1 00:00:01,400 --> 00:00:03,520 Speaker 1: And Amanda jam Nation. 2 00:00:03,960 --> 00:00:07,320 Speaker 2: Percola is a fabulously busy woman. On Sunday, she delivered 3 00:00:07,480 --> 00:00:09,400 Speaker 2: one of the moments of the night at the logis 4 00:00:09,440 --> 00:00:12,239 Speaker 2: thiring off a fabulous F bomb on stage, which is 5 00:00:12,240 --> 00:00:15,880 Speaker 2: not dropping profanity. She's hosting Thank God You're here. She 6 00:00:15,920 --> 00:00:18,599 Speaker 2: has a new stand up show, so much to discuss, Celia. 7 00:00:18,680 --> 00:00:22,239 Speaker 1: Hello, Hello, you got the bleep button ready for me? 8 00:00:22,760 --> 00:00:24,720 Speaker 3: Really, it's going to be so good if you swore 9 00:00:24,760 --> 00:00:26,960 Speaker 3: on our show, because we need to put some bums 10 00:00:27,000 --> 00:00:29,760 Speaker 3: on seats. So that's what happens these days. 11 00:00:30,080 --> 00:00:32,720 Speaker 1: Listen in my defense, it was two in the morning 12 00:00:33,840 --> 00:00:37,120 Speaker 1: and no regrets. And you know what, it's the strangest 13 00:00:37,120 --> 00:00:38,440 Speaker 1: thing because you know when you have a night out 14 00:00:38,479 --> 00:00:40,640 Speaker 1: and then the next day you're like, that can't have happened. 15 00:00:40,840 --> 00:00:43,479 Speaker 1: How I remember it happening, But then you remember that 16 00:00:43,520 --> 00:00:46,559 Speaker 1: it was on live national television, so you're able to 17 00:00:46,600 --> 00:00:47,480 Speaker 1: go back and check. 18 00:00:47,720 --> 00:00:51,200 Speaker 3: But I was watching it Kitty Flannag and she dropped 19 00:00:51,200 --> 00:00:55,040 Speaker 3: the F bomb at seven thirty. Yeah, and just as 20 00:00:55,080 --> 00:00:57,440 Speaker 3: I was watching, I thought, Kitty just swear. I just 21 00:00:57,640 --> 00:01:00,840 Speaker 3: in my when I first started in radio, ilmost the 22 00:01:01,000 --> 00:01:04,920 Speaker 3: sack because I accidentally put the s word to air, 23 00:01:05,280 --> 00:01:07,640 Speaker 3: and there was this whole thing. So this was nineteen 24 00:01:07,760 --> 00:01:10,679 Speaker 3: ninety and now we're at a point where and they. 25 00:01:10,600 --> 00:01:13,160 Speaker 2: Say Free to Wear TV is dead, you're keeping it alive. 26 00:01:14,360 --> 00:01:16,160 Speaker 1: Well you got to you got to offer something to 27 00:01:16,200 --> 00:01:18,120 Speaker 1: the people who've stuck about it are still watching at 28 00:01:18,120 --> 00:01:20,400 Speaker 1: that time. Full respects, but I mean me and Kitty jeez, 29 00:01:20,640 --> 00:01:24,800 Speaker 1: the women of the ABC are really not being very 30 00:01:24,840 --> 00:01:28,200 Speaker 1: respectful at all. But yeah, what an outrageous evening it was. 31 00:01:28,240 --> 00:01:30,240 Speaker 1: So I appreciate you having me on, even though I 32 00:01:30,319 --> 00:01:32,840 Speaker 1: might bring your wonderful show into disrepute. It thrilled. 33 00:01:34,600 --> 00:01:35,119 Speaker 3: Dispute. 34 00:01:35,200 --> 00:01:37,120 Speaker 2: I love your returning to stand up for the first 35 00:01:37,160 --> 00:01:38,800 Speaker 2: time in five years. I know you had a baby 36 00:01:38,800 --> 00:01:43,399 Speaker 2: two years ago. What does it feel very different to 37 00:01:43,440 --> 00:01:44,119 Speaker 2: be coming back? 38 00:01:45,360 --> 00:01:45,520 Speaker 3: Oh? 39 00:01:45,560 --> 00:01:47,640 Speaker 1: It really did. And it was particularly special for me 40 00:01:47,640 --> 00:01:49,880 Speaker 1: because I didn't I honestly didn't know if I would 41 00:01:49,880 --> 00:01:51,640 Speaker 1: come back to stand up when I was because it 42 00:01:51,680 --> 00:01:53,520 Speaker 1: was lockdown and all of that, and then when I 43 00:01:53,520 --> 00:01:54,880 Speaker 1: was pregnant it was such a new thing. I'm like, 44 00:01:54,880 --> 00:01:56,120 Speaker 1: I don't know how this is going to affect me. 45 00:01:56,120 --> 00:01:58,520 Speaker 1: I don't know what I'm going to feel like doing afterwards. 46 00:01:58,520 --> 00:02:01,800 Speaker 1: So the fact that I found that I still wanted 47 00:02:01,840 --> 00:02:04,120 Speaker 1: to do it, and if anything, I had a lot 48 00:02:04,160 --> 00:02:08,040 Speaker 1: more to talk about because of this outrageous process that is, 49 00:02:09,080 --> 00:02:12,000 Speaker 1: you know, meeting someone new in a whirlwind, and then 50 00:02:12,000 --> 00:02:14,000 Speaker 1: getting pregate very fast, and then having a baby and 51 00:02:14,040 --> 00:02:16,640 Speaker 1: all of this stuff. So I was really delighted to 52 00:02:16,639 --> 00:02:20,079 Speaker 1: get back on stage. And also sub audiences were so 53 00:02:20,160 --> 00:02:22,400 Speaker 1: warm and wonderful, particularly in Melbourne where I opened it. 54 00:02:22,440 --> 00:02:24,880 Speaker 1: I'm still taking it to Sydney and Brisbane, but just 55 00:02:24,880 --> 00:02:26,880 Speaker 1: because I've been away for a while, it really felt 56 00:02:26,919 --> 00:02:29,160 Speaker 1: like a catch up. It was just like, guys, I've 57 00:02:29,160 --> 00:02:31,640 Speaker 1: got so much to tell you, and I loved it. 58 00:02:31,800 --> 00:02:33,560 Speaker 1: That said, I don't think I'll do another one for 59 00:02:33,600 --> 00:02:36,520 Speaker 1: a few years because I need to. Like everything's different now. 60 00:02:36,840 --> 00:02:39,080 Speaker 1: Nightlife is not like gigging at night is just not 61 00:02:39,120 --> 00:02:42,760 Speaker 1: sort of conducive to my current nine pm bedtimes, and 62 00:02:43,120 --> 00:02:45,200 Speaker 1: I need to live some more life before I've got 63 00:02:45,200 --> 00:02:47,000 Speaker 1: something to talk about. But yeah, I love coming back. 64 00:02:47,040 --> 00:02:49,240 Speaker 2: Amy Poehla used to say that, you know, why can't 65 00:02:49,240 --> 00:02:51,359 Speaker 2: we see shows and see musicians and all of that. 66 00:02:51,480 --> 00:02:53,000 Speaker 2: Four in the afternoon and I can sit there with 67 00:02:53,000 --> 00:02:55,919 Speaker 2: a cheese a chair with back support and then go yeah. 68 00:02:56,200 --> 00:02:58,680 Speaker 1: Well, during Melbourne my show was on at five o'clock 69 00:02:58,760 --> 00:03:00,760 Speaker 1: or six o'clock. It was fantast and the first light 70 00:03:00,800 --> 00:03:02,040 Speaker 1: of my shot I would walk out and I go 71 00:03:02,120 --> 00:03:06,120 Speaker 1: hello everybody. First of all, five o'clock, You're welcome. You're welcome. 72 00:03:06,200 --> 00:03:08,799 Speaker 1: This is my charity work. This is how I give back, 73 00:03:09,120 --> 00:03:11,679 Speaker 1: because you know what, sometimes I want to night out, 74 00:03:11,720 --> 00:03:14,200 Speaker 1: but I want to be home before it's night. Okay, 75 00:03:14,320 --> 00:03:15,880 Speaker 1: that's what it's about it. 76 00:03:16,360 --> 00:03:18,360 Speaker 3: And then look at you. You're just You're just doing 77 00:03:18,440 --> 00:03:21,920 Speaker 3: great stuff. Rose Haven's coming back, isn't it. 78 00:03:22,960 --> 00:03:25,880 Speaker 1: No, rose Havens is done. Look, maybe a Christmas movie 79 00:03:25,960 --> 00:03:28,120 Speaker 1: at one point and I saw Luca and I love 80 00:03:28,200 --> 00:03:29,720 Speaker 1: him dearly and I miss him so much, and we'll 81 00:03:29,760 --> 00:03:32,120 Speaker 1: do something else together. And I do miss rose Haven, 82 00:03:32,160 --> 00:03:34,200 Speaker 1: but it feels like we ended it the way we 83 00:03:34,240 --> 00:03:36,520 Speaker 1: wanted to end it. Maybe this is my pitch that 84 00:03:36,600 --> 00:03:38,800 Speaker 1: Luke does not enjoy at all, which I think we 85 00:03:38,840 --> 00:03:41,680 Speaker 1: could do a Christmas movie on the Spirit of Tasmania 86 00:03:42,280 --> 00:03:44,720 Speaker 1: just entirely said, oh, the Spirit of Tasmania, and Luke 87 00:03:44,880 --> 00:03:46,800 Speaker 1: every time I bring it up, he goes, Celia, have 88 00:03:46,840 --> 00:03:49,000 Speaker 1: you been on the Spirit of Tasmania? And I go no, 89 00:03:49,160 --> 00:03:50,800 Speaker 1: he goes, Yeah, that's why you want to do. 90 00:03:50,800 --> 00:03:54,040 Speaker 3: That, because the ad for the spirit of Tasmania is 91 00:03:54,080 --> 00:03:56,920 Speaker 3: getting there is half the fun. How bad's tasy to be? 92 00:04:01,120 --> 00:04:04,320 Speaker 1: So who knows? Maybe one day, but none of them moment. 93 00:04:04,320 --> 00:04:06,640 Speaker 3: Okay, we'll forget that. Then, thank god you're here though. 94 00:04:06,840 --> 00:04:09,120 Speaker 3: You are so good as the host. 95 00:04:10,080 --> 00:04:12,520 Speaker 1: Oh that's very kind. I feel like I just have 96 00:04:12,680 --> 00:04:16,520 Speaker 1: My job is to be functional and enjoy being there, 97 00:04:16,560 --> 00:04:18,200 Speaker 1: and I do like I just have the best seat 98 00:04:18,240 --> 00:04:18,719 Speaker 1: in the house. 99 00:04:18,880 --> 00:04:21,599 Speaker 2: Do you get secret pleasure knowing how nervous everyone else is? 100 00:04:22,440 --> 00:04:22,600 Speaker 3: Oh? 101 00:04:22,640 --> 00:04:24,760 Speaker 1: I love it so much. Oh, it's so delicious. I 102 00:04:24,760 --> 00:04:26,800 Speaker 1: don't know if you saw last week's episode. Sampang was 103 00:04:26,839 --> 00:04:28,960 Speaker 1: on Who's one of my closest friends in the whole world? 104 00:04:29,000 --> 00:04:30,800 Speaker 1: And I never thought he'd do it in a million years, 105 00:04:31,040 --> 00:04:34,520 Speaker 1: And the joy I had watching him come out dressed 106 00:04:34,520 --> 00:04:37,280 Speaker 1: as a highwayman with a you know, three pointed hat 107 00:04:37,279 --> 00:04:40,480 Speaker 1: and a ponytail and a pistol, and I just, I 108 00:04:40,480 --> 00:04:42,400 Speaker 1: don't know if I slid down the wall in joy. 109 00:04:42,440 --> 00:04:46,000 Speaker 1: I was so delighted. But the thing is, I love them. 110 00:04:46,000 --> 00:04:48,240 Speaker 1: They're all nervous, but also I really like being there 111 00:04:48,279 --> 00:04:50,599 Speaker 1: to go you're going to be okay. You know. I 112 00:04:50,600 --> 00:04:53,000 Speaker 1: feel my role is to be the smiling face that 113 00:04:53,080 --> 00:04:55,240 Speaker 1: pushes you out of the airplane. You know, I'm the 114 00:04:55,360 --> 00:04:58,480 Speaker 1: last figures see before you get shoved off the cliff. 115 00:04:58,839 --> 00:05:01,720 Speaker 1: So I really try and by a friendly face. But no, 116 00:05:01,800 --> 00:05:03,440 Speaker 1: I love it. I'm delighted. 117 00:05:04,360 --> 00:05:06,720 Speaker 3: You are the one. You're the one that you're gonna 118 00:05:06,800 --> 00:05:09,200 Speaker 3: jump something on a pushbike, and you're the one that goes. 119 00:05:09,360 --> 00:05:11,320 Speaker 2: Yeah, you'll do it, You'll do You'll be five. 120 00:05:11,520 --> 00:05:15,080 Speaker 1: Don't worry. It's delightful. I don't have to actually do 121 00:05:15,080 --> 00:05:18,080 Speaker 1: it myself. I just get to enjoy watching them do it. 122 00:05:18,120 --> 00:05:20,120 Speaker 1: And I think it's a lot of them are my 123 00:05:20,200 --> 00:05:23,000 Speaker 1: clothes mates, like Luci gregor Sampang or whatever. But then 124 00:05:23,680 --> 00:05:25,839 Speaker 1: there's other just by comedy heroes who I don't know 125 00:05:25,880 --> 00:05:28,480 Speaker 1: super well, and I'm just beside myself. Like tonight's episode 126 00:05:28,560 --> 00:05:32,200 Speaker 1: is Ross Noble, who I'm still completely giddy and stand 127 00:05:32,279 --> 00:05:35,320 Speaker 1: girl around him. So that's very good to me. 128 00:05:35,600 --> 00:05:37,560 Speaker 3: No passion, no passion. 129 00:05:37,560 --> 00:05:40,080 Speaker 1: No pashing, no passion. No I'm swearing. 130 00:05:40,160 --> 00:05:41,960 Speaker 3: I don't know Ross passworthy. 131 00:05:42,640 --> 00:05:44,960 Speaker 2: He's crushworthy and he's going to be the subject of 132 00:05:45,000 --> 00:05:47,200 Speaker 2: your next stand up obviously. 133 00:05:46,800 --> 00:05:50,400 Speaker 1: Celian possibly possibly, Well, I mean i'm gonna have to 134 00:05:50,440 --> 00:05:52,560 Speaker 1: I'm gonna have at least twenty five minutes about the logis. 135 00:05:52,600 --> 00:05:55,320 Speaker 1: But and then then we'll get to Noble. 136 00:05:55,560 --> 00:05:58,159 Speaker 3: Well, yeah, it's great to see. Thank god you're here. 137 00:05:58,400 --> 00:06:01,240 Speaker 3: Is tonight on ten and ten play. You didn't drop 138 00:06:01,279 --> 00:06:02,920 Speaker 3: the F bomb, so we appreciate that. 139 00:06:03,760 --> 00:06:06,880 Speaker 1: Thank you so much. I'll try and improve myself like 140 00:06:07,000 --> 00:06:08,160 Speaker 1: you look after you