WEBVTT - WHAT TO WATCH with Alana McLean

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. They'reby Well, welcome back

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<v Speaker 1>to everyone, and thank you for returning to TV Reload

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<v Speaker 1>for your second time.

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<v Speaker 2>Oh I have loved, loved, loved being part of it

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<v Speaker 2>the first time. Thank you for having me back a

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<v Speaker 2>second time.

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<v Speaker 1>Well, I was just so happy about this, and I mean,

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<v Speaker 1>we got such good feedback as well, and the common

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<v Speaker 1>note was that it was quite juicy.

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<v Speaker 2>Oh. I mean, we're pretty unfiltered people, so that's good.

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<v Speaker 2>I'm glad that came through.

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<v Speaker 1>I feel like we should have always recorded all of

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<v Speaker 1>our phone chats, like release the Tanks.

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<v Speaker 2>Maybe not, we could end us in some very hot order.

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<v Speaker 1>For everyone who is listening. Each week, I'm joined by

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<v Speaker 1>a rotating guest, which is my friends Alana and Stacey,

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<v Speaker 1>and we'll unpack all of your favorite TV shows, will

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<v Speaker 1>help you pick what to watch, and discuss all the

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<v Speaker 1>latest TV shows right across your free to air and

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<v Speaker 1>streaming services.

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<v Speaker 2>I'm excited. There's so much to get through.

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<v Speaker 1>Well, this week we're going to talk about Real Housewives

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<v Speaker 1>of Beverly Hills, which you and I call a warm up,

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<v Speaker 1>you know, because that'll.

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<v Speaker 2>Get us going definitely it is it gives us life

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<v Speaker 2>blood banda.

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<v Speaker 1>Pump Rules Expats, Griselda, and then we also have Lucinda

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<v Speaker 1>for mered at First Sight, who will be joining us

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<v Speaker 1>to talk about what she thinks of everyday Astralian's coming

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<v Speaker 1>up to her in the street and asking her if

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<v Speaker 1>she is in fact an actress? Are you watching any

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<v Speaker 1>of Meredith first.

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<v Speaker 2>Site public service announcement. I haven't been watching any of

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<v Speaker 2>Maths this season. I didn't really mean too like, I

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<v Speaker 2>hadn't really sort of said I'm not going to watch it.

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<v Speaker 2>I've watched it in the past, but I think things

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<v Speaker 2>have just gotten a little bit away from me. I've

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<v Speaker 2>been following along on the socials, but I haven't been

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<v Speaker 2>an avid viewer, so I'll be keen to hear your take.

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<v Speaker 1>Okay, great. We're also going to finish up with We'll

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<v Speaker 1>finish up on the pod, including a preview of what

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<v Speaker 1>is about to come out. It's a show on Binge,

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<v Speaker 1>which is a new series based on one of Leanne

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<v Speaker 1>Moriarty's books with actress Annette Benning, who I'm obsessed with.

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<v Speaker 1>That one was filmed here in Australia on the Gold Coast,

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<v Speaker 1>have you actually read any of Leanne Moriarty's books, like

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<v Speaker 1>Big Little Eyes.

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<v Speaker 2>I haven't read her books because they are giant, but

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<v Speaker 2>I very much am excited. I've seen the trailer for

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<v Speaker 2>that one, and I'm pumped and also loved Big Little

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<v Speaker 2>Lies and very excited to hear that's coming back for

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<v Speaker 2>a third season as well.

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<v Speaker 1>You kind of strike me as the sort of person

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<v Speaker 1>that at school the night before doing an assessment or

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<v Speaker 1>a test, you just watch the movie.

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<v Speaker 2>Oh literally one hundred percent, or ask someone else who'd

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<v Speaker 2>watched the movie, and then kind of just adapt what

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<v Speaker 2>Moke's smarter, not harder.

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<v Speaker 1>I only know because I was that person exactly. I

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<v Speaker 1>just always say to people that I've read books. I'm like, oh, yes, no,

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<v Speaker 1>I've read that book. I mean, the book's always better

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<v Speaker 1>than the show. And what I mean to say is

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<v Speaker 1>what book.

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<v Speaker 2>I didn't know it was a book. No, you're not

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<v Speaker 2>fooling me. I know you too well.

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<v Speaker 1>We will also touch upon Rupos Drag Race, which has

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<v Speaker 1>its latest global series on Stan Australia. It actually has

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<v Speaker 1>one of our former down Under queens joining that series.

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<v Speaker 1>Plus we're going to talk about Channel seven's latest Juicy

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<v Speaker 1>English true crime series, which ever everyone should watch. Had

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<v Speaker 1>you ever heard or have you ever heard of mis

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<v Speaker 1>Debates versus the Post Office? No, I've left this in

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<v Speaker 1>there without talking to you about this because Ben and

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<v Speaker 1>I had to watch all four episodes in one go

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<v Speaker 1>because it was so good and you and Robbie are

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<v Speaker 1>going to love it, so we'll talk about it.

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<v Speaker 2>Well. I do love a good I love a good

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<v Speaker 2>British show, so very keen here about that one.

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<v Speaker 1>All righty, Let's kick this off with Real Housewives of

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<v Speaker 1>Beverly Hills. You know, in the aftermath of last season's

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<v Speaker 1>turbulent ending with the exit of long term housewife Lisa Rinner.

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<v Speaker 1>This season, the women have found themselves attempting to navigate

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<v Speaker 1>I would say is a very fractured friend group. We

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<v Speaker 1>are two weeks away from the first reunion episode, which

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<v Speaker 1>will wrap this series. However, this week we saw Sutton

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<v Speaker 1>talking about being back in the saddle again, Garcelle agreeing

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<v Speaker 1>to give her boys more freedom who cares Anna Marie

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<v Speaker 1>which is what we're referring to her, which it could

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<v Speaker 1>also be, and Marie throwing a blinged out brunch which

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<v Speaker 1>we also don't care about, where she and Crystal finally

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<v Speaker 1>made up, which is great, but probably more juicy in

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<v Speaker 1>the storyline of this week's episode is Kyle and Direct

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<v Speaker 1>questioning their friendship Alana, what is going on? I walked

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<v Speaker 1>away a lot from watching this episode. How did you go?

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<v Speaker 2>To be honest, I mean we spoke about this last time.

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<v Speaker 2>I said, I just really feel like the whole season

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<v Speaker 2>has been a bit lackluster, and they haven't really had

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<v Speaker 2>the strong storylines apart from Kyle and Mauricio and they're split.

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<v Speaker 2>And I think it's become quite evident as well that

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<v Speaker 2>Kyle is saying a lot more in her confessionals that

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<v Speaker 2>we are seeing as viewers than what she's been saying

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<v Speaker 2>to the lady. So, to be honest, that hasn't even

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<v Speaker 2>really been a storyline that has been super strong in

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<v Speaker 2>how it's playing out in terms of the friendship group,

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<v Speaker 2>because I don't think she's really told them as much

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<v Speaker 2>as what we are seeing. So but this episode, I

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<v Speaker 2>actually didn't mind that the last couple, even though they

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<v Speaker 2>are in Spain. I was like, oh my god, I'm

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<v Speaker 2>so bored. It was the most boring cart trip I

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<v Speaker 2>think I've ever seen. I was like, there was no shopping.

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<v Speaker 2>They weren't really delivering on the look, and I think

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<v Speaker 2>that's what Beverly Hills is, isn't it. I mean, if

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<v Speaker 2>there's not a huge amount happening, we still want to

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<v Speaker 2>see where they're going, where they're eating, what they're driving,

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<v Speaker 2>what they're wearing, the GLAMs and I just don't even

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<v Speaker 2>feel like that's been up to pub But this one,

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<v Speaker 2>I actually thought this episode had a little bit more

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<v Speaker 2>of that. The Diamond champagne brunch. It was a bit cheesy,

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<v Speaker 2>but I feel like they all bought their day drinking

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<v Speaker 2>looks and it wasn't too bad. I actually had a

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<v Speaker 2>little bit of a laugh during this episode. I didn't

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<v Speaker 2>mind it.

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<v Speaker 1>I do say that the fashion porn was back in

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<v Speaker 1>this episode. I couldn't help but notice, though, how much

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<v Speaker 1>dereck of the styling is being done before the girls

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<v Speaker 1>turn up on camera, because there was this beautiful shot

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<v Speaker 1>of all of them and they were color blocked so well,

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<v Speaker 1>like you've got your Erica Jane and your pink and

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<v Speaker 1>I think Garcel was in an orange. You know, everyone

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<v Speaker 1>was color blocked. Do you think that there's a lot

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<v Speaker 1>of conversations that go in before they were even allowed

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<v Speaker 1>to turn up.

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<v Speaker 2>Well, it does with me and my girlfriends. You've seen

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<v Speaker 2>our photos. We're like, what scene wearing today, ladies, and

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<v Speaker 2>we actually enjoy and we all sort of rally around

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<v Speaker 2>the idea of doing a bit of a theme. Sometimes.

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<v Speaker 2>I wouldn't surprise me if they've got the group chat going.

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<v Speaker 2>But yeah, I think the fashion it's definitely a huge

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<v Speaker 2>part of it. But I mean, like you said, with

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<v Speaker 2>the Crystal and Marie storyline, that was pretty you know,

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<v Speaker 2>neither here nor there, and then that was sort of

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<v Speaker 2>a big focus of the episode. One thing I have

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<v Speaker 2>been interested in this season is Erica having that redemption season,

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<v Speaker 2>watching her and her sort of struggle without Lisa Rinna,

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<v Speaker 2>her friend there as you mentioned, and then very disappointed

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<v Speaker 2>with the other ladies for not kind of rallying around

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<v Speaker 2>her during the last two tumultuous years that she's had

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<v Speaker 2>two plus really and all these lawsuits and wanting the

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<v Speaker 2>apology and not getting it, and her having that moment

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<v Speaker 2>last night, you know, with Sutton sitting on the couch

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<v Speaker 2>and Sutton apologizing. I actually thought that was quite a

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<v Speaker 2>genuine moment. I don't know if we've seen that many

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<v Speaker 2>of them this season. So I kind of enjoyed seeing that.

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<v Speaker 2>How how you read that Erica? Then? Do you think

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<v Speaker 2>she deserves an apology?

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<v Speaker 1>No? I don't. I think you know, and you know

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<v Speaker 1>that I love Erica Jane, like Erica Girardi, whoever she is.

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<v Speaker 1>I love all the facades that she has. But I

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<v Speaker 1>think that Erica needs to get over that apology, because yes,

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<v Speaker 1>the court case was settled, but the result wasn't. Hey,

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<v Speaker 1>the jewelry wasn't one hundred percent bought with the victim's money.

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<v Speaker 1>It was, we cannot prove that it wasn't, and she's

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<v Speaker 1>celebrating it like there's some hard fact and that now

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<v Speaker 1>the women need to apologize. I don't think the women

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<v Speaker 1>are even thinking about it.

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<v Speaker 2>I've sort of read it a little bit differently and

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<v Speaker 2>a bit more holistically. I think there's still going to

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<v Speaker 2>be lots of cards that need to fall from this

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<v Speaker 2>legal proceeding, and it's still ongoing as we know, and

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<v Speaker 2>Tom Girardi has been declared mentally fit to stand trial,

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<v Speaker 2>which I don't think any of us were necessarily expecting

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<v Speaker 2>at that sort of stage. So I think there's still

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<v Speaker 2>more to come there. But I think what she's trying

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<v Speaker 2>to say is I said to you all that this

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<v Speaker 2>would happen. It's going to be a long game. And

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<v Speaker 2>she sat at that dinner party last year and said, oh,

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<v Speaker 2>remember the people that were with me and against me,

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<v Speaker 2>And she's sort of just wanting a little bit of

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<v Speaker 2>vindication that what she said was going to happen, and

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<v Speaker 2>I think she just got very hurt that, yes, there

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<v Speaker 2>were victims, there was a lot of people that you know,

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<v Speaker 2>have to be made whole. I guess in the court

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<v Speaker 2>of Laura's what she said. However, she sort of expected

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<v Speaker 2>more from the ladies on a personal point of view,

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<v Speaker 2>to rally around her and say, you know, the victims

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<v Speaker 2>will get taken care of. There are legal people that

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<v Speaker 2>are on that case, and I'm sure all of them

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<v Speaker 2>will hopefully get taken care of, but we, as your friends,

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<v Speaker 2>want to look after you. And I'm not saying necessarily

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<v Speaker 2>that's one hundred percent right, but I think that's how

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<v Speaker 2>she was expecting it to play out. And when they

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<v Speaker 2>all sort of turned on her and said no, no, no,

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<v Speaker 2>no no, And then now it's fast forward and she's

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<v Speaker 2>saying the live is right and she's still not getting it.

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<v Speaker 2>It's kind of a little bit difficult to watch, But.

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<v Speaker 1>We have this in our own lives. You know, I

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<v Speaker 1>wonder as we get older and these women are, you know,

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<v Speaker 1>ten plus years older than you and I, But like

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<v Speaker 1>we have a lot going on in our lives, A

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<v Speaker 1>lot of things happen to us personally. I think she

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<v Speaker 1>because she's so focused on this whole storyline in her life,

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<v Speaker 1>which is very hectic, and I can imagine that it

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<v Speaker 1>would be really hard for her. You know, Kle's getting divorced,

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<v Speaker 1>you know, I think is having what we could say

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<v Speaker 1>is sort of a very slow breakdown. There's a lot

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<v Speaker 1>going on with these women, So is she expecting too

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<v Speaker 1>much for them to acknowledge her situation? Because I just

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<v Speaker 1>think sometimes we get lost in what's happening to us personally,

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<v Speaker 1>and that isn't a bad thing.

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<v Speaker 2>Yeah, well, I think everyone's definitely got the their blinkers

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<v Speaker 2>on when it comes to their own staff obviously first

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<v Speaker 2>and foremost, no doubt.

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<v Speaker 1>Can I just say, personally, I don't need to jump

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<v Speaker 1>in there, because you're so good at that. Like, anytime

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<v Speaker 1>I talk to you, you will always remember things that

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<v Speaker 1>are happening in my life, and you will always ask

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<v Speaker 1>about them and so you are someone by nature who

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<v Speaker 1>remembers what's happening to others, and I have to commend

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<v Speaker 1>you for that.

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<v Speaker 2>Oh, I feel the same about you, and I think

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<v Speaker 2>that's obviously the goal as friends. You know, you want

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<v Speaker 2>to be able to be there for each other. Sometimes

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<v Speaker 2>you do get caught up in your own staff. I

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<v Speaker 2>think that was a nice moment with Sutton apologizing. I

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<v Speaker 2>think that'll let them sort of turn the corner, and

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<v Speaker 2>I think what will play out next is basically this

0:10:20.240 --> 0:10:25.520
<v Speaker 2>cliffhanger episode with Kyler Mauricio and that news breaking publicly

0:10:26.360 --> 0:10:28.920
<v Speaker 2>and them having to address that with their children, and

0:10:28.960 --> 0:10:32.600
<v Speaker 2>obviously flash forward to what he is then going to

0:10:32.600 --> 0:10:35.280
<v Speaker 2>be a three part reunion. I think the questions are

0:10:35.320 --> 0:10:37.760
<v Speaker 2>really going to be coming for Kyle, but I think

0:10:37.840 --> 0:10:43.160
<v Speaker 2>secondary to that will be this Erica redemption apology what

0:10:43.280 --> 0:10:46.480
<v Speaker 2>she wants that will play second at the reunion.

0:10:46.520 --> 0:10:48.520
<v Speaker 1>I think, I think I really want to ask you

0:10:48.559 --> 0:10:50.839
<v Speaker 1>about this at this point, and I've probably jumped a

0:10:50.840 --> 0:10:52.959
<v Speaker 1>little bit ahead of myself, but who do you want

0:10:53.000 --> 0:10:55.040
<v Speaker 1>to stay next year and who do you think should go?

0:10:55.360 --> 0:10:58.640
<v Speaker 1>Because I'm starting to think this season and this selection

0:10:58.679 --> 0:11:02.160
<v Speaker 1>of women isn't working. I really do feel like I

0:11:02.400 --> 0:11:05.320
<v Speaker 1>still can't lose Kyle. We are seeing her talking about

0:11:05.320 --> 0:11:07.839
<v Speaker 1>that in the press of the moment about her renegotiation

0:11:07.920 --> 0:11:10.400
<v Speaker 1>of coming back. I think Kyle needs to stay, and

0:11:10.440 --> 0:11:12.760
<v Speaker 1>I think that's non negotiable, But as far as the

0:11:12.800 --> 0:11:15.000
<v Speaker 1>rest of the women go, I could lose all the

0:11:15.000 --> 0:11:16.360
<v Speaker 1>rest of them.

0:11:16.440 --> 0:11:19.000
<v Speaker 2>I agree with you. I think we said this last time.

0:11:19.040 --> 0:11:21.960
<v Speaker 2>It is feeling very disjointed. I don't know if the

0:11:22.000 --> 0:11:24.559
<v Speaker 2>friendships are as strong. I think we had Kyle and

0:11:24.640 --> 0:11:27.160
<v Speaker 2>Toreat as best friends. It's very evident that they're not

0:11:27.280 --> 0:11:30.000
<v Speaker 2>best friends this season. I think Eric has felt very

0:11:30.040 --> 0:11:34.520
<v Speaker 2>lost without Lisa Rinna, and she's not necessarily jelling one

0:11:34.600 --> 0:11:37.040
<v Speaker 2>hundred percent with the other ladies. I think everyone talks

0:11:37.080 --> 0:11:40.760
<v Speaker 2>about Suttan and Garsell being this duo on the outside

0:11:41.200 --> 0:11:43.640
<v Speaker 2>and that they're the fan favorites, But sometimes I watched

0:11:43.679 --> 0:11:45.920
<v Speaker 2>them together on screen and I'm like, that don't seem

0:11:45.920 --> 0:11:49.800
<v Speaker 2>that close. I knew we're right. I think it is not. No. Yeah,

0:11:49.840 --> 0:11:51.640
<v Speaker 2>And it's a bit of a worry, isn't it, Because

0:11:51.640 --> 0:11:54.040
<v Speaker 2>you start to unravel a few of those threads and

0:11:54.080 --> 0:11:57.120
<v Speaker 2>you go, well, how much longevity does this cast have

0:11:57.440 --> 0:12:00.120
<v Speaker 2>as a whole and then where does that go? So

0:12:00.600 --> 0:12:02.760
<v Speaker 2>as we move forward, I mean, they're still getting the

0:12:02.840 --> 0:12:06.679
<v Speaker 2>number one ratings, so I think that's where the challenge is.

0:12:06.880 --> 0:12:09.520
<v Speaker 2>But are people just tuning in for that lifestyle aspect

0:12:09.520 --> 0:12:11.120
<v Speaker 2>that we mentioned perhaps, I.

0:12:11.160 --> 0:12:13.160
<v Speaker 1>Think they're waiting to see what happens with Kyle, and

0:12:13.200 --> 0:12:15.360
<v Speaker 1>I think she's the backbone of this series. And I

0:12:15.400 --> 0:12:17.960
<v Speaker 1>feel like, as we did talk about last time about

0:12:18.080 --> 0:12:20.560
<v Speaker 1>dropping in a lot of this throughout the series to

0:12:20.559 --> 0:12:23.479
<v Speaker 1>pepper it up, teasing is what's going to happen with Mareencio,

0:12:23.760 --> 0:12:25.439
<v Speaker 1>you know, teasing us to get us to the end.

0:12:25.640 --> 0:12:27.800
<v Speaker 1>But I mean the episodes feel shorter. They're only forty

0:12:27.800 --> 0:12:30.160
<v Speaker 1>three minutes, and that's very short to me. I feel

0:12:30.160 --> 0:12:33.840
<v Speaker 1>like with Garcelle and Sutton, with their fan favoritism or

0:12:33.880 --> 0:12:36.480
<v Speaker 1>whatever is going on on social media, I don't know

0:12:36.559 --> 0:12:39.240
<v Speaker 1>if that is landing with me, and I kind of

0:12:39.240 --> 0:12:41.120
<v Speaker 1>feel like if those women come back, the only thing

0:12:41.120 --> 0:12:43.440
<v Speaker 1>I'd be interested in seeing between the two of them

0:12:43.760 --> 0:12:46.760
<v Speaker 1>is some conflict, you know, some real conversations between the

0:12:46.800 --> 0:12:50.040
<v Speaker 1>two of the women. That feels more authentic.

0:12:50.400 --> 0:12:53.760
<v Speaker 2>It is interesting, though, isn't it, because last season and

0:12:53.800 --> 0:12:56.600
<v Speaker 2>the seasons leading up to it so much drama, so

0:12:56.760 --> 0:13:00.000
<v Speaker 2>much has happened. We had Denise Richards with Brandy Glanville,

0:13:00.080 --> 0:13:02.840
<v Speaker 2>that sort of storyline, the cease and deceea Us. We've

0:13:02.840 --> 0:13:05.560
<v Speaker 2>had Erica with all the legal drama. We had the

0:13:05.679 --> 0:13:08.480
<v Speaker 2>Kathi fallout last year at the end there with Kyle.

0:13:08.679 --> 0:13:10.920
<v Speaker 2>There's been a lot of drama and all the fans

0:13:10.960 --> 0:13:14.840
<v Speaker 2>were calm being hard on social media, saying it's too dark,

0:13:14.920 --> 0:13:17.640
<v Speaker 2>it's too toxic, we don't want this, and I think

0:13:17.679 --> 0:13:20.559
<v Speaker 2>the producers have gone, fine, we'll get rid of Lisa

0:13:20.600 --> 0:13:23.120
<v Speaker 2>Rinna or put her on pause, or she's voluntarily going

0:13:23.160 --> 0:13:25.720
<v Speaker 2>to leave or whatever happened there. We're going to take

0:13:25.760 --> 0:13:27.680
<v Speaker 2>it down or not. We're going to give you the

0:13:27.720 --> 0:13:29.760
<v Speaker 2>bare minimum and then we're going to see if you

0:13:29.920 --> 0:13:32.520
<v Speaker 2>like that. And it's almost like, now we've had a

0:13:32.559 --> 0:13:35.719
<v Speaker 2>season of that, will people as you say, then go

0:13:35.760 --> 0:13:37.560
<v Speaker 2>oh well, hang on. We want a little bit more.

0:13:37.600 --> 0:13:39.400
<v Speaker 2>We want a bit more conflict, We want a bit

0:13:39.440 --> 0:13:41.720
<v Speaker 2>more from these ladies. What are they really giving us

0:13:41.760 --> 0:13:44.320
<v Speaker 2>week on week? Has this all been a little bit

0:13:44.320 --> 0:13:45.880
<v Speaker 2>of a play potentially?

0:13:46.240 --> 0:13:47.880
<v Speaker 1>I feel like, you know when sometimes you go to

0:13:47.880 --> 0:13:50.640
<v Speaker 1>those ice cream places and I'm going to take you

0:13:50.679 --> 0:13:54.120
<v Speaker 1>on a journey here and they suggest some wizbang flavor

0:13:54.400 --> 0:13:59.840
<v Speaker 1>like you know, blue cheese and almonds, and you go disgust,

0:14:00.360 --> 0:14:02.320
<v Speaker 1>and then they give you something basic. They take you

0:14:02.360 --> 0:14:05.559
<v Speaker 1>back to basic and give you vanilla. We don't want

0:14:05.559 --> 0:14:06.800
<v Speaker 1>that either, do you know what I mean?

0:14:06.840 --> 0:14:10.280
<v Speaker 2>Like, yeah, we wouldn't wear the goldilocks of the Real

0:14:10.320 --> 0:14:13.959
<v Speaker 2>Housewives franchise. We want them, We want the right amout.

0:14:14.920 --> 0:14:17.160
<v Speaker 1>This is the only way I can describe things as

0:14:17.200 --> 0:14:20.520
<v Speaker 1>telling people about what I'm trying to say through ice cream.

0:14:20.920 --> 0:14:23.240
<v Speaker 1>So we were texting the other day about this, what

0:14:23.320 --> 0:14:26.080
<v Speaker 1>is your theory? Because it has been revealed that Kathy

0:14:26.280 --> 0:14:28.760
<v Speaker 1>will be involved in the finale, in the reunion, we

0:14:28.840 --> 0:14:30.720
<v Speaker 1>are going to see her back. I need to ask

0:14:30.760 --> 0:14:34.280
<v Speaker 1>you what do you want from her? And yeah, I

0:14:34.320 --> 0:14:36.200
<v Speaker 1>want to know. I'll want three questions for you. But

0:14:36.280 --> 0:14:38.120
<v Speaker 1>what do you want from Kathy turning up?

0:14:38.280 --> 0:14:40.960
<v Speaker 2>I don't want anything from Kathy turning up. I was

0:14:41.080 --> 0:14:44.080
<v Speaker 2>shocked to see those photos where she was rocking up.

0:14:44.120 --> 0:14:46.680
<v Speaker 2>I thought she has no right to necessarily be there.

0:14:46.720 --> 0:14:50.320
<v Speaker 2>She hasn't even had one guest appearance on the whole season.

0:14:51.080 --> 0:14:54.040
<v Speaker 2>And I said on this podcast last time, I said,

0:14:54.080 --> 0:14:56.640
<v Speaker 2>I don't think we'll ever see Kathy back on Real

0:14:56.680 --> 0:14:59.520
<v Speaker 2>housewise because I think it showed a bit of her

0:14:59.560 --> 0:15:03.040
<v Speaker 2>true cul and I don't think she liked that. And

0:15:03.640 --> 0:15:06.120
<v Speaker 2>your point was, I don't think she's as clever at

0:15:06.200 --> 0:15:10.840
<v Speaker 2>navigating reality TV is what she thinks, and I agreed

0:15:10.880 --> 0:15:13.160
<v Speaker 2>with you. So I'm very surprised to see her back.

0:15:13.280 --> 0:15:17.080
<v Speaker 2>But again, is this, you know, potentially a hook to

0:15:17.120 --> 0:15:20.280
<v Speaker 2>get us back in next season along with this Kyle drama.

0:15:20.560 --> 0:15:23.400
<v Speaker 2>Now she's going to be leaning on Kathy and Kim.

0:15:23.840 --> 0:15:26.880
<v Speaker 2>We're going to see that sort of family reconciliation because

0:15:26.880 --> 0:15:29.880
<v Speaker 2>they haven't really got a lot else to go on, potentially,

0:15:30.080 --> 0:15:32.800
<v Speaker 2>But I was shocked to see her photos pop up

0:15:32.840 --> 0:15:34.200
<v Speaker 2>on social media one hundred percent.

0:15:34.320 --> 0:15:36.400
<v Speaker 1>Well that kind of answers my question about why is

0:15:36.440 --> 0:15:38.520
<v Speaker 1>she there. I think you've probably sort of teased some

0:15:38.560 --> 0:15:40.720
<v Speaker 1>of that, But so that's part of my second question.

0:15:40.720 --> 0:15:42.680
<v Speaker 1>But the third one is what do we not want

0:15:42.720 --> 0:15:45.040
<v Speaker 1>to see from Kathy? And I want to jump in

0:15:45.080 --> 0:15:47.320
<v Speaker 1>at the start of that and say, I'm going to

0:15:47.360 --> 0:15:51.080
<v Speaker 1>be really great if she brings up Lisa Renner in

0:15:51.160 --> 0:15:54.680
<v Speaker 1>any capacity when Lisa's not there to defend herself, and

0:15:54.720 --> 0:15:57.480
<v Speaker 1>that Lisa hasn't been a part of this series like that.

0:15:57.720 --> 0:16:00.600
<v Speaker 1>To me, she brings her up, I'm I'm done with

0:16:00.680 --> 0:16:01.320
<v Speaker 1>Kathy Hilton.

0:16:01.480 --> 0:16:03.720
<v Speaker 2>I would agree with that. I mean I was sort

0:16:03.720 --> 0:16:06.520
<v Speaker 2>of really done with her at the end of last season. Anyway.

0:16:07.080 --> 0:16:11.920
<v Speaker 2>Everyone thought Lisa was horrible, toxic Cuman. I more saw

0:16:11.960 --> 0:16:14.600
<v Speaker 2>it as someone who was really trying to hold Kathy

0:16:14.640 --> 0:16:16.880
<v Speaker 2>to account and she's gotten away with a lot of

0:16:16.880 --> 0:16:19.120
<v Speaker 2>things that she said, a lot of behavior behind the scenes.

0:16:19.160 --> 0:16:21.160
<v Speaker 2>She was trying to bring that to light, you know.

0:16:21.280 --> 0:16:22.840
<v Speaker 2>I think it went a bit further than what we

0:16:22.920 --> 0:16:24.960
<v Speaker 2>all sort of assumed. But I don't think it was

0:16:25.000 --> 0:16:27.520
<v Speaker 2>anything that hasn't been happening behind the scenes with that

0:16:27.640 --> 0:16:30.960
<v Speaker 2>sister dynamic, you know, in years gone by. So I

0:16:31.040 --> 0:16:33.800
<v Speaker 2>would agree with you. I think she will bring up

0:16:33.880 --> 0:16:36.040
<v Speaker 2>Lisa inner, but it might be a bit fleeting and

0:16:36.080 --> 0:16:36.800
<v Speaker 2>then she'll move on.

0:16:37.200 --> 0:16:39.880
<v Speaker 1>I think I'd not just press pause at that point

0:16:39.960 --> 0:16:42.080
<v Speaker 1>on the reunion. I think I'd switch it off. I

0:16:42.120 --> 0:16:45.880
<v Speaker 1>think I'd be so great, but hey, at the end

0:16:45.920 --> 0:16:50.640
<v Speaker 1>of the day, a reunion, three part series is our

0:16:50.680 --> 0:16:53.040
<v Speaker 1>super Bowl, so I'm very excited.

0:16:54.240 --> 0:16:56.640
<v Speaker 2>And I will be singing for the halftime entertainment.

0:17:00.040 --> 0:17:03.080
<v Speaker 1>Alrighty, so we need to talk about our next ones,

0:17:03.360 --> 0:17:06.679
<v Speaker 1>which is vander Punt Rules. I mean, after the explosive

0:17:06.680 --> 0:17:09.399
<v Speaker 1>events of season ten, leaving fans on the edge of

0:17:09.440 --> 0:17:13.160
<v Speaker 1>their couches, episode one of season eleven didn't disappoint fans.

0:17:13.160 --> 0:17:15.959
<v Speaker 1>When I read all the comments online, we saw former

0:17:16.400 --> 0:17:20.280
<v Speaker 1>survivors or should I say survivors, returned to Ours Green

0:17:20.400 --> 0:17:24.520
<v Speaker 1>as the cast attempted to follow that scandal that really

0:17:24.640 --> 0:17:27.560
<v Speaker 1>jolted this tight knit brand group. I have to confess

0:17:27.840 --> 0:17:30.840
<v Speaker 1>I've never watched this show, and have you. I mean,

0:17:31.160 --> 0:17:33.080
<v Speaker 1>I remember that you said that you'd never watched it

0:17:33.160 --> 0:17:36.880
<v Speaker 1>last year and you joined in to catch the scandal

0:17:37.320 --> 0:17:39.880
<v Speaker 1>or I can't remember how to pronounce that storyline. Am

0:17:39.880 --> 0:17:41.520
<v Speaker 1>I too late to join this show? Or are you

0:17:41.680 --> 0:17:43.040
<v Speaker 1>enjoying it? What are your thoughts?

0:17:43.119 --> 0:17:45.679
<v Speaker 2>No, you're not too late, but you're right. So I

0:17:45.720 --> 0:17:47.800
<v Speaker 2>hadn't watched any of it. I think this is the

0:17:47.840 --> 0:17:50.960
<v Speaker 2>eleventh season that's just dropped. But the last season was

0:17:51.000 --> 0:17:54.879
<v Speaker 2>where it all erupted with this scandal. So Tom Sandoval

0:17:55.359 --> 0:17:58.679
<v Speaker 2>with Ariana Maddix for nine years and then basically had

0:17:58.720 --> 0:18:01.399
<v Speaker 2>a very secret affair. Not even any of the cast

0:18:01.400 --> 0:18:03.520
<v Speaker 2>members or the production knew that it was going on

0:18:03.680 --> 0:18:07.040
<v Speaker 2>with someone else that was in that friend group, Raquel Levis, Well,

0:18:07.080 --> 0:18:10.679
<v Speaker 2>I think she's changed it back to Rachel now, and yeah,

0:18:11.119 --> 0:18:14.600
<v Speaker 2>that was happening and it was explosive. I mean, we

0:18:14.640 --> 0:18:17.640
<v Speaker 2>talk about Beverly Hills not really having enough drama this

0:18:17.760 --> 0:18:20.760
<v Speaker 2>year to keep us hooked. That was just like watching

0:18:20.800 --> 0:18:22.720
<v Speaker 2>a bomb and go off in slow time. And I

0:18:22.720 --> 0:18:25.400
<v Speaker 2>think it's interesting watching these shows as of vier now

0:18:25.480 --> 0:18:28.679
<v Speaker 2>because you're obviously watching it, you know, for the show,

0:18:28.960 --> 0:18:31.320
<v Speaker 2>but you've also seen a lot of these things play

0:18:31.320 --> 0:18:34.320
<v Speaker 2>out in social media, so you know what's to come,

0:18:34.720 --> 0:18:37.920
<v Speaker 2>and that puts a very interesting lens over it all.

0:18:37.960 --> 0:18:40.760
<v Speaker 2>Now we're picking it up season eleven. We're three episodes

0:18:40.760 --> 0:18:43.280
<v Speaker 2>in there, and we're really seeing the fallout and the

0:18:43.359 --> 0:18:47.320
<v Speaker 2>aftermath and how that's fractured. All the relationships and the

0:18:47.400 --> 0:18:49.840
<v Speaker 2>trust issues are very high, and you know, these people

0:18:49.880 --> 0:18:53.600
<v Speaker 2>have been friends fourteen fifteen years, so it's not like

0:18:53.720 --> 0:18:56.240
<v Speaker 2>they've just been cast mates for a short amount of time.

0:18:56.280 --> 0:18:59.720
<v Speaker 2>It's really affected everyone and the relationships in different ways.

0:18:59.880 --> 0:19:02.560
<v Speaker 2>I think if you want the drama and a little

0:19:02.600 --> 0:19:05.680
<v Speaker 2>bit more intensity, then vander Pump Rules is certainly one

0:19:05.680 --> 0:19:07.720
<v Speaker 2>that you can probably pick up. I'd watch it from

0:19:07.800 --> 0:19:10.159
<v Speaker 2>last season so you can see this sort of gander

0:19:10.200 --> 0:19:13.520
<v Speaker 2>old play out. But this season will be an interesting

0:19:13.600 --> 0:19:16.080
<v Speaker 2>one seeing how all those relationships get repaired.

0:19:16.280 --> 0:19:18.320
<v Speaker 1>It does feel more like The Hills to me than

0:19:18.359 --> 0:19:21.560
<v Speaker 1>it does like an extension of the Real Housewives franchise.

0:19:21.960 --> 0:19:24.600
<v Speaker 1>I do really enjoy sort of the rock music interludes

0:19:24.600 --> 0:19:26.119
<v Speaker 1>and all of that kind of stuff that comes with

0:19:26.400 --> 0:19:28.840
<v Speaker 1>what I watched over the first three episodes, I did

0:19:28.920 --> 0:19:31.880
<v Speaker 1>notice that the biggest bombshells seemed to be we saw

0:19:31.960 --> 0:19:34.800
<v Speaker 1>that Lala had been reflecting on how she feels and

0:19:34.880 --> 0:19:38.720
<v Speaker 1>then sent a voice note asking Raquel to talk. What

0:19:38.880 --> 0:19:39.560
<v Speaker 1>do you make of that?

0:19:40.040 --> 0:19:43.040
<v Speaker 2>Well, it's interesting because again, when you're sort of watching

0:19:43.080 --> 0:19:45.720
<v Speaker 2>this all play out on social media. I'm pretty sure

0:19:45.760 --> 0:19:48.840
<v Speaker 2>the reports that I read said that she was offered

0:19:48.880 --> 0:19:51.399
<v Speaker 2>to come back, but then she wanted more money and

0:19:51.600 --> 0:19:55.439
<v Speaker 2>so it was her choice to not rejoin the cast.

0:19:55.640 --> 0:19:59.280
<v Speaker 2>She'd also been in a mental health sort of retreat

0:19:59.400 --> 0:20:03.080
<v Speaker 2>for quite a few months because after Scandalval just went global.

0:20:03.280 --> 0:20:06.040
<v Speaker 2>She was really struggling with it, as was Tom. So

0:20:06.359 --> 0:20:07.800
<v Speaker 2>I don't know if it would have been a good

0:20:07.840 --> 0:20:09.359
<v Speaker 2>idea for her to come back in that sort of

0:20:09.440 --> 0:20:12.479
<v Speaker 2>mental state. Anyway, she's sort of turning the corner now

0:20:12.600 --> 0:20:15.080
<v Speaker 2>she's got her own podcasts. It'll be interesting to see

0:20:15.119 --> 0:20:20.040
<v Speaker 2>whether maybe she rejoins next year. But it's definitely noticeable

0:20:20.240 --> 0:20:22.960
<v Speaker 2>in that, you know, the biggest part of the storyline

0:20:23.160 --> 0:20:25.960
<v Speaker 2>and half the sort of party that's made all of

0:20:26.080 --> 0:20:29.000
<v Speaker 2>that erupt isn't there and not there to defend herself

0:20:29.040 --> 0:20:31.200
<v Speaker 2>and not there to sort of engage in those conversations.

0:20:31.320 --> 0:20:34.600
<v Speaker 2>So Tom sander Old definitely taking all the heat from

0:20:34.840 --> 0:20:38.080
<v Speaker 2>the group. Three episodes in, he is still really copying it,

0:20:38.240 --> 0:20:41.239
<v Speaker 2>and Lisa vander Pump really has to step in there

0:20:41.280 --> 0:20:42.960
<v Speaker 2>as a bit of a maternal figure.

0:20:43.000 --> 0:20:45.200
<v Speaker 1>I guess she's really having to up the anti I

0:20:45.320 --> 0:20:48.480
<v Speaker 1>would believe, because anytime that I did try and tune

0:20:48.520 --> 0:20:50.360
<v Speaker 1>into the show, I was like, this is called vander

0:20:50.359 --> 0:20:51.920
<v Speaker 1>Pump rules. Well, we're not seeing a lot of Lisa

0:20:52.000 --> 0:20:53.399
<v Speaker 1>vaner Pump, you know, we're seeing a lot of these

0:20:53.440 --> 0:20:55.480
<v Speaker 1>young people. But what I noticed when I was watching

0:20:55.520 --> 0:20:57.320
<v Speaker 1>these first three episodes is there was a lot of

0:20:57.359 --> 0:21:00.320
<v Speaker 1>heavy lifting from Lisa, you know, having to talk him,

0:21:00.680 --> 0:21:03.359
<v Speaker 1>which I think is fine, and she can do that

0:21:03.440 --> 0:21:05.119
<v Speaker 1>because she is the name of the show, and I

0:21:05.160 --> 0:21:06.399
<v Speaker 1>think she can get away with that. But you know,

0:21:06.520 --> 0:21:08.800
<v Speaker 1>Raquel yesterday in the media was talking about the fact

0:21:08.840 --> 0:21:12.399
<v Speaker 1>that she's now healthier, she's happier, she's happy to be

0:21:12.520 --> 0:21:14.760
<v Speaker 1>not a part of this series. I don't know should

0:21:14.840 --> 0:21:17.960
<v Speaker 1>she return and do we only make that decision once

0:21:18.040 --> 0:21:19.480
<v Speaker 1>we get to the end of the series and see

0:21:19.520 --> 0:21:21.080
<v Speaker 1>whether they need to hook her back.

0:21:21.320 --> 0:21:23.399
<v Speaker 2>Well, I think at the end of the day, I mean,

0:21:23.440 --> 0:21:26.280
<v Speaker 2>we like to think some of these storylines are forced,

0:21:26.400 --> 0:21:30.520
<v Speaker 2>but that really did happen, and that really did go global.

0:21:30.720 --> 0:21:33.960
<v Speaker 2>That was a moment in time. Arianno Maatix is basically

0:21:34.119 --> 0:21:38.200
<v Speaker 2>cashed in on this whole breakup inadvertently. She is playing

0:21:38.320 --> 0:21:42.959
<v Speaker 2>Roxy in Chicago. She got like commercials, she's got covered

0:21:43.000 --> 0:21:47.879
<v Speaker 2>deals for magazines. So it really did blow up. And

0:21:48.600 --> 0:21:52.000
<v Speaker 2>I think Raquel obviously had to go into hiding for

0:21:52.040 --> 0:21:54.800
<v Speaker 2>a little bit. I think only if she is feeling

0:21:54.960 --> 0:21:57.280
<v Speaker 2>up to coming back to that dynamic and that sort

0:21:57.280 --> 0:21:59.320
<v Speaker 2>of public scrutiny, is that a good idea for her

0:21:59.359 --> 0:22:00.879
<v Speaker 2>to come back, And not no one else can answer

0:22:00.960 --> 0:22:05.200
<v Speaker 2>that except for her. But you know, apparently she was

0:22:05.280 --> 0:22:08.080
<v Speaker 2>contemplating it, but the price just wasn't high enough for

0:22:08.160 --> 0:22:09.920
<v Speaker 2>her for her to commit to that.

0:22:10.160 --> 0:22:12.280
<v Speaker 1>The money for these shows isn't a lot, by the way,

0:22:12.400 --> 0:22:14.280
<v Speaker 1>you know, it was actually doing a lot of digging

0:22:14.400 --> 0:22:17.439
<v Speaker 1>on this, and like sixty thousand dollars was what they

0:22:17.440 --> 0:22:20.679
<v Speaker 1>were originally paying in Australian dollars for the Real Housewives

0:22:20.760 --> 0:22:22.840
<v Speaker 1>of Melbourne. But then I delved a little bit deeper

0:22:22.920 --> 0:22:25.560
<v Speaker 1>into it. And that's really even with the conversions of

0:22:25.640 --> 0:22:28.400
<v Speaker 1>international rates, very similar to a lot of the other

0:22:28.440 --> 0:22:30.960
<v Speaker 1>franchises around the world. I mean, it's it's not a

0:22:31.040 --> 0:22:32.920
<v Speaker 1>lot of money, and it is a lot to put

0:22:33.000 --> 0:22:35.520
<v Speaker 1>your personal life on display like this on a show

0:22:35.600 --> 0:22:38.760
<v Speaker 1>like that that is absolutely devoured and chewed up and

0:22:38.920 --> 0:22:41.480
<v Speaker 1>processed by the viewers. So I don't know if I

0:22:41.680 --> 0:22:43.920
<v Speaker 1>was her, I'd be sitting back and saying, need to

0:22:43.960 --> 0:22:45.080
<v Speaker 1>pay me a million dollars.

0:22:45.440 --> 0:22:48.400
<v Speaker 2>Yeah. Well, I think that's where the game has changed

0:22:48.640 --> 0:22:52.080
<v Speaker 2>social media. When these shows first started, it wasn't it

0:22:52.240 --> 0:22:54.639
<v Speaker 2>wasn't such a big deal, and they weren't copying all

0:22:54.720 --> 0:22:58.200
<v Speaker 2>those horrible tweets and the cybertrolling and bullying, and it

0:22:58.720 --> 0:23:01.760
<v Speaker 2>wasn't the intensity to this level. And I think now

0:23:01.960 --> 0:23:04.200
<v Speaker 2>it's sort of like people are expecting to get paid

0:23:04.240 --> 0:23:07.600
<v Speaker 2>probably a bit more because of that, but it's a risk,

0:23:07.680 --> 0:23:10.240
<v Speaker 2>and everyone knows what they're doing and signing up to.

0:23:10.480 --> 0:23:12.679
<v Speaker 2>And if you want to walk, you walk. And if

0:23:12.720 --> 0:23:14.840
<v Speaker 2>you want to prove yourself and try to get more money,

0:23:15.000 --> 0:23:17.040
<v Speaker 2>then I guess that's what you do with any job,

0:23:17.400 --> 0:23:20.480
<v Speaker 2>and you negotiate. But certainly it's a choice. No one's

0:23:20.480 --> 0:23:22.640
<v Speaker 2>got a gun to their heads. I don't know whether

0:23:22.760 --> 0:23:25.000
<v Speaker 2>she'll come back. She might have that year off like

0:23:25.119 --> 0:23:27.040
<v Speaker 2>Lisa Rinna, and then we might see her back.

0:23:27.440 --> 0:23:29.639
<v Speaker 1>Oh, Rena's definitely not coming back. I don't see these

0:23:29.680 --> 0:23:33.040
<v Speaker 1>women returning. I mean, Rena's been very vocal aligning yourself

0:23:33.119 --> 0:23:35.760
<v Speaker 1>with Bethany Frankel and you know, doing that whole sort

0:23:35.800 --> 0:23:38.920
<v Speaker 1>of union for reality people, and it's and has made

0:23:39.000 --> 0:23:41.200
<v Speaker 1>far too many comments. And I think Raquel as well.

0:23:42.000 --> 0:23:43.879
<v Speaker 1>I think once you step out of this, you know,

0:23:44.000 --> 0:23:45.680
<v Speaker 1>I think it would be hard for a person to

0:23:45.720 --> 0:23:47.760
<v Speaker 1>step back in. I want to ask you, just before

0:23:47.760 --> 0:23:50.120
<v Speaker 1>we finish on vander Pump, what do you feel now

0:23:50.680 --> 0:23:53.200
<v Speaker 1>in regards to Lisa vander Pump just watching this show,

0:23:53.440 --> 0:23:55.439
<v Speaker 1>you stepping in and watching it last year and now

0:23:55.520 --> 0:23:57.439
<v Speaker 1>watching it again this year, has it changed the way

0:23:57.520 --> 0:23:58.560
<v Speaker 1>you feel about her.

0:23:58.840 --> 0:24:01.960
<v Speaker 2>Well, you do see her in the very minimal capacity

0:24:02.040 --> 0:24:04.440
<v Speaker 2>in this show. Yes, it's called vander Pump Rules. It's

0:24:04.480 --> 0:24:08.400
<v Speaker 2>all centered around her restaurants and potentially you know, admittedly

0:24:08.480 --> 0:24:10.800
<v Speaker 2>I said I only jumped in on the show last year,

0:24:10.840 --> 0:24:13.360
<v Speaker 2>so maybe in earlier season she had more of a role.

0:24:13.600 --> 0:24:16.639
<v Speaker 2>But really she only pops up for a few minutes

0:24:16.720 --> 0:24:19.800
<v Speaker 2>here and there every episode. She's really giving some maternal advice.

0:24:19.840 --> 0:24:22.080
<v Speaker 2>I mean, these people are going into their forties now,

0:24:22.160 --> 0:24:24.160
<v Speaker 2>so it's not like they're super young, but I guess

0:24:24.200 --> 0:24:26.640
<v Speaker 2>when the show started they were. I know, they're still

0:24:26.680 --> 0:24:29.880
<v Speaker 2>acting like they're in a twenty at the Emo night

0:24:29.960 --> 0:24:32.679
<v Speaker 2>and rocking out at the concerts and the clubs and everything.

0:24:32.840 --> 0:24:35.240
<v Speaker 2>But you see a bit more of a maternal, caring

0:24:35.920 --> 0:24:38.919
<v Speaker 2>natural Lisa, Whereas I think what we saw of her

0:24:39.080 --> 0:24:42.360
<v Speaker 2>on The Real Housewives was very calculated. We just saw

0:24:42.440 --> 0:24:44.200
<v Speaker 2>a different side of her. So I think we're probably

0:24:44.240 --> 0:24:46.720
<v Speaker 2>getting more of who Lisa is at home in this show.

0:24:47.080 --> 0:24:50.280
<v Speaker 1>Expats has dropped on Amazon Prime and everyone has been

0:24:50.320 --> 0:24:52.240
<v Speaker 1>talking about it. It is a look at the personal

0:24:52.280 --> 0:24:55.719
<v Speaker 1>and professional lives of a tight neck group of expats

0:24:55.760 --> 0:24:58.679
<v Speaker 1>that are living in Hong Kong, The Amazon Prime series

0:24:58.720 --> 0:25:02.400
<v Speaker 1>explores both sides of complicated story where Nicole Kipman's character

0:25:02.520 --> 0:25:06.320
<v Speaker 1>loses her child. Expats is an American drama television mini

0:25:06.440 --> 0:25:09.159
<v Speaker 1>series directed by Lulu Wang, which is based on the

0:25:09.200 --> 0:25:15.240
<v Speaker 1>twenty sixteen novel The Expatriots.

0:25:14.800 --> 0:25:17.119
<v Speaker 2>Seeing Us Backs to Our Show where I jump in

0:25:17.200 --> 0:25:18.280
<v Speaker 2>and help you with the big wisks.

0:25:19.520 --> 0:25:23.440
<v Speaker 1>Absolutely, I think I said that Phil free to jump

0:25:23.520 --> 0:25:25.480
<v Speaker 1>in and talk to me when I get stuck.

0:25:25.640 --> 0:25:27.800
<v Speaker 2>What is it x X Expatriot?

0:25:30.560 --> 0:25:32.159
<v Speaker 1>How are you going with this series? I want to

0:25:32.200 --> 0:25:33.720
<v Speaker 1>know it because you said you're up to date, So

0:25:33.840 --> 0:25:35.040
<v Speaker 1>how are you going watching this one?

0:25:35.640 --> 0:25:38.600
<v Speaker 2>So the first episode I was a bit like, what's

0:25:38.680 --> 0:25:40.520
<v Speaker 2>going on here? Is a bit of a slow boon,

0:25:40.600 --> 0:25:42.400
<v Speaker 2>but it is one of those ones where it sort

0:25:42.440 --> 0:25:45.440
<v Speaker 2>of sets it up. In that first episode, you're sort

0:25:45.480 --> 0:25:48.320
<v Speaker 2>of wondering who's who in the zoo and how they're

0:25:48.359 --> 0:25:51.800
<v Speaker 2>all sort of connected. And then the second episode kicks

0:25:51.880 --> 0:25:54.000
<v Speaker 2>in and it sort of takes you back, and that's

0:25:54.040 --> 0:25:57.880
<v Speaker 2>where you start to really understand the characters, why they're there,

0:25:58.520 --> 0:26:00.439
<v Speaker 2>why they are the way they are. Now, I think

0:26:00.480 --> 0:26:03.080
<v Speaker 2>I'm up to episode four. They're only doing one a week,

0:26:03.280 --> 0:26:06.640
<v Speaker 2>and I am loving it. It's quite heavy content. It's

0:26:06.720 --> 0:26:08.360
<v Speaker 2>not one that you're just going to sort of put

0:26:08.400 --> 0:26:10.480
<v Speaker 2>on in the background or while you're making dinner. You

0:26:10.560 --> 0:26:13.000
<v Speaker 2>really need to sit down and watch it. But I

0:26:13.040 --> 0:26:16.280
<v Speaker 2>think the characters are really rich, There's a lot to

0:26:16.400 --> 0:26:18.560
<v Speaker 2>explore there, and I'm really enjoying it.

0:26:18.840 --> 0:26:20.800
<v Speaker 1>I just don't know if the flow is off a

0:26:20.840 --> 0:26:22.399
<v Speaker 1>little bit for me. I mean, it's hard not to

0:26:22.480 --> 0:26:26.240
<v Speaker 1>compare this to other Kidman's TV series, like Big Little

0:26:26.280 --> 0:26:28.880
<v Speaker 1>Lies in the Undoing and maybe even lesser so Nine

0:26:28.920 --> 0:26:32.040
<v Speaker 1>Perfect Strangers. But those other shows that she had on

0:26:32.160 --> 0:26:34.879
<v Speaker 1>TV were very punchy and they moved a lot faster.

0:26:35.320 --> 0:26:36.879
<v Speaker 1>I don't know, is the flow off for you a

0:26:36.920 --> 0:26:37.320
<v Speaker 1>little bit?

0:26:37.600 --> 0:26:39.600
<v Speaker 2>I watched a Couple in a Row and I think

0:26:39.720 --> 0:26:42.400
<v Speaker 2>once I did that, I was a bit more engross

0:26:42.480 --> 0:26:45.280
<v Speaker 2>in it. I think that's maybe the risks sometimes with

0:26:45.480 --> 0:26:48.520
<v Speaker 2>the shows only dropping one episode a week, is that

0:26:48.760 --> 0:26:50.840
<v Speaker 2>by the time you come back to it, if sort

0:26:50.880 --> 0:26:53.000
<v Speaker 2>of all these other things have happened, you've consumed all

0:26:53.080 --> 0:26:55.040
<v Speaker 2>this other media and you're a bit like, oh, I

0:26:55.160 --> 0:26:57.560
<v Speaker 2>have to get back into this headspace. Where did it finish?

0:26:57.640 --> 0:26:59.880
<v Speaker 2>Where the land? So I think sometimes watching a few

0:27:00.040 --> 0:27:02.480
<v Speaker 2>of those ones particularly when they're a bit slower and

0:27:02.600 --> 0:27:06.320
<v Speaker 2>more detailed. Is a good idea, So I am enjoying it.

0:27:06.480 --> 0:27:09.359
<v Speaker 2>It's a very good performance from Nicole. I mean, all

0:27:09.440 --> 0:27:12.240
<v Speaker 2>the casting, I would say is very good. It's just

0:27:12.600 --> 0:27:16.120
<v Speaker 2>interesting because they've got a lot of solo scenes. They've

0:27:16.119 --> 0:27:18.760
<v Speaker 2>got their own storylines going on, so it's a different

0:27:18.840 --> 0:27:22.439
<v Speaker 2>dynamic to big Little Lives where they're all coming together.

0:27:22.760 --> 0:27:25.560
<v Speaker 2>And I guess Nine Perfect Strangers was the same were

0:27:25.560 --> 0:27:28.200
<v Speaker 2>you're seeing a lot of this sort of ensemble scenes

0:27:28.480 --> 0:27:30.840
<v Speaker 2>all the time. This one sort of isn't like that,

0:27:31.040 --> 0:27:35.320
<v Speaker 2>but a very interesting concept. Probably a bit triggering. I

0:27:35.359 --> 0:27:38.960
<v Speaker 2>don't have children personally, so I can't imagine, but I

0:27:39.000 --> 0:27:40.719
<v Speaker 2>think it would be a bit of a sensitive one

0:27:40.800 --> 0:27:43.160
<v Speaker 2>to watch four people that have lost a child. For sure.

0:27:43.400 --> 0:27:46.200
<v Speaker 1>Is Nicole's Wig two distracting for you? I mean, or

0:27:46.280 --> 0:27:48.520
<v Speaker 1>even noticeably. I don't know if you pick this up,

0:27:48.600 --> 0:27:50.960
<v Speaker 1>but there's a lot of there's a noticeable weight loss

0:27:51.119 --> 0:27:53.399
<v Speaker 1>to Nicole Kidman in this. I mean, I don't know.

0:27:53.640 --> 0:27:56.440
<v Speaker 1>You might want to jump in on this and correct me.

0:27:56.880 --> 0:27:59.720
<v Speaker 1>Is it wrong to even comment on Nicole's appearance at this?

0:27:59.760 --> 0:27:59.960
<v Speaker 2>Stay?

0:28:00.320 --> 0:28:02.920
<v Speaker 1>Like, am I going to get canceled? For even highlighting

0:28:02.960 --> 0:28:03.359
<v Speaker 1>this stuff.

0:28:03.560 --> 0:28:06.959
<v Speaker 2>Well, I mean in the context of the role. I mean,

0:28:07.040 --> 0:28:09.920
<v Speaker 2>people do things physically all the time when they get rolled,

0:28:09.960 --> 0:28:13.359
<v Speaker 2>they bulk up, they slim down, they do different hairstyles, whatever.

0:28:13.600 --> 0:28:16.960
<v Speaker 2>I mean. It's not like she's looking glam in this role.

0:28:17.040 --> 0:28:19.520
<v Speaker 2>But nor is she supposed to be. She's a grieving mother.

0:28:19.720 --> 0:28:22.359
<v Speaker 2>She is going through the motions of that, all the

0:28:22.480 --> 0:28:27.320
<v Speaker 2>aftermath that comes with that, you know, issues with her husband.

0:28:27.640 --> 0:28:29.880
<v Speaker 2>She's got two other kids that she's trying to pair,

0:28:29.960 --> 0:28:33.160
<v Speaker 2>and she becomes very manic obsessive about looking after them

0:28:33.200 --> 0:28:35.840
<v Speaker 2>because now she's lost a child. There's a lot going

0:28:35.920 --> 0:28:38.440
<v Speaker 2>on there. So in the context of the role, no,

0:28:38.600 --> 0:28:41.320
<v Speaker 2>I wouldn't say. I sort of got distracted by that.

0:28:41.520 --> 0:28:43.960
<v Speaker 2>She looks the part to me in terms of the

0:28:44.120 --> 0:28:44.960
<v Speaker 2>role she's portrayed.

0:28:45.160 --> 0:28:46.960
<v Speaker 1>I think for people who might not be watching this

0:28:47.040 --> 0:28:50.120
<v Speaker 1>show as of yet, please just jump forward five minutes

0:28:50.160 --> 0:28:52.240
<v Speaker 1>because we are going to just quickly delve into some

0:28:52.720 --> 0:28:55.400
<v Speaker 1>parts of the series that may be considered spoilers. Because

0:28:55.560 --> 0:28:58.000
<v Speaker 1>we are talking at episode four, which is where you

0:28:58.120 --> 0:28:59.920
<v Speaker 1>and I are up to. I wanted to ask you

0:29:00.120 --> 0:29:02.920
<v Speaker 1>about where the blame lies for you as a viewer,

0:29:03.080 --> 0:29:06.760
<v Speaker 1>because I find it really interesting the nanny Mercy, who's

0:29:06.760 --> 0:29:10.400
<v Speaker 1>played both g young you. I think that she's made

0:29:10.440 --> 0:29:14.000
<v Speaker 1>a very common human error while looking after that child

0:29:14.240 --> 0:29:16.880
<v Speaker 1>and has answered the phone and only for just a

0:29:16.920 --> 0:29:20.080
<v Speaker 1>few seconds, has taken her eye off this child. How's

0:29:20.120 --> 0:29:22.440
<v Speaker 1>this landing with you? With the amount of blame that

0:29:22.640 --> 0:29:25.320
<v Speaker 1>both of the parents seem to have over you know,

0:29:25.400 --> 0:29:26.600
<v Speaker 1>the abduction of this child.

0:29:26.800 --> 0:29:29.440
<v Speaker 2>Yeah, so the child gets lost in a busy Hong

0:29:29.520 --> 0:29:34.360
<v Speaker 2>Kong night market. Nicole's character doesn't know this young girl

0:29:34.520 --> 0:29:37.040
<v Speaker 2>that well at this point, but she's almost auditioning her

0:29:37.200 --> 0:29:39.400
<v Speaker 2>to be a nanny, and that's when the child sort

0:29:39.440 --> 0:29:42.440
<v Speaker 2>of gets lost, you know, when this girl takes her

0:29:42.560 --> 0:29:44.760
<v Speaker 2>off Mercy to you know, just go have a look

0:29:44.760 --> 0:29:46.880
<v Speaker 2>at a toy or whatever. I mean, this is where

0:29:46.920 --> 0:29:49.680
<v Speaker 2>I'm saying it could be quite triggering. I can imagine

0:29:50.200 --> 0:29:53.080
<v Speaker 2>parents every day a living with that, Oh my god,

0:29:53.120 --> 0:29:55.320
<v Speaker 2>I've got to watch my kid twenty four to seven,

0:29:55.560 --> 0:29:58.920
<v Speaker 2>so nothing bad happens, and it would become so tiring

0:29:59.000 --> 0:30:01.720
<v Speaker 2>and so obsessive, and you're sort of having those moments

0:30:01.760 --> 0:30:03.680
<v Speaker 2>where you're like, I need to just let things go.

0:30:03.880 --> 0:30:07.480
<v Speaker 2>Everything's fine, and this is just an innocuous moment where

0:30:07.840 --> 0:30:10.080
<v Speaker 2>in a split second, the worst of the worst has

0:30:10.120 --> 0:30:12.920
<v Speaker 2>happened and the nightmare starts to play out from there.

0:30:13.200 --> 0:30:15.640
<v Speaker 2>I think it's interesting watching it as a viewer, not

0:30:15.760 --> 0:30:18.880
<v Speaker 2>necessarily thinking about the blame, but you're seeing it from

0:30:19.000 --> 0:30:22.680
<v Speaker 2>both sides, and that's where it becomes compelling viewing, because

0:30:22.720 --> 0:30:25.560
<v Speaker 2>you're seeing Nicole's side, how could she have let this happen,

0:30:25.760 --> 0:30:29.520
<v Speaker 2>all the trauma, the family becoming torn apart, And then

0:30:29.560 --> 0:30:33.960
<v Speaker 2>you're seeing Mercy who was literally just someone who got

0:30:34.040 --> 0:30:35.800
<v Speaker 2>called up for a dinner, went for a walk in

0:30:35.880 --> 0:30:38.880
<v Speaker 2>the market, and in two seconds flat, suddenly this child

0:30:39.480 --> 0:30:42.040
<v Speaker 2>is gone under her sort of watch, I guess, but

0:30:42.440 --> 0:30:45.400
<v Speaker 2>nothing intentional on her behalf at all, and then how

0:30:45.480 --> 0:30:47.920
<v Speaker 2>it affects both of their lives moving forward. So I

0:30:48.000 --> 0:30:52.000
<v Speaker 2>think it's definitely a It's a complex story to navigate,

0:30:52.200 --> 0:30:56.120
<v Speaker 2>but I'm quite enjoying that sort of reveal of emotion.

0:30:56.400 --> 0:30:58.760
<v Speaker 1>Do you have a position on whether or not Marguerite

0:30:58.880 --> 0:31:00.880
<v Speaker 1>and Clark should be leaving Hong Kong? I mean, the

0:31:00.920 --> 0:31:03.560
<v Speaker 1>show is about expats, and it's brilliantly told, you know,

0:31:03.720 --> 0:31:06.120
<v Speaker 1>through the lens of what it is like to be

0:31:06.160 --> 0:31:09.080
<v Speaker 1>an expat in Hong Kong. And then also we're starting

0:31:09.120 --> 0:31:11.959
<v Speaker 1>to see the lens of what the people from Hong

0:31:12.040 --> 0:31:14.720
<v Speaker 1>Kong think of expaths. I think all of that is

0:31:14.800 --> 0:31:17.000
<v Speaker 1>where for me, it's quite uicy to look at. But

0:31:17.120 --> 0:31:20.320
<v Speaker 1>do you think that if you'd lost a child whilst overseas,

0:31:20.400 --> 0:31:22.480
<v Speaker 1>not living in your country, that you would find it

0:31:22.560 --> 0:31:25.640
<v Speaker 1>hard to return home? Like would you stay in Hong Kong?

0:31:25.680 --> 0:31:28.120
<v Speaker 2>Of you among Marin, it's very hard. I mean, anyone

0:31:28.200 --> 0:31:31.800
<v Speaker 2>that's lived in a new country, a new location, you

0:31:31.880 --> 0:31:35.400
<v Speaker 2>don't have that same support network around you. It's very

0:31:35.520 --> 0:31:37.720
<v Speaker 2>daunting and I can only imagine what that would be

0:31:37.880 --> 0:31:40.360
<v Speaker 2>like living in such a big city like Hong Kong.

0:31:40.760 --> 0:31:43.560
<v Speaker 2>But you know, we see in this latest episode her

0:31:43.680 --> 0:31:46.960
<v Speaker 2>husband wants to go back, and she says, I'm not

0:31:47.160 --> 0:31:51.200
<v Speaker 2>leaving here without knowing what has happened to my child.

0:31:51.400 --> 0:31:54.160
<v Speaker 2>So you know, that's where they're going to have I

0:31:54.280 --> 0:31:57.720
<v Speaker 2>can imagine a bit more of really going to be

0:31:58.120 --> 0:32:01.120
<v Speaker 2>a hard time for them in sort of navigating that together,

0:32:01.160 --> 0:32:03.080
<v Speaker 2>because they're not on the same page as a couple.

0:32:03.200 --> 0:32:05.440
<v Speaker 2>He wants to return back with their other children and

0:32:05.560 --> 0:32:06.960
<v Speaker 2>give them a bit more normal.

0:32:06.920 --> 0:32:08.800
<v Speaker 1>And the children want to return. Do you know that's

0:32:08.840 --> 0:32:09.239
<v Speaker 1>the other thing.

0:32:10.720 --> 0:32:14.520
<v Speaker 2>We're not going We're not abandoning, you know, our son.

0:32:14.600 --> 0:32:17.120
<v Speaker 2>We don't even know if he's necessarily passed away. We

0:32:17.200 --> 0:32:19.680
<v Speaker 2>don't know what's happened to him. And that's where it's

0:32:19.680 --> 0:32:22.280
<v Speaker 2>sort of landed. So it'd be interesting to see the

0:32:22.400 --> 0:32:25.280
<v Speaker 2>next few episodes. But I think it's not one that

0:32:25.480 --> 0:32:27.560
<v Speaker 2>everyone's going to enjoy, but I am enjoying it.

0:32:27.840 --> 0:32:30.320
<v Speaker 1>Well. The next episode is out over the weekend, so

0:32:30.520 --> 0:32:32.360
<v Speaker 1>we haven't had a chance to see that yet, but

0:32:32.960 --> 0:32:35.960
<v Speaker 1>the episode four Mainland has been out, and yeah, I

0:32:36.000 --> 0:32:38.800
<v Speaker 1>think it's definitely. I think it's different, you know, I

0:32:38.880 --> 0:32:41.440
<v Speaker 1>think it's giving people some things that are different to

0:32:41.480 --> 0:32:44.560
<v Speaker 1>look at. It's kind of a little bit less sensationalized

0:32:44.640 --> 0:32:46.480
<v Speaker 1>or something. I don't know. I guess there are those points.

0:32:46.600 --> 0:32:48.520
<v Speaker 2>There hasn't been the hype around it like there is

0:32:48.760 --> 0:32:53.200
<v Speaker 2>about other Nicole things. And certainly she's not glamorous like

0:32:53.360 --> 0:32:56.680
<v Speaker 2>she was in The Undoing or Nine Perfect Strangers. You're

0:32:56.720 --> 0:32:59.200
<v Speaker 2>not sort of like, oh Nicole, she doesn't have that

0:32:59.400 --> 0:33:02.480
<v Speaker 2>aura on on screen, but della performance from her, I

0:33:02.520 --> 0:33:03.720
<v Speaker 2>would say, Well.

0:33:03.800 --> 0:33:07.479
<v Speaker 1>Griselda is an American biographical crime drama series. It were

0:33:07.560 --> 0:33:11.200
<v Speaker 1>television's mini series directed by Andre Sbas, produced by Eric

0:33:11.320 --> 0:33:15.080
<v Speaker 1>Newman and Sophia Vigara, the story focuses on as savvy

0:33:15.160 --> 0:33:19.960
<v Speaker 1>and ambitious Colombian business woman Griselda Blanco, who creates one

0:33:20.000 --> 0:33:24.000
<v Speaker 1>of the most profitable cartels in history. You watched episode

0:33:24.040 --> 0:33:26.920
<v Speaker 1>one and you recommended it to me, so I'm running

0:33:26.960 --> 0:33:28.440
<v Speaker 1>to know a little bit more about your take on

0:33:28.520 --> 0:33:28.840
<v Speaker 1>this show.

0:33:29.000 --> 0:33:32.280
<v Speaker 2>Yes, I've binge watched this show in a couple of days,

0:33:32.560 --> 0:33:35.080
<v Speaker 2>and I mean it's still trending now, so plenty of

0:33:35.160 --> 0:33:37.600
<v Speaker 2>time to jump on if you haven't yet watched it. Again,

0:33:38.000 --> 0:33:39.920
<v Speaker 2>I didn't know much about this story. I mean, it's

0:33:40.360 --> 0:33:45.160
<v Speaker 2>based on story. Its woman is just a force of nature.

0:33:45.600 --> 0:33:48.800
<v Speaker 2>Sophia Vigara. I've never seen her in a role like that,

0:33:48.920 --> 0:33:51.040
<v Speaker 2>so I think a lot of people, you know, would

0:33:51.080 --> 0:33:53.240
<v Speaker 2>tune in with a bit of interest to be like, huh,

0:33:53.280 --> 0:33:55.680
<v Speaker 2>we've only seen her as the funny, you know, the

0:33:55.760 --> 0:33:58.720
<v Speaker 2>glamorous you know on Modern Family, and now she's playing

0:33:58.760 --> 0:34:03.760
<v Speaker 2>this grishie, you know, leader of a drug cartel, and

0:34:04.360 --> 0:34:07.120
<v Speaker 2>you know, I mean she worked with Pablo Escobar, like

0:34:07.240 --> 0:34:10.400
<v Speaker 2>it it's crazy. I mean, there's a lot of subtitles

0:34:10.520 --> 0:34:12.520
<v Speaker 2>and it is again another one that's a bit of

0:34:12.560 --> 0:34:15.080
<v Speaker 2>a slow burn for the first couple of episodes, but

0:34:15.160 --> 0:34:18.160
<v Speaker 2>then it just explodes. And I think when you start

0:34:18.280 --> 0:34:22.520
<v Speaker 2>to watch it alongside knowing that this really sort of

0:34:22.560 --> 0:34:26.200
<v Speaker 2>did play out this way and the craziness that went

0:34:26.280 --> 0:34:29.600
<v Speaker 2>on at that time and how violent it was, how

0:34:29.840 --> 0:34:34.520
<v Speaker 2>erratic it was, it really makes you know for interesting viewing.

0:34:34.520 --> 0:34:38.520
<v Speaker 1>Is Sophia Vigara worth the incredible amounts of money that

0:34:38.680 --> 0:34:41.279
<v Speaker 1>she gets paid and has been paid over the last

0:34:41.320 --> 0:34:43.960
<v Speaker 1>few years, because this is a very different side of

0:34:44.080 --> 0:34:46.960
<v Speaker 1>her and she does definitely is. She's actually quite mind

0:34:46.960 --> 0:34:49.399
<v Speaker 1>blowing in this role, because you're right, we had only

0:34:49.440 --> 0:34:52.160
<v Speaker 1>seen her in comedic stuff before. But I don't understand

0:34:52.280 --> 0:34:55.759
<v Speaker 1>how someone likes Sophia Vigha or anyone, whether we go

0:34:55.800 --> 0:34:58.879
<v Speaker 1>back to Nicole Kidman, I don't understand, or even Ellen

0:34:58.960 --> 0:35:01.680
<v Speaker 1>Pompari or what her name is from Gray's Anatomy. These

0:35:01.920 --> 0:35:04.480
<v Speaker 1>amounts of money are insane, Like, what do you think

0:35:04.520 --> 0:35:07.880
<v Speaker 1>about Sophia Viagara being the highest paid actress in me

0:35:07.880 --> 0:35:08.919
<v Speaker 1>in television at the moment?

0:35:09.160 --> 0:35:12.160
<v Speaker 2>Oh, I say, hats off, hats off because they've had

0:35:12.239 --> 0:35:16.360
<v Speaker 2>a career that have had the longevity.

0:35:15.960 --> 0:35:18.640
<v Speaker 1>And that's off McLean because you know how many hats

0:35:18.719 --> 0:35:21.000
<v Speaker 1>you would buy if you had that kind of money

0:35:21.080 --> 0:35:21.480
<v Speaker 1>in the bank.

0:35:21.560 --> 0:35:23.279
<v Speaker 2>I love a hat too. By the way that I

0:35:23.320 --> 0:35:25.000
<v Speaker 2>know you do something, I would be adding a few

0:35:25.040 --> 0:35:27.640
<v Speaker 2>more to casts. But I mean, honestly no, because would

0:35:27.640 --> 0:35:31.680
<v Speaker 2>anyone be asking those questions about Chris Hemsworth getting another

0:35:32.040 --> 0:35:36.440
<v Speaker 2>raised another installment of thought. No they will. So you know,

0:35:36.560 --> 0:35:39.440
<v Speaker 2>she was sitting in the makeup chair getting the prosthetics

0:35:39.520 --> 0:35:42.080
<v Speaker 2>and things for hours. There's a lot that goes on

0:35:42.239 --> 0:35:45.680
<v Speaker 2>behind these rolls. They're on location, so I think anyone

0:35:45.760 --> 0:35:49.760
<v Speaker 2>that can be negotiating a higher salary, you know, because

0:35:49.800 --> 0:35:52.399
<v Speaker 2>they've all done the shitty jobs and the jobs where

0:35:52.400 --> 0:35:55.200
<v Speaker 2>they probably weren't getting paid that much, and jobs that

0:35:55.280 --> 0:35:58.040
<v Speaker 2>they didn't want to do. So I'm I'm pretty sure

0:35:58.120 --> 0:36:00.560
<v Speaker 2>Sophia Viagara was on the production team for this as well,

0:36:00.719 --> 0:36:03.520
<v Speaker 2>so to have that sort of role within the show

0:36:03.600 --> 0:36:06.479
<v Speaker 2>as well, she needs to be paid accordingly. So every

0:36:06.560 --> 0:36:09.160
<v Speaker 2>dollar that these women get, I say, hats off.

0:36:09.440 --> 0:36:12.960
<v Speaker 1>You know this again is real life true crime mini series,

0:36:13.200 --> 0:36:15.320
<v Speaker 1>which is your jam. I know you love it. We

0:36:15.400 --> 0:36:18.560
<v Speaker 1>honestly can't seem to get enough of these true crime series.

0:36:18.840 --> 0:36:20.480
<v Speaker 1>Is there going to be a point that, even for

0:36:20.880 --> 0:36:24.120
<v Speaker 1>someone like yourself who loves this genre, that it's going

0:36:24.160 --> 0:36:26.279
<v Speaker 1>to become that we're going to be oversaturated.

0:36:26.520 --> 0:36:29.280
<v Speaker 2>Well, I think now that we've got so many streaming

0:36:29.320 --> 0:36:33.319
<v Speaker 2>platforms at our fingertips, and every streaming platform is making

0:36:33.440 --> 0:36:36.239
<v Speaker 2>sort of more of these sort of shows, I think

0:36:36.280 --> 0:36:38.759
<v Speaker 2>we're just getting more of everything across the board. So

0:36:39.080 --> 0:36:41.839
<v Speaker 2>I think ultimately, you know, they're just going to keep

0:36:41.880 --> 0:36:43.759
<v Speaker 2>making them. We'll start tuning into what we want to

0:36:43.800 --> 0:36:46.359
<v Speaker 2>tune into. If anything's falling completely flat, well I guess

0:36:46.400 --> 0:36:49.279
<v Speaker 2>they potentially look at the stats on that and maybe

0:36:49.320 --> 0:36:51.520
<v Speaker 2>it'd just the offering. But I think at the moment,

0:36:51.760 --> 0:36:55.120
<v Speaker 2>people are just consuming so much. Actually interesting that I

0:36:55.280 --> 0:36:57.640
<v Speaker 2>noticed someone said to me the other day and I went, ah,

0:36:58.400 --> 0:37:00.719
<v Speaker 2>I can see that. I think we're hitting that point

0:37:00.800 --> 0:37:04.280
<v Speaker 2>on the streaming platforms where the writer's strike had kicked

0:37:04.320 --> 0:37:07.560
<v Speaker 2>in and there wasn't new material sort of for that

0:37:07.719 --> 0:37:11.160
<v Speaker 2>sort of at least six months, potentially twelve. I think

0:37:11.280 --> 0:37:13.560
<v Speaker 2>we'll start to get new stuff dripped fed a little

0:37:13.560 --> 0:37:15.640
<v Speaker 2>bit slower because a lot of the things that you

0:37:15.760 --> 0:37:18.160
<v Speaker 2>see that are in the trending, you're like, oh, it's

0:37:18.200 --> 0:37:21.120
<v Speaker 2>from twenty twenty one, or you know, from twenty twenty two,

0:37:21.480 --> 0:37:24.600
<v Speaker 2>or it's not necessarily things that have dropped late twenty

0:37:24.680 --> 0:37:28.160
<v Speaker 2>three or into twenty four, So potentially we will be

0:37:28.400 --> 0:37:30.839
<v Speaker 2>recircling back on some older material. Who knows.

0:37:31.200 --> 0:37:33.520
<v Speaker 1>You keep talking about this a bit throughout this episode,

0:37:33.640 --> 0:37:35.640
<v Speaker 1>and I wanted to know your thoughts on do you

0:37:35.760 --> 0:37:39.560
<v Speaker 1>prefer a full series dump or would you like them

0:37:39.640 --> 0:37:42.000
<v Speaker 1>to be Do you like your series released week by week?

0:37:42.440 --> 0:37:46.920
<v Speaker 2>I like full dump. I said that.

0:37:47.040 --> 0:37:48.560
<v Speaker 1>I realized how gross that's out up.

0:37:48.719 --> 0:37:52.160
<v Speaker 2>I know, I just thought I'll point that out to you. No,

0:37:52.400 --> 0:37:56.719
<v Speaker 2>I do I prefer a full one because I think, yeah,

0:37:57.200 --> 0:37:59.520
<v Speaker 2>I like the idea that you can just get fully

0:37:59.560 --> 0:38:03.080
<v Speaker 2>engrossed in something and you can watch it all in

0:38:03.200 --> 0:38:05.719
<v Speaker 2>one go. And I think we're all so busy at

0:38:05.760 --> 0:38:09.400
<v Speaker 2>the moment. I think how we consume media has changed,

0:38:09.600 --> 0:38:12.040
<v Speaker 2>and I think, you know, I used to love that

0:38:12.239 --> 0:38:15.239
<v Speaker 2>sort of you know, friend Seinfeld used to know what

0:38:15.480 --> 0:38:17.400
<v Speaker 2>night it was on, and you get very excited for it.

0:38:17.680 --> 0:38:19.759
<v Speaker 2>I just think times have changed a little bit now.

0:38:19.840 --> 0:38:23.239
<v Speaker 2>We don't necessarily have those windows every week that are

0:38:23.280 --> 0:38:25.480
<v Speaker 2>consistent to tune into things.

0:38:25.760 --> 0:38:28.040
<v Speaker 1>Get as well. I just forget I just will be

0:38:28.160 --> 0:38:28.360
<v Speaker 1>like that.

0:38:28.680 --> 0:38:31.759
<v Speaker 2>I mean, and then you joined it back in on

0:38:31.880 --> 0:38:34.160
<v Speaker 2>the next episode, you sort of forget where it's at.

0:38:34.239 --> 0:38:36.600
<v Speaker 2>So I like, just if I've got a window and

0:38:37.000 --> 0:38:39.279
<v Speaker 2>I'm in the zone and there's, you know, some good

0:38:39.320 --> 0:38:41.200
<v Speaker 2>content to be had, I've got a window to consume it,

0:38:41.320 --> 0:38:42.560
<v Speaker 2>I would rather just be there.

0:38:42.719 --> 0:38:44.360
<v Speaker 1>And you know, before we move away from this, but

0:38:44.600 --> 0:38:47.239
<v Speaker 1>from Griselda, I just was also thinking about this. I

0:38:47.320 --> 0:38:49.160
<v Speaker 1>wonder how well this show is going to do. And

0:38:49.560 --> 0:38:51.799
<v Speaker 1>we kind of talked about the sexism when it comes

0:38:51.840 --> 0:38:54.280
<v Speaker 1>to pay a quality, but I was also wondering about

0:38:54.440 --> 0:38:57.560
<v Speaker 1>this sort of female gangster you know, does that draw

0:38:57.640 --> 0:39:00.560
<v Speaker 1>a crowd the way that a male gangster series. I mean,

0:39:00.640 --> 0:39:03.520
<v Speaker 1>Sophia is fantastic in this and I do have a

0:39:03.600 --> 0:39:06.200
<v Speaker 1>lot of respect for her, but is she stepping into

0:39:06.280 --> 0:39:07.280
<v Speaker 1>sort of a boy genre.

0:39:07.600 --> 0:39:11.160
<v Speaker 2>Well no, I mean, that's really what happened. And Pablo Escobar,

0:39:11.280 --> 0:39:13.839
<v Speaker 2>I think it's a very famous quote. He goes, there

0:39:13.920 --> 0:39:16.279
<v Speaker 2>was only one man I was ever afraid of, and

0:39:16.400 --> 0:39:19.520
<v Speaker 2>it was a woman called Griselda Blanco. And that's the

0:39:19.600 --> 0:39:22.920
<v Speaker 2>true story. So you know, all these women that are

0:39:22.960 --> 0:39:27.120
<v Speaker 2>finding these roles, these stories to bring to light and

0:39:27.239 --> 0:39:30.080
<v Speaker 2>I think in recent times we've seen people even like

0:39:30.200 --> 0:39:32.719
<v Speaker 2>Nicole Kidman and Reese Witherspoon and all these people that

0:39:32.800 --> 0:39:35.200
<v Speaker 2>were saying, you know, they used to not be these

0:39:35.440 --> 0:39:38.840
<v Speaker 2>rich characters on offer for women after the age of

0:39:38.920 --> 0:39:42.440
<v Speaker 2>forty and now with making their own production companies and

0:39:42.520 --> 0:39:45.080
<v Speaker 2>going and finding these stories bringing them to the screen.

0:39:45.320 --> 0:39:49.000
<v Speaker 2>I think the fact that streaming now is accepted, it's

0:39:49.080 --> 0:39:51.400
<v Speaker 2>not this dirty word that it wasn't. You know, you

0:39:51.480 --> 0:39:53.520
<v Speaker 2>don't get in the cinema, So therefore it means I

0:39:53.560 --> 0:39:56.839
<v Speaker 2>think it's bringing all these stories to the broader realm,

0:39:56.920 --> 0:40:00.520
<v Speaker 2>and I think we're all enjoying watching them. So you know,

0:40:00.680 --> 0:40:04.759
<v Speaker 2>I don't think necessarily boy genre, female genre, whatever you

0:40:04.840 --> 0:40:05.520
<v Speaker 2>want to call her.

0:40:05.560 --> 0:40:07.719
<v Speaker 1>Without looking like we're being canceled. Like you know, I

0:40:07.719 --> 0:40:08.920
<v Speaker 1>don't want to get to I don't want people to

0:40:08.920 --> 0:40:11.520
<v Speaker 1>come at me for this because you know, you know

0:40:11.680 --> 0:40:14.160
<v Speaker 1>me well enough to know that this is not who

0:40:14.280 --> 0:40:16.839
<v Speaker 1>I am as a person. But I do question whether

0:40:16.960 --> 0:40:19.720
<v Speaker 1>or not, I mean, what does Robbie think? Does Robbie

0:40:19.760 --> 0:40:22.400
<v Speaker 1>want to watch this kind of a genre with a

0:40:22.480 --> 0:40:25.560
<v Speaker 1>female protagonist at the lead, And actually that's really bad

0:40:25.600 --> 0:40:27.359
<v Speaker 1>because we don't want Robbie to be the vox pop

0:40:27.440 --> 0:40:27.920
<v Speaker 1>and you.

0:40:28.000 --> 0:40:31.920
<v Speaker 2>Know, to answer your question, he loved it.

0:40:32.360 --> 0:40:32.880
<v Speaker 1>He loved it.

0:40:33.160 --> 0:40:36.400
<v Speaker 2>It's a true story. So it's not even like it's

0:40:36.960 --> 0:40:40.080
<v Speaker 2>you know, it's it's something that she's created. But I

0:40:40.160 --> 0:40:43.720
<v Speaker 2>think we want to see diversity from all these actors.

0:40:44.040 --> 0:40:45.799
<v Speaker 2>You know, if they keep playing the same part over

0:40:45.880 --> 0:40:47.680
<v Speaker 2>and over and over again, then they get sort of

0:40:47.880 --> 0:40:51.600
<v Speaker 2>typecast into only playing one genre and that they don't

0:40:51.680 --> 0:40:54.479
<v Speaker 2>have enough sort of complexity to take on these other roles.

0:40:54.600 --> 0:40:56.960
<v Speaker 2>So I think what she's done with this role is

0:40:57.000 --> 0:40:59.200
<v Speaker 2>actually show us a completely different side of her. We're

0:40:59.239 --> 0:41:01.680
<v Speaker 2>all still talking about it, we're all still watching it

0:41:01.760 --> 0:41:05.759
<v Speaker 2>because it's still trending weeks in. Definitely people are responding

0:41:05.840 --> 0:41:06.520
<v Speaker 2>to the material.

0:41:06.840 --> 0:41:08.680
<v Speaker 1>I'm going to keep watching. I've only seen episode one,

0:41:08.760 --> 0:41:10.320
<v Speaker 1>but I definitely am going to keep watching. I was

0:41:10.320 --> 0:41:12.440
<v Speaker 1>actually it did take me to the very end of

0:41:12.480 --> 0:41:14.719
<v Speaker 1>the episode for me to go, oh, I really want

0:41:14.760 --> 0:41:17.160
<v Speaker 1>to see what happens to this woman. There was kind

0:41:17.160 --> 0:41:19.520
<v Speaker 1>of this catwoman moment, you know, where she was shot.

0:41:19.719 --> 0:41:22.520
<v Speaker 1>I don't know, there was something quite you know, fem

0:41:22.560 --> 0:41:24.839
<v Speaker 1>fatale in that which I was like, oh, I want

0:41:24.880 --> 0:41:26.160
<v Speaker 1>to get more. I want to get more of it.

0:41:26.320 --> 0:41:28.400
<v Speaker 2>Well, what you do get as well is an interesting

0:41:28.680 --> 0:41:32.920
<v Speaker 2>juxtaposition because she's obviously running this huge drug cartel by

0:41:32.960 --> 0:41:34.800
<v Speaker 2>the end of it, and she is the one that

0:41:34.880 --> 0:41:38.320
<v Speaker 2>everyone is fearing, and she is the godmother of cocaine

0:41:38.360 --> 0:41:41.000
<v Speaker 2>in Miami, I think, but she's also a mother herself.

0:41:41.160 --> 0:41:43.880
<v Speaker 2>Do you sort of see the juxtaposition of the softness

0:41:43.920 --> 0:41:46.719
<v Speaker 2>and her trying to protect her own family and that

0:41:46.920 --> 0:41:49.520
<v Speaker 2>sort of real maternal instinct that comes from wanting to

0:41:49.560 --> 0:41:52.640
<v Speaker 2>protect her own tribe, but yet everything that she is

0:41:52.719 --> 0:41:56.120
<v Speaker 2>creating around her, the violence, the chaos. It's very interesting.

0:41:56.520 --> 0:41:58.680
<v Speaker 1>Well, as we dive into what to watch this week

0:41:58.760 --> 0:42:01.800
<v Speaker 1>on the Box, I need to quick talk about married

0:42:01.800 --> 0:42:04.640
<v Speaker 1>at First Sight, because we're very, very lucky. We're actually

0:42:05.200 --> 0:42:06.880
<v Speaker 1>we have listened to here today to talk to us

0:42:06.880 --> 0:42:08.640
<v Speaker 1>a little bit about some of those questions that people

0:42:08.680 --> 0:42:10.680
<v Speaker 1>have in the media. I did ask you at the start,

0:42:10.760 --> 0:42:12.440
<v Speaker 1>so you're not really watching this series, but have you

0:42:12.520 --> 0:42:14.279
<v Speaker 1>come across Lissend a light at all?

0:42:14.560 --> 0:42:17.719
<v Speaker 2>Well, I've seen little snippets of social media, so it

0:42:17.840 --> 0:42:21.000
<v Speaker 2>wasn't intentional that I hadn't watched maps, but yes, I'm

0:42:21.040 --> 0:42:23.359
<v Speaker 2>only catching up on the little snippets. So you're you're

0:42:23.440 --> 0:42:24.640
<v Speaker 2>definitely in charge of this one.

0:42:24.760 --> 0:42:26.319
<v Speaker 1>Do you think she's an actress? Have you seen her

0:42:26.320 --> 0:42:28.200
<v Speaker 1>at all? Do you think she's an actress? Did that

0:42:28.280 --> 0:42:28.640
<v Speaker 1>come across?

0:42:28.920 --> 0:42:32.400
<v Speaker 2>They almost think everyone's an actor in that story, and

0:42:32.520 --> 0:42:35.480
<v Speaker 2>I think maybe they're not specifically, but I do think

0:42:35.520 --> 0:42:37.000
<v Speaker 2>a lot of them do go on there in the

0:42:37.120 --> 0:42:39.279
<v Speaker 2>hopes of becoming an actor, even if they can put

0:42:39.320 --> 0:42:40.960
<v Speaker 2>their hand on their heart and say no, I'm not one.

0:42:41.160 --> 0:42:42.920
<v Speaker 2>But then if you said would you want to be one?

0:42:43.160 --> 0:42:44.560
<v Speaker 2>I think they would answer yes.

0:42:45.080 --> 0:42:46.919
<v Speaker 1>Well, I caught up with her this week, as I said,

0:42:47.080 --> 0:42:49.560
<v Speaker 1>and here's a part of the conversation for people to enjoy.

0:42:50.800 --> 0:42:54.200
<v Speaker 3>Hi, Ben, your gorgeous creature. I, like a lot.

0:42:54.120 --> 0:42:57.320
<v Speaker 1>Of Australia, am quite obsessed with you. So this is

0:42:57.440 --> 0:42:59.240
<v Speaker 1>a real joy to be able to have this conversation

0:42:59.280 --> 0:43:02.160
<v Speaker 1>and chat with you to oh thanks Ben. How has

0:43:02.200 --> 0:43:05.120
<v Speaker 1>Australia reacted to you being on mouse? Well?

0:43:05.160 --> 0:43:07.520
<v Speaker 3>Look, to be honest, I've been hiding out under a

0:43:07.640 --> 0:43:10.360
<v Speaker 3>rock on the Great Ocean Road and in our family homes.

0:43:10.680 --> 0:43:14.080
<v Speaker 3>I've barely been out of our little community at areas

0:43:14.120 --> 0:43:16.560
<v Speaker 3>in much so. I mean I'm in Sydney today, but

0:43:17.440 --> 0:43:19.720
<v Speaker 3>I really you know, have just been sort of watching

0:43:19.800 --> 0:43:23.080
<v Speaker 3>the circus from a very quiet sanctuary, so feeling very

0:43:23.160 --> 0:43:26.640
<v Speaker 3>grounded and humans by it all, really, and I've also

0:43:27.000 --> 0:43:29.400
<v Speaker 3>just been so blown away by the love and support

0:43:29.480 --> 0:43:31.880
<v Speaker 3>that's come my way. It's been very humbling.

0:43:32.320 --> 0:43:34.160
<v Speaker 1>I want to know, how do you handle people coming

0:43:34.280 --> 0:43:37.000
<v Speaker 1>up to you and people asking you if you're an actor? Oh?

0:43:37.160 --> 0:43:38.120
<v Speaker 1>There has been a bit of that.

0:43:38.280 --> 0:43:41.239
<v Speaker 3>There's been lots of articles coming out saying that I'm

0:43:41.440 --> 0:43:43.120
<v Speaker 3>a faint and an actor and a this and a that.

0:43:43.280 --> 0:43:44.000
<v Speaker 2>And look I'm in there.

0:43:44.080 --> 0:43:45.880
<v Speaker 3>It's a little bit of merit to it because I

0:43:46.160 --> 0:43:49.400
<v Speaker 3>do run cabarets. I'm an MC but I'm kind of

0:43:49.440 --> 0:43:51.279
<v Speaker 3>a bit of the opposite of an actor in that

0:43:51.520 --> 0:43:54.879
<v Speaker 3>I'm the full expression of myself and I absolutely live

0:43:55.160 --> 0:43:59.479
<v Speaker 3>by authenticity, you know, through and through. But yeah, people

0:43:59.600 --> 0:44:01.800
<v Speaker 3>just go hell, what is this?

0:44:03.120 --> 0:44:03.160
<v Speaker 2>No?

0:44:03.320 --> 0:44:05.040
<v Speaker 1>When I see you, I just want to be your friend.

0:44:05.120 --> 0:44:07.279
<v Speaker 1>I just you know, when we first sort of present you,

0:44:07.360 --> 0:44:08.960
<v Speaker 1>it can look like you're a bit mad, and then

0:44:09.160 --> 0:44:10.560
<v Speaker 1>you know, you get to know you more and more,

0:44:10.920 --> 0:44:12.920
<v Speaker 1>and I think Australia just keeps falling in love with you.

0:44:13.160 --> 0:44:16.319
<v Speaker 1>The relationship with yourself and Timothy has to be one

0:44:16.360 --> 0:44:18.680
<v Speaker 1>of the most engaging that we've seen or married at

0:44:18.719 --> 0:44:20.640
<v Speaker 1>first Sight. And I've been trying to ask you this

0:44:21.160 --> 0:44:24.239
<v Speaker 1>about the success of the show and your take on it.

0:44:24.520 --> 0:44:27.120
<v Speaker 1>Do you think the successive Meredith First Sight is found

0:44:27.400 --> 0:44:29.560
<v Speaker 1>in the accessibility of some of the issues that we're

0:44:29.560 --> 0:44:31.440
<v Speaker 1>as an audience can relate to.

0:44:31.960 --> 0:44:34.800
<v Speaker 3>Oh, I think, you know, the more relatable and the

0:44:34.880 --> 0:44:38.520
<v Speaker 3>more diversity of people covering issues that we all have

0:44:38.680 --> 0:44:42.759
<v Speaker 3>to face within our humanity and within our relationships. You know,

0:44:42.920 --> 0:44:45.320
<v Speaker 3>the more that that's represented on a show like this,

0:44:45.520 --> 0:44:48.640
<v Speaker 3>the more fruitful it is for everybody, because you know,

0:44:49.200 --> 0:44:52.759
<v Speaker 3>it's that relatability and almost the education of going, oh

0:44:52.800 --> 0:44:55.200
<v Speaker 3>my god, I see that in me, or that's my partner,

0:44:55.600 --> 0:44:58.239
<v Speaker 3>that's what gas lighting is, or that's how you do that,

0:44:58.719 --> 0:45:01.240
<v Speaker 3>or you know, I just think it's a amazing offering

0:45:01.560 --> 0:45:04.000
<v Speaker 3>out there, a show that is Yeah.

0:45:04.239 --> 0:45:05.879
<v Speaker 1>Yeah, I mean, I think that's what we all see.

0:45:05.960 --> 0:45:08.080
<v Speaker 1>We all see things that are happening between you two,

0:45:08.320 --> 0:45:10.120
<v Speaker 1>and I guess we can see ourselves in sort of

0:45:10.280 --> 0:45:13.120
<v Speaker 1>parts of that, which I think is quite fascinating to watch.

0:45:13.280 --> 0:45:16.319
<v Speaker 1>I mean, you offer a unique personality to a show

0:45:16.440 --> 0:45:18.440
<v Speaker 1>like this, and I have to say, a really applaud

0:45:18.520 --> 0:45:22.120
<v Speaker 1>Channel nine for continuing to find new stories and extraordinary

0:45:22.160 --> 0:45:25.359
<v Speaker 1>personalities like yourself. Could we see more of you after

0:45:25.480 --> 0:45:28.799
<v Speaker 1>this experiment, regardless as of what happens with Timothy, Well.

0:45:28.719 --> 0:45:31.520
<v Speaker 3>Look, I'm I'm this moment to moment at the moment

0:45:31.760 --> 0:45:35.160
<v Speaker 3>really just sort of enjoying the ride and kicking back,

0:45:35.320 --> 0:45:38.640
<v Speaker 3>and we'll just see what unravels really, you know, at

0:45:38.640 --> 0:45:43.040
<v Speaker 3>the moment, for me, I'm just staying grounded, staying well,

0:45:43.480 --> 0:45:46.959
<v Speaker 3>keeping my heart open, enjoying my relationships and enjoying the show.

0:45:47.080 --> 0:45:49.359
<v Speaker 3>And I'm in no rush for anything. We'll just see

0:45:49.440 --> 0:45:50.000
<v Speaker 3>what happens.

0:45:50.680 --> 0:45:51.920
<v Speaker 1>I want to know, what does it look like? What

0:45:52.320 --> 0:45:54.440
<v Speaker 1>does watching Maths each tonight look like for you? Are

0:45:54.480 --> 0:45:56.399
<v Speaker 1>you there with a crisp white wine? Are you having

0:45:56.440 --> 0:45:58.760
<v Speaker 1>a cup of tea? What helps you get through watching

0:45:58.840 --> 0:45:59.200
<v Speaker 1>this show?

0:45:59.480 --> 0:45:59.800
<v Speaker 2>Tell you what?

0:46:00.080 --> 0:46:03.120
<v Speaker 3>Sometimes I'm melting into the couch and in deep humiliation,

0:46:03.840 --> 0:46:07.880
<v Speaker 3>but especially when stage ten Clinger edit came on, I

0:46:08.000 --> 0:46:11.160
<v Speaker 3>was just like, oh my god, the poor bustard, you know,

0:46:11.600 --> 0:46:13.680
<v Speaker 3>chicken wing and a couple of other scenes. But yeah,

0:46:13.920 --> 0:46:16.279
<v Speaker 3>I'll usually because at the moment, I'm down on the

0:46:16.320 --> 0:46:20.000
<v Speaker 3>Great Ocean Road at my family home and I'm hanging

0:46:20.040 --> 0:46:21.839
<v Speaker 3>out with one of my favorite people in the world,

0:46:21.840 --> 0:46:24.200
<v Speaker 3>which is my mum, and it looks like it's just

0:46:24.320 --> 0:46:27.279
<v Speaker 3>been curled up on the couch sipping tea pretty much

0:46:27.440 --> 0:46:30.000
<v Speaker 3>and having a giggle and her at times having to

0:46:30.120 --> 0:46:34.320
<v Speaker 3>cancel me through going or us both just having the

0:46:34.400 --> 0:46:38.040
<v Speaker 3>biggest cosmic joke laugh at all about snapping our knees

0:46:38.120 --> 0:46:41.560
<v Speaker 3>and you know, just not taking it too seriously.

0:46:41.680 --> 0:46:43.400
<v Speaker 1>I think that's something in that though, isn't there Like

0:46:43.480 --> 0:46:45.640
<v Speaker 1>we shouldn't take ourselves too seriously. I mean, I have

0:46:45.760 --> 0:46:48.160
<v Speaker 1>to tell you that my man boobs felt very seen

0:46:48.360 --> 0:46:50.800
<v Speaker 1>by you on a couple of the moments from the

0:46:50.840 --> 0:46:54.440
<v Speaker 1>other night, and I love to go the man boober quality.

0:46:54.960 --> 0:46:58.719
<v Speaker 3>Yeah, free the nipple absolutely well.

0:46:59.080 --> 0:47:01.520
<v Speaker 1>A lovely to chat with you. I feel like I

0:47:01.560 --> 0:47:04.279
<v Speaker 1>could talk to you forever, your beautiful soul, and I

0:47:04.360 --> 0:47:06.799
<v Speaker 1>think you as someone very different that we haven't seen

0:47:06.840 --> 0:47:09.120
<v Speaker 1>on television before. And I think it's making all of

0:47:09.239 --> 0:47:11.600
<v Speaker 1>us realize that we should embrace who we are and

0:47:11.680 --> 0:47:13.040
<v Speaker 1>be very proud of who we are.

0:47:13.400 --> 0:47:15.520
<v Speaker 3>And I think it takes one to know one Ben,

0:47:15.760 --> 0:47:18.359
<v Speaker 3>So right back at your brother and yeah, I hope

0:47:18.400 --> 0:47:18.560
<v Speaker 3>you know.

0:47:18.840 --> 0:47:19.640
<v Speaker 2>Thank you for the chaw.

0:47:19.760 --> 0:47:20.600
<v Speaker 3>That was delightful.

0:47:21.440 --> 0:47:24.200
<v Speaker 1>Hopefully people have enjoyed just Lucinda joining us there and

0:47:24.600 --> 0:47:27.239
<v Speaker 1>explaining her take on people. Assuming she's an actor. I

0:47:27.360 --> 0:47:29.360
<v Speaker 1>need to ask you are you're watching Australian Idol. I

0:47:29.480 --> 0:47:31.399
<v Speaker 1>know you're a huge Idol fan. Back in the day,

0:47:31.640 --> 0:47:33.839
<v Speaker 1>you I think ran across a a Devido fan club.

0:47:35.560 --> 0:47:38.480
<v Speaker 2>I did. I had a T shirt. And then we

0:47:38.560 --> 0:47:41.840
<v Speaker 2>would they put the this is before like mobile phones,

0:47:42.040 --> 0:47:44.160
<v Speaker 2>so they would put the big phone banks up at

0:47:44.200 --> 0:47:46.919
<v Speaker 2>shopping centers, like with like ten phones in a bank,

0:47:47.080 --> 0:47:50.120
<v Speaker 2>like mobile phone banks, and we would encourage people to

0:47:50.160 --> 0:47:52.800
<v Speaker 2>come over to the phones and cast their vote. It

0:47:52.920 --> 0:47:54.960
<v Speaker 2>was very exciting. And then I went to the after

0:47:55.080 --> 0:47:56.800
<v Speaker 2>party and I thought it was the best night of

0:47:56.840 --> 0:47:58.560
<v Speaker 2>my life. It's probably second to my wedding.

0:48:00.560 --> 0:48:02.399
<v Speaker 1>I just love that story so much. I'm so glad

0:48:02.440 --> 0:48:04.200
<v Speaker 1>that we got to include it. I want you to

0:48:04.719 --> 0:48:06.400
<v Speaker 1>Are you watching the series? I don't think you are.

0:48:06.920 --> 0:48:10.160
<v Speaker 2>I'm only watching little clips on social media. I mean

0:48:10.680 --> 0:48:12.279
<v Speaker 2>because then I get to see all the good bit.

0:48:12.440 --> 0:48:14.439
<v Speaker 1>Have you seen the guy Ripley? Have you been able

0:48:14.480 --> 0:48:16.640
<v Speaker 1>to hear he's done too long? So far? He did

0:48:16.719 --> 0:48:19.040
<v Speaker 1>Muma Mia and then he did Harder Glass. Have you

0:48:19.120 --> 0:48:19.520
<v Speaker 1>heard those?

0:48:20.040 --> 0:48:23.320
<v Speaker 2>Yes? And I love when people just do songs that

0:48:23.400 --> 0:48:26.800
<v Speaker 2>are so unexpected like that. That really takes you somewhere different,

0:48:26.840 --> 0:48:27.160
<v Speaker 2>doesn't it.

0:48:27.239 --> 0:48:29.759
<v Speaker 1>Absolutely. Here's a little clip of Ripley for people who

0:48:29.840 --> 0:48:31.640
<v Speaker 1>not watching Idle And the reason why I'm playing this

0:48:31.719 --> 0:48:34.360
<v Speaker 1>clip is just a showcase how good the talent is

0:48:34.440 --> 0:48:42.360
<v Speaker 1>this year. So enjoy so muchmuss gone. I think we

0:48:42.400 --> 0:48:44.640
<v Speaker 1>should talk about what to watch what's on TV this week?

0:48:45.080 --> 0:48:48.040
<v Speaker 1>Stan Australia has been loving themselves sick with Rupaol's drag

0:48:48.120 --> 0:48:51.200
<v Speaker 1>Race franchises, which we have seen being made all over

0:48:51.239 --> 0:48:53.680
<v Speaker 1>the world, including here in Australia. Had a Condac who

0:48:53.760 --> 0:48:57.440
<v Speaker 1>was in series two of down Under is now representing

0:48:57.560 --> 0:49:00.439
<v Speaker 1>us in the UK's version of UK Versus the World

0:49:00.600 --> 0:49:03.839
<v Speaker 1>RuPaul's hosting. Have you ever watched RuPaul's drag Race?

0:49:04.239 --> 0:49:07.719
<v Speaker 2>Oh? Of course, just so much fun that is. That's

0:49:07.760 --> 0:49:09.960
<v Speaker 2>the content that just makes you smile. You can put

0:49:10.000 --> 0:49:14.239
<v Speaker 2>it on anytime everyone's there, just to smile, laugh, Bring

0:49:14.320 --> 0:49:16.640
<v Speaker 2>the looks, honey, and bring a bit of stas.

0:49:16.960 --> 0:49:18.960
<v Speaker 1>That is my dream is to watch episodes of that

0:49:19.160 --> 0:49:21.040
<v Speaker 1>so like next time we are in the same state,

0:49:21.120 --> 0:49:23.000
<v Speaker 1>we are a one hundred percent going to watch a

0:49:23.080 --> 0:49:26.160
<v Speaker 1>RuPaul's Drag Race episode together because that is my dream. Okay,

0:49:26.760 --> 0:49:29.640
<v Speaker 1>ad to kat Well that new series has started episode one.

0:49:29.719 --> 0:49:32.120
<v Speaker 1>He's already out. It was called The Queen's Variety Show.

0:49:32.480 --> 0:49:35.280
<v Speaker 1>New episodes drop every Saturday at ten am in Australia.

0:49:35.600 --> 0:49:38.680
<v Speaker 1>So I hope Anaconda does well. I did enjoy her

0:49:38.719 --> 0:49:41.200
<v Speaker 1>on the Australian series, and it is always nice to

0:49:41.239 --> 0:49:44.280
<v Speaker 1>have Australians representing us in any kind of global competition.

0:49:44.719 --> 0:49:46.760
<v Speaker 2>Absolutely fly that Aussie flag.

0:49:46.880 --> 0:49:50.400
<v Speaker 1>Hot Mister Bates versus the Post Office is out already.

0:49:50.520 --> 0:49:53.720
<v Speaker 1>You can watch that on seven plus Great. It is brilliant,

0:49:53.920 --> 0:49:57.480
<v Speaker 1>a really engaging true story. I mean it is true

0:49:57.560 --> 0:49:59.840
<v Speaker 1>crime to a certain extent, but it's just, I don't know,

0:50:00.239 --> 0:50:03.960
<v Speaker 1>so compelling, and the characters are so accessible and so raw.

0:50:04.400 --> 0:50:06.440
<v Speaker 1>You know, I'd never heard of what had happened to

0:50:06.480 --> 0:50:08.800
<v Speaker 1>these people who are affected by what was like a

0:50:08.880 --> 0:50:11.759
<v Speaker 1>computer glitch that happened at the post offices in the

0:50:11.960 --> 0:50:15.080
<v Speaker 1>UK which saw their bookkeeper a lot of the bookkeepers

0:50:15.360 --> 0:50:18.160
<v Speaker 1>being wrongfully sent to jail. This series says a lot

0:50:18.200 --> 0:50:21.800
<v Speaker 1>about corporate greed and proves that good and evil doesn't

0:50:21.840 --> 0:50:24.319
<v Speaker 1>just belong in the movies. Have I teased you enough

0:50:24.600 --> 0:50:25.479
<v Speaker 1>to want to watch the show?

0:50:25.640 --> 0:50:29.120
<v Speaker 2>Yes? Absolutely, And I think this is the brilliance of

0:50:29.280 --> 0:50:33.000
<v Speaker 2>having so many streaming platforms pumping out this content because

0:50:33.040 --> 0:50:36.239
<v Speaker 2>stories like these are getting brought to lot and I

0:50:36.360 --> 0:50:39.840
<v Speaker 2>think we're all here for it. I love the true stories,

0:50:39.920 --> 0:50:40.360
<v Speaker 2>I really do.

0:50:40.680 --> 0:50:40.839
<v Speaker 3>Well.

0:50:40.960 --> 0:50:43.239
<v Speaker 1>It's out on seven. It's out on the seven network now,

0:50:43.320 --> 0:50:46.120
<v Speaker 1>so mister Bates versus the post Office. First two episodes

0:50:46.400 --> 0:50:49.319
<v Speaker 1>dropped yesterday and there's two more episodes that are going

0:50:49.360 --> 0:50:51.040
<v Speaker 1>to be coming out on the twenty first of February.

0:50:51.120 --> 0:50:54.080
<v Speaker 1>So that is a huge recommendation. I would very rarely

0:50:54.280 --> 0:50:57.360
<v Speaker 1>say four or five stars to a show, but this

0:50:57.920 --> 0:51:00.400
<v Speaker 1>is four or five star shows. Well, last thing we're

0:51:00.400 --> 0:51:02.080
<v Speaker 1>going to finish off with Alana. You and I have

0:51:02.160 --> 0:51:04.360
<v Speaker 1>talked about this quite a bit. Binge is about to

0:51:04.480 --> 0:51:07.839
<v Speaker 1>drop Apple's Never Fall, which is based on the late

0:51:08.080 --> 0:51:11.040
<v Speaker 1>one of the Leanne Moriarty books, stars Sam Neil and

0:51:11.120 --> 0:51:14.480
<v Speaker 1>At Benning, Allison Brie and White Lotus is Jake Lacy.

0:51:15.239 --> 0:51:16.759
<v Speaker 1>He was in the first series of White Lotus. I

0:51:16.800 --> 0:51:18.960
<v Speaker 1>think he's very sexy. Feel free to google that. While

0:51:19.000 --> 0:51:21.960
<v Speaker 1>I keep talking this intro, what Leanne does well in

0:51:22.080 --> 0:51:26.000
<v Speaker 1>her storytelling is the deconstruction of family dynamics, and this

0:51:26.280 --> 0:51:29.640
<v Speaker 1>show looks very gorgeous. It's filmed in Queensland, although it

0:51:29.800 --> 0:51:33.400
<v Speaker 1>is said in Miami, so Queensland Gold Coast is doubling

0:51:33.440 --> 0:51:36.200
<v Speaker 1>for Miami. So that's actually quite interesting to watch at

0:51:36.280 --> 0:51:39.040
<v Speaker 1>times because you'll obviously see things that we are familiar

0:51:39.080 --> 0:51:41.279
<v Speaker 1>with in the Gold Coast and be like, wow, so

0:51:41.680 --> 0:51:44.360
<v Speaker 1>that's quite amazing. What do you think? Have you got ambitions?

0:51:44.400 --> 0:51:45.920
<v Speaker 1>Have you got hopes that this will be as good

0:51:45.920 --> 0:51:47.160
<v Speaker 1>as a Big Little Lives?

0:51:47.440 --> 0:51:50.160
<v Speaker 2>I definitely have ambitions and hopes that that will be

0:51:50.200 --> 0:51:51.719
<v Speaker 2>as good as Big Little Lives? And do you know what,

0:51:51.880 --> 0:51:54.800
<v Speaker 2>if you have got and Net Benning in the helm,

0:51:55.160 --> 0:51:58.640
<v Speaker 2>you are in with a good shot. What an outstanding actress.

0:51:58.880 --> 0:52:02.000
<v Speaker 2>I'd only just watched Naiad the film that You've been

0:52:02.120 --> 0:52:04.480
<v Speaker 2>again another you know, amazing true.

0:52:04.320 --> 0:52:06.560
<v Speaker 1>Story that I dominated for an Academy I've known.

0:52:06.360 --> 0:52:09.240
<v Speaker 2>About had that film not been made Jodie Foster. Obviously

0:52:09.280 --> 0:52:14.280
<v Speaker 2>they're both nominated for Academy Awards, so I'm really looking

0:52:14.320 --> 0:52:17.160
<v Speaker 2>forward to watching that. I will definitely be watching that one.

0:52:17.600 --> 0:52:20.319
<v Speaker 1>Okay, sure, well, we've managed to smash this and get

0:52:20.360 --> 0:52:22.680
<v Speaker 1>through so much content. Hopefully we've been able to help

0:52:22.719 --> 0:52:25.680
<v Speaker 1>people with what to watch. I am always so appreciative

0:52:25.760 --> 0:52:31.880
<v Speaker 1>of your time, and as I listen to you unpacking shows, television, actors, actresses,

0:52:32.239 --> 0:52:34.320
<v Speaker 1>I just realized how much I love your takes on

0:52:34.440 --> 0:52:37.440
<v Speaker 1>these things, and I'm sure people who are listening do too,

0:52:37.600 --> 0:52:38.239
<v Speaker 1>So thank you.

0:52:38.480 --> 0:52:41.759
<v Speaker 2>Feel free to challenge us or add your takes into

0:52:41.840 --> 0:52:44.360
<v Speaker 2>it as well, because very fluid all these things that

0:52:44.400 --> 0:52:46.759
<v Speaker 2>we're watching, and everyone has different opinions on them, but

0:52:46.920 --> 0:52:49.799
<v Speaker 2>certainly really appreciate your opportunity to share. Well.

0:52:49.840 --> 0:52:52.120
<v Speaker 1>I hope you enjoy singing some Kyli Minogue songs on

0:52:52.160 --> 0:52:53.440
<v Speaker 1>the way to work this morning is.

0:52:53.440 --> 0:52:56.839
<v Speaker 2>A Friday, definitely, and new Beyonce takes us hold them.

0:52:57.320 --> 0:52:59.520
<v Speaker 1>I haven't heard any of that is a country Beyonce?

0:53:00.239 --> 0:53:01.480
<v Speaker 2>Yes, what is going on?

0:53:01.640 --> 0:53:02.000
<v Speaker 1>Is it good?

0:53:02.480 --> 0:53:02.719
<v Speaker 3>Yes?

0:53:02.920 --> 0:53:05.600
<v Speaker 2>Country is having a moment. Maybe we need another podcast,

0:53:05.680 --> 0:53:08.040
<v Speaker 2>What Music Watch by Van