1 00:00:00,520 --> 00:00:02,440 Speaker 1: It's the Will and Woody podcast, No. 2 00:00:02,520 --> 00:00:03,320 Speaker 2: Time to Die. 3 00:00:03,600 --> 00:00:05,600 Speaker 3: James Bond is in cinemas tonight. 4 00:00:06,080 --> 00:00:08,240 Speaker 4: This is the moment you guys have all been waiting. 5 00:00:08,320 --> 00:00:10,600 Speaker 3: Well, we have a one on one interview with Rami 6 00:00:10,880 --> 00:00:13,680 Speaker 3: Malik Oscar Award winning Rami Malik. 7 00:00:13,920 --> 00:00:17,920 Speaker 4: This was no time to do a bad interview. Lord, 8 00:00:18,079 --> 00:00:19,079 Speaker 4: did we do a shocker? 9 00:00:20,880 --> 00:00:22,960 Speaker 5: We don't need to set the scene for everyone, So 10 00:00:23,160 --> 00:00:25,760 Speaker 5: you know, we don't usually get these chats with honestly 11 00:00:26,040 --> 00:00:28,880 Speaker 5: a list celebrities, and Rami Malik is right there. 12 00:00:29,840 --> 00:00:32,400 Speaker 4: But we're effectively in a digital junket. 13 00:00:32,960 --> 00:00:36,360 Speaker 5: So you've got world media in a zoom chat room 14 00:00:36,880 --> 00:00:39,559 Speaker 5: and effectively you're just being pushed into the chat when 15 00:00:39,560 --> 00:00:41,920 Speaker 5: you're ready to go. But there's a lot of downtime 16 00:00:42,159 --> 00:00:44,680 Speaker 5: with everyone in the world who is. 17 00:00:44,560 --> 00:00:46,400 Speaker 4: In the interview as well, who has an interviewer. 18 00:00:46,479 --> 00:00:49,440 Speaker 3: Yeah, this is like Zoom Squid Games. There's like four 19 00:00:49,520 --> 00:00:54,200 Speaker 3: hundred people in there. We're all dying effectively at different times. 20 00:00:54,280 --> 00:00:56,720 Speaker 3: You just drop off the zoom call. That means that 21 00:00:56,760 --> 00:01:00,960 Speaker 3: you're getting drawn into the actual interview and the interview 22 00:01:01,040 --> 00:01:04,120 Speaker 3: rooms either with Daniel Craig or Rami Mallicky. Right, that's 23 00:01:04,160 --> 00:01:07,400 Speaker 3: the idea that naturally, because of the amount of people 24 00:01:07,440 --> 00:01:10,840 Speaker 3: like the South Korean press are there, the Macedonian breakfast 25 00:01:10,840 --> 00:01:15,600 Speaker 3: shows on there, the Americans. It is a wild waiting room, right, 26 00:01:15,640 --> 00:01:17,880 Speaker 3: and so they've specifically said to us, guys, guys, guys, 27 00:01:18,000 --> 00:01:21,680 Speaker 3: while you're in the room, don't talk to anyone in 28 00:01:21,680 --> 00:01:23,800 Speaker 3: And amongst the four or five hundred people in the 29 00:01:23,880 --> 00:01:27,000 Speaker 3: Zoom weight room, Woods, you spot one of your favorite people, 30 00:01:27,319 --> 00:01:31,920 Speaker 3: Dicky Wilkins, and despite being told strictly beforehand, do not 31 00:01:32,040 --> 00:01:34,640 Speaker 3: put yourself off mute, because otherwise there will be four 32 00:01:34,720 --> 00:01:37,959 Speaker 3: hundred voices in the room, you decide to unmute yourself 33 00:01:38,000 --> 00:01:40,080 Speaker 3: tun a grown is deep on a Friday night and 34 00:01:40,120 --> 00:01:40,720 Speaker 3: say this. 35 00:01:41,360 --> 00:01:43,800 Speaker 4: Dicky, I'm a massive fan. That's all I want to say. 36 00:01:43,800 --> 00:01:53,680 Speaker 5: Sorry, Pranka, what he could to see brou shave your armfits. 37 00:01:54,480 --> 00:01:56,640 Speaker 5: And the reason he said that, sorry is because I 38 00:01:56,680 --> 00:01:59,200 Speaker 5: was wearing a singlet and I was celebrating with both 39 00:01:59,320 --> 00:02:01,320 Speaker 5: arms while the world's media is watching me. 40 00:02:01,640 --> 00:02:03,440 Speaker 4: And yeah, he tells me to shave my arm piece. 41 00:02:03,600 --> 00:02:08,440 Speaker 6: So everybody has to endure that nauseatingly, quite clearly tipsy 42 00:02:08,520 --> 00:02:09,760 Speaker 6: chat between you and Dickie. 43 00:02:10,200 --> 00:02:13,480 Speaker 3: And then after that, finally Prianka, the woman who's in 44 00:02:13,600 --> 00:02:17,600 Speaker 3: charge of the weight room, says to us boys, Will 45 00:02:17,639 --> 00:02:21,239 Speaker 3: and Woody, she says, kiss, you're up right, we're kean, 46 00:02:21,320 --> 00:02:22,120 Speaker 3: We're ready to go. 47 00:02:22,560 --> 00:02:23,240 Speaker 4: In fact, I'm just. 48 00:02:23,200 --> 00:02:25,800 Speaker 3: Glad we're out of there because everyone knows you're the 49 00:02:25,840 --> 00:02:30,040 Speaker 3: only one that's spoken. So they say you can go in, 50 00:02:30,880 --> 00:02:33,079 Speaker 3: and then the worst thing that could possibly happen happens. 51 00:02:33,520 --> 00:02:38,320 Speaker 3: They say, you guys can go in, but it's not 52 00:02:38,440 --> 00:02:42,560 Speaker 3: just Rami. They're throwing this other name, Lashana, is also 53 00:02:42,560 --> 00:02:45,120 Speaker 3: in the weight room. We had no idea we were 54 00:02:45,160 --> 00:02:49,560 Speaker 3: interviewing Lashana. And then, in the heat of the moment, Woody, 55 00:02:51,520 --> 00:02:54,640 Speaker 3: after finding out that we're not just interviewing Rami live 56 00:02:54,720 --> 00:02:57,560 Speaker 3: on zoom four hundred people in the weight room, you 57 00:02:57,639 --> 00:02:58,639 Speaker 3: release a nervous fart. 58 00:02:59,240 --> 00:03:01,560 Speaker 7: So you guys will be in nact with Wami and Lashana. 59 00:03:01,680 --> 00:03:02,720 Speaker 8: So it's just a five. 60 00:03:02,480 --> 00:03:07,919 Speaker 4: Minute wait now outstanding. Thank you, Thank you, and Lashana 61 00:03:08,040 --> 00:03:08,560 Speaker 4: you're kidding. 62 00:03:08,760 --> 00:03:11,240 Speaker 3: I'm not kidding, Lashana Lynch, who is that? 63 00:03:13,560 --> 00:03:15,440 Speaker 9: It's double Jason. 64 00:03:15,560 --> 00:03:17,760 Speaker 3: We're sending you through now with Carrie. 65 00:03:17,919 --> 00:03:19,400 Speaker 4: Are you muted? Thank you? 66 00:03:20,320 --> 00:03:25,839 Speaker 3: Thank you. That's why I was recording though. 67 00:03:27,760 --> 00:03:31,360 Speaker 4: I'm so sorry you know. I was nervous. 68 00:03:31,639 --> 00:03:34,200 Speaker 5: I was so nervous that I lost control of all 69 00:03:34,200 --> 00:03:38,000 Speaker 5: bodily function. So we had to quickly google search who 70 00:03:38,080 --> 00:03:41,720 Speaker 5: Lashana Lynch was. We had no idea, no idea. 71 00:03:41,880 --> 00:03:45,880 Speaker 6: So this is the scene. It's Friday night. We've broken 72 00:03:45,960 --> 00:03:48,960 Speaker 6: the zoom silence code. What is farted live for all 73 00:03:48,960 --> 00:03:51,800 Speaker 6: these people on the other side. We get into the 74 00:03:51,800 --> 00:03:55,160 Speaker 6: weight room with thirty seconds to prepare a question for 75 00:03:55,240 --> 00:03:57,080 Speaker 6: Lashana Lynch, who we've never met before. 76 00:03:57,120 --> 00:03:58,400 Speaker 4: We have no idea who she is. 77 00:03:58,480 --> 00:04:00,920 Speaker 3: She's going to be one on one with Rami Malick 78 00:04:01,440 --> 00:04:04,760 Speaker 3: over zoom play for you right up. Then, no time 79 00:04:04,800 --> 00:04:07,400 Speaker 3: to die. The brand new James Bond movie is out 80 00:04:07,440 --> 00:04:10,040 Speaker 3: to night Woods, and for the first time ever, we've 81 00:04:10,040 --> 00:04:12,560 Speaker 3: got a big fish. We got Rami Malik. He's playing 82 00:04:12,560 --> 00:04:16,080 Speaker 3: the villain in James Bond. Now we're just doing a 83 00:04:16,160 --> 00:04:19,279 Speaker 3: full cards on the table, full explain of what happened here. 84 00:04:19,360 --> 00:04:20,760 Speaker 4: We have to We just have to. 85 00:04:20,839 --> 00:04:22,720 Speaker 3: We tried to cut this and make it sound polished 86 00:04:22,800 --> 00:04:24,680 Speaker 3: for you guys, but the reality was we got an 87 00:04:24,680 --> 00:04:26,719 Speaker 3: interview with Rami. It was a Friday night. It was 88 00:04:27,200 --> 00:04:28,760 Speaker 3: eight or nine o'clock on a Friday night. We'd have 89 00:04:28,800 --> 00:04:30,479 Speaker 3: to be in a waiting room for Zoom for forty 90 00:04:30,480 --> 00:04:34,400 Speaker 3: five minutes. We'd had a couple of groenies. Yeah, we 91 00:04:35,120 --> 00:04:36,400 Speaker 3: had cards on the table. 92 00:04:36,440 --> 00:04:38,240 Speaker 4: We were drunk. We weren't drunk it all. 93 00:04:38,240 --> 00:04:39,920 Speaker 5: We's had a few nerve settlers at the end of 94 00:04:39,920 --> 00:04:42,119 Speaker 5: the day because we're very nervous about speaking to Rummy Mallik. 95 00:04:42,360 --> 00:04:44,520 Speaker 5: And then add to that the fact that you're in 96 00:04:44,520 --> 00:04:46,280 Speaker 5: a waiting room with world media. 97 00:04:46,320 --> 00:04:48,760 Speaker 4: So everyone's there. The North Korean breakfast shows are there, 98 00:04:48,800 --> 00:04:49,520 Speaker 4: the Americans are. 99 00:04:49,440 --> 00:04:51,880 Speaker 5: There, both Bony's in there, Dickie Wilkins is in there 100 00:04:53,279 --> 00:04:54,280 Speaker 5: and Bishops. 101 00:04:56,279 --> 00:05:00,480 Speaker 4: Everyone's in there. Everyone's buddy in got strictly run. They 102 00:05:00,600 --> 00:05:04,560 Speaker 4: run to the time. The North Korean Yeah that much 103 00:05:04,600 --> 00:05:06,200 Speaker 4: they were, They were slick. They would have run a 104 00:05:06,200 --> 00:05:08,200 Speaker 4: good interview, a tied up. 105 00:05:08,640 --> 00:05:10,560 Speaker 5: But all of a sudden before we get thrown into 106 00:05:10,560 --> 00:05:13,040 Speaker 5: our interview with what we thought was just Rami Malik, 107 00:05:13,360 --> 00:05:15,880 Speaker 5: the pr woman for the entire thing pre Hunker, I 108 00:05:15,920 --> 00:05:16,760 Speaker 5: think her name was. 109 00:05:16,880 --> 00:05:18,360 Speaker 4: She drops this, Honus. 110 00:05:18,640 --> 00:05:20,960 Speaker 1: So you guys will be annext with Wami and Lashana. 111 00:05:21,040 --> 00:05:22,360 Speaker 7: So it's just a five minute wait. 112 00:05:22,440 --> 00:05:27,320 Speaker 4: Now outstanding, Thank you, thank you and Lashana. 113 00:05:27,440 --> 00:05:27,960 Speaker 5: You kidding. 114 00:05:28,120 --> 00:05:28,800 Speaker 4: I'm not kidding. 115 00:05:29,040 --> 00:05:30,640 Speaker 3: Lashana Lynch, who is that? 116 00:05:32,960 --> 00:05:34,839 Speaker 10: It's the double Jason. 117 00:05:34,960 --> 00:05:37,160 Speaker 3: We're sending you through now with Carrie. 118 00:05:37,279 --> 00:05:37,880 Speaker 4: Are you muted? 119 00:05:38,400 --> 00:05:38,880 Speaker 7: Thank you? 120 00:05:39,720 --> 00:05:40,160 Speaker 11: Thank you? 121 00:05:43,760 --> 00:05:45,240 Speaker 3: That's if I was recording though. 122 00:05:47,240 --> 00:05:49,919 Speaker 4: I'm so sorry everyone. I was so nervous that I 123 00:05:49,960 --> 00:05:52,400 Speaker 4: lost control of bodily. You take me? 124 00:05:54,240 --> 00:05:54,919 Speaker 12: Are you muting? 125 00:05:54,920 --> 00:05:57,320 Speaker 6: And I was like, why are you right? 126 00:05:58,400 --> 00:06:04,160 Speaker 5: The North Koreans would have been furious anyway. 127 00:06:04,200 --> 00:06:08,560 Speaker 3: So we find out, and so we got thirty seconds 128 00:06:08,560 --> 00:06:10,960 Speaker 3: to prepare our questions for Lashana Lynch again, if you 129 00:06:11,000 --> 00:06:12,880 Speaker 3: gotta get out of the cargets on our podcast with them? 130 00:06:12,880 --> 00:06:13,159 Speaker 11: Whatdy? 131 00:06:13,839 --> 00:06:15,719 Speaker 3: But we get through. We get through to the interview 132 00:06:15,760 --> 00:06:17,440 Speaker 3: and there he is Rami Malex, sitting in all his 133 00:06:17,520 --> 00:06:19,560 Speaker 3: glory and a director's chair in front of this big, 134 00:06:19,800 --> 00:06:25,000 Speaker 3: you know, animated epic film poster No Time to Die. 135 00:06:25,000 --> 00:06:27,960 Speaker 3: He's sitting there with la in his room in London somewhere. Lashana, 136 00:06:28,000 --> 00:06:31,440 Speaker 3: by the way, is lovely. Oh she's so thank God. 137 00:06:31,240 --> 00:06:33,680 Speaker 4: For her and apparently amazing in the film as well. 138 00:06:33,760 --> 00:06:35,680 Speaker 3: Yes, absolutely so thank God for her. We get into 139 00:06:35,720 --> 00:06:38,719 Speaker 3: this room and then, as you're about to hear, I've 140 00:06:38,760 --> 00:06:41,560 Speaker 3: only reflected on this recently, but you and I are 141 00:06:41,720 --> 00:06:43,960 Speaker 3: such massive Daniel Craig fan. 142 00:06:44,720 --> 00:06:47,440 Speaker 10: I know we didn't ask you for a single thing 143 00:06:47,480 --> 00:06:48,920 Speaker 10: about him. 144 00:06:48,960 --> 00:06:51,600 Speaker 6: All our questions were just about Daniel Craig, and not 145 00:06:51,720 --> 00:06:57,240 Speaker 6: just about Daniel Craig, as you're about to hear, they are. 146 00:06:56,120 --> 00:06:59,599 Speaker 3: Basically just about just about our sex. 147 00:07:01,080 --> 00:07:04,240 Speaker 5: Is so inappropriate and also the reason that Will is 148 00:07:04,279 --> 00:07:08,200 Speaker 5: talking so frustratingly slow at the start of his interviews 149 00:07:08,200 --> 00:07:08,720 Speaker 5: because there was. 150 00:07:08,640 --> 00:07:11,360 Speaker 4: An echo office as well that we were getting in areas. Yeah, 151 00:07:11,440 --> 00:07:11,760 Speaker 4: it was. 152 00:07:11,880 --> 00:07:13,240 Speaker 3: It was a genuine train wreck. 153 00:07:13,320 --> 00:07:13,720 Speaker 4: Guys. 154 00:07:13,800 --> 00:07:17,360 Speaker 3: Here is the best one and a half minutes we 155 00:07:17,440 --> 00:07:21,920 Speaker 3: could muster from our chat with Ramy Malick and Lushana Lynch. 156 00:07:23,480 --> 00:07:25,560 Speaker 11: We're moving you through now perfect. Here we go. 157 00:07:26,080 --> 00:07:30,239 Speaker 3: Thank you, thank you, good ay, guys, how are you going? 158 00:07:30,720 --> 00:07:33,960 Speaker 3: Thanks so much for coming on the show this afternoon. 159 00:07:34,840 --> 00:07:37,680 Speaker 3: Pleasure Rummie, can I ask you just to start? I 160 00:07:37,720 --> 00:07:40,720 Speaker 3: know you're obviously playing the villain. I'm not sure how 161 00:07:40,800 --> 00:07:43,680 Speaker 3: often you do the whole method acting thing, but were 162 00:07:43,680 --> 00:07:48,200 Speaker 3: you attempted to ever like method act in this James 163 00:07:48,200 --> 00:07:51,400 Speaker 3: Bond just so you could sort of give Daniel Craig 164 00:07:51,440 --> 00:07:55,040 Speaker 3: wedgies behind, you know, like give. 165 00:07:54,960 --> 00:07:59,680 Speaker 4: Him, give him, give him yeah. 166 00:07:59,720 --> 00:08:01,680 Speaker 13: I don't need a method act to do that to 167 00:08:01,760 --> 00:08:04,840 Speaker 13: Daniel he did earlier today. 168 00:08:06,040 --> 00:08:07,160 Speaker 4: That's just normal Rommy. 169 00:08:08,080 --> 00:08:10,840 Speaker 12: Yeah, but I know you obviously you were a British 170 00:08:10,880 --> 00:08:14,400 Speaker 12: boy obviously, so it was it was it hard playing 171 00:08:15,320 --> 00:08:18,480 Speaker 12: a villain for somebody that you probably loved going up. 172 00:08:18,600 --> 00:08:19,840 Speaker 13: That's an excellent question. 173 00:08:20,000 --> 00:08:21,920 Speaker 11: Actually, thank you. 174 00:08:21,960 --> 00:08:23,760 Speaker 13: No, you know, when you get in those moments, I 175 00:08:23,760 --> 00:08:26,200 Speaker 13: think you have to cast all of those things aside. 176 00:08:26,400 --> 00:08:29,440 Speaker 13: But you know, there there were moments of my first 177 00:08:29,560 --> 00:08:31,800 Speaker 13: day shooting with him on set. I looked at him 178 00:08:31,800 --> 00:08:36,880 Speaker 13: and I go, oh shit, that's James Bond, and you 179 00:08:35,840 --> 00:08:39,839 Speaker 13: do you do have to take a beat and think, no, 180 00:08:40,200 --> 00:08:43,360 Speaker 13: you cannot show any chink in the armor. It is cool. 181 00:08:43,960 --> 00:08:46,920 Speaker 13: Just keep it to yourself, man, because you got to 182 00:08:46,960 --> 00:08:47,839 Speaker 13: take this guy on. 183 00:08:48,280 --> 00:08:50,440 Speaker 5: Was there ever a moment in the change rooms where 184 00:08:50,440 --> 00:08:52,360 Speaker 5: you saw him in his jocks? Because he has one 185 00:08:52,400 --> 00:08:54,320 Speaker 5: of the greatest bodies in Hollywood? 186 00:08:54,400 --> 00:08:56,240 Speaker 13: I mean, come on, I go back to that scene 187 00:08:56,280 --> 00:09:00,160 Speaker 13: with Matts Michelson and Casino Royal all the time. I 188 00:09:00,160 --> 00:09:02,560 Speaker 13: don't need to go yeah, oh yeah, you know what 189 00:09:02,600 --> 00:09:03,920 Speaker 13: I'm talking about. 190 00:09:04,080 --> 00:09:06,600 Speaker 4: The chair, the whipping moment. 191 00:09:07,600 --> 00:09:09,480 Speaker 1: Oh yeah, there we go. 192 00:09:10,360 --> 00:09:16,160 Speaker 5: That's what you're doing behind the scenes, not the weggie and. 193 00:09:16,200 --> 00:09:17,000 Speaker 4: Seeing him naked. 194 00:09:17,040 --> 00:09:20,000 Speaker 13: This is what we're is what we're. 195 00:09:19,160 --> 00:09:20,160 Speaker 1: Wanting to know about. 196 00:09:20,320 --> 00:09:24,720 Speaker 5: No Time to Die, hil Jane, I've got a question 197 00:09:24,760 --> 00:09:29,520 Speaker 5: for you. There's been some news recently about Phoebe Wallerbree 198 00:09:30,040 --> 00:09:35,480 Speaker 5: potentially becoming Indiana Jones, and obviously that character becoming female. 199 00:09:36,040 --> 00:09:39,280 Speaker 5: What's your stance on James Bond potentially becoming female in 200 00:09:39,320 --> 00:09:39,880 Speaker 5: the future. 201 00:09:40,520 --> 00:09:43,240 Speaker 9: I think that it's a great conversation to have. The 202 00:09:43,280 --> 00:09:47,080 Speaker 9: fact that people are even thinking so wide open is 203 00:09:47,320 --> 00:09:50,000 Speaker 9: really reflective of the times we're living in and where 204 00:09:50,000 --> 00:09:53,720 Speaker 9: we're growing towards. It's very comforting. Actually, I think what's 205 00:09:53,760 --> 00:09:58,200 Speaker 9: more interesting is seeing and realizing how many scripts there 206 00:09:58,240 --> 00:10:01,040 Speaker 9: are on the shelf that could easily be made, and 207 00:10:01,080 --> 00:10:03,160 Speaker 9: you could easily put a woman in the lead there 208 00:10:03,160 --> 00:10:07,200 Speaker 9: in an action movie or anything any genre at all. 209 00:10:07,400 --> 00:10:11,800 Speaker 9: And once you start thinking that wide open, then you 210 00:10:11,920 --> 00:10:14,559 Speaker 9: realize that you don't necessarily need to replace anyone with anyone. 211 00:10:14,920 --> 00:10:17,839 Speaker 9: If the franchise is what it is, cool, if they 212 00:10:17,880 --> 00:10:21,439 Speaker 9: want to change it also cool, But please don't forget 213 00:10:21,520 --> 00:10:23,960 Speaker 9: that in the middle there is this like tiny, tiny 214 00:10:24,000 --> 00:10:28,400 Speaker 9: alley that people don't often walk through because it's not 215 00:10:28,440 --> 00:10:31,520 Speaker 9: easily going to get made or funded or thought about. 216 00:10:31,760 --> 00:10:33,800 Speaker 9: You know, so as long as we're thinking of all 217 00:10:33,840 --> 00:10:37,160 Speaker 9: of the avenues, then cool. That the narrow minded thing 218 00:10:37,200 --> 00:10:38,280 Speaker 9: I can't really get done with. 219 00:10:38,880 --> 00:10:45,319 Speaker 3: Yeah, we have a huge fraze issue right there. And technology. 220 00:10:45,320 --> 00:10:50,040 Speaker 5: Hey guys, I don't know what's going on, but I 221 00:10:50,080 --> 00:10:51,559 Speaker 5: think that's our time. 222 00:10:51,720 --> 00:10:55,360 Speaker 4: Okay, there we go. 223 00:10:59,040 --> 00:11:01,840 Speaker 5: I'm so sorry worry everyone who had to sit through that. 224 00:11:02,040 --> 00:11:06,280 Speaker 4: If you are still with us, Rami Malick fans. 225 00:11:06,080 --> 00:11:09,160 Speaker 3: I'm sorry to Rummy Malick really like he's doing a 226 00:11:09,160 --> 00:11:10,560 Speaker 3: press junket about himself. 227 00:11:11,400 --> 00:11:12,880 Speaker 4: It was just like it was almost like you and I. 228 00:11:12,960 --> 00:11:14,800 Speaker 3: So we didn't get the Daniel Craig interview, and it 229 00:11:14,840 --> 00:11:16,800 Speaker 3: was almost just like this is the next best. 230 00:11:16,600 --> 00:11:18,960 Speaker 4: Thing, ask Malick about Daniels. 231 00:11:19,000 --> 00:11:22,920 Speaker 3: It like someone interviewing us about Kyle and Jackie. Oh yeah, 232 00:11:22,960 --> 00:11:27,160 Speaker 3: that's effect but like what's Kyle like nerd is is 233 00:11:27,240 --> 00:11:28,240 Speaker 3: what they would be asking. 234 00:11:28,320 --> 00:11:30,720 Speaker 4: That is what we did. Wow, that's that's offensive. 235 00:11:31,000 --> 00:11:33,200 Speaker 3: And then we had to freeze. We drop out, and 236 00:11:33,280 --> 00:11:35,160 Speaker 3: to be honest, after we had that phrase goes where 237 00:11:35,200 --> 00:11:37,719 Speaker 3: we're pumped. Effectively, they come back to us and they 238 00:11:37,760 --> 00:11:41,840 Speaker 3: say guys, you can you can ask another question. You 239 00:11:41,880 --> 00:11:44,320 Speaker 3: had a freeze there because of the technical Daniels, You 240 00:11:44,360 --> 00:11:46,240 Speaker 3: and I. You and I are packing up at this stage. 241 00:11:46,280 --> 00:11:49,319 Speaker 6: We're like, thank god, get us out of there, and 242 00:11:49,400 --> 00:11:51,440 Speaker 6: she's like, no, no, no, you can come back, and I 243 00:11:51,480 --> 00:11:53,280 Speaker 6: think I actually say to her, I'm like, no, we 244 00:11:53,320 --> 00:11:54,520 Speaker 6: asked all we needed to ask. 245 00:11:54,640 --> 00:11:55,319 Speaker 4: Don't worry about it. 246 00:11:55,320 --> 00:11:56,559 Speaker 3: And she was like, no, no, no, they have been to 247 00:11:56,600 --> 00:11:59,280 Speaker 3: take another question for you that we're bringing back. So 248 00:11:59,440 --> 00:12:02,200 Speaker 3: we get brought back into the room and you put 249 00:12:02,200 --> 00:12:03,720 Speaker 3: your hand upwards. I'm not sure if it's a bit 250 00:12:03,760 --> 00:12:06,280 Speaker 3: of Dutch courage you or maybe you just haven't registered 251 00:12:06,320 --> 00:12:08,280 Speaker 3: that all of our questions about Daniel. 252 00:12:09,640 --> 00:12:13,080 Speaker 5: Okay, my last question, then I'll deliver it at you. 253 00:12:13,240 --> 00:12:13,560 Speaker 4: Rami. 254 00:12:14,000 --> 00:12:17,120 Speaker 5: So I've seen in the trailer Lashana your character is 255 00:12:17,160 --> 00:12:22,160 Speaker 5: seriously badass, but we all know Daniel Craig is James Bond. 256 00:12:22,760 --> 00:12:24,960 Speaker 5: If it came down to a moment, Rami, where you've 257 00:12:25,000 --> 00:12:28,559 Speaker 5: got to choose who you take on, Lashana or Daniel Craig, 258 00:12:29,000 --> 00:12:30,880 Speaker 5: who do you choose and why? 259 00:12:30,920 --> 00:12:31,720 Speaker 3: What sort of a fight? 260 00:12:34,360 --> 00:12:34,560 Speaker 4: Yeah? 261 00:12:34,600 --> 00:12:39,120 Speaker 3: Physical no weapons, no weapons. 262 00:12:39,200 --> 00:12:44,200 Speaker 13: Look versus so difficult. They would both whip my ass. 263 00:12:44,240 --> 00:12:47,440 Speaker 13: So there's no easy answer here. If you see the 264 00:12:47,480 --> 00:12:50,400 Speaker 13: movie and you, of course you know what Bond can do. 265 00:12:50,520 --> 00:12:53,520 Speaker 13: But when you see Lashana in this film and the 266 00:12:53,559 --> 00:12:56,680 Speaker 13: work she's put into this character, you won't want to 267 00:12:56,720 --> 00:13:00,120 Speaker 13: mess with her, either of you. I don't and and 268 00:13:00,160 --> 00:13:01,480 Speaker 13: the world probably won't. 269 00:13:01,720 --> 00:13:03,960 Speaker 9: I don't want to mess with me and a plator, 270 00:13:04,520 --> 00:13:07,559 Speaker 9: I don't know. She's my character. 271 00:13:08,800 --> 00:13:10,160 Speaker 4: You get scared, but you look in the mirror. 272 00:13:10,200 --> 00:13:18,199 Speaker 9: Now, she's a lot man. She's got all of the 273 00:13:18,480 --> 00:13:21,319 Speaker 9: not to answer for you. But please, do you Bond's 274 00:13:21,360 --> 00:13:25,600 Speaker 9: got the classic he's classic double low training where she's 275 00:13:25,679 --> 00:13:28,280 Speaker 9: modern day doublow training year old. 276 00:13:30,320 --> 00:13:35,800 Speaker 4: Yes, this is it. You've got a brick. 277 00:13:37,400 --> 00:13:39,640 Speaker 3: Brilliant guys. Thank you so much for your time. 278 00:13:40,240 --> 00:13:40,640 Speaker 7: Thank you. 279 00:13:40,679 --> 00:13:42,640 Speaker 4: Okay, wait for you to see it. Thank you guys. 280 00:13:42,720 --> 00:13:44,080 Speaker 1: Love your vibe. 281 00:13:44,440 --> 00:13:50,360 Speaker 5: It's the Will and Woody podcast, Will and Woodies. 282 00:13:50,640 --> 00:13:53,720 Speaker 4: Oh no uncomfortable questions. 283 00:13:55,200 --> 00:13:59,480 Speaker 3: Questions, Yeah right would So what we do is we 284 00:13:59,520 --> 00:14:03,000 Speaker 3: asked to people the same three very awkward questions and 285 00:14:03,120 --> 00:14:05,959 Speaker 3: we match their answers. We've got a couple today, Nicole 286 00:14:06,080 --> 00:14:08,360 Speaker 3: and Carla. Nicole can't hear us were going to kick 287 00:14:08,400 --> 00:14:10,480 Speaker 3: it off with Carla Today. Welcome to the show, Carla. 288 00:14:10,960 --> 00:14:16,000 Speaker 4: Hey, buy Carla. You've got a great story about how 289 00:14:16,040 --> 00:14:17,320 Speaker 4: you and Nicole get together. 290 00:14:17,440 --> 00:14:20,320 Speaker 5: Sore if I'm wrong with both of you were previously 291 00:14:20,400 --> 00:14:26,120 Speaker 5: married to guys. We were, you both got divorced. 292 00:14:25,560 --> 00:14:27,720 Speaker 4: We did, and then you met. 293 00:14:27,640 --> 00:14:34,800 Speaker 5: At a girl's only night called Red Raw totally wild, 294 00:14:35,960 --> 00:14:41,760 Speaker 5: and you've been together ever since. We have excellent, excellent, 295 00:14:41,800 --> 00:14:44,840 Speaker 5: what a lovely story. But unfortunately we are about to 296 00:14:44,840 --> 00:14:48,760 Speaker 5: ask you a whole bunch of questions, which ideally we'll 297 00:14:48,760 --> 00:14:51,320 Speaker 5: make it nice and awkward for everyone to enjoy from 298 00:14:51,400 --> 00:14:52,360 Speaker 5: new cars. 299 00:14:55,080 --> 00:14:59,040 Speaker 3: Here we go, let's do it mate, So three questions here. 300 00:14:59,160 --> 00:15:02,840 Speaker 3: First question, Carla, have you got like a baby name 301 00:15:03,040 --> 00:15:08,400 Speaker 3: or a couple's name for each other? I just tend 302 00:15:08,440 --> 00:15:11,160 Speaker 3: to call it bub bub clean? 303 00:15:12,880 --> 00:15:13,320 Speaker 6: Or what's s. 304 00:15:15,760 --> 00:15:18,040 Speaker 4: Sixy rs? Wow? 305 00:15:18,160 --> 00:15:18,520 Speaker 3: Nice? 306 00:15:19,040 --> 00:15:21,880 Speaker 2: And that you have a really nice thumb perfect? 307 00:15:21,960 --> 00:15:22,200 Speaker 7: Wow? 308 00:15:22,240 --> 00:15:22,960 Speaker 4: Absolute peach? 309 00:15:23,000 --> 00:15:23,240 Speaker 5: Is it? 310 00:15:23,920 --> 00:15:25,200 Speaker 14: Yes? It's perfect. 311 00:15:25,560 --> 00:15:26,200 Speaker 4: It's perfect. 312 00:15:26,320 --> 00:15:28,800 Speaker 12: It's a perfect chush perfect like a peach. 313 00:15:29,880 --> 00:15:31,640 Speaker 4: It's a perfect. 314 00:15:32,720 --> 00:15:38,360 Speaker 3: Okay, Hey Carla, what's the worst meal that Nicole's ever cooked? 315 00:15:39,680 --> 00:15:41,000 Speaker 11: Oh? 316 00:15:42,720 --> 00:15:43,840 Speaker 4: I do most of the cooking. 317 00:15:45,480 --> 00:15:48,120 Speaker 2: I have to be a speedy bolonais pasted like ship. 318 00:15:50,600 --> 00:15:53,920 Speaker 5: Anything anything in particular about this bag ball that wasn't good. 319 00:15:54,360 --> 00:15:57,560 Speaker 15: Oh, it just had no flavor and it was as 320 00:15:57,760 --> 00:15:58,920 Speaker 15: bland and it was. 321 00:16:00,440 --> 00:16:00,720 Speaker 13: Wrong. 322 00:16:00,960 --> 00:16:04,240 Speaker 3: It's spagetty Bolinnai's like, just put some tomato concentrate in. 323 00:16:04,120 --> 00:16:07,400 Speaker 11: There, a little bit more salt. 324 00:16:11,360 --> 00:16:15,080 Speaker 3: Next one, here for your color. Should either of you 325 00:16:16,200 --> 00:16:19,240 Speaker 3: be inviting your ex husband's to your wedding? 326 00:16:22,480 --> 00:16:27,280 Speaker 14: No, my cousin's not talking to me anymore. 327 00:16:27,520 --> 00:16:32,040 Speaker 3: Okay, okay, so he's out. What about Nicoles? 328 00:16:33,400 --> 00:16:34,680 Speaker 2: I don't mind if Peter comes. 329 00:16:34,680 --> 00:16:41,040 Speaker 3: Actually, all right, Next question color, Does Nicole shave her 330 00:16:41,120 --> 00:16:41,720 Speaker 3: legs enough? 331 00:16:44,080 --> 00:16:44,360 Speaker 10: No? 332 00:16:45,440 --> 00:16:52,160 Speaker 14: Okay, that's three four day spiky feeling. 333 00:16:52,240 --> 00:16:56,760 Speaker 3: No, beautiful, great stuff. All right, Carla, stay with us. 334 00:16:56,800 --> 00:16:58,960 Speaker 3: Mone We're gonna match your answer up with Nicole's right out. 335 00:16:59,000 --> 00:17:01,440 Speaker 3: Next okay, we're gonna uncomfortable. 336 00:17:00,920 --> 00:17:08,760 Speaker 2: Questions, Will and Woodies uncomfortable questions. 337 00:17:10,400 --> 00:17:10,960 Speaker 1: Questions. 338 00:17:11,600 --> 00:17:13,879 Speaker 5: Today, we have an outstanding couple by the name of 339 00:17:13,960 --> 00:17:15,560 Speaker 5: Nicole and Carla. 340 00:17:16,160 --> 00:17:16,720 Speaker 14: Hello. 341 00:17:17,280 --> 00:17:20,639 Speaker 5: Hello, we have just heard your answers, Carlor, And just 342 00:17:20,640 --> 00:17:22,240 Speaker 5: to give a bit of background for you, guys, you 343 00:17:22,280 --> 00:17:28,160 Speaker 5: were both previously married to guys. You both went through 344 00:17:28,200 --> 00:17:30,480 Speaker 5: a divorce and then you met at a girl's only 345 00:17:30,640 --> 00:17:32,359 Speaker 5: night called red raw. 346 00:17:33,640 --> 00:17:37,679 Speaker 4: Yes, and since then you have gone from strength to strength. 347 00:17:37,720 --> 00:17:39,880 Speaker 5: But here is your first hurdle as we go through 348 00:17:39,920 --> 00:17:43,359 Speaker 5: some very uncomfortable questions. Carla, we just heard your answers. 349 00:17:43,359 --> 00:17:44,560 Speaker 5: How are you feeling about them? 350 00:17:44,800 --> 00:17:47,320 Speaker 11: A little nervous? 351 00:17:48,160 --> 00:17:49,159 Speaker 4: Do you think you're going to offend? 352 00:17:49,200 --> 00:17:49,600 Speaker 5: Nicole? 353 00:17:50,720 --> 00:17:51,000 Speaker 11: No? 354 00:17:51,480 --> 00:17:52,680 Speaker 13: Pretty hard to offend. 355 00:17:53,119 --> 00:17:55,160 Speaker 4: Okay, well let's find out. 356 00:17:55,600 --> 00:17:58,160 Speaker 3: Nicole welcome. First question, are you ready? 357 00:17:58,960 --> 00:17:59,160 Speaker 9: Yes? 358 00:17:59,359 --> 00:17:59,879 Speaker 10: I am? 359 00:18:00,119 --> 00:18:05,520 Speaker 3: Okay. Have you got a baby name or a couple 360 00:18:06,000 --> 00:18:07,840 Speaker 3: name for each other in private? 361 00:18:09,520 --> 00:18:14,760 Speaker 11: Yes, i'd say yes. I call it lazy. 362 00:18:15,280 --> 00:18:17,160 Speaker 4: What does she call you, Nicole? 363 00:18:17,960 --> 00:18:18,440 Speaker 11: Sex ya? 364 00:18:24,320 --> 00:18:25,600 Speaker 4: Wow? Absolute peach? Is it? 365 00:18:26,320 --> 00:18:27,480 Speaker 15: Yes? Perfect? 366 00:18:27,600 --> 00:18:27,840 Speaker 5: Well? 367 00:18:29,200 --> 00:18:29,960 Speaker 10: Well done? 368 00:18:30,840 --> 00:18:31,440 Speaker 14: Very good? 369 00:18:31,560 --> 00:18:33,080 Speaker 4: How good is that tushy? Nicole? 370 00:18:33,480 --> 00:18:33,760 Speaker 7: I don't know? 371 00:18:40,080 --> 00:18:44,560 Speaker 3: Next question, Nicole, what's the worst meal that you've ever cooked? Color? 372 00:18:47,640 --> 00:18:53,479 Speaker 11: Worst Miller vibicle color? So spaghetti's polonaise and I forgot 373 00:18:53,480 --> 00:18:54,000 Speaker 11: the sauce. 374 00:18:56,440 --> 00:18:58,880 Speaker 2: I have to be a spaghetti Bolonnaise tasted like ship. 375 00:18:59,400 --> 00:19:01,000 Speaker 15: Oh, just had no flavor. 376 00:19:02,280 --> 00:19:04,399 Speaker 3: Wrong, I forgot the sauce. 377 00:19:08,080 --> 00:19:09,560 Speaker 11: Make the past. 378 00:19:10,040 --> 00:19:18,080 Speaker 3: Oh we just met onion in Okay, Nicole, You guys 379 00:19:18,119 --> 00:19:22,119 Speaker 3: getting married soon, which is very exciting. Should you should 380 00:19:22,119 --> 00:19:25,240 Speaker 3: you invite your ex husbands? 381 00:19:25,280 --> 00:19:26,280 Speaker 4: To the wedding. 382 00:19:28,520 --> 00:19:32,080 Speaker 3: No is that universal answer for both your partners? 383 00:19:32,560 --> 00:19:36,760 Speaker 11: WHOA she would wondering about mine? She would, but I wouldn't. 384 00:19:37,080 --> 00:19:39,920 Speaker 2: Okay, I don't mind if Peter comes. 385 00:19:39,960 --> 00:19:45,400 Speaker 3: Actually there you go, Wow, what's what's so good about Peter? 386 00:19:45,720 --> 00:19:47,040 Speaker 3: Is he a good dancer or something? 387 00:19:50,119 --> 00:19:50,520 Speaker 11: A drink? 388 00:19:50,920 --> 00:19:57,439 Speaker 3: He knows when to get me a drink? Right here 389 00:19:57,480 --> 00:20:02,560 Speaker 3: we go. Final question for you, Nicole. According to Karla, 390 00:20:04,920 --> 00:20:06,560 Speaker 3: do you shave your legs enough? 391 00:20:08,920 --> 00:20:14,560 Speaker 11: According to he's blonde, so it doesn't rule we grow 392 00:20:14,760 --> 00:20:19,240 Speaker 11: much like we haven't we any hair. But when she 393 00:20:19,359 --> 00:20:23,080 Speaker 11: gets down that end, that's so yeah. 394 00:20:24,200 --> 00:20:28,240 Speaker 4: No, that's three four day spiky feeling. No, there you 395 00:20:28,400 --> 00:20:29,359 Speaker 4: go to gol. 396 00:20:30,800 --> 00:20:33,160 Speaker 3: I don't got your dead set porcupine down there. 397 00:20:35,800 --> 00:20:38,200 Speaker 11: Yeah, let's I'm a dead set porcupine. 398 00:20:40,520 --> 00:20:44,800 Speaker 3: I have a wedding guys show, Oh thank you, thank 399 00:20:44,840 --> 00:20:48,720 Speaker 3: you very much. You want sorry of the wedding or 400 00:20:48,760 --> 00:20:55,119 Speaker 3: the hair and the legs? Looking forward to it. 401 00:20:55,119 --> 00:20:56,800 Speaker 1: It's the Will and Woody podcast. 402 00:20:58,040 --> 00:21:00,360 Speaker 6: Will Smith been spaking about him a lot recently. Very 403 00:21:00,359 --> 00:21:01,440 Speaker 6: literal guy. 404 00:21:01,880 --> 00:21:05,280 Speaker 3: He's got a new biography entitled Will It. 405 00:21:05,359 --> 00:21:08,199 Speaker 4: Just calls it as he sayes it. Yeah, that's simplicity. 406 00:21:08,560 --> 00:21:08,760 Speaker 11: Yeah. 407 00:21:08,840 --> 00:21:11,320 Speaker 3: Yeah, he's brought out some nice new sneakers called shoes 408 00:21:11,440 --> 00:21:16,000 Speaker 3: as well. But interestingly enough, he did one of the 409 00:21:16,040 --> 00:21:18,359 Speaker 3: first movie he ever did was this movie called Six 410 00:21:18,440 --> 00:21:23,560 Speaker 3: Degrees of Separation. Sure, with a woman called Stockard Channing 411 00:21:24,320 --> 00:21:26,399 Speaker 3: who sounds more like a sheep who moonlights as a 412 00:21:26,520 --> 00:21:31,760 Speaker 3: topless bartender than an actress. But Stockard Channing, who also 413 00:21:31,760 --> 00:21:33,240 Speaker 3: played Rizzo in Greece. 414 00:21:34,200 --> 00:21:37,720 Speaker 5: Sure, Yeah, yeah, yeah, Okay, So I didn't realize she 415 00:21:37,760 --> 00:21:38,879 Speaker 5: did anything after Greece. 416 00:21:39,359 --> 00:21:43,960 Speaker 3: No, she sort of transformed as she got older. Stockhard Stockhard. 417 00:21:44,160 --> 00:21:46,280 Speaker 3: She stars in this movie called Six Degrees of Separation 418 00:21:46,320 --> 00:21:49,000 Speaker 3: with Will Smith. It's her first ever movie, and Will 419 00:21:49,280 --> 00:21:51,160 Speaker 3: her first ever movie, Will Smith's first ever. 420 00:21:51,359 --> 00:21:52,159 Speaker 4: Yeah. 421 00:21:52,200 --> 00:21:56,040 Speaker 3: And Will has since admitted that he fell in love 422 00:21:56,080 --> 00:21:59,919 Speaker 3: with her. Wow, and he's he's actually married when he 423 00:22:00,040 --> 00:22:02,760 Speaker 3: falls in love with this one. Oh spicy meatball, now 424 00:22:03,119 --> 00:22:04,240 Speaker 3: super spicy meatball. 425 00:22:04,280 --> 00:22:04,480 Speaker 7: Mate. 426 00:22:04,480 --> 00:22:08,480 Speaker 3: Well said, so subsequently his marriage falls apart? 427 00:22:08,600 --> 00:22:09,359 Speaker 4: Was there foul play? 428 00:22:09,640 --> 00:22:12,080 Speaker 3: I don't know, okay, and I'm not going to put 429 00:22:12,119 --> 00:22:13,520 Speaker 3: words in his mouth. He hasn't said that. He just 430 00:22:13,520 --> 00:22:15,720 Speaker 3: said he fell in love with her, and his first marriage. 431 00:22:15,720 --> 00:22:18,040 Speaker 3: Will Smith's first marriage did fall apart. He had a kid, yeah, 432 00:22:18,119 --> 00:22:20,320 Speaker 3: and that falls apart. Yeah, now, which really brings up 433 00:22:20,320 --> 00:22:21,919 Speaker 3: an interesting question for me, and I'd love to hear 434 00:22:22,080 --> 00:22:24,760 Speaker 3: some other people here. Thirty one and six five Can 435 00:22:24,800 --> 00:22:28,960 Speaker 3: you fall in love with someone while you're in love 436 00:22:29,119 --> 00:22:31,080 Speaker 3: so effectively? Can you fall in love with more than 437 00:22:31,080 --> 00:22:33,480 Speaker 3: one person at the same time? That's the question thirty 438 00:22:33,520 --> 00:22:35,280 Speaker 3: one and six y five. It is as you would say, well, 439 00:22:35,320 --> 00:22:36,720 Speaker 3: it's a bit of a spicy meat ball. 440 00:22:36,880 --> 00:22:40,760 Speaker 5: Yeah, well it can become a spicy meatball. I actually 441 00:22:42,000 --> 00:22:44,040 Speaker 5: I think yes. Okay, my answer is yes. I think 442 00:22:44,080 --> 00:22:46,400 Speaker 5: you can fall in love with two people at once 443 00:22:46,480 --> 00:22:48,160 Speaker 5: or fall in love with someone else when you are 444 00:22:48,200 --> 00:22:50,399 Speaker 5: currently in love. But I think then you have a 445 00:22:50,520 --> 00:22:52,840 Speaker 5: very clear decision to make as to whether you. 446 00:22:52,760 --> 00:22:53,520 Speaker 4: Act on that love. 447 00:22:54,040 --> 00:22:56,080 Speaker 3: Yeah, I think you have got a clear decision to make. 448 00:22:56,520 --> 00:22:59,440 Speaker 3: I think it's important as well to separate the I 449 00:22:59,440 --> 00:23:03,119 Speaker 3: think there's a big difference between being in love with 450 00:23:03,160 --> 00:23:07,520 Speaker 3: someone and falling in love with someone. I feel like 451 00:23:07,640 --> 00:23:12,080 Speaker 3: loving someone is something that kind of like grows over time, 452 00:23:12,160 --> 00:23:14,200 Speaker 3: and it's like a blue chip share. You know you're 453 00:23:14,200 --> 00:23:17,320 Speaker 3: committed to it, you're into it, and you reap the 454 00:23:17,320 --> 00:23:20,600 Speaker 3: benefits of it. Falling in love with someone is like 455 00:23:21,200 --> 00:23:27,560 Speaker 3: Romeo and Juliet. It's that teenage high emotion, you know, 456 00:23:27,800 --> 00:23:31,119 Speaker 3: real deep sense of infatuation almost where like you might 457 00:23:31,119 --> 00:23:32,959 Speaker 3: not even know the person. You might just see them 458 00:23:32,960 --> 00:23:34,920 Speaker 3: on a bus, or you might share an office with them, 459 00:23:34,920 --> 00:23:37,000 Speaker 3: and you might have three conversations with them, and for 460 00:23:37,040 --> 00:23:41,320 Speaker 3: some reason they've made a few manifestations for you, and 461 00:23:41,359 --> 00:23:45,159 Speaker 3: there's like just you're deeply attracted to them and what 462 00:23:45,320 --> 00:23:47,600 Speaker 3: you totally can't control it. If all had that feeling, 463 00:23:47,600 --> 00:23:51,240 Speaker 3: you just you're falling that spark. Yes, yeah, that is 464 00:23:51,280 --> 00:23:53,159 Speaker 3: different to being in love with someone. 465 00:23:53,520 --> 00:23:55,879 Speaker 5: Sure, So what's your point here? Do you think he 466 00:23:56,000 --> 00:23:58,840 Speaker 5: was falling in love with Stockhard Channing? 467 00:23:58,960 --> 00:24:01,240 Speaker 3: I don't know, But I think my point is I 468 00:24:01,320 --> 00:24:03,240 Speaker 3: don't think you can fall in love with two people 469 00:24:03,280 --> 00:24:06,439 Speaker 3: at the same time. I think that sensation is so 470 00:24:06,960 --> 00:24:07,879 Speaker 3: all consuming. 471 00:24:08,119 --> 00:24:09,600 Speaker 4: What about Bridget jones Diary. 472 00:24:09,680 --> 00:24:11,760 Speaker 5: I know that's a film, but if we use that 473 00:24:11,800 --> 00:24:15,080 Speaker 5: as an example, I feel like Gray's Anatomy mxteen you 474 00:24:15,160 --> 00:24:18,120 Speaker 5: the dreaming. Actually, I think you can fall in lotally 475 00:24:18,160 --> 00:24:20,679 Speaker 5: torn between Oh, I'm falling in love with two different 476 00:24:20,680 --> 00:24:21,679 Speaker 5: people at the same. 477 00:24:21,400 --> 00:24:23,879 Speaker 3: I think you can like two people. I don't think 478 00:24:23,920 --> 00:24:26,119 Speaker 3: you can fall in love with two people, because I 479 00:24:26,160 --> 00:24:28,200 Speaker 3: think falling in love with someone is just as I said, 480 00:24:28,359 --> 00:24:33,439 Speaker 3: so overpowering, so all encombassing, like you can't shake that 481 00:24:33,480 --> 00:24:36,080 Speaker 3: person from your mind. Another person in there, Sure you 482 00:24:36,160 --> 00:24:37,600 Speaker 3: might have something towards them, but I think if you 483 00:24:37,600 --> 00:24:39,679 Speaker 3: really fall for someone, so let's set your calls on 484 00:24:39,720 --> 00:24:42,639 Speaker 3: it right up next, can you fall in love with 485 00:24:42,680 --> 00:24:45,720 Speaker 3: more than one person at the same time? Have you 486 00:24:46,359 --> 00:24:48,840 Speaker 3: love to know that we're just talking about Will Smith? 487 00:24:49,480 --> 00:24:50,920 Speaker 3: And on third and one of six ' five? 488 00:24:51,720 --> 00:24:54,440 Speaker 6: Can you fall in love with more than one person 489 00:24:54,560 --> 00:24:55,560 Speaker 6: at the same time? 490 00:24:55,920 --> 00:24:58,080 Speaker 3: Have you fallen in love with more than one person? 491 00:24:58,160 --> 00:24:59,680 Speaker 3: Have you been in love with more than one person 492 00:24:59,680 --> 00:25:01,399 Speaker 3: at the same time? And unfortunately the devil is in 493 00:25:01,440 --> 00:25:03,719 Speaker 3: the detail here because I did just say I actually 494 00:25:03,720 --> 00:25:05,680 Speaker 3: don't think you can fall in love with one person 495 00:25:05,680 --> 00:25:07,640 Speaker 3: at the same time. I think you can be in. 496 00:25:07,560 --> 00:25:10,000 Speaker 6: Love with more than one person, but I think falling 497 00:25:10,040 --> 00:25:12,560 Speaker 6: in love with someone is such an all encompassing, all 498 00:25:12,600 --> 00:25:15,320 Speaker 6: consuming sensation that can only happen with one person. 499 00:25:15,520 --> 00:25:17,600 Speaker 4: So, and that was Will Smith and Stockhard Channing. 500 00:25:17,640 --> 00:25:22,679 Speaker 3: Stockhard Channing who doubles as a cattle ranch. It's just 501 00:25:22,680 --> 00:25:28,240 Speaker 3: an outrageous name. Anyway, she played. She played Rizzio and Greece, 502 00:25:28,240 --> 00:25:30,000 Speaker 3: Will Smith's first ever movie. He said he fell in 503 00:25:30,040 --> 00:25:31,399 Speaker 3: love with her and his marriage fell apart. 504 00:25:31,560 --> 00:25:33,160 Speaker 4: Got Dannielle here, Dannielle. 505 00:25:33,359 --> 00:25:35,440 Speaker 5: Can you fall in love with someone when you're already 506 00:25:35,440 --> 00:25:36,399 Speaker 5: in love with someone else? 507 00:25:36,880 --> 00:25:39,240 Speaker 14: I am a yes, And I know I'm one of 508 00:25:39,280 --> 00:25:42,640 Speaker 14: those confusing people. I totally agree with what you guys 509 00:25:42,640 --> 00:25:45,840 Speaker 14: are saying. I had been in a situation many, many 510 00:25:45,920 --> 00:25:48,159 Speaker 14: years ago where I was falling for two people at 511 00:25:48,200 --> 00:25:48,760 Speaker 14: the same time. 512 00:25:48,960 --> 00:25:52,160 Speaker 3: Wow, we go the old Bridget Jones scenario. 513 00:25:53,720 --> 00:25:57,920 Speaker 14: Look, I'm happily married seventeen years, definitely one in love 514 00:25:57,920 --> 00:26:01,239 Speaker 14: with him. But I do believe it's a yes and 515 00:26:01,280 --> 00:26:03,399 Speaker 14: it's a no, just to make it more confusing, because 516 00:26:03,440 --> 00:26:07,200 Speaker 14: it could be physical, it could be spiritual, it could 517 00:26:07,200 --> 00:26:12,240 Speaker 14: be both. Yeah, this goes beyond This goes beyond anything. 518 00:26:12,359 --> 00:26:15,880 Speaker 14: So I think yes and no. But it's hard. When 519 00:26:15,920 --> 00:26:17,760 Speaker 14: do you draw that line in falling in love as 520 00:26:17,800 --> 00:26:20,200 Speaker 14: you said, yes and being in love they're. 521 00:26:20,160 --> 00:26:23,040 Speaker 3: Quite When do you rule feeling yeah? Well, I think 522 00:26:23,080 --> 00:26:26,040 Speaker 3: there's crossover. I think we had the Venn diagram of 523 00:26:26,080 --> 00:26:29,160 Speaker 3: falling in love versus in love there's there's cross over there. 524 00:26:29,320 --> 00:26:32,600 Speaker 3: You're obviously feeling feelings of affection. And the question here, 525 00:26:32,600 --> 00:26:34,680 Speaker 3: and I'll ask Lee this now, is when you have 526 00:26:34,760 --> 00:26:37,920 Speaker 3: that sense of connection with somebody else, should you tell 527 00:26:38,480 --> 00:26:41,320 Speaker 3: the person that you are in love with that you're 528 00:26:41,320 --> 00:26:45,600 Speaker 3: in the relationship with Leah, you've actually been in this 529 00:26:45,720 --> 00:26:46,760 Speaker 3: situation before. 530 00:26:47,040 --> 00:26:50,280 Speaker 15: Yeah, they certainly have been in this situation before. I'm 531 00:26:50,320 --> 00:26:56,200 Speaker 15: in a polyamorous relationship and I have been in love 532 00:26:56,240 --> 00:27:00,000 Speaker 15: with one partner whilst falling in love with another partner 533 00:27:00,280 --> 00:27:01,080 Speaker 15: at the same time. 534 00:27:01,320 --> 00:27:03,840 Speaker 3: Wow, Wow, what does that feel like, leare So we're 535 00:27:03,840 --> 00:27:05,879 Speaker 3: trying to sort of like separate the difference here between 536 00:27:05,920 --> 00:27:08,000 Speaker 3: falling in love and being in love? Do you think 537 00:27:08,000 --> 00:27:08,600 Speaker 3: that's different? 538 00:27:09,520 --> 00:27:12,760 Speaker 15: I think it is different. There's definitely like a whole 539 00:27:12,760 --> 00:27:16,440 Speaker 15: lot of new relationship energy when you're falling in love 540 00:27:16,480 --> 00:27:19,920 Speaker 15: with somebody as opposed to already being in love with somebody. 541 00:27:20,000 --> 00:27:20,440 Speaker 4: Absolutely. 542 00:27:20,720 --> 00:27:22,560 Speaker 3: Yeah, yeah, we agree with that. And how did you 543 00:27:22,640 --> 00:27:26,000 Speaker 3: navigate it, Mane? Did you obviously in a polyamorous relationship, 544 00:27:26,040 --> 00:27:28,199 Speaker 3: I imagine things are pretty transparent with everyone. That's the 545 00:27:28,200 --> 00:27:29,240 Speaker 3: only way that can work. 546 00:27:29,720 --> 00:27:29,960 Speaker 1: Yeah. 547 00:27:30,000 --> 00:27:34,520 Speaker 15: Absolutely, so, just a lot of communication and like obviously 548 00:27:34,560 --> 00:27:37,080 Speaker 15: my other partners are polyamorous as well, and so they 549 00:27:37,320 --> 00:27:41,000 Speaker 15: feel the same joy for me when I'm falling in 550 00:27:41,000 --> 00:27:41,920 Speaker 15: love with somebody else. 551 00:27:42,400 --> 00:27:45,159 Speaker 3: Wow. Wow, So you subscribed to that obviously from the 552 00:27:45,160 --> 00:27:46,879 Speaker 3: start layer that this is the way it's going to be. 553 00:27:46,960 --> 00:27:48,520 Speaker 3: You're going to be able to fall in and out 554 00:27:48,560 --> 00:27:50,440 Speaker 3: of love with people, You're going to try and keep 555 00:27:50,520 --> 00:27:52,520 Speaker 3: all this going at the same Were you ever scared 556 00:27:52,560 --> 00:27:53,680 Speaker 3: to start that? 557 00:27:53,840 --> 00:27:53,959 Speaker 13: Like? 558 00:27:54,000 --> 00:27:55,880 Speaker 3: What gave you the courage to dive into that? 559 00:27:57,600 --> 00:28:03,360 Speaker 15: I was scared and crently made me sort of reflect 560 00:28:03,400 --> 00:28:06,240 Speaker 15: on a lot of my own emotions. So when I 561 00:28:06,320 --> 00:28:09,320 Speaker 15: was feeling jealous, really sort of learning what it was 562 00:28:09,359 --> 00:28:13,399 Speaker 15: that I was jealous about. And I guess really digging 563 00:28:13,440 --> 00:28:17,080 Speaker 15: deep into is them falling in love with somebody else 564 00:28:17,200 --> 00:28:19,200 Speaker 15: or me falling in love with somebody else? Taking anything 565 00:28:19,240 --> 00:28:23,040 Speaker 15: away from that initial relationship, and it certainly is. It 566 00:28:23,200 --> 00:28:25,120 Speaker 15: just adds to it. 567 00:28:25,440 --> 00:28:25,720 Speaker 11: Wow. 568 00:28:25,920 --> 00:28:29,240 Speaker 4: Oh yeah, you are in control of your emotions, Leah. 569 00:28:29,280 --> 00:28:31,480 Speaker 3: It adds to it. When the person you're with says 570 00:28:31,520 --> 00:28:33,560 Speaker 3: they're in love with someone else, that adds to your 571 00:28:33,560 --> 00:28:34,520 Speaker 3: emotions with them. 572 00:28:34,840 --> 00:28:35,199 Speaker 15: Yeah. 573 00:28:35,359 --> 00:28:39,719 Speaker 4: Absolutely, that is selfless stuff. That is extraordinary. 574 00:28:40,240 --> 00:28:42,880 Speaker 3: Wow. Thanks for joining us, mate, I mean quite Honestly, 575 00:28:42,880 --> 00:28:44,960 Speaker 3: I think that's something that know that a lot of people, 576 00:28:45,000 --> 00:28:47,640 Speaker 3: most people certainly listening to this, are definitely not going 577 00:28:47,720 --> 00:28:50,280 Speaker 3: to get to that situation. And I can only say 578 00:28:50,320 --> 00:28:52,960 Speaker 3: that a lot of the polyamorous relationships I've heard about 579 00:28:52,960 --> 00:28:55,760 Speaker 3: it it really ended in car crashes because somebody fell 580 00:28:55,760 --> 00:28:57,920 Speaker 3: in love and they didn't have that communication thing. So 581 00:28:58,800 --> 00:29:02,880 Speaker 3: congrats managed managing to nail that and rising above it. 582 00:29:02,920 --> 00:29:03,840 Speaker 3: That is totally wild. 583 00:29:03,880 --> 00:29:04,080 Speaker 6: I think. 584 00:29:04,080 --> 00:29:05,920 Speaker 4: Bring back to Big Willy, Big Willie Smith. 585 00:29:06,800 --> 00:29:08,920 Speaker 5: Yeah, Yarda pick They've got they've got a bit of 586 00:29:08,920 --> 00:29:11,080 Speaker 5: an open relationship, do they, well, yeah, yeah, which is 587 00:29:11,120 --> 00:29:13,080 Speaker 5: interesting that he's talked about falling in love with someone 588 00:29:13,120 --> 00:29:15,200 Speaker 5: else while being with his ex wife. Really and now 589 00:29:15,280 --> 00:29:18,120 Speaker 5: him and Yarda are still together. Yarda or Jada, I'm 590 00:29:18,120 --> 00:29:20,840 Speaker 5: not sure. I think it's Jada, he'd get yeah. And 591 00:29:20,880 --> 00:29:23,959 Speaker 5: the stock the big the stock woman herself, stock Guard Channing. 592 00:29:24,720 --> 00:29:26,360 Speaker 3: She's not involved anymore. 593 00:29:26,040 --> 00:29:26,640 Speaker 4: I don't think so. 594 00:29:26,840 --> 00:29:27,040 Speaker 6: Yeah. 595 00:29:27,280 --> 00:29:30,320 Speaker 4: I think she's seventy five now, herself. 596 00:29:30,680 --> 00:29:32,760 Speaker 5: She was still coming over to Big Willy's house, knocking 597 00:29:32,760 --> 00:29:35,880 Speaker 5: on the door, it comes Channing. 598 00:29:35,600 --> 00:29:38,480 Speaker 3: Stockyard Channing. That's where she belonged in the Wild World West. 599 00:29:38,680 --> 00:29:41,520 Speaker 3: That name everything full circle, got. 600 00:29:41,320 --> 00:29:43,760 Speaker 1: A chat it's the Will and Woody podcast. 601 00:29:44,160 --> 00:29:47,840 Speaker 3: The New Zealand just sent her a dern Yea. 602 00:29:48,360 --> 00:29:49,120 Speaker 4: Also had a bit of. 603 00:29:49,120 --> 00:29:51,680 Speaker 3: A blunder on Zoom. She's trying to do this you know, 604 00:29:51,840 --> 00:29:55,000 Speaker 3: live stream update when she got interrupted by a three 605 00:29:55,080 --> 00:29:55,440 Speaker 3: year old. 606 00:29:55,720 --> 00:29:58,600 Speaker 8: Listen, we've still got public health restrictions and need to 607 00:29:58,680 --> 00:30:01,760 Speaker 8: keep it nice and say, but you'll see that greater 608 00:30:01,920 --> 00:30:04,479 Speaker 8: soution tea for business. You'll mean to be a big 609 00:30:04,600 --> 00:30:06,600 Speaker 8: dalling hoop back to bit. I'll come and see you 610 00:30:06,680 --> 00:30:10,080 Speaker 8: in a second. Sorry, everybody, Well that was a big 611 00:30:10,120 --> 00:30:11,200 Speaker 8: time fail, wasn't it. 612 00:30:12,760 --> 00:30:16,720 Speaker 5: I love that probably humanizes her and by the way, 613 00:30:16,880 --> 00:30:19,600 Speaker 5: we cannot relate ourselves to just in doing an interview 614 00:30:19,640 --> 00:30:21,520 Speaker 5: with Rummy Mallick was not interrupted by a child. 615 00:30:21,960 --> 00:30:25,480 Speaker 4: We with the children, Yeah, no, we interrupted ow Yeah, 616 00:30:25,520 --> 00:30:28,080 Speaker 4: one hundred percent. She's got a great excuse. 617 00:30:28,160 --> 00:30:29,640 Speaker 3: You can hear that a little bit later on. But 618 00:30:29,680 --> 00:30:31,800 Speaker 3: I do want to focus a little bit on kids. 619 00:30:32,080 --> 00:30:34,120 Speaker 4: Right before bedtime must be a nightmare. 620 00:30:34,360 --> 00:30:37,120 Speaker 3: It's just gotta be the worst half hour of any 621 00:30:37,280 --> 00:30:41,280 Speaker 3: parent's life. Yeah, really, because because that's the time you 622 00:30:41,360 --> 00:30:43,240 Speaker 3: need them to shut up the most often. That's the 623 00:30:43,280 --> 00:30:46,120 Speaker 3: time then the most energetic neither you or I have kids, though, 624 00:30:46,160 --> 00:30:47,720 Speaker 3: would So we're going to throw to a button push 625 00:30:47,720 --> 00:30:51,560 Speaker 3: of Joel, Joel. You've got two little boys. 626 00:30:51,240 --> 00:30:54,440 Speaker 5: Boys, Yeah, a couple of who you regret every day, 627 00:30:54,520 --> 00:30:56,959 Speaker 5: and it ties out bunny boys know that they love 628 00:30:57,080 --> 00:30:57,880 Speaker 5: my life, the star. 629 00:30:57,800 --> 00:31:00,720 Speaker 2: Of my eye. Of course, one's five and a half 630 00:31:00,840 --> 00:31:03,880 Speaker 2: and he won't get out of the bath every night, 631 00:31:04,080 --> 00:31:07,120 Speaker 2: so that's a constant struggle to drag his ass out 632 00:31:07,120 --> 00:31:07,600 Speaker 2: of the bath. 633 00:31:07,800 --> 00:31:08,880 Speaker 4: Yeah, but the two. 634 00:31:08,680 --> 00:31:11,480 Speaker 2: And a half year old comes out no problem. 635 00:31:11,560 --> 00:31:13,200 Speaker 3: And because you've got it, because the thing with the 636 00:31:13,200 --> 00:31:15,880 Speaker 3: bath time is right, you've got to. It's effectively like 637 00:31:16,400 --> 00:31:19,280 Speaker 3: like you're juggling. You're juggling spinning plates right, because you 638 00:31:19,320 --> 00:31:20,880 Speaker 3: can't you can't get them in and out at the 639 00:31:20,880 --> 00:31:23,680 Speaker 3: same time because that's two. So often one's got to 640 00:31:23,720 --> 00:31:25,200 Speaker 3: stay in there while one leaves. 641 00:31:25,320 --> 00:31:28,680 Speaker 2: Oh, and often you're doing it solo. Your partner's either 642 00:31:29,040 --> 00:31:31,360 Speaker 2: at work late or maybe they're in the kitchen getting 643 00:31:31,400 --> 00:31:34,560 Speaker 2: dinner ready, so you don't have enough eyes to watch 644 00:31:34,600 --> 00:31:36,200 Speaker 2: everything that's going on. So I would get the two 645 00:31:36,280 --> 00:31:38,640 Speaker 2: year old out, dry him, put a single on, a 646 00:31:38,720 --> 00:31:41,880 Speaker 2: nappy on, zip up a onesie, turn around, beg the 647 00:31:41,920 --> 00:31:43,360 Speaker 2: five and a half year old to get out of 648 00:31:43,360 --> 00:31:45,400 Speaker 2: the bath as I rip my hair out, and then 649 00:31:45,480 --> 00:31:47,120 Speaker 2: I take my eyes off the two year old for 650 00:31:47,160 --> 00:31:50,400 Speaker 2: three seconds, turn around and he's jumped back into the bar, 651 00:31:51,120 --> 00:31:54,640 Speaker 2: fully clothed. And he would do this pretty much every 652 00:31:54,720 --> 00:31:57,160 Speaker 2: second night if you didn't chain him to a pole 653 00:31:57,280 --> 00:31:57,760 Speaker 2: or something. 654 00:31:59,160 --> 00:32:01,160 Speaker 4: Sorry, you're saying that you do chain into a pole 655 00:32:01,240 --> 00:32:03,600 Speaker 4: now to avoid that. No, it's more like a small cage. 656 00:32:07,240 --> 00:32:11,479 Speaker 10: Oh, we're talking about things, annoying things your kids are 657 00:32:11,480 --> 00:32:14,440 Speaker 10: doing before bed. My mom is actually joined us great 658 00:32:15,000 --> 00:32:16,840 Speaker 10: to talk about what I used to be, like, did 659 00:32:16,840 --> 00:32:17,320 Speaker 10: I mom? 660 00:32:17,560 --> 00:32:17,680 Speaker 4: Hi? 661 00:32:18,640 --> 00:32:20,920 Speaker 7: So, yeah, what did you do when you before you 662 00:32:20,960 --> 00:32:23,760 Speaker 7: went to bed? Used to have two tip trucks, two 663 00:32:23,960 --> 00:32:28,080 Speaker 7: plastic tip trucks, tip trucks, tip trucks, plastic tip trucks 664 00:32:28,080 --> 00:32:31,520 Speaker 7: by a bed because you had to have five dummies 665 00:32:31,560 --> 00:32:33,680 Speaker 7: to go to bed each finger. 666 00:32:33,840 --> 00:32:34,400 Speaker 6: What do you mean? 667 00:32:35,360 --> 00:32:35,800 Speaker 4: What do you mean? 668 00:32:35,840 --> 00:32:37,200 Speaker 3: I was like the Lord of It was like the 669 00:32:37,200 --> 00:32:39,120 Speaker 3: Lord of the Rings, but with dummies. 670 00:32:40,800 --> 00:32:45,000 Speaker 7: Before bed, two on each chance and one in the mouth. 671 00:32:45,200 --> 00:32:47,080 Speaker 7: And then you were such a pain in the neck 672 00:32:47,120 --> 00:32:52,240 Speaker 7: because if you lost one, you would wake us to say, 673 00:32:52,880 --> 00:32:55,440 Speaker 7: you know, lost my dummy where you'd still had another fall. 674 00:32:57,400 --> 00:33:01,000 Speaker 4: So you always prepared to make sure. 675 00:33:03,360 --> 00:33:11,560 Speaker 5: You actually so, Penny was he rotating which one would 676 00:33:11,600 --> 00:33:13,240 Speaker 5: go in his mouth like you have a few hours 677 00:33:13,240 --> 00:33:15,320 Speaker 5: on one and then make a change with a finger for. 678 00:33:15,360 --> 00:33:18,680 Speaker 7: Me if you had seen these dummies. Thank god COVID 679 00:33:18,680 --> 00:33:22,080 Speaker 7: didn't exist. 680 00:33:22,400 --> 00:33:24,240 Speaker 1: It's the Woody Podcast. 681 00:33:24,680 --> 00:33:29,440 Speaker 3: We're going to play another quick game here of Hello 682 00:33:30,120 --> 00:33:30,520 Speaker 3: it's me. 683 00:33:31,120 --> 00:33:37,600 Speaker 5: Hello, it's me. Simple game with a simple metric. You 684 00:33:37,680 --> 00:33:40,240 Speaker 5: and I call a random number. We just say hey, 685 00:33:40,360 --> 00:33:42,920 Speaker 5: it's me and then to try to barrel into a conversation. 686 00:33:43,440 --> 00:33:45,440 Speaker 5: And the winner is the person who keeps them on 687 00:33:45,440 --> 00:33:49,120 Speaker 5: the line the longest before they say sorry, who is this? 688 00:33:49,200 --> 00:33:52,040 Speaker 3: Yeah, that's exactly right. We've got a random number. Now 689 00:33:52,120 --> 00:33:53,560 Speaker 3: I'm going to be going first. Is that right? 690 00:33:53,640 --> 00:33:54,120 Speaker 4: Yes? You are? 691 00:33:54,200 --> 00:33:54,360 Speaker 13: Good? 692 00:33:54,400 --> 00:33:55,560 Speaker 4: Luck a random number. 693 00:33:55,640 --> 00:34:00,000 Speaker 3: Let's talk you. 694 00:34:03,240 --> 00:34:04,400 Speaker 6: I know you've DeBie. 695 00:34:07,240 --> 00:34:11,840 Speaker 3: Hey, it's me. How you Doing's me? 696 00:34:12,480 --> 00:34:12,800 Speaker 6: Hello? 697 00:34:13,640 --> 00:34:15,200 Speaker 5: Hello, it's me. 698 00:34:15,320 --> 00:34:15,759 Speaker 3: How you going? 699 00:34:17,120 --> 00:34:17,640 Speaker 11: I'm good? 700 00:34:17,680 --> 00:34:18,960 Speaker 13: But I'm not so sure who he is? 701 00:34:19,200 --> 00:34:21,640 Speaker 4: Ah, Yes, got you, Jess. 702 00:34:21,640 --> 00:34:26,240 Speaker 5: You've got Will and Woody on the phone here. We're 703 00:34:26,280 --> 00:34:28,240 Speaker 5: playing a new game where one of us calls around 704 00:34:28,320 --> 00:34:30,400 Speaker 5: number and says, hey, it's me. And he's got to 705 00:34:30,440 --> 00:34:32,000 Speaker 5: keep you on the phone for as long as possible, 706 00:34:32,040 --> 00:34:33,720 Speaker 5: and he did it awfully with you. 707 00:34:37,320 --> 00:34:39,560 Speaker 4: Outstanding Jess, what are you up to? 708 00:34:39,760 --> 00:34:42,000 Speaker 11: Yes, just finished work. 709 00:34:42,440 --> 00:34:44,319 Speaker 3: Yeah, that'll explain it. That'll explain it. 710 00:34:44,719 --> 00:34:48,160 Speaker 5: What do you mean though, I'm reason Ah, couldn't have 711 00:34:48,160 --> 00:34:50,080 Speaker 5: been worse? All right, I've got a do I have 712 00:34:50,120 --> 00:34:51,440 Speaker 5: a random number here. 713 00:34:52,080 --> 00:34:54,160 Speaker 3: I tried to go with the enthusiasm. I tried to 714 00:34:54,160 --> 00:34:55,040 Speaker 3: go with the enthusiasm. 715 00:34:55,120 --> 00:34:55,759 Speaker 4: I tried to go with it. 716 00:34:56,600 --> 00:34:59,080 Speaker 3: I was like, who's going to be enthusiastic? Yeah, okay, 717 00:34:59,080 --> 00:35:01,760 Speaker 3: people that are keen, that know you that didn't work. 718 00:35:01,719 --> 00:35:05,120 Speaker 4: Under the opposite and be really casual. Hey, it's man, 719 00:35:05,760 --> 00:35:07,480 Speaker 4: it's man. That's me. 720 00:35:10,000 --> 00:35:10,799 Speaker 6: Don't tell me how. 721 00:35:13,800 --> 00:35:18,720 Speaker 11: Don't hello? 722 00:35:19,200 --> 00:35:21,160 Speaker 4: Hey, it's me. Sorry, I'm just calling off the off 723 00:35:21,200 --> 00:35:23,160 Speaker 4: the work phone. Where are you? 724 00:35:23,880 --> 00:35:26,080 Speaker 11: Who's that gone? 725 00:35:26,480 --> 00:35:30,120 Speaker 4: God? Disastrous game? 726 00:35:30,200 --> 00:35:30,759 Speaker 2: That was? 727 00:35:30,920 --> 00:35:36,120 Speaker 5: It's Will wood here, Terry. It's it's Will and Woody here, Terry. 728 00:35:36,640 --> 00:35:37,560 Speaker 5: So do you know who we are? 729 00:35:38,960 --> 00:35:39,000 Speaker 10: No? 730 00:35:39,840 --> 00:35:43,359 Speaker 3: Fair enough when we said who we were, we didn't 731 00:35:43,360 --> 00:35:44,040 Speaker 3: know who we were. 732 00:35:44,960 --> 00:35:48,359 Speaker 4: It's double bat. It's a cramp bit go badly, isn't 733 00:35:48,400 --> 00:35:49,200 Speaker 4: it shocking? 734 00:35:49,239 --> 00:35:49,359 Speaker 14: Bit? 735 00:35:49,560 --> 00:35:51,640 Speaker 4: We're both as bad as each other that's just the 736 00:35:51,640 --> 00:35:58,040 Speaker 4: dead rubber of awful from We Regret going live there again. 737 00:36:00,520 --> 00:36:04,400 Speaker 5: It's just shocking. It's just two men going someone has me. No, 738 00:36:04,440 --> 00:36:07,560 Speaker 5: it's not okay, you got me anyway. 739 00:36:09,640 --> 00:36:09,680 Speaker 2: I