1 00:00:00,360 --> 00:00:04,840 Speaker 1: Jersey and Amanda gem Nation, and the goat of entertainment 2 00:00:04,960 --> 00:00:06,519 Speaker 1: editors is M Gillespie. 3 00:00:06,559 --> 00:00:09,560 Speaker 2: Hello, M, Hello, Well we are here to talk about 4 00:00:09,560 --> 00:00:11,240 Speaker 2: the goat of pop culture. 5 00:00:11,360 --> 00:00:11,600 Speaker 1: Law. 6 00:00:11,800 --> 00:00:14,680 Speaker 3: I'm so excited today to talk to you about this, guys, 7 00:00:14,960 --> 00:00:18,680 Speaker 3: because Taylor Swift has bought back her masters after what 8 00:00:18,760 --> 00:00:20,480 Speaker 3: some could say would be a twenty year battle, but 9 00:00:20,520 --> 00:00:22,080 Speaker 3: at least the better part of a decade. 10 00:00:22,200 --> 00:00:24,880 Speaker 2: Howd she lose them? What happened? Great question, Well, when 11 00:00:24,880 --> 00:00:27,480 Speaker 2: she was just a wee fifteen year old, she signed 12 00:00:27,520 --> 00:00:31,240 Speaker 2: to this record label, Big Machine Records, and essentially they 13 00:00:31,280 --> 00:00:34,680 Speaker 2: owned the masters to her first six albums. Now, in 14 00:00:34,680 --> 00:00:37,320 Speaker 2: the music industry, when we're talking masters, we're referring to 15 00:00:37,360 --> 00:00:41,559 Speaker 2: the original official recording of a song. So that's the 16 00:00:41,600 --> 00:00:45,080 Speaker 2: source material that from which other versions are licensed. A 17 00:00:45,120 --> 00:00:47,240 Speaker 2: good kind of metaphor is like think about the Mona 18 00:00:47,280 --> 00:00:50,279 Speaker 2: Lisa in the louver. That's the master copy, and then 19 00:00:50,320 --> 00:00:52,559 Speaker 2: you can buy a print, but you don't own the 20 00:00:52,640 --> 00:00:56,680 Speaker 2: original painting. And basically Taylor Swift always had this intention, 21 00:00:56,800 --> 00:00:59,240 Speaker 2: this planned that one day she would buy back her masters. 22 00:00:59,600 --> 00:01:01,920 Speaker 2: Now Big Machine Records, that label that she signed with 23 00:01:01,960 --> 00:01:05,959 Speaker 2: originally was sold in twenty nineteen to a man called 24 00:01:06,040 --> 00:01:08,520 Speaker 2: Scooter Braun. You may have heard of him because he 25 00:01:08,600 --> 00:01:11,160 Speaker 2: was a very famous music manager, but also because he 26 00:01:11,240 --> 00:01:13,760 Speaker 2: became the villain of the music industry when he bought 27 00:01:13,760 --> 00:01:16,520 Speaker 2: this record label. He's worked with people like Justin Bieber. 28 00:01:16,560 --> 00:01:19,720 Speaker 2: He's kind of credited as discovering Bieber. He's worked with 29 00:01:19,760 --> 00:01:23,880 Speaker 2: Conney West, Ariana Grande. Anyway, he acquired this record label 30 00:01:23,959 --> 00:01:26,560 Speaker 2: for a reported three hundred million dollars in twenty nineteen, 31 00:01:26,840 --> 00:01:30,800 Speaker 2: which gave him control of Taylor Swift's first six albums. 32 00:01:30,480 --> 00:01:33,280 Speaker 3: So he could have used that to do anything pretty much. 33 00:01:33,280 --> 00:01:34,880 Speaker 2: And it also means that he makes a lot of 34 00:01:34,959 --> 00:01:38,000 Speaker 2: money from her six shoe albums being licensed. This is 35 00:01:38,000 --> 00:01:42,400 Speaker 2: like Michael Jackson buying the Beatles back catalog. Yes, yes, exactly. 36 00:01:42,920 --> 00:01:46,280 Speaker 2: So Taylor Swift by that point had already moved record labels. 37 00:01:46,280 --> 00:01:49,080 Speaker 2: She was with Universal by that point, and she came 38 00:01:49,120 --> 00:01:52,320 Speaker 2: out and released this famous statement to Tumblr very retro 39 00:01:52,720 --> 00:01:55,400 Speaker 2: in twenty nineteen where she called the deal her worst 40 00:01:55,440 --> 00:01:59,280 Speaker 2: case scenario. She said the sale was a nightmare for her. 41 00:01:59,360 --> 00:02:03,040 Speaker 2: She accused Braun of incessant manipulity bullying over the years, 42 00:02:03,360 --> 00:02:06,360 Speaker 2: and that was the start of this very very public fallout. 43 00:02:06,680 --> 00:02:10,799 Speaker 2: Now this bullying. She refers to Scooter Braun managed Kanye West. 44 00:02:10,919 --> 00:02:14,320 Speaker 2: You might remember the infamous two thousand and Ninevmas. He 45 00:02:14,360 --> 00:02:16,600 Speaker 2: stormed the stage, Taylor won and award, he said it 46 00:02:16,600 --> 00:02:19,280 Speaker 2: should have gone to Beyonce. And then later he made 47 00:02:19,280 --> 00:02:22,240 Speaker 2: this song called Famous, where he said he implied that 48 00:02:22,600 --> 00:02:24,799 Speaker 2: him and Taylor might still have sex because he made 49 00:02:24,840 --> 00:02:28,120 Speaker 2: her famous. The video clip had like an AI or 50 00:02:28,200 --> 00:02:30,880 Speaker 2: like a modeled version of Taylor Swift naked in a bed. 51 00:02:30,960 --> 00:02:34,160 Speaker 2: It was all very seedy and very offensive. She hated it. 52 00:02:34,240 --> 00:02:38,280 Speaker 2: The world hated it anyway. Scooter Braun has now done 53 00:02:38,320 --> 00:02:41,560 Speaker 2: a podcast where he has spoken about the whole saga. 54 00:02:41,600 --> 00:02:43,880 Speaker 2: He's admitted that he was kind of shocked by Taylor 55 00:02:43,919 --> 00:02:47,320 Speaker 2: Swift's response to him buying the records, and that he 56 00:02:47,520 --> 00:02:49,880 Speaker 2: kind of the whole thing just blew up out of proportion. 57 00:02:50,040 --> 00:02:51,360 Speaker 2: He's a little bit of what he said. 58 00:02:51,560 --> 00:02:54,280 Speaker 1: I started managing Kanye West, I managed Justin Bieber. I 59 00:02:54,360 --> 00:02:56,079 Speaker 1: knew she didn't get along with them. This is where 60 00:02:56,080 --> 00:02:58,160 Speaker 1: my arrogance came in. I had a feeling she probably 61 00:02:58,160 --> 00:03:00,440 Speaker 1: didn't like me because I manage them. But I thought 62 00:03:00,520 --> 00:03:03,200 Speaker 1: that once this announcement happened, she would talk to me 63 00:03:03,400 --> 00:03:07,040 Speaker 1: and we would work together. I can't worry about everyone's 64 00:03:07,120 --> 00:03:12,440 Speaker 1: niece being mad at me, you know, I wish everyone 65 00:03:12,520 --> 00:03:15,560 Speaker 1: involved nothing but good wishes. But he should worry about 66 00:03:15,560 --> 00:03:17,639 Speaker 1: her being mad at him, because all her followers would 67 00:03:17,639 --> 00:03:18,240 Speaker 1: be mad at him. 68 00:03:18,360 --> 00:03:21,560 Speaker 2: Yes, and so was the last I guess eight years 69 00:03:21,600 --> 00:03:24,960 Speaker 2: of his life has been kind of this sticking point 70 00:03:25,040 --> 00:03:27,080 Speaker 2: for not only Taylor Swift, but the whole world and 71 00:03:27,120 --> 00:03:30,000 Speaker 2: all of her fans and all of the criticism against him. 72 00:03:30,320 --> 00:03:32,400 Speaker 2: He says that that criticism has given him kind of 73 00:03:32,400 --> 00:03:34,440 Speaker 2: a new understanding of what it's like to be on 74 00:03:34,480 --> 00:03:37,880 Speaker 2: the receiving end of scrutiny, that it taught him real empathy. 75 00:03:38,040 --> 00:03:41,080 Speaker 2: He's being very kind of like, oh, like, I've had 76 00:03:41,120 --> 00:03:43,240 Speaker 2: this full personal journey and now I've come out on 77 00:03:43,240 --> 00:03:44,840 Speaker 2: the other side and I'm a great guy. But the 78 00:03:44,920 --> 00:03:45,760 Speaker 2: jury's out on that. 79 00:03:46,160 --> 00:03:47,600 Speaker 3: How can't she buy the stuff back? 80 00:03:47,760 --> 00:03:52,040 Speaker 2: Well, Scooter Braun sold the Masters to a private equity 81 00:03:52,080 --> 00:03:56,560 Speaker 2: firm in twenty twenty called Shamrock Capital. Swift declined to 82 00:03:56,680 --> 00:03:59,320 Speaker 2: partner with them on that deal because Scooter Braun would 83 00:03:59,360 --> 00:04:02,320 Speaker 2: still profit it from it, so she wanted absolutely nothing 84 00:04:02,360 --> 00:04:05,200 Speaker 2: to do with him, But a couple of weeks ago 85 00:04:05,280 --> 00:04:07,120 Speaker 2: we heard from her. She posted a letter to a 86 00:04:07,200 --> 00:04:11,640 Speaker 2: website saying she'd finally brought back her entire catalog from Shamrock. 87 00:04:12,080 --> 00:04:14,640 Speaker 2: This means she's regained control of all of the songs, 88 00:04:14,680 --> 00:04:17,239 Speaker 2: of all the videos, the related assets of her first 89 00:04:17,320 --> 00:04:19,920 Speaker 2: six albums. She said, all of the music I've ever 90 00:04:19,960 --> 00:04:22,440 Speaker 2: made now belongs to me. The best things that have 91 00:04:22,600 --> 00:04:26,880 Speaker 2: never that have ever been mine finally actually are. Shamrock 92 00:04:26,960 --> 00:04:29,880 Speaker 2: Capital has released a statement in support, saying it's thrilled 93 00:04:29,880 --> 00:04:33,359 Speaker 2: at the outcome, so happy for Taylor. Of course, it's thrilled. 94 00:04:33,400 --> 00:04:35,520 Speaker 2: It just made a room with three hundred and sixty millions. 95 00:04:35,560 --> 00:04:37,880 Speaker 2: Offer was done all right, ever, but it's like me, 96 00:04:38,000 --> 00:04:41,000 Speaker 2: I owned the original masters to bad elements so exactly, 97 00:04:41,040 --> 00:04:43,240 Speaker 2: and you hold on to those that's on a lock 98 00:04:43,320 --> 00:04:43,640 Speaker 2: and key. 99 00:04:43,760 --> 00:04:45,200 Speaker 1: Is anyone fighting you for them? 100 00:04:45,400 --> 00:04:47,920 Speaker 2: People? They're lining up out the door. Don't you let 101 00:04:47,960 --> 00:04:51,120 Speaker 2: those big music industry types take that away from. 102 00:04:50,920 --> 00:04:52,400 Speaker 3: The Scooter Braun of the world. 103 00:04:52,520 --> 00:04:54,280 Speaker 2: Exactly, No more scooters. 104 00:04:54,480 --> 00:04:55,000 Speaker 1: Check it out. 105 00:04:55,360 --> 00:04:58,120 Speaker 3: Check her out editor The Daily Lesbie. 106 00:04:58,200 --> 00:05:00,200 Speaker 2: Thank you, Thank you U