1 00:00:00,800 --> 00:00:03,640 Speaker 1: It's a woman Woody podcast minis. But when you're in 2 00:00:03,640 --> 00:00:05,800 Speaker 1: a rush or just can't be bothered listening to them 3 00:00:05,840 --> 00:00:07,120 Speaker 1: blather on for half an hour. 4 00:00:07,240 --> 00:00:12,119 Speaker 2: The movie plot currently is Girl Ruins Lives for Brothers Car. 5 00:00:12,320 --> 00:00:13,840 Speaker 2: If you think you know what that movie is, give 6 00:00:13,880 --> 00:00:15,360 Speaker 2: us call thirty one or six y five. It's lost 7 00:00:15,360 --> 00:00:15,720 Speaker 2: the plot. 8 00:00:16,200 --> 00:00:18,480 Speaker 3: I'll be back, will and Woodies. 9 00:00:18,840 --> 00:00:20,799 Speaker 2: I'm back lost. 10 00:00:22,079 --> 00:00:24,119 Speaker 1: Plot again. 11 00:00:25,840 --> 00:00:27,720 Speaker 2: All right, So I explained a movie plot really badly. 12 00:00:27,760 --> 00:00:29,760 Speaker 2: You guys have to guess what the film is based 13 00:00:29,800 --> 00:00:32,920 Speaker 2: on that plot? Woulds you? Smug over there uploaded a 14 00:00:32,920 --> 00:00:34,720 Speaker 2: little story of you thinking. By the way, that's not 15 00:00:34,800 --> 00:00:36,000 Speaker 2: fair Instagram takeover. 16 00:00:36,080 --> 00:00:38,120 Speaker 1: You got to tell you when you're farm me. That's 17 00:00:38,200 --> 00:00:43,240 Speaker 1: the law. A quick guess from me. Nice one Herby 18 00:00:43,280 --> 00:00:45,879 Speaker 1: fully loaded, Lindsay Lohan, she steals the car. 19 00:00:45,800 --> 00:00:47,240 Speaker 2: Didn't it? Kirby fully loaded? 20 00:00:47,400 --> 00:00:51,320 Speaker 1: No, Herbie, Herbie Herby, here's my favorite car. Because I 21 00:00:51,320 --> 00:00:52,920 Speaker 1: believe she took the car. I'm not sure where the 22 00:00:52,960 --> 00:00:54,960 Speaker 1: brother comes in. Maybe she finds out later in the 23 00:00:54,960 --> 00:00:57,240 Speaker 1: film that is his brother, but a couple of gentlemen 24 00:00:57,280 --> 00:00:59,440 Speaker 1: selling some bananas. She's mate. 25 00:00:59,440 --> 00:01:02,240 Speaker 2: I actually stopped listening very early on, but I'm glad 26 00:01:02,280 --> 00:01:04,280 Speaker 2: the buzzer beat you there. It's got to Mitch. Mitch, 27 00:01:04,280 --> 00:01:06,600 Speaker 2: what's the plot. What's the movie Girl Ruins Lives for 28 00:01:06,680 --> 00:01:07,360 Speaker 2: Brother's Car? 29 00:01:08,200 --> 00:01:11,000 Speaker 1: Yeah, well the movie is called sex Drive and the 30 00:01:11,240 --> 00:01:15,280 Speaker 1: Young Guy. Yeah, I've never I never heard. 31 00:01:15,400 --> 00:01:18,440 Speaker 2: Unfortunately, sounds good though, sex drive? Do you just make 32 00:01:18,480 --> 00:01:18,800 Speaker 2: that up? 33 00:01:19,760 --> 00:01:24,400 Speaker 1: A grateful drive, Fast and Furious faster one? 34 00:01:24,600 --> 00:01:25,520 Speaker 2: The movie sex Drive? 35 00:01:25,680 --> 00:01:26,640 Speaker 1: Sure, it's not sex drive. 36 00:01:27,120 --> 00:01:28,960 Speaker 2: Could be sex Drive, Fast and Furious could have been 37 00:01:29,000 --> 00:01:29,839 Speaker 2: called sex drive. 38 00:01:29,920 --> 00:01:32,080 Speaker 1: Oh, that's an idea, incorrect. 39 00:01:32,440 --> 00:01:34,680 Speaker 2: Let's go to Sharon on thirty one and six five, Sharon, 40 00:01:34,760 --> 00:01:38,039 Speaker 2: Girl Ruins Lives for brothers Car. What's the movie. 41 00:01:39,840 --> 00:01:40,759 Speaker 1: Fast and Furious? 42 00:01:41,400 --> 00:01:44,280 Speaker 2: We've heard sex drives? 43 00:01:44,840 --> 00:01:47,520 Speaker 1: Well, this is skeure one. But I think you're a 44 00:01:47,520 --> 00:01:51,080 Speaker 1: bit tricky now, hear me out, Aladdin, because the car 45 00:01:51,640 --> 00:01:54,480 Speaker 1: is the carpet, the magic carpet. 46 00:01:54,760 --> 00:01:55,560 Speaker 2: I like what you've done. 47 00:01:55,640 --> 00:01:58,440 Speaker 1: Then, Jazz Maine ruins a whole bunch of lives because 48 00:01:58,440 --> 00:02:00,120 Speaker 1: she had a lot of suitors to marry her. She 49 00:02:00,160 --> 00:02:01,880 Speaker 1: said no to them. All ruined their life. 50 00:02:01,880 --> 00:02:05,080 Speaker 2: So wait, the girl who ruined the people's lives is 51 00:02:05,120 --> 00:02:07,280 Speaker 2: a part of the movie that's not even in the movie. 52 00:02:08,320 --> 00:02:15,080 Speaker 1: Well, you know it's a small subplot. That's not right. 53 00:02:15,200 --> 00:02:17,320 Speaker 2: Oh, that's in great. Actually, he's in the movie for 54 00:02:17,360 --> 00:02:20,360 Speaker 2: a fleeting moment. Guys that rock up to try and 55 00:02:20,400 --> 00:02:23,120 Speaker 2: be with it. Yeah, no, but she chooses the street 56 00:02:23,240 --> 00:02:26,720 Speaker 2: rat instead. No, incorrect, though, Woods. We're going to go 57 00:02:26,720 --> 00:02:27,520 Speaker 2: to Ali, who reckons. 58 00:02:27,560 --> 00:02:28,120 Speaker 1: She's got it right. 59 00:02:28,240 --> 00:02:33,640 Speaker 2: Girl ruins lives for brothers car Ali, what is the film? 60 00:02:34,080 --> 00:02:39,800 Speaker 1: Hey, I reckon it's cruel intentions. 61 00:02:43,560 --> 00:02:46,480 Speaker 2: Alie, you want to explain it too over here and 62 00:02:46,520 --> 00:02:49,440 Speaker 2: then and then maybe maybe deliver a sucket woody for 63 00:02:49,520 --> 00:02:50,520 Speaker 2: him at the end, that'd be great. 64 00:02:50,800 --> 00:02:54,720 Speaker 3: Yes, absolutely, suck it Woody already, I reckon. 65 00:02:55,560 --> 00:02:59,080 Speaker 2: So she ruins all these people's lives. 66 00:02:59,120 --> 00:03:01,960 Speaker 3: She's a blooded actually, and then in the one she 67 00:03:02,000 --> 00:03:04,960 Speaker 3: actually hits the brother gets hit by the car and 68 00:03:05,000 --> 00:03:06,160 Speaker 3: then she I'm pretty sure she. 69 00:03:06,080 --> 00:03:07,640 Speaker 2: Gets a carr in the end. I can't really remember, 70 00:03:07,680 --> 00:03:10,600 Speaker 2: but that's what I was very great. Remember in the 71 00:03:10,680 --> 00:03:13,080 Speaker 2: end they make a bet he over his car, and 72 00:03:13,120 --> 00:03:14,480 Speaker 2: she says, you bet you what you don't you can't 73 00:03:14,480 --> 00:03:15,400 Speaker 2: hook up with me? Remember that? 74 00:03:15,480 --> 00:03:17,920 Speaker 1: Yes, And she drives off in the car at the end. 75 00:03:17,919 --> 00:03:19,160 Speaker 1: Sarah Michelle Geller. 76 00:03:19,800 --> 00:03:21,840 Speaker 2: Ali, Ali, it was was that a was that a 77 00:03:21,840 --> 00:03:25,480 Speaker 2: long time lost the plot listener? First time caller, Well, yes. 78 00:03:25,400 --> 00:03:28,280 Speaker 1: Absolutely not first time listening, but first time caller excited. 79 00:03:28,320 --> 00:03:28,919 Speaker 1: Welcome to you. 80 00:03:29,160 --> 00:03:32,360 Speaker 2: Do you can give yourself Doordas voucher hundred voucher DoorDash 81 00:03:32,440 --> 00:03:35,960 Speaker 2: restaurants and more delivered to your door. That's all right, 82 00:03:36,840 --> 00:03:40,120 Speaker 2: exciting as well. I can't believe I'm driving home from work. 83 00:03:40,160 --> 00:03:42,040 Speaker 2: I'm like, oh, give it, I'll just give a listening 84 00:03:42,120 --> 00:03:46,640 Speaker 2: and see how it goes. Stuff so much better than. 85 00:03:48,080 --> 00:03:48,800 Speaker 1: You think. 86 00:03:48,840 --> 00:03:52,480 Speaker 2: The boots into another. Maybe this one for you. I 87 00:03:52,520 --> 00:03:54,200 Speaker 2: reckon this is a quick one for you because this 88 00:03:54,240 --> 00:03:56,040 Speaker 2: is a little Dorothy Dixon. We need to get your guns, 89 00:03:56,200 --> 00:03:59,120 Speaker 2: We need to get your going. Increase those wheels, just 90 00:03:59,120 --> 00:04:01,880 Speaker 2: puts more pressure on Here we go. Movie plot is 91 00:04:02,400 --> 00:04:05,440 Speaker 2: Rhythm inspires Foursome's career change. 92 00:04:07,080 --> 00:04:08,920 Speaker 1: For Monty. Here we go. There he is hit me, 93 00:04:09,080 --> 00:04:13,000 Speaker 1: hit me, hit me, just struth. But it is that 94 00:04:13,320 --> 00:04:15,600 Speaker 1: it's not well. These blogs were working at the Bloody Factory. 95 00:04:15,640 --> 00:04:17,240 Speaker 1: They get fired, they become strippers. 96 00:04:17,240 --> 00:04:18,920 Speaker 2: Are there four of them? 97 00:04:19,120 --> 00:04:21,279 Speaker 1: Yeah? Could be more. 98 00:04:21,360 --> 00:04:24,040 Speaker 2: Rhythm inspires Forsom's career change magic Mike. 99 00:04:24,120 --> 00:04:27,320 Speaker 1: There is no flash dance, flash mob. 100 00:04:27,400 --> 00:04:30,560 Speaker 2: Stop it is naming dance movies. Give it to Rhythm 101 00:04:30,720 --> 00:04:33,200 Speaker 2: inspires Foursome's career change. 102 00:04:34,000 --> 00:04:41,040 Speaker 1: Rhythm, rhythm, oh singing? No, only three of them? 103 00:04:41,160 --> 00:04:44,400 Speaker 2: Four? What are you talking about? 104 00:04:45,040 --> 00:04:47,800 Speaker 1: String boys? Shallow hell? 105 00:04:47,920 --> 00:04:53,680 Speaker 3: I mean, frankly, I don't give a damn will believe 106 00:04:53,760 --> 00:04:55,760 Speaker 3: you have made the peopler lost. 107 00:04:57,000 --> 00:05:03,479 Speaker 2: Plots. Okay, so Woodrow, I explained a plot really badly. 108 00:05:03,520 --> 00:05:05,400 Speaker 2: You guys have to guess what the movie is, you guys, 109 00:05:05,400 --> 00:05:12,640 Speaker 2: including you Woods, This one Rhythm inspires Foursome's career change. Yeah, 110 00:05:12,680 --> 00:05:16,920 Speaker 2: really clever, don't patronize me. If anybody what you think 111 00:05:16,920 --> 00:05:17,560 Speaker 2: you know what the movie is? 112 00:05:17,600 --> 00:05:18,200 Speaker 1: Yes, yes I do. 113 00:05:18,360 --> 00:05:18,920 Speaker 2: What's the movie? 114 00:05:18,960 --> 00:05:21,640 Speaker 1: Guardians of the Galaxy? Rhythm is a trope through the 115 00:05:21,680 --> 00:05:27,560 Speaker 1: whole film, led by Raps. It's pretty confident of that. 116 00:05:28,720 --> 00:05:30,080 Speaker 1: You fantastic four? 117 00:05:30,440 --> 00:05:34,120 Speaker 2: What you're just going with? The number before? 118 00:05:34,640 --> 00:05:36,240 Speaker 1: Kevin Bacon one more? 119 00:05:36,279 --> 00:05:39,560 Speaker 2: Could you stop guessing footloads? You're allowed one footloads. You 120 00:05:39,600 --> 00:05:41,960 Speaker 2: haven't even seen it. That's the word that you haven't 121 00:05:41,960 --> 00:05:42,880 Speaker 2: even seen footloads. 122 00:05:42,880 --> 00:05:45,360 Speaker 1: And he still gets it obviously that working in a factory. 123 00:05:45,880 --> 00:05:50,039 Speaker 1: Did I guess it before the song? Anyway? Bohemian rhap City, Sorry, 124 00:05:50,080 --> 00:05:51,080 Speaker 1: that's my that's my deal. 125 00:05:52,040 --> 00:05:56,840 Speaker 2: That is true, though, Rhythm inspires Forsome's career change. You're 126 00:05:56,839 --> 00:05:59,000 Speaker 2: gonna be upset. So they'll be really upset if you 127 00:05:59,000 --> 00:05:59,920 Speaker 2: don't get that. You don't get this. 128 00:06:00,160 --> 00:06:04,560 Speaker 3: Okay, okay, Star is born. Don't just list off the 129 00:06:04,600 --> 00:06:07,279 Speaker 3: managers defensive mode. Now, I've got a lot of people 130 00:06:07,279 --> 00:06:09,080 Speaker 3: who have called up who actually know what this is. 131 00:06:09,120 --> 00:06:13,640 Speaker 3: So I'm going to go to STEPH. Steph, Rhythm inspires. 132 00:06:13,920 --> 00:06:16,040 Speaker 3: Rhythm inspires Forsom's career change. 133 00:06:16,080 --> 00:06:18,560 Speaker 2: What do you think the movie is. I think it's 134 00:06:18,600 --> 00:06:20,240 Speaker 2: Bootman Adam Sea. 135 00:06:21,080 --> 00:06:22,680 Speaker 1: Lootman, absolute classic with. 136 00:06:26,760 --> 00:06:31,560 Speaker 3: Tight that's what we're going to call the film. 137 00:06:32,200 --> 00:06:35,600 Speaker 2: I love that all right now, Andrea, you do get 138 00:06:35,640 --> 00:06:39,200 Speaker 2: the you get the wonderful boon of being able to say, 139 00:06:39,240 --> 00:06:41,200 Speaker 2: suck it, Woody if you do get this correct, because 140 00:06:41,200 --> 00:06:43,840 Speaker 2: you've beaten him to the punch. Here. The movie is. 141 00:06:43,880 --> 00:06:48,160 Speaker 2: The plot is Rhythm inspires Foursome's career change. 142 00:06:48,520 --> 00:06:51,280 Speaker 1: What's the film col Runnings? 143 00:06:52,560 --> 00:06:56,040 Speaker 2: That's correct? Not? People say, you know, they can't believe 144 00:06:56,880 --> 00:06:59,240 Speaker 2: we have our Bob Slavety, say we have the one. 145 00:06:59,320 --> 00:07:02,960 Speaker 1: There is much I mean the l sixteen cents. 146 00:07:03,080 --> 00:07:08,880 Speaker 2: Oh, that's great. Andrea over to you suck it. 147 00:07:10,000 --> 00:07:12,560 Speaker 1: I deserve that. That had venom as well, Andrea and 148 00:07:12,600 --> 00:07:14,080 Speaker 1: that Veno deserve. 149 00:07:13,800 --> 00:07:16,160 Speaker 2: It now rhythm obviously because that was the that was 150 00:07:16,200 --> 00:07:20,440 Speaker 2: their catchphrase. Feel the rhythm. Yeah, all one of your 151 00:07:20,480 --> 00:07:22,360 Speaker 2: favorite movies, one one of my favorite movies. 152 00:07:22,440 --> 00:07:25,680 Speaker 1: John Candy's best work. Yeah, how's that feel really bad? 153 00:07:25,720 --> 00:07:28,000 Speaker 1: Actually shut it out? Watched that tonight. I watched that tonight. 154 00:07:28,080 --> 00:07:29,680 Speaker 1: Feel the rhythm, Baby, kiss my lucky egg? 155 00:07:29,720 --> 00:07:33,800 Speaker 2: Will what's that egg that's right now? Doing it? Because 156 00:07:33,840 --> 00:07:36,000 Speaker 2: I had four written down for today and you didn't. 157 00:07:36,040 --> 00:07:36,920 Speaker 2: We only got through two. 158 00:07:37,240 --> 00:07:39,360 Speaker 1: Yeah, I think I'm gonna have to fly the white flag. 159 00:07:39,400 --> 00:07:39,480 Speaker 2: Tho. 160 00:07:39,480 --> 00:07:41,840 Speaker 1: I'm clearly off today. To throw me one more day and. 161 00:07:41,840 --> 00:07:43,400 Speaker 2: I'll just throw one trick aund and maybe we'll do 162 00:07:43,440 --> 00:07:44,680 Speaker 2: it for and what they can have it in the 163 00:07:44,680 --> 00:07:46,320 Speaker 2: back of the pocket for next week because you're not 164 00:07:46,320 --> 00:07:47,160 Speaker 2: going to get it straight out. 165 00:07:47,320 --> 00:07:47,800 Speaker 1: You never know. 166 00:07:47,920 --> 00:07:50,360 Speaker 2: Sexy Mum and fat guy have heated argument over a 167 00:07:50,440 --> 00:07:51,120 Speaker 2: glass of water. 168 00:07:51,840 --> 00:07:56,600 Speaker 1: Sexy Mum and fat Guy, Yeah, have a heated argument. Yes, 169 00:07:57,440 --> 00:07:58,600 Speaker 1: over water, over. 170 00:07:58,480 --> 00:07:59,240 Speaker 2: A glass of water. 171 00:08:00,080 --> 00:08:06,360 Speaker 1: Over a glass of water. Shallow hear more of the 172 00:08:06,400 --> 00:08:08,480 Speaker 1: boys on the Full Show podcast. 173 00:08:09,000 --> 00:08:09,840 Speaker 2: You know you want to