay? So what happened was when I was living in Sydney.

841
00:34:21,880 --> 00:34:26,040
Speaker 7: It was my husband Danie Young, and one morning I

842
00:34:26,080 --> 00:34:29,040
Speaker 7: was bringing my little baby son Mark out to wash

843
00:34:29,120 --> 00:34:31,319
Speaker 7: him in the baby bath on the table in our

844
00:34:31,360 --> 00:34:35,920
Speaker 7: lounge rooms and I heard a glass break and when

845
00:34:35,960 --> 00:34:39,280
Speaker 7: I looked up, there was a bullet hole in the window.

846
00:34:40,680 --> 00:34:44,200
Speaker 7: When my husband got home, he was shocked and he'd

847
00:34:44,239 --> 00:34:46,719
Speaker 7: got the police around and they looked around and they

848
00:34:46,840 --> 00:34:49,560
Speaker 7: said it was air rifle that someone had probably let

849
00:34:49,600 --> 00:34:50,239
Speaker 7: off in the park.

850
00:34:52,880 --> 00:34:53,480
Speaker 2: Julie.

851
00:34:53,719 --> 00:34:55,440
Speaker 3: It's Will and Woody here, Julie.

852
00:34:56,040 --> 00:34:58,400
Speaker 7: Hello, Julie.

853
00:34:58,480 --> 00:35:01,000
Speaker 1: I said to you when you're told the story on

854
00:35:01,040 --> 00:35:04,239
Speaker 1: our show, next time you tell this story, say the

855
00:35:04,320 --> 00:35:08,880
Speaker 1: bullet went through the barred Julia.

856
00:35:08,880 --> 00:35:10,440
Speaker 2: It was the feedback I gave you.

857
00:35:10,480 --> 00:35:11,080
Speaker 3: Do you remember?

858
00:35:11,239 --> 00:35:14,200
Speaker 7: Oh goodness, yeah, yeah you did. But I couldn't understand

859
00:35:14,239 --> 00:35:17,440
Speaker 7: what you said. Oh I thought you said so I

860
00:35:17,520 --> 00:35:18,520
Speaker 7: was drunk or something.

861
00:35:21,280 --> 00:35:25,839
Speaker 9: Coming up next with more Will and Woody, the Will

862
00:35:25,920 --> 00:35:27,000
Speaker 9: and Woody Podcast.

863
00:35:27,120 --> 00:35:30,200
Speaker 2: We've Got Tied is in the studio with us now,

864
00:35:30,280 --> 00:35:32,080
Speaker 2: Welcome times.

865
00:35:32,400 --> 00:35:36,160
Speaker 5: Good checking the phone on silent there, Yeah, making sure

866
00:35:36,200 --> 00:35:36,360
Speaker 5: you know.

867
00:35:36,400 --> 00:35:40,239
Speaker 16: I gotta be very locked in. We're in Australia. Australias

868
00:35:40,280 --> 00:35:41,560
Speaker 16: are locked in, so I gotta be likeed.

869
00:35:42,160 --> 00:35:43,440
Speaker 2: Is it the vibe so far? Oh?

870
00:35:43,440 --> 00:35:44,960
Speaker 16: When I went to the shows, when I went to

871
00:35:44,960 --> 00:35:46,719
Speaker 16: splend in the grass, it didn't matter if they were

872
00:35:46,760 --> 00:35:47,600
Speaker 16: in six feet of mud.

873
00:35:47,600 --> 00:35:49,359
Speaker 5: They were locked in. I told him to jump, they said,

874
00:35:50,960 --> 00:35:52,120
Speaker 5: tried to jump out of the mud.

875
00:35:52,239 --> 00:35:55,600
Speaker 4: You know, So he came to Australia for splending in

876
00:35:55,600 --> 00:35:59,480
Speaker 4: the grass. In Australia's this you know, beautiful tropical ish

877
00:35:59,520 --> 00:36:01,879
Speaker 4: remote island you're gonna have a whole bunch of funt

878
00:36:02,440 --> 00:36:03,120
Speaker 4: are you get here?

879
00:36:03,840 --> 00:36:07,480
Speaker 2: You're just clender? What's what's in perception being?

880
00:36:07,560 --> 00:36:09,560
Speaker 5: What sort of a journey was that? I mean, honestly,

881
00:36:09,600 --> 00:36:10,120
Speaker 5: it was great.

882
00:36:10,719 --> 00:36:13,360
Speaker 16: Yeah, it was good because not only was like splendor

883
00:36:13,400 --> 00:36:14,080
Speaker 16: when I pleaded.

884
00:36:14,160 --> 00:36:17,240
Speaker 5: Yeah, I feel I'm a pretty lucky person.

885
00:36:17,640 --> 00:36:20,160
Speaker 16: I went to a register before and they were like, oh,

886
00:36:20,200 --> 00:36:22,239
Speaker 16: they're canceling stuff, and I was like, they're not going

887
00:36:22,320 --> 00:36:23,000
Speaker 16: to cancel me, and.

888
00:36:25,520 --> 00:36:26,200
Speaker 5: So I was ready.

889
00:36:27,080 --> 00:36:29,480
Speaker 1: I'll tell you what, though, you're someone who seems like

890
00:36:29,600 --> 00:36:32,960
Speaker 1: someone who's ready for rejection or being blocked in your

891
00:36:32,960 --> 00:36:35,279
Speaker 1: life because I reckon you, my friend, Like, I've read

892
00:36:35,320 --> 00:36:38,239
Speaker 1: your story and it's an awesome story. You you auditioned

893
00:36:38,239 --> 00:36:41,000
Speaker 1: for both American Idol and The Voice This is over

894
00:36:41,040 --> 00:36:44,960
Speaker 1: in the States and got rejected time and time again. Yeah,

895
00:36:45,080 --> 00:36:48,000
Speaker 1: can you tell me a bit about how your confidence

896
00:36:48,040 --> 00:36:50,560
Speaker 1: pushes through that, you know, because obviously now you can

897
00:36:50,560 --> 00:36:52,040
Speaker 1: look back and you know you've made it to an

898
00:36:52,040 --> 00:36:53,759
Speaker 1: extent and you're touring in Australia.

899
00:36:53,840 --> 00:36:55,239
Speaker 3: But how do you get through rejections?

900
00:36:55,320 --> 00:36:57,560
Speaker 16: It's not really my confidence, It's just that I have

901
00:36:57,680 --> 00:37:01,280
Speaker 16: no I have no car, difidence in human beings.

902
00:37:01,360 --> 00:37:03,640
Speaker 5: I think that we're all like like, what is it?

903
00:37:03,640 --> 00:37:05,160
Speaker 5: What is an opinion? Can you hold it?

904
00:37:05,200 --> 00:37:08,800
Speaker 16: And no, so am I supposed to take your opinion

905
00:37:09,000 --> 00:37:11,640
Speaker 16: or or just figure out how to make myself better.

906
00:37:11,680 --> 00:37:14,600
Speaker 16: And that's what I did after those shows, rejecting getting

907
00:37:14,600 --> 00:37:16,560
Speaker 16: myself rejected like three or four times a year.

908
00:37:16,600 --> 00:37:17,800
Speaker 5: It was like my daily routine.

909
00:37:18,000 --> 00:37:21,600
Speaker 16: My yearly routine was like going on and be like, okay,

910
00:37:21,680 --> 00:37:23,120
Speaker 16: the voice, what I got, I'm going to write a

911
00:37:23,200 --> 00:37:26,000
Speaker 16: silly little song and figure it out. Yeah, but yeah,

912
00:37:26,000 --> 00:37:28,279
Speaker 16: I would just practice. I practiced in my car for

913
00:37:28,320 --> 00:37:29,640
Speaker 16: like an hour and a half every single day. And

914
00:37:29,640 --> 00:37:32,400
Speaker 16: the first thing I recorded after practicing, after getting rejected

915
00:37:32,440 --> 00:37:33,880
Speaker 16: for the fourth time, I was just like, Okay, I'm

916
00:37:33,880 --> 00:37:37,560
Speaker 16: gonna do myself and yeah, I recorded two songs, something

917
00:37:37,600 --> 00:37:38,960
Speaker 16: to Cry About and Stuck in the Middle, and they're

918
00:37:38,960 --> 00:37:40,000
Speaker 16: both on my first album.

919
00:37:40,080 --> 00:37:40,319
Speaker 7: Yeah.

920
00:37:40,480 --> 00:37:42,239
Speaker 4: Right, and then and then I went and then this

921
00:37:42,320 --> 00:37:45,640
Speaker 4: is where the advent of TikTok is so phenomenal, because

922
00:37:45,680 --> 00:37:47,239
Speaker 4: we had type McCray and here and joined the week

923
00:37:47,280 --> 00:37:50,440
Speaker 4: as well, and she exactly the same as you you know,

924
00:37:50,760 --> 00:37:53,439
Speaker 4: very young upcoming outist who you know it wasn't getting

925
00:37:53,440 --> 00:37:54,920
Speaker 4: anywhere with any record levels or anything like that, and

926
00:37:54,960 --> 00:37:56,719
Speaker 4: then all of a sudden writes her own stuff, goes

927
00:37:56,760 --> 00:37:59,320
Speaker 4: on our own on TikTok and nang.

928
00:37:59,760 --> 00:38:01,680
Speaker 5: Yeah. I mean the thing is you have to start

929
00:38:01,719 --> 00:38:02,359
Speaker 5: with good.

930
00:38:02,480 --> 00:38:04,719
Speaker 16: I'm gonna have something yeah that sound good music. I

931
00:38:04,719 --> 00:38:07,200
Speaker 16: mean even then you can you can have like very music.

932
00:38:07,280 --> 00:38:10,160
Speaker 2: That's mean in terms of potentially a vehicle.

933
00:38:11,000 --> 00:38:12,920
Speaker 4: Nothing like this has existed before where it can actually

934
00:38:12,960 --> 00:38:15,719
Speaker 4: put you on the map. Yeah like that, it's phenomenal. Right,

935
00:38:15,760 --> 00:38:18,239
Speaker 4: Like a twenty seventeen you were you were sleeping on

936
00:38:18,239 --> 00:38:18,920
Speaker 4: your night's couch.

937
00:38:19,120 --> 00:38:21,600
Speaker 16: Yeah, well, okay, here's the real story about that. I

938
00:38:21,640 --> 00:38:23,600
Speaker 16: wasn't sleeping on my friends. Everyone's like, oh, he was

939
00:38:23,600 --> 00:38:25,640
Speaker 16: sleeping on his French couch. I was paying five hundred

940
00:38:25,680 --> 00:38:28,440
Speaker 16: and fifty dollars in rent all the living room and

941
00:38:28,480 --> 00:38:31,359
Speaker 16: I put up a bed sheet, you know. So I

942
00:38:31,400 --> 00:38:33,279
Speaker 16: was really struggling what I did in staid after I

943
00:38:33,360 --> 00:38:35,120
Speaker 16: dropped out of college. That went on a reality TV

944
00:38:35,120 --> 00:38:37,000
Speaker 16: show and won fifty grand, and I was like, how

945
00:38:37,000 --> 00:38:40,160
Speaker 16: do I make this stretch out for as long as possible?

946
00:38:40,600 --> 00:38:42,880
Speaker 16: And I just was paying five hundred fifty dollars in

947
00:38:42,920 --> 00:38:44,759
Speaker 16: that living room and that lasted two years and then

948
00:38:44,760 --> 00:38:48,799
Speaker 16: I had to get a job. AKA did some modeling

949
00:38:48,960 --> 00:38:51,919
Speaker 16: and then for like Nike, and then I also did

950
00:38:51,960 --> 00:38:53,879
Speaker 16: like work at the sunglass store, and then I worked

951
00:38:53,920 --> 00:38:56,040
Speaker 16: at Verizon because I do like phones.

952
00:38:56,120 --> 00:38:58,200
Speaker 5: I can put on a mean phone screen. You know

953
00:38:58,239 --> 00:38:59,760
Speaker 5: what I'm saying, what my phone?

954
00:39:00,040 --> 00:39:01,080
Speaker 3: What do you make a mean phone?

955
00:39:01,360 --> 00:39:05,040
Speaker 5: That's a phone protector? Yeah that's yeah. Yeah.

956
00:39:05,160 --> 00:39:07,040
Speaker 16: And now it's like the people there now are like

957
00:39:07,320 --> 00:39:09,560
Speaker 16: they cheat. They have this machine that just lays it

958
00:39:09,600 --> 00:39:10,520
Speaker 16: on there, I guess now.

959
00:39:10,560 --> 00:39:14,360
Speaker 2: But wow, like journey. Yeah, it's like the real journey.

960
00:39:14,400 --> 00:39:16,200
Speaker 5: Yeah, it's been a journey. I was filming tiktoks in

961
00:39:16,239 --> 00:39:16,600
Speaker 5: the store.

962
00:39:17,360 --> 00:39:19,799
Speaker 3: Yeah, and then making money. So you're making it so

963
00:39:19,840 --> 00:39:22,520
Speaker 3: I'm still paying for your five and the couch.

964
00:39:22,719 --> 00:39:24,799
Speaker 2: Yeah yeah, yeah, got the job.

965
00:39:25,320 --> 00:39:26,960
Speaker 3: Was working on music, wow, exactly.

966
00:39:27,040 --> 00:39:28,799
Speaker 16: I would just leave the phone store go to my

967
00:39:29,160 --> 00:39:31,879
Speaker 16: produced house Adam Friedman, and yeah, he was the guy

968
00:39:31,920 --> 00:39:35,440
Speaker 16: who had the demo in his computer of a okay

969
00:39:35,560 --> 00:39:36,560
Speaker 16: living in the well.

970
00:39:36,600 --> 00:39:37,880
Speaker 4: I was gonna say one of the songs I went

971
00:39:37,960 --> 00:39:40,400
Speaker 4: viral on TikTok was a okay you want to.

972
00:39:40,360 --> 00:39:43,120
Speaker 2: Introduce it now? You on the other side.

973
00:39:43,280 --> 00:39:45,360
Speaker 5: What's good? This is tiber days and this is a

974
00:39:45,480 --> 00:39:46,600
Speaker 5: okay on Will and what.

975
00:39:47,239 --> 00:39:49,359
Speaker 2: Time it is he's in the studio with this right now?

976
00:39:49,840 --> 00:39:53,480
Speaker 4: Fresh, I've fit soggy after Splendor in the Grass.

977
00:39:53,520 --> 00:39:55,160
Speaker 5: Yeah, just a little bit, got some mud on me.

978
00:39:55,239 --> 00:39:56,640
Speaker 2: Did you when you when you're splending?

979
00:39:56,680 --> 00:39:58,680
Speaker 4: Do you did you like obviously those cues that I

980
00:39:58,760 --> 00:40:00,360
Speaker 4: want to go for tens of hours in order to

981
00:40:00,360 --> 00:40:00,960
Speaker 4: get to the festival.

982
00:40:01,000 --> 00:40:02,759
Speaker 2: Did you guys? Did you did you chop her in?

983
00:40:02,880 --> 00:40:05,120
Speaker 4: Or was that just the Strokes and a few other Yeah,

984
00:40:05,160 --> 00:40:06,520
Speaker 4: that was the strokes I took.

985
00:40:06,760 --> 00:40:09,439
Speaker 5: I took a van. You were in the queues, yeah,

986
00:40:09,719 --> 00:40:10,759
Speaker 5: I mean in the queues as well.

987
00:40:10,800 --> 00:40:12,760
Speaker 16: I mean I think that all the artists were vanned

988
00:40:12,760 --> 00:40:14,760
Speaker 16: in and then we also, you know, we were stepping

989
00:40:14,800 --> 00:40:15,920
Speaker 16: on wood plains and stuff like that.

990
00:40:16,960 --> 00:40:20,040
Speaker 2: The conditions obviously we kind of scape. You can't split

991
00:40:20,120 --> 00:40:20,520
Speaker 2: that band.

992
00:40:20,840 --> 00:40:22,040
Speaker 5: Yeah, they weren't that bad.

993
00:40:22,080 --> 00:40:25,120
Speaker 16: I think that I've been to other festivals and others,

994
00:40:25,120 --> 00:40:27,840
Speaker 16: like I went to Argentina and there was some you know,

995
00:40:27,960 --> 00:40:29,960
Speaker 16: rain and stuff like that, but people usually handle it

996
00:40:29,960 --> 00:40:30,279
Speaker 16: really well.

997
00:40:30,280 --> 00:40:32,000
Speaker 5: The people that work there at the festival course, you

998
00:40:32,000 --> 00:40:32,520
Speaker 5: know so.

999
00:40:32,360 --> 00:40:34,520
Speaker 4: Well, you guys obviously but you get a different set

1000
00:40:34,520 --> 00:40:35,480
Speaker 4: of standaritive treatment.

1001
00:40:35,800 --> 00:40:39,840
Speaker 5: Yeah, yeah, you know hopefully. You know I'm trying to

1002
00:40:39,840 --> 00:40:40,880
Speaker 5: be possible.

1003
00:40:40,880 --> 00:40:44,640
Speaker 2: You expect that. You can't expect that.

1004
00:40:44,680 --> 00:40:46,239
Speaker 16: Well, no, no, even when I wasn't an artist, I

1005
00:40:46,320 --> 00:40:48,120
Speaker 16: was still boozy, you know what I'm saying. Like I

1006
00:40:48,160 --> 00:40:50,560
Speaker 16: was in that living room and listen, I had a pool.

1007
00:40:50,560 --> 00:40:52,400
Speaker 16: There was a rooftop pool in the living room that

1008
00:40:52,440 --> 00:40:53,040
Speaker 16: I was staying in.

1009
00:40:53,120 --> 00:40:53,799
Speaker 5: You know what I'm saying.

1010
00:40:54,040 --> 00:40:55,800
Speaker 3: I can ask you when you are backstage.

1011
00:40:55,800 --> 00:40:57,520
Speaker 1: Are you this sort of person who's like, I want

1012
00:40:57,520 --> 00:41:00,719
Speaker 1: to make the other artists or you just like I'm

1013
00:41:00,760 --> 00:41:02,960
Speaker 1: just gonna go about my own business.

1014
00:41:02,760 --> 00:41:05,200
Speaker 16: Or yeah, I'm going about my own business. Util they

1015
00:41:05,200 --> 00:41:08,000
Speaker 16: want to meet me, to be honest, because I'm you

1016
00:41:08,040 --> 00:41:08,400
Speaker 16: know what, you.

1017
00:41:08,400 --> 00:41:10,239
Speaker 2: Don't want to on fan girl around them at all.

1018
00:41:10,360 --> 00:41:13,120
Speaker 5: Well, the thing is, I've fangled over one artist and

1019
00:41:13,120 --> 00:41:15,880
Speaker 5: now was chance of Rapper. And I met him in Lex.

1020
00:41:16,600 --> 00:41:20,520
Speaker 16: I met him in the Lax airport and I was like, dude,

1021
00:41:20,560 --> 00:41:22,400
Speaker 16: I love your music. He was like thanks, and that

1022
00:41:22,440 --> 00:41:25,839
Speaker 16: was all we had to talk about. And I was like, yeah,

1023
00:41:25,880 --> 00:41:27,600
Speaker 16: this sucks. I don't want to do that. I don't

1024
00:41:27,640 --> 00:41:28,200
Speaker 16: want to do that.

1025
00:41:28,280 --> 00:41:30,799
Speaker 4: You know when they say, you know, the expression didn't

1026
00:41:30,800 --> 00:41:31,480
Speaker 4: make your heroes?

1027
00:41:31,719 --> 00:41:34,120
Speaker 5: Yeah, you have nothing to talk about with your heroes.

1028
00:41:34,280 --> 00:41:35,160
Speaker 5: There's a reason why.

1029
00:41:35,200 --> 00:41:36,759
Speaker 16: Like if I had to talk to Superman right now,

1030
00:41:36,800 --> 00:41:38,520
Speaker 16: he'd be like, yeah, you're a peasant dog.

1031
00:41:38,440 --> 00:41:41,080
Speaker 5: You know, like like what do you for me to do?

1032
00:41:41,520 --> 00:41:42,839
Speaker 5: He has to talk to like.

1033
00:41:42,800 --> 00:41:45,000
Speaker 16: The Justice League, you know, yeah, I got to be

1034
00:41:45,280 --> 00:41:47,479
Speaker 16: one of the Justice League members, and then it's more fun.

1035
00:41:48,480 --> 00:41:50,160
Speaker 16: Or if Superman says I'm a fan of you, and

1036
00:41:50,200 --> 00:41:52,360
Speaker 16: I'll yeah, yeah, yeah, exactly.

1037
00:41:52,480 --> 00:41:54,440
Speaker 4: Conn you just find some common ground, like you know

1038
00:41:54,760 --> 00:41:57,640
Speaker 4: you can, but he's you boy said breakfast in the morning.

1039
00:41:57,840 --> 00:42:02,120
Speaker 5: Yes, it's fun. Yeah, but the yeah, do you want

1040
00:42:02,120 --> 00:42:03,120
Speaker 5: to talk about breakfast?

1041
00:42:03,200 --> 00:42:03,960
Speaker 2: But Superman?

1042
00:42:04,320 --> 00:42:04,600
Speaker 16: Sure?

1043
00:42:04,840 --> 00:42:05,600
Speaker 2: What is he heat?

1044
00:42:05,640 --> 00:42:05,839
Speaker 5: Though?

1045
00:42:05,920 --> 00:42:07,080
Speaker 2: I don't know what are we talking?

1046
00:42:08,760 --> 00:42:08,920
Speaker 9: Yeah?

1047
00:42:09,400 --> 00:42:09,839
Speaker 5: Yeah he does.

1048
00:42:09,880 --> 00:42:11,680
Speaker 2: He does what he gets his paler from the sun.

1049
00:42:11,719 --> 00:42:12,279
Speaker 2: But yeah he does.

1050
00:42:12,480 --> 00:42:13,200
Speaker 3: I don't think he hates.

1051
00:42:13,680 --> 00:42:15,160
Speaker 5: He gets a power from you. Just answer your own question.

1052
00:42:15,160 --> 00:42:16,399
Speaker 5: He just gets from.

1053
00:42:16,280 --> 00:42:18,280
Speaker 2: Something he doesn't get. He's like he's sustance. What about fiber?

1054
00:42:18,400 --> 00:42:24,080
Speaker 2: You know, think about his guts and then carry on.

1055
00:42:24,120 --> 00:42:25,640
Speaker 5: We're acting like Google doesn't exist.

1056
00:42:25,760 --> 00:42:28,840
Speaker 2: You need to be googling, can't.

1057
00:42:28,680 --> 00:42:30,359
Speaker 5: Check me in anything.

1058
00:42:32,120 --> 00:42:34,719
Speaker 4: Sorry, when you're a splinter in the grass, you have

1059
00:42:34,719 --> 00:42:36,920
Speaker 4: a genuine Superman complex with everyone, you're not going off

1060
00:42:36,920 --> 00:42:38,560
Speaker 4: to them bang like m yeah.

1061
00:42:38,560 --> 00:42:40,720
Speaker 2: I mean like for me, do you actually you haven't?

1062
00:42:41,040 --> 00:42:41,200
Speaker 8: Yeah.

1063
00:42:41,239 --> 00:42:43,160
Speaker 16: I mean, like if I'm a fan of somebody, and

1064
00:42:43,400 --> 00:42:45,239
Speaker 16: at this point, if it's not somebody that's like, you know,

1065
00:42:45,280 --> 00:42:47,040
Speaker 16: top one hundred artists that you've like heard of, Like

1066
00:42:47,120 --> 00:42:50,240
Speaker 16: if I see someone, I'll go say hi. But honestly,

1067
00:42:50,280 --> 00:42:53,040
Speaker 16: I really have no interest in like collaborating with anyone

1068
00:42:53,480 --> 00:42:55,719
Speaker 16: until my own lane out so.

1069
00:42:55,640 --> 00:42:56,880
Speaker 5: That people know what I'm trying to do.

1070
00:42:56,920 --> 00:42:59,560
Speaker 16: Because right now, even even even you guys kind of

1071
00:42:59,600 --> 00:43:01,239
Speaker 16: you only have like the first album. I have like

1072
00:43:01,280 --> 00:43:04,839
Speaker 16: a four album quadrilogy that I'm planning out right now. Yeah,

1073
00:43:04,920 --> 00:43:06,759
Speaker 16: Like I've planned it out for Like I knew that

1074
00:43:06,800 --> 00:43:08,480
Speaker 16: the Blue, the first album is gonna be blue, the

1075
00:43:08,520 --> 00:43:10,759
Speaker 16: next one's gonna be red. Then after that it's gonna

1076
00:43:10,760 --> 00:43:12,040
Speaker 16: be blue and red. It's gonna be called three D.

1077
00:43:12,320 --> 00:43:14,240
Speaker 16: I mean, like I know what's gonna happen in the future,

1078
00:43:15,600 --> 00:43:18,080
Speaker 16: but it's hard for people to understand unless I put

1079
00:43:18,080 --> 00:43:18,600
Speaker 16: it out, you know.

1080
00:43:18,760 --> 00:43:19,520
Speaker 5: So nice.

1081
00:43:20,400 --> 00:43:23,440
Speaker 4: Wow, sounds like a hell of a journey bloody and

1082
00:43:23,480 --> 00:43:25,879
Speaker 4: you're also your Your music's in movies too.

1083
00:43:26,360 --> 00:43:30,160
Speaker 1: Oh yeah, man from Toronto. Your song Right or Die

1084
00:43:30,640 --> 00:43:32,400
Speaker 1: is in that film? Did you make Kevin Hart and

1085
00:43:32,400 --> 00:43:33,200
Speaker 1: Woody Harrelson.

1086
00:43:33,520 --> 00:43:35,840
Speaker 5: No, I didn't. I didn't.

1087
00:43:35,880 --> 00:43:38,200
Speaker 16: I don't honestly didn't even know who the premiere was.

1088
00:43:38,239 --> 00:43:41,399
Speaker 16: I just they they asked. I'm so on my own way.

1089
00:43:41,520 --> 00:43:43,160
Speaker 16: I got a lot of music to make, you know

1090
00:43:43,160 --> 00:43:45,760
Speaker 16: what I'm saying.

1091
00:43:46,520 --> 00:43:49,960
Speaker 2: It was a shocking question. You wrote the soundtrack for

1092
00:43:50,480 --> 00:43:52,360
Speaker 2: What He's Like? Did you make the actors in the movie.

1093
00:43:52,760 --> 00:43:56,359
Speaker 1: Yeah, I mean they're busy too, you know, just.

1094
00:43:56,400 --> 00:44:00,239
Speaker 2: Beat him up. They're totally different energies. The guy you

1095
00:44:00,239 --> 00:44:02,920
Speaker 2: know what, you guys should catch up for coffee. He

1096
00:44:03,000 --> 00:44:04,759
Speaker 2: did the score.

1097
00:44:04,520 --> 00:44:08,879
Speaker 4: Can think of the own thing going on?

1098
00:44:09,000 --> 00:44:09,399
Speaker 2: You know what?

1099
00:44:09,840 --> 00:44:11,560
Speaker 5: If I saw them, I'll be like, yo, you know

1100
00:44:11,880 --> 00:44:13,400
Speaker 5: I'm in the end credits.

1101
00:44:17,080 --> 00:44:20,759
Speaker 2: Before meeting Favors. What have you got? I once wrote

1102
00:44:20,760 --> 00:44:21,760
Speaker 2: a song for a film.

1103
00:44:21,560 --> 00:44:24,480
Speaker 5: You're in, Sweet Fails.

1104
00:44:24,480 --> 00:44:26,640
Speaker 3: Just go hey, guys, Drick and Superman eats.

1105
00:44:28,360 --> 00:44:28,840
Speaker 5: Exactly.

1106
00:44:29,200 --> 00:44:33,600
Speaker 4: Thanks going to the studio to me, good luck, good luck,

1107
00:44:33,600 --> 00:44:34,520
Speaker 4: good luck with everything.

1108
00:44:34,560 --> 00:44:34,719
Speaker 7: Man.

1109
00:44:34,760 --> 00:44:37,719
Speaker 4: Honestly like sounds like I love I love the sense

1110
00:44:37,760 --> 00:44:40,080
Speaker 4: of trajectory that you've gotten. I love the confidence that

1111
00:44:40,080 --> 00:44:42,040
Speaker 4: you've got in that as well. It's a really wonderful story.

1112
00:44:42,120 --> 00:44:43,560
Speaker 4: It's great to have you in studio. Good luck with

1113
00:44:43,560 --> 00:44:43,920
Speaker 4: it all time.

1114
00:44:44,000 --> 00:44:45,680
Speaker 2: It is pleasure, will.

1115
00:44:45,520 --> 00:44:49,160
Speaker 3: And making people's dreams come true. Right now, William, it's

1116
00:44:49,160 --> 00:44:49,960
Speaker 3: a very.

1117
00:44:49,760 --> 00:44:50,960
Speaker 2: Bold claim on the radio.

1118
00:44:51,080 --> 00:44:52,640
Speaker 1: Can I just say and I can back it up,

1119
00:44:52,680 --> 00:44:55,640
Speaker 1: my friend. So there's this new thing on TikTok called

1120
00:44:55,719 --> 00:44:59,400
Speaker 1: the Whisper Method. So it's it's a way to manifest things.

1121
00:44:59,680 --> 00:45:01,319
Speaker 1: And if you haven't heard of the word manifest, it's

1122
00:45:01,320 --> 00:45:03,160
Speaker 1: basically means to make something happen.

1123
00:45:03,840 --> 00:45:06,960
Speaker 2: It's absolutely cocky. It's absolutely cocky pock This stuff.

1124
00:45:06,680 --> 00:45:10,520
Speaker 3: Cocky, cocky pucky. You think it's a bit of you know,

1125
00:45:10,560 --> 00:45:13,279
Speaker 3: it's other word, don't.

1126
00:45:12,280 --> 00:45:17,640
Speaker 2: Know, poppy cock. That's what I'm George appreciated. Cobby Goat's garbage.

1127
00:45:18,160 --> 00:45:21,040
Speaker 4: You say something to yourself over and over again and

1128
00:45:21,040 --> 00:45:22,319
Speaker 4: then that thing happens to you.

1129
00:45:22,440 --> 00:45:23,400
Speaker 2: That's that's the logic.

1130
00:45:23,560 --> 00:45:26,280
Speaker 1: So you think that's cocky pocky, but it's poppy cock. Sorry,

1131
00:45:26,400 --> 00:45:28,560
Speaker 1: do you think this is poppy cock? Because there's a

1132
00:45:28,560 --> 00:45:30,680
Speaker 1: new thing called the Whisper Method that people are doing

1133
00:45:30,719 --> 00:45:33,720
Speaker 1: where Basically, so you want something to happen in the future,

1134
00:45:34,120 --> 00:45:37,000
Speaker 1: and then the first step is to imagine the target person.

1135
00:45:37,080 --> 00:45:40,040
Speaker 1: So you want something to happen with a particular person yep, yep,

1136
00:45:40,080 --> 00:45:43,120
Speaker 1: and you imagine them sleeping, and you imagine yourself walking

1137
00:45:43,200 --> 00:45:46,479
Speaker 1: up to that person and whispering in their ear.

1138
00:45:46,760 --> 00:45:50,600
Speaker 3: So you go like, give me a job, or you know,

1139
00:45:51,440 --> 00:45:53,080
Speaker 3: marry me, marry right, marry it.

1140
00:45:53,280 --> 00:45:53,800
Speaker 2: I think I get it.

1141
00:45:53,840 --> 00:45:57,359
Speaker 1: Okay, Now I'm taking that idea and I'm combining it

1142
00:45:57,400 --> 00:46:01,120
Speaker 1: with something else right now to make some dreams come true.

1143
00:46:01,120 --> 00:46:03,680
Speaker 1: Now before I play my opener, yeah, I want everyone

1144
00:46:03,719 --> 00:46:06,160
Speaker 1: to know that your last name is McMahon.

1145
00:46:07,400 --> 00:46:09,040
Speaker 3: Do you live dreams?

1146
00:46:10,000 --> 00:46:10,840
Speaker 4: Stars to marry?

1147
00:46:10,920 --> 00:46:13,680
Speaker 13: I want to be a celebrity, vein to be curly Jennal.

1148
00:46:13,760 --> 00:46:20,239
Speaker 3: Then let Will mcmonifested for you. Will Will mcmonifestation.

1149
00:46:21,400 --> 00:46:23,600
Speaker 1: Very good, You've got You've got to give me something there,

1150
00:46:24,000 --> 00:46:25,239
Speaker 1: Will mcmonifre station.

1151
00:46:25,360 --> 00:46:27,160
Speaker 4: Oh yeah, it's a good bit. I'm pretty sure I

1152
00:46:27,239 --> 00:46:29,080
Speaker 4: junior duced. George came up with it in the studio.

1153
00:46:29,320 --> 00:46:30,799
Speaker 5: No, I need to say that, it's no need to

1154
00:46:30,800 --> 00:46:32,120
Speaker 5: reveal that the claiming is your own.

1155
00:46:32,160 --> 00:46:33,080
Speaker 2: If George came up with it.

1156
00:46:33,200 --> 00:46:34,799
Speaker 3: Don't you give me your ding? George, you have too

1157
00:46:34,880 --> 00:46:37,200
Speaker 3: much power over there where the bed go. You've cooked

1158
00:46:37,200 --> 00:46:40,040
Speaker 3: it now, haven't you. You've over sold yourself and you've

1159
00:46:40,040 --> 00:46:40,400
Speaker 3: cooked me.

1160
00:46:40,440 --> 00:46:43,440
Speaker 2: There many focusing on his ding. We have to buy

1161
00:46:43,520 --> 00:46:46,680
Speaker 2: the open again now, don't you. You got to buy again.

1162
00:46:51,080 --> 00:46:51,920
Speaker 3: Stars to marry.

1163
00:46:52,000 --> 00:46:53,960
Speaker 12: I want to be a celebrity, Veil want to be

1164
00:46:54,120 --> 00:46:54,760
Speaker 12: curly Jennals.

1165
00:46:54,840 --> 00:47:01,359
Speaker 3: Then let will mcmonifested for you. So okay, So look,

1166
00:47:01,360 --> 00:47:02,439
Speaker 3: here's here's the big guys.

1167
00:47:02,480 --> 00:47:03,839
Speaker 1: We've got a whole bunch of people who have called

1168
00:47:03,840 --> 00:47:06,440
Speaker 1: that have dreams will combine no idea.

1169
00:47:06,560 --> 00:47:08,520
Speaker 2: Yes, you know I don't buy into manifesting.

1170
00:47:08,560 --> 00:47:10,400
Speaker 1: You know this, and I think that's why you're so

1171
00:47:10,600 --> 00:47:12,880
Speaker 1: powerful here because if you can get, if we can

1172
00:47:12,920 --> 00:47:16,560
Speaker 1: get you whispering their dreams, Yes they will come true,

1173
00:47:16,600 --> 00:47:18,800
Speaker 1: my friend. And I'm look, I know you don't believe

1174
00:47:18,800 --> 00:47:22,400
Speaker 1: in manifestation, but you believe in these people getting their dreams,

1175
00:47:22,400 --> 00:47:33,240
Speaker 1: don't you will? Well? Maybe maybe convincing response, Daniel, Daniel,

1176
00:47:33,320 --> 00:47:33,960
Speaker 1: what are your dreams?

1177
00:47:33,960 --> 00:47:34,160
Speaker 5: Mate?

1178
00:47:34,160 --> 00:47:36,320
Speaker 3: What do you want to happen on?

1179
00:47:36,480 --> 00:47:36,960
Speaker 16: To call it?

1180
00:47:37,120 --> 00:47:39,160
Speaker 6: From Christmas party this year?

1181
00:47:40,040 --> 00:47:41,960
Speaker 3: You want your boss to throw your Christmas party.

1182
00:47:42,480 --> 00:47:43,759
Speaker 13: No, no, I won't call it and do it.

1183
00:47:47,800 --> 00:47:49,600
Speaker 2: And you want him to throw a Christmas body for you?

1184
00:47:50,400 --> 00:47:50,600
Speaker 13: Yeah?

1185
00:47:50,680 --> 00:47:52,240
Speaker 1: No, for all the boys that work.

1186
00:47:53,120 --> 00:47:55,000
Speaker 4: That's just not going to happen. I mean, so I

1187
00:47:55,000 --> 00:47:56,399
Speaker 4: then we'll probably get rid of the first one.

1188
00:47:56,480 --> 00:48:00,480
Speaker 3: Let's try it though, Let's give it a go. So well,

1189
00:48:00,520 --> 00:48:02,040
Speaker 3: you know the bits, So you just whisper.

1190
00:48:02,760 --> 00:48:04,920
Speaker 1: It's like it's like you're walking into Kyle's room and

1191
00:48:05,000 --> 00:48:05,560
Speaker 1: he's sleeping.

1192
00:48:05,880 --> 00:48:07,120
Speaker 5: Oh yeah, and you whisper.

1193
00:48:08,440 --> 00:48:09,200
Speaker 3: You know, you do it?

1194
00:48:12,200 --> 00:48:12,520
Speaker 7: Kyle?

1195
00:48:14,040 --> 00:48:17,919
Speaker 16: Can you throw a Christmas body for Daniel?

1196
00:48:18,200 --> 00:48:18,319
Speaker 10: Hell?

1197
00:48:18,400 --> 00:48:18,720
Speaker 2: Daniel?

1198
00:48:18,719 --> 00:48:20,880
Speaker 3: That's going to happen. Hope I get an invite?

1199
00:48:21,880 --> 00:48:23,000
Speaker 5: Good, this is good, let's go.

1200
00:48:24,960 --> 00:48:28,840
Speaker 3: Aaron, good, We're good mate. What's your dream?

1201
00:48:29,719 --> 00:48:31,480
Speaker 6: I had one, but I've changed it up.

1202
00:48:32,120 --> 00:48:34,440
Speaker 2: The producers love that I had a nap.

1203
00:48:34,840 --> 00:48:36,120
Speaker 4: Yeah, it's not too bad.

1204
00:48:36,160 --> 00:48:38,120
Speaker 6: I want to win something from the radio station.

1205
00:48:38,239 --> 00:48:39,600
Speaker 9: It's always been a dream.

1206
00:48:43,239 --> 00:48:45,120
Speaker 3: Aaron was so pumped about his dream.

1207
00:48:45,600 --> 00:48:47,920
Speaker 2: He said he wants to win something from the radio station.

1208
00:48:48,080 --> 00:48:50,239
Speaker 3: And the wild thing is we've got random prizing here.

1209
00:48:50,239 --> 00:48:53,920
Speaker 3: We could have given him pillows, red rooster ochers.

1210
00:48:54,040 --> 00:48:57,120
Speaker 4: We can't go to Rachel, can we We can't we

1211
00:48:57,160 --> 00:48:58,920
Speaker 4: can you reckon, we can.

1212
00:48:59,400 --> 00:48:59,759
Speaker 5: All right?

1213
00:49:00,080 --> 00:49:03,520
Speaker 4: I risk with Rachel swears. It definitely goes to air

1214
00:49:04,040 --> 00:49:05,839
Speaker 4: gee whiz, pressure on, Rachel.

1215
00:49:05,680 --> 00:49:07,640
Speaker 3: Want to go to a song and then no, let's

1216
00:49:07,680 --> 00:49:08,000
Speaker 3: take her.

1217
00:49:08,040 --> 00:49:09,799
Speaker 2: Here we go, Rachel, she's coming on live.

1218
00:49:09,880 --> 00:49:14,399
Speaker 4: Here we go, Rachel, don't swear. This will go down

1219
00:49:14,440 --> 00:49:16,799
Speaker 4: as the most uneventful piece we've ever done.

1220
00:49:17,760 --> 00:49:18,560
Speaker 7: I will not swear.

1221
00:49:18,680 --> 00:49:19,360
Speaker 5: Don't swear.

1222
00:49:20,560 --> 00:49:22,560
Speaker 3: That's actually important.

1223
00:49:22,640 --> 00:49:24,359
Speaker 7: I'm with my baby, so I'm not going to swear

1224
00:49:24,400 --> 00:49:25,200
Speaker 7: in front of my baby.

1225
00:49:25,760 --> 00:49:27,960
Speaker 3: That sounds great, Okay, here we go, stop with Okay,

1226
00:49:28,000 --> 00:49:29,520
Speaker 3: what's your dream? What's your dream?

1227
00:49:29,760 --> 00:49:32,719
Speaker 7: My dream would be to go to Louis Tomlinson with

1228
00:49:32,800 --> 00:49:35,840
Speaker 7: Analise whoa whoa?

1229
00:49:36,800 --> 00:49:45,640
Speaker 4: Okay, okay, okay, Rachel, Rachel an Batman fans Rachel.

1230
00:49:45,880 --> 00:49:50,880
Speaker 2: Rachel, you can actually go to the gig with Annalise.

1231
00:49:50,920 --> 00:49:52,439
Speaker 2: I've got to spare ticket for you.

1232
00:49:53,400 --> 00:49:57,520
Speaker 10: Oh my gosh, you're kidding, not kidding it all mate.

1233
00:49:57,520 --> 00:49:59,080
Speaker 2: You can actually have some tickets. We can go.

1234
00:49:59,239 --> 00:50:01,440
Speaker 3: Hang on, you can't. We were using those ticks for

1235
00:50:01,480 --> 00:50:05,160
Speaker 3: something else. I didn't say to go.

1236
00:50:08,320 --> 00:50:13,000
Speaker 2: We needed people to do that, she manifest. I get that,

1237
00:50:13,120 --> 00:50:13,960
Speaker 2: but I just did it.

1238
00:50:14,120 --> 00:50:16,920
Speaker 3: You just threw them great work, and Rachel I have

1239
00:50:16,920 --> 00:50:17,799
Speaker 3: to redo the bit of.

1240
00:50:21,280 --> 00:50:21,760
Speaker 2: Yesterday.

1241
00:50:21,800 --> 00:50:26,000
Speaker 4: Our junior producer Analyse was promised by one directions Louis

1242
00:50:26,040 --> 00:50:28,440
Speaker 4: Thomlinson that he would sing her Happy Birthday at his

1243
00:50:28,600 --> 00:50:30,040
Speaker 4: concert tonight.

1244
00:50:31,200 --> 00:50:34,440
Speaker 13: Louis, would you please sing me Happy Birthday.

1245
00:50:34,600 --> 00:50:37,200
Speaker 8: Here's what's going to happen. Come to the show whenever

1246
00:50:37,239 --> 00:50:38,760
Speaker 8: you get the chance, I sing it live.

1247
00:50:38,640 --> 00:50:42,759
Speaker 15: Here really yeah, Oh my god, Okay, it's a deal.

1248
00:50:42,960 --> 00:50:44,960
Speaker 13: I'm going to be the girl with the sign and

1249
00:50:45,000 --> 00:50:45,400
Speaker 13: it's going to.

1250
00:50:45,440 --> 00:50:48,080
Speaker 15: Be held up and it's going to say Louis Analyse

1251
00:50:48,080 --> 00:50:50,400
Speaker 15: from Willem Morty sing me Happy Birthday.

1252
00:50:51,080 --> 00:50:52,560
Speaker 4: The signs a bit of a work in progress, but

1253
00:50:52,640 --> 00:50:53,800
Speaker 4: it's happening tonight.

1254
00:50:53,880 --> 00:50:55,799
Speaker 2: She's going to the gig. We're very excited about. They're

1255
00:50:55,800 --> 00:50:57,240
Speaker 2: going to talk about it more after five o'clock.

1256
00:50:57,239 --> 00:50:59,279
Speaker 4: But as a result, all of the movies in Lost

1257
00:50:59,320 --> 00:51:09,400
Speaker 4: the plot are Louis Tomlinson, Daniel Louis. Those pipes already

1258
00:51:09,400 --> 00:51:11,000
Speaker 4: for a bit of a happy birthday tonight.

1259
00:51:11,200 --> 00:51:13,719
Speaker 2: Let's crack into Lost the plot. We have a no

1260
00:51:13,840 --> 00:51:20,040
Speaker 2: point will and Woodies Lost plots.

1261
00:51:20,320 --> 00:51:21,640
Speaker 12: There's only one direction.

1262
00:51:21,480 --> 00:51:22,040
Speaker 10: You can go.

1263
00:51:22,920 --> 00:51:25,560
Speaker 4: Oh jeez, I love that that's that's sharp work from

1264
00:51:25,600 --> 00:51:27,600
Speaker 4: our audio bridges at yim is he probably discovered that

1265
00:51:27,600 --> 00:51:31,120
Speaker 4: Louis Thomlinson has actually acted in any movies, which is

1266
00:51:31,120 --> 00:51:33,080
Speaker 4: the hurdle I ran into when I wrote these Lost

1267
00:51:33,120 --> 00:51:34,560
Speaker 4: the plots this Morning woods.

1268
00:51:34,280 --> 00:51:36,680
Speaker 3: But started as an actor. Though these are.

1269
00:51:36,480 --> 00:51:38,720
Speaker 2: All Louis Thomlinson related.

1270
00:51:38,640 --> 00:51:42,279
Speaker 3: Great so loose links obviously, well that might be a

1271
00:51:42,280 --> 00:51:42,920
Speaker 3: close links.

1272
00:51:44,040 --> 00:51:47,839
Speaker 2: Here we go first, first one, yep, I gotta choose

1273
00:51:47,840 --> 00:51:48,520
Speaker 2: which one here?

1274
00:51:48,560 --> 00:52:00,440
Speaker 4: Okay, Cosmetic Mask gets Harry? Is that via No, that's incorrect?

1275
00:52:01,160 --> 00:52:02,080
Speaker 2: Thirty one of six. Five.

1276
00:52:02,080 --> 00:52:03,399
Speaker 4: If you know what the movie is, give us a call.

1277
00:52:03,560 --> 00:52:04,880
Speaker 4: We're gonna do Lost of pot right up next on

1278
00:52:04,920 --> 00:52:09,600
Speaker 4: Will and Moddy. Cosmetic Mask gets Harry's Will and Moody.

1279
00:52:10,560 --> 00:52:12,160
Speaker 4: I hope you're having a brilliant drive home. If you

1280
00:52:12,200 --> 00:52:14,520
Speaker 4: think you know what that movie is, love to hear

1281
00:52:14,560 --> 00:52:14,800
Speaker 4: from you.

1282
00:52:15,160 --> 00:52:17,080
Speaker 2: We are doing lost the plot.

1283
00:52:17,239 --> 00:52:20,680
Speaker 4: I think focusing on one emotion in one direction Will.

1284
00:52:20,600 --> 00:52:26,040
Speaker 1: And Woodies direction is a losing Lost the plot is

1285
00:52:26,680 --> 00:52:27,680
Speaker 1: a direction, all right?

1286
00:52:27,800 --> 00:52:28,200
Speaker 2: What's all?

1287
00:52:28,200 --> 00:52:30,400
Speaker 4: These movies are based on Louis Thomlinson and Alysa's going

1288
00:52:30,400 --> 00:52:32,480
Speaker 4: to his gig tonight. Hopefully he sings are happy Birthday,

1289
00:52:32,480 --> 00:52:34,160
Speaker 4: fingers and toast cross. For that, we'll touch on that

1290
00:52:34,200 --> 00:52:36,360
Speaker 4: more than five minutes time. But in the meantime I

1291
00:52:36,480 --> 00:52:38,239
Speaker 4: explained the movie badly. You have to guess what the

1292
00:52:38,280 --> 00:52:41,439
Speaker 4: movie is. They are all Louis Thomlinson related. First one

1293
00:52:42,040 --> 00:52:44,799
Speaker 4: cosmetic mask gets hairy. If you think you know what

1294
00:52:44,840 --> 00:52:45,600
Speaker 4: the movie is, give us a.

1295
00:52:45,560 --> 00:52:49,040
Speaker 3: Call, catwoman, No, correct, Man in the Iron Mask.

1296
00:52:49,160 --> 00:52:50,439
Speaker 2: Yes, it is the Man in the Iron Mask.

1297
00:52:50,560 --> 00:52:56,440
Speaker 11: Yes, his appeals concealed until you'll die in it, and.

1298
00:52:56,480 --> 00:53:01,960
Speaker 4: His name remained a mystery, all right, Yes, is the

1299
00:53:02,000 --> 00:53:02,719
Speaker 4: Man in the Iron Mask.

1300
00:53:02,800 --> 00:53:03,760
Speaker 2: Louis Thompson related.

1301
00:53:03,840 --> 00:53:07,080
Speaker 4: King Louis is who they suggested was his twin in

1302
00:53:07,080 --> 00:53:09,160
Speaker 4: the Iron Mask, Lena and DiCaprio obviously played both of them.

1303
00:53:09,200 --> 00:53:10,840
Speaker 2: When he took that thing off, had a lot of

1304
00:53:10,880 --> 00:53:14,080
Speaker 2: hair under it. Yes, if anyone who's seen the movie.

1305
00:53:14,000 --> 00:53:16,920
Speaker 3: True story. But I went to the island where he

1306
00:53:17,080 --> 00:53:22,960
Speaker 3: was kept, that didn't you. Certainly I had a lot

1307
00:53:23,000 --> 00:53:23,719
Speaker 3: of money for that tour.

1308
00:53:23,880 --> 00:53:26,960
Speaker 2: No, there were If you really want to get into it,

1309
00:53:27,239 --> 00:53:31,960
Speaker 2: I don't. Okay, damn, it's some very good stuff there. Yeah, No,

1310
00:53:32,080 --> 00:53:35,200
Speaker 2: we are, okay. There were two very young twins.

1311
00:53:35,680 --> 00:53:38,920
Speaker 4: They thought the revolutionaries actually murdered because they were the

1312
00:53:39,160 --> 00:53:41,400
Speaker 4: next in line to the throne. Very sad, and then

1313
00:53:41,440 --> 00:53:43,319
Speaker 4: there was this theory that that actually didn't kill them.

1314
00:53:43,360 --> 00:53:45,280
Speaker 4: They put one of them in a mask and put.

1315
00:53:45,200 --> 00:53:48,720
Speaker 3: Him in that prison. I visited the Shadow, The Shadow

1316
00:53:48,800 --> 00:53:49,960
Speaker 3: differ on an island.

1317
00:53:50,080 --> 00:53:53,920
Speaker 2: Yes, it is carrying on, carrying on, you asked me.

1318
00:53:54,160 --> 00:53:54,680
Speaker 2: He asked me.

1319
00:53:55,880 --> 00:53:57,440
Speaker 4: I look around that and I had to you know,

1320
00:53:57,600 --> 00:53:59,040
Speaker 4: you know that was a dumb question. All right, here

1321
00:53:59,040 --> 00:54:01,759
Speaker 4: we go next, all Louis Tomlinson related movies. And I'm

1322
00:54:01,760 --> 00:54:03,520
Speaker 4: sorry I've gone a bit hard today because I've got

1323
00:54:03,560 --> 00:54:05,560
Speaker 4: my back up because what he's beaten me most other weeks.

1324
00:54:05,920 --> 00:54:07,760
Speaker 3: I've got the first one as well. You must be furious.

1325
00:54:07,840 --> 00:54:09,000
Speaker 2: Okay, here we go next one.

1326
00:54:09,680 --> 00:54:15,360
Speaker 4: Thief proves that short shorts are a grave. No, no, thief, thief.

1327
00:54:16,640 --> 00:54:19,720
Speaker 4: Thief proves that short shorts are a grave.

1328
00:54:19,880 --> 00:54:19,920
Speaker 16: No.

1329
00:54:20,080 --> 00:54:21,440
Speaker 2: No, that's a movie.

1330
00:54:22,239 --> 00:54:24,759
Speaker 4: It's a Louis Tomlinson related movie. Now keep in mind,

1331
00:54:24,840 --> 00:54:28,200
Speaker 4: my Louis Tomlinson links are relatively loose, very loose, some

1332
00:54:28,280 --> 00:54:33,840
Speaker 4: would say incorrect. Thief proofs that short shorts are a grave. No, no,

1333
00:54:34,000 --> 00:54:37,600
Speaker 4: that's a film, and I know, come on, no, incorrect.

1334
00:54:37,640 --> 00:54:39,120
Speaker 4: I really want one of you guys to get this.

1335
00:54:39,320 --> 00:54:41,960
Speaker 4: I really want one of you guys to incorrect.

1336
00:54:42,640 --> 00:54:43,319
Speaker 5: Okay, we want to.

1337
00:54:45,719 --> 00:54:46,320
Speaker 2: Call has got it?

1338
00:54:46,360 --> 00:54:49,080
Speaker 3: Apparently someone wears short shorts, someone dies.

1339
00:54:49,080 --> 00:54:51,600
Speaker 4: Thief proves that short shorts are a grave. No, no,

1340
00:54:52,320 --> 00:54:55,520
Speaker 4: that's a movie, guys, that is I'm really happy with.

1341
00:54:55,560 --> 00:54:56,160
Speaker 2: This one as well.

1342
00:54:56,239 --> 00:54:59,120
Speaker 4: There is a Louis Tomlinson link to this movie, but

1343
00:54:59,200 --> 00:55:01,520
Speaker 4: don't focus on Louis Tomlinson. The I'm actually gonna stop

1344
00:55:01,560 --> 00:55:05,080
Speaker 4: saying that because it's a very Diana's got the movie, Diana, Diana,

1345
00:55:05,120 --> 00:55:05,760
Speaker 4: what's the movie?

1346
00:55:07,360 --> 00:55:17,680
Speaker 2: This movie is? It is, guys, Laura Croft, Fine, God,

1347
00:55:17,760 --> 00:55:20,359
Speaker 2: that's good together win. I can't even tell you. I'm like, oh,

1348
00:55:20,440 --> 00:55:21,439
Speaker 2: I can feel it in my gut.

1349
00:55:21,719 --> 00:55:24,160
Speaker 4: I've got goosebumps. Great lost, the piece of Lost, the

1350
00:55:24,200 --> 00:55:26,759
Speaker 4: plot as well. The grave No, no, you know, pun

1351
00:55:26,840 --> 00:55:28,840
Speaker 4: on the word grave. Obviously she's a term raider, but

1352
00:55:28,920 --> 00:55:31,800
Speaker 4: the short gravely sure, thanks mate, appreciate that.

1353
00:55:31,920 --> 00:55:33,440
Speaker 2: I need to give that to me, all right.

1354
00:55:33,520 --> 00:55:35,360
Speaker 4: Final one here for a man who's seen that upwards

1355
00:55:35,400 --> 00:55:37,160
Speaker 4: of fifty times for no other reason other than the

1356
00:55:37,200 --> 00:55:40,600
Speaker 4: Angelina Jolly Lingerie hanging from ropes in a ceiling scene,

1357
00:55:40,600 --> 00:55:43,600
Speaker 4: I'm disappointed in you. Final one here, Final one here,

1358
00:55:44,600 --> 00:55:52,320
Speaker 4: Final one got him, And so it's Louis Tomlinson related

1359
00:55:52,360 --> 00:55:55,160
Speaker 4: because Harry Styles was in the Eternals with Angelina Jolly

1360
00:55:55,200 --> 00:55:56,160
Speaker 4: and he was once in one direction.

1361
00:55:57,360 --> 00:55:57,759
Speaker 2: Final one.

1362
00:55:57,800 --> 00:55:58,080
Speaker 7: Here we go.

1363
00:55:58,239 --> 00:55:59,600
Speaker 2: Rock Show divides the planet.

1364
00:56:00,239 --> 00:56:01,120
Speaker 3: Rock show.

1365
00:56:01,920 --> 00:56:05,600
Speaker 2: Oh, rock Show divides the players. No, it's it's a

1366
00:56:05,680 --> 00:56:06,200
Speaker 2: it's a movie.

1367
00:56:06,640 --> 00:56:08,480
Speaker 3: Its government.

1368
00:56:08,640 --> 00:56:12,200
Speaker 4: It's just asked us to save the world or space right,

1369
00:56:12,280 --> 00:56:12,880
Speaker 4: outer space?

1370
00:56:13,040 --> 00:56:14,560
Speaker 2: Yes, blue.

1371
00:56:14,760 --> 00:56:17,920
Speaker 3: What's the link to the trailer right? What's the link

1372
00:56:17,960 --> 00:56:18,680
Speaker 3: to Louis Donlindson.

1373
00:56:18,880 --> 00:56:22,360
Speaker 2: It's my loosest. The rock was heading in one direction.