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Speaker 1: Well, hello there, this is our podcast, and what a

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Speaker 1: podcast it is.

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Speaker 2: Fight for your Flashbag makes its return track and songs.

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Speaker 3: Trucking songs, GEMI Rise, Jibber jabber or our favorite bits

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Speaker 3: and pieces from the week. Now what we're going to

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Speaker 3: put to the pub test it's sex scenes in movies.

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Speaker 3: Henry Cavell, a very sexy actor, doesn't like doing sex scenes.

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Speaker 3: People don't like watching them. That's what I think.

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Speaker 1: I've got to make a confession. I am related to

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Speaker 1: someone on Australian idol. So full disclosure.

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Speaker 2: Okay, you don't even remember their surname.

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Speaker 3: You gave a shocking display of how so called close

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Speaker 3: it is, so called relative.

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Speaker 1: I've buried, I buried my my knowledge of him so deep,

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Speaker 1: I buried it so deep has not to.

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Speaker 2: Ruin the chains. Well wait till you hear how that

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Speaker 2: went down.

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Speaker 4: So Peter Garrett will be joined us in this podcast.

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Speaker 2: I wrote now about a miracle of recording. We had

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Speaker 2: so many requests for them to do it.

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Speaker 5: Again, Mistress Amanda and ms Keller Amanda doesn't work alone.

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Speaker 2: Friend in making the tools of the Train, I've heard

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Speaker 2: them describe him as a drunken idiot.

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Speaker 5: The legendary part Jonesy Amanda the actress.

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Speaker 4: Congratulations, we're any right now, Jersey and Amanda, you're doing

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Speaker 4: a great job.

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Speaker 2: Anyone but selfie giant. Now the time to good radio. Sorry,

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Speaker 2: but if a tongue twist set.

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Speaker 1: And Amanda shoot Timy we're on the air.

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Speaker 2: Hello, Amanda, how are you today? I'm excited, well for

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Speaker 2: a couple of reasons.

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Speaker 3: One is that the heat seems to have broken, maybe

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Speaker 3: that's going to be the last of that muggy summer.

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Speaker 2: But also we've got your hero on the show today,

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Speaker 2: Peter Garrett.

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Speaker 3: Yeah, remember Brendan when you were a young radio announcing

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Speaker 3: your first gig was community radio or were you working on.

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Speaker 2: Paid RAI radio Sta Catha. You look at thirty. It

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Speaker 2: was thirty four years ago.

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Speaker 3: Thirty four years ago, a momentous day, and he was

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Speaker 3: so nice to you and your voice you sound like

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Speaker 3: one hundred year old man. He's a snippet of Breton

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Speaker 3: John interviewing Peter Garrett from how many years ago?

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Speaker 2: Did you say?

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Speaker 6: So?

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Speaker 2: This would have been nineteen ninety and it went a

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Speaker 2: little bit like this.

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Speaker 7: Right now, I have the distinct pleasure of talking to

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Speaker 7: mister Peter Garrett, who is the lead singer for Midnight Old.

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Speaker 2: Peter, how are you this evening?

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Speaker 7: I find thanks?

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Speaker 2: Are you having a good, good evening so far?

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Speaker 8: Yeah, well, it's kind of like with an evening where

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Speaker 8: I am the third evening.

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Speaker 2: Where you are hold the front page. And that was

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Speaker 2: the good bit, Peter, Garrett's having a nice and you

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Speaker 2: sound like you're trying to be casual. But you that's

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Speaker 2: when you had to sound like a DJ. Now we

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Speaker 2: just don'd like a couple of It doesn't matter. You

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Speaker 2: just sound like a band saw and it seems to work.

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Speaker 3: As you say, a broken nose convention. That's if m

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Speaker 3: Radio is that's true.

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Speaker 1: All the podcast people form a Marria at first sight contestants,

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Speaker 1: it's Dorman.

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Speaker 2: Excuse a podcast? That's the podcast. I have to put

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Speaker 2: that voice on when I do my podcast. Anyway, Look,

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Speaker 2: let's not bring it well.

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Speaker 3: Look, he's going to be on the show today, and

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Speaker 3: how would you feel if I played him an I

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Speaker 3: don't think.

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Speaker 2: There's any need. It's not going to make the boat

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Speaker 2: go faster. It'll make the boat go funny, funny or faster. Honey.

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Speaker 3: You know, We've got a couple of snippets from that,

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Speaker 3: will play him. Peter's got a new album out, yes

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Speaker 3: he has. Apart from the horror of that, there is

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Speaker 3: some good news for him.

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Speaker 1: Okay, okay, okay, Well you don't have to play it

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Speaker 1: to him.

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Speaker 2: He doesn't have to hear it. I think he does.

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Speaker 2: He does. He's a charming he loves you. Will play it.

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Speaker 1: All the other fruits of the Friday. Pio is along

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Speaker 1: the way as well. We've got Instagram make its return.

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Speaker 2: Fight for your flashback. I can't remember who won last week.

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Speaker 2: I am woman.

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Speaker 3: He was International Woman's Day, Women's Women's Day, International Women's Day.

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Speaker 3: And that song, you know, as I was just singing,

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Speaker 3: miming along, loving myself sick, remember, I started crying just

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Speaker 3: out of the blue, and because it made me think

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Speaker 3: of my mum and singing that song into my hair

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Speaker 3: brush at home all those years ago, and how I'd

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Speaker 3: often thought that, you know, Mum's life she didn't was small,

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Speaker 3: and she loved her life. And I now see her

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Speaker 3: life so differently, and all the opportunities I got that

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Speaker 3: she didn't get a chance to get just because of

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Speaker 3: where her time fell in history and what the women's

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Speaker 3: movement has done for us all, and so many women

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Speaker 3: responded to that saying they felt about their mums in

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Speaker 3: exactly the same way. So it really hit a nerve

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Speaker 3: for a lot of us. I think on that day.

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Speaker 2: Okay, well you said all this last week when you're won,

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Speaker 2: and now you're rehashing Frendom so gracious and we can't

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Speaker 2: do anything the mad Do you like to hide from

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Speaker 2: every human emotion? A blood? This one? You've got commercial

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Speaker 2: radio running through. It's just easier to do the DJ

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Speaker 2: you do it. It's just easier. Don't have a thought

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Speaker 2: in your hair and just do the details. Why did

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Speaker 2: you give us a call? If you play the magnificent seven? Question?

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Speaker 2: Am I allowed to read it? Brendan?

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Speaker 3: I hope I don't get deep? Robert Smith is the

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Speaker 3: lead sing of which English rock band?

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Speaker 1: You weren't being deep, You're just being repetitive, that's allus is.

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Speaker 2: A man who shares every joke you said from the

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Speaker 2: eighties gem Nation.

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Speaker 1: We have the magnifics and seven seven questions? Can you

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Speaker 1: go all away and answer all seven questions correctly? If

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Speaker 1: you do that, Amanda will say, hey, yeah, nothing deep

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Speaker 1: for him. Oh but it's back getting question seven right,

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Speaker 1: Let's go.

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Speaker 2: To Stephen Bondo. Hello Steve, how are you? How is

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Speaker 2: it going to cost me to get out of this? Steve?

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Speaker 2: Hello Steve, thank god you're here. Question number one for you.

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Speaker 3: Steve Robert Smith is the lead singer of which English

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Speaker 3: rock band The.

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Speaker 2: Qre famous for its Easter show showbag.

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Speaker 1: What chocolate was originally created from the honeycomb leftover from

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Speaker 1: the production of Violet crumble Bars. A lot of people

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Speaker 1: say it was just floor sweepings put in together into

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Speaker 1: a mold, and it's one.

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Speaker 2: Of the most enduring chocolates. What's the showbag birdie boodle?

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Speaker 2: I wasn't aware of that, so it's just left over honeycomb,

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Speaker 2: all the stuff that came out of the machine on

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Speaker 2: the floor. I'll make its broom just pen boom another

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Speaker 2: birdie beetle. They're very good. So is it still the

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Speaker 2: cheapest show bag? I don't think it's as cheap as

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Speaker 2: it used to be. He lives.

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Speaker 3: Of course, there's also the Jones in Amanda's showbag. The

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Speaker 3: show bag is expensive, but the materials cheap.

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Speaker 2: Well sold. Steve's no gonna be in the radio material

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Speaker 2: we do every day.

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Speaker 3: Question three, which brings us Steve to Monster Mad which

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Speaker 3: two songs have been munched together?

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Speaker 2: Had very obvious? One not sorry, sorry, remember you don't

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Speaker 2: know any of them? Lara's in man. I Hello, Lara,

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Speaker 2: Do you need to hear it again? Lara?

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Speaker 9: Yeah, I think I'm going to here.

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Speaker 10: It is holding hand.

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Speaker 1: With Remember some music you get in one of those

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Speaker 1: night clubs in the city where you go along and

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Speaker 1: you buy a drink and across you thirty two dollars.

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Speaker 2: Lara, what are the songs? I have no idea. I

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Speaker 2: can't even pick that. Really, this is one, the one

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Speaker 2: where it says, no, I don't remember. You didn't remember, Lara,

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Speaker 2: Let's hear it again? Kind of rhymes with here we

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Speaker 2: are at this new bar, holding hand? Yeah, make can

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Speaker 2: I just get a people are trying to get good

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Speaker 2: and you remember.

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Speaker 1: Thirty two dollars loves please There Kelly were a mask

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Speaker 1: never mind?

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Speaker 2: Oh it's a good combination. I like it.

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Speaker 1: Ja podcast The Magnis seven were a question three. It's

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Speaker 1: monster mash Mas.

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Speaker 3: We've watched two songs together. One of them is very obvious,

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Speaker 3: although no one's been able to get to that one either.

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Speaker 2: Have a listen, hold in hand.

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Speaker 11: It doesn't sound like the music in those bars in

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Speaker 11: the city, you know, around the ivy and stuff like that.

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Speaker 2: How can people guess when you're talking? It's quite obvious.

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Speaker 2: Apparently not, Jackie said Ingelburn. Okay, Jackie, over to you.

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Speaker 2: What are those two songs?

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Speaker 12: Get lucky in September?

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Speaker 3: Yes, in September when question four? Behind only the Beatles?

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Speaker 3: Who was the second best selling foreign act in the

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Speaker 3: US in the two thousands decade? So forget the Beatles?

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Speaker 3: Who came second in the two thousand decades? Is the

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Speaker 3: best foreign act in the US? It was it AU

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Speaker 3: two b ac DC CE Nickelback.

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Speaker 13: What were they did?

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Speaker 2: So forget the Beatles.

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Speaker 3: The second best selling foreign act in the US in

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Speaker 3: the two thousands was AU two b ac DC or

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Speaker 3: C Nickelback.

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Speaker 2: U two it but no Tony's in Seven Hills, Hi,

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Speaker 2: Tony extraordine.

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Speaker 1: When you think about the Beatles were still out selling

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Speaker 1: everyone in the year two thousands.

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Speaker 2: Hi, Tony, good morning, going very well.

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Speaker 3: So who was the second best selling foreign act in

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Speaker 3: the US in the two thousands? Was it ac DC

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Speaker 3: or Nickelback?

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Speaker 2: It was Nickelback. It was Nickelback could walk the streets

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Speaker 2: of the two thousands.

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Speaker 1: Horses man. Are horses mouth breathers or nose breathers? Or

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Speaker 1: horses mouth breathers or nose breathers?

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Speaker 2: Do they breathe through their nose?

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Speaker 3: On their mouths through their nose? Horses can only breathe

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Speaker 3: through the nostrils. I would say to you if you

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Speaker 3: wanted to kill a horse, not that anyone would cover

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Speaker 3: its nostrils.

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Speaker 2: Okay, fair enough. If you're being attacked by a wild one, say,

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Speaker 2: and they're opposite to NRL players their mouth breathers, say,

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Speaker 2: just on those flat earths that they live on. Question six,

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Speaker 2: how many posts are there on an AFL field? Tony?

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Speaker 2: The Tony answer, I don't know runs in Helen's but hello,

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Speaker 2: Ron Hi Hi on an AFL field? How many posts

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Speaker 2: are there?

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Speaker 10: Now?

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Speaker 2: Would work? Three? Strange? You have a very hard game

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Speaker 2: to play for this three posts of each. It's like

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Speaker 2: Gaelic football. Have you seen that, which is like Ozzie

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Speaker 2: rules and it's got the net and it's crazy. So

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Speaker 2: they're just making it up. Josh is in south windsor Hollow? Josh, Hello,

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Speaker 2: very well? So how many posts on an AFL field? Out?

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Speaker 14: Four?

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Speaker 2: My brain is hurt. That could be a thing.

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Speaker 1: Who won Broncos versus Rabbit O's in the NRL last

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Speaker 1: night The Boncas twenty eight eighteen. Congratulations you won the

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Speaker 1: jam pack here It's all coming away, Josh. A double

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Speaker 1: pass to the Rocky Horror Picture Show starring Jason Donovan

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Speaker 1: opening at Theater.

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Speaker 2: Royal, Sydney this month.

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Speaker 1: Movie past us to see Eric Banner in Force of Nature,

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Speaker 1: The Dry Two in cinemas now and Jonesy demanded character

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Speaker 1: toos few calorin and substatear pencils.

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Speaker 2: Josh, and you'd like to add to this.

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Speaker 6: Just Happy Friday, guys, have a good weeknd.

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Speaker 2: Thank you Josh. Having Friday everyone, Jonesy and Amanda Podcast.

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Speaker 2: I'm going to make this show its sweet.

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Speaker 13: I'm only going to stand on.

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Speaker 14: Well.

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Speaker 2: Jermanak is our big book of musical facts. Let's flick

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Speaker 2: through and have a look on this day.

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Speaker 3: In nineteen sixty nine, The Rolling Stones released their hit

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Speaker 3: Gimme Shelter.

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Speaker 12: WHOA.

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Speaker 3: You know it's not easy to see the Stones in

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Speaker 3: concert these days. They are still performing, but it's not

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Speaker 3: that easy to get mixed. Now, what if I told

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Speaker 3: you the second best thing is on our very own soil?

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Speaker 3: The Rolling Stones review This sounds fantastic. This is an

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Speaker 3: all star tribute band filled with Ossie music legends, Adelita,

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Speaker 3: Phil Jamason, that's right, Phil Jameson from.

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Speaker 2: Crisp the Driver, You like it, Phil from Math where

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Speaker 2: you got on with Cram the Drama from What do

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Speaker 2: you Mean? Got on with You?

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Speaker 14: Were like?

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Speaker 3: I spoke to him, Tex Perkins, cruel sy Tim Rodgers,

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Speaker 3: you am I what an amazing group. They've announced an

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Speaker 3: eight day tour to pay homage to the album Sticky Fingers,

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Speaker 3: but they're also they've said, are going to do songs

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Speaker 3: like Gimme She and all the classics.

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Speaker 2: Their set list is going to be amazing. Sound like

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Speaker 2: here's Tim Rodgers with a little taste, give some.

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Speaker 10: Sad a leaders.

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Speaker 12: So gordous.

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Speaker 2: Definitely.

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Speaker 3: In the meantime, well, he's the original Stone whoever they

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Speaker 3: might be gem.

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Speaker 1: Oh look there's someone at the door. Hi, Well, looky here,

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Speaker 1: it's my femal mum way.

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Speaker 2: Oh, it's so nice to come out to your little

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Speaker 2: radio station out here. But I do hear you're moving

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Speaker 2: to my neck. Yes, yes, North Sydney know it well.

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Speaker 2: Jeff back in the day used to work in Berry

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Speaker 2: Street for you.

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Speaker 15: Know BBD, BBM BBD, bb bb.

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Speaker 3: D BBM one of the biggest ad agencies in the boots. Oh,

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Speaker 3: they had some fabulous campaigns. Remember this one you ought

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Speaker 3: to be I congratulates of.

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Speaker 2: This serrated for will share knives? Remember? And what about

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Speaker 2: this one?

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Speaker 3: Chickadee Chicky chickadee, chicken flavor.

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Speaker 2: And cy chickenee. Yeah, what did you guys do that?

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Speaker 2: Nar went to Sarchie. Jeff never got over it. But

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Speaker 2: why would you bring that? Sticks in your head anyway?

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Speaker 2: If yes, or hang on, don't rush me off, bugger lugs.

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Speaker 2: Let me tell you about my Luti's side gear. Oh

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Speaker 2: who you working for? KP? Kerry Packard?

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Speaker 3: No, you fool Kensington Palace. I've got a gig at

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Speaker 3: Kensington Palace during their pr Oh that's a big deal,

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Speaker 3: a really big deal.

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Speaker 2: Unfortunately, the new job coincided with a holiday. I had

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Speaker 2: planned for youngs to go skiing and constant straight glorious week.

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Speaker 2: So we had a fabulous time. We went with Jeff's friends,

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Speaker 2: the Pop Scotch you know them from Boston. Marvelous time anyway. Yes,

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Speaker 2: I've been away for three weeks. Have I missed anything?

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Speaker 2: I haven't checked my inbox yet. I don't get the

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Speaker 2: exactly great. Here's a message from management turtle check. Well,

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Speaker 2: she's in for a surprise when she checks that inbox.

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Speaker 1: Our management writes, there's been much talk this week about

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Speaker 1: suburban trucks on our roads.

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Speaker 2: Oh was this all the suv? Suv full drive? Yep,

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Speaker 2: you should get one of those. Yeah, just give into it,

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Speaker 2: get yourself a ram sure. Today's five for your flashback

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Speaker 2: tracking songs. This is your wheelhouse, this is right track

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Speaker 2: and songs. I've already got one. I bet you do,

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Speaker 2: and I bet I know what it is. Truck truck, truck, truck, truck, truck, truck,

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Speaker 2: truck rights itself.

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Speaker 12: Amanda's Notion podcasts instance.

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Speaker 2: Amanda's.

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Speaker 1: Ten for Good Buddy. Ten questions, sixty seconds on the clock.

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Speaker 1: You can past if you don't know an answer. We'll

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Speaker 1: come back to that question if time permits. If you

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Speaker 1: get all the questions right, one thousand.

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Speaker 3: Dollars, yeah, and you can go with a thousand dollars.

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Speaker 3: But we say one bonus question, do you want to

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Speaker 3: play double or nothing?

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Speaker 2: We have a long way to go on a short

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Speaker 2: time to get there. Steven's joined us in Waverley. Hello, Stephen,

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Speaker 2: how you. I am excellent.

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Speaker 3: Hi, Stephen, let's do this ten questions sixty seconds. If

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Speaker 3: you're not sure, say passed, because we usually have time.

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Speaker 2: To come back. Okay, be sure, Stephen. Good luck because

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Speaker 2: here it comes question number one. On which day of

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Speaker 2: the week does Easter fall.

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Speaker 6: Friday?

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Speaker 3: That's what Jones he said when we did a trial run.

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Speaker 3: It's actually Easter Sunday. Sunday's good Friday, Easter Sunday. You've

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Speaker 3: harmed Jesus two days early, Steve.

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Speaker 2: Oh plops, Stephen. Still, that's the quickest way to make

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Speaker 2: a hunt when he went up on the cross for Jesus.

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Speaker 2: Good for everyone else. Stephen, You've d one hundred dollars

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Speaker 2: in about twenty seconds. So congratulations there, that's good Stephen. Yeah,

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Speaker 2: thank you, Thank you, Steven. Straight out of the gate

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Speaker 2: like that. Jem jam Nason.

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Speaker 1: Fight for your flashback two songs into one song leaves

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Speaker 1: today management rights. There's been much talk about suburban trucks

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Speaker 1: on our roads. Today's five for your flashback trucking songs.

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Speaker 2: I know what you've picked.

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Speaker 1: Got your ears on, good buddy, it's the dark of

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Speaker 1: moon on the sixth th I was right, Kimworth holding

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Speaker 1: logs cotton Boy.

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Speaker 8: Franker on nine, This year's a rubber duck.

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Speaker 10: You've got a copy of me?

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Speaker 9: Come on, come on?

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Speaker 8: I was a darker than moving on the sixth of

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Speaker 8: June and the Kenworth pulling logs cab over Pete with

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Speaker 8: a reefer on and a Jimmy hauling Hoggs.

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Speaker 9: We is heading for.

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Speaker 8: Bear on one over Buddy Town, Chicago, says pig Pen.

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Speaker 8: This year's a rubber and I'm about to put the

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Speaker 8: hammer down.

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Speaker 2: And what I like about this song It explains the

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Speaker 2: whole premise of the movie in the song, what is

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Speaker 2: the movie? I've never seen? Convoy? You have never seen Convoy?

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Speaker 2: Are you joking? It's got Chris Christofferson in it. I've

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Speaker 2: never seen and he's driving the truck. He's got the mac.

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Speaker 2: Is this what they get on the back? They have

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Speaker 2: to get beers over the county lines? Is that cannon balls?

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Speaker 2: That's smoking bandit? That's Smoky in the band And they

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Speaker 2: hae to get what happens in this one? I just can't.

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Speaker 2: You don't even know. I do know, I just can't.

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Speaker 1: It's about Chris Christofferson is a He's the rubber duck.

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Speaker 1: He's the truck driver and the man is pushing them

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Speaker 1: with their road taxes and all this stuff. This is

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Speaker 1: what truckies go through every day, high registrations, all that stuff.

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Speaker 1: And they say, well, screw you, man, and they lead

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Speaker 1: this convoy across.

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Speaker 3: The So it's a movie about a protest, yes, and

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Speaker 3: what happens in the end everyone lives, happily, have a.

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Speaker 11: Bridge, The cops shoot shooties truck up and it blows

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Speaker 11: up because he's carrying.

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Speaker 2: See in it. Well, it's a bit of a spoiler

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Speaker 2: that because I might watch it this weekend, you know what,

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Speaker 2: you have my permission to spoil it for me. And

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Speaker 2: he's carrying nitroglycerine in his tank and then like the cops,

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Speaker 2: So at the end of the movie, you don't know

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Speaker 2: whether he lives or dies. Well, watch the movie and

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Speaker 2: you will find out it's never going to happen. And

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Speaker 2: it's got that that lady she was really hot in

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Speaker 2: the seventies. What's her name? More details required, Brenda? Yeah,

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Speaker 2: I forgot the name she was. Can you google it please?

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Speaker 10: Ryan?

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Speaker 2: Who's who is she? Ali McGraw, Ali McGraw, Yeah, she

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Speaker 2: is smoke on het? Yeah, is that before she did

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Speaker 2: Love Story and Chris.

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Speaker 1: Chris Christopherson had some huge BDE. I don't know if

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Speaker 1: you can say huge b D. It's because it's already big,

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Speaker 1: but a huge BD.

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Speaker 2: Anyway, that's what I have for your edification today. What

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Speaker 2: have you got?

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Speaker 3: I've gone with the song that you do don't first

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Speaker 3: think of when you think of truck and songs, but

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Speaker 3: the song. Sometimes our truck drivers, bless them, to get

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Speaker 3: our frozen peas to our shops on time, have to

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Speaker 3: drive through the night. I give you Cindy Lauper, I

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Speaker 3: drove all night.

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Speaker 2: This is a great song. No one got shot like an.

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Speaker 3: Then skimses your arms ven words.

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Speaker 2: Well, it's great songs, it's all well and good funds.

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00:20:43,160 --> 00:20:48,400
Speaker 2: But I think you've gone with an obscure album track.

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Speaker 2: He joking. It's a great song, sweet voice, Your face

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00:20:56,800 --> 00:20:59,320
Speaker 2: is a funny color. What's going on with you? So

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Speaker 2: if you think you've got it in the bag, don't

394
00:21:01,040 --> 00:21:03,399
Speaker 2: you it's the color of success. It's the color of

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00:21:03,480 --> 00:21:07,480
Speaker 2: smugness because you like to dud? Do you think I

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00:21:07,560 --> 00:21:10,960
Speaker 2: think it's a great song. Don't get me wrong. It's

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Speaker 2: up against convoy. It's a dud.

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Speaker 3: What song would you like to hear thirteen WSFM, or

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00:21:16,640 --> 00:21:19,440
Speaker 3: you can go to our Instagram story at Jonesy and Amanda.

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Speaker 1: John Nations five for your flashback today, truck and songs.

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Speaker 2: Suburban trucks are all on our road, says management. So

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00:21:29,200 --> 00:21:31,240
Speaker 2: today truck and song. What have you gone with?

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Speaker 8: More trucks? Here is the Doug We about to go

404
00:21:36,160 --> 00:21:37,000
Speaker 8: a host bear?

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Speaker 2: Can I watch that movie again? Are they men singing?

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00:21:54,640 --> 00:22:04,359
Speaker 2: Are they trucking the testicles somewhere? That's the that's the

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Speaker 2: convoy singer's okay, can voice?

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Speaker 14: Yeah?

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00:22:07,080 --> 00:22:09,400
Speaker 2: The c W McCall Convoy singing.

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Speaker 3: I've gone with this fabulous song by Cindy Lauper from

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Speaker 3: nineteen eighty nine.

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Speaker 11: I drove all night, don't get me wrong. Great song,

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Speaker 11: just a little bit album tracking.

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Speaker 5: That's album.

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Speaker 2: What people want to hear. Brendan, you're not the arbiter

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Speaker 2: of this. Carolyn's in Milperra Fights your flashback, Carolyn.

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Speaker 12: Good morning, new lovely people. Okay, So for my brother,

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00:22:45,359 --> 00:22:50,120
Speaker 12: my nephew, my first ex fifx brother in law, Wow,

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Speaker 12: I have to go with the first I thought of,

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Speaker 12: which was convoy.

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Speaker 2: Of course, there's a lot of exes in there. You

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Speaker 2: don't have to vote. That's a plan there. Susan's in

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Speaker 2: Berkuy Park flashback, Susan.

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Speaker 16: How are we people?

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00:23:02,760 --> 00:23:06,720
Speaker 2: Very well? Thank you look Jonesy. I was going to

426
00:23:06,800 --> 00:23:08,200
Speaker 2: vote for you, I really was.

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Speaker 16: I loved that song, but Amanda picked Cyndy Lauper and

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00:23:12,040 --> 00:23:15,000
Speaker 16: how can you not go past Cyndi Lauper? So I'm

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Speaker 16: going for Amanda.

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Speaker 1: I lovely thank you for pastor in my bulldog Mac

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00:23:19,200 --> 00:23:21,040
Speaker 1: with a can on the back and a kim with

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Speaker 1: hall and logs and he's impressed all on.

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Speaker 3: Just stops impressed. Hello, and thanks for your flashback and

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Speaker 3: save me from his chatter.

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Speaker 16: I'm sorry, Amanda, you have devastated me this morning. That

436
00:23:34,760 --> 00:23:38,080
Speaker 16: song that you chose was absolutely crap against Convoy Go

437
00:23:38,760 --> 00:23:40,840
Speaker 16: go to Jones. I sung it when I was a

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Speaker 16: kid and it brings back so many memories.

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Speaker 2: Well done man, no need for the editorial particular. I

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00:23:51,640 --> 00:23:58,080
Speaker 2: remain vaguely good natured. We're taking calls. Jonesy and Amanda podcast.

441
00:24:06,640 --> 00:24:10,760
Speaker 1: Fight for Your Flashback, two songs and to one song leaves.

442
00:24:10,800 --> 00:24:13,480
Speaker 1: There's been much talk this week about suburban tracks on

443
00:24:13,560 --> 00:24:17,200
Speaker 1: our roads. Today's Fight for Your flashb back tracking songs.

444
00:24:17,680 --> 00:24:18,959
Speaker 2: I've gone with convoys.

445
00:24:19,040 --> 00:24:19,359
Speaker 15: C W.

446
00:24:19,560 --> 00:24:21,960
Speaker 8: McCall truck says, here's the dog. We about to go

447
00:24:22,119 --> 00:24:22,920
Speaker 8: a hunt bear.

448
00:24:23,040 --> 00:24:27,000
Speaker 2: I'm playing this for John Lewis. Losy's out there listening

449
00:24:27,080 --> 00:24:31,400
Speaker 2: this morning. He's not on the road driving. He likes

450
00:24:31,440 --> 00:24:32,240
Speaker 2: tracking songs.

451
00:24:33,440 --> 00:24:35,399
Speaker 3: Well, if everyone is not into that trucking song, I

452
00:24:35,520 --> 00:24:38,359
Speaker 3: give you this surprise delight, Cindy Lauper.

453
00:24:38,480 --> 00:24:44,879
Speaker 2: I drove all night such a romantic song. I was

454
00:24:44,960 --> 00:24:48,520
Speaker 2: quite surprised when you pick this one. I don't care

455
00:24:48,560 --> 00:24:51,480
Speaker 2: what you think. I love it. It's a very romantic,

456
00:24:51,640 --> 00:24:53,840
Speaker 2: sexy song. I drove all night because I had to

457
00:24:53,920 --> 00:24:58,359
Speaker 2: be with you. Yeah, that's great. Wayne's in busby. Hello, Wayne,

458
00:24:58,440 --> 00:24:59,359
Speaker 2: fight for your flashback.

459
00:25:00,119 --> 00:25:00,159
Speaker 17: Go.

460
00:25:00,280 --> 00:25:03,880
Speaker 16: I'd just like to say, guys, Happy Friday and radio check,

461
00:25:04,040 --> 00:25:04,640
Speaker 16: radio check.

462
00:25:04,680 --> 00:25:06,639
Speaker 6: I've got one in front, one behind, and I'm not

463
00:25:06,720 --> 00:25:07,600
Speaker 6: a smiling lady.

464
00:25:07,760 --> 00:25:09,000
Speaker 16: I must be in a convoy.

465
00:25:09,880 --> 00:25:17,600
Speaker 2: Who are you voting for? Wayne? Speak fluent Wayne, I

466
00:25:17,760 --> 00:25:23,080
Speaker 2: know exactly what he's saying. Theresa, buddy, fight for your flashback, Teresa.

467
00:25:23,240 --> 00:25:25,480
Speaker 12: Good morning. I'm sind it oper all the way. I

468
00:25:25,600 --> 00:25:26,240
Speaker 12: love that song.

469
00:25:26,320 --> 00:25:28,879
Speaker 2: Every time I hear it. It's the bit unreal. Thank you.

470
00:25:29,040 --> 00:25:31,560
Speaker 2: Teresa would like to hearing it today. Katrina's in the

471
00:25:31,600 --> 00:25:34,320
Speaker 2: shop and no one likes it when you show off, Katrina,

472
00:25:34,359 --> 00:25:35,760
Speaker 2: Fight for your flashback.

473
00:25:36,160 --> 00:25:39,160
Speaker 12: Good morning Jonesy, Amanda. Look, I love you guys both,

474
00:25:39,400 --> 00:25:40,840
Speaker 12: but I love Ana over more.

475
00:25:40,880 --> 00:25:41,960
Speaker 16: I'm going with Amanda today.

476
00:25:42,040 --> 00:25:43,840
Speaker 2: It's still a popularity contest, Katrina.

477
00:25:43,920 --> 00:25:46,480
Speaker 3: I take anywhere I can get it, because people don't

478
00:25:46,560 --> 00:25:47,440
Speaker 3: like a gloaty pant.

479
00:25:48,240 --> 00:25:50,560
Speaker 2: People like glody pants and just spat all over yourself.

480
00:25:51,400 --> 00:25:55,919
Speaker 2: Surely's in Boulebaro. Fight for your flashback, Shirley. Good morning, Jonesy,

481
00:25:55,960 --> 00:25:57,600
Speaker 2: Good morning Amanda Jonsey.

482
00:25:57,760 --> 00:26:00,800
Speaker 7: I really really love Conroyd, but not going for Amanda.

483
00:26:00,960 --> 00:26:01,639
Speaker 2: Thank you, Shirley.

484
00:26:01,720 --> 00:26:05,160
Speaker 3: People don't like you showing off. There's still one vote

485
00:26:05,160 --> 00:26:09,120
Speaker 3: to go. It's Peter and Harris Park Peter. What song

486
00:26:09,240 --> 00:26:10,040
Speaker 3: were playing today?

487
00:26:11,200 --> 00:26:13,320
Speaker 6: Oh so I used to be tracking I'm a Curry

488
00:26:13,359 --> 00:26:16,119
Speaker 6: and now I'm still driving and look I'm driving behind

489
00:26:16,160 --> 00:26:20,000
Speaker 6: the truck. It's gouredy convoy. It's just a quinty Central,

490
00:26:20,520 --> 00:26:26,120
Speaker 6: pretty central. I think that's right. Yeah, yeah, it's there's

491
00:26:26,160 --> 00:26:29,360
Speaker 6: no other song. You're the winner, Thank.

492
00:26:29,200 --> 00:26:30,600
Speaker 2: You, well done.

493
00:26:31,000 --> 00:26:33,760
Speaker 3: All right, I accept the results, but I'm glad that

494
00:26:33,840 --> 00:26:36,239
Speaker 3: a lot of people were happy that Cindy was there too,

495
00:26:37,080 --> 00:26:38,080
Speaker 3: including you, Brendan.

496
00:26:38,119 --> 00:26:38,800
Speaker 2: I love Sydney.

497
00:26:39,000 --> 00:26:43,239
Speaker 18: It is great, sure, but keep that in your UI

498
00:26:43,359 --> 00:26:48,720
Speaker 18: boom over the weekend. Meanwhile, you got to sit on

499
00:26:48,800 --> 00:26:49,280
Speaker 18: your Uni.

500
00:26:49,440 --> 00:26:52,600
Speaker 2: Frank one this year's Rubber Duck Jonesy.

501
00:26:54,040 --> 00:26:56,760
Speaker 1: Podcast, Let's get on down to the Jersey Matters for

502
00:26:56,800 --> 00:26:57,960
Speaker 1: the pub test today.

503
00:26:58,720 --> 00:27:01,399
Speaker 2: Sex scenes in movies do they pass the pub time or?

504
00:27:01,480 --> 00:27:03,920
Speaker 3: This is something that I've been talking about in my

505
00:27:04,240 --> 00:27:07,280
Speaker 3: recent podcast Double a Chattery, Get it Est Today, Get

506
00:27:07,280 --> 00:27:09,280
Speaker 3: it where you get your podcast Double.

507
00:27:09,040 --> 00:27:12,800
Speaker 2: A Chattery dot com. Henry Cavill, who's a really attractive,

508
00:27:14,000 --> 00:27:14,479
Speaker 2: handsome guy.

509
00:27:14,520 --> 00:27:17,360
Speaker 3: He played Superman, but he's also a really thoughtful guy

510
00:27:17,640 --> 00:27:20,920
Speaker 3: and he doesn't feel comfortable doing sex scenes.

511
00:27:21,160 --> 00:27:24,240
Speaker 9: It's when you have a sense that you're going is

512
00:27:24,359 --> 00:27:27,200
Speaker 9: this really necessary or is it people just with less

513
00:27:27,240 --> 00:27:30,240
Speaker 9: clothing on? And that's where you start to get more uncomfortable,

514
00:27:30,240 --> 00:27:34,720
Speaker 9: when you're thinking, there's not a performance here, right, There's

515
00:27:34,760 --> 00:27:36,280
Speaker 9: not a piece which is going to carry through into

516
00:27:36,320 --> 00:27:38,040
Speaker 9: the rest of the movie. The human imagination is going

517
00:27:38,119 --> 00:27:38,640
Speaker 9: to trumpet.

518
00:27:38,960 --> 00:27:41,560
Speaker 3: And it's not only actors not liking doing them. People

519
00:27:41,640 --> 00:27:43,440
Speaker 3: I don't think it comfortable watching them.

520
00:27:43,359 --> 00:27:46,280
Speaker 2: We spoke to Ben Feldman yesterday. He filled them up.

521
00:27:46,720 --> 00:27:49,880
Speaker 1: He was talking about Population eleven while he's talking about

522
00:27:49,880 --> 00:27:51,280
Speaker 1: this movie Population eleven.

523
00:27:51,440 --> 00:27:53,520
Speaker 2: But the thing he's doing now is with sex scenes,

524
00:27:53,520 --> 00:27:55,280
Speaker 2: and he hates them. I just don't know how you

525
00:27:55,359 --> 00:27:57,320
Speaker 2: guys do sex scenes. It would be the worst thing.

526
00:27:57,400 --> 00:27:59,680
Speaker 14: You're surrounded by a bunch of sweaty, middle aged guys

527
00:27:59,720 --> 00:28:02,280
Speaker 14: wearing new balances and their hairy legs are like bumping

528
00:28:02,359 --> 00:28:05,320
Speaker 14: up against you holding cameras and makes there's nothing sexy

529
00:28:05,320 --> 00:28:05,600
Speaker 14: about it.

530
00:28:05,680 --> 00:28:07,240
Speaker 2: Well, that's how I like to do it. You just

531
00:28:07,320 --> 00:28:11,800
Speaker 2: hit my fantasy. So the actors don't like it. The

532
00:28:11,960 --> 00:28:15,040
Speaker 2: viewers don't like it. Who like sex scenes and movie?

533
00:28:15,160 --> 00:28:16,320
Speaker 2: Do you like watching it?

534
00:28:16,440 --> 00:28:19,080
Speaker 3: People like the imagination. I think that's why sex scenes

535
00:28:19,080 --> 00:28:21,919
Speaker 3: in books are so erotic, because you can do all

536
00:28:22,000 --> 00:28:24,879
Speaker 3: the imagining yourself. Sometimes when you're watching a movie, it's

537
00:28:24,920 --> 00:28:27,879
Speaker 3: just uncomfortable to watch. How do you feel sex scenes

538
00:28:27,920 --> 00:28:29,840
Speaker 3: in movies? Does it pass the pub test?

539
00:28:30,400 --> 00:28:30,640
Speaker 1: Nation?

540
00:28:31,840 --> 00:28:34,640
Speaker 17: Jonesy and Amanda in the Morning one oh one point

541
00:28:34,720 --> 00:28:36,159
Speaker 17: seven WSFM.

542
00:28:36,280 --> 00:28:38,720
Speaker 11: Coming up later on the show, Peter Garrett will be

543
00:28:38,800 --> 00:28:41,160
Speaker 11: joining us. He's got new music us dropped today.

544
00:28:41,400 --> 00:28:42,480
Speaker 2: We've got an old interview.

545
00:28:43,320 --> 00:28:47,000
Speaker 3: What I was saying, Jonesy, when many years ago you're

546
00:28:47,080 --> 00:28:51,600
Speaker 3: nineteen ninety one, nineteen ninety working in six Guru Karafa

547
00:28:52,480 --> 00:28:54,960
Speaker 3: was interviewing Peter Garrett, one of your first area of interviews,

548
00:28:55,080 --> 00:28:58,160
Speaker 3: and it's incredible to hear how beautiful you sound.

549
00:28:58,400 --> 00:29:01,920
Speaker 7: Okay, Peter, this is the second final question in this

550
00:29:02,080 --> 00:29:07,000
Speaker 7: list of interrogation. You might call it the just just

551
00:29:07,120 --> 00:29:09,680
Speaker 7: pretend people up here have never heard of midnight? Or

552
00:29:09,800 --> 00:29:12,120
Speaker 7: what would you tell a person that's never heard of midnight?

553
00:29:12,280 --> 00:29:18,120
Speaker 7: Or what can I expect? I love that answer.

554
00:29:19,760 --> 00:29:22,120
Speaker 3: If anyone was to shop and a pencil my fingers ready,

555
00:29:25,000 --> 00:29:27,520
Speaker 3: which is another song Peter's on his new album.

556
00:29:27,720 --> 00:29:32,120
Speaker 1: Get that Dead in Office Works anyway? Is it going

557
00:29:32,200 --> 00:29:33,800
Speaker 1: to do me any good to say, don't play that

558
00:29:33,880 --> 00:29:34,200
Speaker 1: to Peter?

559
00:29:34,440 --> 00:29:40,920
Speaker 2: We're playing it to Peter. We're playing four nation. If

560
00:29:40,960 --> 00:29:46,760
Speaker 2: I play you this young man so deep, what a voice?

561
00:29:46,960 --> 00:29:47,840
Speaker 17: So things go?

562
00:29:50,000 --> 00:29:50,120
Speaker 6: Well?

563
00:29:50,160 --> 00:29:53,480
Speaker 1: I knew him before he was famous, because that's Dylan,

564
00:29:57,040 --> 00:30:00,560
Speaker 1: so what you call us st so he is.

565
00:30:01,400 --> 00:30:02,800
Speaker 2: And I don't want to talk about this too much

566
00:30:02,880 --> 00:30:04,640
Speaker 2: because you know I want to get there. I want

567
00:30:04,720 --> 00:30:06,400
Speaker 2: him to get there on his own merits. But as

568
00:30:06,440 --> 00:30:08,640
Speaker 2: we're getting close to the pointy end of idol. Is

569
00:30:08,680 --> 00:30:11,480
Speaker 2: it this Sunday? The last one on Sunday? Well you

570
00:30:11,520 --> 00:30:14,000
Speaker 2: should know, because tell us how you know Dylan Dylan

571
00:30:14,520 --> 00:30:19,320
Speaker 2: is Helen's first cousin removed? How does that work? I

572
00:30:19,360 --> 00:30:24,520
Speaker 2: don't know. So Helen's parent, my parents, Helen is your wife.

573
00:30:24,600 --> 00:30:26,040
Speaker 2: Let's start there. Helen's my wife.

574
00:30:27,120 --> 00:30:29,600
Speaker 3: I'm going to draw an Arthur Murray style dance chart.

575
00:30:29,680 --> 00:30:33,440
Speaker 3: There's Helen, there's Helen. Okay, right, So Dylan is her

576
00:30:33,480 --> 00:30:35,240
Speaker 3: first caust Okay, so.

577
00:30:35,320 --> 00:30:41,480
Speaker 2: You've said, so is it Helen's parents, brother or sister,

578
00:30:42,000 --> 00:30:42,920
Speaker 2: mom's sister?

579
00:30:43,200 --> 00:30:46,720
Speaker 3: All right, So Mavis may her sister's name is is

580
00:30:46,960 --> 00:30:48,120
Speaker 3: Pauline Pauline?

581
00:30:48,320 --> 00:30:49,880
Speaker 2: Yeah, it's Pauline's son.

582
00:30:50,800 --> 00:30:54,480
Speaker 1: Pauline had a daughter Anne and is Dylan's mom and

583
00:30:54,720 --> 00:30:55,880
Speaker 1: passed away a.

584
00:30:55,880 --> 00:30:58,520
Speaker 2: Few years ago. Trade and Anne is Dylan's mom and

585
00:30:58,720 --> 00:31:01,600
Speaker 2: is Dylan's mom and dealing. So poor Lean stored. So

586
00:31:01,680 --> 00:31:05,280
Speaker 2: it's Helen's cousin, Helen's first cousin removed. Isn't that right?

587
00:31:05,360 --> 00:31:06,480
Speaker 2: What makes it removed? I don't know.

588
00:31:06,640 --> 00:31:08,640
Speaker 1: People say that, I've been saying for years. I don't

589
00:31:08,640 --> 00:31:12,080
Speaker 1: even know what that means. Anyway, don't sweat the tin

590
00:31:12,200 --> 00:31:15,000
Speaker 1: tax about this. Dylan's in there on Sunday.

591
00:31:14,720 --> 00:31:18,640
Speaker 2: And is it Sunday the big final? Considering you watch

592
00:31:18,760 --> 00:31:21,480
Speaker 2: Maths every week, which is up again? Stupid merrit first

593
00:31:21,520 --> 00:31:24,280
Speaker 2: sight has taken away too addictives to So what's Dylan's

594
00:31:24,320 --> 00:31:31,360
Speaker 2: last name? Dylan's Dylan's last night to be Dylan Dennis.

595
00:31:31,400 --> 00:31:42,240
Speaker 2: Now that's all right Dylan anyway, it's about yeah, so

596
00:31:43,600 --> 00:31:45,160
Speaker 2: he's getting all the support in the work.

597
00:31:48,440 --> 00:31:52,280
Speaker 1: You're still right, it's stilling right, that's right, Yes, okay,

598
00:31:52,400 --> 00:31:53,680
Speaker 1: you put me under pressure, so.

599
00:31:54,600 --> 00:31:58,400
Speaker 2: You just boasted that. His cousin just put me under pressure.

600
00:31:58,480 --> 00:32:00,719
Speaker 2: I've met him a couple of times. He's a lovely kid.

601
00:32:00,840 --> 00:32:03,120
Speaker 2: But anyway I just want him to do is He's

602
00:32:03,120 --> 00:32:05,160
Speaker 2: got a beautiful beauty and if if you've got an

603
00:32:05,160 --> 00:32:07,560
Speaker 2: opportunity to vote for him, vote for him because he's

604
00:32:07,560 --> 00:32:11,760
Speaker 2: got true talent. Kids doing a.

605
00:32:11,760 --> 00:32:14,880
Speaker 1: Cute story though, so Pauline, Artie Pauline, So that's the

606
00:32:14,960 --> 00:32:20,360
Speaker 1: great untie sent U may have said, everyone text text Dylan.

607
00:32:20,280 --> 00:32:22,120
Speaker 2: To vote for Dylan. How do you vote? You text

608
00:32:22,200 --> 00:32:22,560
Speaker 2: his name?

609
00:32:22,680 --> 00:32:28,800
Speaker 1: Yeah, so, Pauline said. His auntie Barbara a thousand texts

610
00:32:28,840 --> 00:32:30,000
Speaker 1: with diylans and his name on it.

611
00:32:30,160 --> 00:32:32,160
Speaker 2: She sent her the wrong Just send it to Barbara.

612
00:32:32,200 --> 00:32:37,920
Speaker 2: Put these through for me. Oh how cute. Pop these

613
00:32:38,000 --> 00:32:41,479
Speaker 2: through for me. Just put these through to the idle people. Well,

614
00:32:41,640 --> 00:32:43,160
Speaker 2: good luck. I was doing to the big fellow. I

615
00:32:43,160 --> 00:32:44,720
Speaker 2: was doing to KRL. I said, what about Dylan and

616
00:32:45,680 --> 00:32:46,280
Speaker 2: you talking about it?

617
00:32:46,280 --> 00:32:48,160
Speaker 1: I don't know anyone, and I knew he did that

618
00:32:48,200 --> 00:32:50,920
Speaker 1: little winky face that he does sometimes, So well.

619
00:32:50,840 --> 00:32:53,360
Speaker 2: Good luck Dylan. Is it Sunday night the Big finale.

620
00:32:54,680 --> 00:32:54,720
Speaker 6: Is?

621
00:32:54,800 --> 00:32:57,600
Speaker 2: Yeah? Okay, Well vote for Dylan. He's great. Vote for Dylan.

622
00:32:57,640 --> 00:33:05,920
Speaker 2: I agree, he's family. You're a disgrace Nation podcast?

623
00:33:06,440 --> 00:33:10,000
Speaker 6: When not gone, I wanted to get on right now.

624
00:33:10,640 --> 00:33:11,720
Speaker 10: I'm taking pleasing.

625
00:33:11,880 --> 00:33:14,680
Speaker 2: Now go in your windows, open them or stick your

626
00:33:14,720 --> 00:33:19,480
Speaker 2: head on and yells hello.

627
00:33:19,800 --> 00:33:22,200
Speaker 11: Down to the Jonesy the Man as the pub test today.

628
00:33:22,360 --> 00:33:25,360
Speaker 11: Sex scenes in movies do they pass the pub test?

629
00:33:25,520 --> 00:33:29,400
Speaker 3: Henry Cavill has said he doesn't like filming them. He

630
00:33:29,520 --> 00:33:32,280
Speaker 3: thinks that people get more out of using their imaginations

631
00:33:32,640 --> 00:33:35,800
Speaker 3: rather than watching sex scenes in movies and on television.

632
00:33:36,640 --> 00:33:38,480
Speaker 2: Yeah, he said this, it's.

633
00:33:38,360 --> 00:33:41,360
Speaker 9: When you have a sense that you're going is this

634
00:33:41,640 --> 00:33:44,640
Speaker 9: really necessary or is it people just with less clothing on.

635
00:33:45,240 --> 00:33:47,240
Speaker 9: And that's where you start to get more uncomfortable, and

636
00:33:47,280 --> 00:33:50,880
Speaker 9: you're thinking, there's there's not a performance here, right that

637
00:33:50,960 --> 00:33:52,480
Speaker 9: there's there's not there's not a piece which is going

638
00:33:52,560 --> 00:33:53,960
Speaker 9: to carry through into the rest of the movie. The

639
00:33:54,040 --> 00:33:56,000
Speaker 9: human imagination is going to trumpet.

640
00:33:56,360 --> 00:33:58,280
Speaker 2: Sometimes, wonder about it. You watch an action movie, you

641
00:33:58,280 --> 00:33:59,960
Speaker 2: don't want to say sex scene, You just want to

642
00:34:00,160 --> 00:34:03,000
Speaker 2: see the action. Well, not the action can make you uncomfortable.

643
00:34:03,000 --> 00:34:05,479
Speaker 3: Watching people have chemistry is a wonderful thing, but then

644
00:34:05,560 --> 00:34:08,440
Speaker 3: watching them have it off can sometimes be uncomfortable.

645
00:34:08,760 --> 00:34:11,319
Speaker 2: How do you feel sex scenes in movies? Do they

646
00:34:11,360 --> 00:34:12,279
Speaker 2: pass a pub test?

647
00:34:13,000 --> 00:34:16,320
Speaker 16: Yes, because it gives you something to talk about. Turns

648
00:34:16,480 --> 00:34:21,160
Speaker 16: me off because the access that are very trusted r

649
00:34:21,200 --> 00:34:24,000
Speaker 16: I don't like it. Well, you know, I think it depends.

650
00:34:24,760 --> 00:34:27,400
Speaker 16: It does make most of us feel a little bit uncomfortable.

651
00:34:27,440 --> 00:34:29,880
Speaker 16: Not everyone, but I think the best way for a

652
00:34:29,920 --> 00:34:32,280
Speaker 16: spect scene in the movies and the couple are about

653
00:34:32,320 --> 00:34:35,919
Speaker 16: to get down and dirty, and the scene fagged out,

654
00:34:36,440 --> 00:34:40,200
Speaker 16: leaving it all to your imagination. Now that's a sexy

655
00:34:40,400 --> 00:34:40,960
Speaker 16: sex scene.

656
00:34:41,680 --> 00:34:42,600
Speaker 12: Yes, it does well.

657
00:34:42,640 --> 00:34:45,000
Speaker 16: I think it's educational, but I don't like to watch

658
00:34:45,040 --> 00:34:45,720
Speaker 16: it in front.

659
00:34:45,560 --> 00:34:46,120
Speaker 6: Of the children.

660
00:34:46,800 --> 00:34:49,880
Speaker 2: No, we watched Oppenheim or all the kids, and that

661
00:34:50,080 --> 00:34:57,120
Speaker 2: seem Florence Pugh. Yeah, you know. I went on tell

662
00:34:57,160 --> 00:35:00,400
Speaker 2: the story and then Michael, my potential selling law he

663
00:35:00,480 --> 00:35:05,759
Speaker 2: said nice and you said, yeah, you know, in front

664
00:35:05,800 --> 00:35:10,520
Speaker 2: of your wife and your daughter. Yeah, but what do

665
00:35:10,600 --> 00:35:10,800
Speaker 2: you do?

666
00:35:12,080 --> 00:35:14,880
Speaker 3: No, you don't even Ryan groaned when he heard you

667
00:35:14,960 --> 00:35:20,680
Speaker 3: tell that story. Anyway, the antithesis of that, I went

668
00:35:20,719 --> 00:35:23,200
Speaker 3: to see an incredible show at the Opera House.

669
00:35:24,040 --> 00:35:26,799
Speaker 2: I know, it was just amazing. I want to talk

670
00:35:26,800 --> 00:35:30,120
Speaker 2: about it. Next went on a school line.

671
00:35:30,600 --> 00:35:33,040
Speaker 3: And I never do, and it reminded me about how

672
00:35:33,120 --> 00:35:35,399
Speaker 3: great it is to do it. I want to see

673
00:35:35,440 --> 00:35:37,080
Speaker 3: a show at the Opera House, but I met my

674
00:35:37,440 --> 00:35:43,560
Speaker 3: friend Catherine beforehand at the Opera bar chockers, people everywhere, eating, drinking.

675
00:35:44,520 --> 00:35:47,200
Speaker 3: There's a whole life that because of these crazy hours

676
00:35:47,280 --> 00:35:49,200
Speaker 3: we do, I never see during the week.

677
00:35:49,280 --> 00:35:51,520
Speaker 2: It was so nice and what did you see? Well,

678
00:35:51,600 --> 00:35:53,640
Speaker 2: this was an extraordinary.

679
00:35:53,000 --> 00:35:55,239
Speaker 3: Show that I've heard so much about and I really

680
00:35:55,320 --> 00:36:00,239
Speaker 3: wondered how does it work. It's called RBG of Many One.

681
00:36:00,400 --> 00:36:02,600
Speaker 3: It's a story of Ruth Bata Ginsburg. It's a one

682
00:36:02,600 --> 00:36:07,280
Speaker 3: woman show with one of Australia's most fabulous actresses, Heather Mitchell,

683
00:36:07,960 --> 00:36:09,520
Speaker 3: and this is a tour de force. I think it

684
00:36:09,600 --> 00:36:11,640
Speaker 3: is one of the best things I have ever seen.

685
00:36:12,239 --> 00:36:16,080
Speaker 3: And it starts with Ruth Bada Ginsburg, who was only

686
00:36:16,160 --> 00:36:18,759
Speaker 3: the second woman ever to join the Supreme Court in

687
00:36:18,880 --> 00:36:22,920
Speaker 3: the US and she was so instrumental in advocating for

688
00:36:23,040 --> 00:36:27,160
Speaker 3: gender equality, for reproductive rights. She served well into her

689
00:36:27,280 --> 00:36:30,719
Speaker 3: eighties I think, actually too, she was seventy nine, I think.

690
00:36:31,239 --> 00:36:33,440
Speaker 3: But she made so many she was part of so

691
00:36:33,520 --> 00:36:36,920
Speaker 3: many landmark decisions to help women. It was quite Her

692
00:36:37,120 --> 00:36:40,640
Speaker 3: tenure was quite extraordinary. But this one woman's show, it's

693
00:36:40,840 --> 00:36:43,359
Speaker 3: just Heather and it is amazing. It begins with her

694
00:36:43,400 --> 00:36:46,200
Speaker 3: waiting for President Clinton to phone her to see whether

695
00:36:46,280 --> 00:36:48,920
Speaker 3: she's made it onto the Supreme Court bench, and then

696
00:36:48,960 --> 00:36:51,000
Speaker 3: it goes back through other parts of her life and

697
00:36:51,040 --> 00:36:52,480
Speaker 3: then Heather, I don't know how she does it. She

698
00:36:52,560 --> 00:36:55,359
Speaker 3: can walk across the stage and then just come back

699
00:36:55,400 --> 00:36:58,880
Speaker 3: as an eighty year old woman, so with.

700
00:36:58,960 --> 00:37:01,160
Speaker 2: A costume change, like a bit of a stoop.

701
00:37:01,560 --> 00:37:06,480
Speaker 3: Yes, physically just so different. But it's so emotional and

702
00:37:06,560 --> 00:37:08,360
Speaker 3: when you look at the term all America is in

703
00:37:08,560 --> 00:37:10,239
Speaker 3: now with a Supreme.

704
00:37:10,000 --> 00:37:11,240
Speaker 2: Court, because this is what happens.

705
00:37:11,280 --> 00:37:13,319
Speaker 3: You serve while you are able, and if that's still

706
00:37:13,320 --> 00:37:15,080
Speaker 3: the day you die, then that's to the day you die.

707
00:37:15,520 --> 00:37:16,360
Speaker 2: And they cover in this.

708
00:37:16,560 --> 00:37:19,319
Speaker 3: She has a meeting with so she joins the bench

709
00:37:19,600 --> 00:37:22,760
Speaker 3: during Clinton's tenure. Then she has a meeting with Obama,

710
00:37:23,440 --> 00:37:25,279
Speaker 3: and she's the only performer on stage. She kind of

711
00:37:25,360 --> 00:37:28,200
Speaker 3: embodies their voices as well to say, here's what happened.

712
00:37:28,680 --> 00:37:31,879
Speaker 3: And Obama was saying delicately pretty much to her, Look,

713
00:37:31,960 --> 00:37:32,919
Speaker 3: you're getting really old.

714
00:37:33,520 --> 00:37:34,320
Speaker 2: If you die.

715
00:37:36,800 --> 00:37:41,480
Speaker 3: When Obama's tenure is up, then what if a Republican

716
00:37:41,560 --> 00:37:43,799
Speaker 3: gets in, they get to a point someone they want

717
00:37:43,840 --> 00:37:46,759
Speaker 3: on the Supreme Court. And she says, I've still got

718
00:37:46,920 --> 00:37:50,239
Speaker 3: so much work to do, So she said, stuff you,

719
00:37:50,520 --> 00:37:52,600
Speaker 3: I'm going to keep I'm going to stay alive and

720
00:37:52,719 --> 00:37:55,040
Speaker 3: keep working. And then of course Donald Trump gets in,

721
00:37:55,600 --> 00:37:58,840
Speaker 3: and so she's trying so hard to stay alive to

722
00:37:58,960 --> 00:38:01,720
Speaker 3: the end of his reign and of his four years

723
00:38:02,320 --> 00:38:05,400
Speaker 3: so that he doesn't get to appoint her predecessor. And

724
00:38:05,560 --> 00:38:09,000
Speaker 3: of course she dies forty days before the end, and

725
00:38:09,480 --> 00:38:13,000
Speaker 3: he puts Amy Comy. I think her name is in there, Comy,

726
00:38:13,160 --> 00:38:16,000
Speaker 3: And so the whole balance shifted.

727
00:38:16,360 --> 00:38:18,040
Speaker 2: Reproductive rights have ring recalled.

728
00:38:18,160 --> 00:38:18,400
Speaker 14: Roe v.

729
00:38:18,520 --> 00:38:22,920
Speaker 3: Wade has been recoiled, recalled. The whole Supreme Court has

730
00:38:22,960 --> 00:38:25,960
Speaker 3: shifted so diametrically to the right. And this is what

731
00:38:26,080 --> 00:38:29,360
Speaker 3: you see during her tenure Ruth Bader Ginsburg, is that

732
00:38:29,520 --> 00:38:32,239
Speaker 3: the Republicans and the Democrats admired each other's brains on

733
00:38:32,280 --> 00:38:36,480
Speaker 3: the Supreme Court. They all enjoyed the feistiness of their discussions.

734
00:38:36,719 --> 00:38:40,359
Speaker 3: It's so splintered now. So this was an incredible moment

735
00:38:40,400 --> 00:38:43,040
Speaker 3: of history. It's written by an Australian woman, Heather Mitchell.

736
00:38:43,480 --> 00:38:45,440
Speaker 3: It's the role of a lifetime. It's on until the

737
00:38:45,520 --> 00:38:48,480
Speaker 3: thirtieth of March at the Opera House. If you get

738
00:38:48,520 --> 00:38:51,520
Speaker 3: a chance, go and see it. It was so incredible

739
00:38:51,560 --> 00:38:55,319
Speaker 3: and emotional and amazing. Really my best night of thear

740
00:38:55,320 --> 00:38:57,280
Speaker 3: I've ever had Salvin's in a one woman.

741
00:38:57,160 --> 00:38:59,920
Speaker 2: Place since I saw Shirley Valentine with Amanda Mounkleton.

742
00:39:00,400 --> 00:39:03,600
Speaker 1: Yeah, like I remember like seeing it, like and she

743
00:39:03,800 --> 00:39:05,200
Speaker 1: was great at But there's a bit where you come

744
00:39:05,239 --> 00:39:06,160
Speaker 1: back at half time she's just.

745
00:39:06,200 --> 00:39:06,680
Speaker 19: In the news.

746
00:39:06,800 --> 00:39:09,680
Speaker 3: It is unusual because in the actual movie, her moment

747
00:39:09,719 --> 00:39:11,640
Speaker 3: of liberation happens right at the end of the film

748
00:39:11,880 --> 00:39:13,439
Speaker 3: with that moment of jumping off the boat.

749
00:39:13,719 --> 00:39:15,440
Speaker 2: When you come back at half time, you don't expect

750
00:39:15,480 --> 00:39:19,760
Speaker 2: to see her name from the cho top. Geez, I thought.

751
00:39:19,560 --> 00:39:21,600
Speaker 3: You'd walked into the wrong theater. When I saw it,

752
00:39:21,760 --> 00:39:23,640
Speaker 3: there was a drunk guy. Actually, maybe it was the

753
00:39:23,680 --> 00:39:26,440
Speaker 3: same night as you asleep in front. He wakes up,

754
00:39:26,520 --> 00:39:28,399
Speaker 3: having been asleep for most of the play, to see

755
00:39:28,400 --> 00:39:29,719
Speaker 3: a naked woman in front of him.

756
00:39:30,400 --> 00:39:31,319
Speaker 2: Wasn't she thought he'd gone to.

757
00:39:31,360 --> 00:39:36,320
Speaker 1: Heaven Jam Midnight or front man Peter Garrett has a

758
00:39:36,400 --> 00:39:39,560
Speaker 1: new solo album. It's called The True North. My favorite

759
00:39:39,640 --> 00:39:42,160
Speaker 1: track from the album it's this one. It's called Permaglob.

760
00:40:02,760 --> 00:40:04,719
Speaker 10: It's got a great who joins us right now?

761
00:40:04,760 --> 00:40:07,719
Speaker 2: Hello Peter, Hey, good morning everyone, So nice to see you.

762
00:40:07,800 --> 00:40:09,560
Speaker 3: Do you feel guilty with the rest of the band

763
00:40:09,600 --> 00:40:11,760
Speaker 3: when you say I'm going to do a little side project.

764
00:40:12,000 --> 00:40:12,839
Speaker 13: No, not in the least.

765
00:40:14,760 --> 00:40:14,880
Speaker 6: Now.

766
00:40:15,040 --> 00:40:17,239
Speaker 13: Look, I think it's incredible that you've just got music

767
00:40:17,320 --> 00:40:19,120
Speaker 13: in you. And even when you're in a band like

768
00:40:19,200 --> 00:40:21,000
Speaker 13: The Oils, people would go off and do their own thing,

769
00:40:21,680 --> 00:40:24,399
Speaker 13: and lots of other bands people do it. In my case,

770
00:40:24,440 --> 00:40:26,360
Speaker 13: it's a little surprising. I think I just created some

771
00:40:26,520 --> 00:40:28,600
Speaker 13: space for myself, got a little bit of away from

772
00:40:28,719 --> 00:40:31,440
Speaker 13: other things that take up my time, politics or environment

773
00:40:31,520 --> 00:40:35,200
Speaker 13: or whatever, and just let the stuff happen. And lots

774
00:40:35,239 --> 00:40:37,239
Speaker 13: of stuff happens. So when lots of stuff happens, you've

775
00:40:37,239 --> 00:40:39,040
Speaker 13: got to catch those magic moments and make a record.

776
00:40:39,120 --> 00:40:41,239
Speaker 2: And that's exactly that I was watching the We Are

777
00:40:41,320 --> 00:40:43,120
Speaker 2: the World documentary. Have you seen that?

778
00:40:43,440 --> 00:40:46,919
Speaker 13: Actually I have, and you've seen. You're in completely forgot

779
00:40:46,960 --> 00:40:49,200
Speaker 13: to pop up at the very end, Yeah, because.

780
00:40:48,920 --> 00:40:51,760
Speaker 2: You're at the Grammy Awards when Lionel Richie's host.

781
00:40:51,960 --> 00:40:55,640
Speaker 13: The Music Awards. Yeah, that's right. Yeah. The American Music

782
00:40:55,680 --> 00:40:57,719
Speaker 13: Awards were a really big deal in the day, and

783
00:40:58,040 --> 00:40:59,760
Speaker 13: we were just starting to break through in the States,

784
00:40:59,800 --> 00:41:02,480
Speaker 13: and they said, do you want to come and you know, announce,

785
00:41:03,080 --> 00:41:05,040
Speaker 13: make a little speech into all that stuff. Normally would

786
00:41:05,080 --> 00:41:06,040
Speaker 13: say no, and we thought.

787
00:41:06,400 --> 00:41:06,680
Speaker 16: Why not.

788
00:41:06,800 --> 00:41:08,279
Speaker 13: We'll get I'll get up and I'll give it to

789
00:41:08,360 --> 00:41:11,719
Speaker 13: the President of the US. So I so I wore

790
00:41:11,760 --> 00:41:16,520
Speaker 13: an Abraham Lincoln hat with the Abraham Lincoln type jacket

791
00:41:17,000 --> 00:41:19,520
Speaker 13: and walked out onto the podium, you know, with everybody,

792
00:41:19,640 --> 00:41:21,879
Speaker 13: those who of the music industry of America out there,

793
00:41:22,200 --> 00:41:24,319
Speaker 13: and instead of reading my you know, Hi, it's great

794
00:41:24,360 --> 00:41:26,279
Speaker 13: to be here, and you know, et ceter et cetera.

795
00:41:26,320 --> 00:41:28,279
Speaker 13: I started off, you know, dishing it to them about

796
00:41:28,320 --> 00:41:30,920
Speaker 13: all the money that was spending on nuclear weapons, and

797
00:41:31,040 --> 00:41:36,360
Speaker 13: the whole room just went clunk. Well, yeah, yeah, wind up, wind.

798
00:41:36,239 --> 00:41:40,560
Speaker 2: Up, get him off, Get him off. He played the broadcast,

799
00:41:40,640 --> 00:41:40,840
Speaker 2: so I.

800
00:41:40,960 --> 00:41:44,719
Speaker 13: Assume they did take it on the broadcast. In the

801
00:41:44,880 --> 00:41:46,920
Speaker 13: edited version, they sort of had a fiddle with it.

802
00:41:47,000 --> 00:41:48,920
Speaker 13: They sort of went across to other people. But look,

803
00:41:48,960 --> 00:41:50,879
Speaker 13: it was just me, you know, mouthing off nothing.

804
00:41:51,840 --> 00:41:54,280
Speaker 2: But that's hard to do. You know, I feel strongly

805
00:41:54,320 --> 00:41:56,360
Speaker 2: about many things, but it is hard to just get.

806
00:41:56,280 --> 00:41:58,879
Speaker 1: Up there and I put you you dick on the line,

807
00:41:58,920 --> 00:42:01,880
Speaker 1: as they say, and just and just do stuff like

808
00:42:02,040 --> 00:42:03,839
Speaker 1: I think of like the Olympic Games when you guys

809
00:42:03,880 --> 00:42:06,840
Speaker 1: were the sorry pajamas as they were called at the time. Like,

810
00:42:06,920 --> 00:42:08,600
Speaker 1: do you ever feel when you're about to do something

811
00:42:08,640 --> 00:42:10,440
Speaker 1: like that, you think I just couldn't be bothered anymore?

812
00:42:10,520 --> 00:42:12,160
Speaker 2: Or is it always just to get scared?

813
00:42:13,520 --> 00:42:15,560
Speaker 13: No, Look, I think it's just in our DNA. It's

814
00:42:15,600 --> 00:42:18,640
Speaker 13: in my DNA. You know, I was born with that

815
00:42:18,719 --> 00:42:22,920
Speaker 13: political gene and you take those opportunities. So no, we

816
00:42:22,960 --> 00:42:25,279
Speaker 13: do not nervy about it. You're nervy about stuff going wrong,

817
00:42:25,760 --> 00:42:26,799
Speaker 13: but not about the actual thing.

818
00:42:26,960 --> 00:42:29,600
Speaker 3: Do you ever get nervous before an interview? And I

819
00:42:29,680 --> 00:42:34,800
Speaker 3: can't imagine you would be quaking? Well, because Brendan Johns

820
00:42:35,360 --> 00:42:39,320
Speaker 3: first radioation. Let's set the scene. You had done community

821
00:42:39,440 --> 00:42:40,919
Speaker 3: radio and then you got.

822
00:42:40,840 --> 00:42:43,760
Speaker 2: Your first, my first gig, six Ka Kara.

823
00:42:43,840 --> 00:42:46,680
Speaker 3: Karatha, and you was beside yourself because you're about to

824
00:42:46,719 --> 00:42:51,480
Speaker 3: interview your hero, Peter Garrett. Now, Peter, set yourself. I

825
00:42:51,640 --> 00:42:56,000
Speaker 3: just sphink it to tight the tiny little bit of

826
00:42:56,040 --> 00:42:57,239
Speaker 3: how that interview went right.

827
00:42:57,320 --> 00:42:59,719
Speaker 5: Now I have the distinct pleasure of talking to mister Peter.

828
00:42:59,760 --> 00:43:02,160
Speaker 7: Garh too is the lead singer for Midnight Old Peter,

829
00:43:02,239 --> 00:43:03,080
Speaker 7: how are you this evening?

830
00:43:04,840 --> 00:43:06,160
Speaker 2: Are you having a good, good.

831
00:43:06,040 --> 00:43:06,719
Speaker 5: Evening so far?

832
00:43:07,080 --> 00:43:07,279
Speaker 12: Yeah?

833
00:43:07,320 --> 00:43:09,640
Speaker 9: Well it's kind of like lest an evening where I am.

834
00:43:09,640 --> 00:43:15,040
Speaker 7: But even where you are, there's more, there's more, Okay, Peter,

835
00:43:15,160 --> 00:43:19,319
Speaker 7: this is the second final question in this list of interrogation.

836
00:43:19,480 --> 00:43:20,239
Speaker 2: You might call it.

837
00:43:22,480 --> 00:43:25,560
Speaker 7: Just just pretend people up here have never heard of midnight?

838
00:43:25,719 --> 00:43:27,799
Speaker 7: Or what would you tell a person that's never heard

839
00:43:27,840 --> 00:43:28,240
Speaker 7: of midnight?

840
00:43:28,360 --> 00:43:29,440
Speaker 2: Or what can I expect?

841
00:43:33,280 --> 00:43:34,240
Speaker 8: I love that answer.

842
00:43:36,440 --> 00:43:39,279
Speaker 2: And then finally there was this Pete, I thank you

843
00:43:39,800 --> 00:43:40,560
Speaker 2: very much for the time.

844
00:43:40,600 --> 00:43:44,319
Speaker 7: It's been an experience for me. Maybe we'll run into

845
00:43:44,400 --> 00:43:45,839
Speaker 7: one another one day.

846
00:43:46,200 --> 00:43:47,560
Speaker 2: I hope. Yeah, I'm mistaked.

847
00:43:47,640 --> 00:43:51,200
Speaker 7: It's speaking of Peter Garrett Hey Noble.

848
00:43:52,040 --> 00:43:52,799
Speaker 1: Record to get up.

849
00:43:52,840 --> 00:43:58,080
Speaker 2: There wasn't that with him saying it's been an experience

850
00:43:58,719 --> 00:43:59,480
Speaker 2: that could be I was.

851
00:43:59,480 --> 00:44:03,200
Speaker 1: So nervous, and I never interviewed anyone famous before except

852
00:44:03,239 --> 00:44:07,480
Speaker 1: for Corle Elliott, the comedian with the banjo. That was

853
00:44:07,520 --> 00:44:10,879
Speaker 1: the extent of my interviews. So when that call came through,

854
00:44:11,440 --> 00:44:14,520
Speaker 1: I remember just studying and I knew I reckon, I

855
00:44:14,640 --> 00:44:17,560
Speaker 1: know everything about Midha No, no, no, you're good like that,

856
00:44:17,840 --> 00:44:20,719
Speaker 1: and I just it was one of the biggest, biggest moment.

857
00:44:21,880 --> 00:44:24,600
Speaker 2: Here's my second to last question of this interrogation. You

858
00:44:24,719 --> 00:44:27,640
Speaker 2: might say that was absolutely but you guys killed.

859
00:44:27,680 --> 00:44:30,120
Speaker 11: You came up and played in Karatha and that was

860
00:44:30,160 --> 00:44:32,600
Speaker 11: part of the Blue Sky Mining tour, and man, that

861
00:44:32,800 --> 00:44:34,040
Speaker 11: was one of the greatest gigs.

862
00:44:34,200 --> 00:44:36,440
Speaker 2: I've seen you guys billions of time since, but that

863
00:44:36,600 --> 00:44:37,560
Speaker 2: was such a great gig.

864
00:44:37,680 --> 00:44:39,400
Speaker 13: I think the fact that we were it's like it

865
00:44:39,520 --> 00:44:41,960
Speaker 13: is a long way away and a lot of those

866
00:44:42,000 --> 00:44:44,960
Speaker 13: people would come from mining backgrounds, you know, and Blue

867
00:44:44,960 --> 00:44:47,239
Speaker 13: Sky was a big record then and it was about

868
00:44:47,280 --> 00:44:49,440
Speaker 13: important stuff, but there was also lots of big the

869
00:44:49,640 --> 00:44:51,279
Speaker 13: big bangers you know that you can play up on

870
00:44:51,320 --> 00:44:51,760
Speaker 13: the stage.

871
00:44:52,080 --> 00:44:56,640
Speaker 2: With this album. You've worked with g Flip, g Flip's producer.

872
00:44:58,239 --> 00:45:01,759
Speaker 2: Interesting collaborations there. And Grace, your daughter was involved with

873
00:45:01,800 --> 00:45:02,320
Speaker 2: the artwork.

874
00:45:02,520 --> 00:45:06,800
Speaker 13: She was yeah, family affair and Grayson May singing BBS

875
00:45:07,040 --> 00:45:07,680
Speaker 13: with me as well.

876
00:45:07,920 --> 00:45:15,839
Speaker 2: BB's BBS bvs in in front of Peter.

877
00:45:16,120 --> 00:45:17,000
Speaker 13: It's just an acronym.

878
00:45:17,480 --> 00:45:17,920
Speaker 2: Another one.

879
00:45:18,320 --> 00:45:23,040
Speaker 13: Martin Rossi from Els playing guitar, and some of some

880
00:45:23,160 --> 00:45:25,440
Speaker 13: really other good players in and around Sydney. I mean,

881
00:45:25,520 --> 00:45:27,759
Speaker 13: I came off the oils thing and because we've said, look,

882
00:45:27,800 --> 00:45:29,760
Speaker 13: we're just not going to do full time touring anymore.

883
00:45:30,239 --> 00:45:32,920
Speaker 13: But it seemed like the adrenaline tap didn't shut off,

884
00:45:33,120 --> 00:45:36,360
Speaker 13: which is great. So because it was on, I just

885
00:45:36,440 --> 00:45:37,920
Speaker 13: kept on going. It was like I was I was

886
00:45:37,960 --> 00:45:41,160
Speaker 13: still at thirty thousand feet and I was a bit

887
00:45:41,200 --> 00:45:43,279
Speaker 13: surprised about it. I didn't expect actually to go in

888
00:45:43,320 --> 00:45:46,520
Speaker 13: that quickly, but there were plenty of songs and I

889
00:45:46,640 --> 00:45:47,799
Speaker 13: figured I better do it now.

890
00:45:48,040 --> 00:45:51,080
Speaker 1: Well, it's as hard as well, because Bades Hillman passed

891
00:45:51,080 --> 00:45:54,799
Speaker 1: away was exactly yeah, And I guess that's that's there's no.

892
00:45:54,840 --> 00:45:55,920
Speaker 2: More me not all, is it.

893
00:45:56,200 --> 00:45:56,800
Speaker 13: I don't think so.

894
00:45:57,080 --> 00:45:57,120
Speaker 7: No.

895
00:45:57,320 --> 00:46:00,160
Speaker 13: I mean, look, Adamentura came out and played with on

896
00:46:00,200 --> 00:46:02,880
Speaker 13: that big run, and you did a mighty job, and

897
00:46:02,920 --> 00:46:04,920
Speaker 13: I look, you've reach a point where you know, I mean,

898
00:46:04,960 --> 00:46:07,160
Speaker 13: it's like it's like the sporting person. You know, at

899
00:46:07,200 --> 00:46:08,759
Speaker 13: some point they know they're not going to be able

900
00:46:08,800 --> 00:46:10,120
Speaker 13: to get out on the field and necessarily do it

901
00:46:10,200 --> 00:46:12,960
Speaker 13: in the same way. The old thing was so intense,

902
00:46:13,160 --> 00:46:16,880
Speaker 13: so physical, and I think to find that collective grunt

903
00:46:17,040 --> 00:46:18,719
Speaker 13: that you need to always get it over the line.

904
00:46:18,800 --> 00:46:22,080
Speaker 13: I mean, we could see it coming, so we thought, okay,

905
00:46:22,200 --> 00:46:25,080
Speaker 13: that's it. Now it's the right time to really have

906
00:46:25,320 --> 00:46:28,120
Speaker 13: a respectful sense of who we are as a band.

907
00:46:29,080 --> 00:46:31,000
Speaker 13: And then in my case, it was like, hang on

908
00:46:31,080 --> 00:46:33,160
Speaker 13: a minute, maybe I've got some more to do.

909
00:46:34,000 --> 00:46:37,239
Speaker 2: You've got more to do. I'm glad I want to

910
00:46:37,239 --> 00:46:41,640
Speaker 2: be here in another thirty years. Well, you're younger than me,

911
00:46:41,719 --> 00:46:45,360
Speaker 2: so it is still second to last question in this interior.

912
00:46:45,560 --> 00:46:49,880
Speaker 1: Lest you know what BV studs and if he'd be

913
00:46:50,000 --> 00:46:52,480
Speaker 1: a lot from me, I've had a lot of bs

914
00:46:52,600 --> 00:46:54,960
Speaker 1: from you. If you want to catch Peter Garrett in

915
00:46:55,000 --> 00:46:57,920
Speaker 1: his band The Alter Egos, head to Peter Garrett dot

916
00:46:57,960 --> 00:47:00,239
Speaker 1: com dot a slash tour to get your tickets now.

917
00:47:00,520 --> 00:47:02,920
Speaker 2: Peter Garrett, It's always great to catch up with you.

918
00:47:03,239 --> 00:47:04,959
Speaker 13: I've love coming out and channing to my mates.

919
00:47:05,160 --> 00:47:06,160
Speaker 2: Say hi to Doris too.

920
00:47:06,200 --> 00:47:08,239
Speaker 13: By the way, we'll do consider it done.

921
00:47:08,360 --> 00:47:11,840
Speaker 11: Excellent Jonesy and Amanda Gemvasion Podcast.

922
00:47:16,080 --> 00:47:18,600
Speaker 10: Time for what it's time to get back to work.

923
00:47:20,560 --> 00:47:23,360
Speaker 3: Well, we just heard there about the failed SpaceX returned

924
00:47:23,760 --> 00:47:26,560
Speaker 3: to Earth. At the same time I'm reading this that

925
00:47:26,680 --> 00:47:29,600
Speaker 3: NASA is sending a message in a bottle to possible

926
00:47:29,680 --> 00:47:35,200
Speaker 3: alien life on Jupiter's moon Europa. So the person responsible

927
00:47:35,239 --> 00:47:37,960
Speaker 3: for this, imagine being the person who has to decide

928
00:47:38,040 --> 00:47:42,560
Speaker 3: how you define humanity to send this into the universe,

929
00:47:42,600 --> 00:47:44,879
Speaker 3: because it's going to take six years. It's a six

930
00:47:45,040 --> 00:47:48,919
Speaker 3: billion mile journey. Are we there yet to Jupiter's moon?

931
00:47:49,080 --> 00:47:52,279
Speaker 3: An estimated arrival time of April twenty thirty.

932
00:47:52,000 --> 00:47:54,360
Speaker 2: So you'd have to stop over the twin surveys a.

933
00:47:54,360 --> 00:47:58,200
Speaker 3: Couple of times, wouldn't you a toilet stop? So the

934
00:47:58,280 --> 00:48:01,160
Speaker 3: spacecraft has got some interesting things. It's like a time

935
00:48:01,239 --> 00:48:05,280
Speaker 3: capsule against they're sending it's got They're sending an etching.

936
00:48:05,440 --> 00:48:08,200
Speaker 3: I don't quite understand how this works. It's an etching

937
00:48:08,320 --> 00:48:12,040
Speaker 3: crack on with a poem from the US poet Laureate

938
00:48:12,280 --> 00:48:16,280
Speaker 3: written in praise of mystery. A poem for Europa. Also

939
00:48:16,560 --> 00:48:20,920
Speaker 3: etched into this is the Drake equation, the nineteen sixty

940
00:48:20,960 --> 00:48:24,759
Speaker 3: one mathematical formulation created to estimate the possibility of finding

941
00:48:24,760 --> 00:48:26,279
Speaker 3: advanced civilization beyond Earth.

942
00:48:26,280 --> 00:48:28,239
Speaker 2: They're not sending Drake. We started at the bottom, now

943
00:48:28,239 --> 00:48:28,560
Speaker 2: we're here.

944
00:48:28,760 --> 00:48:28,800
Speaker 14: No.

945
00:48:29,040 --> 00:48:31,800
Speaker 3: And it will also contain etched wave forms of the

946
00:48:31,840 --> 00:48:35,239
Speaker 3: word water in one hundred and four languages. So they

947
00:48:35,320 --> 00:48:38,560
Speaker 3: say that it's going to encompass science, technology, education, art,

948
00:48:38,920 --> 00:48:39,360
Speaker 3: and matts.

949
00:48:39,480 --> 00:48:41,200
Speaker 2: We don't want to give way too many secrets. What

950
00:48:41,320 --> 00:48:43,400
Speaker 2: if the Jubiterarians aren't friendly.

951
00:48:43,560 --> 00:48:46,359
Speaker 3: Well, there's hardly any secrets in there. Actually, I've been

952
00:48:46,400 --> 00:48:49,279
Speaker 3: able to decode some of this that's been etched into

953
00:48:49,360 --> 00:48:49,840
Speaker 3: this plate.

954
00:48:50,200 --> 00:48:52,880
Speaker 2: This right now is on its way to Jupiter.

955
00:48:54,440 --> 00:48:57,600
Speaker 5: Greg let's general loud and clear zoom.

956
00:48:58,440 --> 00:49:01,880
Speaker 7: Just pretend to I've never heard of midnight? Or what

957
00:49:02,080 --> 00:49:04,160
Speaker 7: would you tell a person that's never heard of midnight?

958
00:49:04,280 --> 00:49:05,360
Speaker 7: Or what can I expect.

959
00:49:09,239 --> 00:49:11,879
Speaker 5: I love that answer. I think twenty five dollars. I'm

960
00:49:12,000 --> 00:49:14,200
Speaker 5: afraid to go and say a band. And it also

961
00:49:14,360 --> 00:49:16,879
Speaker 5: benefits the kids up here. Of the Northwestern kids are

962
00:49:16,880 --> 00:49:18,839
Speaker 5: our future, so hell are we going to look after

963
00:49:18,880 --> 00:49:19,200
Speaker 5: them down?

964
00:49:19,800 --> 00:49:20,200
Speaker 8: I think.

965
00:49:23,160 --> 00:49:24,800
Speaker 2: Good luck to you. But I just just said that

966
00:49:24,920 --> 00:49:25,520
Speaker 2: to Ranus.

967
00:49:26,400 --> 00:49:29,800
Speaker 11: That's already there gemation much on for the weekend for

968
00:49:29,880 --> 00:49:30,520
Speaker 11: missus Muntz.

969
00:49:31,080 --> 00:49:33,160
Speaker 2: What have I got a little bit of? This will

970
00:49:33,239 --> 00:49:36,080
Speaker 2: be that? How about you? What you sounds a little vague,

971
00:49:36,120 --> 00:49:37,800
Speaker 2: doesn't it. Do you want to hear all my plans?

972
00:49:37,840 --> 00:49:39,680
Speaker 2: I'm like your mister in between what about you?

973
00:49:40,400 --> 00:49:44,960
Speaker 1: I'm am seeing a wedding family friends, young Billy Billy mall.

974
00:49:44,840 --> 00:49:48,120
Speaker 2: Please give my best. This is scamp Son. Yeah, and

975
00:49:48,360 --> 00:49:50,560
Speaker 2: can you believe it? They're getting married? Hard to believe.

976
00:49:50,920 --> 00:49:52,880
Speaker 3: But also I remember the beautiful tale you tell her

977
00:49:52,880 --> 00:49:55,719
Speaker 3: when you m seed your brother's wedding and you had

978
00:49:55,760 --> 00:49:56,200
Speaker 3: a cold.

979
00:49:56,239 --> 00:49:56,959
Speaker 2: It's not your fault.

980
00:49:57,000 --> 00:49:59,560
Speaker 3: You're taking some cough medicine and a mixture of alcohol.

981
00:50:00,120 --> 00:50:02,480
Speaker 3: And didn't your father after you'd said something rude to

982
00:50:02,520 --> 00:50:05,160
Speaker 3: the pre said time to go home. Now, Brendan, what happened?

983
00:50:05,280 --> 00:50:08,160
Speaker 2: What happened there? Was a priest from my school there

984
00:50:08,160 --> 00:50:09,480
Speaker 2: and I say, it's good to see your father.

985
00:50:09,520 --> 00:50:13,080
Speaker 1: I didn't recognize you with your clothes on lovely It

986
00:50:13,200 --> 00:50:16,400
Speaker 1: got a laugh, but yeah, Dad said let's get you

987
00:50:16,440 --> 00:50:19,799
Speaker 1: in a cab. And you know my dad, My dad

988
00:50:19,920 --> 00:50:22,839
Speaker 1: was very tolerant, very I don't think my dad ever

989
00:50:22,880 --> 00:50:23,800
Speaker 1: said a harsh word to you.

990
00:50:23,920 --> 00:50:25,920
Speaker 2: You always love my material. Make sure you stay off

991
00:50:26,000 --> 00:50:29,400
Speaker 2: the bronze con tomorrow. It's sixteen to nine.

992
00:50:37,400 --> 00:50:40,000
Speaker 3: Twenty thousand dollars if you're our favorite gooolie of the year.

993
00:50:40,080 --> 00:50:42,440
Speaker 3: This is thanks to Hair Informs Machinery House, your one

994
00:50:42,520 --> 00:50:43,600
Speaker 3: stop machinery shop.

995
00:50:43,719 --> 00:50:44,640
Speaker 2: What have we got today?

996
00:50:45,760 --> 00:50:49,800
Speaker 19: What gets my gulies is when you go with a

997
00:50:49,920 --> 00:50:53,720
Speaker 19: person with a disability and special needs to a public

998
00:50:53,880 --> 00:50:58,239
Speaker 19: venue and try and use an accessible toilet, but you

999
00:50:58,360 --> 00:51:05,240
Speaker 19: can't because somebody else there, whether they be families, teenagers, kids, whatever.

1000
00:51:05,880 --> 00:51:08,799
Speaker 19: It's very frustrating when the poor person with the disability

1001
00:51:09,400 --> 00:51:09,759
Speaker 19: has to.

1002
00:51:09,840 --> 00:51:13,000
Speaker 2: Work or an NRL player and they don't know what

1003
00:51:13,040 --> 00:51:15,600
Speaker 2: they're doing in there, They're just in there. What else?

1004
00:51:16,560 --> 00:51:17,520
Speaker 6: Just been on a date?

1005
00:51:17,960 --> 00:51:21,680
Speaker 17: Worst date ever? What do you think is worse than

1006
00:51:21,800 --> 00:51:24,680
Speaker 17: being made to pay for the meal for you and

1007
00:51:24,960 --> 00:51:30,040
Speaker 17: your suspected new boyfriend. Guess what he asked me to

1008
00:51:30,120 --> 00:51:32,319
Speaker 17: pay for his petrol as well when you put up

1009
00:51:32,320 --> 00:51:33,280
Speaker 17: at the petrol station.

1010
00:51:35,160 --> 00:51:38,799
Speaker 2: That really gets my GULLI. Wow, I'm guessing there won't

1011
00:51:38,840 --> 00:51:40,320
Speaker 2: be a second date. Yeah, well you won't have to

1012
00:51:40,360 --> 00:51:44,600
Speaker 2: put out That's something. Wow. There's always an upside out

1013
00:51:44,640 --> 00:51:45,480
Speaker 2: with a bad with the good.

1014
00:51:45,480 --> 00:51:47,319
Speaker 1: If you did dat, you can always contact us via

1015
00:51:47,400 --> 00:51:50,000
Speaker 1: the iHeartRadio Apps.

1016
00:51:51,000 --> 00:51:53,840
Speaker 2: Podcast WSFM. Hello there, it's Jonesy Amanda.

1017
00:51:53,880 --> 00:51:56,120
Speaker 1: You know Jimi RAI has been working harder than Amanda

1018
00:51:56,200 --> 00:51:58,439
Speaker 1: trying to embarrass me with old tapes for my first

1019
00:51:58,480 --> 00:51:59,919
Speaker 1: ever big interview with Peter Garret.

1020
00:52:00,320 --> 00:52:01,200
Speaker 2: Do you mean like this?

1021
00:52:01,560 --> 00:52:03,719
Speaker 5: Twenty five dollars is great to go and say a

1022
00:52:03,840 --> 00:52:06,480
Speaker 5: band and it also benefits the kids up here. Of

1023
00:52:06,520 --> 00:52:08,400
Speaker 5: the Northwestern kids are our future, So.

1024
00:52:08,760 --> 00:52:09,799
Speaker 2: Hell are we going to look after them?

1025
00:52:09,840 --> 00:52:10,080
Speaker 5: Don't we?

1026
00:52:10,600 --> 00:52:12,719
Speaker 3: I wouldn't embarrass you with that, And he's come up

1027
00:52:12,760 --> 00:52:15,360
Speaker 3: with this gen white rice jibber jabb.

1028
00:52:18,000 --> 00:52:20,960
Speaker 2: But I'm working on my TikTok dance before they ban it.

1029
00:52:22,000 --> 00:52:25,080
Speaker 15: Speaking of TikTok, a woman has taken to the platform

1030
00:52:25,200 --> 00:52:28,720
Speaker 15: to rage against this dude squeezing blueberries in the punnet

1031
00:52:28,920 --> 00:52:30,759
Speaker 15: then putting them back on the shell.

1032
00:52:30,960 --> 00:52:32,400
Speaker 2: Is it okay to squeeze fruit?

1033
00:52:32,640 --> 00:52:35,000
Speaker 3: I would hate to be buying blueberries as someone else

1034
00:52:35,040 --> 00:52:36,040
Speaker 3: has put your fingers on.

1035
00:52:36,160 --> 00:52:37,680
Speaker 2: I don't think you can go into a punnet and

1036
00:52:37,760 --> 00:52:39,640
Speaker 2: squeeze it. But other than that, you think you can

1037
00:52:39,880 --> 00:52:43,400
Speaker 2: squeeze melons. I smell the melons. What's do they smell like?

1038
00:52:43,680 --> 00:52:45,640
Speaker 2: That's like the melon. I know you're just being a

1039
00:52:45,680 --> 00:52:48,960
Speaker 2: teenage schoolboy saying melons and giggling. How old are you?

1040
00:52:49,239 --> 00:52:52,479
Speaker 2: You have fifty eight this birthday. I'm not fifty six.

1041
00:52:55,160 --> 00:52:55,680
Speaker 14: Two years.

1042
00:52:59,280 --> 00:53:02,320
Speaker 15: Some ancient TV show with the old guy from the

1043
00:53:02,440 --> 00:53:04,359
Speaker 15: SpongeBob movie is coming back.

1044
00:53:04,600 --> 00:53:09,480
Speaker 1: Bay Watch is coming back. My favorite episode is Muddy Waters.

1045
00:53:09,640 --> 00:53:13,360
Speaker 1: The hoff Mitch's son Hobie got in trouble at school.

1046
00:53:13,600 --> 00:53:16,440
Speaker 1: Hobie acted out, and this is where you feature in

1047
00:53:16,480 --> 00:53:17,440
Speaker 1: this iconic scene.

1048
00:53:17,640 --> 00:53:18,160
Speaker 5: Miss Keller.

1049
00:53:18,360 --> 00:53:21,520
Speaker 14: Amanda, Amanda, I've been dealing with a certain stereotaping.

1050
00:53:21,600 --> 00:53:22,759
Speaker 5: Oh, my professional wife.

1051
00:53:23,160 --> 00:53:25,960
Speaker 14: I'm sorry I teased about it, but I'm even sorry

1052
00:53:26,120 --> 00:53:27,239
Speaker 14: he took it out on another kid.

1053
00:53:27,440 --> 00:53:28,960
Speaker 2: I want to make it up to you. Didn't they

1054
00:53:29,080 --> 00:53:29,520
Speaker 2: have it off?

1055
00:53:29,760 --> 00:53:29,800
Speaker 10: No?

1056
00:53:29,960 --> 00:53:31,400
Speaker 2: I think she got the kids to come around and

1057
00:53:31,440 --> 00:53:34,600
Speaker 2: see The Lifeguard. Oh my mistake, it was The life Guard.

1058
00:53:38,960 --> 00:53:40,120
Speaker 2: I don't have the hopes coming.

1059
00:53:42,280 --> 00:53:46,360
Speaker 15: There's a new series that started on stand called Population eleven.

1060
00:53:46,520 --> 00:53:48,600
Speaker 2: It stars Madman actor Ben Feldman.

1061
00:53:48,800 --> 00:53:51,120
Speaker 15: Anyway, for some reason, you guys go on to the

1062
00:53:51,200 --> 00:53:53,840
Speaker 15: subject of filming movie sex scenes.

1063
00:53:53,920 --> 00:53:55,920
Speaker 2: I just don't know how you guys do sex scenes.

1064
00:53:56,000 --> 00:53:56,839
Speaker 2: It would be the worst scene.

1065
00:53:56,920 --> 00:53:59,200
Speaker 14: You're surrounded by a bunch of sweaty, middle aged guys

1066
00:53:59,280 --> 00:54:01,760
Speaker 14: wearing new balance and their hairy legs are like bumping

1067
00:54:01,880 --> 00:54:04,840
Speaker 14: up against you holding cameras and makes there's nothing sexy

1068
00:54:04,840 --> 00:54:05,120
Speaker 14: about it.

1069
00:54:05,200 --> 00:54:06,759
Speaker 2: Well, that's how I like to do it. You just

1070
00:54:06,840 --> 00:54:08,120
Speaker 2: hit my fantasy.

1071
00:54:09,320 --> 00:54:13,279
Speaker 15: Celebrity roasts. Amanda reckons she couldn't be a part of one.

1072
00:54:13,600 --> 00:54:15,760
Speaker 15: I beg to differ celebrity roasts.

1073
00:54:16,000 --> 00:54:19,600
Speaker 2: Do you like them? No, it's me. Australians aren't like that.

1074
00:54:19,760 --> 00:54:22,400
Speaker 2: We're casually mean, We're not nastily into our heroes.

1075
00:54:22,480 --> 00:54:25,680
Speaker 1: If I was on a celebrity roast as the subject,

1076
00:54:25,719 --> 00:54:27,360
Speaker 1: you would come on and say, well, he's fantastic.

1077
00:54:27,640 --> 00:54:31,000
Speaker 3: I'd say, as celebrity roasts go, he's got the smallest

1078
00:54:31,000 --> 00:54:31,360
Speaker 3: of meat and.

1079
00:54:31,320 --> 00:54:36,759
Speaker 2: Potato and the beers. I'd probably start with that as

1080
00:54:36,840 --> 00:54:43,280
Speaker 2: actually he's full vegan down there. Okay, maybe I should

1081
00:54:43,360 --> 00:54:43,920
Speaker 2: do a roast.

1082
00:54:45,719 --> 00:54:50,760
Speaker 15: And I witness news reports, especially from America are just great.

1083
00:54:50,880 --> 00:54:54,640
Speaker 3: A woman watching a house fire and it's being put

1084
00:54:54,680 --> 00:54:57,719
Speaker 3: out by the fire again, and a journalist comes up

1085
00:54:57,760 --> 00:54:59,520
Speaker 3: to her to say, do you know what's going on?

1086
00:55:00,000 --> 00:55:01,480
Speaker 12: Do you know how this fire started?

1087
00:55:01,480 --> 00:55:04,440
Speaker 2: It was Pus, my cousin, and I don't want to

1088
00:55:04,480 --> 00:55:07,759
Speaker 2: mention no names. He's mad because he he can't get

1089
00:55:07,840 --> 00:55:08,040
Speaker 2: with me.

1090
00:55:08,320 --> 00:55:09,319
Speaker 12: I'm married to my.

1091
00:55:09,440 --> 00:55:13,080
Speaker 9: Husband, all right, so right now, sorry, the fire has

1092
00:55:13,160 --> 00:55:13,879
Speaker 9: been out.

1093
00:55:14,200 --> 00:55:15,880
Speaker 16: Thank you for the information here.

1094
00:55:16,200 --> 00:55:18,800
Speaker 3: He's got nowhere to go back to the desk, to

1095
00:55:18,920 --> 00:55:24,719
Speaker 3: the desk numbers, nothing to see you.

1096
00:55:25,200 --> 00:55:27,480
Speaker 2: Ain't nobody get down for that? I hear your sister.

1097
00:55:27,800 --> 00:55:29,960
Speaker 2: This has been jen Wi Ri's Jibba Jabba.

1098
00:55:31,920 --> 00:55:34,719
Speaker 3: My favorite callery mail of Facebook friend whins Overnight accommodation

1099
00:55:34,800 --> 00:55:37,799
Speaker 3: for two in a signature de Luxe room, sparkling one

1100
00:55:37,880 --> 00:55:40,480
Speaker 3: on a rival complimentary Wi Fi. All this at the

1101
00:55:40,560 --> 00:55:43,120
Speaker 3: Grace Hotel, Sydney, located in the heart of the city.

1102
00:55:43,160 --> 00:55:44,880
Speaker 2: You also get a Jones you amount of tetowel and

1103
00:55:45,000 --> 00:55:45,720
Speaker 2: fridge magnet.

1104
00:55:46,400 --> 00:55:47,920
Speaker 3: Every day we give you a chance to win two

1105
00:55:47,920 --> 00:55:50,920
Speaker 3: thousand dollars cash with Instagram. Ten questions to answer in

1106
00:55:51,120 --> 00:55:55,600
Speaker 3: sixty seconds. We make the first questions we thought quite gettable.

1107
00:55:55,680 --> 00:55:59,520
Speaker 3: Now here's Stephen from Waverley. Stephen, good luck because here

1108
00:55:59,600 --> 00:56:02,040
Speaker 3: it comes question number one on which day of the.

1109
00:56:02,040 --> 00:56:07,400
Speaker 2: Week does Easter fourth Friday. That's what Jonesy said when

1110
00:56:07,400 --> 00:56:08,120
Speaker 2: we did a trial run.

1111
00:56:08,120 --> 00:56:15,239
Speaker 3: It's actually Easter Sunday, Sundays Good Friday, Easter Sundays Jesus.

1112
00:56:14,960 --> 00:56:19,200
Speaker 2: Two days early. Steve ah plops. Well, it turns out

1113
00:56:19,239 --> 00:56:21,879
Speaker 2: Stephen was a bit upset because he's Catholic. Well, I'm

1114
00:56:21,920 --> 00:56:24,520
Speaker 2: Catholic too. You know what happens, You get the guilt.

1115
00:56:24,760 --> 00:56:27,120
Speaker 2: Stephen will leave yourself of the guilt. We've made you

1116
00:56:27,200 --> 00:56:32,040
Speaker 2: Man of the Match Friday, year two. That's enough. Bill

1117
00:56:32,160 --> 00:56:34,080
Speaker 2: is up next with our City Royal is to show

1118
00:56:34,120 --> 00:56:36,160
Speaker 2: tip Blitz. We'll be back from six tonight for jam

1119
00:56:36,280 --> 00:56:36,840
Speaker 2: Nation to see you.

1120
00:56:37,800 --> 00:56:38,040
Speaker 12: Well.

1121
00:56:38,400 --> 00:56:43,040
Speaker 2: Thank God, that's over. Goode wipe.

1122
00:56:45,000 --> 00:56:48,279
Speaker 3: You catch Jonesy and Amanda's podcast on the iHeartRadio app

1123
00:56:48,520 --> 00:56:50,120
Speaker 3: or wherever you get your podcasts.

1124
00:57:00,480 --> 00:57:03,520
Speaker 2: Catch up on what you've missed on the free iHeartRadio app.