1
00:00:00,840 --> 00:00:16,320
Speaker 1: Fish Franchi got after that, everyone net swelling what are

2
00:00:16,320 --> 00:00:18,440
Speaker 1: you getting your home on a munda Woods? What is

3
00:00:18,440 --> 00:00:20,280
Speaker 1: the biggest thing in Australia right now?

4
00:00:20,560 --> 00:00:25,160
Speaker 2: It has got to be what is in Megan's folder?

5
00:00:26,239 --> 00:00:28,720
Speaker 2: Are you across this? No, she's got off a plane.

6
00:00:28,760 --> 00:00:34,440
Speaker 2: She's holding two purple folders like binders, like binders. Let

7
00:00:34,479 --> 00:00:37,440
Speaker 2: you get from office works. Okay, thanks to works, and

8
00:00:37,479 --> 00:00:40,640
Speaker 2: she's huge thanks to office works. They're not We're not

9
00:00:40,680 --> 00:00:43,199
Speaker 2: here for them. Where's he here for Toyota?

10
00:00:43,360 --> 00:00:46,080
Speaker 1: I actually think in her folders Woods could be photos

11
00:00:46,080 --> 00:00:46,880
Speaker 1: of Toyotas.

12
00:00:47,240 --> 00:00:50,159
Speaker 2: I think Toyota's certified used vehicles.

13
00:00:50,159 --> 00:00:52,040
Speaker 1: Well, I think they could be. I think one photo

14
00:00:52,400 --> 00:00:55,600
Speaker 1: one folder is just formal drives and they've got a

15
00:00:55,640 --> 00:00:57,840
Speaker 1: great range of fable drives, and the other the other

16
00:00:57,880 --> 00:01:01,000
Speaker 1: one is cameras. Because we're on they're the best cars ever.

17
00:01:01,160 --> 00:01:03,240
Speaker 2: I love a camera real, it's practical, gets it from

18
00:01:03,240 --> 00:01:05,840
Speaker 2: A to B and very rarely breaks down. And that's

19
00:01:05,840 --> 00:01:08,319
Speaker 2: obviously the cars they'll be driving around Australia.

20
00:01:07,959 --> 00:01:11,440
Speaker 1: Will and there's nothing quite like a Toyota certifies used vehicle.

21
00:01:13,319 --> 00:01:14,399
Speaker 1: Julia Morris is going.

22
00:01:14,319 --> 00:01:16,920
Speaker 2: To She's coming to Toyota.

23
00:01:17,480 --> 00:01:21,080
Speaker 1: The Toyota coming in after four thirty. We've got a

24
00:01:21,080 --> 00:01:22,960
Speaker 1: brand new job interview break to play out for it.

25
00:01:23,080 --> 00:01:26,640
Speaker 1: So plenty of fun to come here. Great save for

26
00:01:26,720 --> 00:01:30,040
Speaker 1: the boys. Now, there are a number of things that

27
00:01:30,080 --> 00:01:32,640
Speaker 1: we probably should be covering in this show. We realize

28
00:01:32,680 --> 00:01:34,959
Speaker 1: that we have a meeting before the show. They go, guys,

29
00:01:35,000 --> 00:01:37,200
Speaker 1: these are the big things that are happening. We're not

30
00:01:37,240 --> 00:01:38,240
Speaker 1: going to be covering them.

31
00:01:38,440 --> 00:01:41,679
Speaker 2: That's right, because generally we don't care about the big things.

32
00:01:41,760 --> 00:01:43,840
Speaker 1: Yeah, that's true. But we've got so I got a

33
00:01:43,880 --> 00:01:45,840
Speaker 1: dedicated segment where we can just cram them all in

34
00:01:45,840 --> 00:01:47,840
Speaker 1: in about thirty seconds, get through it, and then we

35
00:01:47,840 --> 00:01:55,720
Speaker 1: can get into the fun stuff. So here we go.

36
00:01:56,920 --> 00:01:59,520
Speaker 1: This story I do actually care about. So I take

37
00:01:59,640 --> 00:02:00,960
Speaker 1: back everything you just said.

38
00:02:00,960 --> 00:02:03,400
Speaker 2: Then fair enough, I said it. If you didn't say it,

39
00:02:03,520 --> 00:02:04,000
Speaker 2: I said it.

40
00:02:04,000 --> 00:02:06,720
Speaker 1: Mate, going, what's the story?

41
00:02:06,880 --> 00:02:07,680
Speaker 2: My pants on fire?

42
00:02:08,120 --> 00:02:12,400
Speaker 1: This? This is crook, This is really crook, And I

43
00:02:12,440 --> 00:02:15,359
Speaker 1: cannot believe that this is a thing. It's like something

44
00:02:15,360 --> 00:02:17,320
Speaker 1: out of the handmaid style, the way that they used

45
00:02:17,320 --> 00:02:20,680
Speaker 1: to treat the Handmaids in terms of brainwashing them with

46
00:02:20,919 --> 00:02:23,800
Speaker 1: just tripe. Sure this have you heard about this? Gay

47
00:02:23,840 --> 00:02:26,440
Speaker 1: conversion therapy? That's been hit in the front of the papers.

48
00:02:26,560 --> 00:02:30,440
Speaker 2: I haven't heard, but I'm immediately worried by the time.

49
00:02:30,520 --> 00:02:30,720
Speaker 3: Yeah.

50
00:02:30,760 --> 00:02:35,160
Speaker 1: So Latrobe University has done a study pushing for banning

51
00:02:35,160 --> 00:02:37,680
Speaker 1: of conversion therapy, which has apparently been something that's been

52
00:02:37,720 --> 00:02:42,480
Speaker 1: going going on amongst miners by social workers, teachers, health

53
00:02:42,480 --> 00:02:47,840
Speaker 1: practitioners in inverted commas, et cetera, where they are being

54
00:02:47,960 --> 00:02:54,280
Speaker 1: essentially more attempted to being converted from being gay to

55
00:02:54,720 --> 00:03:00,160
Speaker 1: being straight. There's sexualities deemed inappropriate or unacceptable by certain institutions,

56
00:03:00,160 --> 00:03:02,959
Speaker 1: and so people there are stories where there are people

57
00:03:02,960 --> 00:03:05,360
Speaker 1: who are sat in ice baths.

58
00:03:06,160 --> 00:03:10,000
Speaker 2: And read Bible versus. So, are you saying that if

59
00:03:10,000 --> 00:03:13,000
Speaker 2: someone is showing gay tendencies, that's right, they will then

60
00:03:13,080 --> 00:03:16,040
Speaker 2: do this sort of treatment as a way of that's right.

61
00:03:16,160 --> 00:03:16,920
Speaker 2: That is shocking.

62
00:03:17,000 --> 00:03:17,160
Speaker 3: Yeah.

63
00:03:17,200 --> 00:03:19,160
Speaker 1: So the Human Rights Law Center in La Trobe University

64
00:03:19,200 --> 00:03:22,560
Speaker 1: are trying to introduce state laws which are banning conversion

65
00:03:22,639 --> 00:03:24,000
Speaker 1: therapies against miners.

66
00:03:24,040 --> 00:03:25,080
Speaker 2: I didn't even know these.

67
00:03:24,880 --> 00:03:25,640
Speaker 1: Were a thing.

68
00:03:26,000 --> 00:03:27,160
Speaker 2: No, no, no, no, no idea.

69
00:03:27,560 --> 00:03:30,320
Speaker 1: Some horrific stories that are flying around and being exposed

70
00:03:30,360 --> 00:03:33,680
Speaker 1: now of where they are genuinely trying to suppress a

71
00:03:33,840 --> 00:03:40,760
Speaker 1: kid's sexuality and gender identity that that is that should

72
00:03:40,800 --> 00:03:43,880
Speaker 1: not be I have I'm lost for words. I'm glad

73
00:03:44,720 --> 00:03:45,680
Speaker 1: the Ranker story read all.

74
00:03:45,960 --> 00:03:48,800
Speaker 2: I'm very happy it's exposed. So that's that's the first

75
00:03:48,840 --> 00:03:51,000
Speaker 2: step in the right direction. It's exposed. Now let's stop it.

76
00:03:51,440 --> 00:03:54,120
Speaker 1: Apparently a brand new movie with Joe Egenden who's put

77
00:03:54,160 --> 00:03:57,400
Speaker 1: it together. It's called boy Erased and it's going to

78
00:03:57,400 --> 00:04:00,760
Speaker 1: start Nicole Kidman and Russell Chrome and that's based on

79
00:04:00,800 --> 00:04:03,640
Speaker 1: this coming out today. I believe that's based on that.

80
00:04:03,960 --> 00:04:05,120
Speaker 2: Good Okay, can go and check it out.

81
00:04:06,080 --> 00:04:17,360
Speaker 4: Moving on to Ariana Grande, speaking of breaking free, she's

82
00:04:17,480 --> 00:04:19,400
Speaker 4: done with what she's done?

83
00:04:20,320 --> 00:04:23,760
Speaker 2: What do you think performing she's quit.

84
00:04:25,360 --> 00:04:30,799
Speaker 1: Her marriage. Yes, Peter Davidson, is that off? Davo PD

85
00:04:31,160 --> 00:04:34,960
Speaker 1: it's all over. They have been so public Yeah, with with.

86
00:04:34,680 --> 00:04:36,880
Speaker 2: With all the love and he was only on Saturday

87
00:04:36,960 --> 00:04:40,080
Speaker 2: Night Live two weeks ago. Is all of his gear

88
00:04:40,160 --> 00:04:42,039
Speaker 2: are is around Ariana Grande.

89
00:04:41,920 --> 00:04:45,400
Speaker 1: A grande sauce. And we've got this exclusively from a

90
00:04:45,440 --> 00:04:46,359
Speaker 1: source from Grande.

91
00:04:46,560 --> 00:04:47,640
Speaker 2: This is the kiss sources.

92
00:04:47,760 --> 00:04:48,320
Speaker 1: This is the kids.

93
00:04:48,600 --> 00:04:53,760
Speaker 2: I wonder who that kiss? Yeah, lurking thereabouts, don't identify them,

94
00:04:53,800 --> 00:04:55,159
Speaker 2: but what if they said the kiss.

95
00:04:55,160 --> 00:04:58,599
Speaker 1: Sauce has said that it was too much, too soon.

96
00:04:58,720 --> 00:05:01,560
Speaker 1: It's not that shocking for any one. Apparently it was.

97
00:05:01,680 --> 00:05:03,799
Speaker 2: It was one of these celebrity will wind relationship.

98
00:05:03,880 --> 00:05:07,320
Speaker 1: We spoke about this, we did, we did will and what.

99
00:05:07,360 --> 00:05:09,359
Speaker 2: He called it, We need to find that audio. But

100
00:05:09,440 --> 00:05:10,960
Speaker 2: it's a whirlwind relationship.

101
00:05:11,000 --> 00:05:13,119
Speaker 1: It goes to find that audio.

102
00:05:15,560 --> 00:05:18,359
Speaker 2: They got engaged. They got engaged after a few months, and.

103
00:05:18,200 --> 00:05:19,920
Speaker 1: We said that. We said, is that all?

104
00:05:20,000 --> 00:05:22,360
Speaker 2: This all all?

105
00:05:22,720 --> 00:05:24,320
Speaker 1: We've already said it all. Why are we still talking

106
00:05:24,320 --> 00:05:25,400
Speaker 1: about it? We've already covered it.

107
00:05:25,440 --> 00:05:28,440
Speaker 2: A couple of a couple of what is that to

108
00:05:28,480 --> 00:05:31,560
Speaker 2: predict stuff? A couple of Lis in the tower, the

109
00:05:31,640 --> 00:05:33,680
Speaker 2: humpback from there were a couple of Nostra Damis is

110
00:05:33,720 --> 00:05:37,080
Speaker 2: in here, will a couple of bloody Nostra Damis is

111
00:05:37,120 --> 00:05:37,400
Speaker 2: in here?

112
00:05:37,880 --> 00:05:40,400
Speaker 1: Back of Notre Dame and Nostra Damis.

113
00:05:40,520 --> 00:05:44,840
Speaker 2: Very different people, different guys. He is the humpback who

114
00:05:44,880 --> 00:05:49,640
Speaker 2: predicts the future, the hunchback, the whale hunchback.

115
00:05:49,839 --> 00:05:52,599
Speaker 1: Yeah, yeah, the hunchback. Yeah, he's the humpback. But that's

116
00:05:52,600 --> 00:05:55,760
Speaker 1: a separate story. But yeah, we did predict this. Apparently

117
00:05:55,800 --> 00:05:58,440
Speaker 1: she's got one hundred thousand one hundred thousand dollars engagement ring.

118
00:05:59,120 --> 00:06:01,839
Speaker 1: They just moved into a sixteen million dollar apartment in Manhattan.

119
00:06:01,960 --> 00:06:04,200
Speaker 2: So do you think, by the way, Davidson gets that

120
00:06:04,279 --> 00:06:05,960
Speaker 2: ring back or do you think they split it fifty

121
00:06:05,960 --> 00:06:09,600
Speaker 2: to fifty. It's a good question, isn't it.

122
00:06:11,040 --> 00:06:13,120
Speaker 1: I'd like to think, you know that, I'd like to

123
00:06:13,160 --> 00:06:16,080
Speaker 1: think that he gets something back. I don't. I'm I'm

124
00:06:16,080 --> 00:06:18,239
Speaker 1: not a big believer unless the guy has done something

125
00:06:18,320 --> 00:06:21,640
Speaker 1: horrible wrong in short women keeping and selling engagement rings.

126
00:06:21,880 --> 00:06:24,400
Speaker 2: But that's fair. That's just my stance. No good stance,

127
00:06:24,440 --> 00:06:25,120
Speaker 2: mate stance.

128
00:06:25,160 --> 00:06:26,800
Speaker 1: Thanks mate, Um.

129
00:06:28,400 --> 00:06:33,680
Speaker 2: Got a bit serious. There's everyone I sound like I'm

130
00:06:33,720 --> 00:06:36,040
Speaker 2: proposed to. Somebody's getting the ring donut. I can't tell

131
00:06:36,080 --> 00:06:38,600
Speaker 2: everyone you did no go on, mate, you finished school,

132
00:06:38,640 --> 00:06:41,440
Speaker 2: high school, sweetheart, you loved her, But I think you're

133
00:06:41,480 --> 00:06:44,120
Speaker 2: a better man. You know nothing against your former fiance.

134
00:06:44,320 --> 00:06:46,520
Speaker 1: And if she's listing Alicia, I'm sorry.

135
00:06:47,320 --> 00:06:49,160
Speaker 2: Give him his goddamn money for the engagement ring. It's

136
00:06:49,160 --> 00:06:49,680
Speaker 2: always same.

137
00:06:50,720 --> 00:06:53,039
Speaker 1: Facebook have come to everybody's rescuers.

138
00:06:53,720 --> 00:06:56,920
Speaker 2: Sucking is epic.

139
00:06:57,000 --> 00:06:59,040
Speaker 1: Now we've got to go into a song here as

140
00:06:59,120 --> 00:07:03,640
Speaker 1: young but we go in the show, they have introduced

141
00:07:03,640 --> 00:07:06,680
Speaker 1: an unsend option as part of them, as part of Messenger.

142
00:07:07,320 --> 00:07:09,920
Speaker 1: Oh finally, so you got thirty seconds after you send

143
00:07:09,920 --> 00:07:11,000
Speaker 1: a crappy text.

144
00:07:10,880 --> 00:07:13,160
Speaker 2: To a huge amount of time to pull it back.

145
00:07:13,440 --> 00:07:17,440
Speaker 2: I wouldn't mind morning after. You know who did I

146
00:07:17,480 --> 00:07:20,840
Speaker 2: send a message to last night? Wipe those last ten,

147
00:07:22,360 --> 00:07:25,280
Speaker 2: delete all, delete all. Give us thirty hours. Surely give

148
00:07:25,360 --> 00:07:26,080
Speaker 2: us thirty hours.

149
00:07:26,560 --> 00:07:28,640
Speaker 1: Yeah, maybe they'll work on that the next up day.

150
00:07:29,080 --> 00:07:31,960
Speaker 1: Which Yeah, we like to pull down the curtain here

151
00:07:32,000 --> 00:07:35,160
Speaker 1: and just expose what's going on. And I think it's

152
00:07:35,200 --> 00:07:40,800
Speaker 1: that time for me, particularly today. I had an incredibly

153
00:07:40,880 --> 00:07:43,120
Speaker 1: boring weekend. I had an incredibly boring weekend.

154
00:07:43,160 --> 00:07:44,360
Speaker 2: You've become a bit boring.

155
00:07:44,640 --> 00:07:47,000
Speaker 1: I've been boring. Not get this. Not only am I

156
00:07:47,040 --> 00:07:49,720
Speaker 1: doing a sober thing, not to say that's boring. Kids,

157
00:07:49,760 --> 00:07:53,840
Speaker 1: No drinking is cool. But I was also sick, which.

158
00:07:53,640 --> 00:07:54,760
Speaker 2: Meant the double whammy.

159
00:07:54,840 --> 00:07:58,600
Speaker 1: I was at home, largely by myself for a long time,

160
00:07:59,240 --> 00:08:00,760
Speaker 1: doing absolutely nothing in the house.

161
00:08:03,000 --> 00:08:04,679
Speaker 2: I had a stinker. I had a stinker.

162
00:08:05,200 --> 00:08:08,720
Speaker 1: And I feel like, you know, on a Monday, you

163
00:08:08,840 --> 00:08:10,800
Speaker 1: come into your radio show and you've got all these

164
00:08:10,840 --> 00:08:13,080
Speaker 1: great you and I we've just got, you know, just

165
00:08:13,400 --> 00:08:16,000
Speaker 1: swathes of stories from the weekend. I mean, like this

166
00:08:16,120 --> 00:08:16,680
Speaker 1: great yarn.

167
00:08:17,240 --> 00:08:19,920
Speaker 2: I haven't brought much today. I had a Bucks on

168
00:08:19,960 --> 00:08:20,560
Speaker 2: Saturday and you.

169
00:08:20,520 --> 00:08:21,600
Speaker 1: Are the other end of the spectrum.

170
00:08:21,640 --> 00:08:23,640
Speaker 2: That's right. I got up on Sunday morning and still

171
00:08:23,680 --> 00:08:26,440
Speaker 2: thought it was Saturday. So I don't know how that happens.

172
00:08:26,520 --> 00:08:28,320
Speaker 2: I found myself and we don't need to go into

173
00:08:28,320 --> 00:08:30,720
Speaker 2: my Saturday.

174
00:08:31,000 --> 00:08:33,600
Speaker 1: So I've cooked it into both ends. You and I

175
00:08:34,200 --> 00:08:37,640
Speaker 1: too rank and mine was too good. Okay, so we

176
00:08:37,720 --> 00:08:39,720
Speaker 1: didn't work on that. We chat before next weekend, so

177
00:08:39,800 --> 00:08:41,880
Speaker 1: that one of us hasn't been a half normal weekend.

178
00:08:41,960 --> 00:08:43,959
Speaker 1: We've got something to talk about. I've got nothing to

179
00:08:44,000 --> 00:08:44,440
Speaker 1: talk about.

180
00:08:44,600 --> 00:08:47,079
Speaker 2: I've got nothing, yeah, because weekend.

181
00:08:47,160 --> 00:08:49,080
Speaker 1: Yeah, yeah, that's right. But you know when you have

182
00:08:49,400 --> 00:08:51,959
Speaker 1: a weekend where there's nothing going on, or you've got

183
00:08:51,960 --> 00:08:53,920
Speaker 1: you know, just in general, you've got nothing going on

184
00:08:53,960 --> 00:09:00,680
Speaker 1: in your life, zero the tiniest things, epic.

185
00:09:01,559 --> 00:09:03,840
Speaker 2: Did you have something very tiny happened to you that

186
00:09:04,480 --> 00:09:07,439
Speaker 2: he was the thing? Because I'd love to hear it.

187
00:09:07,520 --> 00:09:14,600
Speaker 1: Okay, so here's it. Look, I'm not I think this again.

188
00:09:14,720 --> 00:09:17,280
Speaker 1: I'm pulling down the curtain. Here, I'm pulling down the curtain.

189
00:09:17,520 --> 00:09:20,240
Speaker 1: I'm being vulnerable. Thirty one six five is our phone

190
00:09:20,280 --> 00:09:22,880
Speaker 1: number here. I need, I need to take this to

191
00:09:22,920 --> 00:09:25,199
Speaker 1: a vote because I'm uncertain as to whether I should

192
00:09:25,200 --> 00:09:27,680
Speaker 1: tell this story. I haven't told the producers this story,

193
00:09:28,480 --> 00:09:31,000
Speaker 1: and I think that the problem is that I had

194
00:09:31,080 --> 00:09:32,640
Speaker 1: such a shit weekend.

195
00:09:33,920 --> 00:09:35,760
Speaker 2: That this just seems good to me, but it could

196
00:09:35,840 --> 00:09:39,920
Speaker 2: also be awful. Can people just also vote for just

197
00:09:40,040 --> 00:09:41,520
Speaker 2: get what he did? Do a play by player of

198
00:09:41,520 --> 00:09:44,080
Speaker 2: his bucks on Saturday? Well, these are the two options.

199
00:09:44,160 --> 00:09:51,400
Speaker 1: Oh what you but you canceling out my story?

200
00:09:46,559 --> 00:09:46,599
Speaker 3: No?

201
00:09:51,920 --> 00:09:52,120
Speaker 2: Five?

202
00:09:53,000 --> 00:09:55,839
Speaker 1: Content in your hands? People? It would you rather hear

203
00:09:56,000 --> 00:09:59,600
Speaker 1: Will's story, which was I can't tell you what it is,

204
00:09:59,640 --> 00:10:01,080
Speaker 1: but I I'm not sure if it's good or not.

205
00:10:01,120 --> 00:10:03,560
Speaker 1: But I think it only feels good because I did nothing.

206
00:10:04,760 --> 00:10:06,600
Speaker 1: Or a play by play of Woodies Bucks.

207
00:10:06,679 --> 00:10:09,320
Speaker 2: No. No, And now I actually can't because there are

208
00:10:09,320 --> 00:10:12,040
Speaker 2: obviously people who are at that Buck who wouldn't want

209
00:10:12,280 --> 00:10:14,560
Speaker 2: what happened on Saturday to ever see the light of day.

210
00:10:14,920 --> 00:10:17,640
Speaker 2: So people are just voting for do they want to

211
00:10:17,679 --> 00:10:20,840
Speaker 2: hear your story from the weekend? Or what was the

212
00:10:20,840 --> 00:10:22,680
Speaker 2: other option? What are we doing up next?

213
00:10:22,679 --> 00:10:25,960
Speaker 1: They can say no and we'll just move on. Yeah, right, okay,

214
00:10:26,240 --> 00:10:26,960
Speaker 1: they can say no.

215
00:10:27,200 --> 00:10:29,400
Speaker 2: Yeah, yeah, okay.

216
00:10:30,240 --> 00:10:32,280
Speaker 5: People were calling now, so sorry because we're not going

217
00:10:32,320 --> 00:10:33,680
Speaker 5: to get a years like, what about this story?

218
00:10:33,679 --> 00:10:35,240
Speaker 2: Can you at least try and cool?

219
00:10:35,320 --> 00:10:37,880
Speaker 1: Rban say no, I'd like to hear the story because

220
00:10:37,920 --> 00:10:40,440
Speaker 1: I think that I could spin it as good.

221
00:10:40,760 --> 00:10:42,439
Speaker 2: Can you give me a bit more? Can you? Can

222
00:10:42,440 --> 00:10:45,040
Speaker 2: you hook your story because right now I can't understand

223
00:10:45,040 --> 00:10:47,040
Speaker 2: why anyone would call on thirteen one oh six five

224
00:10:47,600 --> 00:10:50,360
Speaker 2: and want to hear your story about you being at

225
00:10:50,400 --> 00:10:51,360
Speaker 2: home sick.

226
00:10:51,880 --> 00:10:54,680
Speaker 1: And I and if I need to hear that honesty, Woods,

227
00:10:54,679 --> 00:10:56,560
Speaker 1: I need to hear that honesty. But the reality is

228
00:10:56,640 --> 00:10:59,080
Speaker 1: I've come into work today, I haven't got anything to

229
00:10:59,080 --> 00:11:00,679
Speaker 1: talk about because I had a shit weekend. I was

230
00:11:00,679 --> 00:11:01,760
Speaker 1: on the couch all the whole time.

231
00:11:01,800 --> 00:11:02,840
Speaker 2: I was sick, sick as a dog.

232
00:11:03,240 --> 00:11:04,559
Speaker 1: Nothing eventful occurred.

233
00:11:04,840 --> 00:11:06,880
Speaker 2: You know, I get that. So we've covered that.

234
00:11:07,240 --> 00:11:09,440
Speaker 1: There's something very small happened to me though that I

235
00:11:09,520 --> 00:11:11,959
Speaker 1: was like, well, hang on, maybe that maybe that I

236
00:11:12,000 --> 00:11:15,800
Speaker 1: could talk about that on national radio. No, I'm not

237
00:11:16,000 --> 00:11:17,800
Speaker 1: the thing, but it could be awful.

238
00:11:18,240 --> 00:11:21,440
Speaker 2: Okay, there's nothing more you can say to me to

239
00:11:21,520 --> 00:11:22,000
Speaker 2: make me go.

240
00:11:22,240 --> 00:11:24,920
Speaker 1: It's a blind no, it's a leap of faith from

241
00:11:24,960 --> 00:11:25,520
Speaker 1: our listeners.

242
00:11:25,880 --> 00:11:26,600
Speaker 2: It's a leap of faith.

243
00:11:26,600 --> 00:11:29,880
Speaker 1: They're either going to go I back will. I think

244
00:11:29,880 --> 00:11:31,920
Speaker 1: he's a good storyteller. I think he could make anything

245
00:11:32,000 --> 00:11:32,440
Speaker 1: sound good.

246
00:11:33,040 --> 00:11:33,839
Speaker 6: Hm, Or.

247
00:11:35,520 --> 00:11:39,000
Speaker 1: You go nah, play a song, boys, play a song?

248
00:11:39,800 --> 00:11:42,360
Speaker 2: Yeah great, okay? Or maybe we can get where was

249
00:11:42,400 --> 00:11:44,240
Speaker 2: what he at three am on Sunday morning?

250
00:11:44,360 --> 00:11:46,400
Speaker 1: I know anyway, you're taking a point of public toilet.

251
00:11:46,440 --> 00:11:49,240
Speaker 2: Well, you've given away my punchline. You got away my punchline.

252
00:11:49,800 --> 00:11:51,360
Speaker 2: You punchlin.

253
00:11:55,880 --> 00:11:56,760
Speaker 1: Exactly where you want.

254
00:11:56,720 --> 00:12:00,400
Speaker 2: FaceTime Woods.

255
00:12:00,559 --> 00:12:03,280
Speaker 1: I had a nothing weekend. I'm sure people can empathize

256
00:12:03,280 --> 00:12:05,880
Speaker 1: with this. You have a weekend, you come back on Monday.

257
00:12:05,960 --> 00:12:08,280
Speaker 1: And for you guys that don't work in radio, that's fine.

258
00:12:08,320 --> 00:12:10,800
Speaker 1: You tell people, hey, I did nothing for me. I

259
00:12:10,880 --> 00:12:12,160
Speaker 1: would have come up with a story. I meant to

260
00:12:12,160 --> 00:12:14,880
Speaker 1: have this swashbuckling life when everything happens to me.

261
00:12:15,679 --> 00:12:16,760
Speaker 2: I was sick all weekend.

262
00:12:16,800 --> 00:12:19,800
Speaker 1: I was at home. I moved. I think I walked

263
00:12:20,040 --> 00:12:23,600
Speaker 1: cumulatively about one hundred and fifty meters. That's just bed,

264
00:12:23,880 --> 00:12:26,640
Speaker 1: living room, kitchen, toilet consecutively.

265
00:12:26,760 --> 00:12:28,800
Speaker 2: A right changed it up a little bit. Sometimes straight

266
00:12:28,840 --> 00:12:30,440
Speaker 2: from the bed to the living room, like oh.

267
00:12:30,320 --> 00:12:31,320
Speaker 1: If I felt a bit cheeky.

268
00:12:31,440 --> 00:12:33,080
Speaker 2: Yeah, yeah, but I had.

269
00:12:32,920 --> 00:12:35,080
Speaker 1: Nothing today when I locked up in our apprecio meeting,

270
00:12:35,120 --> 00:12:35,640
Speaker 1: I had nothing.

271
00:12:35,840 --> 00:12:36,719
Speaker 2: But then I have this.

272
00:12:40,240 --> 00:12:43,360
Speaker 1: Maybe maybe I have a story which is worth telling.

273
00:12:43,360 --> 00:12:46,600
Speaker 1: But I'm unsure as to whether it's worth telling because

274
00:12:46,640 --> 00:12:49,960
Speaker 1: my weekend was so bad that in contrast, this was good?

275
00:12:50,280 --> 00:12:50,679
Speaker 2: Sure?

276
00:12:50,800 --> 00:12:52,360
Speaker 1: Or is it just awful?

277
00:12:52,400 --> 00:12:54,480
Speaker 2: So people just calling up now thirteen one oh sixty

278
00:12:54,520 --> 00:12:57,280
Speaker 2: five and saying do they want to hear Will's maybe

279
00:12:57,440 --> 00:12:58,040
Speaker 2: good story?

280
00:12:58,120 --> 00:12:59,719
Speaker 1: The text line we have to put it in the

281
00:12:59,720 --> 00:13:01,760
Speaker 1: PI hands, I think, because that's right. That's fair for

282
00:13:01,800 --> 00:13:03,200
Speaker 1: me to come on and just tell a crap story.

283
00:13:03,240 --> 00:13:05,600
Speaker 2: The text line is lit up. We've got one text here.

284
00:13:05,760 --> 00:13:08,959
Speaker 2: I would listen to anything. Will says, He's just worth

285
00:13:09,000 --> 00:13:13,240
Speaker 2: listening to. Secretly schoolgirl crush. Come on, what's your story?

286
00:13:13,280 --> 00:13:20,400
Speaker 1: Big boy? We got a call that's a legit text on.

287
00:13:20,520 --> 00:13:22,600
Speaker 2: It's nice, it's lovely. We've got a text sorry call

288
00:13:22,679 --> 00:13:24,800
Speaker 2: here from Anne, Marie and Marie. Do you want to

289
00:13:24,840 --> 00:13:26,840
Speaker 2: hear Will's story? Yes?

290
00:13:26,920 --> 00:13:27,160
Speaker 7: I do?

291
00:13:27,640 --> 00:13:27,760
Speaker 1: Well?

292
00:13:27,800 --> 00:13:28,800
Speaker 2: Can I ask why?

293
00:13:28,960 --> 00:13:29,200
Speaker 1: Yeah?

294
00:13:30,200 --> 00:13:35,439
Speaker 7: Because it's good to hear some even if it's.

295
00:13:34,600 --> 00:13:36,640
Speaker 2: Good to hear anyway, Okay, because then we can all

296
00:13:36,720 --> 00:13:37,880
Speaker 2: laugh at how bad the story is.

297
00:13:38,400 --> 00:13:39,160
Speaker 1: It's pretty ship.

298
00:13:39,280 --> 00:13:40,880
Speaker 2: Yeah, that's a great point.

299
00:13:41,880 --> 00:13:43,600
Speaker 1: I appreciate the call Mitch is given us. Called Mitch,

300
00:13:43,640 --> 00:13:45,920
Speaker 1: how I am? Mitch?

301
00:13:46,400 --> 00:13:49,360
Speaker 2: You're there, Mitch? Yeah, you want to hear Will's story.

302
00:13:50,640 --> 00:13:55,920
Speaker 2: I'm intrigued. Okay, you're just intrigued. So curiousity is killing

303
00:13:55,920 --> 00:13:56,600
Speaker 2: the cat a little bit.

304
00:13:58,000 --> 00:13:59,920
Speaker 1: Got be on the hook a little bit. I want

305
00:13:59,920 --> 00:14:01,240
Speaker 1: to hear the rest of that, Mitch. Can you can

306
00:14:01,280 --> 00:14:02,880
Speaker 1: you do me a favorite? Mitch? Can you stay on

307
00:14:02,920 --> 00:14:04,720
Speaker 1: the line because I'll get you to just give me

308
00:14:04,760 --> 00:14:05,640
Speaker 1: a verdict afterwards.

309
00:14:05,679 --> 00:14:06,160
Speaker 2: Is that all right?

310
00:14:07,440 --> 00:14:09,000
Speaker 1: Okay, you can hear it, and then I'll ask you

311
00:14:09,000 --> 00:14:11,200
Speaker 1: afterwards whether it was worth your time. Because Meg's given

312
00:14:11,280 --> 00:14:13,280
Speaker 1: us calls. Well, mel met thirty one O six five?

313
00:14:13,800 --> 00:14:15,360
Speaker 1: Do you want to hear my story? Otherwise we go

314
00:14:15,400 --> 00:14:16,080
Speaker 1: straight to the traffic.

315
00:14:16,800 --> 00:14:18,520
Speaker 2: Oh no, I really want to hear you. I think

316
00:14:18,559 --> 00:14:23,040
Speaker 2: you can spin it. I think there's a huge pressure now.

317
00:14:24,280 --> 00:14:25,640
Speaker 1: And can you stand on the line as well? I

318
00:14:25,680 --> 00:14:27,080
Speaker 1: wouldn't mind that actually.

319
00:14:26,920 --> 00:14:29,360
Speaker 2: Because this is because this is big now, because the

320
00:14:29,400 --> 00:14:32,240
Speaker 2: bar used to be low, but now everyone's thinking Will McMahon,

321
00:14:32,240 --> 00:14:35,840
Speaker 2: the great storyteller. Will McMahon the anecdotal master himself will

322
00:14:35,840 --> 00:14:37,800
Speaker 2: be able to spin a good yarn o. The floor

323
00:14:37,840 --> 00:14:38,320
Speaker 2: is yours.

324
00:14:38,640 --> 00:14:45,960
Speaker 1: Okay, jeez, I didn't expect this, okay, Jesus, all right,

325
00:14:46,000 --> 00:14:48,120
Speaker 1: I actually thought about telling the story because I just

326
00:14:48,160 --> 00:14:49,360
Speaker 1: assumed that I wouldn't need to tell it.

327
00:14:49,600 --> 00:14:50,640
Speaker 2: To jot down some notes.

328
00:14:50,720 --> 00:14:53,000
Speaker 1: Nah, I can do it. Okay, Oh may wi should go?

329
00:14:53,360 --> 00:14:57,920
Speaker 2: No, no go tell me sorry, okay, okay, okay, So

330
00:14:59,680 --> 00:15:06,480
Speaker 2: not a start. Not if I'm watching a film. I'm

331
00:15:06,520 --> 00:15:09,520
Speaker 2: pretty much tuned out. Come on, come on, mate, okay,

332
00:15:09,600 --> 00:15:10,520
Speaker 2: get me okay.

333
00:15:10,240 --> 00:15:12,880
Speaker 1: Here, all right, So I used I used.

334
00:15:12,720 --> 00:15:21,400
Speaker 2: To I'll help, I'll help. I'll give you a bit

335
00:15:21,400 --> 00:15:23,240
Speaker 2: of back and forth, bounce off you a bit.

336
00:15:23,320 --> 00:15:25,320
Speaker 1: Okay. So I used to have a credit card which

337
00:15:25,440 --> 00:15:29,680
Speaker 1: was an a n Z credit card. All right, wait right,

338
00:15:30,200 --> 00:15:35,480
Speaker 1: really bad. But the Z is connected with your iPhone

339
00:15:35,560 --> 00:15:37,120
Speaker 1: something called Apple Pay.

340
00:15:37,200 --> 00:15:40,400
Speaker 2: Give me something, right, okay, hang on? Is this just

341
00:15:40,440 --> 00:15:41,200
Speaker 2: an ad? Are you just doing it?

342
00:15:41,680 --> 00:15:45,000
Speaker 1: I promise, not promise not. I changed credit cards and

343
00:15:45,000 --> 00:15:47,600
Speaker 1: I got a west Pack credit card. West Pak credit

344
00:15:47,600 --> 00:15:49,800
Speaker 1: card doesn't have Apple Pay. Yep.

345
00:15:50,440 --> 00:15:53,400
Speaker 2: Okay, yeah, I'm there mate, you really, we're just I've

346
00:15:53,440 --> 00:15:55,000
Speaker 2: got to I've got a stat here of the listeners

347
00:15:55,000 --> 00:15:58,040
Speaker 2: we're losing by the second and dropping off of wait.

348
00:15:57,920 --> 00:16:01,000
Speaker 1: Wait wait so so so west Pack doesn't have Apple.

349
00:16:01,120 --> 00:16:02,360
Speaker 2: We've We've got that all right.

350
00:16:02,640 --> 00:16:04,400
Speaker 1: So when I used to have my ADS and credit card,

351
00:16:04,480 --> 00:16:06,040
Speaker 1: I didn't have to take my actual credit card with

352
00:16:06,040 --> 00:16:09,480
Speaker 1: me because I could just take my phone everywhere, right, yep, yep. Right.

353
00:16:09,520 --> 00:16:11,240
Speaker 1: With the new credit card, I have to remember all

354
00:16:11,240 --> 00:16:12,520
Speaker 1: the time to take my credit card with me.

355
00:16:12,640 --> 00:16:14,360
Speaker 2: This is really bad, right, yep.

356
00:16:14,520 --> 00:16:18,600
Speaker 1: Okay. On the weekend, I bought this thing which sticks

357
00:16:18,600 --> 00:16:19,560
Speaker 1: onto the back of my phone.

358
00:16:19,680 --> 00:16:21,920
Speaker 2: You showed me that this morning, and I can put my.

359
00:16:21,840 --> 00:16:27,360
Speaker 1: Credit card in it. Great this morning, Yeah, you go.

360
00:16:27,640 --> 00:16:30,120
Speaker 1: This morning, I went to go and get a coffee. Yep,

361
00:16:30,200 --> 00:16:32,800
Speaker 1: and I remembered and I was like, oh, no, I've

362
00:16:32,800 --> 00:16:33,800
Speaker 1: forgotten my credit card.

363
00:16:34,360 --> 00:16:37,840
Speaker 2: Right, But then one nightmare and then I remember that

364
00:16:37,920 --> 00:16:39,960
Speaker 2: I bought the thing which sticks on the back of

365
00:16:40,000 --> 00:16:41,600
Speaker 2: my phone, and my credit card was actually in there,

366
00:16:41,600 --> 00:16:43,640
Speaker 2: and I didn't have to go home. And you want

367
00:16:43,640 --> 00:16:47,640
Speaker 2: a bit of music maybe to amp that. That's a

368
00:16:47,680 --> 00:16:50,680
Speaker 2: shocking story. That's I think that's the worst story either.

369
00:16:50,800 --> 00:16:52,640
Speaker 2: That the sort of story that if my grandpa has

370
00:16:52,680 --> 00:16:55,000
Speaker 2: told me that story even by his standards, I'd say

371
00:16:55,000 --> 00:16:58,280
Speaker 2: that was a shocking story. And I'll get up at Midge. Midge,

372
00:16:58,840 --> 00:17:00,960
Speaker 2: you showed faith. Midge, what do you think of Will's

373
00:17:01,160 --> 00:17:02,960
Speaker 2: I don't even know what to call that story? He

374
00:17:03,040 --> 00:17:05,159
Speaker 2: bought something to sticky credit card into the back of

375
00:17:05,160 --> 00:17:05,920
Speaker 2: a fine Mitch.

376
00:17:06,760 --> 00:17:08,199
Speaker 6: You know what that feels like?

377
00:17:08,280 --> 00:17:08,720
Speaker 2: A Monday?

378
00:17:08,760 --> 00:17:09,639
Speaker 1: That's what that feels like.

379
00:17:11,440 --> 00:17:13,399
Speaker 2: Welcome to Monday, Will, Thanks Mitch. Only that was a

380
00:17:13,400 --> 00:17:15,159
Speaker 2: positive review, got Meg? He and Meg? What do you

381
00:17:15,160 --> 00:17:17,440
Speaker 2: think of Will's credit card extravaganza?

382
00:17:18,400 --> 00:17:20,439
Speaker 6: Look, I think it would have been a great story

383
00:17:20,760 --> 00:17:22,960
Speaker 6: if you were like a forty year old mother at like.

384
00:17:25,480 --> 00:17:28,560
Speaker 2: That would have gone down really well. I'm not sure

385
00:17:28,840 --> 00:17:29,240
Speaker 2: I was.

386
00:17:29,200 --> 00:17:30,040
Speaker 5: The correct audience.

387
00:17:31,760 --> 00:17:33,680
Speaker 2: Well, we're gonna Asky and Marie. Thanks Meg and Marae,

388
00:17:33,680 --> 00:17:35,480
Speaker 2: what do you think of Will's credit cards story? And

389
00:17:35,680 --> 00:17:37,480
Speaker 2: I think we've gotta go to traffic after this? And Marie,

390
00:17:37,480 --> 00:17:38,080
Speaker 2: what did you think?

391
00:17:39,040 --> 00:17:42,480
Speaker 7: I think it's a literally boy, but it's it was

392
00:17:42,680 --> 00:17:43,680
Speaker 7: a twist ending.

393
00:17:45,600 --> 00:17:49,560
Speaker 2: Did not did not have a twist?

394
00:17:50,040 --> 00:17:52,920
Speaker 1: Very special guests and Julia Morris, who's in the studio.

395
00:17:52,880 --> 00:17:56,359
Speaker 6: An un eccentric filling are Julia Morris now I'm self

396
00:17:56,400 --> 00:18:01,280
Speaker 6: helped Guru Julia Morris the Mace, and I'm Julia Morris recurring.

397
00:18:01,359 --> 00:18:03,760
Speaker 6: Now I'm a full scale replica of Julia Morris. O

398
00:18:03,800 --> 00:18:06,760
Speaker 6: when i am insert the joke here Julia Morris. Now

399
00:18:06,800 --> 00:18:09,760
Speaker 6: I'm the new Minister for Maggot Affairs Julia Morris, and

400
00:18:09,840 --> 00:18:11,480
Speaker 6: I'm a nut that Macon trained.

401
00:18:11,520 --> 00:18:14,440
Speaker 2: Traces of Julia Morris. Here are four oh.

402
00:18:14,320 --> 00:18:18,119
Speaker 6: Four Julia Morris not found and I'm Jedi Night Julia Morris.

403
00:18:18,160 --> 00:18:26,080
Speaker 6: And I'm Spoonerism enthusiast Mullia Jarris. I'm just listening to it.

404
00:18:26,160 --> 00:18:28,480
Speaker 6: I'm not a young woman despite this lighting in this

405
00:18:28,760 --> 00:18:29,960
Speaker 6: lovely brand new studio.

406
00:18:30,560 --> 00:18:32,960
Speaker 2: No, you're still You're coming like a freight train though,

407
00:18:33,040 --> 00:18:36,680
Speaker 2: Julia Energy.

408
00:18:37,400 --> 00:18:38,760
Speaker 1: I love you. Do you know what?

409
00:18:38,880 --> 00:18:41,080
Speaker 6: I was picked up at five thirty this morning to

410
00:18:41,160 --> 00:18:44,320
Speaker 6: start my little chitty chat pusyr cats about my lovely

411
00:18:44,359 --> 00:18:44,960
Speaker 6: blind dates.

412
00:18:45,119 --> 00:18:47,320
Speaker 1: Oh yes, this morning.

413
00:18:47,920 --> 00:18:50,560
Speaker 2: Zero. So have you been doing an interview since five

414
00:18:50,720 --> 00:18:51,359
Speaker 2: thirty this morning?

415
00:18:51,720 --> 00:18:57,440
Speaker 6: Like Crouching tiger, hidden fun bag, like since you don't

416
00:18:57,440 --> 00:18:58,040
Speaker 6: even know what you're.

417
00:18:57,880 --> 00:19:02,320
Speaker 2: Doing in the oh two questions? The first one, best

418
00:19:02,400 --> 00:19:03,600
Speaker 2: question you've received today?

419
00:19:03,840 --> 00:19:09,159
Speaker 6: Best question I received was would you like cream with that.

420
00:19:12,480 --> 00:19:13,720
Speaker 2: The worst question you've received.

421
00:19:13,720 --> 00:19:17,639
Speaker 6: The worst question is you probably don't need cream. You're

422
00:19:17,640 --> 00:19:18,800
Speaker 6: looking a bit beefy, so.

423
00:19:20,320 --> 00:19:20,879
Speaker 2: It's tricky.

424
00:19:20,920 --> 00:19:24,640
Speaker 6: I mean, you give us one bit to take with another. Yeah, yeah,

425
00:19:25,000 --> 00:19:27,360
Speaker 6: and it begs the question, what would you need cream with?

426
00:19:27,440 --> 00:19:32,359
Speaker 1: So I just thoughts because I'm not good. You know

427
00:19:32,160 --> 00:19:36,119
Speaker 1: you're also wearing I think a jumpsuit.

428
00:19:36,720 --> 00:19:39,679
Speaker 6: Well, it has a jumpsuit vibe. I saw my lovely

429
00:19:39,680 --> 00:19:42,919
Speaker 6: friend Jeannie Ashera, who is such an awesome British comic,

430
00:19:42,960 --> 00:19:44,439
Speaker 6: and she lives in New York, and she had this

431
00:19:44,840 --> 00:19:50,959
Speaker 6: incredible what I can only describe as a baby's romper suit. Yeah, yeah, God,

432
00:19:51,000 --> 00:19:53,679
Speaker 6: I totally need it because I'm so modern. And so

433
00:19:53,720 --> 00:19:55,720
Speaker 6: it arrives in my private home a couple of days ago,

434
00:19:55,760 --> 00:19:56,879
Speaker 6: and I thought, do you know what would be the

435
00:19:56,880 --> 00:19:59,439
Speaker 6: perfect day to wear it? The day I'm doing press.

436
00:20:01,800 --> 00:20:06,000
Speaker 6: You can do a kick at a moment's notice without

437
00:20:06,040 --> 00:20:09,440
Speaker 6: doing any sort of inappropriate sort of open up says

438
00:20:09,480 --> 00:20:09,679
Speaker 6: to me.

439
00:20:09,720 --> 00:20:10,119
Speaker 2: I don't know.

440
00:20:11,119 --> 00:20:13,920
Speaker 6: I was trying to trying to think of some modern.

441
00:20:13,640 --> 00:20:15,840
Speaker 1: Hello boys, there's none of that going on.

442
00:20:16,119 --> 00:20:17,320
Speaker 6: A little bit of good night Irene.

443
00:20:17,400 --> 00:20:22,680
Speaker 1: You know, Julie, you've got a brand new blind Date.

444
00:20:22,680 --> 00:20:25,520
Speaker 1: Premiere is tonight at seven point thirty on Channel ten.

445
00:20:25,840 --> 00:20:26,400
Speaker 2: If I'm not.

446
00:20:26,320 --> 00:20:28,000
Speaker 6: Corrected, the last time I saw you, if you have

447
00:20:28,520 --> 00:20:30,800
Speaker 6: been on my own blind date, you.

448
00:20:30,920 --> 00:20:33,560
Speaker 2: Came at a very long lunch.

449
00:20:33,640 --> 00:20:36,600
Speaker 6: Yes, I get confused. I'm not gonna lie.

450
00:20:36,680 --> 00:20:39,280
Speaker 2: You like it in chuck. Yeah, you're a spewer.

451
00:20:40,280 --> 00:20:44,680
Speaker 6: I am a massive spewer, so like one vodka ian

452
00:20:44,880 --> 00:20:45,920
Speaker 6: and I'll be ready to chuck.

453
00:20:46,280 --> 00:20:48,280
Speaker 2: Yeah right, okay, so that's very lucky. But do you

454
00:20:48,280 --> 00:20:49,880
Speaker 2: not remember that chat we had? Yeah?

455
00:20:50,080 --> 00:20:54,280
Speaker 6: I remember clearly what Yes, please remember remember that time

456
00:20:54,320 --> 00:20:57,479
Speaker 6: when we were doing that stuff and no, it was

457
00:20:58,080 --> 00:20:59,000
Speaker 6: it was everything to me.

458
00:20:59,359 --> 00:21:03,080
Speaker 1: We had a chat before mate where you were talking

459
00:21:03,119 --> 00:21:05,280
Speaker 1: about if you heard the audio, just that it was.

460
00:21:05,320 --> 00:21:07,560
Speaker 1: It was you doing little bits at the start of

461
00:21:07,560 --> 00:21:09,720
Speaker 1: your reality show on arms to get me out of here,

462
00:21:09,960 --> 00:21:11,920
Speaker 1: which is just a real that everybody needs to say

463
00:21:11,920 --> 00:21:15,080
Speaker 1: on YouTube. It's unbelievable. This is a compilation of seasons

464
00:21:15,080 --> 00:21:16,720
Speaker 1: worth of you doing.

465
00:21:16,760 --> 00:21:19,480
Speaker 6: I think was cut by a fan intro intro to

466
00:21:19,520 --> 00:21:20,840
Speaker 6: the show who cut it together.

467
00:21:21,280 --> 00:21:23,560
Speaker 1: But it looks like you and I think you do

468
00:21:23,640 --> 00:21:27,920
Speaker 1: this better than anyone. You really do. A short synopsis

469
00:21:27,960 --> 00:21:30,800
Speaker 1: of the show without actually telling us what's on the show.

470
00:21:31,440 --> 00:21:32,760
Speaker 1: I like you, you're good at it.

471
00:21:32,760 --> 00:21:33,920
Speaker 6: It's a general overview.

472
00:21:34,000 --> 00:21:34,959
Speaker 1: You're very good at it.

473
00:21:35,000 --> 00:21:39,119
Speaker 6: So so you know, we start rehearsing at four thirty

474
00:21:39,160 --> 00:21:41,840
Speaker 6: in the morning for I'm a Slab and we go

475
00:21:41,920 --> 00:21:43,480
Speaker 6: Live to Wear at ten thirty in.

476
00:21:43,480 --> 00:21:46,720
Speaker 1: The morning and you toast. So I'm just like, what.

477
00:21:46,600 --> 00:21:47,040
Speaker 2: Day is it?

478
00:21:47,080 --> 00:21:50,560
Speaker 6: Where are we? And then they're you know, fourteen hour days.

479
00:21:50,680 --> 00:21:52,760
Speaker 2: And then so that's not scripted, You're just you're just

480
00:21:53,000 --> 00:21:54,640
Speaker 2: you're just starting to whatever.

481
00:21:55,800 --> 00:21:57,959
Speaker 6: A lot of those lines are scripted, and they are

482
00:21:58,000 --> 00:21:59,560
Speaker 6: scripted by a Perth boy.

483
00:22:00,160 --> 00:22:00,800
Speaker 1: Oh there you go.

484
00:22:01,200 --> 00:22:04,040
Speaker 6: Yeah, Matt love Kass. So Matt Lovekis and Michael Ward

485
00:22:04,119 --> 00:22:07,119
Speaker 6: are our writers who come to Africa with us. And

486
00:22:07,160 --> 00:22:08,840
Speaker 6: then it's a bit of a mix and match. I'll

487
00:22:08,880 --> 00:22:11,240
Speaker 6: either write nutty stuff that they will have heard me

488
00:22:11,400 --> 00:22:13,440
Speaker 6: say throughout the course of the day, but a good

489
00:22:13,480 --> 00:22:16,000
Speaker 6: deal of those actually belong to them. It's just the

490
00:22:16,200 --> 00:22:19,240
Speaker 6: insane delivery that I bring to the time.

491
00:22:20,600 --> 00:22:21,440
Speaker 1: That's the kickout.

492
00:22:21,560 --> 00:22:23,679
Speaker 2: We don't have your writers here. We would like to

493
00:22:23,720 --> 00:22:26,000
Speaker 2: have some fun here. Thirteen one oh six fives our number.

494
00:22:26,400 --> 00:22:28,760
Speaker 2: We want people to call up and they will just

495
00:22:28,840 --> 00:22:33,000
Speaker 2: suggest a TV show. I like, whatever TV show you want.

496
00:22:33,920 --> 00:22:35,680
Speaker 2: We pitched a TV show a Channel ten earlier this

497
00:22:35,800 --> 00:22:38,920
Speaker 2: year called Antique Toad Show, for example.

498
00:22:38,960 --> 00:22:41,560
Speaker 1: And reality shows are very anything right now. I mean

499
00:22:41,600 --> 00:22:43,760
Speaker 1: they can be they really they can be about boats

500
00:22:43,800 --> 00:22:45,840
Speaker 1: or submarines, or they.

501
00:22:45,720 --> 00:22:47,200
Speaker 6: Can be about your fingernails.

502
00:22:47,240 --> 00:22:47,800
Speaker 1: Yeah, that's right.

503
00:22:47,960 --> 00:22:51,639
Speaker 6: So much content required that you know, it's.

504
00:22:51,480 --> 00:22:54,000
Speaker 1: The life of a mosquito. Whatever you want. Yes, yeah,

505
00:22:54,040 --> 00:22:56,800
Speaker 1: you just put two words together if you want, and

506
00:22:56,960 --> 00:22:59,000
Speaker 1: that will be a show. So thirty one and six

507
00:22:59,119 --> 00:23:01,760
Speaker 1: five Morris is here on the show with Willem Woody.

508
00:23:02,080 --> 00:23:04,000
Speaker 1: Love for you guys to just give us the name

509
00:23:04,000 --> 00:23:07,080
Speaker 1: of potential reality show. It could be a four or

510
00:23:07,080 --> 00:23:10,359
Speaker 1: a three paper don't care, beautiful take the calls, and

511
00:23:10,400 --> 00:23:13,879
Speaker 1: then I want Julia to give us a one liner

512
00:23:14,000 --> 00:23:16,520
Speaker 1: on what the show. The show would be would be

513
00:23:16,640 --> 00:23:19,840
Speaker 1: a lot. There's a brand new show on Channel ten

514
00:23:19,880 --> 00:23:23,880
Speaker 1: which you should definitely watch tonight. Blind Date premieres seven

515
00:23:24,040 --> 00:23:25,960
Speaker 1: thirty on Channel ten. Julia Morris the host. She's in

516
00:23:25,960 --> 00:23:28,600
Speaker 1: the studio with us right now and she is turning

517
00:23:28,640 --> 00:23:30,640
Speaker 1: into a reality host specialist.

518
00:23:30,640 --> 00:23:35,520
Speaker 6: Wards, Julia tell you what at fifty years of age

519
00:23:35,520 --> 00:23:37,480
Speaker 6: I'm like, just chuck a few more shows my way.

520
00:23:37,560 --> 00:23:42,080
Speaker 6: I probably dropped dead on the set soon. You shouldn't

521
00:23:42,080 --> 00:23:45,160
Speaker 6: really say that to get awkward. I don't know what happened.

522
00:23:45,200 --> 00:23:48,359
Speaker 6: Why would I say drop dead? I don't even understand anyway,

523
00:23:48,400 --> 00:23:49,439
Speaker 6: not to worry everyone.

524
00:23:49,720 --> 00:23:53,240
Speaker 2: You've also since four Am, which I'm loving. So we've

525
00:23:53,240 --> 00:23:55,120
Speaker 2: got a loopy Julia Morris as well.

526
00:23:55,280 --> 00:23:58,520
Speaker 6: We're only the best. We'll do yeah into the loop,

527
00:23:58,560 --> 00:23:59,480
Speaker 6: and we're going to go there.

528
00:23:59,680 --> 00:24:02,720
Speaker 2: So you think you're so good that you will be

529
00:24:02,720 --> 00:24:05,320
Speaker 2: able to just become the host of whatever show our

530
00:24:05,359 --> 00:24:07,720
Speaker 2: listeners give you. So thirteen one oh sixty five is

531
00:24:07,720 --> 00:24:08,240
Speaker 2: our number.

532
00:24:08,320 --> 00:24:10,840
Speaker 1: And look, just to give you an example, we played

533
00:24:10,840 --> 00:24:13,560
Speaker 1: this before, and this is Julia on the set and

534
00:24:13,600 --> 00:24:14,920
Speaker 1: I'm just said to get me out of here while

535
00:24:14,960 --> 00:24:16,760
Speaker 1: she's hosting with Chris Barron. And these are just some

536
00:24:16,800 --> 00:24:18,520
Speaker 1: of the things that she's fanging out and and.

537
00:24:18,440 --> 00:24:23,119
Speaker 6: I'm eccentric fillinaire Julia Morris, I'm self helped guru, Julia Morris,

538
00:24:23,400 --> 00:24:27,119
Speaker 6: the mist and I'm Julia point Morris recurring. I'm a

539
00:24:27,119 --> 00:24:29,640
Speaker 6: full scale reticka of Julia Morrow. Oh when I am

540
00:24:29,760 --> 00:24:31,920
Speaker 6: into the joke here, Julia.

541
00:24:31,600 --> 00:24:34,360
Speaker 1: Morris so she's got a love her sleeve. So right now,

542
00:24:34,440 --> 00:24:35,840
Speaker 1: what people are going to do have called up thirty

543
00:24:35,880 --> 00:24:38,000
Speaker 1: one oh six five. They have got the name of

544
00:24:38,040 --> 00:24:39,960
Speaker 1: the show. They're just going to say the name of

545
00:24:40,000 --> 00:24:41,879
Speaker 1: the show. And if you could just give us I

546
00:24:41,880 --> 00:24:44,000
Speaker 1: think it's going to be the catchphrase for the show,

547
00:24:44,040 --> 00:24:45,280
Speaker 1: woulds Yeah, maybe it's.

548
00:24:45,200 --> 00:24:48,040
Speaker 2: Coming back from an ad break and you Julia Morris

549
00:24:48,080 --> 00:24:50,480
Speaker 2: takes over as the host of that show. Yeah, yeah,

550
00:24:50,520 --> 00:24:52,600
Speaker 2: And I'm within the catchphrase when you're a.

551
00:24:52,560 --> 00:24:55,000
Speaker 1: Welcome back umbrella, I think are welcome back umbrella?

552
00:24:55,240 --> 00:24:55,600
Speaker 7: I like that.

553
00:24:55,640 --> 00:24:57,480
Speaker 2: You know, we'll cut your dann three two one and

554
00:24:57,520 --> 00:24:58,879
Speaker 2: then you're the host of the show.

555
00:24:59,280 --> 00:24:59,600
Speaker 6: Nice.

556
00:25:00,080 --> 00:25:03,120
Speaker 2: Yeah, you take that challenge.

557
00:25:03,359 --> 00:25:04,120
Speaker 6: I'll tease that stually.

558
00:25:04,160 --> 00:25:09,320
Speaker 1: I don't worry. Oh yeah, I'm going to that.

559
00:25:12,200 --> 00:25:26,600
Speaker 6: Don't give me.

560
00:25:21,760 --> 00:25:22,240
Speaker 1: Welcome to the.

561
00:25:24,600 --> 00:25:26,399
Speaker 2: I'm a celebrity ghetto out of here.

562
00:25:29,240 --> 00:25:31,720
Speaker 6: Back in, you follow it back in and.

563
00:25:33,040 --> 00:25:35,960
Speaker 2: It's all all right. We've got Ben here on thirty

564
00:25:36,040 --> 00:25:38,240
Speaker 2: one o six five. Ben, what's the name of the

565
00:25:38,280 --> 00:25:40,560
Speaker 2: show that you want Julia Morris to be the host.

566
00:25:40,320 --> 00:25:51,160
Speaker 3: Of the name of the show, guys.

567
00:25:46,960 --> 00:25:50,200
Speaker 6: Oh, well, here's the thing it's called about. Welcome back

568
00:25:50,200 --> 00:25:53,879
Speaker 6: to Womanizer, where full body contact is a way of life.

569
00:25:55,400 --> 00:25:58,520
Speaker 6: I get some pubist Boner Adam's Apple full body contact

570
00:25:58,520 --> 00:26:00,639
Speaker 6: tonight on Womaniser. Who going to be the one to

571
00:26:00,680 --> 00:26:02,960
Speaker 6: step up to the challenge in the workplace?

572
00:26:05,240 --> 00:26:05,520
Speaker 1: Did you?

573
00:26:05,640 --> 00:26:08,760
Speaker 2: Just says Bones Adam's Apple.

574
00:26:09,560 --> 00:26:11,480
Speaker 1: Wow, that was good? All right, We're going to go

575
00:26:11,440 --> 00:26:11,960
Speaker 1: to the next one.

576
00:26:12,000 --> 00:26:12,320
Speaker 6: Here.

577
00:26:13,119 --> 00:26:15,680
Speaker 1: We've got Lydia, who's given us a call. Lydia, You've

578
00:26:15,640 --> 00:26:18,560
Speaker 1: got Julie Morrison's studio who's hosting Blind Date tonight sevent

579
00:26:18,560 --> 00:26:21,000
Speaker 1: thirty on Channel ten. But what reality show would you

580
00:26:21,080 --> 00:26:21,600
Speaker 1: like her to her host?

581
00:26:21,720 --> 00:26:24,240
Speaker 2: Right now? Greek Up your Life?

582
00:26:24,359 --> 00:26:26,479
Speaker 1: All right, great, come back from the airbreak, Greek Up

583
00:26:26,520 --> 00:26:29,000
Speaker 1: your Life. We've got your host, Julie Morris.

584
00:26:29,280 --> 00:26:32,040
Speaker 6: Welcome back to Greek So I've got a mouthful of

585
00:26:32,600 --> 00:26:37,520
Speaker 6: hellow me and I am getting involved. Greek Up your Life.

586
00:26:37,560 --> 00:26:40,480
Speaker 6: We're going to run a little bit of homus through

587
00:26:40,560 --> 00:26:45,080
Speaker 6: our hair and we can literally get some ming blue

588
00:26:45,080 --> 00:26:47,600
Speaker 6: water in front of our faces. Tonight is the night

589
00:26:48,119 --> 00:26:50,680
Speaker 6: Greek Up your Life.

590
00:26:51,440 --> 00:26:53,479
Speaker 2: I don't know what happens in that show. You just

591
00:26:53,600 --> 00:26:54,479
Speaker 2: you just greek it up.

592
00:26:54,640 --> 00:26:57,199
Speaker 1: I think we're going to I think that I think

593
00:26:57,720 --> 00:26:59,960
Speaker 1: might be middle East, don't worry about.

594
00:27:00,560 --> 00:27:03,080
Speaker 6: But that's what I have when I got with George

595
00:27:04,119 --> 00:27:05,440
Speaker 6: Colin Barris's restaurant.

596
00:27:07,400 --> 00:27:09,719
Speaker 2: Yeah, will come on Gregs love Or is it more

597
00:27:09,760 --> 00:27:10,480
Speaker 2: of a task?

598
00:27:10,720 --> 00:27:13,120
Speaker 6: I think it could be more of a gone horrifically

599
00:27:13,119 --> 00:27:16,760
Speaker 6: wrong cross sections across yours? What I was?

600
00:27:17,040 --> 00:27:18,800
Speaker 1: I was? I was more?

601
00:27:18,880 --> 00:27:20,120
Speaker 6: Yeah, who knows what I want?

602
00:27:20,280 --> 00:27:20,480
Speaker 4: Yeah?

603
00:27:20,720 --> 00:27:23,080
Speaker 1: That's okay, that's all right.

604
00:27:23,119 --> 00:27:25,359
Speaker 2: We have one to finish off with here. Final I've

605
00:27:25,400 --> 00:27:27,240
Speaker 2: got Alex on the phone. Alex, what's the show you

606
00:27:27,240 --> 00:27:31,080
Speaker 2: want Julia Morris to host? It's called Grandma's Box.

607
00:27:32,160 --> 00:27:34,960
Speaker 6: Well, I'll tell you what it's something needs an airing out.

608
00:27:35,040 --> 00:27:39,359
Speaker 6: Ladies and gentlemen, Welcome back to Grandma's Box. There are

609
00:27:39,840 --> 00:27:43,480
Speaker 6: so many hidden secrets. And just look at the rings.

610
00:27:43,480 --> 00:27:46,520
Speaker 6: We can count how old she is. Here, there's a

611
00:27:46,560 --> 00:27:48,840
Speaker 6: lot of jewelry.

612
00:27:49,960 --> 00:27:53,960
Speaker 1: Juliam Morris is coming to your TV's Blind Date seventh

613
00:27:54,040 --> 00:27:57,679
Speaker 1: thirty tonight on Channel ten. Thank you so much for coming.

614
00:27:57,680 --> 00:28:02,240
Speaker 6: Mate, Pleasure, great pleasure, pleasure, gat you didn't.

615
00:28:04,600 --> 00:28:08,080
Speaker 1: You one of those brand new job interview pranks to

616
00:28:08,080 --> 00:28:09,120
Speaker 1: play for you guys? Very shortly?

617
00:28:09,160 --> 00:28:11,320
Speaker 2: Would my hooking this next bit? Or am I doing

618
00:28:11,359 --> 00:28:14,280
Speaker 2: the full bang? The full bang all read by Well Wilbert.

619
00:28:14,280 --> 00:28:23,520
Speaker 2: Here's the deal. This is a phenomenal law case. Beautiful beautiful,

620
00:28:26,040 --> 00:28:31,480
Speaker 2: beautiful understanding. This a phenomenal law case that happened in

621
00:28:31,480 --> 00:28:36,360
Speaker 2: Melbourne last last week. This this student UNI student went

622
00:28:36,400 --> 00:28:40,960
Speaker 2: to the Supreme Court because he failed a UNI assignment

623
00:28:41,040 --> 00:28:44,000
Speaker 2: about dogs. He did a thesis on dogs.

624
00:28:44,920 --> 00:28:47,560
Speaker 1: He just that music again.

625
00:28:48,000 --> 00:28:50,880
Speaker 2: He took it to the Supreme Court. It got thrown at.

626
00:28:50,960 --> 00:28:53,320
Speaker 2: It was the most ridiculous lawsuit I could have possibly

627
00:28:53,320 --> 00:28:57,200
Speaker 2: imagined about dogs, About dogs? Hang on, did we listen

628
00:28:57,320 --> 00:29:01,200
Speaker 2: to the He did an assignment on dig and sorry

629
00:29:01,200 --> 00:29:01,800
Speaker 2: he failed.

630
00:29:01,840 --> 00:29:04,120
Speaker 1: He failed that assignment, so that's the key information.

631
00:29:04,200 --> 00:29:07,080
Speaker 2: Sorry I did I did miss that.

632
00:29:06,760 --> 00:29:10,360
Speaker 1: He got taken to court for his thesis. Are like, great,

633
00:29:10,840 --> 00:29:12,120
Speaker 1: what are you're gonna tell us?

634
00:29:12,120 --> 00:29:15,360
Speaker 2: What is obvious? The number of Keith acts. He did

635
00:29:15,400 --> 00:29:19,160
Speaker 2: a UNI assignment on dogs, he failed the assignment.

636
00:29:18,760 --> 00:29:20,800
Speaker 1: He challenged the failing, and then we went to the

637
00:29:20,880 --> 00:29:21,680
Speaker 1: US Supreme Court.

638
00:29:21,720 --> 00:29:24,600
Speaker 2: Okay, Now, I thought this was an absurd lawsuit until

639
00:29:24,600 --> 00:29:26,719
Speaker 2: I did some research. So I want to play a

640
00:29:26,800 --> 00:29:30,840
Speaker 2: little game with you called is this a real lawsuit

641
00:29:31,280 --> 00:29:33,600
Speaker 2: or is it a fake law? So give me law

642
00:29:33,640 --> 00:29:37,240
Speaker 2: and order again beautiful came to play.

643
00:29:38,440 --> 00:29:39,560
Speaker 1: I don't think I have a choice.

644
00:29:39,800 --> 00:29:42,480
Speaker 2: No, you don't. You're getting paid to be here, all right?

645
00:29:46,800 --> 00:29:49,840
Speaker 2: Is this a real lawsuit? Will? People can call up

646
00:29:49,840 --> 00:29:51,720
Speaker 2: thirty one or six five. I want to get involved,

647
00:29:51,680 --> 00:29:53,000
Speaker 2: Struth almighty.

648
00:29:52,680 --> 00:29:55,360
Speaker 1: A bit of a listener engagement with Will.

649
00:29:57,160 --> 00:30:02,280
Speaker 2: Did somebody once try to sue are Bucks because there

650
00:30:02,360 --> 00:30:05,040
Speaker 2: was too much ice in their frappuccino?

651
00:30:06,360 --> 00:30:06,560
Speaker 1: Yep?

652
00:30:07,600 --> 00:30:11,000
Speaker 2: True buggeries now that Yeah, that's true. That's a true

653
00:30:11,040 --> 00:30:14,880
Speaker 2: lawsuit that was thrown out though that one, but true lawsuit? Okay?

654
00:30:14,960 --> 00:30:21,880
Speaker 2: Number two? Did someone once tried to sue Michael Jordan

655
00:30:22,920 --> 00:30:26,959
Speaker 2: because he so because the guy looked a lot like

656
00:30:27,040 --> 00:30:29,640
Speaker 2: Michael Jordan, And because of that he didn't like it,

657
00:30:29,960 --> 00:30:32,720
Speaker 2: so he tried to sue Michael Jordan.

658
00:30:34,160 --> 00:30:37,840
Speaker 1: No, didn't happen? Correct?

659
00:30:37,920 --> 00:30:41,120
Speaker 2: Did happen? That's true? Someone once tried to sue Michael

660
00:30:41,200 --> 00:30:43,640
Speaker 2: Jordan but looking too much like him? Yes, and he

661
00:30:43,680 --> 00:30:45,960
Speaker 2: didn't like it, so he wanted to sue Jordan for

662
00:30:46,000 --> 00:30:46,880
Speaker 2: all the money he had.

663
00:30:47,120 --> 00:30:47,600
Speaker 1: Wow?

664
00:30:47,840 --> 00:30:51,840
Speaker 2: True, also got thrown out mine Jim obviously. Last one?

665
00:30:52,600 --> 00:30:56,000
Speaker 2: Is this a true lawsuit or a fake lawsuit? There

666
00:30:56,080 --> 00:30:59,520
Speaker 2: was once a man who changed his name legally to

667
00:30:59,600 --> 00:31:03,440
Speaker 2: first name Jack last name Ass, whose full name was

668
00:31:03,560 --> 00:31:11,440
Speaker 2: jack Ass. Then popular MTV prank show Jack Hars started

669
00:31:12,800 --> 00:31:16,120
Speaker 2: the person Jack Ars got angry because he thought they

670
00:31:16,280 --> 00:31:20,080
Speaker 2: stole his name, so he tried to sue Jackass.

671
00:31:20,600 --> 00:31:20,800
Speaker 1: Right.

672
00:31:21,960 --> 00:31:30,840
Speaker 2: I think it's true. Yeah, yeah, buddy, true law They

673
00:31:30,880 --> 00:31:35,760
Speaker 2: are all true lawsuits. What a successful first version of it?

674
00:31:35,760 --> 00:31:38,720
Speaker 2: A real lawsuit? Or is it a fake one?

675
00:31:38,920 --> 00:31:41,200
Speaker 1: Jackass? Wow?

676
00:31:41,520 --> 00:31:42,080
Speaker 2: Phenomenal?

677
00:31:42,160 --> 00:31:44,640
Speaker 1: Yeah, great stuff? All right? Well, no, I love that Woods,

678
00:31:44,640 --> 00:31:44,960
Speaker 1: I loved it.

679
00:31:45,360 --> 00:31:47,280
Speaker 2: Anyone else loved it?

680
00:31:47,280 --> 00:31:49,080
Speaker 1: Heaps the calls, think thanks for all those people calling

681
00:31:49,160 --> 00:31:52,280
Speaker 1: up Woodrow. One of those job interview pranks to play

682
00:31:52,320 --> 00:31:56,080
Speaker 1: out very very shortly for you guys. But in the meantime,

683
00:31:57,800 --> 00:32:00,120
Speaker 1: I mean I had to do this to you. But

684
00:32:00,480 --> 00:32:11,800
Speaker 1: let's talk royals. I love that boy, don't believed it

685
00:32:12,280 --> 00:32:18,200
Speaker 1: like a day the bloody show.

686
00:32:26,240 --> 00:32:27,000
Speaker 2: I ain't gonna pass.

687
00:32:27,360 --> 00:32:33,680
Speaker 5: Oh God, I think you love it the most because

688
00:32:33,760 --> 00:32:36,000
Speaker 5: you know I'm a little bit of payment.

689
00:32:36,040 --> 00:32:36,600
Speaker 1: I guess.

690
00:32:40,760 --> 00:32:42,200
Speaker 2: I love that so much.

691
00:32:42,360 --> 00:32:45,880
Speaker 1: Harry and Meghan the chicken Touches of Sussex. Here they

692
00:32:45,880 --> 00:32:47,760
Speaker 1: are here woulds bloody exciting.

693
00:32:47,840 --> 00:32:53,640
Speaker 2: Wilbur landed in Sydney this morning. Meghan with purple folder

694
00:32:53,680 --> 00:32:58,360
Speaker 2: in hand. That's sorry, that's a boring I'm still getting

695
00:32:58,400 --> 00:33:02,880
Speaker 2: the blood from my head. Look, we want to let

696
00:33:03,000 --> 00:33:05,080
Speaker 2: all you guys in, everyone listening now, we want to

697
00:33:05,160 --> 00:33:08,320
Speaker 2: let you win on on an idea that we've got

698
00:33:08,360 --> 00:33:12,360
Speaker 2: for the week. The Royals are here and there's a

699
00:33:12,400 --> 00:33:14,240
Speaker 2: lot of news is what are they going to do,

700
00:33:14,320 --> 00:33:16,200
Speaker 2: where are they going to be visiting, et cetera. But

701
00:33:16,200 --> 00:33:18,760
Speaker 2: there's still a lot of gray area as to where

702
00:33:18,760 --> 00:33:21,720
Speaker 2: will they be eating, how will they be getting around?

703
00:33:22,200 --> 00:33:24,280
Speaker 1: Well, I'm sure there's not gray area, but like I'm

704
00:33:24,280 --> 00:33:26,680
Speaker 1: sure it's planned out to the minute. But for the

705
00:33:26,760 --> 00:33:29,200
Speaker 1: general public, I mean, like it's not really anything that

706
00:33:29,240 --> 00:33:30,080
Speaker 1: anybody knows.

707
00:33:30,360 --> 00:33:33,240
Speaker 2: Yes, right, So we thought there's an opportunity here for

708
00:33:33,320 --> 00:33:38,400
Speaker 2: us just to like call places and say that we

709
00:33:38,400 --> 00:33:43,880
Speaker 2: we work for the Royal family and our jobs. No, sorry,

710
00:33:43,880 --> 00:33:47,200
Speaker 2: we wouldn't talk so regally, but our jobs are to

711
00:33:47,560 --> 00:33:55,320
Speaker 2: trial experiences or trial food beverages before Harry and Megan visit,

712
00:33:55,400 --> 00:33:56,000
Speaker 2: which would have.

713
00:33:55,960 --> 00:33:58,719
Speaker 1: To be a thing which I've actually seen. I've actually

714
00:33:58,760 --> 00:34:02,400
Speaker 1: seen a bit that Stephen Fry does where he talks

715
00:34:02,400 --> 00:34:04,960
Speaker 1: about when Charles and Princess Diana came to with his

716
00:34:05,000 --> 00:34:07,360
Speaker 1: house like many years ago, and he said there were

717
00:34:07,440 --> 00:34:11,600
Speaker 1: genuinely people that rocked up beforehand with like mental detectors

718
00:34:11,680 --> 00:34:14,279
Speaker 1: and dogs. And also they just just check the place out,

719
00:34:14,400 --> 00:34:17,200
Speaker 1: like is this suitable? Where are they going to sit there?

720
00:34:17,280 --> 00:34:19,759
Speaker 1: Any cameras like all that sort of stuff. So the

721
00:34:19,840 --> 00:34:22,600
Speaker 1: thing is, if Harry and Megan were doing anything Australia,

722
00:34:22,920 --> 00:34:25,960
Speaker 1: before they do anything in Australia, there's going to be

723
00:34:26,040 --> 00:34:29,479
Speaker 1: somebody it is. Obviously it has to be somebody's job

724
00:34:29,840 --> 00:34:32,960
Speaker 1: who is a confidant of the royal family who goes

725
00:34:33,000 --> 00:34:35,440
Speaker 1: and tries the stuff out before they do.

726
00:34:35,880 --> 00:34:40,320
Speaker 2: And we think that we could pretend to be those people.

727
00:34:40,440 --> 00:34:42,400
Speaker 2: That's right, my friend, and the result will be that

728
00:34:42,440 --> 00:34:46,360
Speaker 2: we can just cruise around and try free experiences.

729
00:34:48,080 --> 00:34:50,600
Speaker 1: Yeah, and not just free experiences, like we're not just

730
00:34:50,640 --> 00:34:53,600
Speaker 1: talking about catching a tram or a train for that matter.

731
00:34:54,320 --> 00:34:57,399
Speaker 1: We're talking what would Harry and mean and that they're

732
00:34:57,400 --> 00:34:59,360
Speaker 1: probably going to go for a helicopter rid at some stage.

733
00:34:59,480 --> 00:35:01,000
Speaker 2: That's a good We want to let you guys in

734
00:35:01,000 --> 00:35:03,719
Speaker 2: another though, thirteen one oh sixty five, give us a call. Now,

735
00:35:04,560 --> 00:35:07,919
Speaker 2: what sort of experience or what things do you think

736
00:35:07,960 --> 00:35:11,239
Speaker 2: we could try? Under the rules that we're trialing it

737
00:35:11,239 --> 00:35:12,040
Speaker 2: for Harry and Meghan.

738
00:35:12,120 --> 00:35:14,799
Speaker 1: Throw the gauntlet down, Yeah, throw it down. Test US

739
00:35:14,920 --> 00:35:18,319
Speaker 1: thirty one and six vis the number because the submarine ride. Yeah,

740
00:35:18,440 --> 00:35:20,840
Speaker 1: we just call the military.

741
00:35:21,040 --> 00:35:21,960
Speaker 2: Submarines are US.

742
00:35:22,480 --> 00:35:23,560
Speaker 1: We call the military.

743
00:35:24,000 --> 00:35:27,440
Speaker 2: We call SCIMO the limit and we say SCIMO, we

744
00:35:27,480 --> 00:35:30,680
Speaker 2: want to trial your submarines because Harry and Meghan do it.

745
00:35:30,719 --> 00:35:33,080
Speaker 1: Now. I know that sounds ridiculous, but the reality is

746
00:35:33,080 --> 00:35:38,759
Speaker 1: that the common person. If Tom Dick or Harry and

747
00:35:38,800 --> 00:35:40,320
Speaker 1: you answer the call and there's someone of the British

748
00:35:40,320 --> 00:35:42,279
Speaker 1: accent there saying, look, I want to give this a guy,

749
00:35:42,320 --> 00:35:44,000
Speaker 1: because Harry and Meghan Markle, We're going to give this

750
00:35:44,040 --> 00:35:46,440
Speaker 1: a go body letting you do it.

751
00:35:46,480 --> 00:35:49,840
Speaker 2: We want to fly a commercial jet.

752
00:35:50,480 --> 00:35:52,800
Speaker 1: Okay. So you keep saying things that we actually physically

753
00:35:52,880 --> 00:35:56,200
Speaker 1: can't do. Okay, this is what we need you guys

754
00:35:56,200 --> 00:36:00,600
Speaker 1: to the lead role in School of Rock. That's it.

755
00:36:00,719 --> 00:36:03,560
Speaker 2: A cameo in Neighbors. I want a cameo.

756
00:36:07,160 --> 00:36:10,920
Speaker 1: No, I'm talking like, think top end restaurants, think elite

757
00:36:11,040 --> 00:36:14,000
Speaker 1: experiences that only those two would be able to do.

758
00:36:14,600 --> 00:36:17,040
Speaker 1: We are going to try and do those things as

759
00:36:17,120 --> 00:36:20,719
Speaker 1: their official tryer out hers and we reckon. We can

760
00:36:20,760 --> 00:36:23,640
Speaker 1: do a couple of these. Obviously we'll film it, but

761
00:36:23,760 --> 00:36:26,200
Speaker 1: we need your ideas. Thirty one and six five throw

762
00:36:26,239 --> 00:36:28,680
Speaker 1: the gauntlet down, give us a goddamn challenge. We'll take

763
00:36:28,680 --> 00:36:31,200
Speaker 1: you up next time. It's one of those job interview

764
00:36:31,239 --> 00:36:34,160
Speaker 1: pranks coming up very surely live on your radio if

765
00:36:34,160 --> 00:36:36,360
Speaker 1: you haven't heard one, very worth while sticking around for

766
00:36:36,480 --> 00:36:38,759
Speaker 1: after the Chuo tune. But woodrow the.

767
00:36:38,800 --> 00:36:41,400
Speaker 2: Royals right.

768
00:36:44,840 --> 00:36:52,960
Speaker 1: Over and let's tuck it. Okay, So thirty one six

769
00:36:53,280 --> 00:36:58,480
Speaker 1: another Harry and Meghan the here and now we're very excited.

770
00:36:58,640 --> 00:36:59,960
Speaker 1: They've got a range of things that they're going to

771
00:37:00,120 --> 00:37:02,799
Speaker 1: doing in Australia and that the itinery looks elite. But

772
00:37:02,840 --> 00:37:05,080
Speaker 1: the reality is we don't think that the common man

773
00:37:05,200 --> 00:37:08,120
Speaker 1: is going to know exactly what that itinery would involve.

774
00:37:08,120 --> 00:37:09,840
Speaker 1: I mean, I know they're going to be in Melbourne, Sydney,

775
00:37:09,960 --> 00:37:11,520
Speaker 1: but what are they doing that's it?

776
00:37:11,600 --> 00:37:13,120
Speaker 2: So we think we can just call a whole bunch

777
00:37:13,120 --> 00:37:17,040
Speaker 2: of places pretending to be the people that need to

778
00:37:17,160 --> 00:37:20,799
Speaker 2: trial things before they go there, and the result will

779
00:37:20,840 --> 00:37:23,520
Speaker 2: be that we just get all these phenomenal experiences for free.

780
00:37:24,000 --> 00:37:27,759
Speaker 1: Hopefully. I think if we're convincing enough. I think if

781
00:37:27,760 --> 00:37:30,719
Speaker 1: we're convincing enough, then the sky's the limit. Because if

782
00:37:30,760 --> 00:37:32,520
Speaker 1: I know, if I ran a business in Australia, I'm

783
00:37:32,520 --> 00:37:33,400
Speaker 1: gonna call from somebody with.

784
00:37:33,360 --> 00:37:37,160
Speaker 2: A British accent on they were asking me, Hey, mate, right,

785
00:37:37,480 --> 00:37:39,279
Speaker 2: we'll work for the Royals. Probably wouldn't be a chap,

786
00:37:39,320 --> 00:37:47,000
Speaker 2: would I. We are taking calls on thirteen one oh

787
00:37:47,120 --> 00:37:50,480
Speaker 2: sixty five on give us a challenge. But what experience

788
00:37:50,560 --> 00:37:52,080
Speaker 2: do you want us to try and get for free?

789
00:37:52,120 --> 00:37:56,120
Speaker 2: Pretending to be these people? We've got Sue here, So

790
00:37:56,320 --> 00:37:57,600
Speaker 2: what do you want to see is try and do

791
00:37:59,360 --> 00:38:01,560
Speaker 2: walk over the sink? Me how to bridge to the wall?

792
00:38:01,800 --> 00:38:05,279
Speaker 1: Good one? And I mean can you can? You can

793
00:38:05,280 --> 00:38:06,880
Speaker 1: just bind it up a little bit. So I mean,

794
00:38:06,920 --> 00:38:07,680
Speaker 1: I reckon we get that.

795
00:38:07,800 --> 00:38:11,560
Speaker 3: Cable, then see see if they will allow the Royal

796
00:38:11,719 --> 00:38:13,520
Speaker 3: couple to bungee jump off of there.

797
00:38:13,719 --> 00:38:18,680
Speaker 2: Wow, now that's a challenge. Now we're going to call

798
00:38:18,760 --> 00:38:22,239
Speaker 2: him and say we need to trial. Well, that's effectively

799
00:38:22,480 --> 00:38:25,200
Speaker 2: on a bungee or a base jump. If there isn't

800
00:38:25,200 --> 00:38:26,960
Speaker 2: a bungee cord set up, I imagine we need to

801
00:38:27,000 --> 00:38:27,560
Speaker 2: base jump.

802
00:38:27,440 --> 00:38:30,480
Speaker 1: Off and parachute off there. Harry used to do it

803
00:38:30,480 --> 00:38:32,400
Speaker 1: in the military. He's really keen to do it somewhere

804
00:38:32,400 --> 00:38:33,040
Speaker 1: in Australia.

805
00:38:33,120 --> 00:38:34,600
Speaker 2: So can we trial it? Can we give it a

806
00:38:34,640 --> 00:38:37,000
Speaker 2: gother are usually I think Base Champion's quite dangerous.

807
00:38:37,520 --> 00:38:41,000
Speaker 1: It's dangerous and illegal. Yeah, but you know, run that one.

808
00:38:41,120 --> 00:38:43,640
Speaker 2: We'll run that one past the lawyers. So great suggestions.

809
00:38:43,680 --> 00:38:44,880
Speaker 1: Also ripper of a suggestion.

810
00:38:45,080 --> 00:38:47,719
Speaker 2: We've got William here. Now, William, what do you want

811
00:38:47,719 --> 00:38:50,320
Speaker 2: to see is try and do well. The Walls family.

812
00:38:50,360 --> 00:38:51,799
Speaker 1: You know they're going to eat, so you've got to

813
00:38:51,800 --> 00:38:55,640
Speaker 1: You've got to test a restaurant out. Yeah, and they

814
00:38:55,680 --> 00:38:58,879
Speaker 1: wouldn't eat at just your standard burger joint.

815
00:38:58,880 --> 00:39:03,160
Speaker 2: Will No, I had to be somewhere some prestige. Yes,

816
00:39:03,719 --> 00:39:06,520
Speaker 2: we'll just pick like a really fancy restaurant and then

817
00:39:06,520 --> 00:39:08,759
Speaker 2: I reckon we just say that we want to try

818
00:39:09,040 --> 00:39:12,120
Speaker 2: every meal, everything you've got, because who knows what they're

819
00:39:12,120 --> 00:39:13,720
Speaker 2: going to water? So can you bring out.

820
00:39:13,640 --> 00:39:16,160
Speaker 1: All just be pigs about it, like just feel like

821
00:39:16,400 --> 00:39:21,319
Speaker 1: there are too many fries on that bar? Another one

822
00:39:21,320 --> 00:39:25,239
Speaker 1: of them really like that. The Royal family. Yeah, it's

823
00:39:25,239 --> 00:39:27,399
Speaker 1: the loyal family and it's going to be you can

824
00:39:27,440 --> 00:39:29,200
Speaker 1: probably order off the menu. I might just look at

825
00:39:29,239 --> 00:39:31,200
Speaker 1: the menu. Just see what they haven't got and go.

826
00:39:32,719 --> 00:39:36,000
Speaker 1: I wouldn't mind you guys giving a duck ago.

827
00:39:36,400 --> 00:39:38,719
Speaker 2: Yeah, go on, go and catch one. I don't get

828
00:39:38,760 --> 00:39:40,400
Speaker 2: that you don't have it here, that you haven't got

829
00:39:40,400 --> 00:39:40,920
Speaker 2: any pork.

830
00:39:41,960 --> 00:39:42,680
Speaker 1: Put it on the menu.

831
00:39:43,480 --> 00:39:48,320
Speaker 2: This is good. Actually, that would happen because any restaurant

832
00:39:48,360 --> 00:39:50,000
Speaker 2: would want Harry and Meghan to be there. That will

833
00:39:50,200 --> 00:39:52,439
Speaker 2: all the Australian press will be there when they're there. Yeah,

834
00:39:52,600 --> 00:39:53,200
Speaker 2: huge promotion.

835
00:39:53,200 --> 00:39:55,200
Speaker 1: Surely we can get a couple of manicures and pedicures

836
00:39:55,239 --> 00:39:55,520
Speaker 1: going on.

837
00:39:55,680 --> 00:40:01,640
Speaker 2: Sure, couple standard couple's massage, a couple of mudbarts for

838
00:40:01,680 --> 00:40:02,400
Speaker 2: the boys.

839
00:40:03,400 --> 00:40:08,279
Speaker 1: The beauty makeup. It could be good. Waxing, sake back

840
00:40:08,320 --> 00:40:10,000
Speaker 1: and crack. I mean, why would we want to do that.

841
00:40:12,160 --> 00:40:16,520
Speaker 2: Sorry, it's so vain, so we've got no teeth white.

842
00:40:16,520 --> 00:40:20,600
Speaker 1: It would be good. Great, No, no, no, hell, hello, no, Hi,

843
00:40:21,880 --> 00:40:22,960
Speaker 1: that's right, that's right mate.

844
00:40:23,560 --> 00:40:25,960
Speaker 3: I'm just nervous. This is my first time talking on

845
00:40:26,000 --> 00:40:26,440
Speaker 3: the radio.

846
00:40:27,600 --> 00:40:28,399
Speaker 2: You did really well.

847
00:40:28,719 --> 00:40:35,200
Speaker 1: Don't worry. You don't need to apologize. Yeah, welcome. I reckon.

848
00:40:35,239 --> 00:40:36,400
Speaker 7: You should write in a.

849
00:40:36,320 --> 00:40:43,600
Speaker 1: Limo just a red no, a red hot car in

850
00:40:43,719 --> 00:40:46,120
Speaker 1: general would be great because look, Woody and I can

851
00:40:46,160 --> 00:40:48,759
Speaker 1: book a limo. All right, we can do that, right,

852
00:40:49,040 --> 00:40:51,000
Speaker 1: Believe it or not, We've done it, mate. You'll get

853
00:40:51,040 --> 00:40:54,759
Speaker 1: to the big time one day. But what about like

854
00:40:55,920 --> 00:41:00,200
Speaker 1: Acid Martin, What's what's.

855
00:41:00,239 --> 00:41:00,960
Speaker 2: Your favorite car?

856
00:41:01,040 --> 00:41:01,200
Speaker 7: Now?

857
00:41:01,239 --> 00:41:03,640
Speaker 2: What's what do you like? The best car in the world.

858
00:41:03,440 --> 00:41:05,640
Speaker 7: Is oh to me?

859
00:41:08,160 --> 00:41:16,279
Speaker 2: Well, I'm a Ford fan, so we're trying to afford Festiva. No,

860
00:41:16,760 --> 00:41:20,120
Speaker 2: I love that you Sorry, what was that knowing?

861
00:41:22,000 --> 00:41:23,880
Speaker 1: Not a Forte?

862
00:41:24,120 --> 00:41:24,359
Speaker 2: Sorry?

863
00:41:24,400 --> 00:41:26,000
Speaker 1: Which which Falcon? A Falcon?

864
00:41:26,080 --> 00:41:26,720
Speaker 2: Ford Falcon?

865
00:41:26,880 --> 00:41:32,680
Speaker 1: Yes, Falcons? All right, ex le've me calling you Ford dealers.

866
00:41:32,719 --> 00:41:37,919
Speaker 2: You you're a legend. We'll give that a crack for sure.

867
00:41:38,000 --> 00:41:40,000
Speaker 1: No, I love it, mate, I reckon. You're right in

868
00:41:40,000 --> 00:41:42,840
Speaker 1: the right area with the cars. How about a Ferrari.

869
00:41:44,239 --> 00:41:47,759
Speaker 3: Oh yeah, well that's that's actually a good Lemo.

870
00:41:48,320 --> 00:41:49,920
Speaker 2: I've actually seen one before.

871
00:41:50,040 --> 00:41:52,879
Speaker 1: No, great, all right, we're going to go mate.

872
00:41:52,960 --> 00:41:53,960
Speaker 2: I love the idea.

873
00:41:54,080 --> 00:41:58,120
Speaker 1: I reckon, that's it. I reckon that is stop number one. Ferrari.

874
00:41:58,840 --> 00:42:01,920
Speaker 1: You and me at a Ferrari for a day because

875
00:42:01,960 --> 00:42:03,560
Speaker 1: Harry and Megan are going to want to take one

876
00:42:03,600 --> 00:42:06,160
Speaker 1: out for a drive sometime in the next week.

877
00:42:06,000 --> 00:42:09,000
Speaker 2: And then we just get to trial it. Around, Yeah, brilliant, beautiful.

878
00:42:09,640 --> 00:42:13,080
Speaker 1: We aren't just about to excute one of these job

879
00:42:13,080 --> 00:42:14,800
Speaker 1: interview prank. Course, we're just having a little bit of

880
00:42:14,840 --> 00:42:18,399
Speaker 1: trouble getting out of Samantha as toll. I promise it's

881
00:42:18,400 --> 00:42:21,040
Speaker 1: going to happen very very shortly. We've got to go

882
00:42:21,200 --> 00:42:22,680
Speaker 1: up with at least we've had time to think about

883
00:42:22,680 --> 00:42:22,959
Speaker 1: what we're.

884
00:42:22,840 --> 00:42:25,399
Speaker 2: Going to do with the Woods, and I've decided over

885
00:42:25,400 --> 00:42:29,359
Speaker 2: the beautiful Beyonce tune that when you do get onto Samantha. Yeah, yeah,

886
00:42:29,480 --> 00:42:30,400
Speaker 2: which we're going to give it.

887
00:42:30,520 --> 00:42:31,799
Speaker 1: We're gonna keep going. We're going to give another go

888
00:42:31,800 --> 00:42:32,960
Speaker 1: because I think this is worthwhile.

889
00:42:33,000 --> 00:42:34,799
Speaker 2: Of course, well at least till six pm. We'll get

890
00:42:34,840 --> 00:42:37,799
Speaker 2: under it. Yeah, but I want you to get me

891
00:42:37,920 --> 00:42:41,600
Speaker 2: involved somehow in the call. So amongst all the things

892
00:42:41,600 --> 00:42:43,839
Speaker 2: you make her do, I want you to somehow get

893
00:42:43,880 --> 00:42:44,960
Speaker 2: me involved.

894
00:42:45,239 --> 00:42:47,160
Speaker 1: I don't get hate to do it as you. Are

895
00:42:47,160 --> 00:42:48,880
Speaker 1: you going to come on as you or I don't.

896
00:42:48,680 --> 00:42:49,359
Speaker 7: Know, don't.

897
00:42:49,760 --> 00:42:50,920
Speaker 2: I can be whatever you want me to be.

898
00:42:52,239 --> 00:42:54,920
Speaker 1: Yeah, okay, all right, okay, great, we're gonna pay another tune.

899
00:42:55,040 --> 00:42:57,200
Speaker 1: Hopefully we're geting to Samantha. I know we've got people

900
00:42:57,239 --> 00:43:00,160
Speaker 1: working feverishly outside to get that over the line. So

901
00:43:00,200 --> 00:43:04,160
Speaker 1: we've been trying to get onto Samantha, who's been thrown

902
00:43:04,239 --> 00:43:06,520
Speaker 1: under the bus by her friend Melissa, as all part

903
00:43:06,600 --> 00:43:15,120
Speaker 1: of our brand new segment, and the position has been filmed.

904
00:43:18,760 --> 00:43:19,680
Speaker 2: What would you do for the job?

905
00:43:19,719 --> 00:43:21,080
Speaker 1: Woulds?

906
00:43:21,239 --> 00:43:23,560
Speaker 2: I thought the music kept going there and I've dropped it.

907
00:43:23,640 --> 00:43:27,080
Speaker 2: Oh and everyone heard it? What you do for a job?

908
00:43:27,080 --> 00:43:31,040
Speaker 1: We're doing this Mondays and Wednesdays at the moment. It

909
00:43:31,160 --> 00:43:33,839
Speaker 1: really is unbelievable what people are willing to do if

910
00:43:33,840 --> 00:43:36,160
Speaker 1: they think a job is on the line.

911
00:43:36,040 --> 00:43:38,080
Speaker 2: And that is exactly what's at play here. Melissa got

912
00:43:38,080 --> 00:43:40,160
Speaker 2: in touch with us and said her friend Samantha is

913
00:43:40,200 --> 00:43:43,279
Speaker 2: going for a job at toll Yep, I'm reading it,

914
00:43:43,400 --> 00:43:47,120
Speaker 2: Ye're told. Okay, so you will be pretending to be

915
00:43:47,520 --> 00:43:50,839
Speaker 2: an employer from told doing a follow up interview. Yeah,

916
00:43:50,880 --> 00:43:51,319
Speaker 2: that's right.

917
00:43:51,360 --> 00:43:54,200
Speaker 1: So that's the concept and the idea is basically, we

918
00:43:54,200 --> 00:43:59,600
Speaker 1: think we can get Samantha to dance metaphorically but maybe

919
00:43:59,600 --> 00:44:00,279
Speaker 1: literally as well.

920
00:44:00,280 --> 00:44:00,680
Speaker 2: Who knows?

921
00:44:00,920 --> 00:44:04,799
Speaker 1: Go for it? No that that that's very visual. It's

922
00:44:04,840 --> 00:44:07,400
Speaker 1: very it's very visual on radio. But I think I

923
00:44:07,480 --> 00:44:09,640
Speaker 1: need to do a lot more and we're proving time

924
00:44:09,680 --> 00:44:12,160
Speaker 1: and time again in this segment that people are willing

925
00:44:12,239 --> 00:44:15,600
Speaker 1: to do anything to get the job over the line.

926
00:44:16,280 --> 00:44:17,839
Speaker 2: So we've got Samantha's number.

927
00:44:18,080 --> 00:44:21,759
Speaker 1: Samantha's number, we have been trying to get onto her

928
00:44:21,800 --> 00:44:23,239
Speaker 1: for a while. She hasn't been picking up, so I

929
00:44:23,280 --> 00:44:25,680
Speaker 1: don't know if this is gonna work. The only thing

930
00:44:25,719 --> 00:44:28,880
Speaker 1: I've got to do here is hopefully get you Woody

931
00:44:29,040 --> 00:44:30,719
Speaker 1: involved in the call somehow.

932
00:44:30,800 --> 00:44:32,640
Speaker 2: Yes, okay, I don't care who I am. Just get

933
00:44:32,680 --> 00:44:33,080
Speaker 2: me involved.

934
00:44:33,320 --> 00:44:35,000
Speaker 1: The producer telling me that she has picked up her

935
00:44:35,000 --> 00:44:37,920
Speaker 1: phone at least once, so do give it a go.

936
00:44:49,080 --> 00:44:51,240
Speaker 7: Hello, Sam speaking, Hi, there.

937
00:44:51,560 --> 00:44:54,880
Speaker 1: Is this Samantha that I'm speaking with. Yes, bry and Hi,

938
00:44:54,960 --> 00:44:57,160
Speaker 1: my name is Kevin Andrews. I'm calling from TALL. I

939
00:44:57,200 --> 00:45:00,400
Speaker 1: wondered if you we're gonna have a minue of your time.

940
00:45:01,200 --> 00:45:03,360
Speaker 2: Yeah, that's fine, wonderful, great, great.

941
00:45:03,719 --> 00:45:08,200
Speaker 1: I'm calling from HR and essentially we are like to

942
00:45:08,239 --> 00:45:11,600
Speaker 1: do some lateral thinking questions before we move further with

943
00:45:11,640 --> 00:45:12,320
Speaker 1: your application.

944
00:45:12,520 --> 00:45:13,320
Speaker 2: Is that possible?

945
00:45:14,239 --> 00:45:15,160
Speaker 7: Yeah, that's fine.

946
00:45:15,560 --> 00:45:17,879
Speaker 1: Have you got a minute, Yes, you've got a minute.

947
00:45:17,880 --> 00:45:21,680
Speaker 1: You've got some space. I don't want to crowd your afternoon. No, no, no,

948
00:45:23,320 --> 00:45:25,480
Speaker 1: all right. What I'll do Sam is I'll kick these

949
00:45:25,520 --> 00:45:28,239
Speaker 1: off they get a little bit weird, but just play

950
00:45:28,239 --> 00:45:30,360
Speaker 1: with it as best as you can. What we like

951
00:45:30,400 --> 00:45:34,040
Speaker 1: to test is your capacity to be responsive. Okay, so

952
00:45:34,120 --> 00:45:36,719
Speaker 1: this is this is really thinking on your feet. But

953
00:45:36,800 --> 00:45:39,040
Speaker 1: if you can just adopt I need to hear from

954
00:45:39,040 --> 00:45:41,520
Speaker 1: you audibly the thing which I'm going to say on

955
00:45:41,560 --> 00:45:44,440
Speaker 1: the phone a dog, for example, and I'll need to

956
00:45:44,520 --> 00:45:49,200
Speaker 1: hear that that. Yeah, that's right, So as best you can.

957
00:45:49,640 --> 00:45:52,160
Speaker 1: I've got about six or seven. All right, so we're

958
00:45:52,160 --> 00:45:55,160
Speaker 1: going to start off angry Grandma, go.

959
00:45:56,280 --> 00:45:59,360
Speaker 2: Get me out of it, give out of lolli jar perfect.

960
00:45:59,640 --> 00:46:00,360
Speaker 1: Harry Potter.

961
00:46:01,200 --> 00:46:03,520
Speaker 7: Oh I'm Harry Potter and I've got a scar on

962
00:46:03,560 --> 00:46:04,000
Speaker 7: my head.

963
00:46:05,400 --> 00:46:16,120
Speaker 1: Beautiful a beaver. Wow, that's second sound. There was absolutely

964
00:46:16,120 --> 00:46:23,480
Speaker 1: spot on, right. And you're washing windows. Oh oh that's

965
00:46:23,520 --> 00:46:25,200
Speaker 1: really good. No, I'm just going to give you, give

966
00:46:25,239 --> 00:46:25,680
Speaker 1: you a break.

967
00:46:25,719 --> 00:46:26,319
Speaker 2: No, we're really good.

968
00:46:26,320 --> 00:46:27,080
Speaker 1: Are you ready again?

969
00:46:27,680 --> 00:46:28,200
Speaker 2: Yes?

970
00:46:28,400 --> 00:46:32,520
Speaker 1: Three? Two? One you're a baby who hasn't had enough milk.

971
00:46:35,560 --> 00:46:42,400
Speaker 1: Two dogs fighting, perfect and final one ferrari.

972
00:46:46,800 --> 00:46:47,279
Speaker 2: Well done.

973
00:46:47,400 --> 00:46:50,480
Speaker 1: That's excellent, honestly, so good, well done. All right, so

974
00:46:50,520 --> 00:46:52,399
Speaker 1: we're gonna be one more thing. So this is again

975
00:46:52,400 --> 00:46:55,759
Speaker 1: about your capacity to think on the spot. But also

976
00:46:55,920 --> 00:46:58,680
Speaker 1: it's in a chaos environment. So what we do here

977
00:46:58,840 --> 00:47:02,200
Speaker 1: is I'm going to patch my colleague in. His name's Harry,

978
00:47:02,200 --> 00:47:03,719
Speaker 1: and he's going to do a role play with you.

979
00:47:03,760 --> 00:47:05,359
Speaker 1: All right, I'm going to listen to the role play,

980
00:47:05,560 --> 00:47:11,560
Speaker 1: all right, Harry, are you there? Hello? Hello, Hello, Samantha.

981
00:47:11,760 --> 00:47:17,640
Speaker 1: In this scenario, Harry is your child. Yep. You have

982
00:47:17,960 --> 00:47:23,359
Speaker 1: just pulled Harry out from a stay over at one

983
00:47:23,440 --> 00:47:29,040
Speaker 1: of his friend's places. Yep, he's been naughty now and

984
00:47:29,080 --> 00:47:32,240
Speaker 1: he hasn't told you yet what he's done. Okay, okay,

985
00:47:32,440 --> 00:47:33,680
Speaker 1: so you have to try and get that.

986
00:47:33,719 --> 00:47:35,960
Speaker 2: Out of him. Okay, you picked him up.

987
00:47:36,120 --> 00:47:38,080
Speaker 1: You're in the car on the way home, right, and

988
00:47:38,120 --> 00:47:41,560
Speaker 1: he's being particularly difficult. Harry. Are you ready?

989
00:47:41,960 --> 00:47:44,719
Speaker 2: Yeah, I'm ready to go, Samantha already, Yes, great?

990
00:47:45,360 --> 00:47:48,200
Speaker 1: Three two one, and you're in the car. Mom, Why

991
00:47:48,239 --> 00:47:49,200
Speaker 1: did you pick me up?

992
00:47:49,920 --> 00:47:52,600
Speaker 7: Harry? Look, Jack's mum rang me and told me to

993
00:47:52,640 --> 00:47:55,080
Speaker 7: come pick you up. Why would she ask me to

994
00:47:55,160 --> 00:47:56,200
Speaker 7: come and get you?

995
00:47:56,200 --> 00:47:57,279
Speaker 2: Why what you do?

996
00:47:58,200 --> 00:48:00,080
Speaker 7: Maybe pick on Jack by.

997
00:48:00,239 --> 00:48:02,439
Speaker 2: Your mom was just a joke, okay. Like Jack fell

998
00:48:02,480 --> 00:48:04,960
Speaker 2: asleep early in the movie, we're watch him watching Big

999
00:48:05,000 --> 00:48:07,920
Speaker 2: Mama's house and Jack fell asleep early, so I took

1000
00:48:07,960 --> 00:48:09,560
Speaker 2: a little wee on him.

1001
00:48:09,960 --> 00:48:14,400
Speaker 7: Oh look, Harry, that's not good behavior. That's that's not

1002
00:48:14,600 --> 00:48:16,600
Speaker 7: very that's not very good. Would you like it if

1003
00:48:16,680 --> 00:48:18,560
Speaker 7: Jack leede on you when you were asleep?

1004
00:48:18,880 --> 00:48:21,719
Speaker 2: No, it was just a joke. It was just a joke. Mum.

1005
00:48:22,239 --> 00:48:25,600
Speaker 7: Yeah, I look. I understand that you thought it was funny.

1006
00:48:25,600 --> 00:48:27,719
Speaker 7: But do you think that maybe Jack and Jack's mom

1007
00:48:28,239 --> 00:48:30,279
Speaker 7: might have not thought it was funny. I don't think

1008
00:48:30,320 --> 00:48:32,840
Speaker 7: it's very funny. You should have gone to the toilet.

1009
00:48:33,040 --> 00:48:35,080
Speaker 2: Even Dad does that one time. I remember when Dad

1010
00:48:35,080 --> 00:48:36,000
Speaker 2: did it during the movie.

1011
00:48:36,920 --> 00:48:40,279
Speaker 7: Yeah, but Dad had been drinking and he was being

1012
00:48:40,360 --> 00:48:40,799
Speaker 7: silly and.

1013
00:48:48,040 --> 00:48:48,440
Speaker 2: Forever.

1014
00:48:52,320 --> 00:48:55,360
Speaker 1: This is Wylin Wood. Are you calling from a radio stage?

1015
00:48:56,080 --> 00:48:57,000
Speaker 7: Are you serious?

1016
00:49:02,200 --> 00:49:03,239
Speaker 2: You're no, we're not.

1017
00:49:03,360 --> 00:49:13,120
Speaker 5: It's your friend Melissa, Melissa Ditch. I can't believe the

1018
00:49:13,120 --> 00:49:13,600
Speaker 5: line was that.

1019
00:49:13,680 --> 00:49:15,040
Speaker 2: Yeah, well dad was drunk, So.

1020
00:49:19,000 --> 00:49:20,120
Speaker 4: Are you serious?

1021
00:49:23,280 --> 00:49:27,759
Speaker 1: That was above and beyond anything we've seen happen Ondays

1022
00:49:27,840 --> 00:49:29,680
Speaker 1: calls so far you were.

1023
00:49:30,560 --> 00:49:34,600
Speaker 7: I was seriously, I was gone.

1024
00:49:34,360 --> 00:49:38,280
Speaker 2: Sure, I got oh mate, there were you legend?

1025
00:49:38,320 --> 00:49:41,000
Speaker 1: That was so much fun. You can please call your

1026
00:49:41,000 --> 00:49:44,319
Speaker 1: friend Melissa and thank her for that. We've had a

1027
00:49:44,360 --> 00:49:45,960
Speaker 1: great time with you, I.

1028
00:49:46,040 --> 00:49:46,799
Speaker 7: Think so much.

1029
00:49:46,840 --> 00:49:51,560
Speaker 1: God, Oh great, great, Well, it's been a pleasure talking

1030
00:49:51,600 --> 00:49:56,319
Speaker 1: to you and you've definitely made our days later. Bye bye,

1031
00:49:56,880 --> 00:50:00,040
Speaker 1: everyone that was listening on Friday to the show. It

1032
00:50:00,160 --> 00:50:02,719
Speaker 1: was a really awkward moment that happened on the airwaves.

1033
00:50:03,440 --> 00:50:06,120
Speaker 1: Was that it was a really awkward moment on the airwaves.

1034
00:50:06,560 --> 00:50:09,800
Speaker 1: We were taking calls on drunk mums.

1035
00:50:10,520 --> 00:50:12,359
Speaker 2: Oh yeah, now, this was Thursday, wasn't it was that?

1036
00:50:12,360 --> 00:50:14,800
Speaker 1: That was? That was Thursday? Was Thursday, wasn't it? Okay,

1037
00:50:14,880 --> 00:50:18,279
Speaker 1: we were taking calls on drunk mums. And before you

1038
00:50:18,360 --> 00:50:21,239
Speaker 1: hear this audio, you should all know that I've just

1039
00:50:21,320 --> 00:50:25,480
Speaker 1: been talking about my mum being drunk, yes right, and

1040
00:50:25,520 --> 00:50:28,480
Speaker 1: the fact that she hasn't admitted that she's drunk, yes right,

1041
00:50:28,520 --> 00:50:31,479
Speaker 1: And I said that instead she uses the term fairy lips.

1042
00:50:31,600 --> 00:50:34,000
Speaker 1: She says she's got fairy lips. And the other thing

1043
00:50:34,160 --> 00:50:37,600
Speaker 1: that she goes on about is duft off music. We

1044
00:50:37,920 --> 00:50:42,240
Speaker 1: then get a phone call from a person called Al.

1045
00:50:43,440 --> 00:50:46,719
Speaker 1: You guys all need to know that my brother is

1046
00:50:46,800 --> 00:50:49,879
Speaker 1: called Al. This is my brother that calls the radio station.

1047
00:50:50,040 --> 00:50:51,560
Speaker 2: It was his first time as well. He was obviously

1048
00:50:51,600 --> 00:50:54,319
Speaker 2: got really excited to get involved with his brother's line

1049
00:50:54,360 --> 00:50:54,680
Speaker 2: of work.

1050
00:50:54,760 --> 00:50:56,919
Speaker 1: Yep. So he's like, great, oh my god, they're talking

1051
00:50:56,920 --> 00:50:58,799
Speaker 1: about my mum. I'll call in and enjoy the fun.

1052
00:50:59,800 --> 00:51:04,239
Speaker 1: You and I did not recognize his voice. And when

1053
00:51:04,280 --> 00:51:09,759
Speaker 1: you're about to hear is frightfully awkward radio, what's what's

1054
00:51:09,760 --> 00:51:11,359
Speaker 1: your mom being up to? And she's when she said

1055
00:51:11,360 --> 00:51:12,120
Speaker 1: a few too many?

1056
00:51:12,920 --> 00:51:16,600
Speaker 3: Hey boys, Yeah, look, the fairy lips came very far.

1057
00:51:19,480 --> 00:51:23,320
Speaker 3: The other one that she does is when she she's

1058
00:51:23,360 --> 00:51:27,279
Speaker 3: always on the dance floor, like non stuff. Yeah, and

1059
00:51:27,280 --> 00:51:29,560
Speaker 3: and then she'll come home and she'll complain about like

1060
00:51:29,600 --> 00:51:31,320
Speaker 3: the door music at the party.

1061
00:51:31,480 --> 00:51:33,840
Speaker 2: Yeah, and then.

1062
00:51:35,280 --> 00:51:37,439
Speaker 1: Don't they it's classy? All right?

1063
00:51:38,880 --> 00:51:42,600
Speaker 2: So I love how he went silent when you said, yeah,

1064
00:51:42,719 --> 00:51:47,080
Speaker 2: they they complaint. He's going a talking if you realized

1065
00:51:47,160 --> 00:51:50,680
Speaker 2: it's your brother, and he doesn't he doesn't mention it.

1066
00:51:51,160 --> 00:51:53,319
Speaker 2: We do just swipe him there because they've come to

1067
00:51:53,320 --> 00:51:57,680
Speaker 2: be honest, bit of the shit story, I'm going, can

1068
00:51:57,680 --> 00:52:00,840
Speaker 2: we get this random l guys done? And said he

1069
00:52:00,880 --> 00:52:03,920
Speaker 2: agree with furry lips and then talked about his mum dancing.

1070
00:52:04,120 --> 00:52:08,279
Speaker 1: He just repeated the Meanwhile, I'm sitting here going what

1071
00:52:08,360 --> 00:52:12,560
Speaker 1: the hell? Who is this vagabond whose mum also uses

1072
00:52:12,600 --> 00:52:15,960
Speaker 1: the words and also dances to do music. We proceed

1073
00:52:16,000 --> 00:52:18,719
Speaker 1: to swipe the fader down and move on as quickly

1074
00:52:18,719 --> 00:52:22,319
Speaker 1: as we can from a very crap story. I've got

1075
00:52:22,360 --> 00:52:25,000
Speaker 1: more for you. Oh no, I've got more for you.

1076
00:52:25,800 --> 00:52:31,200
Speaker 1: So what happened? What happened is my brother. So my

1077
00:52:31,239 --> 00:52:34,439
Speaker 1: brother was on the way home from the airport. He's

1078
00:52:34,480 --> 00:52:37,120
Speaker 1: in a cab, right, yeah, he gets in the car.

1079
00:52:37,400 --> 00:52:40,080
Speaker 1: But get this cab driver. Only Will and Woody fan

1080
00:52:40,120 --> 00:52:42,239
Speaker 1: in the country. So my brother gets in the car.

1081
00:52:42,960 --> 00:52:44,040
Speaker 1: My brother gets in the car with.

1082
00:52:44,000 --> 00:52:45,680
Speaker 2: This If you're listening, there you go.

1083
00:52:46,040 --> 00:52:48,799
Speaker 1: We've got the fan mail. Here's in the car with

1084
00:52:48,840 --> 00:52:51,080
Speaker 1: this guy. And this guy goes he's got William Moody on.

1085
00:52:51,120 --> 00:52:53,960
Speaker 1: He's listening a kiss And my brother goes, oh wow,

1086
00:52:55,360 --> 00:52:57,480
Speaker 1: oh my god, you listen to willm Moody. And he goes, yeah,

1087
00:52:57,840 --> 00:53:01,200
Speaker 1: every afternoon after Widy. He go great, okay, and now goes,

1088
00:53:01,480 --> 00:53:05,719
Speaker 1: do you want to see something special? He's doing it

1089
00:53:05,840 --> 00:53:08,960
Speaker 1: to show up, but you I can call and get

1090
00:53:08,960 --> 00:53:11,879
Speaker 1: on and the guy's like, no, no, you can't. I'm

1091
00:53:11,880 --> 00:53:12,560
Speaker 1: Will's brother.

1092
00:53:13,880 --> 00:53:15,040
Speaker 2: Picks up the phone.

1093
00:53:15,880 --> 00:53:19,359
Speaker 1: What you just heard it happens. He didn't dismiss him,

1094
00:53:19,680 --> 00:53:22,240
Speaker 1: get out the other sign say shit story.

1095
00:53:23,760 --> 00:53:25,480
Speaker 2: And then I'm sure Paul said, get the hell out

1096
00:53:25,520 --> 00:53:30,160
Speaker 2: of my cape. We are going to get out of him.

1097
00:53:31,560 --> 00:53:34,560
Speaker 1: Thank you so much, Thank you, Paul, I know you're

1098
00:53:34,600 --> 00:53:36,240
Speaker 1: out there. He was my brother.

1099
00:53:36,560 --> 00:53:37,759
Speaker 2: Just to clear the air there.

1100
00:53:38,160 --> 00:53:40,800
Speaker 1: Julia Morris was on the show. She was hilarious this afternoon.

1101
00:53:40,840 --> 00:53:42,360
Speaker 1: Will and Woody on Instagram. I know we're going to

1102
00:53:42,400 --> 00:53:43,680
Speaker 1: put a little bit of a bit up of some

1103
00:53:43,719 --> 00:53:44,840
Speaker 1: of her great work.

1104
00:53:44,960 --> 00:53:48,120
Speaker 2: Yeah, her show Blind Date starts tonight at seven thirty.

1105
00:53:48,160 --> 00:53:49,520
Speaker 2: It does. Yeah, that's going to.

1106
00:53:49,520 --> 00:53:52,279
Speaker 1: Be resolutely it does. It cannot wait for that. She's

1107
00:53:52,360 --> 00:53:54,200
Speaker 1: part of a whole bunch of other shows in Channel ten,

1108
00:53:54,239 --> 00:53:56,279
Speaker 1: which you're going to be seeing more and more of.

1109
00:53:56,480 --> 00:53:57,959
Speaker 1: I know she's going to be coming back for another

1110
00:53:58,360 --> 00:54:00,279
Speaker 1: season of I'm Just let Me get Me out of here,

1111
00:54:00,440 --> 00:54:02,120
Speaker 1: fifth time. She's going to be doing that.

1112
00:54:02,200 --> 00:54:03,000
Speaker 2: Wow, what a weapon.

1113
00:54:03,040 --> 00:54:04,560
Speaker 1: How good is that? She's got another show called Sunday

1114
00:54:04,600 --> 00:54:06,279
Speaker 1: Night Takeaway, which is coming out soon on Channel ten.

1115
00:54:06,360 --> 00:54:08,560
Speaker 1: Cheese everyone, she chuck us a shower like the Bulls,

1116
00:54:08,560 --> 00:54:12,479
Speaker 1: will host the show. Get us in the Jungle, Thanks

1117
00:54:12,520 --> 00:54:15,040
Speaker 1: so much. We will see you tomorrow. From for goodbye,

1118
00:54:15,400 --> 00:54:15,719
Speaker 1: did a

1119
00:54:15,840 --> 00:54:18,120
Speaker 2: Fresh way to drives home with Will and Woody