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Speaker 1: Happy Tuesday. It's the jam Nation podcast with your podcast buddies,

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Speaker 1: Jonesy de Man.

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Speaker 2: We talked to our producer Tash about the trouble she's

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Speaker 2: getting from Sammy. Sammy is the cutest little sausage dog

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Speaker 2: you ever did see.

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Speaker 1: But when they go out of the house, Sammy turns

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Speaker 1: into Kujo.

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Speaker 2: You know who can help, Doctor Chris Brown. That's her.

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Speaker 1: Australian actor Cody Fern is being mocked for his Australian acts.

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Speaker 2: The thing is he's actually Australian. The White Lotus finale

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Speaker 2: last night are training last night questions.

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Speaker 1: Wow always one the pub test Sydney imposing a curfew?

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Speaker 1: Does it pass the pub test?

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Speaker 2: And the tribal drum is beating for I'm embarrassed that

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Speaker 2: I used to think dot dot dot. This is something

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Speaker 2: that Hugh Jackman has spoken about.

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Speaker 1: That's all coming up on our podcast.

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Speaker 2: Right now.

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Speaker 3: That a miracle of recording.

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Speaker 1: We have so many requests.

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Speaker 4: For them to do it again.

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Speaker 5: Mistress Amanda's MS killer Amanda doesn't work alone.

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Speaker 6: Friend in making the Tools of the Train, I've.

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Speaker 1: Heard them describe him as a drunken idiot.

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Speaker 7: I've been doing a legendary part Jonesy, Amanda the actress, Congratulations, murder.

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Speaker 1: We're aady right now, Jersey and Amanda, you're doing a

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Speaker 1: great job.

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Speaker 2: Anyone but yourselfie giant Now good radio.

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Speaker 1: Sorry, but of a tang tongue twist set.

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Speaker 8: And Amanda's shoot, Tim, we're on the air.

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Speaker 1: Hello, Amanda, my little denim jacketed friend, that's me.

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Speaker 2: How are you going?

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Speaker 1: Very well? White Lotus. Last night, I have never seen

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Speaker 1: that on TV.

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Speaker 2: There was a scene in it last night, but I've

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Speaker 2: never seen on TV. In some debate this morning in

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Speaker 2: our office, was it was it special effects?

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Speaker 1: Was it real?

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Speaker 2: Was it real? It can't be real because I don't

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Speaker 2: think on a television set you could do that in

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Speaker 2: the you know, within the rules of hygiene of what's

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Speaker 2: expected of an actor, and you know TV, well, we

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Speaker 2: don't do it on the living room.

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Speaker 1: You might say it on studio. Team.

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Speaker 2: We're not going to give anything away, but g it's

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Speaker 2: such an interesting and we were all discussing this morning

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Speaker 2: the themes what did this mean and why did that happen?

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Speaker 2: A really interesting series and quite unnerving. Apart from that scene,

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Speaker 2: you know.

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Speaker 1: I'm just quite unnerve from.

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Speaker 2: That meaning that that scene was unnerving, but just the

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Speaker 2: just the whole.

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Speaker 1: Series as unnerving as it's suited the show.

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Speaker 2: Very much so. And there were a couple of scenes

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Speaker 2: in that show we go whoa, Yeah, it pushes me on.

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Speaker 1: I don't think it's bad. I don't think you know,

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Speaker 1: don't be.

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Speaker 2: Don't be alarmed. And it's not a sexual scene.

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Speaker 1: It's not a sexual thing. There's nothing sexual about it.

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Speaker 2: No, it's just a human thing.

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Speaker 1: But it's just it's just different. I've never seen that before.

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Speaker 2: Prosthetic bum involved. Yeah, I a person I thought to

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Speaker 2: the person who works in you know, make up and

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Speaker 2: the special effects having to construct it all.

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Speaker 1: They I think they did the same work with our dollies,

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Speaker 1: the same discussions when they made those.

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Speaker 2: Anyway any in the world. I also watch there's a

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Speaker 2: new series on the ABC called The Newsroom and it's

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Speaker 2: it's recreates an Australian newsroom in the mid eighties. You

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Speaker 2: love it, Brendan. It's a character in it who sounds

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Speaker 2: like you when you're doing your community radio. But he's

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Speaker 2: eager and and the woman almost Yanna ventish, and she's

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Speaker 2: trying to find her own place. Sitting beside an old

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Speaker 2: male newsreader. But what's great about it is it's dealing

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Speaker 2: with news stories of the eighties, things like the Space

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Speaker 2: Shuttle Challenger, but also the technolog of the eighties. He

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Speaker 2: comes home from work and has to play an answering

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Speaker 2: machine to hear the messages of the answering machine, and

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Speaker 2: it reminds me of you and how you recorded all

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Speaker 2: your radio shows and things. He's hoping that he can

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Speaker 2: do some stories and news updates, so he's got them

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Speaker 2: all in vhs and he labels them all and keeps

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Speaker 2: them all and just the technology of it. Everyone's smoking

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Speaker 2: the newsroom and every time the newsbought and ends at

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Speaker 2: the end of the night, they're all having a drink.

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Speaker 2: It's really good.

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Speaker 1: But I remember when we first started, before YouTube existed.

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Speaker 1: Remember Pete one of our early producers, And at night

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Speaker 1: I'd sit there, I'd say, oh, you know, let's play

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Speaker 1: that scene from Jaws tomorrow. It might be a question.

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Speaker 1: You know, you're going to need a bigger boat. And

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Speaker 1: Peter go I said, do you have the copy of

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Speaker 1: Jaws on video? And Peters, I'll check, So he checked

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Speaker 1: through his video collection. I checked through my video collection.

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Speaker 1: Then we work out that we didn't have any Guess, well,

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Speaker 1: I'll just get into the video store and get it. Now.

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Speaker 1: With YouTube, you could type that scene into it and

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Speaker 1: we could turn it around in a matter of minutes.

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Speaker 2: You know, it's funny because my son's doing his so

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Speaker 2: called trials at the moment. Imagine if and I say

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Speaker 2: so called because they're still doing them as t test runs,

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Speaker 2: but the scores aren't going to count to anything. It's

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Speaker 2: very strange. But imagine if we were in lockdown like

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Speaker 2: this for your last year of schooling in our era. Yeah,

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Speaker 2: there was no they said, oh, you'll do it on

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Speaker 2: a computer. What's that?

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Speaker 9: You know?

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Speaker 2: You would have had to have the stalk drop in

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Speaker 2: the school books to your home.

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Speaker 1: Okay, I'll aad to the pile here. Though, would we

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Speaker 1: have as much. We wouldn't have the contact tracing. We

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Speaker 1: wouldn't have the technology, so we could have had a

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Speaker 1: virus that went through the community. The death toll would

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Speaker 1: have been huge, but we wouldn't have known much about

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Speaker 1: it other than.

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Speaker 2: Yeah, well we also, that's right. We wouldn't have had

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Speaker 2: any social media. We would have just had to lock

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Speaker 2: ourselves in our houses like the old days of the

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Speaker 2: plague and wait for someone to town, cry to come

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Speaker 2: around ntil you come out. Yeah, yeah, they'd finish my assignment.

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Speaker 1: Did you see white loaders?

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Speaker 2: But you couldn't order food online? How would you have

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Speaker 2: done anything?

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Speaker 1: No, Bearing in mind, when the Great Plague went through

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Speaker 1: in nineteen nineteen, the death toll around the world was fifty.

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Speaker 2: Million people people were in the world.

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Speaker 1: There wasn't that many. It was like two billion people,

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Speaker 1: meaning a lot died. No, there was two yeah, proportionately

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Speaker 1: compared to Yeah.

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Speaker 2: But I'm just I'm not comparing. I'm just saying, in

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Speaker 2: terms of technology, the home schooling allows it to happen.

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Speaker 2: If this had happened in thirty years ago, we couldn't

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Speaker 2: have handled it. Home schooling scenario couldn't have happened.

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Speaker 1: I think we would have handled it. You can only

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Speaker 1: handle what the technology you have at the time.

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Speaker 2: Yeah, but the school would have been abandoned. That would

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Speaker 2: have been the end of it.

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Speaker 1: Go and read a book, I think, or just would

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Speaker 1: have been a different way. Would have handled it differently.

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Speaker 2: Should we do the Magnificent seven? Sure, let's do it.

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Speaker 2: Question one, waiting around with nothing to do, see is

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Speaker 2: to be twiddling your what.

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Speaker 1: Podcast? We have the magnificent seven for you seven questions?

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Speaker 1: Can you go the way and answer all seven questions correctly?

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Speaker 1: If you do that, that's really cool. But it's about

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Speaker 1: getting questions seven right, really cool, really cool?

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Speaker 10: Man.

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Speaker 2: Well, question one's going to Julian Hartley. Hollo, Julie.

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Speaker 10: Hi, how are you going?

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Speaker 3: Amanda?

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Speaker 2: I'm okay? How about you?

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Speaker 4: I'm fine?

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Speaker 11: Thank you?

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Speaker 10: Really good?

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Speaker 1: How's tricks in? Hartley?

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Speaker 2: A quiet? I imagine at the moment, very very quiet,

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Speaker 2: very quiet, all right, waiting around with nothing to do,

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Speaker 2: is to be twiddling your what triddling your thumbs?

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Speaker 1: Which letter of the alphabet do migratory birds form when

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Speaker 1: flying in a group?

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Speaker 2: Good Lord, picture them in the sky when you see

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Speaker 2: the birds migrating. You may have seen them on TV,

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Speaker 2: National Geographic, et cetera. What what letter of the alphabet

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Speaker 2: are they flying in? What formation?

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Speaker 4: Oh?

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Speaker 2: God, w no, sorry, Julie.

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Speaker 1: Kevin's in penrith, Hi.

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Speaker 2: Kevin, good morning morning?

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Speaker 6: Are you?

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Speaker 1: We are very okay?

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Speaker 2: What letter of the alphabet do my graty birds form?

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Speaker 2: And they're flying in a group.

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Speaker 1: This jingle is used to advertise what product keV A friends.

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Speaker 4: Follow us?

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Speaker 2: What's the product? Hipp Let's See that's it.

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Speaker 1: You're one of those tiptop mums are making sandwiches for

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Speaker 1: everyone for everyone. What to cull you to make me

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Speaker 1: some sandwiches? Question four we can go with the sandwich.

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Speaker 2: Is multiple We shouldn't put food questions in here because

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Speaker 2: it makes you hungry.

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Speaker 1: I ate a donut this morning, and.

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Speaker 2: They were delivered on Wednesday, said kree Jones. He says,

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Speaker 2: I'm going to throw these out, and these have been

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Speaker 2: here and Wednesday. There a couple left, and then he

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Speaker 2: starts eating.

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Speaker 1: Well, we were talking, but Ben and I got depressed.

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Speaker 2: Five o'clock anyway. Question four, this is multiple choice. Which

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Speaker 2: character on the Simpsons is the only one to have

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Speaker 2: five fingers on each hand? The others all have four fingers?

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Speaker 2: Who has five? Is that a God? Be mister Burns

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Speaker 2: see Krusty the Clown. No, it's not mister Barr there.

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Speaker 1: It is Question four of the Magnificent seven, which character

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Speaker 1: on the simpson is the only one to have five

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Speaker 1: fingers on each hand? Is it either God or Krusty

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Speaker 1: the Clown?

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Speaker 2: Which one.

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Speaker 1: The Magnificent Seven? We are up to question number four.

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Speaker 2: It's going to Zoe and Freshwater. Hello Zoey, Hello, Jonah,

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Speaker 2: we're very well, thank you. Question for which character on

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Speaker 2: The Simpsons is the only one to have five fingers

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Speaker 2: on each hand? Is that God? Or is it Crosty

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Speaker 2: the clown?

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Speaker 4: It's God?

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Speaker 2: It is God.

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Speaker 1: Remember Homer meets God.

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Speaker 2: I don't remember that episode episode And is that they

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Speaker 2: make a big point of the fact he's got five fingers?

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Speaker 1: No? No, at all. He was very understated. In fact,

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Speaker 1: up until this point, I didn't know that rundell Moore

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Speaker 1: is in which Australian city?

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Speaker 2: Zoe, where would you go if you're heading down to

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Speaker 2: rundele Moore?

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Speaker 1: What about John Farnam Star turn singing the jingle for

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Speaker 1: Rundle Moore. This was in a point in his career

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Speaker 1: where things were a bit lean for Pansie. But didn't

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Speaker 1: he sing the hell out of this most morning?

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Speaker 2: Some pairs who reached the scar while you're stupid home

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Speaker 2: pools in there?

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Speaker 1: Come on, Jay, have we heard enough? Come on?

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Speaker 2: Was he wobbling his head? Yeah, he's a head war Blanc.

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Speaker 1: Come on, don't cut it off.

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Speaker 2: That's it. Look, we have to play songs today.

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Speaker 1: If you've got time, just YouTube that because Johnny puts

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Speaker 1: his heart and soul.

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Speaker 2: Was he Johnny then little bit on the cusp? Question

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Speaker 2: number six for you, Zoey Lionel Messi is famous for

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Speaker 2: playing which sport? Yes, he's just signed a two year

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Speaker 2: contract with Patty Smah. I know, Thank you, Zoe.

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Speaker 1: This is a question seven. This means you could get

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Speaker 1: it all. Which film did McCauley cole can play the

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Speaker 1: role of young Kevin McAllister?

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Speaker 8: That was Homoe.

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Speaker 2: She's done, Zoe. They're going to do a remake of

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Speaker 2: that with a new cast and a fresh story because

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Speaker 2: an entire generation has passed since the anyone has seen it?

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Speaker 1: Bozoie, you're young? Yeah, okay, so fifteen. So have you

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Speaker 1: seen Home Alone?

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Speaker 12: Yes?

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Speaker 4: I have. It's a great movie.

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Speaker 2: And would you like to see it remade with other

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Speaker 2: people in it?

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Speaker 12: Oh?

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Speaker 4: I don't know about that.

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Speaker 1: Zoe knows. She's the voice of the future, the choice

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Speaker 1: of a new generation.

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Speaker 2: Well, you've won today anyways, so sorry.

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Speaker 1: Good on you. Congratulations You've got the jam pack. It's

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Speaker 1: all coming away A week of Macro's Meals, ready made

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Speaker 1: meal programs for every Ossie. Visit macros dot com dot you.

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Speaker 2: These are amazing. I must say you'll enjoy this. A

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Speaker 2: friend of mine has those every day.

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Speaker 1: Fantastic what's good in it?

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Speaker 2: It's good if you want it to be calorie controlled

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Speaker 2: and all that, but the food is delicious good.

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Speaker 1: A one hundred and fifty Urban Spavour to rejuvenat in

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Speaker 1: lockdown with at home skincare packs from urbanspa dot com

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Speaker 1: dot au and you get the Jonesy demand of character

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Speaker 1: cheers for the coming and some state la pencils. How

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Speaker 1: good are we to you?

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Speaker 2: Thank you so much, so you are welcome and you

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Speaker 2: have a nice day.

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Speaker 3: Thank you you too?

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Speaker 2: Nice? Isn't she lovely?

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Speaker 13: The Future Jonesy and Amanda Germ podcast.

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Speaker 1: Combing through our Jermanac Big Book of Musical Facts. On

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Speaker 1: this day in nineteen ninety one, Nirvana shot the video

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Speaker 1: for Smells Like Teen Spirit in California.

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Speaker 2: What was in the clip?

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Speaker 1: You remember? The video was the high school pep rally

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Speaker 1: that ended in a riot.

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Speaker 2: I remember it.

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Speaker 1: It won them two MTV Video Awards and it cost

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Speaker 1: them less than fifty thousand dollars to make. The secret

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Speaker 1: was you know? They did? They cut costs by getting

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Speaker 1: real Nirvana fans to be the extras in the cliffs

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Speaker 1: of course, and asked local strippers to play at the cheerleaders. Apparently,

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Speaker 1: the riot scene at the end was never actually playing

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Speaker 1: for the video. It was a result of making the

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Speaker 1: unpaid fans hang around on set for twelve hours straight

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Speaker 1: to film.

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Speaker 2: See that'll do it.

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Speaker 1: I've been on a TV set before, I've.

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Speaker 2: Made film clips before. They asked people to do things

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Speaker 2: for free. Yep, no, yeah, and then they go, you

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Speaker 2: know what, I'm not into this.

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Speaker 1: It's in a crowd almost eats Shane Jacobson alive and

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Speaker 1: an X Factor filming.

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Speaker 2: Anyway, that wasn't the night you stripped? Was it dressed

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Speaker 2: as a cheerleader?

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Speaker 1: Why don't we play this? Twenty five to seven WSFM.

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Speaker 1: Can I do a birthday shout out to my cat?

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Speaker 2: Sure? Is this a real cool cat or your actual cat?

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Speaker 1: My actual cat? What do you mean? Cool cat?

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Speaker 2: One of your friends? Scamp? Cool cat?

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Speaker 1: Scamps on a cat scamps a scamp rufus My cat

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Speaker 1: turned to eighteen. I was doing a bit of research.

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Speaker 1: That's one hundred and twenty six years of age.

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Speaker 2: Does he look at he Yeah, he's getting he's slowing down.

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Speaker 1: Zero f's given. I went to take a picture of

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Speaker 1: him yesterday and he looked like he was going to

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Speaker 1: eat my face off, you know, because I did. We

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Speaker 1: inherited the cat on my sister. She moved over to

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Speaker 1: Dubai many years ago and she said, oh, we can't

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Speaker 1: take the cat over there.

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Speaker 2: But then she came back for a number of years.

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Speaker 1: Yeah, and now she's gone to can he still kept

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Speaker 1: the cat. I like him. He's a good cat, you know.

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Speaker 1: Then the next door neighbor loves him. He's a good cat.

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Speaker 1: He's eighteen though.

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Speaker 2: Well, you know what. Speaking of pets, Natasha, who's in

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Speaker 2: our production team, is having a problems with her pet,

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Speaker 2: which I think is the cutest pet in the history

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Speaker 2: of the world.

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Speaker 1: What's what problems does she have?

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Speaker 2: Well, let's get her in here. Hello, Tash, how are you? Hello?

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Speaker 14: Guys, how are you?

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Speaker 2: Let's first talk about Sammy, your dog, which you've brought

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Speaker 2: Sammy in here one day and I said, how can

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Speaker 2: you ever leave the house. Here's the most adorable creature

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Speaker 2: I've ever seen, little sausage dog.

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Speaker 14: Yep, little sausage dog. And that's what makes this situation

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Speaker 14: harder because he is so cute, and when it comes

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Speaker 14: to the discipline side of it, that's what I struggle with.

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Speaker 14: The most because he has the puppy dog eyes and

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Speaker 14: he looks at you, and you know, it's very hard

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Speaker 14: to be mad at.

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Speaker 2: But I'm looking at photos you brought in of the

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Speaker 2: destruction he does in your home. It looks like your

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Speaker 2: house has been.

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Speaker 14: Ransacked pretty much.

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Speaker 2: Yep.

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Speaker 14: So I've put up a little list here of all

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Speaker 14: the things that he has done so countless pairs of shoes.

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Speaker 14: We cannot leave shoes out, he rips them up. Slippers

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Speaker 14: I bought just at the start of winter, rip them

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Speaker 14: up in probably a week. Can't leave cushions on the

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Speaker 14: lounge anymore.

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Speaker 2: What does it do? He rips into them.

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Speaker 14: Gets all the fluff out. He's also started to pull

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Speaker 14: threads from the couch arm rest, so I've bought like

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Speaker 14: this cover that goes over that. He's also started to

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Speaker 14: attack that and rip bits of wood out of that,

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Speaker 14: rips his toys apart, gets all the stuffing out. You know,

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Speaker 14: countless things. But recently, the one that's really really bugged

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Speaker 14: me is he has ripped my athotics out of my sneakers,

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Speaker 14: ripped the sneakers apart, but also ripped those into tiny,

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Speaker 14: tiny little pieces. And that is an expensive exercise for

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Speaker 14: me to reply, and.

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Speaker 1: The pictures here and you're falling. Just what about that

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Speaker 1: walk around flat foot exactly?

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Speaker 2: It's huja glasses, pop plants apart.

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Speaker 14: I can't have plants outside because he rips them out

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Speaker 14: of the parts.

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Speaker 2: And when you're home, none of this happens.

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Speaker 14: None of it happens. He is so well behaved when

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Speaker 14: we're there. It's the second we leave.

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Speaker 1: He just can you put him outside?

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Speaker 14: Well, I live in an apartment and the balcony is

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Speaker 14: not big enough.

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Speaker 1: Can you put him in the pound? Cute dog? You

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Speaker 1: give that a dog away.

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Speaker 2: I'm more towards a man to hear.

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Speaker 1: People will take that dog straight away. And you people

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Speaker 1: suck as they see the picture of the dog and

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Speaker 1: they go, I'll take that.

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Speaker 2: Dog, and then to take it and then then loves Sammy.

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Speaker 2: We're going to have to fix this. I know someone

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Speaker 2: who can help you. Well, I just did what you'd

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Speaker 2: help with two bricks. Mind the bag of the ear.

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Speaker 1: You can't use a car battery.

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Speaker 2: I'm going to send up you in hell with Batman

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Speaker 2: and each goes up into the sky. I'm going to

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Speaker 2: send up an image of a giant jaw. Doctor Chris

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Speaker 2: Brownie Brownie because I think he will be able to

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Speaker 2: help you. Obviously, Sammy's doing this for attention, et cetera.

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Speaker 2: But how you stop it? I don't know. But Chris

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Speaker 2: will know that would be.

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Speaker 1: So what would he know?

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Speaker 2: What would know that guy? What would he know? All right, Well,

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Speaker 2: hopefully this will be the last day this will happen, Tash,

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Speaker 2: because we're getting Brownie on the line.

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Speaker 14: Okay, I'm excited, Natasha Comcast.

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Speaker 2: I haven't watched American Horror Story, have you?

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Speaker 1: No? No, I haven't watched it.

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Speaker 2: I think it's supposed to be scary.

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Speaker 1: And noogidy boogey, and you don't like scary, not.

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Speaker 2: Really, No, But there's an Australian star in it called

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Speaker 2: Cody Fern. And what happens in American Story it's the

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Speaker 2: same ensemble of actors who play different characters in each episode.

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Speaker 2: So he's bunned on an American accent for the last

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Speaker 2: two seasons, playing various Americans. In one of the episodes,

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Speaker 2: he's called upon to play an Australian and people have

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Speaker 2: slammed his accent, even though he actually they don't know

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Speaker 2: he's Australian, and they've slammed him for it.

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Speaker 1: Well, when you live over in America for a while,

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Speaker 1: you do lose your Australian accent. Have you noticed Keith

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Speaker 1: on the voice, he's got that slight American.

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Speaker 2: And they call it that trans Atlanta.

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Speaker 1: Trans Atlantic El McPherson, Kyli.

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Speaker 2: MANA, Yeah, well, have a listen. This is Cody being Australian.

401
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Speaker 6: Good eh, where you folks had it?

402
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Speaker 2: Hacking the trails?

403
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Speaker 1: Just hiking the trail? Hi Burch?

404
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Speaker 10: Yeah, Jesus Christ Birch, what are you telling these people?

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Speaker 2: Sounds a bit American, doesn't He does sound But some

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Speaker 2: of the comments are hilarious. Why did they give Cody

407
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Speaker 2: Fern that accent? Says somebody? Then they go, hang on,

408
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Speaker 2: he's Australian. Omg. He himself said that he got lots

409
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Speaker 2: of comments, things like he should stick with his plain

410
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Speaker 2: white boy American accent. Who does this Harvard grad think

411
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Speaker 2: he is trying to do an Australian accent? Is not

412
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Speaker 2: Meryl Streep And he's like, you all need to calm down.

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Speaker 2: I'm actually Australian.

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Speaker 1: Well Meryl Streep, remember her an evil angel?

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Speaker 9: God?

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Speaker 13: Please you need to talk that way.

417
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Speaker 2: It's still haunting hearing that because the Australian accent is

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Speaker 2: notoriously difficult, and people criticized her a bit, But Lindy

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Speaker 2: Chamberlain was actually a key with.

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Speaker 1: You had a bit of key with.

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Speaker 2: So that's why Merrill's accents. I thought she was brilliant.

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Speaker 1: We had Rose Burn on the show and she was

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Speaker 1: telling because she's Australian actor. She was saying, to do

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Speaker 1: an American accent, they give you exercises, and one of

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Speaker 1: the exercise eyes is, is that you say round the

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Speaker 1: rocks the raggle rascal ran Well.

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Speaker 2: I grew up watching soap opera, so I feel I've

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Speaker 2: got a pretty good American accent.

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00:19:46,600 --> 00:19:49,480
Speaker 1: Yeah, and then there's a sublime to the ridiculous, like

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Speaker 1: the Simpsons. Remember on the Simpsons, you call that a knife.

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Speaker 1: This is a knife. That's not a knife, that's a spoon.

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Speaker 1: All right, all right, you in, I'll see you've plied

433
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Speaker 1: ifey spoony before it's almost almost.

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Speaker 2: They go cockney a little bit cockney.

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Speaker 1: Or Rubbert down and j you remember in Tropic Thunder.

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Speaker 15: Every day that I wake up, I thank my father

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Speaker 15: for being an abusive alcoholic telling me I was nothing

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Speaker 15: and that he was going to kill me because It

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00:20:15,000 --> 00:20:18,120
Speaker 15: was that exact kind of environment that I find makes.

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Speaker 1: Great talent Australia.

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Speaker 2: Russell Crowle a bit.

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Speaker 1: It was very at my signal only Australians, because what

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Speaker 1: we do is we don't over our mouths when we

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Speaker 1: speak no.

445
00:20:25,160 --> 00:20:26,479
Speaker 2: And it's also at the back of the night as

446
00:20:26,520 --> 00:20:28,800
Speaker 2: we throw the words away. We don't overally articulate anything

447
00:20:28,880 --> 00:20:29,200
Speaker 2: we say.

448
00:20:29,200 --> 00:20:30,640
Speaker 1: Fief, I win fine.

449
00:20:30,720 --> 00:20:31,000
Speaker 6: You know.

450
00:20:31,080 --> 00:20:32,520
Speaker 2: One of the shocking ones was why one of the

451
00:20:32,520 --> 00:20:36,080
Speaker 2: best actors of all time, John Lisko, he played He's American,

452
00:20:36,320 --> 00:20:40,639
Speaker 2: but he played Winston Churchill. He's done some incredible linguistic work.

453
00:20:41,680 --> 00:20:43,840
Speaker 2: But remember was that the third pitch perfect and he

454
00:20:43,920 --> 00:20:47,680
Speaker 2: had to play rebel Wilson's father. Yeah, and his Australian

455
00:20:47,680 --> 00:20:48,640
Speaker 2: accent was terrible.

456
00:20:48,960 --> 00:20:51,320
Speaker 10: I don't want to heard anyone, Patricia. The only one

457
00:20:51,359 --> 00:20:52,160
Speaker 10: I wanted was you.

458
00:20:52,200 --> 00:20:54,439
Speaker 1: But you weren't with him, were you?

459
00:20:54,480 --> 00:20:54,680
Speaker 12: Oh?

460
00:20:54,720 --> 00:20:56,399
Speaker 1: Well planned me.

461
00:20:57,440 --> 00:21:01,040
Speaker 9: You have thirty minutes under the boat or your friends

462
00:21:01,200 --> 00:21:02,680
Speaker 9: swim with the fishes.

463
00:21:02,760 --> 00:21:05,120
Speaker 1: And I think you know what I mean it, Yeah,

464
00:21:05,240 --> 00:21:07,960
Speaker 1: it's gone to English. Yeah, they should just get Alf

465
00:21:08,119 --> 00:21:10,320
Speaker 1: Stewart flaming kids.

466
00:21:10,200 --> 00:21:12,560
Speaker 2: In every he could, he could have done a great

467
00:21:12,600 --> 00:21:13,800
Speaker 2: Lindy Chamberlain.

468
00:21:13,440 --> 00:21:16,800
Speaker 1: Or Brian Brown from the Shili your drongo or me.

469
00:21:16,880 --> 00:21:23,600
Speaker 2: Brendon Jones or me the subtlety is extraordinary.

470
00:21:24,080 --> 00:21:29,919
Speaker 1: Faster the street of La Jones and Amanda's five day

471
00:21:30,200 --> 00:21:33,560
Speaker 1: for Fast five? How much are you in our heads?

472
00:21:33,640 --> 00:21:36,320
Speaker 1: Can you match our fast five five things that relate

473
00:21:36,359 --> 00:21:38,680
Speaker 1: to one random Cattaly. All you have to do is

474
00:21:38,720 --> 00:21:41,240
Speaker 1: match your answers with ours. You'll win the cash. We

475
00:21:41,280 --> 00:21:43,320
Speaker 1: pay one hundred dollars for every single match, but if

476
00:21:43,320 --> 00:21:45,439
Speaker 1: you get all five, you win five thousand dollars.

477
00:21:45,400 --> 00:21:47,400
Speaker 2: I think so far we've only had one full matt

478
00:21:47,560 --> 00:21:49,920
Speaker 2: me nearly every day we give away two hundred three hundred.

479
00:21:49,920 --> 00:21:51,480
Speaker 2: But let's see if we can get it over the line.

480
00:21:51,680 --> 00:21:54,480
Speaker 1: I feel, Donna of carrying bar is in your head.

481
00:21:54,600 --> 00:21:57,479
Speaker 2: I hope so, Donna. I enjoyed doing dog breeds today.

482
00:21:58,720 --> 00:22:00,920
Speaker 4: Good, good morning, every good.

483
00:22:00,720 --> 00:22:02,800
Speaker 1: Morning, Donny. How well do you know Amanda?

484
00:22:05,640 --> 00:22:06,760
Speaker 4: I listened to her a lot.

485
00:22:06,840 --> 00:22:08,560
Speaker 3: I don't know what that was free?

486
00:22:08,960 --> 00:22:10,520
Speaker 2: How do you talk like that, Donna?

487
00:22:10,600 --> 00:22:13,160
Speaker 1: But in saying that you listen to her a lot

488
00:22:13,359 --> 00:22:15,040
Speaker 1: and you know that she bangs on.

489
00:22:15,400 --> 00:22:17,440
Speaker 2: You might get my dog in there.

490
00:22:17,119 --> 00:22:20,560
Speaker 1: About dogs and the like, and this is this is

491
00:22:20,600 --> 00:22:22,760
Speaker 1: more or less not thinking about how Donna of carrying

492
00:22:22,800 --> 00:22:25,600
Speaker 1: barr would say this, But how would Amanda? Could you say?

493
00:22:25,760 --> 00:22:29,320
Speaker 1: All right, well, luck, that's the thing. So today's today's

494
00:22:29,320 --> 00:22:31,480
Speaker 1: category is dog breath.

495
00:22:31,680 --> 00:22:32,679
Speaker 2: What have you got, Donna?

496
00:22:33,480 --> 00:22:37,800
Speaker 3: I've got a border Polly, of course, a poodle, a dalmatian,

497
00:22:38,640 --> 00:22:40,120
Speaker 3: a labrador, and a cattle dog.

498
00:22:42,160 --> 00:22:47,200
Speaker 1: Are you in sympatica? The what you might simpatic goes

499
00:22:47,200 --> 00:22:49,760
Speaker 1: a breed of dog. Okay, Donna, Well let's have a

500
00:22:49,760 --> 00:22:52,000
Speaker 1: look at here. You said border collie.

501
00:22:52,160 --> 00:22:53,720
Speaker 2: Yes, of course I said that too.

502
00:22:54,240 --> 00:22:59,600
Speaker 1: You've got a border, Donna. You said labrador? Yes, Amanda

503
00:23:00,280 --> 00:23:02,639
Speaker 1: said labrador. Is it true? Labradors would just keep eating

504
00:23:02,640 --> 00:23:03,480
Speaker 1: and eating and eating.

505
00:23:03,960 --> 00:23:06,640
Speaker 2: Well, they like their food. Apparently they're easy to train

506
00:23:06,720 --> 00:23:07,160
Speaker 2: because of.

507
00:23:07,119 --> 00:23:12,720
Speaker 1: That, Donna. You said dalmatian. And that's where we all

508
00:23:12,840 --> 00:23:13,600
Speaker 1: came unstuck.

509
00:23:13,640 --> 00:23:16,200
Speaker 2: Without dalmatian. I should have said that.

510
00:23:16,280 --> 00:23:19,600
Speaker 1: Man said sausage door. Well you said cattle dog, Amanda

511
00:23:19,640 --> 00:23:23,719
Speaker 1: said pug. Where Donna said poodle? Amanda said kovu.

512
00:23:23,880 --> 00:23:25,000
Speaker 2: Oh, I see them everywhere.

513
00:23:25,080 --> 00:23:27,920
Speaker 1: No one said shit, So I didn't you'd like them?

514
00:23:27,920 --> 00:23:28,360
Speaker 4: Amanda?

515
00:23:28,440 --> 00:23:30,159
Speaker 2: Well, I had to put down the fierce ones. I

516
00:23:30,280 --> 00:23:36,679
Speaker 2: thought of rather than I'm sorry, Donna, don't be thank you.

517
00:23:36,680 --> 00:23:37,560
Speaker 10: I'm really grateful.

518
00:23:37,800 --> 00:23:39,400
Speaker 1: Donna. You get in your car and you get out

519
00:23:39,400 --> 00:23:39,600
Speaker 1: of here.

520
00:23:39,720 --> 00:23:41,320
Speaker 2: Your friends have a very nice cavoodle.

521
00:23:44,359 --> 00:23:45,920
Speaker 12: She goes, don't run over the door.

522
00:23:50,480 --> 00:24:01,480
Speaker 2: All right. Now, last night's White Lotus finale, let's debrief.

523
00:23:58,720 --> 00:24:00,480
Speaker 1: The debrief about White Load.

524
00:24:00,600 --> 00:24:01,840
Speaker 2: Now, if you haven't seen it, we're not going to

525
00:24:01,840 --> 00:24:03,840
Speaker 2: give away the ending, because that'd be terrible. There's only

526
00:24:03,880 --> 00:24:07,920
Speaker 2: six episodes in it. It's on Foxtel. I watched it

527
00:24:08,119 --> 00:24:10,840
Speaker 2: as it dropped each week, and the finale was last night,

528
00:24:10,880 --> 00:24:12,320
Speaker 2: so now you can binge all of them if you want.

529
00:24:12,400 --> 00:24:13,919
Speaker 1: When you were in my ear, you and Jimmy the

530
00:24:13,960 --> 00:24:16,520
Speaker 1: Millennia were constantly talking about it, and I felt out

531
00:24:16,520 --> 00:24:18,560
Speaker 1: of sorts at the water cooler when you guys were

532
00:24:18,560 --> 00:24:19,960
Speaker 1: talking about it, I thought, I've got to watch it.

533
00:24:20,000 --> 00:24:22,600
Speaker 1: So on the weekend I binged it right up to

534
00:24:23,240 --> 00:24:25,200
Speaker 1: last night's episode, which dropped.

535
00:24:24,920 --> 00:24:26,840
Speaker 2: And we all were texting each other, rah blah blah.

536
00:24:26,880 --> 00:24:32,840
Speaker 2: But what's It's a series about a resort in Hawaii,

537
00:24:33,040 --> 00:24:37,760
Speaker 2: one of those big, beautiful resorts that really privileged white

538
00:24:37,800 --> 00:24:43,359
Speaker 2: people go to. And that's it's almost as you said, Yesterday,

539
00:24:43,400 --> 00:24:46,160
Speaker 2: like Fantasy Island, that the staff they're trying to make

540
00:24:46,200 --> 00:24:48,720
Speaker 2: your holiday as great as it can be, and there's

541
00:24:48,760 --> 00:24:52,480
Speaker 2: a certain transaction between the local culture and you go

542
00:24:52,640 --> 00:24:56,280
Speaker 2: in you want your big richie holiday and the locals

543
00:24:56,280 --> 00:24:58,960
Speaker 2: there except that to a certain level they're being exploited,

544
00:24:58,960 --> 00:25:01,240
Speaker 2: but they need that. That's how their transaction works too,

545
00:25:01,480 --> 00:25:03,879
Speaker 2: and that's what happens on your holiday. And so the

546
00:25:04,320 --> 00:25:08,280
Speaker 2: six episodes really I think, look at do we ever

547
00:25:08,440 --> 00:25:12,560
Speaker 2: challenge our choices and what happens when we do and

548
00:25:12,600 --> 00:25:16,360
Speaker 2: when you just can't be bothered fighting the inevitable white privilege.

549
00:25:16,400 --> 00:25:19,320
Speaker 1: And the general manager of the hotel is Armand, played

550
00:25:19,320 --> 00:25:21,760
Speaker 1: by it and Australian actor Murray Barker. He's brilliant, isn't

551
00:25:21,760 --> 00:25:25,920
Speaker 1: He is so good in it and he is decorum

552
00:25:26,200 --> 00:25:29,160
Speaker 1: and everything the face of the hotel together. But then

553
00:25:29,359 --> 00:25:33,840
Speaker 1: he's also been sober for five years. He is a

554
00:25:33,840 --> 00:25:37,760
Speaker 1: a raging drug addict and an alcoholic and slowly he

555
00:25:37,880 --> 00:25:40,440
Speaker 1: unravels throughout the whole series.

556
00:25:40,080 --> 00:25:41,800
Speaker 2: Because there's some really trying guests.

557
00:25:41,960 --> 00:25:45,280
Speaker 1: Well there's one particular trying guest that just presses all

558
00:25:45,320 --> 00:25:47,119
Speaker 1: of Armand's buttons.

559
00:25:46,920 --> 00:25:49,080
Speaker 2: And he ravels in a spectacular way.

560
00:25:49,240 --> 00:25:52,040
Speaker 1: There's one scene and we had we had Murray Bartlett

561
00:25:52,040 --> 00:25:55,719
Speaker 1: on yesterday, but there's one scene in the show. This

562
00:25:55,760 --> 00:25:58,359
Speaker 1: is part of his unraveling. Everyone is talking about the

563
00:25:58,400 --> 00:26:01,639
Speaker 1: sex scene in episode four, So and you shot this

564
00:26:01,760 --> 00:26:05,480
Speaker 1: during you shot this during COVID. So I'm presuming that

565
00:26:05,520 --> 00:26:12,480
Speaker 1: you would have had intimacy advice at what part point

566
00:26:12,560 --> 00:26:14,960
Speaker 1: in COVID? Is it social? This is where you put

567
00:26:15,000 --> 00:26:23,840
Speaker 1: them your face into another man's bum, You recommendation, isn't it.

568
00:26:24,320 --> 00:26:27,040
Speaker 1: This is after Armand's had a giant bender and what

569
00:26:27,160 --> 00:26:29,560
Speaker 1: triggers him one of the girls, and those girls that

570
00:26:29,640 --> 00:26:32,840
Speaker 1: I hate in it. They're so irritating, those girls.

571
00:26:33,000 --> 00:26:37,280
Speaker 2: They so interesting. It's entitled lives that these rich teens.

572
00:26:36,920 --> 00:26:39,720
Speaker 1: Are living dismissive and they think they're woke.

573
00:26:39,800 --> 00:26:41,120
Speaker 2: They speak about being constantly.

574
00:26:41,240 --> 00:26:41,520
Speaker 12: They're not.

575
00:26:42,040 --> 00:26:44,160
Speaker 2: No, they're not. They're still buying into Mum and dad

576
00:26:44,200 --> 00:26:44,800
Speaker 2: are paying for this.

577
00:26:44,760 --> 00:26:47,080
Speaker 1: Holiday exactly if you say wake go and live in

578
00:26:47,080 --> 00:26:49,239
Speaker 1: a heart, you know, but no, I'll stay and have

579
00:26:49,320 --> 00:26:50,360
Speaker 1: the breakfast.

580
00:26:49,880 --> 00:26:51,680
Speaker 2: Buffet and sneer at it the whole time.

581
00:26:51,760 --> 00:26:54,920
Speaker 1: And they take this big bag of drugs and armor.

582
00:26:54,880 --> 00:26:56,560
Speaker 2: That does not give too much away because I think

583
00:26:56,560 --> 00:26:58,879
Speaker 2: you ever want to enjoy the journey. But there's a

584
00:26:58,880 --> 00:27:02,479
Speaker 2: scene in last night's episode that's because it's also funny

585
00:27:02,560 --> 00:27:08,280
Speaker 2: and shocking before the dramatic denu mont French word for ending,

586
00:27:08,560 --> 00:27:10,680
Speaker 2: and we know at the beginning someone's killed. I'm not

587
00:27:10,680 --> 00:27:12,760
Speaker 2: giving anything away. That's how the whole series starts wondering

588
00:27:12,800 --> 00:27:15,160
Speaker 2: who is it? Who is it? Before that bit, there's

589
00:27:15,200 --> 00:27:17,720
Speaker 2: a scene that's I've never seen on television before. It's

590
00:27:17,760 --> 00:27:20,960
Speaker 2: not sexual, it's not sexual, but it's bodily well.

591
00:27:21,119 --> 00:27:23,399
Speaker 1: I will say this, having worked in a hotel, this

592
00:27:23,560 --> 00:27:26,280
Speaker 1: is something that everyone would love to do to an

593
00:27:26,320 --> 00:27:29,040
Speaker 1: irritating guest. And we'll leave it at that.

594
00:27:29,400 --> 00:27:33,040
Speaker 2: It's a fabulous, unnerving series and I hope.

595
00:27:33,320 --> 00:27:38,800
Speaker 1: It's worth what you can that's worth wa Yeah, podcast,

596
00:27:38,960 --> 00:27:41,919
Speaker 1: how's things going in your world? In your neck? Everything okay?

597
00:27:42,480 --> 00:27:43,040
Speaker 2: In my neck?

598
00:27:43,200 --> 00:27:44,160
Speaker 1: And your negar? Your words?

599
00:27:44,640 --> 00:27:47,159
Speaker 2: Oh you know, you know? Getting through? I feel for

600
00:27:47,640 --> 00:27:50,320
Speaker 2: a Jack. I've got a year twelve son whose trials

601
00:27:50,359 --> 00:27:54,040
Speaker 2: he's still doing them as tests, but the score isn't

602
00:27:54,080 --> 00:27:55,080
Speaker 2: going to contribute.

603
00:27:56,280 --> 00:27:58,440
Speaker 1: Be happy with that. Yes, I'm the sort of student

604
00:27:58,480 --> 00:28:00,439
Speaker 1: that would have thought, oh that is so cool.

605
00:28:00,760 --> 00:28:03,080
Speaker 2: He studied for that and just his social world getting

606
00:28:03,119 --> 00:28:05,480
Speaker 2: smaller and smaller. Now it's five k's and then this,

607
00:28:05,680 --> 00:28:08,080
Speaker 2: and I just feel for him, and I feel for

608
00:28:08,119 --> 00:28:10,480
Speaker 2: our dog who's so exhausted. Sure the only way he

609
00:28:10,520 --> 00:28:13,600
Speaker 2: can go anywhere is to walk the dog. So you know,

610
00:28:13,840 --> 00:28:16,600
Speaker 2: but I'm okay, We're okay, we're all we're all getting through.

611
00:28:16,560 --> 00:28:17,840
Speaker 1: And we get through the best way we can.

612
00:28:17,960 --> 00:28:18,240
Speaker 2: Yeah.

613
00:28:18,480 --> 00:28:22,520
Speaker 1: Like this lady in Bangor, who's she's a Dolly Parton impersonator,

614
00:28:22,560 --> 00:28:26,280
Speaker 1: I believe, And she has a little puppet of Kenny Rogers.

615
00:28:27,160 --> 00:28:28,280
Speaker 2: She's got a puppet of Kenny.

616
00:28:28,240 --> 00:28:31,520
Speaker 1: We've got a puppet of like a muppet of Kenny Rogers.

617
00:28:31,960 --> 00:28:34,240
Speaker 1: And she's been entertaining the people of Bangor.

618
00:28:34,359 --> 00:28:36,520
Speaker 2: But can I ask this, is she performing outside? Because

619
00:28:36,520 --> 00:28:39,360
Speaker 2: that's not You don't want to encourage people to go outside.

620
00:28:39,440 --> 00:28:42,040
Speaker 1: Now you can as people are walking past. Oh okay,

621
00:28:42,080 --> 00:28:44,520
Speaker 1: And you know Bangor's beautiful leaf he sort of and

622
00:28:44,600 --> 00:28:47,200
Speaker 1: a nice echo chamber as well for her to perform

623
00:28:47,240 --> 00:28:47,800
Speaker 1: her works.

624
00:28:48,040 --> 00:28:50,960
Speaker 7: A Dolly Parton performer has brought some much needed cheer

625
00:28:51,040 --> 00:29:03,880
Speaker 7: to a suburban street in Sydney South and walkers were

626
00:29:03,920 --> 00:29:06,960
Speaker 7: treated to the performance from Dolly real name Donna Campbell

627
00:29:07,000 --> 00:29:10,280
Speaker 7: and puppet Kenny Rogers. Locals say it was a brilliant

628
00:29:10,320 --> 00:29:12,320
Speaker 7: way to brighten up lockdown.

629
00:29:12,400 --> 00:29:14,280
Speaker 2: Let's hear from the neighbors.

630
00:29:13,760 --> 00:29:19,600
Speaker 1: Shell Curiously, my wife follows everything Southern Shire on Facebook

631
00:29:19,640 --> 00:29:22,360
Speaker 1: more for thee all I ever hear do is sneer

632
00:29:22,680 --> 00:29:26,520
Speaker 1: constantly because people trial on it as well, like someone

633
00:29:26,680 --> 00:29:28,800
Speaker 1: like your son Jack writes, I'm thinking of having a

634
00:29:28,800 --> 00:29:31,040
Speaker 1: barbecue this weekend. How many people can I have?

635
00:29:32,320 --> 00:29:33,479
Speaker 2: Just to wind people up?

636
00:29:33,680 --> 00:29:36,600
Speaker 1: One of my favorite ones was what would I need

637
00:29:36,600 --> 00:29:39,880
Speaker 1: to be sodomized as a marriage celebrated New South Wales?

638
00:29:39,920 --> 00:29:40,560
Speaker 2: What did they mean?

639
00:29:40,680 --> 00:29:41,760
Speaker 1: I think solemnized?

640
00:29:42,120 --> 00:29:45,080
Speaker 2: Did they come up? Is that really what they meant?

641
00:29:45,480 --> 00:29:49,520
Speaker 1: On everything Sutherland? Regarding to that? What is that god

642
00:29:49,560 --> 00:29:51,920
Speaker 1: awful screeching? I wondered what that was?

643
00:29:54,320 --> 00:29:57,680
Speaker 2: So when Mark Ferguson says it cheers everyone, not everyone,

644
00:29:57,760 --> 00:29:58,600
Speaker 2: not everyone.

645
00:30:00,360 --> 00:30:02,440
Speaker 1: Let's get on down to the jonesy demand of arms

646
00:30:02,440 --> 00:30:06,640
Speaker 1: for the pub test Sydney imposing a curfew? Does it

647
00:30:06,680 --> 00:30:08,120
Speaker 1: pass the pub test?

648
00:30:08,320 --> 00:30:11,600
Speaker 2: Melbourne has and during their lockdown last year they had

649
00:30:11,640 --> 00:30:15,040
Speaker 2: a curfew and they have just reinstated a curfew. I

650
00:30:15,040 --> 00:30:19,160
Speaker 2: think it's from might be five am to nine pm

651
00:30:19,200 --> 00:30:22,000
Speaker 2: that you have to you can't be outside your home

652
00:30:22,200 --> 00:30:24,560
Speaker 2: other than those times, obviously unless you're an emergency worker.

653
00:30:25,120 --> 00:30:28,200
Speaker 2: There's mixed messages here as to what benefit it is.

654
00:30:28,720 --> 00:30:31,120
Speaker 2: In Europe they have curfews because they spending a lot

655
00:30:31,160 --> 00:30:35,440
Speaker 2: of time socializing outdoors. We don't, We're not doing that,

656
00:30:35,560 --> 00:30:38,920
Speaker 2: like in Sydney. How would it stop at the moment

657
00:30:38,960 --> 00:30:43,560
Speaker 2: the spread is through households or through workplaces. I don't

658
00:30:43,640 --> 00:30:45,960
Speaker 2: think telling people to be home at nine o'clock is

659
00:30:46,000 --> 00:30:47,760
Speaker 2: going to make any difference. The only people going out

660
00:30:47,800 --> 00:30:50,920
Speaker 2: after that are people delivering food or people providing food,

661
00:30:51,200 --> 00:30:54,040
Speaker 2: and maybe people walking their dogs getting some exercise. I

662
00:30:54,040 --> 00:30:57,400
Speaker 2: don't think people are breaking the rules after nine o'clock,

663
00:30:57,440 --> 00:30:57,800
Speaker 2: are they.

664
00:30:57,960 --> 00:31:00,320
Speaker 1: I think they're just trying to stop people gathering together

665
00:31:00,400 --> 00:31:01,560
Speaker 1: in homes at night.

666
00:31:02,080 --> 00:31:04,400
Speaker 2: And that's curfew means you can't be outside your home.

667
00:31:04,560 --> 00:31:07,520
Speaker 1: Well, that means don't go to someone else's house at night,

668
00:31:08,360 --> 00:31:10,040
Speaker 1: with those being extended families.

669
00:31:10,680 --> 00:31:12,280
Speaker 2: But you're not supposed to do that anyway.

670
00:31:12,480 --> 00:31:14,640
Speaker 1: No, But if they make a curfew, then you're not

671
00:31:14,680 --> 00:31:16,400
Speaker 1: going to go over.

672
00:31:16,480 --> 00:31:18,560
Speaker 2: Too well, which you could still go to someone's house

673
00:31:18,600 --> 00:31:21,040
Speaker 2: before nine o'clock if they're going to break the rules.

674
00:31:21,120 --> 00:31:23,840
Speaker 1: Yeah, I think it's a I don't think it would work.

675
00:31:23,920 --> 00:31:24,920
Speaker 1: I don't think it would make anything.

676
00:31:25,000 --> 00:31:26,720
Speaker 2: No, I don't think it would make any difference. But

677
00:31:26,880 --> 00:31:29,200
Speaker 2: Melbourne did this last time and.

678
00:31:29,760 --> 00:31:30,960
Speaker 1: Melourne's got their own thing.

679
00:31:31,480 --> 00:31:34,240
Speaker 2: I know. But there was some discussion early on people

680
00:31:34,240 --> 00:31:36,240
Speaker 2: from other states saying that Sydney had to bring in

681
00:31:36,280 --> 00:31:39,120
Speaker 2: a curfew. What do you think should we have it?

682
00:31:39,400 --> 00:31:41,840
Speaker 2: Sydney opposing a curfew? Does it pass the pub test?

683
00:31:41,920 --> 00:31:45,360
Speaker 1: I must say thirteen WSFM, we could, asked Mary Louise mcclaus,

684
00:31:45,360 --> 00:31:49,760
Speaker 1: one of Australia's leading epidemiologists. I like saying epidemiologist. It's

685
00:31:49,760 --> 00:31:51,280
Speaker 1: almost like saying efficacy.

686
00:31:51,400 --> 00:31:54,400
Speaker 2: But isn't it epidemiologist? I like say, but you have

687
00:31:54,400 --> 00:31:56,880
Speaker 2: an epidemic, you don't have an epidemic, and is you're

688
00:31:56,880 --> 00:31:57,240
Speaker 2: a key we.

689
00:31:57,400 --> 00:31:58,200
Speaker 1: For it or forehead?

690
00:31:58,760 --> 00:32:05,560
Speaker 2: Mary Louise joined his next Jonesy and Amanda jam podcast. Well,

691
00:32:05,560 --> 00:32:08,680
Speaker 2: it's National Science Week and of the past eighteen months,

692
00:32:08,720 --> 00:32:10,400
Speaker 2: more than at any other time in recent history, the

693
00:32:10,440 --> 00:32:13,760
Speaker 2: world has looked to science to help us find our

694
00:32:13,800 --> 00:32:17,240
Speaker 2: way through this pandemic. Mary Louise mcclaus is a professor

695
00:32:17,280 --> 00:32:20,880
Speaker 2: of epidemiology. She's become one of Australia's most recognized experts

696
00:32:21,160 --> 00:32:23,920
Speaker 2: at the forefront of the battle, and she joins us. Now, Hello,

697
00:32:23,960 --> 00:32:25,600
Speaker 2: Mary Louise, how are you, Mary Louise?

698
00:32:26,320 --> 00:32:27,920
Speaker 4: Good morning, Jensie and Amanda.

699
00:32:27,960 --> 00:32:30,320
Speaker 2: Lovely to talk to both of you, and you too

700
00:32:31,440 --> 00:32:32,880
Speaker 2: while we've got you here. I know we want to

701
00:32:32,920 --> 00:32:36,600
Speaker 2: celebrate National Science Week, but let's drill down on where

702
00:32:36,640 --> 00:32:38,800
Speaker 2: we are at the moment. We interviewed the Prime Minister

703
00:32:38,880 --> 00:32:43,680
Speaker 2: yesterday and I came away wondering our Premier Gladysbury. Jaclan

704
00:32:43,760 --> 00:32:47,760
Speaker 2: says vaccination's the way out. Scott Morrison says the lockdown

705
00:32:47,960 --> 00:32:50,960
Speaker 2: is the way out. Overseas, they have a lot of

706
00:32:51,040 --> 00:32:54,800
Speaker 2: vaccination and their numbers a rising, but their society is open.

707
00:32:55,200 --> 00:32:57,240
Speaker 2: We're kind of caught between the two. We're hoping to

708
00:32:57,280 --> 00:32:59,400
Speaker 2: get a lot of vaccination, but we still may not

709
00:32:59,520 --> 00:33:03,440
Speaker 2: be out of life. At what point do we decide

710
00:33:03,440 --> 00:33:05,440
Speaker 2: we're going to have to treat it like the flu

711
00:33:05,520 --> 00:33:06,040
Speaker 2: and live with it.

712
00:33:07,360 --> 00:33:11,120
Speaker 4: Gosh, well, this flu kills or flu does kill. We

713
00:33:11,280 --> 00:33:15,520
Speaker 4: have children and older adults die every year, but we

714
00:33:15,560 --> 00:33:19,480
Speaker 4: are seeing with this particular delta, on average a death

715
00:33:19,520 --> 00:33:24,440
Speaker 4: of day, and this is horrendous. So we really can't

716
00:33:24,480 --> 00:33:29,120
Speaker 4: start opening up until we have our vulnerable vaccinated. And

717
00:33:29,200 --> 00:33:31,680
Speaker 4: if we have a look at the vaccination rates in

718
00:33:31,720 --> 00:33:35,200
Speaker 4: the elderly, they're doing very well, but they're not doing

719
00:33:35,400 --> 00:33:38,920
Speaker 4: fabulously well. So if you have a look at those

720
00:33:38,960 --> 00:33:42,360
Speaker 4: who are aged between, say I don't mean to call

721
00:33:42,480 --> 00:33:46,360
Speaker 4: forty year old elderly, they're not really very sprightly. But

722
00:33:46,840 --> 00:33:51,080
Speaker 4: between forty and seventy four, the second dose uptake is

723
00:33:51,120 --> 00:33:55,040
Speaker 4: not nearly high enough, and it's in the thirties and

724
00:33:55,120 --> 00:33:58,959
Speaker 4: forty percent of that group, that age group, that's not

725
00:33:59,520 --> 00:34:03,120
Speaker 4: at all all high enough. Now, the first dose, they're

726
00:34:03,160 --> 00:34:06,960
Speaker 4: doing pretty well that age group, the older group are

727
00:34:07,120 --> 00:34:11,040
Speaker 4: in the eighty percent of taking first dose and then

728
00:34:11,080 --> 00:34:13,799
Speaker 4: their second doses. About half of them have had their

729
00:34:13,840 --> 00:34:17,279
Speaker 4: second dose. The first dose certainly tops you stop you

730
00:34:17,320 --> 00:34:21,759
Speaker 4: from dying, having a severe illness, and being hospitalized, which

731
00:34:21,800 --> 00:34:26,040
Speaker 4: is great, but it's the second dose that also provides

732
00:34:26,800 --> 00:34:33,000
Speaker 4: that extra protection against infection, so it stops transmission and

733
00:34:33,239 --> 00:34:37,080
Speaker 4: you know that nasty cycle of infection transmission. So we're

734
00:34:37,120 --> 00:34:39,759
Speaker 4: not going to be able to open up until a

735
00:34:39,880 --> 00:34:44,960
Speaker 4: large proportion office, and really that proportion changes. It's a

736
00:34:45,000 --> 00:34:49,799
Speaker 4: moving feast herd immunity is quite complex. It's not just

737
00:34:49,920 --> 00:34:56,319
Speaker 4: related to the transmissibility of a disease. So DELTA has

738
00:34:56,320 --> 00:35:02,160
Speaker 4: a transmissibility rate of five, where there the original one

739
00:35:02,360 --> 00:35:06,759
Speaker 4: was down at you know, one point five, not to

740
00:35:07,719 --> 00:35:08,719
Speaker 4: nearly two.

741
00:35:08,880 --> 00:35:09,880
Speaker 10: This is five.

742
00:35:10,040 --> 00:35:13,359
Speaker 4: It's hugely transmissible. Then you have a look at the

743
00:35:14,000 --> 00:35:18,400
Speaker 4: vaccination efficacy and the proportion that receives each of the

744
00:35:18,480 --> 00:35:22,040
Speaker 4: two vaccines we're rolling out. So we really do need

745
00:35:22,160 --> 00:35:26,200
Speaker 4: to have the total population at least eighty percent of

746
00:35:26,239 --> 00:35:31,360
Speaker 4: the total population vaccinated, and we need adolescents to be

747
00:35:31,600 --> 00:35:36,279
Speaker 4: vaccinated and then eventually children because we're seeing children and

748
00:35:36,360 --> 00:35:40,600
Speaker 4: adolescents get DELTA, and particularly in the US, you know,

749
00:35:40,680 --> 00:35:46,200
Speaker 4: they're now increasingly the victim, and so is the UK

750
00:35:46,360 --> 00:35:51,160
Speaker 4: is experiencing that as well. So both the Prime Minister

751
00:35:51,440 --> 00:35:55,600
Speaker 4: and the Premier are slightly right and slightly wrong. Certainly

752
00:35:55,920 --> 00:36:00,759
Speaker 4: vaccination will help, but it won't help slow down the

753
00:36:00,840 --> 00:36:03,680
Speaker 4: transmission rate until we get everybody with a second dose,

754
00:36:04,520 --> 00:36:08,360
Speaker 4: and then lockdown is the way to try to suppress

755
00:36:08,360 --> 00:36:11,799
Speaker 4: it so that we can get that proportion of people vaccinated.

756
00:36:11,840 --> 00:36:15,400
Speaker 4: So please ask gordial listeners, please go get that perset

757
00:36:15,440 --> 00:36:20,120
Speaker 4: vaccine and don't delay at getting your second vaccine at

758
00:36:20,120 --> 00:36:21,480
Speaker 4: the appropriate time.

759
00:36:21,480 --> 00:36:25,680
Speaker 1: And the virus eventually cycles out, doesn't it. That's what's

760
00:36:25,680 --> 00:36:26,600
Speaker 1: happened in the past.

761
00:36:28,600 --> 00:36:34,120
Speaker 4: Well, in the past. What you're looking at, Jonesy, is seasonality.

762
00:36:34,800 --> 00:36:37,399
Speaker 4: We say, the flu, you know, cycles around and then

763
00:36:37,440 --> 00:36:41,200
Speaker 4: the temperature and the humidity is just wrong and it

764
00:36:41,280 --> 00:36:46,279
Speaker 4: just goes away. That hasn't happened with this COVID nineteen yet.

765
00:36:46,880 --> 00:36:50,360
Speaker 4: But if there's enough of us vaccinated, you may well

766
00:36:50,400 --> 00:36:54,240
Speaker 4: see its cycle out and become more controllable.

767
00:36:55,160 --> 00:36:56,920
Speaker 2: Is it true that the whole world has to get

768
00:36:56,960 --> 00:36:59,759
Speaker 2: vaccinated because, for example, say we all get vaccinated eighty

769
00:36:59,760 --> 00:37:04,400
Speaker 2: percent in Australia, COVID is running rampant in Indonesia. Isn't

770
00:37:04,400 --> 00:37:09,360
Speaker 2: that where in unvaccinated populations those variants will take hold

771
00:37:09,400 --> 00:37:11,600
Speaker 2: and inevitably that whips around the world.

772
00:37:12,960 --> 00:37:13,560
Speaker 10: True?

773
00:37:13,719 --> 00:37:17,680
Speaker 4: And then yes, so a virus can be moving around

774
00:37:17,680 --> 00:37:22,160
Speaker 4: a partially populated community and then it learns how to

775
00:37:22,200 --> 00:37:29,040
Speaker 4: be even more transmissible or hopefully not more deadly. Certainly

776
00:37:29,080 --> 00:37:32,200
Speaker 4: we haven't quite learned yet if delta is more deadly

777
00:37:32,760 --> 00:37:37,799
Speaker 4: or whether it's just finding the most vulnerable first and

778
00:37:37,920 --> 00:37:42,000
Speaker 4: sadly they're dying with it very rapidly. So yes, we

779
00:37:42,080 --> 00:37:45,919
Speaker 4: need the whole of the global community. We're so intoconnected.

780
00:37:45,960 --> 00:37:49,520
Speaker 4: And in Australia we are very multicultural and people go

781
00:37:49,600 --> 00:37:53,719
Speaker 4: and see their families, they go back to their original

782
00:37:54,239 --> 00:37:58,719
Speaker 4: country for family friends, you know, holidays, and if they

783
00:37:58,960 --> 00:38:03,080
Speaker 4: aren't really full vaccinated and don't have a really good immunity,

784
00:38:03,400 --> 00:38:07,640
Speaker 4: they'd be protected by that country's herd immunity. So we

785
00:38:07,760 --> 00:38:11,439
Speaker 4: need to have full global her immunity. And that's why

786
00:38:11,480 --> 00:38:15,520
Speaker 4: the World Health Organization isn't overly excited at the idea

787
00:38:15,920 --> 00:38:20,600
Speaker 4: of booster shots yet, because we're not seeing the world

788
00:38:21,440 --> 00:38:25,760
Speaker 4: uptake high enough yet for the justification of booster shots.

789
00:38:26,040 --> 00:38:28,279
Speaker 1: And is it possible to have too much information do

790
00:38:28,360 --> 00:38:31,120
Speaker 1: you feel that we have too much information now? I look,

791
00:38:31,400 --> 00:38:33,879
Speaker 1: when swine flu came through in two thousand and nine.

792
00:38:33,880 --> 00:38:35,680
Speaker 1: I know that swine flu is nothing compared to this,

793
00:38:36,000 --> 00:38:37,880
Speaker 1: but at the same time, that was a pandemic and

794
00:38:37,920 --> 00:38:39,799
Speaker 1: it did take a lot of Australian lives. I think

795
00:38:39,800 --> 00:38:41,440
Speaker 1: it was two hundred and twenty people that killed in

796
00:38:41,480 --> 00:38:43,319
Speaker 1: two thousand and nine. And I was going through my

797
00:38:43,400 --> 00:38:46,359
Speaker 1: diaries and I couldn't find any mention of us talking

798
00:38:46,400 --> 00:38:50,000
Speaker 1: about swine flu. Curiously, Instagram didn't exist back in two

799
00:38:50,000 --> 00:38:53,000
Speaker 1: thousand and nine, and Facebook message it didn't exist back

800
00:38:53,000 --> 00:38:54,440
Speaker 1: in two thousand and nine. Do you think we have

801
00:38:54,480 --> 00:38:55,400
Speaker 1: too much information?

802
00:38:57,360 --> 00:39:00,879
Speaker 4: I love a lot of information. I mean, how what

803
00:39:00,920 --> 00:39:04,799
Speaker 4: we have is everyone's a data scientist. I mean everyone's

804
00:39:05,080 --> 00:39:08,000
Speaker 4: a junior epidemiologist. And I think that's fantastic.

805
00:39:08,160 --> 00:39:08,759
Speaker 10: I really do.

806
00:39:09,160 --> 00:39:13,000
Speaker 4: I think the more people embrace knowledge to protect themselves,

807
00:39:13,040 --> 00:39:17,280
Speaker 4: it's great. The problem happens when it's disinformation and people

808
00:39:17,320 --> 00:39:20,560
Speaker 4: get overloaded, they get tired with it, and then they

809
00:39:20,600 --> 00:39:24,799
Speaker 4: start to look at maybe this, you know, being fearful

810
00:39:24,960 --> 00:39:26,879
Speaker 4: is not the right way around it, and then they

811
00:39:26,920 --> 00:39:30,080
Speaker 4: start pushing back. But I think one of the problems

812
00:39:30,160 --> 00:39:33,160
Speaker 4: with the swine flu was that it had the term flu,

813
00:39:33,520 --> 00:39:36,080
Speaker 4: and people thought we deal with the flu every year,

814
00:39:36,360 --> 00:39:39,880
Speaker 4: it can't be that bad. And if people don't see

815
00:39:40,040 --> 00:39:43,319
Speaker 4: and know somebody who's got sick and died, then they

816
00:39:43,360 --> 00:39:47,000
Speaker 4: think it doesn't apply to them. So I think it's

817
00:39:47,040 --> 00:39:50,240
Speaker 4: great that people have knowledge and they're going to start

818
00:39:50,280 --> 00:39:53,319
Speaker 4: to learn to deal with uncertainties like some of the

819
00:39:53,480 --> 00:39:57,360
Speaker 4: adverse events that we have with either of the vaccines.

820
00:39:57,840 --> 00:40:01,640
Speaker 4: All vaccines have adverse events and now we're teaching them

821
00:40:01,960 --> 00:40:06,120
Speaker 4: exactly how to position that risk. You know, we live

822
00:40:06,200 --> 00:40:09,279
Speaker 4: with the risk of crossing the road every day and

823
00:40:09,280 --> 00:40:13,759
Speaker 4: that's enormously risky, or going into the ocean, and we

824
00:40:13,920 --> 00:40:16,200
Speaker 4: learn to live with that. We learned to think about

825
00:40:16,520 --> 00:40:19,000
Speaker 4: how to make it safer. And it's the same with

826
00:40:19,200 --> 00:40:21,839
Speaker 4: new vaccines and a new knowledge.

827
00:40:22,040 --> 00:40:22,600
Speaker 1: Well there you go.

828
00:40:22,760 --> 00:40:25,799
Speaker 2: See this is what a life of science rings to us.

829
00:40:25,920 --> 00:40:28,560
Speaker 1: Break out the beakers and the Bunsen burners and the.

830
00:40:28,600 --> 00:40:32,480
Speaker 2: Lab coat and the labat inspirational to hear, to hear

831
00:40:32,840 --> 00:40:35,360
Speaker 2: science at the foe and we really are so grateful

832
00:40:35,360 --> 00:40:35,560
Speaker 2: for you.

833
00:40:35,640 --> 00:40:37,359
Speaker 1: Thank you, very Lewis, Thank you for joining us.

834
00:40:37,960 --> 00:40:40,839
Speaker 4: It's a pleasure. And please enjoy science. We can enjoy

835
00:40:41,560 --> 00:40:43,920
Speaker 4: all the science around you. Even that mask you're putting

836
00:40:43,920 --> 00:40:47,680
Speaker 4: on your face. Babular science went into that and stay safe.

837
00:40:47,960 --> 00:40:49,680
Speaker 2: Thank you and if you'd like to know more, head

838
00:40:49,719 --> 00:40:51,920
Speaker 2: to Scienceweek dot net dot au.

839
00:40:52,040 --> 00:40:54,480
Speaker 1: The pub test is coming up. We're talking about curfews

840
00:40:54,560 --> 00:40:57,120
Speaker 1: for Sydney. Does that pass the pub test? And doctor

841
00:40:57,200 --> 00:40:59,280
Speaker 1: Chris Brown, you put up the brown signal?

842
00:40:59,440 --> 00:41:02,920
Speaker 2: Well, Tash in our production team has a problem with

843
00:41:03,000 --> 00:41:05,120
Speaker 2: her dog. The only person who can help us is

844
00:41:05,160 --> 00:41:07,040
Speaker 2: doctor Chris.

845
00:41:07,719 --> 00:41:12,080
Speaker 9: When God, I want to go on right now, I'm

846
00:41:12,120 --> 00:41:13,879
Speaker 9: taking Please go.

847
00:41:13,880 --> 00:41:20,120
Speaker 10: To your windows, stick your head on a yell.

848
00:41:21,000 --> 00:41:24,560
Speaker 1: Down to the judge. Amount of arms, the pub test.

849
00:41:24,960 --> 00:41:27,680
Speaker 1: Sydney imposing a curfew? Does it pass the pub test?

850
00:41:27,760 --> 00:41:30,000
Speaker 2: Well, Melbourne did this in their last lockdown and they're

851
00:41:30,000 --> 00:41:32,480
Speaker 2: doing it this time too. You can't leave your home,

852
00:41:32,760 --> 00:41:35,880
Speaker 2: but you can't be outside between nine pm and five

853
00:41:36,040 --> 00:41:40,279
Speaker 2: a m. Without an exemption. I don't know how this

854
00:41:40,280 --> 00:41:42,960
Speaker 2: would benefit us, but people in Victoria say that we

855
00:41:43,000 --> 00:41:45,680
Speaker 2: didn't by us not doing this. Look where we are,

856
00:41:46,160 --> 00:41:48,520
Speaker 2: But I think most of our transmission is in households

857
00:41:48,520 --> 00:41:51,120
Speaker 2: and in workplaces, and I don't see that having a

858
00:41:51,239 --> 00:41:53,680
Speaker 2: nine pm cut off would make any difference to that.

859
00:41:54,160 --> 00:41:56,080
Speaker 2: But I've justed to know what you think. Sidney posing

860
00:41:56,080 --> 00:41:57,640
Speaker 2: a curfew, does it pass the pub test?

861
00:41:57,920 --> 00:42:00,200
Speaker 16: Yes?

862
00:42:00,360 --> 00:42:02,080
Speaker 3: And we get to see our family quicker.

863
00:42:02,239 --> 00:42:04,359
Speaker 4: Yes. I think we should have a curfew that will

864
00:42:04,400 --> 00:42:09,160
Speaker 4: discourage groups of younger people to congregate in the evenings. No,

865
00:42:09,400 --> 00:42:11,600
Speaker 4: people aren't going out at night anyway. The only people

866
00:42:11,600 --> 00:42:13,759
Speaker 4: that will be inconvenienced by this are those that are

867
00:42:13,760 --> 00:42:16,040
Speaker 4: working at that time or those that are already doing

868
00:42:16,040 --> 00:42:17,960
Speaker 4: the wrong thing and won't care whether there's a fine

869
00:42:18,000 --> 00:42:18,799
Speaker 4: attached to it or not.

870
00:42:19,000 --> 00:42:21,360
Speaker 11: I think it does. But the thing is, regardless of

871
00:42:21,360 --> 00:42:25,000
Speaker 11: whether you impose a curfew, idiots are still going to

872
00:42:25,040 --> 00:42:27,439
Speaker 11: be idiots. Those that are doing the right thing will

873
00:42:27,480 --> 00:42:29,440
Speaker 11: do it. Those that still want to go out and

874
00:42:29,680 --> 00:42:31,719
Speaker 11: do their own thing will do their own things.

875
00:42:32,320 --> 00:42:34,359
Speaker 2: Interesting though the fines are so hefty at the moment,

876
00:42:34,400 --> 00:42:36,720
Speaker 2: I think that is going to change people's behaviors. Surely

877
00:42:36,760 --> 00:42:40,239
Speaker 2: would five thousand dollars. Now, Hugh Jackman has admitted something

878
00:42:40,360 --> 00:42:44,640
Speaker 2: he's very embarrassed about. He's crushed on you well obviously,

879
00:42:47,000 --> 00:42:50,920
Speaker 2: podcast how charming and delightful is Hugh Jackman. He's the

880
00:42:51,080 --> 00:42:54,239
Speaker 2: nicest man in the history of the universe. I saw

881
00:42:54,280 --> 00:42:56,879
Speaker 2: something on Twitter yesterday that he put up from when

882
00:42:56,920 --> 00:42:59,560
Speaker 2: he was a kid. Have a listen.

883
00:43:00,000 --> 00:43:04,719
Speaker 9: I'll never forget my first flight overseas when we went

884
00:43:04,719 --> 00:43:06,799
Speaker 9: to New Zealand. So I was nine or ten and

885
00:43:06,840 --> 00:43:08,680
Speaker 9: we were sitting there on the back. Of course, I

886
00:43:08,880 --> 00:43:10,919
Speaker 9: was just in the aisle because my brother said I'm

887
00:43:10,920 --> 00:43:13,560
Speaker 9: having the window, and we were sitting there. It was

888
00:43:13,600 --> 00:43:15,800
Speaker 9: a three hour f line, and they all of a

889
00:43:15,840 --> 00:43:16,319
Speaker 9: sudden I.

890
00:43:16,280 --> 00:43:20,000
Speaker 6: See this trolley coming down. I smell food. I'm like food,

891
00:43:20,560 --> 00:43:21,279
Speaker 6: it smells good.

892
00:43:21,280 --> 00:43:21,640
Speaker 9: What is that?

893
00:43:21,680 --> 00:43:23,799
Speaker 6: And I said, well, we're getting lunch. I said, what

894
00:43:23,840 --> 00:43:26,480
Speaker 6: a mean? What do you mean lunch? They said, they

895
00:43:26,560 --> 00:43:29,719
Speaker 6: give you lunch. I said, on the plane, they give

896
00:43:29,800 --> 00:43:30,200
Speaker 6: us lunch.

897
00:43:31,000 --> 00:43:31,440
Speaker 1: And then I.

898
00:43:31,360 --> 00:43:33,760
Speaker 6: Said, this trolley coming down and out comes his food,

899
00:43:34,280 --> 00:43:37,560
Speaker 6: and I'm like, there's a chef up there cooking food.

900
00:43:38,000 --> 00:43:40,920
Speaker 9: And if anyone asked me from that point on, for

901
00:43:41,040 --> 00:43:43,400
Speaker 9: embarrassing three or four years, what I wanted to be

902
00:43:43,440 --> 00:43:45,560
Speaker 9: when I grow up, I would say, I want to

903
00:43:45,600 --> 00:43:48,640
Speaker 9: be a chef on a plane, because I honestly believed

904
00:43:48,880 --> 00:43:49,840
Speaker 9: that there was one.

905
00:43:50,320 --> 00:43:52,680
Speaker 6: Never crossed my mind. It was a microwave.

906
00:43:53,680 --> 00:43:56,279
Speaker 2: The front, though ironically he probably flies first class in

907
00:43:56,360 --> 00:43:58,479
Speaker 2: planes now that would have a chef at the front.

908
00:43:58,560 --> 00:44:03,200
Speaker 1: You get on the Big Emerald, they cook you a meal.

909
00:44:04,000 --> 00:44:05,840
Speaker 1: They got a whole cow that they slaughter in you,

910
00:44:05,920 --> 00:44:06,879
Speaker 1: but they serve it up.

911
00:44:07,000 --> 00:44:09,480
Speaker 2: But for him in those days, it would have been

912
00:44:09,520 --> 00:44:13,520
Speaker 2: a microwave. I remember the first time that I got

913
00:44:13,560 --> 00:44:16,720
Speaker 2: behind the wheel of a car with my father twenty

914
00:44:16,760 --> 00:44:20,320
Speaker 2: eight well, no, I sixteen nine months. Whatever it was

915
00:44:20,320 --> 00:44:22,200
Speaker 2: supposed to be, I didn't get my license for another

916
00:44:22,239 --> 00:44:24,680
Speaker 2: ten years after that. But I remember were at the

917
00:44:24,719 --> 00:44:26,800
Speaker 2: top of a hill. I was in the driver's seat,

918
00:44:27,320 --> 00:44:29,560
Speaker 2: and I thought the car would be like a skateboard.

919
00:44:29,680 --> 00:44:33,120
Speaker 2: I didn't. I thought it would just gain momentum down

920
00:44:33,120 --> 00:44:35,360
Speaker 2: the hill and it would be completely out of control.

921
00:44:36,080 --> 00:44:37,080
Speaker 2: And I was seventeen.

922
00:44:37,160 --> 00:44:38,799
Speaker 1: I would have thought that I would have taught you

923
00:44:38,840 --> 00:44:40,919
Speaker 1: about the breaks before you set off down a hill.

924
00:44:41,000 --> 00:44:43,480
Speaker 2: Well, I knew there were breaks, but it didn't occur

925
00:44:43,560 --> 00:44:46,000
Speaker 2: to me that I could control the speed of the car.

926
00:44:47,280 --> 00:44:49,799
Speaker 2: One of the girls who's in our production team, our

927
00:44:49,800 --> 00:44:52,479
Speaker 2: executive producer, said that she's boss. She used to think

928
00:44:52,520 --> 00:44:57,560
Speaker 2: that traffic lights were individually controlled, and that someone would

929
00:44:57,600 --> 00:45:00,560
Speaker 2: be looking at each set of traffic lights and go, okay,

930
00:45:00,560 --> 00:45:03,359
Speaker 2: there's three cars, I'll let those ones through. Oh it's

931
00:45:03,440 --> 00:45:04,799
Speaker 2: quiet over there, I'll do this.

932
00:45:05,000 --> 00:45:06,000
Speaker 1: That there was.

933
00:45:05,880 --> 00:45:09,239
Speaker 2: Someone controlling manually every single.

934
00:45:08,960 --> 00:45:11,200
Speaker 1: Travel In fact, it's sensor pads.

935
00:45:10,760 --> 00:45:12,600
Speaker 2: And algorithms and blah.

936
00:45:13,120 --> 00:45:15,840
Speaker 1: That they do control them manually, though with the cameras.

937
00:45:16,400 --> 00:45:19,120
Speaker 1: Have you ever seen a green light corridor, If you

938
00:45:19,200 --> 00:45:22,480
Speaker 1: ever see a bunch of cop bikes and a limousine,

939
00:45:22,920 --> 00:45:24,560
Speaker 1: get onto the tail.

940
00:45:24,360 --> 00:45:27,000
Speaker 2: Of that because because Darryl Summerson.

941
00:45:26,719 --> 00:45:29,560
Speaker 1: Daryl Somers is in town and they're getting into wherever

942
00:45:29,600 --> 00:45:31,520
Speaker 1: he's got to be. You get on the back of that,

943
00:45:31,560 --> 00:45:32,560
Speaker 1: you ride the green light.

944
00:45:32,880 --> 00:45:36,520
Speaker 2: It's still all computer, it's still all done through one

945
00:45:36,600 --> 00:45:38,120
Speaker 2: big making sure there's.

946
00:45:37,920 --> 00:45:39,560
Speaker 1: A dude that sits there, and because you can muck

947
00:45:39,560 --> 00:45:41,000
Speaker 1: your day up as well, and I'm going to sort

948
00:45:41,080 --> 00:45:43,719
Speaker 1: him out and give you every I'm going to give

949
00:45:43,760 --> 00:45:45,799
Speaker 1: him a red light. I sometimes I wonder that in

950
00:45:45,800 --> 00:45:47,680
Speaker 1: the morning, because sometimes a light will just go off

951
00:45:47,719 --> 00:45:51,040
Speaker 1: for no reason. I go, okay, okay, I see why.

952
00:45:51,080 --> 00:45:52,440
Speaker 1: I see what's happening.

953
00:45:52,640 --> 00:45:54,960
Speaker 2: Yeah, yeah, yeeling into the sky.

954
00:45:56,120 --> 00:45:59,319
Speaker 1: That's funny. Maybe something the tribal drum would be for.

955
00:45:59,680 --> 00:46:01,120
Speaker 1: I mean embarrassed. I used to.

956
00:46:01,120 --> 00:46:04,279
Speaker 2: Think dot dot dot when I was a kid.

957
00:46:04,239 --> 00:46:05,920
Speaker 1: And this is how old I am. I remember when

958
00:46:05,960 --> 00:46:08,520
Speaker 1: color TV started, we only had a black and white TV,

959
00:46:09,000 --> 00:46:12,200
Speaker 1: and then at school we're talking about color TV and

960
00:46:13,160 --> 00:46:15,200
Speaker 1: certain shows. I remember on Channel seven used to say

961
00:46:15,560 --> 00:46:18,520
Speaker 1: Land of the Giants now in color. And then I

962
00:46:18,560 --> 00:46:20,160
Speaker 1: was at school and one of my mates who had

963
00:46:20,200 --> 00:46:22,000
Speaker 1: a color TV said, yeah, all you do is you

964
00:46:22,040 --> 00:46:24,680
Speaker 1: go home and you're just the contrast button and you'll

965
00:46:24,719 --> 00:46:27,719
Speaker 1: get color TV. And I don't know if he's happening.

966
00:46:27,440 --> 00:46:29,480
Speaker 2: To go at me or not, but I'd still fall

967
00:46:29,520 --> 00:46:29,719
Speaker 2: for that.

968
00:46:29,960 --> 00:46:32,560
Speaker 1: I got home because it's said on TV Land of

969
00:46:32,560 --> 00:46:35,720
Speaker 1: the Giants in color, So I'm mucking around the contrast button.

970
00:46:35,800 --> 00:46:38,440
Speaker 1: Dad's going, what are you doing? And I said, it's

971
00:46:38,480 --> 00:46:40,359
Speaker 1: in color, Dad, it says it there, and he's no,

972
00:46:40,400 --> 00:46:42,760
Speaker 1: it's a black and white TV. And then he started

973
00:46:42,840 --> 00:46:45,720
Speaker 1: drawing a picture of a cathode ray and I said, come,

974
00:46:45,800 --> 00:46:48,799
Speaker 1: I'm missing Land of the Giants the episode. It's the

975
00:46:48,840 --> 00:46:51,440
Speaker 1: episode when they pick up the pen and dial the phone.

976
00:46:51,600 --> 00:46:54,720
Speaker 2: Wasn't that every episode was only prop was a giant

977
00:46:54,760 --> 00:46:57,719
Speaker 2: phone and a pen and a pencil. Even he was

978
00:46:57,719 --> 00:46:58,200
Speaker 2: a pencil.

979
00:46:58,320 --> 00:47:01,839
Speaker 1: You never saw the pen episode Wow series two?

980
00:47:02,880 --> 00:47:06,600
Speaker 2: All right, forget about whiteloatus tribal drum is voting for?

981
00:47:07,520 --> 00:47:10,879
Speaker 2: Is beating for? I'm embarrassed that I used to think

982
00:47:11,160 --> 00:47:14,680
Speaker 2: dot dot dotamation.

983
00:47:15,560 --> 00:47:18,440
Speaker 17: Jonesy and Amanda in the Morning one oh one point

984
00:47:18,480 --> 00:47:21,080
Speaker 17: seven WSFM.

985
00:47:20,360 --> 00:47:24,120
Speaker 1: Hello there. This is auspurned by Hugh Jackman, who admitted

986
00:47:24,160 --> 00:47:26,359
Speaker 1: just recently on Twitter, the first time that he went

987
00:47:26,400 --> 00:47:28,400
Speaker 1: on an airplane, he actually thought that there was a

988
00:47:28,480 --> 00:47:29,200
Speaker 1: chef on the plane.

989
00:47:29,239 --> 00:47:31,359
Speaker 2: He was only seven or eight and he smelt food.

990
00:47:31,360 --> 00:47:33,239
Speaker 2: He thought, what the hell's that for?

991
00:47:33,360 --> 00:47:35,719
Speaker 9: Embarrassing? Three or four years? What I wanted to be

992
00:47:35,800 --> 00:47:37,880
Speaker 9: when I grow up? I would say, I want to

993
00:47:37,920 --> 00:47:40,600
Speaker 9: be a chef on a plane, because I honestly belian

994
00:47:41,200 --> 00:47:43,560
Speaker 9: that there was one never crossed my mind.

995
00:47:43,600 --> 00:47:45,920
Speaker 1: It was my live Imagine if he saw snakes on

996
00:47:45,960 --> 00:47:48,600
Speaker 1: a plane, that would be terrifying.

997
00:47:49,200 --> 00:47:52,040
Speaker 2: So the tribal drama is beating for I'm embarrassed that

998
00:47:52,120 --> 00:47:54,120
Speaker 2: I used to think dot dot dot.

999
00:47:54,080 --> 00:47:57,200
Speaker 1: Brad is joining to sell I Brad, Oh guys here,

1000
00:47:57,200 --> 00:47:58,200
Speaker 1: you're going very well.

1001
00:47:58,239 --> 00:47:59,280
Speaker 2: What did you think Brad?

1002
00:48:00,840 --> 00:48:03,800
Speaker 17: Before ninety eight year? I thought I saw one actor

1003
00:48:03,920 --> 00:48:07,000
Speaker 17: on one channel, and I turn over another channel, the

1004
00:48:07,080 --> 00:48:10,279
Speaker 17: same person's on another channel. How do you get over

1005
00:48:10,320 --> 00:48:12,600
Speaker 17: from one studio to another? Studios too fast?

1006
00:48:13,880 --> 00:48:15,960
Speaker 2: He thought it was all happening live before your eyes.

1007
00:48:16,800 --> 00:48:19,720
Speaker 1: Yeah, there would be John Wood on seven.

1008
00:48:19,840 --> 00:48:22,000
Speaker 2: Or imagine today if it was Stephen Peacock, who's in

1009
00:48:22,120 --> 00:48:23,760
Speaker 2: every show you can imagine.

1010
00:48:23,760 --> 00:48:26,719
Speaker 1: Or Shane Jacobson. There he is, he's doing everything. Yeah,

1011
00:48:27,040 --> 00:48:28,000
Speaker 1: give someone else a gag.

1012
00:48:28,400 --> 00:48:30,520
Speaker 2: Have to get an uber from place to place to place.

1013
00:48:31,239 --> 00:48:31,960
Speaker 2: Thank you, Brad.

1014
00:48:33,680 --> 00:48:35,600
Speaker 1: I love the idea. Hugh Jackman at the age of

1015
00:48:35,680 --> 00:48:37,160
Speaker 1: nine or ten, he's on a plane on the way

1016
00:48:37,200 --> 00:48:40,319
Speaker 1: to New Zealand, gets on the plane and discovers there's

1017
00:48:40,320 --> 00:48:42,200
Speaker 1: actually food trolley and.

1018
00:48:42,239 --> 00:48:44,840
Speaker 2: He starts to smell the food and he's thrilled.

1019
00:48:45,280 --> 00:48:47,719
Speaker 6: For embarrassing three or four years what I wanted to

1020
00:48:47,760 --> 00:48:48,600
Speaker 6: be when I grow up?

1021
00:48:48,640 --> 00:48:50,640
Speaker 9: I would say, I want to be a chef on

1022
00:48:50,680 --> 00:48:54,120
Speaker 9: a plane, because the honestly believe that there was one

1023
00:48:54,760 --> 00:48:55,640
Speaker 9: never crossed my mind.

1024
00:48:55,719 --> 00:48:57,120
Speaker 6: It was a microve.

1025
00:48:58,360 --> 00:49:02,080
Speaker 2: He's lovely, so the tribal drums. I'm embarrassed that I

1026
00:49:02,239 --> 00:49:03,799
Speaker 2: used to think dot dot dot.

1027
00:49:03,960 --> 00:49:05,399
Speaker 1: Craig, is you want to sell that? Craig?

1028
00:49:07,080 --> 00:49:09,400
Speaker 2: Guys very well, what did you used to think? Craig?

1029
00:49:10,719 --> 00:49:13,319
Speaker 8: When I was younger, I was always fascinated by the moon,

1030
00:49:13,440 --> 00:49:15,440
Speaker 8: and I thought that the moon you see every night

1031
00:49:15,600 --> 00:49:19,279
Speaker 8: was just owned by Australia and every other and every

1032
00:49:19,320 --> 00:49:21,640
Speaker 8: other country had their own moon and they couldn't use ours.

1033
00:49:22,800 --> 00:49:23,880
Speaker 2: How long did you think this.

1034
00:49:26,400 --> 00:49:27,520
Speaker 8: Until I grew up a little bit.

1035
00:49:28,920 --> 00:49:33,600
Speaker 1: It's extraordinary lease arrangement. At least that moon to New Zealand, for.

1036
00:49:33,760 --> 00:49:35,759
Speaker 2: No, we have ours. New Zealand would have its time.

1037
00:49:35,880 --> 00:49:36,520
Speaker 1: They have its own.

1038
00:49:36,600 --> 00:49:40,240
Speaker 2: Man, how do we know that's not true? You're onto something.

1039
00:49:40,360 --> 00:49:41,680
Speaker 2: Craig Alan.

1040
00:49:42,960 --> 00:49:45,200
Speaker 1: Craig Alan has joined us as well. Alan.

1041
00:49:46,080 --> 00:49:48,719
Speaker 2: Yeah, the guys very well. What are you embarrassed now

1042
00:49:48,760 --> 00:49:49,720
Speaker 2: that you used to think about?

1043
00:49:50,760 --> 00:49:51,000
Speaker 9: Well?

1044
00:49:51,719 --> 00:49:54,400
Speaker 5: I used to think when I'd watch TV shows and

1045
00:49:54,480 --> 00:49:58,239
Speaker 5: I'd hear Kene laughter or applause, I actually thought it

1046
00:49:58,360 --> 00:49:59,840
Speaker 5: was coming from other land rooms.

1047
00:50:01,239 --> 00:50:03,200
Speaker 1: Oh yes, coming back into the TV.

1048
00:50:03,440 --> 00:50:05,080
Speaker 2: You could hear other families laughter.

1049
00:50:06,360 --> 00:50:11,440
Speaker 5: Yeah, so I'd clap harder and louder to see if

1050
00:50:11,440 --> 00:50:12,320
Speaker 5: I could hear myself.

1051
00:50:13,480 --> 00:50:15,480
Speaker 1: You thought it was coming back into the TV.

1052
00:50:15,880 --> 00:50:18,440
Speaker 2: Oh that's great. You must have been very annoying to

1053
00:50:18,480 --> 00:50:19,320
Speaker 2: watch television with.

1054
00:50:20,719 --> 00:50:25,280
Speaker 1: Oh yeah, just a little Yeah, there's Alan watching TV.

1055
00:50:28,760 --> 00:50:30,400
Speaker 2: There's Ellen. Now I can recognize his.

1056
00:50:30,520 --> 00:50:33,040
Speaker 1: Laugh if you've clapped. Well there mate, Oh.

1057
00:50:33,000 --> 00:50:37,520
Speaker 2: Good on you Allen. Thank you. Jonesy and Amanda Gama podcast.

1058
00:50:38,920 --> 00:50:42,480
Speaker 11: Cover the moment into you Wow look decided to get

1059
00:50:42,520 --> 00:50:43,040
Speaker 11: out of there.

1060
00:50:43,840 --> 00:50:46,320
Speaker 1: I love this story. Hugh Jackman on Twitter when the

1061
00:50:46,400 --> 00:50:48,759
Speaker 1: first time he went on a plane, he was so

1062
00:50:48,920 --> 00:50:52,000
Speaker 1: excited to discover you actually get food, but secondly to that,

1063
00:50:52,080 --> 00:50:54,000
Speaker 1: he also thought there was a chef on the plane.

1064
00:50:54,120 --> 00:50:56,840
Speaker 9: He wanted to be a chef for embarrassing three or

1065
00:50:56,880 --> 00:50:59,000
Speaker 9: four years what I wanted to be when I growing up,

1066
00:50:59,040 --> 00:51:01,000
Speaker 9: I would say I want to be a chef on

1067
00:51:01,120 --> 00:51:04,520
Speaker 9: a plane, because I honestly believed that there was one.

1068
00:51:05,160 --> 00:51:07,000
Speaker 6: Never crossed my mind. It was a micro live.

1069
00:51:07,680 --> 00:51:10,560
Speaker 2: So the tribal drum is beating for I embarrassed. I

1070
00:51:10,760 --> 00:51:12,640
Speaker 2: used to think, dot dot dot.

1071
00:51:12,600 --> 00:51:13,520
Speaker 1: Darren has joined us.

1072
00:51:13,560 --> 00:51:17,520
Speaker 2: Hello Darren, Good morning, Janes morning Amanda, Hi Darren, what

1073
00:51:17,600 --> 00:51:19,279
Speaker 2: did you used to think? That's embarrassing?

1074
00:51:20,640 --> 00:51:23,920
Speaker 3: Unfortunately, when I was younger in primary school, my very

1075
00:51:23,960 --> 00:51:25,760
Speaker 3: first movie was Glippoi.

1076
00:51:27,040 --> 00:51:27,600
Speaker 10: Was I was?

1077
00:51:28,880 --> 00:51:30,920
Speaker 16: I used to think, why would anyone want to be

1078
00:51:31,000 --> 00:51:33,240
Speaker 16: a famous actor and die in a movie?

1079
00:51:34,480 --> 00:51:35,959
Speaker 1: Are you thought that they actually die?

1080
00:51:36,120 --> 00:51:36,279
Speaker 18: Oh?

1081
00:51:37,239 --> 00:51:39,920
Speaker 3: I thought they actually died, especially with that last scene.

1082
00:51:41,360 --> 00:51:43,759
Speaker 2: Wow, so you're right? Who would sign on?

1083
00:51:44,480 --> 00:51:46,759
Speaker 1: Well? I was sure, you get to be a movie star,

1084
00:51:46,880 --> 00:51:47,600
Speaker 1: but then you die.

1085
00:51:48,360 --> 00:51:51,920
Speaker 8: That's exactly right, isn't it.

1086
00:51:52,320 --> 00:51:54,480
Speaker 1: Method. I remember that guy what was his name, Danny

1087
00:51:55,640 --> 00:51:58,719
Speaker 1: or Denny, and he was in what was that shirt?

1088
00:51:58,760 --> 00:52:01,520
Speaker 1: Ally McBeal, and he died in that and then he

1089
00:52:01,600 --> 00:52:03,680
Speaker 1: was another thing and he died. He was always dying.

1090
00:52:03,760 --> 00:52:06,680
Speaker 1: He did good death. My wife is always so romantic.

1091
00:52:06,680 --> 00:52:07,480
Speaker 2: I think Gray's anatomy.

1092
00:52:07,520 --> 00:52:11,480
Speaker 1: I think Rai's anatomy. That's it, Not alemic Bill, alemic Bill, your.

1093
00:52:11,440 --> 00:52:14,600
Speaker 2: Wife liked it because because he always romantic, and then

1094
00:52:14,680 --> 00:52:15,880
Speaker 2: got out of the way you.

1095
00:52:16,000 --> 00:52:20,600
Speaker 1: Work out you die, that's romantic that Amanda has joined.

1096
00:52:20,719 --> 00:52:25,360
Speaker 18: Hello Amanda, Morning Jones and Amanda, I'm embarrassed that I

1097
00:52:25,640 --> 00:52:28,360
Speaker 18: actually used to think that when you were pregnant that

1098
00:52:28,640 --> 00:52:31,440
Speaker 18: the food you ate actually went right down the.

1099
00:52:31,480 --> 00:52:34,440
Speaker 3: Umbilical cord to the baby. So she had a hamburger.

1100
00:52:34,480 --> 00:52:37,080
Speaker 3: He could all the bits and pieces going right through

1101
00:52:37,280 --> 00:52:39,400
Speaker 3: to the baby. And then I thought, well, why do

1102
00:52:39,480 --> 00:52:42,279
Speaker 3: wedn't get pregnant when their pregnant gets fat because the

1103
00:52:42,360 --> 00:52:44,920
Speaker 3: food's going into the baby. And it wasn't until I

1104
00:52:45,000 --> 00:52:47,040
Speaker 3: was probably in my early thirties that I was so, No,

1105
00:52:47,120 --> 00:52:49,759
Speaker 3: the food doesn't go there, it's the nutrients go through there,

1106
00:52:49,840 --> 00:52:54,520
Speaker 3: but the food's still going into you. But yeah, that's

1107
00:52:54,560 --> 00:52:55,400
Speaker 3: what I was embarrassed.

1108
00:52:55,800 --> 00:52:58,279
Speaker 2: And what are your thirties? I can see what I liked.

1109
00:52:58,280 --> 00:53:00,759
Speaker 2: The idea though, that you pictured a chip making its

1110
00:53:00,840 --> 00:53:01,560
Speaker 2: way down.

1111
00:53:01,480 --> 00:53:05,279
Speaker 3: The tube exactly that's what I exactly thought.

1112
00:53:05,719 --> 00:53:07,000
Speaker 1: Did you admit this publicly?

1113
00:53:07,920 --> 00:53:10,279
Speaker 3: Well, I just when I told my husband I'm going

1114
00:53:10,320 --> 00:53:11,920
Speaker 3: to ring up and say the story. He said, when

1115
00:53:11,960 --> 00:53:15,120
Speaker 3: did you realize? And I said, oh, probably early thirties,

1116
00:53:15,160 --> 00:53:16,480
Speaker 3: and he shook his head. He said, oh, my.

1117
00:53:16,520 --> 00:53:21,520
Speaker 2: Goodness, if he's speaking of your in its friend of

1118
00:53:21,600 --> 00:53:23,279
Speaker 2: mine went to school with a girl who thought that

1119
00:53:23,440 --> 00:53:27,360
Speaker 2: chops and things just all floated around, shaped like French

1120
00:53:27,480 --> 00:53:31,320
Speaker 2: cutlets and stuff inside you inside the cow.

1121
00:53:31,640 --> 00:53:32,800
Speaker 1: Get thee to an abati.

1122
00:53:33,880 --> 00:53:35,799
Speaker 2: You open up a cow and you just lift all

1123
00:53:35,880 --> 00:53:38,160
Speaker 2: these wonderful meat trays out.

1124
00:53:40,280 --> 00:53:41,160
Speaker 1: Thank you, Aman of.

1125
00:53:43,280 --> 00:53:43,920
Speaker 2: Comcast.

1126
00:53:44,200 --> 00:53:47,759
Speaker 1: One of the top people that works here. Natasha in

1127
00:53:47,840 --> 00:53:48,640
Speaker 1: the typing floor.

1128
00:53:48,800 --> 00:53:52,320
Speaker 2: She has the cutest little sausage dog. He's absolutely adorable.

1129
00:53:52,360 --> 00:53:55,560
Speaker 2: You brought him in here. He's a delight. But you

1130
00:53:55,760 --> 00:54:00,400
Speaker 2: say that when you're not at home, he goes feral. Indeed,

1131
00:54:00,680 --> 00:54:02,319
Speaker 2: it's only one person who can help us.

1132
00:54:02,600 --> 00:54:05,200
Speaker 1: S Sky Doctor Chris Brown.

1133
00:54:06,200 --> 00:54:07,600
Speaker 2: Hello Chris Brown, how are you?

1134
00:54:08,160 --> 00:54:11,200
Speaker 10: Good morning. I know ferrel. I've experienced it. I've worked

1135
00:54:11,239 --> 00:54:12,880
Speaker 10: with it many for many years.

1136
00:54:14,120 --> 00:54:16,360
Speaker 1: I was going to say, save the call to you,

1137
00:54:16,760 --> 00:54:19,480
Speaker 1: and my advice is just straight to your local pound.

1138
00:54:19,680 --> 00:54:22,480
Speaker 1: The dog is as cute as anything. Someone will surely

1139
00:54:22,560 --> 00:54:24,960
Speaker 1: take it. Don't tell them that it's like Kujo when

1140
00:54:25,000 --> 00:54:27,839
Speaker 1: you're away. Just hand the dog over to some other food.

1141
00:54:27,880 --> 00:54:29,120
Speaker 2: Well, let's just have a look at the sort of

1142
00:54:29,120 --> 00:54:31,760
Speaker 2: stuff that Sammy gets up to when you're not home, Tash,

1143
00:54:32,280 --> 00:54:34,239
Speaker 2: there's some photos here, and I know you've seen them too,

1144
00:54:34,320 --> 00:54:38,920
Speaker 2: Chris of slippers shredded. You said your orthotics have been

1145
00:54:39,000 --> 00:54:42,120
Speaker 2: ripped out of your shoes. Very expensive glass is broken,

1146
00:54:42,440 --> 00:54:47,120
Speaker 2: pop plants ripped into tissue boxes, shredded, his own toys shredded.

1147
00:54:47,320 --> 00:54:50,759
Speaker 14: Yes, every time we leave the house. And the thing is, Chris,

1148
00:54:50,920 --> 00:54:54,640
Speaker 14: when we're home, he is an angel, and the second

1149
00:54:54,719 --> 00:54:56,880
Speaker 14: we leave, it's like he will go out of his

1150
00:54:57,000 --> 00:55:00,520
Speaker 14: way to find something that's of value to us and

1151
00:55:00,920 --> 00:55:03,200
Speaker 14: rip it up, and he'll know. When I get home.

1152
00:55:03,760 --> 00:55:05,680
Speaker 14: He has a different sort of attitude when I walk

1153
00:55:05,719 --> 00:55:08,440
Speaker 14: in the door because he knows that that's not the

1154
00:55:08,520 --> 00:55:09,080
Speaker 14: right thing to do.

1155
00:55:09,400 --> 00:55:12,840
Speaker 2: What's going on, Chris? What's the psychology here, Natasha?

1156
00:55:13,120 --> 00:55:15,960
Speaker 10: I can notice how old is he is? He about

1157
00:55:16,280 --> 00:55:17,200
Speaker 10: what about a year old?

1158
00:55:17,320 --> 00:55:18,400
Speaker 2: Or yeah, he'll be a.

1159
00:55:18,480 --> 00:55:19,440
Speaker 14: Year in September.

1160
00:55:20,280 --> 00:55:24,840
Speaker 10: So he's essentially a COVID puppy, right, yeah, yeah, So

1161
00:55:25,440 --> 00:55:28,080
Speaker 10: we're seeing this phenomenon right now across a lot of

1162
00:55:28,360 --> 00:55:31,640
Speaker 10: a lot of dogs, both the COVID generation plus the

1163
00:55:32,120 --> 00:55:34,719
Speaker 10: plus the ones beforehand. But they've kind of just got

1164
00:55:34,840 --> 00:55:38,200
Speaker 10: used to us being at home. They've enjoyed the golden years.

1165
00:55:38,239 --> 00:55:40,480
Speaker 10: This has been the greatest time in their lives because

1166
00:55:40,520 --> 00:55:43,600
Speaker 10: they've had our undivided attention. We've been around. They've been

1167
00:55:43,640 --> 00:55:46,279
Speaker 10: able to just get accustomed to life like that. So

1168
00:55:46,400 --> 00:55:49,200
Speaker 10: when we do eventually leave the house, they melt down.

1169
00:55:49,280 --> 00:55:53,080
Speaker 10: They've never really had to send themselves, never really been

1170
00:55:53,120 --> 00:55:55,719
Speaker 10: in a situation where they don't have attention on cap

1171
00:55:56,840 --> 00:55:59,000
Speaker 10: and so it's a very tricky time for them. And

1172
00:55:59,840 --> 00:56:03,759
Speaker 10: the manifestation, if you like, of this anxiety over what

1173
00:56:03,920 --> 00:56:06,120
Speaker 10: to do with their lives and what to do once

1174
00:56:06,200 --> 00:56:08,359
Speaker 10: you've gone, once you've even gone out of the shop.

1175
00:56:09,719 --> 00:56:13,480
Speaker 10: It often destructive behavior. That's how they that's how they

1176
00:56:13,600 --> 00:56:16,840
Speaker 10: lash out. You're like, through their anxiety, they've got to

1177
00:56:16,920 --> 00:56:19,200
Speaker 10: do something, They've got to occupy their time with something,

1178
00:56:19,719 --> 00:56:23,800
Speaker 10: and the frustration and the confusion leads to this destructive behavior.

1179
00:56:23,840 --> 00:56:27,760
Speaker 10: And we're kind of seeing this a wave of dogs,

1180
00:56:28,239 --> 00:56:30,320
Speaker 10: especially really acting out like this.

1181
00:56:30,640 --> 00:56:32,560
Speaker 2: Well, Tasha said that she's done all the things that

1182
00:56:32,600 --> 00:56:34,560
Speaker 2: you'd think of like she's been what have you done

1183
00:56:34,600 --> 00:56:36,640
Speaker 2: to She've been putting peanut butter, And we put.

1184
00:56:36,840 --> 00:56:39,200
Speaker 14: Peanut butter in this device called a calm and we

1185
00:56:39,320 --> 00:56:41,719
Speaker 14: freeze it so that way he can, you know, try

1186
00:56:41,840 --> 00:56:44,120
Speaker 14: and get that out throughout the day. It's meant to

1187
00:56:44,200 --> 00:56:47,480
Speaker 14: last all day, but I think it lasts him ten minutes.

1188
00:56:47,560 --> 00:56:50,879
Speaker 14: We've got the dog puzzle where you've qui possled. It's

1189
00:56:50,960 --> 00:56:52,440
Speaker 14: like a sort of like a it looks like a

1190
00:56:52,480 --> 00:56:55,560
Speaker 14: board game for dogs, and it's got these little flaps

1191
00:56:55,640 --> 00:56:58,279
Speaker 14: and contraptions where you put little treats in it, and

1192
00:56:58,480 --> 00:57:01,360
Speaker 14: basically they have to un do the trapdoors and all that.

1193
00:57:01,480 --> 00:57:02,960
Speaker 14: It's meant to take them a long time as well.

1194
00:57:03,440 --> 00:57:05,440
Speaker 14: That takes him two minutes. Have timed him doing that.

1195
00:57:06,160 --> 00:57:09,279
Speaker 14: So we leave him out bully sticks and pig ears

1196
00:57:09,360 --> 00:57:12,239
Speaker 14: and all the gross stuff that's meant to last more day.

1197
00:57:12,560 --> 00:57:14,960
Speaker 2: He literally won't eat those things until I get home.

1198
00:57:15,760 --> 00:57:18,880
Speaker 10: Yeah, because the anxiety is just too much, and they

1199
00:57:19,000 --> 00:57:21,520
Speaker 10: if they're often they're hunger disappears when they're anxious like this,

1200
00:57:22,200 --> 00:57:25,480
Speaker 10: And there's no substitute for your for your time and

1201
00:57:25,760 --> 00:57:28,520
Speaker 10: your company. So the best way, this is probably the

1202
00:57:28,560 --> 00:57:30,560
Speaker 10: best thing to do, I would say is you've got

1203
00:57:30,640 --> 00:57:35,000
Speaker 10: to lower their level of anxiety. And so initially exercise

1204
00:57:35,120 --> 00:57:36,720
Speaker 10: before you're you know you're going to be out of

1205
00:57:36,760 --> 00:57:42,280
Speaker 10: the house. Tricky when you're working in breakfast radio, but

1206
00:57:42,640 --> 00:57:45,520
Speaker 10: where where you can certainly do that, that'll that will

1207
00:57:45,560 --> 00:57:48,120
Speaker 10: certainly help out. And then you've just got to make

1208
00:57:48,160 --> 00:57:52,200
Speaker 10: them feel less alone. So if you can record your

1209
00:57:52,320 --> 00:57:56,640
Speaker 10: your own voice, if you know, even put on Jones

1210
00:57:56,640 --> 00:57:59,000
Speaker 10: and Amanda while while you're actually out of the house,

1211
00:57:59,760 --> 00:58:04,560
Speaker 10: how make make make Sammy feel just a little less

1212
00:58:04,840 --> 00:58:08,000
Speaker 10: by himself. This if your life, and and by doing

1213
00:58:08,040 --> 00:58:10,040
Speaker 10: that that's certainly going to kind of lower that anxiety

1214
00:58:10,080 --> 00:58:12,400
Speaker 10: and make make them makes me feel like, you know what,

1215
00:58:13,120 --> 00:58:17,080
Speaker 10: they're going to be home soon. I would probably look

1216
00:58:17,200 --> 00:58:21,520
Speaker 10: to instigate a little thing called You've heard of Me time?

1217
00:58:21,600 --> 00:58:24,400
Speaker 10: This is d time. So around the house, don't let

1218
00:58:24,480 --> 00:58:28,280
Speaker 10: Sammy get your attention whenever Sammy wants it. So for

1219
00:58:29,120 --> 00:58:32,480
Speaker 10: half an hour at a time, he completely ignore Sammy.

1220
00:58:32,520 --> 00:58:34,120
Speaker 10: And by doing that, what you're going to do is

1221
00:58:34,560 --> 00:58:37,880
Speaker 10: is make sure that that he develops his own coping techniques,

1222
00:58:38,040 --> 00:58:39,920
Speaker 10: he learns to live his own life and learns to

1223
00:58:40,000 --> 00:58:43,520
Speaker 10: find his own amusement and own interest. And you can

1224
00:58:43,600 --> 00:58:45,640
Speaker 10: even put him at different times, it's in different parts

1225
00:58:45,680 --> 00:58:47,840
Speaker 10: of the house and just leave him there with with

1226
00:58:47,960 --> 00:58:50,160
Speaker 10: the radio playing, with with their with their being sound,

1227
00:58:50,200 --> 00:58:54,080
Speaker 10: with the TV on, and just just develop that that

1228
00:58:54,320 --> 00:58:57,320
Speaker 10: solo existence a little bit more, because at the moment

1229
00:58:57,440 --> 00:59:00,240
Speaker 10: there's there's either you or there's nothing, nothing at all.

1230
00:59:00,640 --> 00:59:03,400
Speaker 2: That in detail, I think you can do that, Tash is,

1231
00:59:03,440 --> 00:59:05,840
Speaker 2: when you're at home, keep away from the dogs and

1232
00:59:06,000 --> 00:59:08,560
Speaker 2: I ignore him for half an hour. Put him in

1233
00:59:08,600 --> 00:59:10,280
Speaker 2: the laundry or something while you're home.

1234
00:59:10,800 --> 00:59:12,960
Speaker 14: Yeah, maybe I'll look him out in the balcony or something.

1235
00:59:13,800 --> 00:59:16,960
Speaker 10: It's a definition of tough love, Natasha like. It's it's tricky,

1236
00:59:17,000 --> 00:59:18,840
Speaker 10: it's hard to do, and it goes against everything.

1237
00:59:18,640 --> 00:59:19,160
Speaker 12: We want to do.

1238
00:59:19,920 --> 00:59:23,400
Speaker 10: But when they're so firmly part of the fabric of

1239
00:59:23,560 --> 00:59:26,880
Speaker 10: our lives and vice versa, you almost have to detach

1240
00:59:26,960 --> 00:59:30,520
Speaker 10: some of those bonds to allow them to be themselves

1241
00:59:30,560 --> 00:59:33,960
Speaker 10: and to actually live their lives, because without us, they

1242
00:59:34,000 --> 00:59:36,880
Speaker 10: feel like they have nothing, whereas they can have something

1243
00:59:37,160 --> 00:59:40,120
Speaker 10: if you provide some substitutes like TV likes, some radio like,

1244
00:59:40,200 --> 00:59:45,520
Speaker 10: some voices being played even on a tape, some sort

1245
00:59:45,560 --> 00:59:50,120
Speaker 10: of talk back radio, just something to get that feeling

1246
00:59:50,440 --> 00:59:53,360
Speaker 10: of as there big company there, but it's not necessarily

1247
00:59:53,440 --> 00:59:54,640
Speaker 10: being physical company, not.

1248
00:59:54,720 --> 00:59:56,920
Speaker 1: Talk back radio. Then the dog level, those right wing

1249
00:59:57,000 --> 01:00:01,960
Speaker 1: opinions as well become a taxi tasty. You know that dog,

1250
01:00:02,000 --> 01:00:03,880
Speaker 1: if you took it down to the pound. I'll tell

1251
01:00:03,920 --> 01:00:05,520
Speaker 1: you what that would be.

1252
01:00:06,000 --> 01:00:07,560
Speaker 2: Jesus, why we go to you, Chris and not to

1253
01:00:07,680 --> 01:00:08,600
Speaker 2: doctor I would take that.

1254
01:00:08,720 --> 01:00:10,400
Speaker 1: Dog in a second. Is so cute?

1255
01:00:10,800 --> 01:00:17,720
Speaker 10: Well, not alone, not alone at all. This this census

1256
01:00:17,760 --> 01:00:21,240
Speaker 10: I did just recently, I think forty percent of pet

1257
01:00:21,280 --> 01:00:24,200
Speaker 10: owners have seen an increase in like a dramatic increase

1258
01:00:24,240 --> 01:00:26,920
Speaker 10: in the neediness of their pets over the last year

1259
01:00:27,000 --> 01:00:30,160
Speaker 10: or so and anxiety levels through the roof.

1260
01:00:30,480 --> 01:00:33,480
Speaker 1: Well, thanks for giving us some b time see brown time,

1261
01:00:33,640 --> 01:00:34,160
Speaker 1: Brown Time?

1262
01:00:34,640 --> 01:00:35,439
Speaker 2: What brown Time?

1263
01:00:36,440 --> 01:00:41,040
Speaker 1: Yes, thank you so much some time on Beta worried

1264
01:00:41,160 --> 01:00:41,600
Speaker 1: doctor Chris?

1265
01:00:41,680 --> 01:00:41,880
Speaker 3: Thank you?

1266
01:00:41,920 --> 01:00:42,160
Speaker 1: Could you?

1267
01:00:42,280 --> 01:00:42,480
Speaker 18: Thank you?

1268
01:00:42,600 --> 01:00:42,760
Speaker 11: Chris?

1269
01:00:42,840 --> 01:00:43,440
Speaker 2: Appreciate it.

1270
01:00:43,840 --> 01:00:44,400
Speaker 10: Hey, don't worry.

1271
01:00:44,440 --> 01:00:46,360
Speaker 1: We'll catch you on the living room on Friday night

1272
01:00:46,400 --> 01:00:50,240
Speaker 1: at seven thirty. It's back on Telly tonight on nine

1273
01:00:50,240 --> 01:00:52,480
Speaker 1: o'clock on channel seven A n T.

1274
01:00:53,240 --> 01:00:55,960
Speaker 2: Which is that like an ins and throat specialist. No

1275
01:00:56,160 --> 01:00:59,800
Speaker 2: Australia Now and then you're on that you're interviewed amongst

1276
01:00:59,800 --> 01:01:01,320
Speaker 2: other people to discuss.

1277
01:01:01,440 --> 01:01:03,280
Speaker 1: Sometimes I get more time than the guy that does

1278
01:01:03,400 --> 01:01:07,960
Speaker 1: the gum commercials sometimes, but we argue which generation is

1279
01:01:08,000 --> 01:01:10,640
Speaker 1: the better generation? X? Of course, which I belong to

1280
01:01:11,000 --> 01:01:11,880
Speaker 1: the most capable?

1281
01:01:12,560 --> 01:01:15,760
Speaker 2: Better means there's only two generations. Best means there's more

1282
01:01:15,840 --> 01:01:19,400
Speaker 2: than two. Which generation is best? Grammar?

1283
01:01:20,120 --> 01:01:22,240
Speaker 1: You know what I like about this show? Well, there's

1284
01:01:22,280 --> 01:01:25,120
Speaker 1: many things to like it on it, you know, I'm

1285
01:01:25,160 --> 01:01:27,000
Speaker 1: on it. But I like that they don't film you

1286
01:01:27,080 --> 01:01:28,920
Speaker 1: from the side camera angle. What's with that?

1287
01:01:29,560 --> 01:01:32,120
Speaker 2: You know when they when you're doing the day Sam

1288
01:01:32,200 --> 01:01:33,360
Speaker 2: had side angle?

1289
01:01:33,440 --> 01:01:36,720
Speaker 1: It all started many years boo, I've got no beef

1290
01:01:36,800 --> 01:01:39,800
Speaker 1: with that, but it all started many years ago with

1291
01:01:39,960 --> 01:01:43,120
Speaker 1: Peter Brock. He was doing some mobile commercials and they

1292
01:01:43,160 --> 01:01:46,240
Speaker 1: filmed it from the side someone And that was in

1293
01:01:46,320 --> 01:01:49,040
Speaker 1: the eighties. Let it go, the side angle thing, It

1294
01:01:49,160 --> 01:01:49,720
Speaker 1: never works.

1295
01:01:50,000 --> 01:01:51,120
Speaker 2: Did you have side boobs?

1296
01:01:52,720 --> 01:01:55,080
Speaker 1: No, there was no you know, are you going to

1297
01:01:55,120 --> 01:01:58,080
Speaker 1: take this seriously? You know TV people just tell them

1298
01:01:58,160 --> 01:01:58,560
Speaker 1: it's done.

1299
01:01:58,760 --> 01:02:00,000
Speaker 2: But you're being filmed from the side.

1300
01:02:00,880 --> 01:02:01,800
Speaker 1: That's why I like the show.

1301
01:02:03,960 --> 01:02:05,720
Speaker 2: Are you happy with the words you say? Just as

1302
01:02:05,760 --> 01:02:07,040
Speaker 2: opposed to being filmed front on.

1303
01:02:07,240 --> 01:02:09,120
Speaker 1: I'm pretty happy with my well, I look forward to

1304
01:02:09,160 --> 01:02:11,120
Speaker 1: seeing it. Well, so miss Patron, I think, what do

1305
01:02:11,200 --> 01:02:12,320
Speaker 1: you mean what you said?

1306
01:02:12,360 --> 01:02:13,960
Speaker 2: The thing you like about is they don't film me

1307
01:02:14,040 --> 01:02:14,560
Speaker 2: from the side.

1308
01:02:14,640 --> 01:02:16,800
Speaker 1: That's the only thing I like my shirt.

1309
01:02:18,320 --> 01:02:19,240
Speaker 2: It's good from the front.

1310
01:02:19,560 --> 01:02:22,160
Speaker 1: Watch it. It's nine o'clock tonight on Channel seven. It's

1311
01:02:22,160 --> 01:02:22,880
Speaker 1: five to nine.

1312
01:02:31,200 --> 01:02:33,760
Speaker 2: Nine six one seven nine out four is our Goolies hotline.

1313
01:02:33,760 --> 01:02:35,640
Speaker 1: What have we got? Dog?

1314
01:02:35,800 --> 01:02:39,720
Speaker 12: Honest has to pick up this or two right? So

1315
01:02:39,880 --> 01:02:41,040
Speaker 12: why not horse.

1316
01:02:41,080 --> 01:02:42,120
Speaker 6: Owners to do the same.

1317
01:02:42,680 --> 01:02:46,320
Speaker 12: Often I walk around Condole Park where some residents own horses.

1318
01:02:46,840 --> 01:02:50,280
Speaker 12: All good, but why not put their selfishness aside and

1319
01:02:50,440 --> 01:02:53,520
Speaker 12: clean after their pet horse or place the bag on

1320
01:02:53,680 --> 01:02:57,880
Speaker 12: the horse dairy air to catch the expected excrements? Simple?

1321
01:02:58,400 --> 01:02:58,920
Speaker 1: My simple?

1322
01:02:59,760 --> 01:02:59,880
Speaker 13: Is this?

1323
01:03:00,160 --> 01:03:00,480
Speaker 1: Simple?

1324
01:03:00,760 --> 01:03:01,440
Speaker 2: Is it simple?

1325
01:03:01,600 --> 01:03:03,520
Speaker 1: The pooh bag? Have you ever seen the poo bag attached?

1326
01:03:03,560 --> 01:03:05,320
Speaker 2: Don't confuse it with the nosebag.

1327
01:03:05,960 --> 01:03:08,880
Speaker 1: I used to go in the Easter parade in Bendy. No,

1328
01:03:09,040 --> 01:03:11,960
Speaker 1: you didn't have a poo bag because of what you

1329
01:03:12,080 --> 01:03:14,120
Speaker 1: do is you go there for holidays for the Easter

1330
01:03:14,200 --> 01:03:16,600
Speaker 1: parade and there'd be all sorts of stuff and then

1331
01:03:16,680 --> 01:03:18,840
Speaker 1: some kids. If you didn't get in early. You got

1332
01:03:18,880 --> 01:03:21,080
Speaker 1: to be in the cool Chinese dragon, which was cool.

1333
01:03:21,400 --> 01:03:22,760
Speaker 1: But if you were too late, you'd have to be

1334
01:03:22,800 --> 01:03:24,000
Speaker 1: the one of the pooh bag kids.

1335
01:03:24,280 --> 01:03:26,600
Speaker 2: And that was the worst cleaning up After who after

1336
01:03:26,720 --> 01:03:27,480
Speaker 2: the after?

1337
01:03:27,680 --> 01:03:34,600
Speaker 1: Not the Chinese track, not the King of Mumburg surely, also.

1338
01:03:35,480 --> 01:03:39,240
Speaker 16: Hi joint d and Amanda. What gets my goolies is

1339
01:03:39,680 --> 01:03:44,000
Speaker 16: people sending texts that have not a single cup or letter,

1340
01:03:44,200 --> 01:03:48,280
Speaker 16: not a single full stop full of type posts. And

1341
01:03:48,400 --> 01:03:52,320
Speaker 16: I have to decipher what on earth it means. I

1342
01:03:52,440 --> 01:03:53,480
Speaker 16: gets my goolies.

1343
01:03:53,800 --> 01:03:58,760
Speaker 2: The lack of punk. The lack of punk, well, you

1344
01:03:58,840 --> 01:04:02,720
Speaker 2: will stop it. The lack of punctuation is deliberate, I think, isn't.

1345
01:04:02,560 --> 01:04:05,120
Speaker 1: That Well, according to my daughter, it's passive aggressive.

1346
01:04:05,440 --> 01:04:07,280
Speaker 2: That's so aggressive to have punctuation.

1347
01:04:07,520 --> 01:04:09,800
Speaker 1: Yes, apparently, Jimmy the millennial, you want to wait in

1348
01:04:09,920 --> 01:04:13,560
Speaker 1: on this. Yeah, it's confronting less unless you double or

1349
01:04:13,600 --> 01:04:14,880
Speaker 1: triple up on it. You know, if you put an

1350
01:04:14,880 --> 01:04:16,280
Speaker 1: exclamation mark, confronting.

1351
01:04:16,360 --> 01:04:18,000
Speaker 6: If you triple up on it, then it's just it's

1352
01:04:18,040 --> 01:04:18,840
Speaker 6: a bit lighthearted.

1353
01:04:19,680 --> 01:04:22,280
Speaker 2: So a capital letter at a full stop is confronting

1354
01:04:22,360 --> 01:04:24,400
Speaker 2: to you? How do you live in this world?

1355
01:04:24,520 --> 01:04:24,680
Speaker 12: Well?

1356
01:04:24,920 --> 01:04:28,000
Speaker 1: This is why Generation X is the most capable generation.

1357
01:04:27,800 --> 01:04:30,720
Speaker 2: Only filmed them from the front, with the band.

1358
01:04:30,680 --> 01:04:31,840
Speaker 1: And with the good If you dipped down doesn't mean

1359
01:04:31,880 --> 01:04:33,720
Speaker 1: you can always call us on the hotline nine six

1360
01:04:33,760 --> 01:04:35,600
Speaker 1: months of nine and eighty four, it's two to nine.

1361
01:04:37,360 --> 01:04:39,920
Speaker 2: Our favorite caller email a Facebook friend with the Spinally's

1362
01:04:40,000 --> 01:04:43,480
Speaker 2: pillow pack, so you get pillows and you also get

1363
01:04:43,800 --> 01:04:46,760
Speaker 2: a Jones in Amanda Dolly branded merch pack, so you

1364
01:04:46,800 --> 01:04:50,080
Speaker 2: get a branded mug, puzzle, t towel, magnet all their dollars.

1365
01:04:50,080 --> 01:04:52,880
Speaker 1: I've had a tsunami of email comment or three people

1366
01:04:52,960 --> 01:04:55,720
Speaker 1: have asked, are we releasing the dollies?

1367
01:04:55,800 --> 01:04:57,640
Speaker 2: Well, they cost eight thousand dollars each, so I don't

1368
01:04:57,640 --> 01:04:59,920
Speaker 2: think they can produce them. I'm sure if we went

1369
01:05:00,000 --> 01:05:02,960
Speaker 2: it's a cheap plastic, we could, but no one's interested.

1370
01:05:03,760 --> 01:05:08,400
Speaker 1: Anyway, Keep that campaign maybe your biggest shunami.

1371
01:05:08,880 --> 01:05:11,480
Speaker 2: Hugh Jackman has embarrassingly admitted that the first time he

1372
01:05:11,560 --> 01:05:15,200
Speaker 2: went on a plane as a kid, they served food,

1373
01:05:15,520 --> 01:05:17,880
Speaker 2: and he was stunned to learn you can get food

1374
01:05:17,920 --> 01:05:18,440
Speaker 2: on a plane.

1375
01:05:18,680 --> 01:05:20,320
Speaker 6: For embarrassing three or four years.

1376
01:05:20,440 --> 01:05:22,080
Speaker 9: What I wanted to be when I grow up, I

1377
01:05:22,120 --> 01:05:24,480
Speaker 9: would say, I want to be a chef on a plane,

1378
01:05:24,720 --> 01:05:27,480
Speaker 9: because I honestly believe that there was one.

1379
01:05:28,120 --> 01:05:30,000
Speaker 6: Never crossed my mind. It was a micro life.

1380
01:05:30,000 --> 01:05:33,400
Speaker 2: It's just a microwave heating number, pasty tribal dramas, beating

1381
01:05:33,440 --> 01:05:36,080
Speaker 2: from embarrassed that I used to think, dot dot dot,

1382
01:05:36,200 --> 01:05:37,480
Speaker 2: here's Allan from Mount Druett.

1383
01:05:37,960 --> 01:05:40,640
Speaker 5: I used to think when I'd watch TV shows and

1384
01:05:40,680 --> 01:05:44,480
Speaker 5: I'd hear Kene laughter or applause, I actually thought it

1385
01:05:44,600 --> 01:05:47,600
Speaker 5: was coming from other lounge rooms. I clap harder and

1386
01:05:47,760 --> 01:05:49,560
Speaker 5: louder to see if I could hear myself.

1387
01:05:51,280 --> 01:05:53,400
Speaker 2: He hasn't been very annoying to watch television with.

1388
01:05:53,680 --> 01:05:58,480
Speaker 1: Right at that's enough WSMBMS ten k no repeat weekdays back,

1389
01:05:58,520 --> 01:06:00,440
Speaker 1: but this time with a twist where we share the

1390
01:06:00,560 --> 01:06:02,200
Speaker 1: cash and blow it every day.

1391
01:06:02,360 --> 01:06:04,640
Speaker 2: Well, there's going to be a song repeated sometime today

1392
01:06:04,720 --> 01:06:06,520
Speaker 2: between six am and six pm.

1393
01:06:06,600 --> 01:06:08,680
Speaker 1: Could happen with Ugly Phil Call thirteen.

1394
01:06:08,480 --> 01:06:09,880
Speaker 2: WSFM, you get a thousand dollars.

1395
01:06:09,960 --> 01:06:11,880
Speaker 1: We'll be back from six tonight for jam Nation and

1396
01:06:12,120 --> 01:06:14,600
Speaker 1: good day to you. Well, thank god, that's over.

1397
01:06:14,760 --> 01:06:20,160
Speaker 10: Hood bite, good bite, wipe the two from your right.

1398
01:06:25,480 --> 01:06:26,160
Speaker 1: Good bye.

1399
01:06:28,680 --> 01:06:32,200
Speaker 2: Jonesy and Amanda jam Podcast catch up on what you've

1400
01:06:32,280 --> 01:06:34,320
Speaker 2: missed on the free iHeartRadio app,