1 00:00:00,720 --> 00:00:03,360 Speaker 1: Chris Hammer is joining us now. Chris, good morning. 2 00:00:03,560 --> 00:00:06,640 Speaker 2: Welcome, Chris, good morning, lovely to be here. 3 00:00:06,680 --> 00:00:10,640 Speaker 1: Is the author of books like Scrublands and Silver and 4 00:00:10,720 --> 00:00:13,560 Speaker 1: The Tilt, and your new book is The Valley, which 5 00:00:13,600 --> 00:00:16,040 Speaker 1: is the fourth book in and if you know, you 6 00:00:16,079 --> 00:00:20,760 Speaker 1: know the Ivan Lukitchen and Nel Buchanan series. I would 7 00:00:20,840 --> 00:00:27,040 Speaker 1: say this series is like particularly dark, would you, Oh. 8 00:00:26,480 --> 00:00:32,159 Speaker 2: There's always occasionally goes to dark places. Usually the end 9 00:00:32,200 --> 00:00:35,640 Speaker 2: of the book is not so dark. And it's crime fiction, 10 00:00:35,760 --> 00:00:38,640 Speaker 2: so apart from that. 11 00:00:39,040 --> 00:00:41,280 Speaker 1: What's your background, Chris? You were a journalist, weren't you 12 00:00:41,360 --> 00:00:44,839 Speaker 1: before you or when you're also writing books? 13 00:00:44,920 --> 00:00:46,960 Speaker 2: Yeah, I was a journal for like thirty years. I 14 00:00:47,080 --> 00:00:50,959 Speaker 2: like you, split pretty much between covering federal politics in 15 00:00:51,080 --> 00:00:53,480 Speaker 2: Canberra in the press gallery. Yeah, and I had two 16 00:00:53,520 --> 00:00:57,480 Speaker 2: long stints as a kind of roving foreign correspondent for SBS, 17 00:00:57,560 --> 00:01:01,000 Speaker 2: so I went to some really amazing places and sort 18 00:01:01,080 --> 00:01:05,600 Speaker 2: of amazing things. Absolutely loved being a journal I loved 19 00:01:05,600 --> 00:01:08,440 Speaker 2: that career. Yeah, but I love this more. Yeah. 20 00:01:08,520 --> 00:01:10,280 Speaker 3: I bet this would be more fun than Budget Day, 21 00:01:10,280 --> 00:01:12,000 Speaker 3: wouldn't I can lock away book. 22 00:01:12,920 --> 00:01:16,319 Speaker 2: And you can who knew? It was so liberating just 23 00:01:16,360 --> 00:01:19,080 Speaker 2: to make stuff up exactly. 24 00:01:20,680 --> 00:01:22,280 Speaker 1: I would have thought you would have said a crime 25 00:01:22,360 --> 00:01:25,520 Speaker 1: reporter rather than but I mean politics very similar. I 26 00:01:25,520 --> 00:01:29,080 Speaker 1: guess where do you get the inspiration for the plots 27 00:01:29,080 --> 00:01:29,759 Speaker 1: in your stories? 28 00:01:30,120 --> 00:01:33,240 Speaker 2: You know, I don't know, you don't know. Sometimes young 29 00:01:33,280 --> 00:01:35,680 Speaker 2: people ask me and I think back and I can 30 00:01:35,800 --> 00:01:40,160 Speaker 2: unpack it. So for example, in Scrublands, my first book, 31 00:01:40,720 --> 00:01:44,640 Speaker 2: the protagonist is a journal to back box and he 32 00:01:44,720 --> 00:01:47,640 Speaker 2: goes to this really remote town to do a so 33 00:01:47,720 --> 00:01:51,520 Speaker 2: called anniversary story a year after a terrible event. I 34 00:01:51,600 --> 00:01:55,080 Speaker 2: realized afterwards, after I've written a book, I had actually 35 00:01:55,120 --> 00:01:57,680 Speaker 2: done a story like that in a little town in 36 00:01:57,840 --> 00:02:02,520 Speaker 2: East Texas called Jasper, where some white extremists had killed 37 00:02:02,640 --> 00:02:05,600 Speaker 2: an African American man, and I'd gone there to do 38 00:02:06,080 --> 00:02:09,160 Speaker 2: that story on how the town is coping. But there 39 00:02:09,200 --> 00:02:13,280 Speaker 2: was no mystery there, witnesses, you know, the guys have 40 00:02:13,360 --> 00:02:16,240 Speaker 2: been caught, tried. But I think that's what set that 41 00:02:16,240 --> 00:02:18,600 Speaker 2: little idea in my mind. The thing is, as I 42 00:02:18,600 --> 00:02:20,880 Speaker 2: was writing the book, I didn't realize that it was 43 00:02:20,919 --> 00:02:24,760 Speaker 2: only in retrospect, and it sounds so obvious. Yeah, yeah, 44 00:02:24,800 --> 00:02:25,360 Speaker 2: there's the leak. 45 00:02:25,400 --> 00:02:26,800 Speaker 3: It's amazing, it was just there. 46 00:02:27,040 --> 00:02:27,320 Speaker 2: Yeah. 47 00:02:28,840 --> 00:02:32,320 Speaker 3: Do you have a particular room, particular death favorite desk particularly, 48 00:02:32,480 --> 00:02:34,639 Speaker 3: or do you just go to a space when you're 49 00:02:35,280 --> 00:02:36,120 Speaker 3: when you feel it coming. 50 00:02:36,800 --> 00:02:39,480 Speaker 2: There is a space at home. I work a lot 51 00:02:39,560 --> 00:02:41,800 Speaker 2: when I'm traveling, and I think this is a gift 52 00:02:41,840 --> 00:02:45,079 Speaker 2: I've been given from all those years traveling as a journalist. 53 00:02:45,760 --> 00:02:50,400 Speaker 2: So on trains, on planes, airports, noisy cafes, I can 54 00:02:50,520 --> 00:02:54,839 Speaker 2: just kind of switch myself off. I'm not alone. There 55 00:02:54,880 --> 00:02:58,600 Speaker 2: are I know other authors who deliberately go somewhere noisy 56 00:02:58,680 --> 00:03:01,160 Speaker 2: to write, and then the others who just have to 57 00:03:01,200 --> 00:03:03,000 Speaker 2: lock them away completely. 58 00:03:03,040 --> 00:03:05,119 Speaker 3: There'd be some very a couple of authors in Perth 59 00:03:05,120 --> 00:03:07,519 Speaker 3: would be very envious of you to switch everything else 60 00:03:07,520 --> 00:03:08,800 Speaker 3: off when when you're moving around. 61 00:03:09,440 --> 00:03:13,000 Speaker 1: We asked Leanne Mariati this question recently. Have you ever 62 00:03:13,080 --> 00:03:15,080 Speaker 1: named a character after someone you don't like and then 63 00:03:15,160 --> 00:03:20,200 Speaker 1: killed them off? Said no comments. 64 00:03:21,639 --> 00:03:28,840 Speaker 2: That's really tempting. Yeah, yeah, but probably a few character 65 00:03:28,960 --> 00:03:35,640 Speaker 2: types for sure from somewhere. Do you have someone in mind, 66 00:03:35,840 --> 00:03:36,880 Speaker 2: some onne you want to get rid of. 67 00:03:38,720 --> 00:03:40,440 Speaker 3: We've spoken about this a bit, but we won't go 68 00:03:41,760 --> 00:03:44,120 Speaker 3: the past. There's not each other. 69 00:03:44,160 --> 00:03:47,800 Speaker 1: A lot of authors do that thing where they for 70 00:03:47,920 --> 00:03:51,360 Speaker 1: a donation to a charity of their choice, they will 71 00:03:51,440 --> 00:03:54,600 Speaker 1: name someone after you. So maybe this could be like 72 00:03:54,680 --> 00:03:56,240 Speaker 1: a little extension of that. 73 00:03:56,600 --> 00:03:58,560 Speaker 2: No, I've done that, you have done that. Yeah, it's 74 00:03:58,600 --> 00:04:05,240 Speaker 2: a great idea and gets the name someone. Yeah, it's 75 00:04:05,280 --> 00:04:07,920 Speaker 2: a good sort of fundraiser and the fun. I did 76 00:04:07,960 --> 00:04:10,680 Speaker 2: an event the other night and it's as part of it. 77 00:04:10,960 --> 00:04:13,640 Speaker 2: They got people because my books have got these characters 78 00:04:13,640 --> 00:04:18,600 Speaker 2: with rather kind of outlandish Kenzian names like Harley Snouch 79 00:04:18,760 --> 00:04:24,960 Speaker 2: and Martin Scars and Mandalay Blonde. Yeah, and so they 80 00:04:25,000 --> 00:04:28,320 Speaker 2: had to write out suggestions of outlandish names. I've got 81 00:04:28,320 --> 00:04:30,719 Speaker 2: them in my bag and I think, yeah, some of 82 00:04:30,720 --> 00:04:31,080 Speaker 2: them are. 83 00:04:30,960 --> 00:04:35,320 Speaker 3: Pretty Yeah, they're looking for a cut to be dangerous. 84 00:04:35,720 --> 00:04:37,960 Speaker 3: How different is that you're on this book tour right now? 85 00:04:38,000 --> 00:04:40,120 Speaker 3: How different is that to you? Normal? Well, when you're 86 00:04:40,160 --> 00:04:42,400 Speaker 3: working and people want to just keep chatting when you 87 00:04:42,440 --> 00:04:44,120 Speaker 3: meet them and you're meant to be signing. 88 00:04:43,920 --> 00:04:48,080 Speaker 2: Quickly, sometimes people can be People are generous, and obviously 89 00:04:48,200 --> 00:04:50,040 Speaker 2: they turn up to an event, it's because they like 90 00:04:50,120 --> 00:04:52,440 Speaker 2: your books. Someone reads your books. I don't like them. 91 00:04:52,480 --> 00:04:54,680 Speaker 2: They're not going to turn up. But you do get 92 00:04:54,720 --> 00:04:57,680 Speaker 2: some strange You get people who are a lot of 93 00:04:57,680 --> 00:05:00,799 Speaker 2: people who are aspiring authors. There After advice and that's great, 94 00:05:00,960 --> 00:05:03,440 Speaker 2: always good to give some advice. But every now and 95 00:05:03,440 --> 00:05:07,320 Speaker 2: then you're run into someone who's who thinks that people 96 00:05:07,480 --> 00:05:11,680 Speaker 2: in the books are real and they're really concerned about 97 00:05:11,720 --> 00:05:16,479 Speaker 2: their welfare, right, Yeah, and you know they're not real. 98 00:05:16,800 --> 00:05:19,360 Speaker 1: Yeah, it's funny, gently tell them. 99 00:05:19,920 --> 00:05:22,760 Speaker 2: And what it makes you realize is that all readers 100 00:05:22,760 --> 00:05:26,279 Speaker 2: are different. No one reads the same book. It comes 101 00:05:26,320 --> 00:05:30,680 Speaker 2: alive in the reader's mind as influenced by their own backgrounds, 102 00:05:30,680 --> 00:05:33,400 Speaker 2: their own experience. I think that's why books are so 103 00:05:33,520 --> 00:05:35,480 Speaker 2: resilient in this digital age. 104 00:05:35,240 --> 00:05:37,880 Speaker 3: Which is what songwriters say about people having different perceptions 105 00:05:37,880 --> 00:05:39,359 Speaker 3: of a song and lyrics. 106 00:05:39,480 --> 00:05:44,160 Speaker 1: Ye, scrub Lands, we were just talking about. Scrub Lands 107 00:05:44,320 --> 00:05:47,159 Speaker 1: has was turned into a TV series and was on stand. 108 00:05:47,279 --> 00:05:51,680 Speaker 1: Season two is currently being filmed based on Silver, which 109 00:05:51,720 --> 00:05:59,359 Speaker 1: is another in the Martins Garsten group of books. Have 110 00:05:59,520 --> 00:06:02,360 Speaker 1: you you haven't had a chance to visit the set. No, 111 00:06:02,440 --> 00:06:04,000 Speaker 1: I'm in Augusta. 112 00:06:04,160 --> 00:06:06,840 Speaker 2: In Augusta. They're finished now, but I am hoping at 113 00:06:06,880 --> 00:06:09,920 Speaker 2: some point to get down to Augusta because the photos 114 00:06:09,960 --> 00:06:13,159 Speaker 2: of shots they sent through from the set meeting looks 115 00:06:13,279 --> 00:06:17,200 Speaker 2: absolutely beautiful. So that's something to look forward to. I 116 00:06:17,240 --> 00:06:21,200 Speaker 2: think it'll be out understand early in the new year. 117 00:06:21,760 --> 00:06:24,640 Speaker 2: I don't have a precise date, but it must be 118 00:06:24,680 --> 00:06:26,760 Speaker 2: coming fairly Soon's. 119 00:06:27,240 --> 00:06:28,640 Speaker 1: I'm trying to think of his name as that Tim 120 00:06:28,720 --> 00:06:35,120 Speaker 1: Arnold Louke Hannold Luke Carnold plays Martin. He actually he 121 00:06:35,160 --> 00:06:38,960 Speaker 1: played Michael Hutchins. Yes, recently, was in Last King of 122 00:06:39,000 --> 00:06:42,040 Speaker 1: the Cross. Do you get to have much input into 123 00:06:42,080 --> 00:06:45,720 Speaker 1: the series because I would be, I imagine, particularly protective of 124 00:06:45,760 --> 00:06:49,120 Speaker 1: the casting because I would think that they're my character, you. 125 00:06:49,080 --> 00:06:51,880 Speaker 2: Know, I thought I would be, Yeah, but I guess 126 00:06:52,000 --> 00:06:54,520 Speaker 2: because it's you know, we're now looking about six or 127 00:06:54,560 --> 00:06:55,480 Speaker 2: seven books ago. 128 00:06:55,920 --> 00:06:56,600 Speaker 1: Yeah. 129 00:06:57,279 --> 00:07:01,599 Speaker 2: One thing. Great production company, Easy to Tiger. That's a 130 00:07:01,640 --> 00:07:07,120 Speaker 2: company behind shows like you know, the Jack Irish Rake 131 00:07:07,720 --> 00:07:10,880 Speaker 2: Colin from Account the twelve. So I knew it was 132 00:07:10,880 --> 00:07:14,120 Speaker 2: in good hands. But on top of that, the chief 133 00:07:15,040 --> 00:07:20,120 Speaker 2: scriptwriter and producer, Felicity Packard is actually a friend of mine. Okay, 134 00:07:20,160 --> 00:07:23,000 Speaker 2: but you didn't ask for any input from me. Maybe 135 00:07:23,040 --> 00:07:27,400 Speaker 2: she knows me too well. I saw I saw an 136 00:07:27,440 --> 00:07:30,560 Speaker 2: advanced copy of the first episode of scrub Lands, and 137 00:07:30,600 --> 00:07:33,200 Speaker 2: I was overseas because of my wife's work. I was 138 00:07:33,240 --> 00:07:37,080 Speaker 2: in Iston Boulevard place and they sent through this this 139 00:07:37,440 --> 00:07:41,160 Speaker 2: first episode of Ants Copy. I started watching it thinking, oh, 140 00:07:41,240 --> 00:07:44,320 Speaker 2: you know, I take notes, I'd be critical anyway. The 141 00:07:44,440 --> 00:07:47,239 Speaker 2: opening scene is exactly as it is in the book, 142 00:07:47,560 --> 00:07:50,960 Speaker 2: and it just it just sucked me in, and by 143 00:07:51,000 --> 00:07:52,960 Speaker 2: the end I was going, well, come on, send me 144 00:07:53,000 --> 00:07:55,880 Speaker 2: the next episode. I want to find out what happens. 145 00:07:56,880 --> 00:07:59,120 Speaker 3: That's right, Just wondering what it's like to say that, 146 00:07:59,240 --> 00:08:02,480 Speaker 3: Greg to life. Would you prefer to watch it by yourself? 147 00:08:02,720 --> 00:08:06,040 Speaker 3: There's personal screening of your own baby. 148 00:08:06,120 --> 00:08:08,320 Speaker 2: When I got back, I watched the rest with a 149 00:08:08,840 --> 00:08:14,000 Speaker 2: family and it was kind of fun. Yea yeah, And 150 00:08:14,040 --> 00:08:16,640 Speaker 2: there's that sort of magic moment when the screen comes 151 00:08:16,680 --> 00:08:20,200 Speaker 2: up and says, based on the novel by Chris hamis Yeah. 152 00:08:20,600 --> 00:08:23,679 Speaker 2: My mum in particular love that she wanted to stop 153 00:08:23,680 --> 00:08:24,200 Speaker 2: it there. 154 00:08:24,520 --> 00:08:29,560 Speaker 1: T shirt telling everyone friends Chris. The Valley is the 155 00:08:29,600 --> 00:08:35,240 Speaker 1: fourth book in the Luks series. I've often wondered, when 156 00:08:35,240 --> 00:08:37,599 Speaker 1: you're reading books, if I find something that i've you know, 157 00:08:37,679 --> 00:08:39,720 Speaker 1: there's like three or four books already in a series, 158 00:08:39,720 --> 00:08:42,000 Speaker 1: but it's new to me, and I get worried about 159 00:08:42,000 --> 00:08:45,040 Speaker 1: reading them out of order. Are you absolutely going to 160 00:08:45,040 --> 00:08:46,920 Speaker 1: stuff yourself up if you read things out of order? 161 00:08:47,120 --> 00:08:51,240 Speaker 2: No? And it's not just my books. It's most crime series. 162 00:08:51,280 --> 00:08:54,120 Speaker 2: And if you think about it, in every book there's 163 00:08:54,160 --> 00:08:57,040 Speaker 2: going to be a mystery. Yeah, but by the end 164 00:08:57,120 --> 00:09:00,440 Speaker 2: of the book, the reader will have to be field 165 00:09:01,200 --> 00:09:04,280 Speaker 2: all the what. The answer to the mystery is why 166 00:09:04,280 --> 00:09:06,160 Speaker 2: I did it? How they did it, all the rest 167 00:09:06,200 --> 00:09:08,720 Speaker 2: of it. Okay, So there's a bit of a character 168 00:09:08,760 --> 00:09:12,360 Speaker 2: development between Ivan and Nell over the series. It continues. 169 00:09:13,120 --> 00:09:15,400 Speaker 2: But when I speak to people who have read it 170 00:09:15,600 --> 00:09:17,400 Speaker 2: read the books out of order, they say it really 171 00:09:17,480 --> 00:09:18,080 Speaker 2: doesn't matter. 172 00:09:18,600 --> 00:09:20,880 Speaker 1: Yeah, okay, well on their own, because you know, there's 173 00:09:20,920 --> 00:09:24,120 Speaker 1: nothing worse than accidentally reading the most recent book and 174 00:09:24,160 --> 00:09:27,120 Speaker 1: then you discover there's like four others. I've got to 175 00:09:27,160 --> 00:09:29,360 Speaker 1: go back to treasure and it starts at the beginning, 176 00:09:30,040 --> 00:09:32,800 Speaker 1: but it's okay, oh yeah, it made me feel so 177 00:09:32,880 --> 00:09:35,720 Speaker 1: much better about about reading in general with that. Well 178 00:09:35,840 --> 00:09:38,360 Speaker 1: it is out now the Valley. Chris, thanks for coming 179 00:09:38,360 --> 00:09:38,880 Speaker 1: in this morning. 180 00:09:38,880 --> 00:09:39,599 Speaker 3: I really appreciate me. 181 00:09:39,720 --> 00:09:40,800 Speaker 2: Yeah. Thanks so madiful. 182 00:09:41,120 --> 00:09:43,480 Speaker 3: Yeah, much better than just a phone call. 183 00:09:43,600 --> 00:09:45,760 Speaker 2: It's so lovely you are to be back in person.