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Speaker 1: It's the Will and Woody Podcast.

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Speaker 2: Got a very special guest on the show. He's got

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Speaker 2: a fascinating new TV show on your TV's tonight. Mirror

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Speaker 2: Mirror is tonight seven point thirty on Channel ten and

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Speaker 2: ten Player, and it is with the one and only

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Speaker 2: Todd Sampson.

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Speaker 3: Our next guest is a classic of rechie Ever.

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Speaker 2: He spent years holding his body and mind on.

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Speaker 1: His very successful TV show Body Hike.

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Speaker 4: Then he pushed his sensory limits and retrain my mind.

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Speaker 2: He's even crimb bloody mount Everest.

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Speaker 5: Is he Today's talk about his new project, Mirror Mirror,

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Speaker 5: which isn't a remake of a dizzy movie.

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Speaker 6: It's actually a very serious look at body image, dissatisfaction, Mirror.

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Speaker 7: Mirror on the Wall.

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Speaker 2: Who is the fairest of them all?

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Speaker 8: It's Todd Sampson.

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Speaker 2: Yeah, good afternoon, Todd. How are you mate?

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Speaker 9: I already don't like that guy.

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Speaker 3: You might need to unpack that with the therapist. Todd Sampson, Yeah.

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Speaker 2: Did you have a look to unpack with the therapist

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Speaker 2: after Mirror Mirror? After making the show in a bit

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Speaker 2: of a deep dive into Australia's gluttony for cosmetic surgery,

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Speaker 2: because it sounds like it's a bit of a dark

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Speaker 2: look at something which certainly gets glossed up a little

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Speaker 2: bit for all of us consumers.

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Speaker 9: Yeah, it's not so much of a dark look, I'd

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Speaker 9: like to think as much as it's an insightful look

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Speaker 9: behind the curtain, a curtain that I have stood behind

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Speaker 9: for a very long time. So it's something I know

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Speaker 9: really well. Body image dissatisfaction is a global societal crisis.

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Speaker 9: I mean, everyone is dissatisfied with their body to some

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Speaker 9: degree and more on a spectrum, and this show explores

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Speaker 9: the things we can do about it, the things we

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Speaker 9: can do with our kids, and how social media and

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Speaker 9: advertising is affecting that.

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Speaker 2: When you said you've been behind it, that's obviously because

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Speaker 2: you worked as an advertising and marketing exet for a

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Speaker 2: long time. So you, I mean, for one of a

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Speaker 2: better word, you probably prayed on the fact that people

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Speaker 2: had these insecurities in order to sell a lot of

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Speaker 2: of products.

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Speaker 1: Is that right?

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Speaker 9: Yes, I mean on some level absolutely. I mean the

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Speaker 9: industry in its own right does that because the way

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Speaker 9: it works. I probably learned more from doing readings on

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Speaker 9: my brain than from the advertising industry. When it comes

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Speaker 9: to this. But the way that the brain works is

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Speaker 9: it's plastic, it's metaphorically plastic, and it's constantly adapting to

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Speaker 9: the world around it, and it changes based on what

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Speaker 9: we see. So if we surround ourselves as we do

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Speaker 9: today in today's social media world with idealized images, photoshopped images,

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Speaker 9: perfect bodies, perfect faces, perfectly symmetrical, it rewires our brain

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Speaker 9: to believe that that's the norm and that we're different

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Speaker 9: where the outlers and then advertising takes advantage of that

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Speaker 9: glitch and says, okay, but if you want that ideal,

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Speaker 9: by this product and it can help you get that.

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Speaker 8: Yeah.

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Speaker 5: Hey, a woman that you speak to, Todd is a

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Speaker 5: nurse called Tara Jane mcconachaey mcconnachy the Trev. Pranci correctly.

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Speaker 5: But her desire is to look like an Instagram filter.

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Speaker 5: Like that's the way she wants to look. Can you

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Speaker 5: tell us me about that.

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Speaker 9: Yeah, she's an amazing, beautiful, articulate young woman who's on

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Speaker 9: she's on that scale you know, of body image dissatisfaction,

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Speaker 9: and she has decided to model herself off a Barbie

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Speaker 9: doll and she's doing it relatively consciously. In fact, she

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Speaker 9: recently went on the television series Botched, which refused her

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Speaker 9: surgery because she was too thin, and then she ended

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Speaker 9: up in Turkey getting the same surgery done. Tara is

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Speaker 9: as an incredible story and it's one that's easy to

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Speaker 9: judge from a distance, but when you see her and

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Speaker 9: you hear her story, I think it may change a

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Speaker 9: few minds.

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Speaker 2: Yeah, that sounds like some really fascinating stuff in there.

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Speaker 2: I want to ask you about this up next. You

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Speaker 2: guys can see Mirror Mirror, which is tonight on seven thirty,

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Speaker 2: Channel ten and ten play. But I know you asked

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Speaker 2: a whole bunch of kids would you rather be fat

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Speaker 2: or sick? And would you rather be beautiful or smart?

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Speaker 2: And I'm going to hear what that answer is right

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Speaker 2: up next. I think it's going to be particularly terrifying

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Speaker 2: for a lot of people's. Mirror Mirror is Todd Sampson's

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Speaker 2: brand new two part documentary series in investigating body image

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Speaker 2: and the negative effects it has on people and all

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Speaker 2: the surgeries and everything that go behind it. It looks totally wild.

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Speaker 2: It is on tonight, Wednesday and Thursday at seven thirty

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Speaker 2: on Channel ten and ten played Todd joins us right

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Speaker 2: now and Todd, you reckon it could be a bit

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Speaker 2: a bit hot for the seven thirty time spot there.

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Speaker 9: I actually think it's it's highly questionable at seven thirty.

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Speaker 9: I think the you know, the switchboard at ten is

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Speaker 9: going to light up. But I'm proud that they've done.

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Speaker 2: This because it's bold, right, Okay, Yes.

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Speaker 9: And the show should be shown to children, although it's

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Speaker 9: shocking and it needs parental guidance. Yeah, it should be

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Speaker 9: shown to children because this is their world.

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Speaker 2: And because you're showing all the surgeries, like, you're showing

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Speaker 2: all the ins and outs behind you know, how you

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Speaker 2: actually get to the perfect body, the perfect face, whatever

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Speaker 2: it is that you want, You're showing what that actually

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Speaker 2: looks like.

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Speaker 9: Yeah. So we made a conscious decision to say, okay,

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Speaker 9: so all of these surgeries, Brazilian butt left fastest growing

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Speaker 9: surgery in the world.

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Speaker 3: I had three of them.

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Speaker 5: Actually, my bums almost in my shoulders.

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Speaker 9: So we just made a decision to say, okay, well,

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Speaker 9: there's a lot of sanitizing and a lot of branding

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Speaker 9: around them, there's a lot of idealizing around them. We're

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Speaker 9: going to show them for what they are for real.

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Speaker 3: Yeah, And I really do love that, Todd.

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Speaker 5: And also when you say you know a bit hot

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Speaker 5: for seven thirty, you also speak to someone that our

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Speaker 5: listeners may know, former MAP star Hayley Vernon, who has

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Speaker 5: gone to Only Fans, and she talks a bit about,

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Speaker 5: you know, being on Only Fans and filming pornography.

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Speaker 7: Todd.

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Speaker 9: Yeah, well, so call me a prude. I hadn't really

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Speaker 9: no idea what Only Fans was all about, and it

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Speaker 9: is something that's super popular with the.

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Speaker 2: Kids today, right, yes, yes, and.

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Speaker 9: Your influence pay and that they pay a lot. Haley

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Speaker 9: Vernon earns thirty thousand dollars a month to do pornography.

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Speaker 9: So we show up it's meant to be a shoot

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Speaker 9: and I'm thinking, okay, well let's see what happens. Let's

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Speaker 9: just roll the cameras. It turns into a full.

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Speaker 2: Full oh ah wow.

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Speaker 9: Women like it was just like WHOA A lot of

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Speaker 9: it we can't show at seven thirty. But the interesting

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Speaker 9: thing is I didn't know Haley. I didn't know Haley

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Speaker 9: at all. I haven't even heard of her before until that.

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Speaker 9: But she was incredibly interesting and articulate and lovely on camera.

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Speaker 9: Now here's the downside of the sexualized imagery. The average

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Speaker 9: age of first exposure to porn in this country eight

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Speaker 9: to ten year old.

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Speaker 7: You, Jess Frist And most of this by accident.

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Speaker 9: Oh they're on porn. Wow, click click, they're on whatever.

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Speaker 8: You know.

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Speaker 9: So, and that's why it's a problem, because when you're

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Speaker 9: thirteen and you see porn, you have no concept of

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Speaker 9: what a relationship is. You start to believe maybe that's

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Speaker 9: what it's like.

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Speaker 3: Yeah.

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Speaker 5: I actually heard Todd that some adolescent kids and and

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Speaker 5: this is guys specifically having issues with things like arousal

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Speaker 5: because because their first exposure.

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Speaker 3: To sexual activity is pornography.

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Speaker 10: Wow.

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Speaker 3: And as you said, Todd, that's just not the way

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Speaker 3: it is.

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Speaker 9: Yeah, and that's absolutely true yourself. I mean, yeah, exactly.

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Speaker 9: But here here is here's the issue though with online

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Speaker 9: pornography and pornography like OnlyFans is it's interactive. So with

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Speaker 9: Haley you can actually.

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Speaker 2: Reach out to her and while she's doing it, you.

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Speaker 9: Can ask her to do things you can do. I mean,

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Speaker 9: this is what makes it so in some ways it

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Speaker 9: it's this sort of false relationship that young people are

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Speaker 9: having with Yeah.

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Speaker 5: Wow, so all this is all pretty grim sort of

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Speaker 5: what we're talking about can ask, I mean, what do

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Speaker 5: you think from your experience with the show, and again

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Speaker 5: it's on tonight seven thirty on Channel ten.

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Speaker 3: What can we be doing about this situation to help it?

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Speaker 9: Firstly, I just want to comment on the grim because

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Speaker 9: I know parents might get a bit freaked out. This

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Speaker 9: is the reality of which our children live. This is

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Speaker 9: just it. This is the world, and that world's not

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Speaker 9: going to change anytime soon. But there are plenty of

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Speaker 9: things and we explore them in the film that we

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Speaker 9: could do. The scientists and experts point out the things

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Speaker 9: that are practical and useful for kids, and one of

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Speaker 9: the ones that I employ with my own children is

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Speaker 9: what we know scientifically is that when nighttime comes, especially kids,

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Speaker 9: we primarily work off our amygdala, our emotional center of

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Speaker 9: the brain, and we switch off the prefrontal cortex, which

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Speaker 9: is irrational part of the brain. That time period at

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Speaker 9: night makes kids really vulnerable to online bullying, to harassment.

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Speaker 9: So one thing the scientists recommend is do not let

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Speaker 9: your kids do social media or have iPhones and iPads

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Speaker 9: alone in their rooms at night. And I think that's

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Speaker 9: really good advice.

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Speaker 3: Great advice, great advice.

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Speaker 2: But I mean is be like trying to pry a

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Speaker 2: loaf of bread out of you know, a person who's.

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Speaker 9: You're so right And for a lot of parents and

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Speaker 9: I'm one of those, we gave our kids phones as

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Speaker 9: dummies as pacifying. Didn't stick it in their mouth, but

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Speaker 9: we gave it to the Yeah. I mean, I'll never

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Speaker 9: forget the time my oldest, my oldest daughter at the time,

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Speaker 9: she was really small, swiping the TV. Couldn't figure out

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Speaker 9: why it wouldn't.

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Speaker 5: Oh my god, I've seen a young girl about to

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Speaker 5: say I've done that, any young girl to hairdress to

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Speaker 5: try to pinch them on a magazine.

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Speaker 2: Before hy Tom, thanks so much for joining us. As

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Speaker 2: you said, I mean, I think that even though the

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Speaker 2: content and the subject matter is yeah, particularly confronting, I

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Speaker 2: think maybe the reason that it is so confronting is

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Speaker 2: perhaps that there's a little bit of wilful blindness involved

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Speaker 2: with how much body image is something which obviously not

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Speaker 2: just affects how we physically look, but mentally is just

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Speaker 2: a Leviathan to try and to try and combat. And

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Speaker 2: I think you've done really well. Brand new TV doco

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Speaker 2: starring the man who has been described as Bear Grylls

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Speaker 2: Louis Through and Brian Cox's love Child Todd Sampson Mirror.

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Speaker 2: Mirror airs Wednesday and Thursday. It's tonight seven thirty on

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Speaker 2: Channel ten and ten play.

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Speaker 9: To really Hate that guy.

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Speaker 2: Thanks for later, Good.

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Speaker 3: Luck with the show podcast.

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Speaker 2: Take me to the seven thirty report. Baby, what have

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Speaker 2: you got now?

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Speaker 5: I'm taking you the seven thirty report, very very shortly.

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Speaker 5: Farmers they're angry. But before that, give us a call

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Speaker 5: right now. If you hate being called something. Ah, if

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Speaker 5: somewhere along the way you've picked up a nickname or something,

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Speaker 5: or someone in your life has started calling you something

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Speaker 5: and you bloody hate it, can't stand.

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Speaker 3: It might be in the workplace. Bloody thirteen one six

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Speaker 3: five is our number.

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Speaker 5: If that is you and I'm talking about it, will

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Speaker 5: loose link. But the beef farmers hate and this is

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Speaker 5: a story today. They are outraged about vegetarian products calling

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Speaker 5: themselves beef or meat.

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Speaker 3: What do you think about.

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Speaker 2: That, about the fact that the vegetarian people are going

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Speaker 2: them beef for.

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Speaker 5: Met because ins and vegetarian products are calling their plant

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Speaker 5: based products.

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Speaker 3: Me yeah, yeah, truck them? Do you reckon? They should

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Speaker 3: be allowed to?

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Speaker 5: Because the beef farmers are saying that sounds that's not bad, baby,

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Speaker 5: We're doing beef. Don't copy our beef and label your

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Speaker 5: product with beef.

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Speaker 3: That sounds yeah, I'm cool with that, you're caol with.

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Speaker 2: I'm with the farmers. I don't necessarily think that you

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Speaker 2: should be able to call something beef if it's not beef. Yeah,

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Speaker 2: it's also just misleading for people that are buying stuff.

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Speaker 2: Know what your stuff is. It's the same. Let's put

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Speaker 2: the shoe on the other foot. Imagine if farmers were

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Speaker 2: bringing out beef patties and just going like, hey guys,

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Speaker 2: it's carrots, and then people actually bought beef.

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Speaker 3: No ye, like so raise a good point.

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Speaker 2: She on the other foot, I mean, it would be

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Speaker 2: an absolute disaster.

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Speaker 5: What about when they change, when the vegetarian products change

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Speaker 5: it slightly so you know where like that, there's a

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Speaker 5: product here that I'm looking at which they've said chicken sliders,

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Speaker 5: except they're just taking out the eye, so it goes trucking.

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Speaker 2: Oh that's why you said trocking weird before I was like.

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Speaker 5: There's no context, Yeah, tricking sliders.

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Speaker 3: Do you think it's fair enough to call it chrocing?

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Speaker 2: But on broff, let's not do this. Let's not do this. God,

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Speaker 2: I want to give porker though, I mean.

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Speaker 1: Could be brof, could be.

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Speaker 3: But do you stand on it to do that?

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Speaker 2: Yeah? No, no, all right, we're talking about that misleading interceptive.

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Speaker 2: As I said. So for example, again like if if

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Speaker 2: it was if it was carrot, yes, and they got

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Speaker 2: it it actually had beef in it would be livid

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Speaker 2: it looks like it's carrots.

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Speaker 5: Yeah, and you'd be you'd be misled into eating some

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Speaker 5: beef that you didn't want to eat.

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Speaker 3: Yeah, so yeah, I think in here.

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Speaker 5: Oh God, anyway, just the fact that beef farmer is

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Speaker 5: one of the vegetarians to stop calling their product.

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Speaker 3: That just reminded me.

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Speaker 11: Will this is the dumbest thing, Jesus, I'm trying to

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Speaker 11: move on from No.

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Speaker 2: Look, you came back for a cracking particular.

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Speaker 3: Yeah, I got excited. I got excited on the trial. Anyway. Yeah,

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Speaker 3: enough about the beef industry. It just reminded me.

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Speaker 5: This whole story is reminded me of when someone starts

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Speaker 5: calling you something and you hate it, but then the

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Speaker 5: more you hate it, the more people.

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Speaker 3: Call you it. Yes, I call you rat legs, you

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Speaker 3: call me rat legs. Here's a montage of you calling

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Speaker 3: me rat legs on this.

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Speaker 2: Show wood Trow. You've got rat legs. I mean, there's

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Speaker 2: no other way to talk about it. Yeah, for a

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Speaker 2: guy who's as fit as you are, your calves are

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Speaker 2: a bit ratty.

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Speaker 3: You've crossed the line on rat legs.

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Speaker 2: Over there are rat legs. Actually that unattractive. Maybe your

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Speaker 2: girlfriend Mim should call woods.

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Speaker 3: She said before she likes my legs, did she? She's lying,

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Speaker 3: isn't she? Come on?

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Speaker 2: I was trying to think of another analogy for your

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Speaker 2: legs the other day. You don't need to, and it

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Speaker 2: popped up right in front of me in this studio.

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Speaker 2: Because if anyone's ever had a seat through bick pen before,

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Speaker 2: if you pull out the top and you've just got

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Speaker 2: the in the middle your legs. Or if anyone's ever

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Speaker 2: bought a Dutch carrot into those small carrots and they've

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Speaker 2: got those green little things on the top, that's your legs.

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Speaker 5: Thanks mate, all and again this is just a beautiful

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Speaker 5: indication or a beautiful showing of when you express a

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Speaker 5: hate for a nickname, that's when people.

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Speaker 3: Really lean in.

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Speaker 8: Yeah.

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Speaker 5: Yeah, so thirty one or six five years our number.

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Speaker 5: If that's you. If you absolutely hate a nickname that

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Speaker 5: you've been given, yep, give us a call, tell us

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Speaker 5: what it is.

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Speaker 3: Yep, and why you hate it?

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Speaker 2: Yes, yes, shed your skin. It'll be relieving for you,

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Speaker 2: no doubt.

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Speaker 3: Are you like me? And do you hate a nickname

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Speaker 3: you've been given?

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Speaker 2: Rat legs?

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Speaker 7: Oh?

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Speaker 3: Maybe the opener?

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Speaker 2: Yeah, I jucked it. Jumped in there with the audio

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Speaker 2: producer Tim during the song well done thirteen ratty legs.

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Speaker 2: I actually don't I give you the I'd call them

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Speaker 2: dental floss legs, but they're probably more analogous to dental

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Speaker 2: floss after you've used them. And they're a bit skanky

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Speaker 2: because of the hair on my legs. No, just just

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Speaker 2: scank legs.

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Speaker 5: Oh oh, and my point is sorry before I go

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Speaker 5: to Lisa.

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Speaker 3: My point is, but the.

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Speaker 5: More it burns you so much, and the more you

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Speaker 5: show that it burns you, the more people enjoy it

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Speaker 5: because the whole team joins in.

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Speaker 3: Everyone joins in everything you produce around a Lisa.

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Speaker 5: She's got me ready, boy, I know she is. She

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Speaker 5: looks nice on the outside, but she'll get you. She'll

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Speaker 5: go for your jugular. Let's go to Lisa here thirty

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Speaker 5: one six five, Lisa, what's the name?

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Speaker 3: You hate? Being called boulder? Shoulder?

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Speaker 12: Bolder?

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Speaker 2: Shoulder?

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Speaker 12: Boulder with a bee.

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Speaker 2: I was going to ask for if I could buy

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Speaker 2: a vow what what did you? Why did you get

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Speaker 2: called boulder? Lisa?

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Speaker 12: I used to play soccer and what would happen is

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Speaker 12: is that bold people are over to get the ball.

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Speaker 12: Oh yeah, and just like give them a bit of

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Speaker 12: a shoulder charge. And everyone used to just call me boulder.

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Speaker 2: What's what's what's wrong with that name? Well, you're a

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Speaker 2: bit of a tough nus.

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Speaker 12: I was a big girl.

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Speaker 2: Totally fair enough mate, if enough? When you ever know

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Speaker 2: what the insecurity is behind the Hey, thanks for the call,

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Speaker 2: Thank you appreciated.

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Speaker 3: That's got Greg here.

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Speaker 5: Greg, You've got a nickname that you can't stand, mate, mate.

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Speaker 10: I absolutely detest this. But people think they're being you know,

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Speaker 10: it's all kind and being friendly towards me. They called

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Speaker 10: I'm a guy in my sixties and they call me Gregels.

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Speaker 10: My name is Greg and I'm like, it just makes

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Speaker 10: me bristle. I hate it. No, my mates found out

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Speaker 10: about it, and then if they want to wind me

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Speaker 10: up they call me Gregels. Because I hate it.

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Speaker 2: Greggs.

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Speaker 3: Where have I missed a step here?

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Speaker 9: Like?

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Speaker 5: Who who was Gregles? Or why do they call you Greggles?

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Speaker 10: My name is, my name is Greg.

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Speaker 5: We're trying to get what's the jump to Gregls?

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Speaker 10: I don't know. Just some of the some of the

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Speaker 10: my female work colleagues just started calling me that.

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Speaker 2: The name it's little because you are you a bit

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Speaker 2: cutor are you a bit cuta Gregels?

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Speaker 13: Oh?

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Speaker 8: Yeah right, great, didn't they're coming?

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Speaker 2: Yeah right, Greg?

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Speaker 3: Let's holy.

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Speaker 5: This is a nickname that your parents call you.

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Speaker 14: Yeah, they call me. They named me after a dip

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Speaker 14: dip dip, so they called me glock for short, but

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Speaker 14: it's short for holy schmock moly, and so glock.

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Speaker 15: Has just stuck.

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Speaker 14: And I'm now in my thirties. But that's kind of

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Speaker 14: embassion to being called after a dip.

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Speaker 2: Yeah, yeah, Holy.

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Speaker 14: I actually just thought of an even worse one that

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Speaker 14: I used to get called.

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Speaker 13: If you wanted to hear it, Yeah, no, sure, it's

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Speaker 13: as good as holish molly guacamole.

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Speaker 14: I mean, bit of context. Iron blonde, have rather large

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00:19:08,840 --> 00:19:11,760
Speaker 14: chest in a big kirvy. My friends used to call

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Speaker 14: me the human block dole because I had a big mouse,

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Speaker 14: big eyes and gee.

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Speaker 3: Wow, whizz, that's that's a wild one.

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00:19:20,200 --> 00:19:25,200
Speaker 2: Polish molly, guacamole. Let's go to Darcy. I'm so glad

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Speaker 2: we took that second nickname, Darce.

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Speaker 13: Talking about nicknames you can't shake and you don't like,

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Speaker 13: that's why you pull the coller down after what they've

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00:19:33,920 --> 00:19:35,720
Speaker 13: called up for guys when anyone came to get in

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Speaker 13: on radio, pull the faded down when they've finished the

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Speaker 13: story that's been vetted.

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Speaker 3: That's kind of Darzy.

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Speaker 2: One six five, Darcy, what's the name you can't Shake's?

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Speaker 12: Look?

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Speaker 15: When I was younger, I was unfortunate to have a

401
00:19:48,720 --> 00:19:53,040
Speaker 15: bit of a juicy bottom. My brothers and these friends

402
00:19:53,359 --> 00:19:54,919
Speaker 15: came up with the great idea to rhyne it with

403
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Speaker 15: my name, and now I'm with the gars. Darce and

404
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Speaker 15: I have been.

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Speaker 2: As it's the Willam Woody podcast.

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00:20:03,400 --> 00:20:05,359
Speaker 5: So the last time we had our next guest on

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Speaker 5: the show, she was pitching a brand new show to

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Speaker 5: some TV executives where Shimi.

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Speaker 7: Coomes a monk.

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Speaker 1: Would you believe it if I told you it.

411
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Speaker 7: Wasn't picked off?

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Speaker 2: Shocking? Putting that disappointment.

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00:20:16,440 --> 00:20:19,320
Speaker 4: Behind her, she's gone back to where it all started.

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Speaker 5: Music, and she's released a brand new song, nice to

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Speaker 5: meet You.

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Speaker 14: Now.

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Speaker 13: There might be a second release on the horizon.

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Speaker 5: Because she's in to do Cassio karaoke with the boys.

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Speaker 13: Compared to her single, probably gonna be a bit shit.

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Speaker 7: Never mind, we crack you on.

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Speaker 1: Please welcome to the show.

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Speaker 7: It's so be long.

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Speaker 1: Hello, boys are going Yeah, so welcome back. Oh thanks

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Speaker 1: so much for having me.

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Speaker 2: Well, actually, funnily enough, we almost felt that we had

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Speaker 2: to because last time we spoke to you of soelated you.

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Speaker 4: Let your songs shit that we had to get you

428
00:20:55,119 --> 00:20:56,520
Speaker 4: on because what did you do to me?

429
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Speaker 5: We just couldn't find a guest today. So we're like,

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Speaker 5: you all, Sophie, I feel.

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Speaker 1: Like I'm so that person.

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Speaker 4: Like any times an event and someone drops out, they're like,

433
00:21:04,920 --> 00:21:06,639
Speaker 4: let's get so fe in to host or do something.

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00:21:07,200 --> 00:21:13,320
Speaker 4: I'm used to it people. Yeah, she's a celebrity, it's

435
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Speaker 4: that gray.

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Speaker 1: Area, but we'll just get her on.

437
00:21:16,760 --> 00:21:21,160
Speaker 2: Yeah, look, you're a pity guest. But on top of that, Mate,

438
00:21:21,200 --> 00:21:23,040
Speaker 2: we were talking about when you came off the Mass

439
00:21:23,080 --> 00:21:25,920
Speaker 2: singer last time, what do you know this chat with you,

440
00:21:25,640 --> 00:21:28,840
Speaker 2: you reference the fact that you were thinking about making

441
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Speaker 2: music again, and you'd sort of rebonded with this thing

442
00:21:32,040 --> 00:21:34,560
Speaker 2: that you used to do, and now here we are

443
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Speaker 2: what a year later kind of be much more than that.

444
00:21:38,520 --> 00:21:39,200
Speaker 2: You've got a song.

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Speaker 4: Yeah, yeah, I think lockdown does crazy things to you.

446
00:21:42,720 --> 00:21:46,440
Speaker 4: So we recorded it and then I was sitting there,

447
00:21:46,440 --> 00:21:48,200
Speaker 4: I was like, maybe I should shoot a music video

448
00:21:48,320 --> 00:21:50,760
Speaker 4: and just release it early lived once and then you know,

449
00:21:50,800 --> 00:21:53,040
Speaker 4: if people don't like it, I'll just probably hang up

450
00:21:53,040 --> 00:21:54,560
Speaker 4: the singing hat and then if.

451
00:21:54,320 --> 00:21:57,760
Speaker 2: You do like it, awesome, Yeah, yeah, win win. Here's

452
00:21:57,800 --> 00:22:11,200
Speaker 2: just a tiny sniffersten super sultry, low range jazz number,

453
00:22:11,440 --> 00:22:15,159
Speaker 2: which is like a brilliant change, totally unexpected. Has it

454
00:22:15,240 --> 00:22:17,280
Speaker 2: got anything to do with the amount of darts that

455
00:22:17,320 --> 00:22:18,840
Speaker 2: you've smoked since twenty twenty?

456
00:22:19,000 --> 00:22:24,760
Speaker 4: I'm sure it has also. I mean, yeah, if you

457
00:22:24,800 --> 00:22:26,240
Speaker 4: listen to my voice back of the day, I was

458
00:22:26,280 --> 00:22:28,959
Speaker 4: like mini mouse and just so keen and excited online,

459
00:22:29,000 --> 00:22:31,000
Speaker 4: and slowly it's got deeper and more pessimistic.

460
00:22:33,560 --> 00:22:36,119
Speaker 1: I think it's but jazz is where I came from too.

461
00:22:36,480 --> 00:22:37,600
Speaker 1: I prefer it jazz.

462
00:22:37,680 --> 00:22:39,960
Speaker 4: I can't really sing pop. You should hear it's actually

463
00:22:40,240 --> 00:22:42,360
Speaker 4: if you listen to it closely, it's just not my thing.

464
00:22:42,440 --> 00:22:43,680
Speaker 4: So yeah, jazz is MORI.

465
00:22:43,880 --> 00:22:46,040
Speaker 2: When you say jazz, where you came from? What do

466
00:22:46,080 --> 00:22:46,440
Speaker 2: you mean?

467
00:22:46,800 --> 00:22:47,000
Speaker 3: Well?

468
00:22:47,040 --> 00:22:50,520
Speaker 4: I was working at like sixteen and pub singing in

469
00:22:50,600 --> 00:22:51,240
Speaker 4: jazz bands.

470
00:22:51,480 --> 00:22:54,720
Speaker 1: Oh yeah, no, yeah, I love jazz.

471
00:22:55,560 --> 00:22:59,040
Speaker 2: Lodge school effectively to go and sing in jazz bands.

472
00:22:59,080 --> 00:23:00,879
Speaker 4: Yeah, and it was my music teacher that asked me

473
00:23:00,920 --> 00:23:04,920
Speaker 4: to do it.

474
00:23:04,920 --> 00:23:07,240
Speaker 5: So this really is a return to your first love

475
00:23:07,320 --> 00:23:10,159
Speaker 5: because obviously you had so much TV radio, there was

476
00:23:10,200 --> 00:23:12,600
Speaker 5: a stint in Hollywood and now the return to what

477
00:23:12,640 --> 00:23:13,480
Speaker 5: your first love.

478
00:23:13,640 --> 00:23:16,200
Speaker 4: Yeah, that's it independently, so I probably won't make a

479
00:23:16,240 --> 00:23:17,640
Speaker 4: dollar off it, but you know it's run.

480
00:23:19,080 --> 00:23:20,480
Speaker 2: That's a really beautiful story.

481
00:23:20,560 --> 00:23:21,760
Speaker 1: So so thank you.

482
00:23:21,880 --> 00:23:23,720
Speaker 2: Very excited to play the song nice to Meet You

483
00:23:23,720 --> 00:23:26,080
Speaker 2: as what it's called, and right up next Woods you

484
00:23:26,119 --> 00:23:28,399
Speaker 2: referred to it for She's gonna be doing a cassio

485
00:23:28,480 --> 00:23:33,119
Speaker 2: karaoke here for us this afternoon, all thanks to Pupp's

486
00:23:33,119 --> 00:23:35,760
Speaker 2: Pizza Happy They're Hungry's find them in the freezer of

487
00:23:35,800 --> 00:23:36,440
Speaker 2: the supermarket.

488
00:23:36,520 --> 00:23:37,280
Speaker 1: Is it tricky?

489
00:23:37,520 --> 00:23:40,880
Speaker 5: Yes, it's very tricky because the challenge is Sophie, while

490
00:23:40,920 --> 00:23:43,440
Speaker 5: everyone in Australia is hearing your brand new song nice

491
00:23:43,440 --> 00:23:47,840
Speaker 5: to Meet You, we are going to write a song together.

492
00:23:48,200 --> 00:23:51,399
Speaker 1: Yeah, in three minutes, okay, wow, and then.

493
00:23:51,320 --> 00:23:54,800
Speaker 5: Perform that song live for everyone on the other side.

494
00:23:55,040 --> 00:24:00,320
Speaker 1: It takes me that long to spell restaurant, This be interesting, Will.

495
00:24:00,240 --> 00:24:04,439
Speaker 5: And Woody podcasts, pizza happy's the hungry.

496
00:24:04,440 --> 00:24:06,520
Speaker 3: He's find them in the freezer all of the supermarket.

497
00:24:06,600 --> 00:24:10,520
Speaker 2: Cassie, you carry yoke. Cassie, you carry yoke.

498
00:24:11,640 --> 00:24:13,119
Speaker 11: Cassie, you carry yoke.

499
00:24:14,200 --> 00:24:17,480
Speaker 2: Yeah, all right, so we've heard she's got some pipes.

500
00:24:17,880 --> 00:24:20,400
Speaker 1: Aut to ruin my singing career the day I launched my.

501
00:24:20,359 --> 00:24:26,240
Speaker 16: Oh no, you did say before, You said before the

502
00:24:26,280 --> 00:24:28,600
Speaker 16: song that you've gone back to your jazz roots because

503
00:24:28,600 --> 00:24:31,399
Speaker 16: you can no longer sing high liking the pop songs.

504
00:24:31,760 --> 00:24:33,440
Speaker 1: It's all high. I just have not got to pop.

505
00:24:33,640 --> 00:24:34,359
Speaker 1: It's not cool.

506
00:24:34,440 --> 00:24:35,840
Speaker 3: Well, we're about to hear that.

507
00:24:35,960 --> 00:24:38,600
Speaker 5: So we've had three minutes, haven't we, Sophia to write

508
00:24:38,640 --> 00:24:39,040
Speaker 5: this song.

509
00:24:39,359 --> 00:24:41,440
Speaker 1: Yeah, I'm man'ture with the words fit, but we'll just

510
00:24:41,480 --> 00:24:42,439
Speaker 1: give you a smash.

511
00:24:42,760 --> 00:24:44,000
Speaker 3: We're going to a smash.

512
00:24:44,080 --> 00:24:47,040
Speaker 2: Let's just do it as we do an all Cassio karaokes.

513
00:24:47,080 --> 00:24:51,520
Speaker 2: We're parodying an original and so we've taken from obviously

514
00:24:51,640 --> 00:24:55,600
Speaker 2: that the hit song that was poisoned from Bardo in

515
00:24:55,760 --> 00:25:01,200
Speaker 2: two thousand. It's a supergroup that Sofa's part of originally,

516
00:25:01,400 --> 00:25:03,440
Speaker 2: which actually got pipped in the two thousand ARI Music

517
00:25:03,520 --> 00:25:05,800
Speaker 2: Awards by Madison Avenues.

518
00:25:05,800 --> 00:25:06,320
Speaker 3: Don't call me.

519
00:25:06,240 --> 00:25:12,199
Speaker 2: Baby, but I just knew we didn't win anything there.

520
00:25:12,280 --> 00:25:14,399
Speaker 2: She got you. I pipped the post for a highest

521
00:25:14,400 --> 00:25:14,960
Speaker 2: selling single.

522
00:25:15,240 --> 00:25:16,440
Speaker 8: She was good.

523
00:25:16,800 --> 00:25:18,160
Speaker 13: Was Good, had a bit of a meltdown on stage

524
00:25:18,160 --> 00:25:19,040
Speaker 13: there apparently.

525
00:25:18,680 --> 00:25:19,200
Speaker 3: In two thousand.

526
00:25:19,280 --> 00:25:20,200
Speaker 1: But haven we all.

527
00:25:23,600 --> 00:25:23,879
Speaker 7: All right?

528
00:25:24,000 --> 00:25:25,919
Speaker 2: Let's do it, Mate'll do first.

529
00:25:25,720 --> 00:25:28,880
Speaker 1: Verse, sing chorus together and then second verse? Can you sing?

530
00:25:29,960 --> 00:25:32,200
Speaker 3: I'm gonna say, will should sing the second verse? Because

531
00:25:32,200 --> 00:25:34,840
Speaker 3: if not? Woody, okay, thank you? So you appreciate that

532
00:25:36,440 --> 00:25:36,840
Speaker 3: you should.

533
00:25:36,840 --> 00:25:38,399
Speaker 2: You took the baton last time.

534
00:25:38,440 --> 00:25:41,320
Speaker 3: And it was a train regular. She relinquished the bat

535
00:25:41,440 --> 00:25:41,840
Speaker 3: and tough.

536
00:25:45,560 --> 00:25:46,400
Speaker 1: It's a little pier.

537
00:25:51,400 --> 00:25:56,280
Speaker 6: Sometimes it's up on maybe click play. Sometimes are so

538
00:25:56,440 --> 00:26:01,000
Speaker 6: bad you say go away. Music is great with a

539
00:26:01,119 --> 00:26:06,240
Speaker 6: class of wine. Classic pop song can be tough to fine.

540
00:26:07,400 --> 00:26:15,920
Speaker 6: You need it on a car bussle. Blameay, but don't

541
00:26:15,960 --> 00:26:19,320
Speaker 6: you dare tell me Bardo it's so lame.

542
00:26:20,320 --> 00:26:21,880
Speaker 2: It's not blame.

543
00:26:23,000 --> 00:26:24,520
Speaker 1: Don't say my son's bad.

544
00:26:25,040 --> 00:26:26,680
Speaker 2: It will make me sad.

545
00:26:27,040 --> 00:26:32,280
Speaker 6: Ow she wants to sketchy. It's handsome. Savage got into

546
00:26:33,000 --> 00:26:37,919
Speaker 6: even that song blue when it's annoying, it's frozen, and

547
00:26:37,960 --> 00:26:38,960
Speaker 6: then someone Davy's bad.

548
00:26:39,680 --> 00:26:45,760
Speaker 2: Some people want You're six? Is it the same? But

549
00:26:45,880 --> 00:26:50,680
Speaker 2: don't understand the riding came? Do you think its songs?

550
00:26:50,760 --> 00:26:54,040
Speaker 2: Fall out of the tree? They don't tell that to

551
00:26:54,240 --> 00:26:56,160
Speaker 2: Madonna A movie.

552
00:26:57,600 --> 00:27:05,280
Speaker 6: Classic Bob song can be ha do b But I'm

553
00:27:05,400 --> 00:27:13,280
Speaker 6: Sophie Funk and I sank inside outside inside upside. Don't

554
00:27:13,400 --> 00:27:17,199
Speaker 6: say my sons bad, it will make me mad. I

555
00:27:17,280 --> 00:27:21,880
Speaker 6: have more respect than Frank Ocean Eve the bottle from

556
00:27:21,960 --> 00:27:28,560
Speaker 6: you to tapro Ram the foodsuck with toys and sauce.

557
00:27:32,200 --> 00:27:34,879
Speaker 3: That's getting people through lockdown. That song, that's the anthem.

558
00:27:34,960 --> 00:27:38,000
Speaker 1: Yeah, people, where do we get these? Just amazing?

559
00:27:38,680 --> 00:27:40,879
Speaker 2: Tell you what one out there? Don't ever try and

560
00:27:40,960 --> 00:27:43,320
Speaker 2: parody a song where you have to rhyme with poison,

561
00:27:43,480 --> 00:27:46,439
Speaker 2: because you'll end up with a line like I'm as

562
00:27:46,480 --> 00:27:47,600
Speaker 2: good as duck and Hoiston.

563
00:27:47,920 --> 00:27:49,199
Speaker 1: Yeah, that's it.

564
00:27:49,720 --> 00:27:51,840
Speaker 3: Thank God for that. Thank you.

565
00:27:51,640 --> 00:27:53,800
Speaker 1: You don't send me a copy of that auto chip.

566
00:27:55,720 --> 00:27:58,320
Speaker 2: So thank you for joining us, especially if you say

567
00:27:58,320 --> 00:28:00,960
Speaker 2: that you check it out willing Moody said video that

568
00:28:01,119 --> 00:28:02,680
Speaker 2: is amazing to have you on the show, mat and

569
00:28:02,680 --> 00:28:04,960
Speaker 2: again congratulations. It's got a Brandy single, nice to Meet You,

570
00:28:05,000 --> 00:28:08,560
Speaker 2: which you guys can get anywhere. New music from Sophie

571
00:28:08,600 --> 00:28:12,479
Speaker 2: Monk twenty years and probably ten thousand darts later. It's

572
00:28:12,520 --> 00:28:13,160
Speaker 2: been a pleasure.

573
00:28:13,480 --> 00:28:13,840
Speaker 3: Thank you.

574
00:28:15,960 --> 00:28:19,240
Speaker 2: It's the Yllam Woody podcast wooland Woodies.

575
00:28:19,920 --> 00:28:23,080
Speaker 5: Fine, alle convince us that you're in the car with

576
00:28:23,160 --> 00:28:25,200
Speaker 5: someone else on thirteen one oh six ' five.

577
00:28:25,359 --> 00:28:27,560
Speaker 3: Is someone actually there though? That's what Will and I

578
00:28:27,640 --> 00:28:32,280
Speaker 3: have to decipher. We have Connie here, Hi, Connie, Hi,

579
00:28:32,440 --> 00:28:34,720
Speaker 3: how's it going? Very well? Thank you? Who are you

580
00:28:34,720 --> 00:28:36,400
Speaker 3: in the car with?

581
00:28:36,400 --> 00:28:37,960
Speaker 15: With my daughter Anika?

582
00:28:38,720 --> 00:28:39,320
Speaker 3: Anita?

583
00:28:39,480 --> 00:28:42,080
Speaker 5: Okay? Can you throw Anita on the phone please?

584
00:28:43,320 --> 00:28:45,920
Speaker 9: Okay, but she'll have to speak in Italian because she's

585
00:28:46,040 --> 00:28:47,560
Speaker 9: one of those imports.

586
00:28:47,880 --> 00:28:50,400
Speaker 3: Okay, not to WI is not a problem, Savage.

587
00:28:50,440 --> 00:28:51,920
Speaker 2: Well, at the end of the day, we're all imports

588
00:28:51,960 --> 00:28:55,960
Speaker 2: here in Australia, Connie, apart from First Nations and Indigenous people,

589
00:28:56,120 --> 00:28:58,840
Speaker 2: so let's let's dumb down the language a little bit.

590
00:28:58,880 --> 00:29:00,320
Speaker 2: But yeah, check her on I mean the end of

591
00:29:00,360 --> 00:29:02,640
Speaker 2: the day. Well, we will have a chat with it.

592
00:29:06,160 --> 00:29:11,320
Speaker 3: And it's a beautiful language. Italian, isn't it? It's a

593
00:29:11,360 --> 00:29:12,240
Speaker 3: beautiful language?

594
00:29:13,000 --> 00:29:17,480
Speaker 2: Is she ready? It's just the same person.

595
00:29:17,480 --> 00:29:21,480
Speaker 3: It's definitely very impressive. She can do Italian.

596
00:29:22,320 --> 00:29:25,000
Speaker 2: She's probably Italian so proud.

597
00:29:25,800 --> 00:29:27,560
Speaker 5: I think she heard the segment and she spent some

598
00:29:27,640 --> 00:29:28,640
Speaker 5: time learning Italian.

599
00:29:30,080 --> 00:29:37,520
Speaker 3: The end, we got MARKI now I'm Mark Mark.

600
00:29:37,560 --> 00:29:38,320
Speaker 8: Guys, there are you going?

601
00:29:39,960 --> 00:29:41,840
Speaker 2: You sound you sound I'm gonna. I'm gonna be honest.

602
00:29:41,960 --> 00:29:43,760
Speaker 2: We want to be stuck with you in a dark alley.

603
00:29:44,320 --> 00:29:44,560
Speaker 10: Mark.

604
00:29:46,920 --> 00:29:50,160
Speaker 2: Wow, I mean, do you do voiceovers or anything?

605
00:29:51,720 --> 00:29:54,480
Speaker 8: Voiceovers only for my kids when they're playing up, I

606
00:29:54,520 --> 00:29:57,080
Speaker 8: put words in their mouth to correct them. She is

607
00:29:58,040 --> 00:29:59,960
Speaker 8: a nasty dad, mate, nasty dad.

608
00:30:00,080 --> 00:30:04,000
Speaker 2: Oh that my god, you sound like the guy from

609
00:30:04,280 --> 00:30:06,440
Speaker 2: you know, Blake Govey from The Bachelor.

610
00:30:08,480 --> 00:30:08,800
Speaker 3: Gvy.

611
00:30:08,920 --> 00:30:14,920
Speaker 2: Actually, then you no idea. You sound like the guy

612
00:30:14,920 --> 00:30:18,160
Speaker 2: from that horror film with the the bush in the

613
00:30:18,040 --> 00:30:20,480
Speaker 2: in the you know, the Wolf Creek, Wolf Creek. You

614
00:30:20,480 --> 00:30:21,560
Speaker 2: sound the guy from Wolf Creek.

615
00:30:21,920 --> 00:30:25,320
Speaker 8: Oh lovely, lovely? Yeah, definitely far from that noise.

616
00:30:25,360 --> 00:30:27,720
Speaker 3: I don't have that la however, Yeah, you don't want

617
00:30:27,720 --> 00:30:28,680
Speaker 3: to be toalnished.

618
00:30:28,280 --> 00:30:37,200
Speaker 10: With in the car with my wife Heidi.

619
00:30:37,800 --> 00:30:40,800
Speaker 5: Heidi Okay, can you put Heidi on the phone please?

620
00:30:41,600 --> 00:30:42,040
Speaker 8: Yeah? Hold?

621
00:30:46,200 --> 00:30:47,040
Speaker 14: Where is there you going?

622
00:30:48,040 --> 00:30:50,520
Speaker 3: Geez? Pretty good? Thank you Hardy. Had you met Mark?

623
00:30:52,680 --> 00:30:54,000
Speaker 8: We used to work together?

624
00:30:54,640 --> 00:30:54,800
Speaker 10: Oh?

625
00:30:55,000 --> 00:30:55,560
Speaker 2: Gee, whizz?

626
00:30:56,280 --> 00:30:59,239
Speaker 5: That is that is not so used to I used

627
00:30:59,280 --> 00:31:01,240
Speaker 5: to work together. Is it a bit scandalous how you

628
00:31:01,320 --> 00:31:01,960
Speaker 5: got together then?

629
00:31:01,960 --> 00:31:03,080
Speaker 3: If it was at work?

630
00:31:04,040 --> 00:31:06,520
Speaker 9: Oh, definitely, always a little bit of scandal when it

631
00:31:06,560 --> 00:31:07,160
Speaker 9: comes to Mark.

632
00:31:07,800 --> 00:31:10,240
Speaker 5: Oh and yeah we did just hear his laugh, so absolutely.

633
00:31:12,280 --> 00:31:13,720
Speaker 5: What's the sexiest thing about Mark?

634
00:31:15,960 --> 00:31:16,520
Speaker 9: His voice?

635
00:31:16,560 --> 00:31:17,080
Speaker 14: Of course?

636
00:31:17,360 --> 00:31:18,000
Speaker 2: His voice?

637
00:31:18,320 --> 00:31:21,480
Speaker 5: Yeah, this is incredible. If this is Mark putting on

638
00:31:21,520 --> 00:31:23,120
Speaker 5: the voice, what do you think?

639
00:31:24,720 --> 00:31:25,440
Speaker 3: Look, here's the thing.

640
00:31:25,720 --> 00:31:29,120
Speaker 2: I heard a huge clearing, but he could have been

641
00:31:29,160 --> 00:31:31,720
Speaker 2: throwing a red herring. He's probably heard. Have you heard

642
00:31:31,720 --> 00:31:33,040
Speaker 2: the segment before Mark?

643
00:31:34,200 --> 00:31:34,880
Speaker 9: Yeah?

644
00:31:35,440 --> 00:31:35,920
Speaker 10: That was quick.

645
00:31:36,120 --> 00:31:38,000
Speaker 3: And what about you, Susie.

646
00:31:38,240 --> 00:31:38,960
Speaker 2: I don't think it was.

647
00:31:44,960 --> 00:31:45,240
Speaker 8: Mark.

648
00:31:45,600 --> 00:31:50,160
Speaker 3: I think it's just Mark.

649
00:31:50,400 --> 00:32:00,840
Speaker 7: Yes, in the red area.

650
00:32:01,000 --> 00:32:02,320
Speaker 8: You busted.

651
00:32:04,760 --> 00:32:06,640
Speaker 10: All the clues here for people to go ahead and

652
00:32:06,640 --> 00:32:07,200
Speaker 10: throw off the.

653
00:32:07,560 --> 00:32:11,480
Speaker 2: Yeah right, ma, we don't need the Moriati master villain.

654
00:32:11,600 --> 00:32:12,360
Speaker 2: How you did it?

655
00:32:12,400 --> 00:32:15,640
Speaker 3: Good?

656
00:32:15,840 --> 00:32:16,480
Speaker 9: Podcast?

657
00:32:16,840 --> 00:32:21,920
Speaker 2: Woods. You want to bring back another meaningless, redundant, empty game, Yeah,

658
00:32:21,960 --> 00:32:24,360
Speaker 2: which is pretty good fun. It's called.

659
00:32:27,560 --> 00:32:32,280
Speaker 5: It is called slip it in, Woody, get your minds

660
00:32:32,280 --> 00:32:32,880
Speaker 5: out of the gutter.

661
00:32:32,960 --> 00:32:33,560
Speaker 3: Australia.

662
00:32:33,640 --> 00:32:36,680
Speaker 5: This is a simple game of I would say improvisation.

663
00:32:37,760 --> 00:32:40,240
Speaker 5: So will the rules are I will just be reading

664
00:32:40,600 --> 00:32:44,160
Speaker 5: just a random story from the news. It's actually a

665
00:32:44,160 --> 00:32:46,000
Speaker 5: pretty old story. But at the end of the day,

666
00:32:46,040 --> 00:32:48,960
Speaker 5: the story doesn't matter. Okay, what I'm trying to do.

667
00:32:50,600 --> 00:32:53,720
Speaker 5: What I'm what I'm trying to do is just talk

668
00:32:53,760 --> 00:32:57,040
Speaker 5: about this story with you will, except some listeners who

669
00:32:57,080 --> 00:33:00,320
Speaker 5: are on the phone right now are giving me some

670
00:33:00,400 --> 00:33:04,240
Speaker 5: words to try and slip in right to the story

671
00:33:04,480 --> 00:33:05,280
Speaker 5: right now.

672
00:33:05,480 --> 00:33:06,840
Speaker 3: Your task, yeah, is.

673
00:33:06,800 --> 00:33:08,320
Speaker 2: To try and figure out which ones you've slipped in

674
00:33:08,360 --> 00:33:09,560
Speaker 2: that aren't actually a part of the story.

675
00:33:09,680 --> 00:33:11,040
Speaker 3: Yeah, that's exactly exactly right.

676
00:33:11,080 --> 00:33:13,560
Speaker 5: So can you just ear Muffett because I need to

677
00:33:13,600 --> 00:33:16,200
Speaker 5: get the words that I've got to slip in, So

678
00:33:16,320 --> 00:33:21,280
Speaker 5: you ear Muffett. Muffin boy, you have the biggest head

679
00:33:21,280 --> 00:33:21,840
Speaker 5: I've ever seen.

680
00:33:22,840 --> 00:33:31,680
Speaker 2: I heard that I haven't actually thought. Sorry music, Yes, sorry, you.

681
00:33:31,680 --> 00:33:35,480
Speaker 3: Make a pumpkin looks more new, huge dded bastard. Okay,

682
00:33:35,480 --> 00:33:38,959
Speaker 3: I think we've got him. Yeah, we've got him.

683
00:33:38,960 --> 00:33:43,880
Speaker 5: Okay, outstanding Susan. Hello, Hello, thank you so much for

684
00:33:43,920 --> 00:33:46,280
Speaker 5: getting involved with slip it in, Woody, what word would

685
00:33:46,280 --> 00:33:47,959
Speaker 5: you like me to slip into the story?

686
00:33:49,040 --> 00:33:49,400
Speaker 10: Hammer?

687
00:33:50,360 --> 00:33:50,760
Speaker 3: Hammer?

688
00:33:51,520 --> 00:33:55,120
Speaker 5: Okay, okay, outstanding hammer. That should be pretty easy, Thank you, Susan.

689
00:33:55,160 --> 00:33:57,280
Speaker 5: We've got Adele here, now, Adele, what word do you

690
00:33:57,360 --> 00:33:59,320
Speaker 5: want me to slip into the story?

691
00:34:00,240 --> 00:34:00,480
Speaker 9: Coin?

692
00:34:01,480 --> 00:34:02,360
Speaker 3: Coin purse?

693
00:34:02,720 --> 00:34:07,040
Speaker 5: All right, it's coin purse perfect. And we've got Kelly here. Kelly,

694
00:34:07,080 --> 00:34:08,760
Speaker 5: what word do you want me to try and slip

695
00:34:08,760 --> 00:34:09,520
Speaker 5: into the story.

696
00:34:11,000 --> 00:34:11,480
Speaker 14: Peanut?

697
00:34:12,120 --> 00:34:15,920
Speaker 3: Peen? It was peanut nuts, peut nuts.

698
00:34:15,960 --> 00:34:20,319
Speaker 5: Okay, Sorr, Yes, thank you for enunciating because I thought

699
00:34:20,320 --> 00:34:21,440
Speaker 5: that was a bit naughty of you.

700
00:34:21,640 --> 00:34:21,879
Speaker 3: Kelly.

701
00:34:21,920 --> 00:34:26,279
Speaker 5: All right, coin purse, peanut and hammer are the three

702
00:34:26,320 --> 00:34:29,080
Speaker 5: words I have to try and slip in. Well, well,

703
00:34:29,440 --> 00:34:30,880
Speaker 5: stop listening to your music.

704
00:34:32,160 --> 00:34:32,879
Speaker 2: Really tight set.

705
00:34:33,200 --> 00:34:35,799
Speaker 3: I don't care, follow more, I don't, I don't care.

706
00:34:36,040 --> 00:34:38,680
Speaker 5: All right, so you haven't heard the words I have

707
00:34:38,800 --> 00:34:40,080
Speaker 5: to slip into the story.

708
00:34:40,280 --> 00:34:43,719
Speaker 3: We're going to go to a song on the other song.

709
00:34:43,920 --> 00:34:46,560
Speaker 2: Doing this over a song? Julie is doing it now?

710
00:34:46,800 --> 00:34:47,080
Speaker 10: All right?

711
00:34:47,239 --> 00:34:48,239
Speaker 2: You want to do it over a song?

712
00:34:48,560 --> 00:34:52,839
Speaker 5: Well, we've been talking for commercial radio.

713
00:34:52,920 --> 00:34:54,440
Speaker 2: Yeah, we're getting told do it over a song.

714
00:34:54,440 --> 00:34:55,640
Speaker 3: Good, let's go to a song.

715
00:34:55,640 --> 00:34:58,359
Speaker 5: Thank you very much for giving me permission to do

716
00:34:58,440 --> 00:35:00,400
Speaker 5: something when I'm half the show, going to go to

717
00:35:00,480 --> 00:35:03,560
Speaker 5: a song you I listened to in Woody is right

718
00:35:03,640 --> 00:35:04,200
Speaker 5: up next.

719
00:35:04,719 --> 00:35:06,759
Speaker 3: We're playing a new game. It's not really your.

720
00:35:06,760 --> 00:35:08,600
Speaker 5: Second time we've done it, but it's got slip it

721
00:35:08,600 --> 00:35:14,680
Speaker 5: in Woody. The rules are simple. I've got an old

722
00:35:14,680 --> 00:35:17,120
Speaker 5: story in front of me, an old news story, and

723
00:35:17,200 --> 00:35:19,080
Speaker 5: the listeners have just called up and given me three

724
00:35:19,120 --> 00:35:21,040
Speaker 5: words to try and slip into the story.

725
00:35:21,440 --> 00:35:22,600
Speaker 3: Your role, your task.

726
00:35:22,719 --> 00:35:26,960
Speaker 5: Your job is to when you think I've slipped in

727
00:35:27,120 --> 00:35:30,680
Speaker 5: the listener word, say you've slipped it in Woody, and

728
00:35:30,680 --> 00:35:32,480
Speaker 5: you've got five seconds. I'm going to say, you've got

729
00:35:32,520 --> 00:35:35,080
Speaker 5: five seconds to say you've slipped it in Woody.

730
00:35:35,120 --> 00:35:35,879
Speaker 2: So it's just a word.

731
00:35:35,920 --> 00:35:37,520
Speaker 3: It's not a phrase, it's just a word.

732
00:35:37,560 --> 00:35:39,560
Speaker 2: Oh wow. Okay, there's a lot harder than it used

733
00:35:39,560 --> 00:35:39,759
Speaker 2: to be.

734
00:35:39,840 --> 00:35:41,479
Speaker 3: Okay, now, can you up a real quickly?

735
00:35:41,640 --> 00:35:45,160
Speaker 5: Let everyone listening that you don't have listened to European

736
00:35:45,200 --> 00:35:46,120
Speaker 5: trance every.

737
00:35:45,920 --> 00:35:47,200
Speaker 1: Time you know you.

738
00:35:49,760 --> 00:35:52,400
Speaker 2: I've just plugged this. Follow more DJ set from the

739
00:35:52,440 --> 00:35:54,520
Speaker 2: I Love Techno Festival I.

740
00:35:54,400 --> 00:35:55,600
Speaker 3: Love Techno Festival.

741
00:35:55,680 --> 00:35:58,440
Speaker 5: Bloody hell, he so predictable, isn't he you can't hear

742
00:35:58,480 --> 00:36:01,640
Speaker 5: me right now, so I'm going to let you all

743
00:36:01,680 --> 00:36:04,120
Speaker 5: know that he wipes from the front anyway.

744
00:36:06,520 --> 00:36:07,160
Speaker 3: Mother of the.

745
00:36:07,080 --> 00:36:11,320
Speaker 5: Words that I'm trying to slip in a coin purse,

746
00:36:11,920 --> 00:36:13,960
Speaker 5: peanut and hammer.

747
00:36:14,680 --> 00:36:16,680
Speaker 3: Okay, here we go, Okay, well we can come back,

748
00:36:17,000 --> 00:36:18,600
Speaker 3: Well come back.

749
00:36:18,640 --> 00:36:19,399
Speaker 2: It's a good bit though.

750
00:36:19,840 --> 00:36:20,480
Speaker 3: I don't care.

751
00:36:20,560 --> 00:36:24,000
Speaker 5: Okay, I don't care, but you're up to a good

752
00:36:24,040 --> 00:36:26,480
Speaker 5: bit in your I Love Techno festival.

753
00:36:27,840 --> 00:36:28,560
Speaker 3: All right.

754
00:36:28,600 --> 00:36:28,799
Speaker 10: Now.

755
00:36:30,000 --> 00:36:33,400
Speaker 5: The story, the story that I'm talking about is, so,

756
00:36:33,440 --> 00:36:36,320
Speaker 5: this is about a soccer player called Naymar.

757
00:36:36,040 --> 00:36:39,280
Speaker 2: Oh yeah, yeah, very famous soccer player and a Brazilian namer.

758
00:36:39,719 --> 00:36:41,200
Speaker 3: He's a Brazilian guy named Mary.

759
00:36:41,280 --> 00:36:46,440
Speaker 5: He plays for Paris Saint Germain PSG. If you're not

760
00:36:46,440 --> 00:36:49,320
Speaker 5: into soccer, that doesn't matter because the story is actually

761
00:36:49,360 --> 00:36:54,000
Speaker 5: about saying that's in his contract. So he has a

762
00:36:54,000 --> 00:36:56,360
Speaker 5: world record fee of three hundred and sixty nine million

763
00:36:56,440 --> 00:37:00,200
Speaker 5: dollars a year. That's how much he gets paid. But

764
00:37:00,600 --> 00:37:02,560
Speaker 5: it came out in the news recently.

765
00:37:03,320 --> 00:37:06,360
Speaker 2: Wow, I can't believe that. See the highest paid sports

766
00:37:06,360 --> 00:37:07,000
Speaker 2: person in the world.

767
00:37:08,640 --> 00:37:11,280
Speaker 3: I don't know. He's well, he's got to be up there, okay,

768
00:37:11,320 --> 00:37:15,280
Speaker 3: he's got to be up there anyway. It turns out.

769
00:37:15,320 --> 00:37:18,160
Speaker 5: It turns out though that within his contract he's got

770
00:37:18,160 --> 00:37:22,160
Speaker 5: an ethics bonus of eight hundred and sixty seven thousand

771
00:37:22,239 --> 00:37:23,480
Speaker 5: dollars per month.

772
00:37:24,160 --> 00:37:25,600
Speaker 3: For being polite.

773
00:37:26,000 --> 00:37:28,520
Speaker 5: Wow, so that adds to his coin purse there every

774
00:37:28,560 --> 00:37:29,240
Speaker 5: single month?

775
00:37:29,520 --> 00:37:34,080
Speaker 3: And yes, how did you get that? What was the word?

776
00:37:34,120 --> 00:37:35,880
Speaker 2: They wouldn't have said. That adds to his coin purse

777
00:37:35,920 --> 00:37:36,560
Speaker 2: every single month.

778
00:37:36,680 --> 00:37:36,879
Speaker 9: Damn.

779
00:37:37,000 --> 00:37:39,040
Speaker 5: Okay, you've got me there on the first one, all right,

780
00:37:40,040 --> 00:37:41,240
Speaker 5: so you know so look.

781
00:37:41,440 --> 00:37:44,400
Speaker 2: He said, never even know it'd started. You you've just

782
00:37:44,440 --> 00:37:45,799
Speaker 2: tried to bumble into it.

783
00:37:45,960 --> 00:37:47,840
Speaker 3: Yeah, it was perfect.

784
00:37:48,120 --> 00:37:49,279
Speaker 2: No, you did well, you did well.

785
00:37:50,239 --> 00:37:52,839
Speaker 5: So he gets ten million dollars a year for being,

786
00:37:52,880 --> 00:37:56,960
Speaker 5: as I said, polite, punctual, friendly, and available to the fans.

787
00:37:57,920 --> 00:38:00,080
Speaker 5: That's so generally, just from being a nice person, he

788
00:38:00,080 --> 00:38:02,760
Speaker 5: gets a couple more peanuts in his in his pockets.

789
00:38:02,120 --> 00:38:09,960
Speaker 2: Then, how would you do this to yourself?

790
00:38:10,480 --> 00:38:12,160
Speaker 7: You're not good at this.

791
00:38:12,160 --> 00:38:14,960
Speaker 3: This is not your I mean, the thing is about it.

792
00:38:15,000 --> 00:38:16,359
Speaker 5: I mean you would think it is going to get

793
00:38:16,360 --> 00:38:19,400
Speaker 5: paid for, you know, his soccer prowess.

794
00:38:19,480 --> 00:38:21,120
Speaker 3: Yeah, you know that's what you would assume.

795
00:38:21,200 --> 00:38:24,880
Speaker 5: You know, his fly kicks, his scissor kicks his corners,

796
00:38:24,920 --> 00:38:28,919
Speaker 5: you know, all the all the things in soccer. No,

797
00:38:29,120 --> 00:38:32,319
Speaker 5: I did not slip it in. You get two more

798
00:38:32,360 --> 00:38:34,120
Speaker 5: strikes though, so it's still the way on top you.

799
00:38:34,360 --> 00:38:35,960
Speaker 5: But yeah, as I was saying, you think you get

800
00:38:36,000 --> 00:38:38,919
Speaker 5: paid for his soccer skills such as his scissor kicking.

801
00:38:39,080 --> 00:38:40,799
Speaker 5: I mean, he's very well known for his hammer kick,

802
00:38:41,560 --> 00:38:43,240
Speaker 5: which is.

803
00:38:46,719 --> 00:38:52,600
Speaker 2: Go and slip, thank you very much, hammock kick peanuts

804
00:38:52,719 --> 00:38:53,200
Speaker 2: or hammer.

805
00:38:53,440 --> 00:38:55,600
Speaker 3: It was hammer, peanut.

806
00:38:55,520 --> 00:38:56,440
Speaker 2: And coin first.

807
00:38:56,640 --> 00:38:57,719
Speaker 3: God, that's harder than your thing.

808
00:38:58,200 --> 00:39:00,279
Speaker 2: I reckon you'd be pretty good at doing to you.

809
00:39:00,400 --> 00:39:02,640
Speaker 3: Maybe we'll flip it. We'll flip it tomorrow, all right, perfect,

810
00:39:02,840 --> 00:39:03,839
Speaker 3: or whenever we want to do it again.

811
00:39:04,840 --> 00:39:05,160
Speaker 1: Slim.

812
00:39:05,320 --> 00:39:09,160
Speaker 5: Yeah, yeah, we're both living it in now. It's a party.

813
00:39:09,800 --> 00:39:10,680
Speaker 10: See what you're hearing.

814
00:39:10,880 --> 00:39:14,080
Speaker 2: Find us on Instagram and Facebook search Will and Woody