1 00:00:00,880 --> 00:00:06,560 Speaker 1: Great per flick with benoshe Ben good morning. This doesn't 2 00:00:06,720 --> 00:00:08,719 Speaker 1: I wasn't trying to pass itself off as a sequel 3 00:00:08,760 --> 00:00:11,000 Speaker 1: in any way, but there is a connection to another 4 00:00:11,039 --> 00:00:14,160 Speaker 1: movie that you really liked, doesn't that? Yes, So Bring 5 00:00:14,200 --> 00:00:18,040 Speaker 1: Her Back is a new Ossie horror film from the 6 00:00:18,079 --> 00:00:22,560 Speaker 1: Philippoo brothers, Danny and Michael Philippoo, who have Hollywood at 7 00:00:22,600 --> 00:00:25,200 Speaker 1: their feet right now. So they released back in twenty 8 00:00:25,200 --> 00:00:28,240 Speaker 1: twenty two, they released another horror flick called Talk to Me, 9 00:00:28,480 --> 00:00:30,920 Speaker 1: which I really liked it at the time. It was 10 00:00:31,040 --> 00:00:34,640 Speaker 1: low budget but really really well done. And so this 11 00:00:34,840 --> 00:00:37,839 Speaker 1: is not technically a sequel, but it does explore a 12 00:00:37,880 --> 00:00:41,559 Speaker 1: lot of the same themes of demonic possession and you know, 13 00:00:41,640 --> 00:00:44,320 Speaker 1: sort of sort of things speaking to you from beyond 14 00:00:44,320 --> 00:00:46,320 Speaker 1: the grave, that kind of stuff. So from that perspective 15 00:00:46,320 --> 00:00:49,199 Speaker 1: of their kind of companion films, if not necessarily sequels. 16 00:00:49,360 --> 00:00:53,240 Speaker 1: And so the Philippoo brothers, so they started life as YouTubers. 17 00:00:53,880 --> 00:00:57,680 Speaker 1: They got mega famous on YouTube, millions of followers, but 18 00:00:57,800 --> 00:01:01,080 Speaker 1: it's probably unfair to call them YouTubers. They'll probably aspiring 19 00:01:01,160 --> 00:01:05,080 Speaker 1: filmmakers who didn't have a platform for their films, so 20 00:01:05,240 --> 00:01:08,200 Speaker 1: put them on YouTube and so these were kids, you know, 21 00:01:08,240 --> 00:01:11,800 Speaker 1: they were twins from Adelaide who were in their teens 22 00:01:11,959 --> 00:01:14,800 Speaker 1: making you know, sort of their own version of Star 23 00:01:14,920 --> 00:01:18,600 Speaker 1: Wars or Harry Potter with incredible special effects and all 24 00:01:18,640 --> 00:01:20,960 Speaker 1: their mates involved. And so they wrapped up millions of 25 00:01:21,040 --> 00:01:24,080 Speaker 1: views on YouTube and came to the attention of film 26 00:01:24,120 --> 00:01:26,279 Speaker 1: studios and they thought, you know, let's give these guys 27 00:01:26,280 --> 00:01:28,720 Speaker 1: a crack. They made Talk to Me. It was a 28 00:01:28,959 --> 00:01:31,120 Speaker 1: huge hit around the world. It won a ton of 29 00:01:31,200 --> 00:01:35,160 Speaker 1: actor awards with a no name cast, it won everything 30 00:01:36,240 --> 00:01:39,360 Speaker 1: very unusual horror, like a four million budget or something 31 00:01:40,080 --> 00:01:42,600 Speaker 1: very cheaply made. And then it was also a big 32 00:01:42,680 --> 00:01:45,440 Speaker 1: hit internationally. So A twenty four, which is you know, 33 00:01:45,560 --> 00:01:49,920 Speaker 1: one of the most sort of prestigious indie film houses 34 00:01:49,960 --> 00:01:52,920 Speaker 1: and distributors in America, picked up the film released it 35 00:01:52,920 --> 00:01:55,040 Speaker 1: in America, and at the time, back in twenty twenty two, 36 00:01:55,080 --> 00:01:57,360 Speaker 1: it was the highest grossing horror film that A twenty 37 00:01:57,360 --> 00:01:59,800 Speaker 1: four had ever released. And so they've done some stuff 38 00:01:59,840 --> 00:02:02,320 Speaker 1: with with all of the big guys like Ariasta and 39 00:02:02,600 --> 00:02:04,680 Speaker 1: all of these kind of like the new generation of 40 00:02:05,480 --> 00:02:08,680 Speaker 1: scary movie directors, and so they obviously saw a lot 41 00:02:08,680 --> 00:02:11,560 Speaker 1: of potential in the Philippo Twins and so got on 42 00:02:11,600 --> 00:02:14,519 Speaker 1: board for this film as well, and they turned down 43 00:02:14,600 --> 00:02:16,960 Speaker 1: a ton of offers. So they were going to do 44 00:02:17,000 --> 00:02:22,240 Speaker 1: a remake of Street Fighter, the video game adaptation, and 45 00:02:22,320 --> 00:02:25,359 Speaker 1: they had a lot of projects that Hollywood was keen 46 00:02:25,440 --> 00:02:26,960 Speaker 1: to get them to sign on the dotted line, and 47 00:02:26,960 --> 00:02:28,799 Speaker 1: they're like, no, we want to make this film that 48 00:02:29,280 --> 00:02:31,160 Speaker 1: we had already had in mind that we've been working 49 00:02:31,160 --> 00:02:33,760 Speaker 1: on for years. Not only that, we're going to refuse 50 00:02:33,800 --> 00:02:35,640 Speaker 1: to make it in America where you would like us 51 00:02:35,680 --> 00:02:37,240 Speaker 1: to make it. Instead, we're going to make it back 52 00:02:37,240 --> 00:02:40,720 Speaker 1: in South Australia. God for them with that extra kind 53 00:02:40,800 --> 00:02:43,520 Speaker 1: of I guess muscle that A twenty four provided. They 54 00:02:43,520 --> 00:02:46,200 Speaker 1: were like, well, well, let's talk about casting guys, because 55 00:02:46,200 --> 00:02:48,520 Speaker 1: you don't just have to use no names. Maybe we 56 00:02:48,560 --> 00:02:50,840 Speaker 1: can help you cast someone, you know, with a bit 57 00:02:50,880 --> 00:02:54,560 Speaker 1: more sort of international appeal. So they have got two 58 00:02:54,760 --> 00:02:58,880 Speaker 1: time Oscar nominees Sally Hawkins real yeah, which so you 59 00:02:58,919 --> 00:03:01,240 Speaker 1: know she probably thought that, you know, sort of hooking 60 00:03:01,320 --> 00:03:02,840 Speaker 1: up with the fish in the shape of water was 61 00:03:02,880 --> 00:03:04,799 Speaker 1: the weirdest thing she's going to do in her career. 62 00:03:05,120 --> 00:03:08,720 Speaker 1: No much weirder is in bring her back. But to 63 00:03:08,760 --> 00:03:11,320 Speaker 1: think that they got Sally Hawkins in the bush of 64 00:03:11,360 --> 00:03:14,520 Speaker 1: South Australia to make a horror film is incredible. It's 65 00:03:14,520 --> 00:03:17,680 Speaker 1: a great thing for Australin and filmmaking. Now, all that said, 66 00:03:18,160 --> 00:03:20,639 Speaker 1: I will say to everybody listening today, if you're a 67 00:03:20,720 --> 00:03:25,920 Speaker 1: little bit squeamish about gory scenes on screen, this is 68 00:03:25,960 --> 00:03:30,280 Speaker 1: not the movie for you, because it is some of 69 00:03:30,320 --> 00:03:34,280 Speaker 1: the most hectic gore that I have ever seen. Like, 70 00:03:38,040 --> 00:03:39,960 Speaker 1: and you've seen a bit, it's when they it's when 71 00:03:40,000 --> 00:03:42,960 Speaker 1: there's you know, these people are possessed by the Dean 72 00:03:43,040 --> 00:03:49,520 Speaker 1: and the stuff that they do and about oh no, no, 73 00:03:49,640 --> 00:03:52,839 Speaker 1: And it's it's not that they're necessarily, you know, sort 74 00:03:52,840 --> 00:03:54,840 Speaker 1: of doing things to other people. It's what they do 75 00:03:54,960 --> 00:03:59,760 Speaker 1: to themselves. Okay, that's the stuff that's really hard to watch. 76 00:04:00,080 --> 00:04:02,360 Speaker 1: Leaders of Fake Blood, Oh my gosh. There was many 77 00:04:02,480 --> 00:04:04,240 Speaker 1: Leaders of Fake Blood and I'm not even going to 78 00:04:04,320 --> 00:04:06,920 Speaker 1: describe it because it is so gross some of this stuff. 79 00:04:07,760 --> 00:04:10,000 Speaker 1: And I've seen a lot of horror movies. It's not 80 00:04:10,040 --> 00:04:13,040 Speaker 1: really my genre of choice, but I have to watch 81 00:04:13,120 --> 00:04:16,200 Speaker 1: them for work, and I've seen it all, but this 82 00:04:16,480 --> 00:04:19,760 Speaker 1: is probably the first movie where I actually had to 83 00:04:19,800 --> 00:04:23,520 Speaker 1: turn away, like I had to cover my eyes. I 84 00:04:23,560 --> 00:04:26,760 Speaker 1: really thought about walking out at one point, like it 85 00:04:26,800 --> 00:04:30,920 Speaker 1: is confronting. OK. And so fans of this genre will 86 00:04:30,960 --> 00:04:33,239 Speaker 1: watch this, they will lap it up because they'll be thinking, 87 00:04:33,279 --> 00:04:35,760 Speaker 1: you know, you can't have seen it all right, if 88 00:04:35,800 --> 00:04:38,080 Speaker 1: you're a fan of this genre. But the Philippines have 89 00:04:38,160 --> 00:04:41,760 Speaker 1: given sequences of horror and gore that I have never 90 00:04:41,839 --> 00:04:44,280 Speaker 1: seen the like of. And so if you're a fan 91 00:04:44,320 --> 00:04:46,279 Speaker 1: of this sort of stuff, you'll you'll be just frothing 92 00:04:46,320 --> 00:04:48,840 Speaker 1: over it. The who wonder about the kind of mind 93 00:04:48,880 --> 00:04:51,920 Speaker 1: that comes up with I am to be the guys 94 00:04:51,960 --> 00:04:54,480 Speaker 1: And I was like, you see, you are actually sick 95 00:04:55,680 --> 00:04:57,960 Speaker 1: in your head. Oh, they loved it fantastic. And so 96 00:04:58,000 --> 00:05:01,440 Speaker 1: the film itself is about these two two kids, sort 97 00:05:01,480 --> 00:05:04,599 Speaker 1: of half siblings, whose dad dies at the start of 98 00:05:04,600 --> 00:05:06,600 Speaker 1: the film, so they get put into the foster system 99 00:05:06,839 --> 00:05:09,919 Speaker 1: and they get fostered out to this woman who seems 100 00:05:09,920 --> 00:05:12,080 Speaker 1: like a lovely maternal type living in a house in 101 00:05:12,120 --> 00:05:16,479 Speaker 1: the bush, which is Sally Hawks's character, but straight away 102 00:05:16,480 --> 00:05:18,559 Speaker 1: there are some red flags. She's maybe a bit too nice, 103 00:05:19,320 --> 00:05:21,200 Speaker 1: and there's also this other kid in the house who's 104 00:05:21,240 --> 00:05:24,440 Speaker 1: nonverbal and is just weird. He's just hanging around all 105 00:05:24,480 --> 00:05:28,919 Speaker 1: the time, and as the film goes along, you start 106 00:05:28,920 --> 00:05:31,920 Speaker 1: to realize that she lost her own daughter years ago, 107 00:05:32,160 --> 00:05:35,560 Speaker 1: and so maybe she sees a chance to maybe tap 108 00:05:35,600 --> 00:05:39,280 Speaker 1: into something a bit supernatural, a bit of a ritual situation, 109 00:05:39,440 --> 00:05:41,720 Speaker 1: to try and bring her daughter back to life. And 110 00:05:41,760 --> 00:05:44,640 Speaker 1: maybe these foster kids are gonna play a role, a 111 00:05:44,680 --> 00:05:49,679 Speaker 1: sacrificial kind of role. And so the little girl who 112 00:05:49,880 --> 00:05:53,240 Speaker 1: is kind of the central character, Piper, is played by 113 00:05:53,279 --> 00:05:56,359 Speaker 1: Sra Wong new Come much never acted before, visually impaired actor. 114 00:05:56,440 --> 00:06:00,799 Speaker 1: She's amazing. Sally Hawkins is amazing. English actor. Barrett plays 115 00:06:00,800 --> 00:06:03,880 Speaker 1: the old older brother. He is also great. So the 116 00:06:03,920 --> 00:06:08,280 Speaker 1: performances are really good, cinematography is amazing, it's very inventive. 117 00:06:09,040 --> 00:06:12,239 Speaker 1: The scenes of kind of the supernatural stuff are really 118 00:06:12,279 --> 00:06:17,440 Speaker 1: interestingly done. But gosh, it's a nightmare fuel when you're 119 00:06:17,480 --> 00:06:21,119 Speaker 1: talking about some of the some of the gory scenes 120 00:06:21,160 --> 00:06:23,560 Speaker 1: in this film. We know Sally can speak guppy or 121 00:06:23,560 --> 00:06:25,320 Speaker 1: she can do an email or whatever. How does she 122 00:06:25,360 --> 00:06:28,880 Speaker 1: go ac She's she's really good. Yeah, yeah, like it's 123 00:06:29,040 --> 00:06:32,000 Speaker 1: it's a little bit of a Britishness still to it. 124 00:06:32,080 --> 00:06:34,479 Speaker 1: But you know, there's there's so many kind of expats 125 00:06:34,480 --> 00:06:39,279 Speaker 1: and poems and indeed, and she leans into it, like 126 00:06:39,279 --> 00:06:41,280 Speaker 1: if if you thought that Sally Hawkins is just coming here, 127 00:06:41,279 --> 00:06:44,680 Speaker 1: getting a paycheck and phoning it in. She leans into this. 128 00:06:45,160 --> 00:06:50,560 Speaker 1: It's crazy how many sounds like it has Christian Anderson 129 00:06:51,000 --> 00:06:55,359 Speaker 1: story gone mad? Are you? Oh my gosh, it's not breadcrumbs. 130 00:06:55,360 --> 00:07:01,279 Speaker 1: It's likely three and a half and half. But be warned. Okay, 131 00:07:02,000 --> 00:07:03,840 Speaker 1: thanks for the blood warning. M