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Speaker 1: It's the rymod podcast.

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Speaker 2: Wards. Yes, so it was peanut Panics, poids, and Last Boys.

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Speaker 3: So we started arguing about this a little bit because

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Speaker 3: of the.

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Speaker 2: View, much to the chagrin of all our producers.

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Speaker 3: Yeah, gee, you guys hated it.

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Speaker 4: We've got edd In here right now, didn't you hate

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Speaker 4: that little tangent?

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Speaker 3: We went on, Well, it was I.

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Speaker 5: Mean, we were right in the middle of another segment. Yeah, yeah, yeah,

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Speaker 5: that's the perfectly reasonable. The segment was about films, though.

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Speaker 5: I Spielberg classic. We're talking about hook, the great class

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Speaker 5: when when Robin Williams, Julia Roberts, and Stephen Spielberg teamed

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Speaker 5: up to retell one of the great stories.

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Speaker 3: Don't forget Hackman, Jean Philip Hoffman.

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Speaker 5: I think Dustin, Dustin Hoffman, Seymour, Seymour Hoffman. I was Dustin.

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Speaker 5: I was thinking lesser known and far more insignificant brother,

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Speaker 5: Seymour Hoffman. You've seen that, you thought you've seen enough

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Speaker 5: of him.

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Speaker 4: I got confused with Philip Seymour hoff Hoffman.

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Speaker 5: We all know you got confused me. Don't tell us

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Speaker 5: you got confused with one of the greatest. No, you

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Speaker 5: didn't even start it off, and he started on Gene Hackman. Hackman.

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Speaker 5: I was like, Hackman played the crocodile. Do they just

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Speaker 5: like stuff him and put him in there?

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Speaker 3: It's more wrong. He was one of the Lost Boys.

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Speaker 3: He didn't see him much.

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Speaker 5: He was a pillow. He was a piece of wood

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Speaker 5: on the ship.

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Speaker 3: He was the dude lost his marbles. That's that's Gene Hackmann.

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Speaker 3: Watch it again, that's toodles. Yeah, that's Gene Hackman.

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Speaker 2: Not do not try and tell me that Gene Hackman is.

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Speaker 5: In because he's not.

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Speaker 3: Anyway, the argument that we had, the argument that we

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Speaker 3: had is did Peter Pan exploit the Lost Boys? And

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Speaker 3: I think he did because Peter Pan gets his kids

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Speaker 3: stolen by Hook and then he Peter Pan travels to

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Speaker 3: never Never Land and goes, doesn't pay the Lost Boys,

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Speaker 3: doesn't offer them any form of remuneration or anything, and goes, boys,

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Speaker 3: I need you to put your lives on the line

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Speaker 3: so I can selfishly get my kids back. By the way,

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Speaker 3: in the process, he kills their leader. Well he doesn't

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Speaker 3: kill it, but Rufeo dies in the battle. Yeah, and

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Speaker 3: it's like this was all your selfish escapade to go

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Speaker 3: and win your kids back, which I think is exploring

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Speaker 3: the lost.

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Speaker 5: Well, it's not. It's not a selfish excapade to get

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Speaker 5: his kids bait. Let's just let's just confirm that. So

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Speaker 5: it's not it's a selfless he's getting his kids back,

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Speaker 5: he's not selfish about it for himself. So so I

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Speaker 5: But but the other part of this, and I think

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Speaker 5: this is part of the genius of J. M. Barry's

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Speaker 5: story writing, is that it's a symbiotic relationship. I reckon

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Speaker 5: they both they're both benefiting from this, the Lost Boys.

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Speaker 3: What's the one? Are the Lost Boys benefit benefiting in

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Speaker 3: their lives.

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Speaker 5: Beating hook They can't. They can't bet Hooked with Rufeo

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Speaker 5: as the leader that hack.

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Speaker 3: I think they could.

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Speaker 5: He can't he can't fly.

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Speaker 2: I mean he can fight Nick and Crow, sure, but

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Speaker 2: he can't fly.

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Speaker 5: He can't fly.

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Speaker 3: To beat Hooks because he's a monster.

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Speaker 5: He kills. He kills little boys.

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Speaker 3: He was stealing them.

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Speaker 5: Was it kills them?

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Speaker 3: Yeah, that's a good argument, But I'm a pretty good argument.

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Speaker 5: So they need to grow man who can fly, fight

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Speaker 5: and Crow to lead them to defeat the murdering scum

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Speaker 5: who's trying to take over their island.

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Speaker 4: How was life for the Lost Boys post Peter Pan.

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Speaker 4: Were they happy after post Hook? Post Hook? What happens

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Speaker 4: to them?

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Speaker 5: Say? We go home?

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Speaker 2: Well, I don't think they need to.

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Speaker 3: That's Peter Pan should just taking him home rather than

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Speaker 3: he does.

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Speaker 2: He does with some of them, some of them.

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Speaker 3: My favorites. Johnny, you can come.

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Speaker 2: No, he has to leave, which is sad at the

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Speaker 2: end of Hook, Peter Peter Pan does.

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Speaker 3: So he leaves the lost boys there because.

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Speaker 5: They're lost boys, but they've got this happy place that

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Speaker 5: they get to go to. They wouldn't be lost boys

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Speaker 5: if they were returning home. That's the whole point, the

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Speaker 5: whole bunch of lost orphans who hang out on this island. Second,

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Speaker 5: start right first, that first straight unto the morning, and

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Speaker 5: it's meant to be it's fantasy land where they get.

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Speaker 2: To go when they're orphaned.

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Speaker 5: Yeah, okay, so it could kind of pull down the

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Speaker 5: whole point of having a never the land if the

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Speaker 5: Lost Boys could go home.

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Speaker 2: They enjoy hanging out there.

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Speaker 5: Man, they get to imagine, they get to imagine food

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Speaker 5: and it pops up on their plate.

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Speaker 4: Actually, to be fair, that food scene, which isn't real

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Speaker 4: food at all. That's that is the most hungry. I

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Speaker 4: feel ever watching the film.

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Speaker 5: To have been one of the best scenes to ever

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Speaker 5: have been on.

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Speaker 3: Is that purple stuff they throw at each other? Is

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Speaker 3: that ice cream?

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Speaker 6: You know?

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Speaker 3: How good?

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Speaker 7: Is that?

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Speaker 5: A viginal bit when you're like, oh my god, they've

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Speaker 5: all got no food. And then he just turns around

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Speaker 5: and he goes like hey Peter and bins him in

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Speaker 5: the face.

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Speaker 3: Is it ice cream?

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Speaker 5: I don't know. On substance day, it just yeah, it's pretty.

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Speaker 3: It's actually pretty disgusting.

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Speaker 5: Yeah, the purple really suggestive. But anyway, when he cuts

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Speaker 5: that coconut in half, throws in that coke and everyone believes,

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Speaker 5: everyone believes that he could be the ban after that. Yeah, anyway,

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Speaker 5: it's a great movie. If you haven't seen Hook, you've

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Speaker 5: hated the last few minutes. But gig Wizard's been good

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Speaker 5: for us. Can I just say just just because Hook

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Speaker 5: actually didn't get received all that well.

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Speaker 3: No, yeah, critically panned. Same with The Matrix critically panned.

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Speaker 5: Like what you did there? Anyway? That wasn't critically can

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Speaker 5: it came out as panned and damn it worked. God

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Speaker 5: nothing better than inadvertently stumbling into genius Woods. That's what

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Speaker 5: you're good for I enjoy the show, guys.

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Speaker 3: Yeah, saad.

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Speaker 5: Who would go along?

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Speaker 8: And where is Bodbody doesn't care what I care.

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Speaker 1: Listen, listen, listen.

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Speaker 5: We haven't got having anything in the first time.

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Speaker 3: He's unto it. But yeah, you're exactly right. There are

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Speaker 3: a priors here. When he was doing gap here a

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Speaker 3: number of years ago.

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Speaker 4: We tried to get him for an interview and you've

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Speaker 4: got a text message, I think, and he basically said,

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Speaker 4: geto boys, I'm on one percent bat.

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Speaker 3: I haven't slept for a while, but from London, but

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Speaker 3: call me and if I drop out, you know what happens.

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Speaker 5: Yeah, yeah, yeah, So I said, he's got prize, and

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Speaker 5: here we are without him on the radio.

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Speaker 2: We haven't blocked out half a now forsake, don't worry

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Speaker 2: about it.

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Speaker 3: I think he was trying to catch a flight or something,

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Speaker 3: so you know, a little bit of defense the doubt.

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Speaker 5: Don't give him the I'm not giving a doubt. Although

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Speaker 5: the producers are looking very animated out there. We've got

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Speaker 5: a thumbs here. He's he's well. They're peddling outside, they're

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Speaker 5: talking to they're laughing a lot outside between's he's probably

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Speaker 5: on the phone. Is he there? How is she there?

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Speaker 9: I am here, guys going first.

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Speaker 4: Off, Hamig, do you have any excuse for not getting

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Speaker 4: the first call? Which meant that Will and I had

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Speaker 4: to pay had for thirty to forty five seconds, which

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Speaker 4: is truly awful.

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Speaker 9: You know, I've got one of the greatest excuses of

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Speaker 9: all time. I am at the Air Force and my

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Speaker 9: phone it was in the scanner and I could see

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Speaker 9: what happened? Was I put it in the bucket? I'm

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Speaker 9: a man? And then they put my backpack on the

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Speaker 9: top in the same thing, and then like, oh, we've

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Speaker 9: got to re scan your backpack and I was like, sure,

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Speaker 9: that's my bag, YEP. I was like, yeah, they're just

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Speaker 9: going through my bag now, So this could could turn

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Speaker 9: into an episode of security.

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Speaker 5: Actually, you're getting your bag frisked right now.

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Speaker 9: It's behind the little screen, and so I was like,

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Speaker 9: you can play scanner back, but can I please have

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Speaker 9: the phone back to actually have a call? I meant

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Speaker 9: to be taking this.

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Speaker 3: Actually, Karma Hamer Shaft a story about you that apparently

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Speaker 3: you quite enjoyed slipping toys of a sexual nature into

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Speaker 3: your good friend whippers bag whenever you travel together. Is

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Speaker 3: that true.

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Speaker 9: That is many many years ago. We were young billy

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Speaker 9: boys and he did it to me. He did it

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Speaker 9: we were leaving, we were going, we were leaving it

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Speaker 9: were flying out in Melbourne to America. Yeah, he no,

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Speaker 9: did he do this? I know this is part of

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Speaker 9: any wanting to say, oh, but you know this is

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Speaker 9: back years ago, guys, when you know things are a

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Speaker 9: bit filler. It wasn't really. It was like two thousand

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Speaker 9: and six, so like pretty close to nine to eleven,

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Speaker 9: like airport security. Yes, here he put in my bag

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Speaker 9: a large adult pleasure toy, but with a steak knife

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Speaker 9: gap of tape. They would find it. So then of

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Speaker 9: the screen that comes up and the guy pulls out.

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Speaker 9: He's like, what's all this? And I'm like, I have

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Speaker 9: no idea what that is. Meanwhile, Whippers in Judy three

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Speaker 9: like giggling behind the display of Dailey's or something, and

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Speaker 9: I'm like, I think that guy would have something to

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Speaker 9: do it. So then this is in Melbourne, so you know,

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Speaker 9: not a gag you'd pull at Lax, but in Melbourne

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Speaker 9: everyone's having a bit of a gig and they're like,

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Speaker 9: well mate, sorry mate, you can't say you can't take

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Speaker 9: the knife on board. They're like, yeah, that's fine, I

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Speaker 9: don't need take nice I thought. Another guy's like, you

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Speaker 9: can have the you can have this. I don't. I

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Speaker 9: totally find I don't want it. And then he's like, no, man,

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Speaker 9: you know, we're just gonna scam it throughit. But so

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Speaker 9: you can't take the Knights, that's okay. They another comebo,

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Speaker 9: All right mate, they obviously didn't come. It's all good,

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Speaker 9: all good, guys, you know, all good. It looked like

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Speaker 9: it was a GoPro and a USB reader.

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Speaker 3: Can actually.

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Speaker 5: Okay, and we're gonna go. This has been a great

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Speaker 5: chat so far. We are going to go to a song.

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Speaker 5: I mean, this is this is.

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Speaker 9: The real stuff that's going on out there.

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Speaker 7: Guys.

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Speaker 9: You set in your ivory tower and then you guys

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Speaker 9: are on there. You don't know what's going on. Well

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Speaker 9: around here, we've got base Masters. Yeah, sury issues.

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Speaker 5: We'll do, we'll do, we'll do more. We'll do more

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Speaker 5: about Lego masters and less about steak knives and delos

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Speaker 5: up next.

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Speaker 9: I thought we were I thought we were dancing around

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Speaker 9: saying the tea work.

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Speaker 5: I enjoyed watching you try and peddle around it more

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Speaker 5: with Hamis Blake up next having a great Tuesday, wild

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Speaker 5: start to the chat. Lego Master's series three It is

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Speaker 5: back seven thirty Monday, Tuesdays and Wednesdays on Channel nine

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Speaker 5: and Hamies. Blake joins us right now on the phone home.

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Speaker 5: Thanks again for coming on the show. Picked it up

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Speaker 5: on the for you. I wanted to ask just about

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Speaker 5: Lego Masters, Mate, because I is yours is your say

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Speaker 5: in the show's programming increasing like what they choose to

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Speaker 5: do on the show, because I'm pretty sure I just

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Speaker 5: watched a promo of you before just bowling bowling balls

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Speaker 5: into people's creations.

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Speaker 9: That is tonight's episode. Did look It's been a very

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Speaker 9: fun thing, like like making the show over the years

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Speaker 9: because we didn't really know what it was season one,

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Speaker 9: so we'll just sort of sort of figured out on

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Speaker 9: the hotline. Now the season three, it does you do,

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Speaker 9: You'll do get to hit down a lot more kind

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Speaker 9: of plan out what we want to do, and it

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Speaker 9: is a very fun shaw at work because you just

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Speaker 9: find that a lot of stuff that ends up on

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Speaker 9: the show is stuff that I another show. You go, yeah,

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Speaker 9: that would be fine, but we can't really do that,

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Speaker 9: and then you have to give another idea. But for

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Speaker 9: Lego masters, it turns out that like the best ideas

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Speaker 9: are often just us going what if for no real reason?

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Speaker 9: It was just build something and then I bowl a

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Speaker 9: bowling balls. I think I'd like to watch that, and

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Speaker 9: like that's what we're doing. Then toll you. The next minute,

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Speaker 9: you're in a roomle of like fifty people and like

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Speaker 9: a hundreds thousand dollars slow, no camera, and you're just

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Speaker 9: bowling bowling ball through Lego.

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Speaker 5: You couldn't look on your face like it's almost like

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Speaker 5: it's just too good to be true, like you just

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Speaker 5: can't believe that you're doing it, and there's just all

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Speaker 5: these people standing. So what's the deal there? You rocked

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Speaker 5: up and you were like, guys, I'm looking forward to

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Speaker 5: you building your creations. Did you tell them on the

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Speaker 5: set that then you're then going to destroy them with

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Speaker 5: a bowling ball?

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Speaker 9: Well, I mean people will find that time. But yes,

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Speaker 9: now they do know that the ball is going to

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Speaker 9: go through it. It's not just me being a jerk,

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Speaker 9: like as they're putting the last piece on the idea,

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Speaker 9: so it's done with full knowledge prior knowledge that the

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Speaker 9: Volling ball will be going through it. And so there

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Speaker 9: is a reason the volley ball goes through it tonight,

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Speaker 9: it's it's a loose reason. Let's be honest. We just

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Speaker 9: really did want to see bowling balls going through Leo

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Speaker 9: in super SLOWE. Yeah, the contestants did not know what

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Speaker 9: would be me bowling the ball. I think from memory,

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Speaker 9: I was telling them that we've got a really cool

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Speaker 9: famous bowler, to which one of them fifth, which I

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Speaker 9: just sort of said as a joke of my guys,

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Speaker 9: we've got a really really famous Tentin bowler coming in.

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Speaker 9: And I'm not if this has made the editing I

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Speaker 9: even see tonight. I mean I've done tonight's episode, but

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Speaker 9: I have to see the edit of it. I don't

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Speaker 9: know if this will be in there. But but David,

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Speaker 9: who's one of the guys on the team, there's gussin David. David, Yeah,

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Speaker 9: just fist punted and he's like, oh man, I don't

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Speaker 9: want to see who it is. And I was like, okay, well, exect,

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Speaker 9: we've got to bowling fan in the car. And then

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Speaker 9: I felt terrible going you get to be excite to.

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Speaker 3: But he've also said on Instagram made that you like

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Speaker 3: to sneak the kids in Sonny and Rudy and you

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Speaker 3: just give them the pick of any lego brick they want.

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Speaker 5: Uh.

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Speaker 3: Is it also true, mate, that you I mean, I'd

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Speaker 3: find it intriguing. Like you as a father, I mean,

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Speaker 3: I'm not saying you're childish, but you know you're a

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Speaker 3: little bit immature. You boil bowling balls down smashed lego.

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Speaker 3: Is it true that you also go out with the

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Speaker 3: kids when obviously Zoe's busy and just look for missing

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Speaker 3: dog posters and then tell the kids that's today's job.

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Speaker 9: Well, do you know what we were looking? We were

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Speaker 9: looking for loon at the cat on the weekend we go.

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Speaker 9: It's do you know what I mean? It's not that

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Speaker 9: we it's that we run a pet detective agency. It's

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Speaker 9: more of just like us town. It's a great I mean,

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Speaker 9: the kids get kids get excited when they see like

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Speaker 9: the you know, there's a cat missing or the dog missing.

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Speaker 9: It's like, hey, here we go, let's let's try and

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Speaker 9: find something. And I just I never miss an opportunity

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Speaker 9: to go. We we can kill tons of hours here

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Speaker 9: because like a lot of parenting is just killing time. Sure,

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Speaker 9: and just like, oh my god, we saw a cat

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Speaker 9: dismissing Luna. Then immediately my three year old goes, what's

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Speaker 9: this and she's like, plenty, just some like dirty gum

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Speaker 9: on the ground or something, and you're like to be like,

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Speaker 9: I think it's a footprint, and I'm like, oh, I

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Speaker 9: think you're right. Yes, basically, it's just Then the next

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Speaker 9: hour is just walking to anything.

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Speaker 7: That you see.

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Speaker 9: Go I think there's scratch marks on this tree. I

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Speaker 9: mean on the weekend it got to the blue my

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Speaker 9: three yearl picked up a feather and went, I think

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Speaker 9: this is one of the cat's feathers. And I went, I.

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Speaker 10: Think you're right.

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Speaker 9: I mean we didn't find Luna. Shock no one. The

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Speaker 9: case is still open. But at the end of it,

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Speaker 9: you look at you watching You're like, all right, well

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Speaker 9: that was a fun hour. Someone, what's next?

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Speaker 5: Well mate, it sounds like you guys never find a

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Speaker 5: never short of something to do. Although I did hear

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Speaker 5: recently the fam moved up, so you moved up to

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Speaker 5: Sydney and you actually stuck around in Melbourne to finish

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Speaker 5: shooting Lego Masters?

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Speaker 2: Was that true?

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Speaker 9: And then my dedication to the show, not that I'm

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Speaker 9: trying to guild anyone into watching, but.

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Speaker 5: Just shim with his father. So on face value that

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Speaker 5: that you know, that would seem like, yeah, you know

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Speaker 5: any you know, the quintessential dad sort of requesting for

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Speaker 5: a bit more bachelor time in Melbourne. But by the

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Speaker 5: sounds of things, it's probably more Zoe being like, I

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Speaker 5: don't want my kids running around after cats with feathers

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Speaker 5: during the time.

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Speaker 9: Exactly, it's not safe for you to be in Melbourn

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Speaker 9: with them. You can come up with basically, you can

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Speaker 9: come up when you finished playing with your Lego thank

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Speaker 9: you because I.

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Speaker 5: Can weld all right, say Lego Masters Series story. It's Monday,

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Speaker 5: Tuesdays and Wednesdays on Channel nine. You can also see

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Speaker 5: it on nine now if you guys want to go

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Speaker 5: and check it out there. Thanks so much for joining us.

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Speaker 5: Congrats on the new show man. Always a pleasure, and

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Speaker 5: look out for the steak knives and what else might

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Speaker 5: be in your bag when you get to I'm going to.

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Speaker 9: Go and recheck my bag again.

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Speaker 1: It's the Will and Woody podcast.

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Speaker 5: The Australian government yesterday released a new education campaign which

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Speaker 5: is designed to teach school children about consent and sexual assault. Now,

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Speaker 5: this has obviously been sanctioned by a government whose leader

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Speaker 5: is an evangelical Christian and probably written by a whole

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Speaker 5: bunch of people who whenever they have sex, it's fully

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Speaker 5: clothed with imus on, blindfolded and the blinds down.

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Speaker 3: Sounds really well.

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Speaker 5: It is the furthest thing from any education about any

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Speaker 5: sense of sex I have ever seen. The videos have

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Speaker 5: since been taken down because everyone was just like, this

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Speaker 5: is not only bizarre, it's concerning.

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Speaker 4: It's condescending also, so they were targeted and I'm reading

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Speaker 4: here fourteen to seventeen year olds. Yeah, and they haven't

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Speaker 4: used once the term sex. Instead, they're doing these over

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Speaker 4: the top, just terribly pre rejuiced cringe scenes where they

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Speaker 4: refer to milkshakes and tacos.

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Speaker 3: Yeah, and you're not supposed to say to someone, hey,

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Speaker 3: do you want a taco? Well, you know, maybe you

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Speaker 3: do want a taco, even though you don't think you

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Speaker 3: want to taco. It's like, what is going on.

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Speaker 5: It's really hard to get a grip on what is

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Speaker 5: going on? But look it's they've since been taken out.

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Speaker 5: They've so they've got released yesterday, have taken out today.

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Speaker 5: But we got on a little bit of audio from

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Speaker 5: one of the ads guys, just so you can understand

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Speaker 5: the depth of how bad this is.

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Speaker 3: You want to try my milkshake?

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Speaker 5: Yes, I do.

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Speaker 3: Is it better than yours? You know?

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Speaker 2: I think I prefer mine.

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Speaker 11: But what happens when one person takes action without an agreement?

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Speaker 1: You do?

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Speaker 5: Huh?

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Speaker 9: Well drinking?

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Speaker 5: What are you doing? Drink at all?

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Speaker 2: This is what we call a line now.

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Speaker 5: I think I learned more about sex by watching Kalice's

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Speaker 5: videos on milkshake instead, which was far more instructive as

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Speaker 5: to what goes on, if I'm totally honest, Seriously, that's

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Speaker 5: right though that's not even a joke.

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Speaker 3: Like what no one has learned anything from that?

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Speaker 9: Weird?

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Speaker 3: What does it move the line? Milkshake? Bit? Yeah? What

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Speaker 3: is moving the line?

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Speaker 5: And like is a milkshake a metaphor for sex? Or

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Speaker 5: like you know her? I mean, here's the thing like

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Speaker 5: her vagina? Like is that what we're struggling to say? Here?

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Speaker 2: Is that what we're trying to get around?

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Speaker 4: I think it's the issue if I was a fifteen

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Speaker 4: year old. Again, I take it as condescene. It's like,

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Speaker 4: you're not treating me like an adult.

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Speaker 2: Yeah, do it?

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Speaker 3: Have the conversation talk.

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Speaker 5: About what we're dealing with here, so the kids can

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Speaker 5: gra I think that's one of the biggest issues. It's

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Speaker 5: like this this got released on this website called the

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Speaker 5: Good Society website, Like what is this like USSR Russia? Like, guys,

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Speaker 5: let's just call it what it is. You want to

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Speaker 5: tell people, like, there's all these issues that need to

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Speaker 5: be discussed and we need to be transparent about so

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Speaker 5: that they can have good conversations about it and navigate

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Speaker 5: their way through it, because at the end of the day,

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Speaker 5: we're talking about consent and sexual assault, which is actually

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Speaker 5: going to lead in some people being really damaged if

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Speaker 5: we mistreat them. So not surprisingly, the absolute champion for

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Speaker 5: this cause at the moment, and probably we've had her

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Speaker 5: into here in studio as well, would Australia the Grace

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Speaker 5: Tame who speaks beautifully about this sort of stuff because

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Speaker 5: she is so transparent about it. Here's what she said

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Speaker 5: about the videos earlier today.

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Speaker 12: I think it's just insulting to the intelligence of everyone,

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Speaker 12: you know, not just not just adults, to children as well,

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Speaker 12: like Kate was saying, you know, three year olds and

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Speaker 12: five year olds, I think their intelligence would be as tulted.

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Speaker 2: By this well said, she's bang on.

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Speaker 5: She goes on to say, it minimizes the experience of

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Speaker 5: rape trauma. It fails to really address the nuances of

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Speaker 5: this complex issue of consent. So yeah, I couldn't agree more.

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Speaker 5: That is a massive fail.

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Speaker 3: How much do you reckon? It costs the gar and

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Speaker 3: it's and you know, I hate to say it, but

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Speaker 3: it's our it's our cash. You know, I don't mean

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Speaker 3: it sounds like a tights here, you know, pay me taxes?

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Speaker 3: How much has dipped in to make these plenty videos

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Speaker 3: and they lasted ten hours? See that pieces me off.

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Speaker 5: I want to think about it.

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Speaker 1: Rush, crank up the speed on this podcast. Don't get

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Speaker 1: to where you're going any faster, but you'll feel like

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Speaker 1: you are. It's the Will and Woody Podcast.

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Speaker 2: We're going to be playing a little bit of lost.

439
00:20:28,280 --> 00:20:32,840
Speaker 5: The plot you've had me at he Will and wood Yeah, baby.

440
00:20:36,680 --> 00:20:39,480
Speaker 1: Stop trying to make fetch happen. It's not going to

441
00:20:39,560 --> 00:20:40,520
Speaker 1: happen to you.

442
00:20:40,600 --> 00:20:42,440
Speaker 2: Fresh to the show freshly game.

443
00:20:42,440 --> 00:20:45,159
Speaker 5: Basically, I explained a movie plot really badly, you guys,

444
00:20:45,200 --> 00:20:47,600
Speaker 5: and would he try and guess what the movie is

445
00:20:47,640 --> 00:20:48,480
Speaker 5: based on the.

446
00:20:48,400 --> 00:20:52,400
Speaker 2: Poor plot description. Now I gave you this one two

447
00:20:52,440 --> 00:20:53,040
Speaker 2: hours ago.

448
00:20:53,160 --> 00:20:56,560
Speaker 4: I've been working feverishly at at four two hours, which

449
00:20:56,560 --> 00:20:59,199
Speaker 4: doesn't burd well for any preparation for the show. But

450
00:20:59,280 --> 00:21:00,600
Speaker 4: I'm pretty comfidt and I've got it.

451
00:21:00,680 --> 00:21:03,320
Speaker 5: Okay, great, So this is the movie plot for everybody

452
00:21:03,320 --> 00:21:06,400
Speaker 5: else before you have a ping at the stumps. Washed

453
00:21:06,480 --> 00:21:11,640
Speaker 5: up dad leverages children to drastically change the tides.

454
00:21:13,040 --> 00:21:13,800
Speaker 2: That's the plot.

455
00:21:14,119 --> 00:21:17,000
Speaker 3: Yes, yes it is. Would you like me to tell

456
00:21:17,040 --> 00:21:21,480
Speaker 3: you what the movie is? It's Hook? Of course. Oh

457
00:21:21,600 --> 00:21:24,440
Speaker 3: my god, I'm so confident. What do you mean that's increased?

458
00:21:24,520 --> 00:21:28,120
Speaker 4: It's perfectly Hook. He leverages the Lost Boys to change

459
00:21:28,160 --> 00:21:29,960
Speaker 4: the tide. They're on the oceans with the Captain Hook

460
00:21:29,960 --> 00:21:31,359
Speaker 4: and whatever. And he's a washed up dad.

461
00:21:31,640 --> 00:21:34,639
Speaker 5: He's a washed up dad. Yeah, he doesn't leverage the children.

462
00:21:35,119 --> 00:21:39,320
Speaker 4: Well, he's trying to get back his daughter, and he's

463
00:21:39,320 --> 00:21:40,600
Speaker 4: just like all right, boys with me.

464
00:21:40,680 --> 00:21:43,480
Speaker 5: I was gonna say anything. The children leverage him. They

465
00:21:43,520 --> 00:21:45,640
Speaker 5: bring Peter Pan back to try and get back at Hook.

466
00:21:46,160 --> 00:21:48,439
Speaker 3: No, but he's trying to save his kids. We can

467
00:21:48,520 --> 00:21:49,360
Speaker 3: talk about Hook.

468
00:21:49,160 --> 00:21:54,720
Speaker 5: For there's an essay on that. Who leverages who in

469
00:21:54,760 --> 00:21:57,920
Speaker 5: the movie Hook? Is it Peter Pan or the Lost Boys? Anyway.

470
00:21:58,200 --> 00:22:00,200
Speaker 2: So there's that the changing tire thing as well. Not

471
00:22:00,240 --> 00:22:00,680
Speaker 2: there as well?

472
00:22:00,840 --> 00:22:02,960
Speaker 5: Fair enough, So thirty one six five minute throw it

473
00:22:02,960 --> 00:22:05,960
Speaker 5: over to the audience. Please tell me what that movie is.

474
00:22:06,000 --> 00:22:09,000
Speaker 5: It's tricky. It is a tricky one. Washed up dad

475
00:22:09,080 --> 00:22:12,720
Speaker 5: leverages children to drastically change the tides. If you think

476
00:22:12,720 --> 00:22:13,800
Speaker 5: you know what the answer.

477
00:22:13,560 --> 00:22:16,960
Speaker 3: Is, Noah, Noah's Noah, bang on, bang on.

478
00:22:17,359 --> 00:22:19,040
Speaker 5: Thirty one six five give us a call.

479
00:22:19,080 --> 00:22:26,320
Speaker 2: Everybody is in shakest.

480
00:22:28,600 --> 00:22:33,639
Speaker 5: Go ahead, all right, I explained a movie plot really badly.

481
00:22:33,680 --> 00:22:35,960
Speaker 5: You guys, guess what the film is. Current movie plot

482
00:22:36,040 --> 00:22:42,600
Speaker 5: is washed up Dad leverages children to drastically change the tides.

483
00:22:43,000 --> 00:22:44,080
Speaker 2: Let's got a Yanna, Yanna?

484
00:22:44,119 --> 00:22:44,560
Speaker 5: What do you reckon?

485
00:22:44,600 --> 00:22:45,280
Speaker 2: The movie is? Mate?

486
00:22:45,800 --> 00:22:48,359
Speaker 7: H's sober for the original with Goldie Horn?

487
00:22:49,240 --> 00:22:53,480
Speaker 5: What was the the original with Goldie Horn? Gratefully and Russell?

488
00:22:53,720 --> 00:23:00,480
Speaker 5: Kurt Russell, Yes, but no, you call Yana change the tides.

489
00:23:00,520 --> 00:23:02,560
Speaker 5: I like what he's done. It's actually a cracker. It's

490
00:23:02,560 --> 00:23:05,120
Speaker 5: actually a cracker of a film original Goldie Horns, good one.

491
00:23:05,160 --> 00:23:07,000
Speaker 4: I like Kurt Russell. I can I have another grab?

492
00:23:07,320 --> 00:23:09,159
Speaker 4: William just keep going to the cause there, which is

493
00:23:09,160 --> 00:23:10,120
Speaker 4: a bit not fair.

494
00:23:10,640 --> 00:23:15,359
Speaker 3: Mo Anna Moanna, Oh yeah, the Disney Pixar. Yeah, Dwayne

495
00:23:15,480 --> 00:23:18,040
Speaker 3: Rock Johnson is a dad and he's a bit washed up. Obviously,

496
00:23:18,080 --> 00:23:19,560
Speaker 3: he's out there on the ocean and whatnot. And then

497
00:23:20,080 --> 00:23:21,080
Speaker 3: she can change the tide.

498
00:23:21,080 --> 00:23:22,800
Speaker 2: Have you seen it? You fell asleep twice?

499
00:23:23,040 --> 00:23:27,120
Speaker 5: Yeah, Mark on thirty one and six y five.

500
00:23:27,240 --> 00:23:29,440
Speaker 2: Mark, what do you think.

501
00:23:29,359 --> 00:23:29,800
Speaker 3: The movie is?

502
00:23:31,119 --> 00:23:32,440
Speaker 9: I think it's Missus Doubtfire.

503
00:23:32,480 --> 00:23:36,199
Speaker 5: This is down fire. Washed up dad leverages children to

504
00:23:36,320 --> 00:23:39,840
Speaker 5: drastically change the tides, so that you've gone with the

505
00:23:39,960 --> 00:23:42,479
Speaker 5: changing of the tides thing you're saying like, that's more

506
00:23:42,520 --> 00:23:45,160
Speaker 5: of like a figure of speech, Mark, changing the tipe.

507
00:23:45,200 --> 00:23:48,840
Speaker 9: Yeah, so changing the tide, change from male to be

508
00:23:48,960 --> 00:23:52,880
Speaker 9: the female nanny to get the life back.

509
00:23:52,920 --> 00:23:55,640
Speaker 2: Definitely leveraging his children. He's definitely washed up, Daniel.

510
00:23:55,800 --> 00:23:59,600
Speaker 5: I think his name is in Missus Doubtfire matchmaker, matchmaker

511
00:23:59,680 --> 00:24:01,480
Speaker 5: make me incorrect.

512
00:24:01,080 --> 00:24:04,800
Speaker 4: Mind way to think about it, though, Mark the box

513
00:24:04,800 --> 00:24:06,960
Speaker 4: there finding Nemo No incorrect.

514
00:24:08,000 --> 00:24:12,320
Speaker 3: You don't really, yeah, you don't get around min.

515
00:24:12,359 --> 00:24:16,000
Speaker 5: Caitlin. Washed up dad leverages children to drastically change the tides.

516
00:24:17,720 --> 00:24:19,800
Speaker 13: I think it's despicable me.

517
00:24:19,920 --> 00:24:20,800
Speaker 5: It's despicable me.

518
00:24:21,080 --> 00:24:24,080
Speaker 3: Congratulations, I said that before. The song.

519
00:24:24,760 --> 00:24:29,040
Speaker 5: Now, now it's going to be a bit of conjecture

520
00:24:29,080 --> 00:24:31,840
Speaker 5: about is you definitely said it. I think it was

521
00:24:31,880 --> 00:24:34,439
Speaker 5: more of a throwaway. You didn't you didn't commit to thee.

522
00:24:35,240 --> 00:24:37,000
Speaker 5: You were just taking out loud. I think you were

523
00:24:37,040 --> 00:24:39,800
Speaker 5: just thinking out loud. I think you were just thinking

524
00:24:39,800 --> 00:24:41,440
Speaker 5: out loud. I'm not sure if you got it, but yeah,

525
00:24:41,440 --> 00:24:43,920
Speaker 5: if we do, remember he is a washed up dad

526
00:24:44,040 --> 00:24:46,760
Speaker 5: grou and then he leverages his kids, the kids that

527
00:24:46,800 --> 00:24:50,040
Speaker 5: he adopts yes to get the shrink ray Yes, which

528
00:24:50,080 --> 00:24:53,040
Speaker 5: makes the moon to steal the moon, which changes the tides,

529
00:24:53,080 --> 00:24:55,560
Speaker 5: could flood the world on the planet.

530
00:24:55,720 --> 00:24:57,240
Speaker 3: Yeah, yeah, yeah, not a bad plan.

531
00:24:57,320 --> 00:24:59,560
Speaker 2: Actually bad plot. I mean, can I get around of

532
00:24:59,560 --> 00:25:00,240
Speaker 2: a plu self?

533
00:25:00,240 --> 00:25:00,440
Speaker 3: Please?

534
00:25:00,520 --> 00:25:00,639
Speaker 5: Dick?

535
00:25:00,680 --> 00:25:01,520
Speaker 2: Oh man, come and hear me.

536
00:25:01,920 --> 00:25:04,960
Speaker 3: Oh oh your plot was amazing. Yeah yeah, no, well srip.

537
00:25:04,760 --> 00:25:05,359
Speaker 5: Dick, We'll move on.

538
00:25:05,520 --> 00:25:06,000
Speaker 3: I got it.

539
00:25:06,280 --> 00:25:07,840
Speaker 2: I'm going to throw you out a nice little quick

540
00:25:07,840 --> 00:25:08,320
Speaker 2: one in the middle.

541
00:25:08,320 --> 00:25:11,639
Speaker 5: Here. We'll just get your confidence back up. Teenager fights octopus.

542
00:25:12,119 --> 00:25:17,040
Speaker 3: Teenager fights an octopus. Hercules, Hercules, the big teenager. Oh

543
00:25:17,119 --> 00:25:19,040
Speaker 3: excuse me, maybe's Dick, Maybe Dick incorrect?

544
00:25:19,480 --> 00:25:20,040
Speaker 5: No, hang on.

545
00:25:22,480 --> 00:25:24,480
Speaker 3: Part of the Caribbean too. It's a Kraken. Not an

546
00:25:24,520 --> 00:25:28,119
Speaker 3: octopus is my My Octopus's teacher? My teacher is an

547
00:25:28,119 --> 00:25:32,399
Speaker 3: octopus documentary with Spider Man.

548
00:25:32,280 --> 00:25:35,320
Speaker 2: Two The Villains doc Remember that movie? That was a

549
00:25:35,480 --> 00:25:37,879
Speaker 2: That was a Yeah, I tried to give you a

550
00:25:37,920 --> 00:25:38,440
Speaker 2: little you.

551
00:25:38,400 --> 00:25:40,840
Speaker 5: Know, all right? Another one for the audience here, good guesses.

552
00:25:40,840 --> 00:25:45,119
Speaker 5: Another one for the audience here, Animal literature enthusiast. That's

553
00:25:45,160 --> 00:25:48,440
Speaker 5: above average thirty one oh six fives of phone number.

554
00:25:48,440 --> 00:25:50,479
Speaker 5: If you think you know what that movie is?

555
00:25:50,600 --> 00:25:51,240
Speaker 3: What is animal?

556
00:25:51,280 --> 00:25:51,320
Speaker 7: What?

557
00:25:51,400 --> 00:25:52,280
Speaker 3: Animal literature?

558
00:25:52,680 --> 00:25:54,199
Speaker 5: Thirty one six five you think you know what the

559
00:25:54,200 --> 00:25:57,680
Speaker 5: movie is? Animal literature enthusiast, that's above average. We lost

560
00:25:57,720 --> 00:25:58,960
Speaker 5: the plot right up next.

561
00:25:59,240 --> 00:26:00,920
Speaker 1: It's the Will and Woody podcast.

562
00:26:02,320 --> 00:26:05,120
Speaker 5: Well, it's going to be talking about your horrific run

563
00:26:05,160 --> 00:26:07,040
Speaker 5: with follow up questions very shortly on this show.

564
00:26:07,040 --> 00:26:08,600
Speaker 2: I'm looking forward to that right now, though I.

565
00:26:08,520 --> 00:26:10,639
Speaker 3: Don't know why we highlight that. Obviously a floor of

566
00:26:10,680 --> 00:26:13,320
Speaker 3: mine lost the plot you've.

567
00:26:13,160 --> 00:26:22,080
Speaker 5: Had, Yeah, baby, stop trying to make such happen.

568
00:26:22,480 --> 00:26:23,719
Speaker 1: It's not going to happen.

569
00:26:24,480 --> 00:26:26,920
Speaker 5: So I explained a movie plot really badly, you guys,

570
00:26:26,960 --> 00:26:29,159
Speaker 5: and what do you have to guess what the movie

571
00:26:29,480 --> 00:26:31,520
Speaker 5: is based on that poor plot description?

572
00:26:31,840 --> 00:26:32,679
Speaker 2: If you're just joining us.

573
00:26:32,760 --> 00:26:35,440
Speaker 5: The movie plot we're working with right now is animal

574
00:26:35,480 --> 00:26:38,600
Speaker 5: literature enthusiast that's above average.

575
00:26:39,200 --> 00:26:41,040
Speaker 3: Yep, Yeah, I'm pretty confident. I've got it.

576
00:26:41,600 --> 00:26:45,000
Speaker 5: Well, you're confident, you well, you're always confident if we're

577
00:26:45,440 --> 00:26:46,359
Speaker 5: how confident are you?

578
00:26:46,880 --> 00:26:47,040
Speaker 8: Uh?

579
00:26:48,680 --> 00:26:50,639
Speaker 5: It's so hard to gather it because if you say it,

580
00:26:50,680 --> 00:26:52,840
Speaker 5: you ruin it for everyone else. Yeah, I know.

581
00:26:53,280 --> 00:26:57,960
Speaker 4: Jurassic Park three, William H. Macy, he's an animal literature enthusiast.

582
00:26:57,960 --> 00:26:59,920
Speaker 4: He goes back to the island. He convinces Sam Neil

583
00:27:00,040 --> 00:27:02,800
Speaker 4: go with him, and no doubt that hot mummer of

584
00:27:02,800 --> 00:27:04,679
Speaker 4: a wife that his god would suggest that he is

585
00:27:04,720 --> 00:27:06,440
Speaker 4: indeed batting above his average.

586
00:27:07,440 --> 00:27:11,600
Speaker 3: Wow, that was a loud buzz. I didn't know particularly loud.

587
00:27:11,760 --> 00:27:14,439
Speaker 5: We let you go for a while there, the longer

588
00:27:14,480 --> 00:27:17,639
Speaker 5: you go, no, no, why how is Tarzan and animal

589
00:27:17,640 --> 00:27:18,520
Speaker 5: literature enthusiast?

590
00:27:19,000 --> 00:27:22,360
Speaker 4: Well, we'd read I don't think he reads fair enough.

591
00:27:22,400 --> 00:27:22,680
Speaker 3: You got me?

592
00:27:22,920 --> 00:27:26,840
Speaker 5: Although they are sophisticated gorillas, actually yeah, and they would

593
00:27:26,840 --> 00:27:28,920
Speaker 5: be reading animal literature at the gorillas and James and

594
00:27:29,119 --> 00:27:32,080
Speaker 5: Jane's obviously batting above average with Jane, is he Tarzan?

595
00:27:32,160 --> 00:27:33,280
Speaker 2: Tarzan's a bit of a hunk man.

596
00:27:33,480 --> 00:27:35,000
Speaker 3: He would he would smell sorry.

597
00:27:35,280 --> 00:27:38,120
Speaker 5: I think I think that's a wild Sorry. Alexander scars

598
00:27:38,119 --> 00:27:41,760
Speaker 5: Guard played Tarzan in the lines. Margo Robbie played Jane,

599
00:27:41,760 --> 00:27:42,439
Speaker 5: and I reckon that's a.

600
00:27:42,480 --> 00:27:46,280
Speaker 4: Person's square off. Surely, Yeah, they're both very attractive people.

601
00:27:46,359 --> 00:27:50,639
Speaker 5: Let's go to Jake Jake animal literature enthusiast, bats above average.

602
00:27:50,680 --> 00:27:51,400
Speaker 2: What's the movie?

603
00:27:51,840 --> 00:27:53,680
Speaker 9: Yeah, I reckon it.

604
00:27:53,800 --> 00:27:57,000
Speaker 5: Dr Doolittle, Sol Jake, don't let the buzzy hit you

605
00:27:57,040 --> 00:27:58,560
Speaker 5: on the way out. We got diggo behind the desk here.

606
00:27:58,600 --> 00:28:03,040
Speaker 5: He is savage. He is just sending your guys off. Yeah, incorrect,

607
00:28:03,080 --> 00:28:04,959
Speaker 5: Jack got a lot of them coming through apparently, if

608
00:28:04,960 --> 00:28:08,960
Speaker 5: you doctor Dolittle's and litera, I mean he's an animal enthusiast. Guys,

609
00:28:09,000 --> 00:28:10,960
Speaker 5: just can you? I mean this, this annoys me about

610
00:28:10,960 --> 00:28:14,639
Speaker 5: this game. Can I say animal literature enthusiast? Okay, unless

611
00:28:14,640 --> 00:28:17,639
Speaker 5: it was literature, you know what I mean? Like like

612
00:28:17,680 --> 00:28:20,320
Speaker 5: ither either, just say animal enthusiast. If he's an animal enthusiast,

613
00:28:20,680 --> 00:28:23,600
Speaker 5: excuse me? Can I don't say excuse me? I'm gonna

614
00:28:23,640 --> 00:28:28,440
Speaker 5: throw I'm gonna.

615
00:28:26,520 --> 00:28:30,480
Speaker 2: Why he's excuse me? I guess you're everyone else in

616
00:28:30,480 --> 00:28:30,920
Speaker 2: their cars.

617
00:28:31,080 --> 00:28:33,439
Speaker 5: You put your hand up, to put your hand up

618
00:28:33,440 --> 00:28:36,280
Speaker 5: when you say excuse me, it's cute. Let's go to Dan.

619
00:28:38,000 --> 00:28:39,959
Speaker 5: You give me another one of those minute long Jurassic

620
00:28:40,040 --> 00:28:41,920
Speaker 5: Park numbers. Mate, you won't be able to play anymore.

621
00:28:42,280 --> 00:28:47,120
Speaker 3: Dan. What's the movie a Centuria? Oh that's my Yes,

622
00:28:47,120 --> 00:28:48,800
Speaker 3: that's my guess. We've got him there.

623
00:28:48,880 --> 00:28:53,000
Speaker 5: I guess it's incorrect, though, See that Dan.

624
00:28:53,240 --> 00:28:54,640
Speaker 3: It works on so many levels, doesn't it.

625
00:28:54,640 --> 00:28:58,000
Speaker 4: He obviously an animal enthusiast and bats above average.

626
00:28:58,040 --> 00:29:03,200
Speaker 3: He's scared of bats, and that's in. He's also hooking

627
00:29:03,280 --> 00:29:10,520
Speaker 3: up with the tribal princess. I was gonna say, Monica. Yeah, yeah,

628
00:29:10,920 --> 00:29:13,600
Speaker 3: he's still an animal literature enthusiast Courtney Cox. He ends up,

629
00:29:13,600 --> 00:29:15,239
Speaker 3: you know, obviously looking out with her. She's batting well

630
00:29:15,280 --> 00:29:16,680
Speaker 3: by his average there. Yeah.

631
00:29:16,720 --> 00:29:19,080
Speaker 2: Would you say that James Jim Carrey betting about his

632
00:29:19,080 --> 00:29:20,040
Speaker 2: average with Courtney Cox?

633
00:29:20,040 --> 00:29:23,080
Speaker 3: What do you reckon based on purely physical attributes? Yeah?

634
00:29:23,200 --> 00:29:25,160
Speaker 5: Yeah, she's she's really at the peak of her powers,

635
00:29:25,160 --> 00:29:25,640
Speaker 5: there isn't she?

636
00:29:25,720 --> 00:29:25,920
Speaker 3: Yeah?

637
00:29:25,920 --> 00:29:26,640
Speaker 2: You all remember that.

638
00:29:27,440 --> 00:29:30,240
Speaker 3: Jim was still finding himself. I think physically.

639
00:29:31,960 --> 00:29:36,320
Speaker 5: The whole we could do this, Producer. It's giving me

640
00:29:36,360 --> 00:29:39,200
Speaker 5: this waving jazz handing, which is like, move on, guys,

641
00:29:39,240 --> 00:29:40,840
Speaker 5: but that's something for tomorrow.

642
00:29:40,880 --> 00:29:45,720
Speaker 4: We just square celebrities off average have have have couples

643
00:29:45,760 --> 00:29:47,920
Speaker 4: in real movies. Ago who was batting about very so

644
00:29:48,000 --> 00:29:50,240
Speaker 4: Sleepless in Seattle, you had Tom Hanks and Meg Ryan.

645
00:29:50,520 --> 00:29:53,560
Speaker 4: My mum was always yeah, she hated the movie because

646
00:29:53,560 --> 00:29:54,880
Speaker 4: she was like, Hanks could never get wrong.

647
00:29:55,000 --> 00:29:55,680
Speaker 2: That's so true.

648
00:29:55,760 --> 00:29:58,520
Speaker 5: She was passionate about people do it tomorrows the four

649
00:29:59,040 --> 00:30:02,840
Speaker 5: right now though animal literature enthusiasts bats above average. What's

650
00:30:02,880 --> 00:30:03,360
Speaker 5: the movie?

651
00:30:03,480 --> 00:30:11,800
Speaker 3: Kate, Kate, Kate, did you just do a bird noise?

652
00:30:12,600 --> 00:30:13,840
Speaker 5: Kate, Kate?

653
00:30:14,000 --> 00:30:14,400
Speaker 8: You in there?

654
00:30:14,560 --> 00:30:16,400
Speaker 5: You told me your name is Kate, Kate. You're on

655
00:30:16,440 --> 00:30:18,560
Speaker 5: the radio page.

656
00:30:20,080 --> 00:30:25,840
Speaker 3: Is going on? We're confused as well.

657
00:30:25,880 --> 00:30:28,440
Speaker 5: At least half of our production team or two thirds,

658
00:30:28,520 --> 00:30:32,040
Speaker 5: is deaf now. And this happens a lot. It's having

659
00:30:32,160 --> 00:30:34,400
Speaker 5: one of you, one of you needs a solidy a check.

660
00:30:34,800 --> 00:30:37,520
Speaker 5: I'm serious, I'll get it on the pages on the

661
00:30:37,560 --> 00:30:42,800
Speaker 5: other end of people, Kate, don't give me. You're just

662
00:30:42,840 --> 00:30:45,000
Speaker 5: caught out. I think, I mean, we think you were

663
00:30:45,040 --> 00:30:48,120
Speaker 5: making bird noises. Sounded suspiciously like a squeaky fart. I'm

664
00:30:48,120 --> 00:30:50,240
Speaker 5: gonna be honest, so you might have you might have

665
00:30:50,320 --> 00:30:52,440
Speaker 5: farted on the air before he started talking, which is

666
00:30:52,520 --> 00:30:56,560
Speaker 5: just not your phone. But anyway, animal literature enthusiast, that's

667
00:30:56,560 --> 00:31:00,680
Speaker 5: above average. What's the movie, Doctor Doolittle? No, it's not,

668
00:31:02,960 --> 00:31:06,920
Speaker 5: it's not. You didn't even have to right answer page.

669
00:31:07,000 --> 00:31:07,880
Speaker 5: We've already had that.

670
00:31:08,040 --> 00:31:10,160
Speaker 3: Guess what is going on to Georgia of the Jungle.

671
00:31:10,200 --> 00:31:14,960
Speaker 3: It's out there, George of the Jungle. No jungle book. No,

672
00:31:15,560 --> 00:31:17,600
Speaker 3: I'm needing to do with the bush. I'm going with

673
00:31:17,640 --> 00:31:19,640
Speaker 3: the traffic. I'm going to go to the traffic. I

674
00:31:19,640 --> 00:31:20,760
Speaker 3: can't leave us without telling you.

675
00:31:20,760 --> 00:31:23,240
Speaker 5: I'll tell you on the other side. I'm sorry, I'm sorry.

676
00:31:23,240 --> 00:31:25,040
Speaker 5: I'll tell you on the other side. We are going

677
00:31:25,120 --> 00:31:28,160
Speaker 5: to go to the traffic. It is not Doctor Doolittle.

678
00:31:28,640 --> 00:31:30,000
Speaker 5: We were in the middle of a game where I

679
00:31:30,080 --> 00:31:32,720
Speaker 5: explained the movie plot really badly. Woods has to guess

680
00:31:32,720 --> 00:31:34,360
Speaker 5: what the film is. You guys are welcome to guess

681
00:31:34,360 --> 00:31:35,920
Speaker 5: what the film is on thirty one or six five.

682
00:31:36,200 --> 00:31:37,080
Speaker 5: No one's got this.

683
00:31:37,400 --> 00:31:39,120
Speaker 3: So this is the what's the plot? First?

684
00:31:39,680 --> 00:31:43,920
Speaker 5: The segments called lost the plots excuse me, but anyway,

685
00:31:44,520 --> 00:31:46,880
Speaker 5: would you like to have one final guest book. Yes,

686
00:31:47,360 --> 00:31:50,960
Speaker 5: where the beasts are hiding the Harry.

687
00:31:50,640 --> 00:31:53,960
Speaker 2: Pottery magical great and them fantastical beasts and medofind them.

688
00:31:53,880 --> 00:31:54,480
Speaker 3: Something like that.

689
00:31:54,640 --> 00:31:55,040
Speaker 2: Increed.

690
00:31:56,680 --> 00:32:00,520
Speaker 3: Was you betting about beverage with the woman bumbling?

691
00:32:02,960 --> 00:32:07,920
Speaker 5: The movie was notting Hill. We all remember that Hugh Grant,

692
00:32:08,480 --> 00:32:14,040
Speaker 5: the journalist for the magazine Horse, and how he doesn't

693
00:32:14,080 --> 00:32:17,200
Speaker 5: actually want he's hitting on Julia Roberts, his batting above

694
00:32:17,240 --> 00:32:22,400
Speaker 5: his average. Thought of having more horses in it.

695
00:32:24,120 --> 00:32:29,400
Speaker 1: Well, we would have liked to, but it was difficult, obviously, being.

696
00:32:31,520 --> 00:32:33,320
Speaker 5: One of the best scenes in cinem up. You know

697
00:32:33,360 --> 00:32:35,520
Speaker 5: your movies, you would have got that one. Bad luck.

698
00:32:36,160 --> 00:32:37,720
Speaker 5: The plot's going to be back next week.

699
00:32:38,280 --> 00:32:40,280
Speaker 3: Hugh Grant, I don't reckon. He's better nobody's average than

700
00:32:40,360 --> 00:32:42,480
Speaker 3: the film is. That's how they said about women.

701
00:32:42,560 --> 00:32:45,920
Speaker 1: Would he catch up? Tip number forty eight listen to

702
00:32:45,960 --> 00:32:46,640
Speaker 1: the boys on.

703
00:32:46,720 --> 00:32:51,240
Speaker 3: Half speed and the show will go for twice.

704
00:32:51,880 --> 00:32:53,240
Speaker 1: Also, they'll sound drunk.

705
00:32:54,400 --> 00:32:59,280
Speaker 5: It's what's your capacity to ask a question as a

706
00:32:59,280 --> 00:33:00,960
Speaker 5: as a I was Gonnay as a national radio host.

707
00:33:00,960 --> 00:33:03,280
Speaker 2: As a radio host's four.

708
00:33:03,040 --> 00:33:04,680
Speaker 3: In my game. I've got other strengths, though, and you

709
00:33:04,680 --> 00:33:05,760
Speaker 3: can list them off right now.

710
00:33:08,080 --> 00:33:10,400
Speaker 2: Yah, No, you got me on the hop, you caught

711
00:33:10,400 --> 00:33:11,440
Speaker 2: me on hot I've.

712
00:33:11,280 --> 00:33:13,479
Speaker 3: Got a lot of strengths, thank you.

713
00:33:13,560 --> 00:33:16,440
Speaker 4: Inquisitiveness, take that my ability at the game we play

714
00:33:16,480 --> 00:33:17,520
Speaker 4: at four thirty on a Tuesday.

715
00:33:17,560 --> 00:33:19,160
Speaker 3: I don't know what it is. Then, don't worry about.

716
00:33:19,120 --> 00:33:21,240
Speaker 5: Ninety references to other parts of the show.

717
00:33:21,240 --> 00:33:25,600
Speaker 3: I was strong hooking. Are we talking later this hour? Actually,

718
00:33:25,600 --> 00:33:29,000
Speaker 3: I will do a hook right now. The the two things,

719
00:33:29,560 --> 00:33:31,400
Speaker 3: the only two things that the Queen is happy to

720
00:33:31,440 --> 00:33:31,880
Speaker 3: talk about.

721
00:33:32,280 --> 00:33:33,520
Speaker 2: Oh nice, that was a good hook.

722
00:33:33,560 --> 00:33:35,640
Speaker 3: Yeah, twenty minutes, guys, you'll hear what those two things are.

723
00:33:36,440 --> 00:33:38,280
Speaker 5: But right now we are going to focusing on your

724
00:33:38,280 --> 00:33:40,160
Speaker 5: follow up questions.

725
00:33:40,520 --> 00:33:47,160
Speaker 6: World is follow up questions of baby, they'll let you down,

726
00:33:47,920 --> 00:33:51,720
Speaker 6: I'll swing you around, and worst of all, well, they're

727
00:33:51,760 --> 00:33:52,720
Speaker 6: just not gonna be good.

728
00:33:54,160 --> 00:33:55,960
Speaker 5: Are They're not very good? They're very good?

729
00:33:56,080 --> 00:33:58,280
Speaker 2: Now, look, yeah, that was very good. That's very good.

730
00:33:58,920 --> 00:34:01,000
Speaker 2: Missus doubtfire out there topping along to her own work.

731
00:34:01,560 --> 00:34:05,440
Speaker 5: Now we let's focus on these questions though, because we've

732
00:34:05,440 --> 00:34:07,080
Speaker 5: had a couple of journals on recently.

733
00:34:07,160 --> 00:34:08,320
Speaker 3: I'm not good with journos.

734
00:34:08,480 --> 00:34:09,279
Speaker 5: What happens there?

735
00:34:09,400 --> 00:34:12,040
Speaker 3: Well, I think I'm just not a man about you

736
00:34:12,040 --> 00:34:13,759
Speaker 3: know what's going on in the world. As I'm not

737
00:34:13,760 --> 00:34:15,480
Speaker 3: a worldly guy. I don't read the news. I hate

738
00:34:15,480 --> 00:34:15,799
Speaker 3: the news.

739
00:34:16,000 --> 00:34:18,719
Speaker 4: Yeah, so you know, then the producer ed, He's always like, oh,

740
00:34:18,719 --> 00:34:20,080
Speaker 4: I got to talk to this report and I'm going

741
00:34:20,600 --> 00:34:21,640
Speaker 4: I don't know what's going on here.

742
00:34:21,719 --> 00:34:24,279
Speaker 5: Yeah, No, that was that was apparent. Most recently, there's

743
00:34:24,280 --> 00:34:25,879
Speaker 5: a couple of interviews here. I've topped up a few

744
00:34:25,880 --> 00:34:28,040
Speaker 5: of your questions. We spoke to Christina Hearn recently in

745
00:34:28,080 --> 00:34:30,520
Speaker 5: New Zealand about the trans Tasment bubble opening. We spoke

746
00:34:30,520 --> 00:34:36,440
Speaker 5: to another reporter from Channel nine who escapes Hailey. You

747
00:34:36,440 --> 00:34:39,279
Speaker 5: say you thought it was timefel.

748
00:34:39,480 --> 00:34:41,120
Speaker 3: I might have caught it, Hailey Steinfel.

749
00:34:41,840 --> 00:34:43,440
Speaker 2: So anyway, here's just a couple of.

750
00:34:43,400 --> 00:34:45,200
Speaker 5: Your questions to those reporters. Ever listened.

751
00:34:46,080 --> 00:34:49,239
Speaker 3: So you flew over to New Zealand today and now

752
00:34:49,280 --> 00:34:51,879
Speaker 3: you're about to jump on a plane and come back

753
00:34:51,920 --> 00:34:52,920
Speaker 3: to Australia.

754
00:34:53,280 --> 00:34:53,759
Speaker 9: Not quite.

755
00:34:54,280 --> 00:34:55,879
Speaker 3: Is it true that you don't have to take your

756
00:34:55,880 --> 00:34:58,960
Speaker 3: Ara assouls and your laptops out of your bag when

757
00:34:59,000 --> 00:35:00,000
Speaker 3: you go through the security check?

758
00:35:00,120 --> 00:35:02,920
Speaker 7: Now I still have to take mine out.

759
00:35:03,040 --> 00:35:04,600
Speaker 3: Perfect. Here's a percentage.

760
00:35:04,880 --> 00:35:07,840
Speaker 4: How many people are you know, staying compared to those

761
00:35:07,840 --> 00:35:09,680
Speaker 4: that are choosing to evacuate and getting.

762
00:35:09,400 --> 00:35:09,759
Speaker 3: Out of there.

763
00:35:10,880 --> 00:35:12,520
Speaker 11: We had to put a percentage on it.

764
00:35:13,360 --> 00:35:16,760
Speaker 5: Bad questions in the middle of the floods one daily

765
00:35:16,880 --> 00:35:19,440
Speaker 5: is my favorite, the middle of the floods in his

766
00:35:20,840 --> 00:35:23,440
Speaker 5: one percentage of people are choosing to stay.

767
00:35:23,760 --> 00:35:26,719
Speaker 3: Do your research, Ali don't know.

768
00:35:26,840 --> 00:35:28,799
Speaker 5: I don't think anyone know you mind from God?

769
00:35:29,200 --> 00:35:32,239
Speaker 4: Should person who's going around knocking on doors and going

770
00:35:32,280 --> 00:35:34,040
Speaker 4: staying or flood?

771
00:35:34,160 --> 00:35:37,200
Speaker 5: Yeah, well, the government's not sending somebody. I'll down the door.

772
00:35:37,400 --> 00:35:39,160
Speaker 3: I'll put you down for a state, you know, I

773
00:35:39,160 --> 00:35:41,120
Speaker 3: think someone should be doing that when they're.

774
00:35:40,960 --> 00:35:43,279
Speaker 5: Trying to rescue people from their homes. They're not doing

775
00:35:43,280 --> 00:35:45,719
Speaker 5: a survey. They give me one person, let me get

776
00:35:45,760 --> 00:35:46,120
Speaker 5: down to it.

777
00:35:46,200 --> 00:35:48,279
Speaker 2: Let's get down to it. Because another of this, I

778
00:35:48,360 --> 00:35:49,920
Speaker 2: know you're trying and defend yourself. What we're going to do.

779
00:35:51,120 --> 00:35:52,959
Speaker 5: I want you to try and put your questioning skills

780
00:35:53,000 --> 00:35:54,480
Speaker 5: to test, because I think it's something you need to sharpen

781
00:35:54,560 --> 00:35:56,680
Speaker 5: up on. So third and one of six five, what

782
00:35:56,680 --> 00:35:58,880
Speaker 5: we're going to do here, people, guys, just give us

783
00:35:58,880 --> 00:36:01,000
Speaker 5: a call. If you've got a story that's a good story,

784
00:36:01,680 --> 00:36:04,120
Speaker 5: just a good story, just a good story doesn't just

785
00:36:04,440 --> 00:36:06,160
Speaker 5: any definition of the word good as well. I know

786
00:36:06,200 --> 00:36:07,920
Speaker 5: it's very very broad. You know. It might be you

787
00:36:08,000 --> 00:36:10,239
Speaker 5: meaning a celebrity. It might be the biggest thing you've

788
00:36:10,280 --> 00:36:13,880
Speaker 5: ever achieved in your life. Maybe you saw something fantastic recently,

789
00:36:14,200 --> 00:36:15,880
Speaker 5: something that happened to you on the weekend. It doesn't

790
00:36:15,920 --> 00:36:17,759
Speaker 5: matter what it is, just a just a just a

791
00:36:17,760 --> 00:36:19,520
Speaker 5: story that we're going to enjoy or you think we

792
00:36:19,600 --> 00:36:21,799
Speaker 5: might enjoy it. And Wood is allowed to ask one

793
00:36:21,920 --> 00:36:24,240
Speaker 5: question around that story.

794
00:36:24,640 --> 00:36:28,160
Speaker 3: Yep, fun worries, you're ready to go, just to give it,

795
00:36:28,600 --> 00:36:30,880
Speaker 3: give people like a barometer of what a good story is.

796
00:36:30,920 --> 00:36:32,680
Speaker 5: Like that's just one time in your life, Like a

797
00:36:32,719 --> 00:36:34,319
Speaker 5: five year old might have seen a black cat on

798
00:36:34,360 --> 00:36:36,279
Speaker 5: the weekend. We'd take that as a good story. Of No,

799
00:36:36,360 --> 00:36:37,640
Speaker 5: but for the five year old, that might be a

800
00:36:37,640 --> 00:36:38,120
Speaker 5: good story.

801
00:36:38,200 --> 00:36:40,880
Speaker 3: Yeah, but don't call me that. Guys, that's boring, Like

802
00:36:40,920 --> 00:36:41,640
Speaker 3: we're not going to ask that.

803
00:36:42,920 --> 00:36:47,839
Speaker 5: Well, no, don't bring that story better when I stick

804
00:36:47,920 --> 00:36:50,520
Speaker 5: with it, you could ask, wasn't getting chased by a dog.

805
00:36:52,680 --> 00:36:54,520
Speaker 2: When I've got a good story?

806
00:36:55,800 --> 00:36:58,960
Speaker 5: Would just allowed to ask one question? We're testing his

807
00:36:59,080 --> 00:36:59,879
Speaker 5: follow up question?

808
00:37:00,040 --> 00:37:01,000
Speaker 2: Can rest the up next?

809
00:37:01,160 --> 00:37:03,759
Speaker 5: Woods? Right now, we are putting in the spotlight your

810
00:37:03,800 --> 00:37:06,399
Speaker 5: capacity as a radio host, because again, you're just you're

811
00:37:06,480 --> 00:37:09,000
Speaker 5: not a standard person. You're a radio host. Part of

812
00:37:09,040 --> 00:37:10,880
Speaker 5: your job is asking good questions.

813
00:37:11,040 --> 00:37:12,160
Speaker 3: I don't think that was part of the job.

814
00:37:13,920 --> 00:37:15,360
Speaker 5: Yea hell of me signed up for.

815
00:37:18,200 --> 00:37:20,200
Speaker 4: I hope we have a guest. No, I having guess

816
00:37:20,320 --> 00:37:22,200
Speaker 4: is good, actually, but sometimes it's like, what we're talking

817
00:37:22,200 --> 00:37:22,640
Speaker 4: to this person?

818
00:37:22,680 --> 00:37:23,839
Speaker 3: I got another one? Was there all right?

819
00:37:23,880 --> 00:37:26,200
Speaker 5: Which we're currently putting in the spotlight. Your follow up

820
00:37:26,239 --> 00:37:32,600
Speaker 5: questions world is follow up questions of.

821
00:37:32,800 --> 00:37:37,640
Speaker 6: Baby'll let you down, I'll swing you around, and worst

822
00:37:37,719 --> 00:37:40,000
Speaker 6: of all.

823
00:37:38,760 --> 00:37:42,239
Speaker 5: We just not be good, not ring all not ringing

824
00:37:42,280 --> 00:37:44,960
Speaker 5: it all you have you've had some stickers recently, do.

825
00:37:44,880 --> 00:37:45,439
Speaker 3: You mind before?

826
00:37:45,560 --> 00:37:47,439
Speaker 4: So we're taking calls from people now with just good

827
00:37:47,480 --> 00:37:49,640
Speaker 4: stories or whatever, and I get to ask one follow

828
00:37:49,719 --> 00:37:52,080
Speaker 4: up question to their story before we get to the stories. Though,

829
00:37:52,320 --> 00:37:53,680
Speaker 4: I know you're doing this out of the good of

830
00:37:53,719 --> 00:37:55,759
Speaker 4: your heart, you're trying to help me, not at all, I'm.

831
00:37:55,680 --> 00:37:57,040
Speaker 2: Doing this to stitch you up and make you feel

832
00:37:57,040 --> 00:37:57,680
Speaker 2: awkward on air.

833
00:37:58,600 --> 00:38:02,000
Speaker 3: Okay, but despite do you have any advice because you're

834
00:38:02,040 --> 00:38:02,960
Speaker 3: pretty good at questions?

835
00:38:03,600 --> 00:38:06,640
Speaker 2: No, I don't actually, actually, yeah, I reckon.

836
00:38:06,719 --> 00:38:08,479
Speaker 3: What's the key to a good like a good follow

837
00:38:08,520 --> 00:38:08,919
Speaker 3: up question?

838
00:38:09,400 --> 00:38:11,200
Speaker 5: I'd like to say listening to the story. But a

839
00:38:11,200 --> 00:38:13,799
Speaker 5: lot of the time I don't listen, So you still.

840
00:38:13,520 --> 00:38:15,440
Speaker 3: Ask good questions?

841
00:38:15,600 --> 00:38:17,080
Speaker 5: Yeah you are. I think you get a little bit

842
00:38:17,080 --> 00:38:19,200
Speaker 5: baffled by the story sometimes and then you get a

843
00:38:19,239 --> 00:38:20,160
Speaker 5: bit swept up in it.

844
00:38:20,280 --> 00:38:22,960
Speaker 3: Yeah, or I just hone in on really boring details

845
00:38:23,000 --> 00:38:24,680
Speaker 3: of what someone says, or you.

846
00:38:24,680 --> 00:38:27,200
Speaker 5: Just don't get the background information, like when we spoke

847
00:38:27,200 --> 00:38:29,399
Speaker 5: to Christina and her this to day and you asked

848
00:38:29,440 --> 00:38:31,480
Speaker 5: her if she was flying back immediately from Wellington after

849
00:38:31,560 --> 00:38:32,080
Speaker 5: landing there, and.

850
00:38:32,040 --> 00:38:34,600
Speaker 3: She was like, no, obviously not. Why would I do that?

851
00:38:35,760 --> 00:38:41,320
Speaker 5: Let's go to Taylor's to Taylor, Taylor, Taylor, you just

852
00:38:41,360 --> 00:38:42,399
Speaker 5: get to tell us your story first.

853
00:38:42,440 --> 00:38:44,080
Speaker 2: First, well, welcome to the show, Taylor. Pleasure to have

854
00:38:44,120 --> 00:38:44,279
Speaker 2: you on.

855
00:38:44,320 --> 00:38:45,960
Speaker 5: Thanks for calling for this to help Woods out with

856
00:38:45,960 --> 00:38:46,880
Speaker 5: his follow up questions.

857
00:38:48,520 --> 00:38:50,520
Speaker 3: Hi, sorry Taylor for you get your story real quick

858
00:38:51,080 --> 00:38:52,719
Speaker 3: if you listen to the show a bit. Do you

859
00:38:52,760 --> 00:38:54,840
Speaker 3: often listen to the show and go, geeve what he

860
00:38:54,960 --> 00:38:56,320
Speaker 3: is just terrible at questions?

861
00:38:57,160 --> 00:38:57,319
Speaker 8: Yeah?

862
00:38:57,440 --> 00:39:00,239
Speaker 3: Well that's fine, Wow, that was really honest.

863
00:39:01,800 --> 00:39:04,000
Speaker 5: I'll let you deliver you a question, right, go for it.

864
00:39:04,800 --> 00:39:06,640
Speaker 2: Your story, your story, You go with your story, mate,

865
00:39:06,800 --> 00:39:07,160
Speaker 2: all right.

866
00:39:07,239 --> 00:39:09,720
Speaker 13: So a couple of months ago, I was just scrolling

867
00:39:09,760 --> 00:39:15,240
Speaker 13: through Facebook and I found my biological father eighteen years

868
00:39:15,280 --> 00:39:17,279
Speaker 13: of not knowing where or who he was.

869
00:39:17,680 --> 00:39:17,919
Speaker 3: Wow.

870
00:39:18,000 --> 00:39:22,000
Speaker 5: Okay, Wow, a bit of a joan bit of pressure

871
00:39:22,000 --> 00:39:24,120
Speaker 5: on this. So obviously lots of things, a lot of

872
00:39:24,120 --> 00:39:27,680
Speaker 5: follow your father first time was eighteen years? Eighteen years?

873
00:39:28,400 --> 00:39:30,319
Speaker 3: What sort of pose was he going for in the

874
00:39:30,320 --> 00:39:31,520
Speaker 3: photo that you're van, Taylor?

875
00:39:32,480 --> 00:39:36,920
Speaker 13: So it was actually his partner who's not my mom.

876
00:39:37,239 --> 00:39:39,440
Speaker 13: It was her Facebook account and I saw him in

877
00:39:39,560 --> 00:39:42,360
Speaker 13: her profile picture and recognized his face instantly.

878
00:39:42,680 --> 00:39:42,960
Speaker 5: Wow.

879
00:39:43,040 --> 00:39:45,320
Speaker 2: So your question was so bad that she just chose

880
00:39:45,440 --> 00:39:46,200
Speaker 2: not to answer it.

881
00:39:47,800 --> 00:39:52,080
Speaker 3: Yeah, fair enough, you have political answer me. You saw

882
00:39:52,120 --> 00:39:55,839
Speaker 3: my question when that is so terrible. But I'll tell

883
00:39:55,880 --> 00:39:59,520
Speaker 3: you something else interesting. I appreciate you trying to help me.

884
00:39:59,560 --> 00:40:03,040
Speaker 5: Taylor. Here's what everybody else wants to know about that,

885
00:40:03,239 --> 00:40:07,320
Speaker 5: which is how I found him. You know, I was thinking,

886
00:40:07,600 --> 00:40:08,759
Speaker 5: how did you find him?

887
00:40:08,800 --> 00:40:10,680
Speaker 3: I pictured him holding a fish. I don't know that

888
00:40:10,880 --> 00:40:13,279
Speaker 3: was going on in my head. Let's go to Sophie here,

889
00:40:16,960 --> 00:40:19,680
Speaker 3: love that I've been embarrassed at the moment, Sophie.

890
00:40:19,360 --> 00:40:21,320
Speaker 7: Big four terrible questions.

891
00:40:22,960 --> 00:40:25,040
Speaker 3: What would you have gone for, Sophie? What what would you

892
00:40:25,040 --> 00:40:25,680
Speaker 3: want to have known?

893
00:40:25,760 --> 00:40:27,680
Speaker 7: From those detail quite amazing, So.

894
00:40:30,080 --> 00:40:31,320
Speaker 3: You just ignored the question.

895
00:40:32,920 --> 00:40:37,240
Speaker 5: People, just let.

896
00:40:34,560 --> 00:40:39,720
Speaker 7: You let me. Let me tell you the story. I

897
00:40:39,760 --> 00:40:42,160
Speaker 7: met my current partner at a coffee shop on my

898
00:40:42,200 --> 00:40:44,759
Speaker 7: lunch break, and ten days later I was pregnant, we

899
00:40:44,840 --> 00:40:47,400
Speaker 7: had a baby boy, and we're born all in the

900
00:40:47,440 --> 00:40:48,800
Speaker 7: same month, and we're still together.

901
00:40:49,800 --> 00:40:50,440
Speaker 3: Wait, hang on a.

902
00:40:50,360 --> 00:40:54,000
Speaker 4: Second, No, hang on, I have a clarification question before

903
00:40:54,000 --> 00:40:54,799
Speaker 4: my follow up question.

904
00:40:55,000 --> 00:40:55,720
Speaker 5: This is your question.

905
00:40:55,800 --> 00:40:57,920
Speaker 2: No, no, no, yes, this is one question.

906
00:40:58,320 --> 00:40:59,239
Speaker 3: There's a clarification.

907
00:41:00,840 --> 00:41:03,160
Speaker 7: I met the current partner at a coffee shop on

908
00:41:03,200 --> 00:41:05,920
Speaker 7: a lunch break, and I was pregnant ten days later.

909
00:41:06,560 --> 00:41:09,280
Speaker 3: You're pregnant ten days later, and we're.

910
00:41:09,120 --> 00:41:10,960
Speaker 7: Still together, and we have a baby boy, and we're

911
00:41:11,000 --> 00:41:12,440
Speaker 7: all born in the month of September.

912
00:41:12,960 --> 00:41:15,799
Speaker 3: Sorry, this is but we're assure. Did you do it

913
00:41:15,840 --> 00:41:16,440
Speaker 3: in the cafe?

914
00:41:17,520 --> 00:41:27,040
Speaker 7: No, we didn't.

915
00:41:27,480 --> 00:41:29,200
Speaker 1: It's the Will and Woody podcast.

916
00:41:30,920 --> 00:41:31,920
Speaker 2: You've got to be intrigued him.

917
00:41:32,080 --> 00:41:34,880
Speaker 3: There are only two things you are allowed to talk

918
00:41:35,120 --> 00:41:37,040
Speaker 3: to the queen about.

919
00:41:37,360 --> 00:41:39,600
Speaker 5: Yes, and you've gestured for audio.

920
00:41:42,360 --> 00:41:45,520
Speaker 3: To be a coffee over there, tock o, but well done,

921
00:41:45,600 --> 00:41:49,600
Speaker 3: well done, good recovery. Anyway, So she's revealed this, apparently

922
00:41:49,680 --> 00:41:53,560
Speaker 3: to a royal expert, because they were talking to her

923
00:41:53,680 --> 00:41:56,759
Speaker 3: about if she's going to hold a family summit, effectively

924
00:41:56,800 --> 00:41:59,839
Speaker 3: the queen, what do you mean, like, is she gonna

925
00:42:00,200 --> 00:42:02,880
Speaker 3: like a family meeting to go, hey, Harry, what's going on?

926
00:42:03,000 --> 00:42:04,560
Speaker 3: Let's talk to Charles?

927
00:42:05,920 --> 00:42:06,759
Speaker 5: Is that like? That?

928
00:42:07,040 --> 00:42:09,320
Speaker 2: Is that for everybody else? It's a family meeting?

929
00:42:09,680 --> 00:42:15,080
Speaker 3: Oh oils have a so much my friend. Anyway. Her

930
00:42:15,120 --> 00:42:17,319
Speaker 3: answer to that was no, I can't be stuffed having

931
00:42:17,360 --> 00:42:26,120
Speaker 3: a summit. Not her words exactly, but something along those lines. Basically,

932
00:42:26,160 --> 00:42:27,560
Speaker 3: she went on and she said, there are only two

933
00:42:27,600 --> 00:42:30,080
Speaker 3: things I'm interested in talking about now, and it is

934
00:42:30,840 --> 00:42:36,759
Speaker 3: dogs and horses exclusively. Exclusively. So if you are ever

935
00:42:36,800 --> 00:42:38,680
Speaker 3: to talk to her at a social event or something,

936
00:42:39,040 --> 00:42:41,920
Speaker 3: she doesn't want to hear it unless it somehow involves

937
00:42:41,960 --> 00:42:46,120
Speaker 3: dogs or horses specific. Dogs are just dogs and horses

938
00:42:46,160 --> 00:42:50,040
Speaker 3: in general, just dog or horse related story. I've actually

939
00:42:50,360 --> 00:42:51,640
Speaker 3: readers of horse and Hound.

940
00:42:52,280 --> 00:42:54,520
Speaker 4: Horse and hair. She'd love horse and hand, not in Hill,

941
00:42:55,080 --> 00:42:57,959
Speaker 4: not in Hill. Yeah, she'd love the magazine Horse and Hound.

942
00:42:57,960 --> 00:43:00,600
Speaker 4: That'd be actually a dream.

943
00:43:00,320 --> 00:43:02,239
Speaker 5: Queen would get a copy of Horse and Hound. Well,

944
00:43:02,280 --> 00:43:06,080
Speaker 5: she'd have to should be a subscribed, guaranteed be subscriber.

945
00:43:06,920 --> 00:43:10,160
Speaker 3: There are two passions, mane. Of course she's a subscriber.

946
00:43:10,280 --> 00:43:12,600
Speaker 3: There I am one from one for me for a subscriber.

947
00:43:12,680 --> 00:43:15,320
Speaker 3: The word Anyway, I was thinking about this. I was

948
00:43:15,320 --> 00:43:22,400
Speaker 3: thinking about the queen only to talk pronounce, stumble three times, subscriber.

949
00:43:21,920 --> 00:43:25,400
Speaker 5: Come back to bite you. I thought of speaking of bites.

950
00:43:25,480 --> 00:43:27,800
Speaker 5: Let's talk dogs. What a segue? Oh that was dogs

951
00:43:27,800 --> 00:43:28,320
Speaker 5: and horses.

952
00:43:28,360 --> 00:43:29,279
Speaker 3: Good recovery, man.

953
00:43:29,920 --> 00:43:29,960
Speaker 5: No.

954
00:43:30,120 --> 00:43:32,040
Speaker 3: I was thinking about this, the queen being like, I'm

955
00:43:32,040 --> 00:43:33,719
Speaker 3: only going to talk about dogs and horses. And the

956
00:43:33,719 --> 00:43:35,120
Speaker 3: more I thought about it, the more I was like,

957
00:43:35,200 --> 00:43:36,960
Speaker 3: I actually think the Queen's onto something.

958
00:43:37,239 --> 00:43:38,399
Speaker 2: It doesn't surprise me at all.

959
00:43:38,480 --> 00:43:43,640
Speaker 3: I think all great stories somehow involve a dog or.

960
00:43:43,600 --> 00:43:45,360
Speaker 2: A horse under the Baskerville woods.

961
00:43:46,640 --> 00:43:48,000
Speaker 3: I don't know what that is, but yeah, it sounds

962
00:43:48,040 --> 00:43:48,760
Speaker 3: like a great story.

963
00:43:49,239 --> 00:43:52,160
Speaker 5: Probably the greatest murder mystery ever written in Sherlock Holmes.

964
00:43:52,239 --> 00:43:55,239
Speaker 3: Yeah, Napoleon, the movie about a golden matriuver and a

965
00:43:55,400 --> 00:43:59,160
Speaker 3: hot air balloon. Anyway, I can also real love great stories.

966
00:43:59,239 --> 00:44:01,040
Speaker 5: But what I'd like to do runs of Azkaban.

967
00:44:02,160 --> 00:44:03,439
Speaker 3: Does that involve a dog or a horse?

968
00:44:03,560 --> 00:44:04,040
Speaker 5: Black Dog?

969
00:44:04,080 --> 00:44:05,600
Speaker 2: That's what series black turns into.

970
00:44:05,760 --> 00:44:08,920
Speaker 4: Yeah, I don't watch your read Harry Potter anyway. I

971
00:44:08,960 --> 00:44:10,560
Speaker 4: want to put that to the test right now with

972
00:44:10,600 --> 00:44:14,840
Speaker 4: you guys that are listening. Thirty one Horse. Sorry, great example,

973
00:44:14,960 --> 00:44:16,840
Speaker 4: war horse. Great story involves a horse.

974
00:44:16,960 --> 00:44:22,400
Speaker 5: The cup Stephen Curry horse, very good, please, Taviian Oliver,

975
00:44:22,640 --> 00:44:23,120
Speaker 5: Red Dog.

976
00:44:23,280 --> 00:44:25,000
Speaker 3: I don't want to his name movies though, because we

977
00:44:25,000 --> 00:44:26,319
Speaker 3: could though doing.

978
00:44:27,800 --> 00:44:29,080
Speaker 5: Your story with a dog or a horse.

979
00:44:29,360 --> 00:44:31,799
Speaker 3: Well, yes, but not movies gone. Don't be confused. We

980
00:44:31,840 --> 00:44:34,839
Speaker 3: don't want other game movies run out.

981
00:44:34,840 --> 00:44:35,640
Speaker 2: We's done to run out.

982
00:44:36,080 --> 00:44:37,680
Speaker 3: Yeah, we're done. We're pretty much.

983
00:44:37,560 --> 00:44:38,560
Speaker 5: Realized with wolves.

984
00:44:38,719 --> 00:44:39,800
Speaker 2: Argue with this out of scene.

985
00:44:39,840 --> 00:44:41,399
Speaker 3: That's a wolf, not a dog or a horse. He's

986
00:44:41,400 --> 00:44:43,040
Speaker 3: a dog though. Ah, very good.

987
00:44:43,080 --> 00:44:44,399
Speaker 2: There are good horses in that movie too.

988
00:44:44,880 --> 00:44:45,279
Speaker 3: They've got me.

989
00:44:45,760 --> 00:44:47,759
Speaker 4: Anyway, what I want from you guys that are listening

990
00:44:47,800 --> 00:44:50,360
Speaker 4: have been incredibly confusing. We're making you jump through a

991
00:44:50,360 --> 00:44:53,560
Speaker 4: couple of hoops and a couple of hurdles. But if

992
00:44:53,600 --> 00:44:55,920
Speaker 4: you are still with me, give us a call on

993
00:44:55,960 --> 00:44:58,560
Speaker 4: thirteen one oh sixty five and tell us a story

994
00:44:58,840 --> 00:45:03,040
Speaker 4: that is related to a horse or a dog. Doesn't

995
00:45:03,080 --> 00:45:05,239
Speaker 4: have to be both, but.

996
00:45:05,200 --> 00:45:08,239
Speaker 5: Were dog just we'll both. We take both as well.

997
00:45:09,200 --> 00:45:10,640
Speaker 3: Yeah, of course we take both. But we just want

998
00:45:10,680 --> 00:45:12,879
Speaker 3: to hear great stories that involve a horse or a dog.

999
00:45:12,920 --> 00:45:15,959
Speaker 3: So if you have got one of them, please call,

1000
00:45:16,080 --> 00:45:18,520
Speaker 3: because I do want to put to the test the hypothesis.

1001
00:45:19,040 --> 00:45:23,719
Speaker 3: Do all great stories involve a horse and or a dog?

1002
00:45:24,640 --> 00:45:27,320
Speaker 2: So we're talking stories about dogs or horses.

1003
00:45:27,600 --> 00:45:29,640
Speaker 3: Yeah, it's exactly what we're talking about. Have you got

1004
00:45:29,680 --> 00:45:33,080
Speaker 3: a great story that involves either a dog or a horse.

1005
00:45:33,120 --> 00:45:35,160
Speaker 3: And the reason we're talking about it is because there's

1006
00:45:35,160 --> 00:45:38,600
Speaker 3: some news today saying that the Queen will only have

1007
00:45:38,680 --> 00:45:43,320
Speaker 3: conversations with people if they are bringing up dogs or horses. Dogs, horses.

1008
00:45:43,440 --> 00:45:45,839
Speaker 3: Now I thought it was outrageous, but maybe the Queen

1009
00:45:45,880 --> 00:45:46,560
Speaker 3: is onto something.

1010
00:45:46,840 --> 00:45:48,480
Speaker 5: Is there a chance that you could be wrong here?

1011
00:45:49,080 --> 00:45:52,040
Speaker 5: I'm just I'm just saying it out there.

1012
00:45:52,120 --> 00:45:56,279
Speaker 3: If we only hear crap stories here, me and q

1013
00:45:56,440 --> 00:45:59,640
Speaker 3: E two absolutely wrong and we'll both put our hands

1014
00:45:59,640 --> 00:46:01,920
Speaker 3: out of it. Say you got me, dear. Oh you

1015
00:46:01,960 --> 00:46:05,839
Speaker 3: know however, she talks to Rochelle, Go to Rochelle, I'll say,

1016
00:46:05,840 --> 00:46:07,319
Speaker 3: before I got to Rochelle, I mean my dad, Like

1017
00:46:07,400 --> 00:46:09,600
Speaker 3: just last night, my dad text me yeah, and he

1018
00:46:09,640 --> 00:46:11,360
Speaker 3: goes call me and I go, yeah, matter, I'll call you,

1019
00:46:11,760 --> 00:46:13,440
Speaker 3: and he goes, what do you know what's happen today?

1020
00:46:13,480 --> 00:46:15,640
Speaker 3: I caught a train. A dog came on the train,

1021
00:46:15,719 --> 00:46:18,799
Speaker 3: sat in the chair like a human, and I was like,

1022
00:46:18,960 --> 00:46:21,719
Speaker 3: that is a bloody wild story. So that was the end. Yeah,

1023
00:46:22,040 --> 00:46:25,680
Speaker 3: that's a punchline. I'll go to Rochelle, do you give

1024
00:46:25,680 --> 00:46:26,359
Speaker 3: that one of your slave?

1025
00:46:26,400 --> 00:46:32,040
Speaker 5: I reckon, Rochelle, Hi, guys, HOWI you sounding it to

1026
00:46:32,080 --> 00:46:34,160
Speaker 5: that point where I realized that when he's hijacked the

1027
00:46:34,160 --> 00:46:36,720
Speaker 5: show for another shit bit. But let's get into it. Rachelle.

1028
00:46:36,760 --> 00:46:38,160
Speaker 5: You got a story about a dog or a horse?

1029
00:46:38,800 --> 00:46:38,960
Speaker 6: Ah?

1030
00:46:39,120 --> 00:46:39,400
Speaker 1: Dog?

1031
00:46:39,719 --> 00:46:41,600
Speaker 3: Okay, tell us the wild story, Rochelle.

1032
00:46:42,239 --> 00:46:45,879
Speaker 11: Okay, So it happened two years ago. We've got an

1033
00:46:46,200 --> 00:46:49,359
Speaker 11: American staffie, pure bread, and he got taken from our

1034
00:46:49,360 --> 00:46:54,400
Speaker 11: backyard and we did everything possibly we even went on

1035
00:46:54,880 --> 00:46:58,319
Speaker 11: a current appair, and after nine weeks and putting a

1036
00:46:58,360 --> 00:47:02,239
Speaker 11: thousand dollary water, we got him back. Wow, we got

1037
00:47:02,280 --> 00:47:04,360
Speaker 11: him back. And we've had him back for two I

1038
00:47:04,400 --> 00:47:05,000
Speaker 11: mean two years.

1039
00:47:05,080 --> 00:47:06,960
Speaker 3: Yeah, Michelle, for that to be a great stir. I'm

1040
00:47:07,000 --> 00:47:08,960
Speaker 3: going to need some details in where he was or

1041
00:47:09,000 --> 00:47:11,160
Speaker 3: where you found him, because if that's why you've got me.

1042
00:47:12,040 --> 00:47:15,320
Speaker 11: Okay, So we we live in the Green Valley area,

1043
00:47:15,480 --> 00:47:20,240
Speaker 11: and he was probably about probably a fifteen minute drive,

1044
00:47:20,600 --> 00:47:21,920
Speaker 11: so he was pretty far away.

1045
00:47:23,560 --> 00:47:25,200
Speaker 5: We're going to have to move you on. You had

1046
00:47:25,239 --> 00:47:27,600
Speaker 5: a chance to sell it that he was just around

1047
00:47:27,640 --> 00:47:33,640
Speaker 5: the corner woods. Let's go to let's go to Kegan Keg.

1048
00:47:33,800 --> 00:47:35,959
Speaker 5: What do he reckons? Every good story involves a horse

1049
00:47:35,960 --> 00:47:37,279
Speaker 5: and a dog. What have you got for us?

1050
00:47:38,280 --> 00:47:39,400
Speaker 14: Get we'll get a.

1051
00:47:40,880 --> 00:47:41,120
Speaker 5: Well.

1052
00:47:41,239 --> 00:47:43,880
Speaker 14: My story is about eight years ago with.

1053
00:47:43,760 --> 00:47:45,640
Speaker 9: My first missus h.

1054
00:47:45,960 --> 00:47:50,040
Speaker 14: She had a horse and a dog and I was

1055
00:47:50,200 --> 00:47:53,640
Speaker 14: I was at her place one day and her dog

1056
00:47:53,719 --> 00:47:55,960
Speaker 14: decided to run off into the dam to play with

1057
00:47:56,080 --> 00:47:56,920
Speaker 14: the kangaroo that.

1058
00:47:56,920 --> 00:47:57,359
Speaker 9: Was in there.

1059
00:47:57,480 --> 00:47:57,680
Speaker 13: Yeah.

1060
00:47:57,760 --> 00:48:02,000
Speaker 14: Yeah, classic the kangaro who tried to start drowning the dog.

1061
00:48:02,120 --> 00:48:05,000
Speaker 14: So she jumped on her horse bareback and rode it

1062
00:48:05,040 --> 00:48:07,000
Speaker 14: into the dam to start fighting the kangaroo.

1063
00:48:07,200 --> 00:48:14,120
Speaker 5: Wow, not bad keging good by yourself around of applause

1064
00:48:14,120 --> 00:48:15,880
Speaker 5: and this show Dick goes behind the buttons and he

1065
00:48:16,000 --> 00:48:16,680
Speaker 5: stipped with them.

1066
00:48:16,880 --> 00:48:26,319
Speaker 15: Had to give we had to manually applaud you great

1067
00:48:26,360 --> 00:48:27,399
Speaker 15: story taking.

1068
00:48:27,160 --> 00:48:29,680
Speaker 5: And sorry, now all of a sudden, we've got ourselves

1069
00:48:29,719 --> 00:48:32,560
Speaker 5: a story work follow up question. So she goes in

1070
00:48:32,560 --> 00:48:35,399
Speaker 5: to fight the kangaroo to stop it drowning her dog

1071
00:48:35,560 --> 00:48:36,440
Speaker 5: on horseback.

1072
00:48:37,360 --> 00:48:42,240
Speaker 10: Ye what happens, Well, she got she got the horse

1073
00:48:42,360 --> 00:48:44,880
Speaker 10: into the water, and the sort of tried to start

1074
00:48:44,920 --> 00:48:47,480
Speaker 10: rearing up. The kangaroo let go and jumped away, and

1075
00:48:47,520 --> 00:48:48,800
Speaker 10: the dog run out of the dam.

1076
00:48:49,200 --> 00:48:56,759
Speaker 3: Wow, regret the follower took a bit of a dip.

1077
00:48:56,800 --> 00:49:03,360
Speaker 1: There Find us on Instagram and Facebook search Will and

1078
00:49:03,400 --> 00:49:04,840
Speaker 1: Woody