WEBVTT - #73: Live From Bogan Gate

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<v Speaker 1>People do some weird shit.

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<v Speaker 2>Television legend Carrie Ane Kenney fell several meters from a

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<v Speaker 2>trapeze while performing in the musical Pivot.

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<v Speaker 3>Some things that make more sense than others bring pikes, nurseries,

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<v Speaker 3>urcury pikes, p y k.

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<v Speaker 4>E sky Why I.

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<v Speaker 1>Hey, as in kill hey?

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<v Speaker 2>Why? Okay?

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<v Speaker 1>Bless yourself for the rude shocks of young adultsthood.

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<v Speaker 5>Why is your life so expensive?

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<v Speaker 1>I'm not even having a good child.

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<v Speaker 2>Is it just.

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<v Speaker 1>By a couple of mitches?

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<v Speaker 6>What about me?

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<v Speaker 5>Don't forget now?

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<v Speaker 1>He is Michtui and one in person. Welcome to episode

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<v Speaker 1>seventy three one digitally live from Bogan Gate. I feel

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<v Speaker 1>like I'm noting a Channel nine cross.

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<v Speaker 5>Oh I actually wasn't going to address that. I'm in

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<v Speaker 5>by Gate. It's illegal for me to leave Greater Sydney.

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<v Speaker 5>Thanks for that. Oh no, well, I'm only kidding. I

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<v Speaker 5>got I got the clearance to leave. It's fine. I

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<v Speaker 5>was only kidding. I wanted to freak you out. But no,

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<v Speaker 5>I'm in bogen Gate. Back home on the fart.

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<v Speaker 1>It'll be interesting, isn't isn't modern tech beautiful? Mitchell? We've

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<v Speaker 1>managed to do the show.

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<v Speaker 5>I know we've managed to do this. How's Sydney Lockdown going?

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<v Speaker 5>I fled?

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<v Speaker 1>Oh god, well, I started the biggest career achievement today.

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<v Speaker 1>It's my own breakfast show on Kyle and Jackieo's time slot.

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<v Speaker 1>Finally get a producer. Two week snap, Sydney Lockdown. Come on.

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<v Speaker 5>So there's less people in cars actually listening to your

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<v Speaker 5>momentous radio promotion. But that's okay.

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<v Speaker 1>But I don't mind. I'm enjoying it. I'm having fun.

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<v Speaker 1>I'm good, We're saved. Jenna's here as well. High prizekeeper

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<v Speaker 1>jenn Is in actually in studio, in the flesh. I

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<v Speaker 1>can see you. How's isolation not isolation quarantine for you?

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<v Speaker 4>You're right, it's been okay.

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<v Speaker 6>Yesterday I spent time with my cat, and I wanted

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<v Speaker 6>to see her reaction to the Cats Soundtrap, the original

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<v Speaker 6>Broadway recording.

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<v Speaker 4>She really liked it.

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<v Speaker 1>Really, she would be the only one in the world

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<v Speaker 1>that enjoyed the remake too.

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<v Speaker 4>Oh no, she didn't listen to the remake. Oh I wouldn't.

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<v Speaker 4>I wouldn't give her that note.

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<v Speaker 1>It wasn't your last cat deaf, So you weren't able

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<v Speaker 1>to do that with it? Yes, yes, crumpet crumbed of course,

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<v Speaker 1>cinmon toast.

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<v Speaker 5>So are you by essential services or something? You're not

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<v Speaker 5>having to work from home?

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<v Speaker 1>You're in the office, Yeah, playing stupid radio games getting

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<v Speaker 1>people to guess if it's a fart or a crack

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<v Speaker 1>is essential. I'm actually getting the vaccine this Sunday I'm

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<v Speaker 1>getting I'm getting fires. I am my brain condition, I

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<v Speaker 1>am and my sister is a is a frontline worker,

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<v Speaker 1>so I have double the reason. And I applied the

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<v Speaker 1>day before lockdown and they're like, book in for next Sunday.

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<v Speaker 1>I'm like, great, then lockdown hit. No, you can't get

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<v Speaker 1>it for months. But Hayden and I booked in and

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<v Speaker 1>we're both getting fires a Sunday. You believe.

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<v Speaker 6>Wow?

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<v Speaker 5>Wow, isn't fires are a good one? What's the what's

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<v Speaker 5>the crap one that apparently people don't want? The astro projector.

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<v Speaker 1>Astrosenic Yeah, it would be a great drag name for me.

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<v Speaker 1>Please work on the stage Astrosedika. She will kill the stage.

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<v Speaker 1>Now I'm getting fires. Don't be afraid of the vaccine, guys.

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<v Speaker 1>It's brilliant. Science is amazing. Vaccines are hot.

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<v Speaker 5>Get vaccinated, even Astroseneka. I kid I kid. Apparently it's

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<v Speaker 5>it's risk free. It's fine. But there you go. You're

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<v Speaker 5>getting the jab. Lucky you.

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<v Speaker 1>I know I'm the first one. They're like any heart problems,

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<v Speaker 1>I might probably, but there wasn't a box for that,

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<v Speaker 1>so I said no, And here I am getting it

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<v Speaker 1>on Sunday, So all out Live will be happening that

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<v Speaker 1>like hours after I get my vaccine, so we will

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<v Speaker 1>see if the service is good on the live because

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<v Speaker 1>apparently the five G and the vaccine will help me.

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<v Speaker 1>You might boost the signal.

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<v Speaker 5>Oh yes, Sunday night, Instagram Live. You'll have a little

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<v Speaker 5>band aid on your shoulder.

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<v Speaker 1>Yes, I will one. I've put up little insta story

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<v Speaker 1>with let's get vaccinated sticker and everything. Every uful, she went,

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<v Speaker 1>But welcome to the show. If it is your first

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<v Speaker 1>time listening, This is it just me? Every week we

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<v Speaker 1>start the same way with two Is it just me?

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<v Speaker 1>Something we've noticed, something we hate or appreciate. Mine this

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<v Speaker 1>week is something that's from the Breakfast show. I did

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<v Speaker 1>an interview with someone, which was great. He was very lovely,

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<v Speaker 1>but it made me think, sir, you're useless. God, that's harsh. Okay,

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<v Speaker 1>lovely guest in society. What role do you serve? It

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<v Speaker 1>will all make sense when I say it, What do

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<v Speaker 1>you have? Mitchell?

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<v Speaker 5>Mine is about something that's really troubling the people out

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<v Speaker 5>in the bush as you know, at home on the

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<v Speaker 5>farm at the moment. And there's something that's really troubling people.

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<v Speaker 5>But either I reckon it's a problem in the city

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<v Speaker 5>as well.

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<v Speaker 1>Really what that that? You're a gay man there the terrifying.

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<v Speaker 5>No, that's got nothing to do with it.

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<v Speaker 1>Or actually a local Celebrian bogen Gate, aren't you.

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<v Speaker 5>Well, I mean the pool is pretty shallow as far

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<v Speaker 5>as celebrities go in bogen Gate, So I guess so

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<v Speaker 5>other than Shannon Knowl from Condoberlin, if like a half

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<v Speaker 5>hour drive away, I'm it really interesting.

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<v Speaker 1>All right, well two regions. I'll do mine first. I

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<v Speaker 1>think I will jump in. But also we're doing another

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<v Speaker 1>round of you've brought this to the table, Mitchell, But

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<v Speaker 1>we don't talk back tings on the show today.

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<v Speaker 5>Ray, Yes, a lot of people say this is their favorite.

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<v Speaker 5>When I was listening to like thick the hours of

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<v Speaker 5>talkback during the drive back home and I finally found

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<v Speaker 5>something cooked, I was like, oh my god, I have

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<v Speaker 5>to bring that up. I think it's brilliant. It's a

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<v Speaker 5>bit out there, but I think that you could actually

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<v Speaker 5>implement it into you know, Sydney radio.

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<v Speaker 1>Mitchell, Oh, listen, I'm on Breakfast number one, sorry by

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<v Speaker 1>in front of Jones and Amanda, So we will have

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<v Speaker 1>to see. We'll do that later on the show talkback.

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<v Speaker 1>Things were ready for my igy.

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<v Speaker 5>Yeah, let's do it.

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<v Speaker 1>Let's go. Is it just me? Are you unsure what

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<v Speaker 1>purpose royal commentators serve?

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<v Speaker 5>It sounds like a self appointed job, right, Yes, it's

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<v Speaker 5>not a role.

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<v Speaker 1>I mean I will love to meet a McDonald's commentator,

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<v Speaker 1>but it doesn't exist.

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<v Speaker 5>No, it's ever doesn't.

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<v Speaker 1>But maybe that's what that's my point. All these royalists

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<v Speaker 1>have come together and gone, hey, we're just obsessed with

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<v Speaker 1>this drama pre Crown on Netflix. There was this underground

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<v Speaker 1>cult obsession with the royals. They all must have a

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<v Speaker 1>Reddit page or an email read and they decided to

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<v Speaker 1>be royal commentators and commentator in the royal family. But

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<v Speaker 1>they all have the weirdest connection, like it was a

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<v Speaker 1>royal commentator today because it's Princess Diana's would have been

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<v Speaker 1>her sixtieth birthday, but she was murdered, assassinated by the Royals, allegedly,

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<v Speaker 1>And I heard one on the news today and he went, yeah,

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<v Speaker 1>Princess Diana frequented the local cafe that I went to,

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<v Speaker 1>and I knew. I knew that she'd hate this statue.

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<v Speaker 5>How would you not?

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<v Speaker 6>Do you remember just before the Meghan and Harry's Oprah interview,

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<v Speaker 6>and I'm pretty sure there were YouTubers who did a

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<v Speaker 6>prank and got all these royal commentators and said, this

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<v Speaker 6>will be aired after the interview, just act as if

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<v Speaker 6>you've seen it, and they all acted as if yes, Yeah.

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<v Speaker 6>I was disgusted when Meghan said They were like.

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<v Speaker 5>Oh, I think that it was clear that Meghan was lying.

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<v Speaker 5>You could tell from her body language. It's like, you

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<v Speaker 5>haven't seen it, dog.

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<v Speaker 1>It hasn't happened. It makes me sick, and it literally

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<v Speaker 1>they all get one this morning the Today Show. And yes,

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<v Speaker 1>I was walking past Windsor Castle and I knew Elizabeth

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<v Speaker 1>was seeing the new statue of Diana. The hell did

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<v Speaker 1>you know? You have no right to say this? And

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<v Speaker 1>what the fuck's a commentator? You've got a tennis commentator,

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<v Speaker 1>go for? You're watching sport football commentators? Yeah, fantastic, you're

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<v Speaker 1>watching something happening, But royal commentating isn't real.

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<v Speaker 5>It's kind of like social commentators, like you know those

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<v Speaker 5>pre mixedwens of the world that just kind of get

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<v Speaker 5>up on breakfast TV or any sort of panel show

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<v Speaker 5>and just go on rants. And it's like, who what

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<v Speaker 5>qualifies you to go on these rants? Why is your

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<v Speaker 5>social commentary more important than some clown typing comments on Facebook.

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<v Speaker 5>It's just I don't get it.

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<v Speaker 1>Yeah, Like you have a flannel shirt, Mitch, you're gonna rebrand?

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<v Speaker 1>Is a flannel shirt commentator? I don't think so.

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<v Speaker 5>I could, but I don't have a lot to say.

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<v Speaker 5>It needs to be something that you could honestly commentate about.

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<v Speaker 5>Like if you get a nerd started on Minecraft, for example,

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<v Speaker 5>they talk for how if they won't shut up. I

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<v Speaker 5>don't think there's anything like that that I could be

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<v Speaker 5>a commentator about. You could easily be, like, I don't know,

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<v Speaker 5>a Rupeaul commentator or a macis commentator. As he said,

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<v Speaker 5>Jennet could be a murder commentator.

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<v Speaker 1>I'll try and be a I'll try and be a

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<v Speaker 1>McDonald's commentator. So, Mitch, pretend we're on a breakfast talk

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<v Speaker 1>show and Macus has just dropped a new menu item.

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<v Speaker 1>So to comment on it, you've got macas commentator, Mitch

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<v Speaker 1>mac because that's what my name would be, Mitch Sesame.

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<v Speaker 5>See no this we're not doing a fake name. We're

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<v Speaker 5>doing this as though you could actually do this tomorrow

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<v Speaker 5>and like this could be your new gig. You could

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<v Speaker 5>leave Rady and become a Macus commentator.

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<v Speaker 1>Okay, all right, I've got news music if you want it,

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<v Speaker 1>I do have it.

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<v Speaker 5>Yeah right, hit it. And the Big Mac as we

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<v Speaker 5>know it is about to get a make over there,

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<v Speaker 5>expanding the family. We cross now to our McDonald's commentator,

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<v Speaker 5>Mitchell Cherry. Mitch, what can you tell us about the

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<v Speaker 5>new burghersh.

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<v Speaker 1>It is great to be here, Mitch. You're cute as

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<v Speaker 1>a nugget. I would wrap you in sweet and sour

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<v Speaker 1>if I could, and I would. Let me tell you,

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<v Speaker 1>it's a pleasure to be here today. And the new

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<v Speaker 1>Mac range is expanding its chores to Australia, a long

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<v Speaker 1>time coming, New Zealand, Asia, Paraguay, China and we believe

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<v Speaker 1>at Madagascar have had the macrange since ninety seven, and

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<v Speaker 1>of course we didn't have the mac range in ninety

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<v Speaker 1>seven because of the massacre that took place on Max

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<v Speaker 1>Street in nineteen ninety seven. Of course it was a

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<v Speaker 1>bit on the nose.

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<v Speaker 5>Okay, you're just making shit up now, I can't. This

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<v Speaker 5>is an audition to any of the TV stations.

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<v Speaker 1>Now, that's what they do. They find links and they

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<v Speaker 1>fluff shit. Ha. Anyway, that's my agent. I've got it

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<v Speaker 1>out of my system. You ready, Mitchell, Yeah, let's go.

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<v Speaker 5>Is it just me? Is TV so confusing now?

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<v Speaker 1>Yes? Like the show, Yes, all the.

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<v Speaker 5>Free to wear TV shows. They're like swapping channels and

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<v Speaker 5>it's so hard to keep up. I might even do

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<v Speaker 5>a quiz with you guys. Right, So Australian Idol, where

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<v Speaker 5>would you find that?

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<v Speaker 4>Channel ten?

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<v Speaker 6>Ten?

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<v Speaker 5>Well, it used to be, but it's coming back to seven? Yes,

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<v Speaker 5>far yes, Farmer wants a Wife? Where would you find

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<v Speaker 5>that nine?

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<v Speaker 1>That's nine?

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<v Speaker 2>No?

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<v Speaker 5>Channel seven now again Channel seven is need to be

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<v Speaker 5>picking up all the oldies Dancing with the Stars.

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<v Speaker 4>I think that's back to seven, ye, but it was ten.

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<v Speaker 1>It was ten because Grant Daniels ten.

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<v Speaker 5>Yes, it went seven then ten? Now back to seven?

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<v Speaker 5>What about Beauty and the Geek? Where would you find that?

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<v Speaker 1>Oh, I'm on that show. I do know that channel.

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<v Speaker 4>I would say ten.

0:10:32.920 --> 0:10:36.720
<v Speaker 5>No, it is Channel nine. I also got it wrong, Jenna.

0:10:36.760 --> 0:10:41.720
<v Speaker 5>Can I tell you, Mitchell? You know how you told

0:10:41.800 --> 0:10:44.200
<v Speaker 5>us last week that you'd locked in Sophie Monk to

0:10:44.200 --> 0:10:47.559
<v Speaker 5>come on the show. Yeah, so she's hosting Beauty in

0:10:47.600 --> 0:10:49.439
<v Speaker 5>the Geek and she's going to come on our podcast

0:10:49.559 --> 0:10:54.040
<v Speaker 5>to promote it. And before that we'd spoken off the

0:10:54.040 --> 0:10:56.800
<v Speaker 5>cloud about getting her on the show. You said, oh,

0:10:56.880 --> 0:11:02.640
<v Speaker 5>let me reach out, and I I just didn't believe you.

0:11:02.720 --> 0:11:05.720
<v Speaker 5>I thought you would, like you've done many times before,

0:11:05.880 --> 0:11:09.160
<v Speaker 5>not actually do it. And so I took it upon

0:11:09.240 --> 0:11:11.960
<v Speaker 5>myself to reach out to one of my publicists. But

0:11:12.080 --> 0:11:14.520
<v Speaker 5>I emailed the wrong TV station.

0:11:15.040 --> 0:11:17.960
<v Speaker 1>Oh no, she was so confused, or who did you

0:11:18.000 --> 0:11:19.720
<v Speaker 1>email instead of Channel nine publicity?

0:11:19.920 --> 0:11:20.079
<v Speaker 7>Well?

0:11:20.120 --> 0:11:22.880
<v Speaker 5>I thought Bearding in the Geek was on Channel fucking seven,

0:11:22.920 --> 0:11:25.400
<v Speaker 5>didn't I? So I emailed them. I said, Hey, who's

0:11:25.440 --> 0:11:27.800
<v Speaker 5>looking after Sophie Monk's press schedule? And they were like,

0:11:27.880 --> 0:11:30.920
<v Speaker 5>we can't help you with that for Channel nine and

0:11:30.960 --> 0:11:33.480
<v Speaker 5>I was like, oh no, I should have just trusted Mitchell.

0:11:33.520 --> 0:11:35.400
<v Speaker 5>I shouldn't looked what I've done. I've made a fool

0:11:35.400 --> 0:11:35.960
<v Speaker 5>of myself.

0:11:36.120 --> 0:11:38.640
<v Speaker 1>I'm on the fucking show. This is the one thing

0:11:38.720 --> 0:11:41.360
<v Speaker 1>that I do know, the one time I can actually

0:11:41.400 --> 0:11:42.040
<v Speaker 1>get a guest.

0:11:42.520 --> 0:11:44.959
<v Speaker 5>I know, I believe me. I seriously thought it was

0:11:45.000 --> 0:11:47.280
<v Speaker 5>on Channel seven. Since when is it on nine? No?

0:11:47.440 --> 0:11:50.120
<v Speaker 1>I completely agree. I even said to the team, Oh,

0:11:50.200 --> 0:11:52.959
<v Speaker 1>what's it like working at Channel seven when we were filming?

0:11:53.160 --> 0:11:56.240
<v Speaker 1>I think fuck Production Company was running it and not

0:11:56.320 --> 0:11:58.360
<v Speaker 1>Channel seven. They're like, oh, babe, we're and am ol shine.

0:11:58.400 --> 0:12:00.480
<v Speaker 1>I got no idea. This is Channel nine. Just so

0:12:00.600 --> 0:12:02.160
<v Speaker 1>you know, thank.

0:12:01.960 --> 0:12:04.320
<v Speaker 5>God, You're like, I wore red for this. What do

0:12:04.360 --> 0:12:07.720
<v Speaker 5>you mean it's Channel line? Well? Can I just say,

0:12:07.880 --> 0:12:11.440
<v Speaker 5>if you think TV is confusing enough for us, it's

0:12:11.559 --> 0:12:14.720
<v Speaker 5>even more confusing in the country, right. Did you know

0:12:14.880 --> 0:12:17.600
<v Speaker 5>Mitchell Jenna would know being from Dubbo. Did you know

0:12:17.679 --> 0:12:22.280
<v Speaker 5>that all the stations have different names out in the bush.

0:12:22.120 --> 0:12:25.000
<v Speaker 1>For what reason would they need to have different names?

0:12:25.000 --> 0:12:27.680
<v Speaker 5>That baffles me because it's like they've got their own

0:12:27.720 --> 0:12:30.640
<v Speaker 5>TV networks, but they simulcast whatever's happening in the city.

0:12:30.679 --> 0:12:34.800
<v Speaker 5>Like the last few years, Channel ten have been called WIN, right,

0:12:35.440 --> 0:12:35.800
<v Speaker 5>and I.

0:12:35.720 --> 0:12:38.480
<v Speaker 6>Don't like that because it was originally Channel nine was WIN.

0:12:38.960 --> 0:12:41.840
<v Speaker 5>That's right. Channel nine was WIN for ages. Then WIN

0:12:41.920 --> 0:12:44.600
<v Speaker 5>became Channel ten for the last few years. But today

0:12:45.000 --> 0:12:48.600
<v Speaker 5>I'm not even kidding. Literally today they swapped again, so

0:12:48.760 --> 0:12:52.320
<v Speaker 5>WIN is now Channel nine and Channel ten shows will

0:12:52.320 --> 0:12:55.880
<v Speaker 5>be on Southern Cross ten. It's very confusing, even especially

0:12:55.880 --> 0:12:57.960
<v Speaker 5>for old people like my mother. She was complaining to

0:12:57.960 --> 0:13:01.520
<v Speaker 5>me this morning about actually see if she's here.

0:13:01.880 --> 0:13:07.000
<v Speaker 1>Jane her house. Hope, Yes, she's near coming here, probably

0:13:07.000 --> 0:13:07.960
<v Speaker 1>in the kitchen.

0:13:08.400 --> 0:13:11.040
<v Speaker 5>Jay was selling this morning. She's very upset because she's

0:13:11.200 --> 0:13:13.120
<v Speaker 5>very confused about her favorite show. What were you telling me?

0:13:13.160 --> 0:13:13.920
<v Speaker 5>Mitch and Jenner? Here?

0:13:15.000 --> 0:13:17.240
<v Speaker 1>Hi, Mitch and Jenna. Jay.

0:13:17.760 --> 0:13:20.120
<v Speaker 8>I was having a bit of a winge because I

0:13:20.160 --> 0:13:22.400
<v Speaker 8>love watching The Ball and the Beautiful and I won't

0:13:22.400 --> 0:13:23.840
<v Speaker 8>know what channel to put it on now.

0:13:23.960 --> 0:13:27.240
<v Speaker 1>Oh no, that's very important, more than the news, I'd say.

0:13:27.400 --> 0:13:28.560
<v Speaker 5>Also, where was it before?

0:13:29.320 --> 0:13:31.120
<v Speaker 8>Was on channel eight? Right?

0:13:31.360 --> 0:13:33.840
<v Speaker 5>You press eight on the remote? Now, what do you press? Bye?

0:13:34.000 --> 0:13:35.240
<v Speaker 5>There you go. You know what you're doing. You'll be

0:13:35.240 --> 0:13:35.840
<v Speaker 5>able to find it.

0:13:36.000 --> 0:13:37.520
<v Speaker 8>Yeah, well, I hope so, because I don't want to

0:13:37.520 --> 0:13:40.200
<v Speaker 8>miss Brooken Ridge. You never know what they're going to

0:13:40.200 --> 0:13:40.520
<v Speaker 8>get up to.

0:13:40.559 --> 0:13:44.760
<v Speaker 5>Yeah, exact, Clara, I thank you, Jane, Jane, bathroom there

0:13:44.800 --> 0:13:49.000
<v Speaker 5>you go. So if it's confusing for young people like us,

0:13:49.040 --> 0:13:52.160
<v Speaker 5>what hope do the elderly like my mother have. It's like,

0:13:52.200 --> 0:13:55.439
<v Speaker 5>whenever people tell me that they don't listen to podcasts

0:13:55.559 --> 0:13:58.880
<v Speaker 5>because they find them confusing, I'm like, what do you mean?

0:13:59.360 --> 0:14:02.600
<v Speaker 5>Our podcast US is in the same place whenever you

0:14:02.640 --> 0:14:04.720
<v Speaker 5>want it. You can listen at any time you like,

0:14:04.840 --> 0:14:06.640
<v Speaker 5>just choose an app and it's there all the time.

0:14:06.640 --> 0:14:09.960
<v Speaker 5>There's no chopping and changing like all the bloody TV channels.

0:14:10.000 --> 0:14:13.640
<v Speaker 1>You know, the one network that never changes, the fucking

0:14:13.840 --> 0:14:15.120
<v Speaker 1>pawn channels?

0:14:15.400 --> 0:14:16.800
<v Speaker 5>What porn channel?

0:14:17.000 --> 0:14:22.080
<v Speaker 1>Always it's always ninety seven, ninety eight, ninety nine sexy

0:14:22.160 --> 0:14:24.320
<v Speaker 1>singles in your area, ready.

0:14:23.960 --> 0:14:26.960
<v Speaker 5>To play Jesus. I don't know about you, Jenna, but

0:14:27.000 --> 0:14:28.600
<v Speaker 5>they didn't have that out in the country when I'm

0:14:28.800 --> 0:14:29.240
<v Speaker 5>up there.

0:14:29.520 --> 0:14:31.840
<v Speaker 1>I didn't know need the suicide rates to drop if

0:14:31.840 --> 0:14:39.480
<v Speaker 1>you did that you're listening to Is it just me

0:14:40.120 --> 0:14:44.960
<v Speaker 1>the podcast that abribes you for your please? All right? Yeah?

0:14:45.000 --> 0:14:47.320
<v Speaker 1>He leave us a review five stars. Please. It keeps

0:14:47.360 --> 0:14:49.800
<v Speaker 1>us going on the cloud. It's like getting a homeless

0:14:49.800 --> 0:14:52.360
<v Speaker 1>person the cheeseburger. It will keep us on.

0:14:52.560 --> 0:14:57.720
<v Speaker 5>And plus weirdest analogy of ef but it worked everyone knows.

0:14:59.080 --> 0:15:00.920
<v Speaker 1>That's how we pay Jen. It's just a double beef

0:15:00.920 --> 0:15:03.160
<v Speaker 1>and bacon on the day. Wow a Maca's heavy episode.

0:15:03.400 --> 0:15:04.560
<v Speaker 5>Yeah are you hungry, Darlin?

0:15:04.920 --> 0:15:07.120
<v Speaker 1>Yeah, I've been up since three. I had a bowl

0:15:07.160 --> 0:15:09.880
<v Speaker 1>of Sultana brand and that went fucking soggy.

0:15:10.600 --> 0:15:13.240
<v Speaker 5>Oh yeah, that stuff does go soggy, doesn't know how

0:15:13.320 --> 0:15:14.000
<v Speaker 5>upsetting So.

0:15:13.960 --> 0:15:15.400
<v Speaker 1>I didn't get to eat it. So no, I haven't

0:15:15.400 --> 0:15:17.640
<v Speaker 1>had any food. But I'm running on two oatmeal glattes.

0:15:17.720 --> 0:15:20.360
<v Speaker 1>So let's get some reviews on. If your review is

0:15:20.360 --> 0:15:23.120
<v Speaker 1>red out, price keep Agenna will send you out a

0:15:23.240 --> 0:15:26.680
<v Speaker 1>rare season three commemorative Egian mug. Mit your working people,

0:15:26.720 --> 0:15:27.200
<v Speaker 1>buy these.

0:15:27.880 --> 0:15:29.720
<v Speaker 5>Head to the Lincoln our Instagram buy if you want

0:15:29.720 --> 0:15:32.000
<v Speaker 5>to buy a mug. If you can't be bothered rolling

0:15:32.000 --> 0:15:34.080
<v Speaker 5>the dice and trying to win one by leaving a review,

0:15:34.120 --> 0:15:36.280
<v Speaker 5>you can just buy yourself one. But if you do

0:15:36.400 --> 0:15:38.600
<v Speaker 5>hear your review red out, you have to message Jenna

0:15:38.720 --> 0:15:41.880
<v Speaker 5>within seven days. Jenna, can I ask, actually, how often

0:15:41.880 --> 0:15:43.880
<v Speaker 5>do people not mesage you within the seven days?

0:15:44.200 --> 0:15:47.240
<v Speaker 4>Surprisingly quite a lot of people really.

0:15:47.000 --> 0:15:49.840
<v Speaker 1>Yes, Yeah, well that's their own fucking fault.

0:15:50.120 --> 0:15:51.720
<v Speaker 5>If you leave a review, you've got to listen to

0:15:51.760 --> 0:15:53.480
<v Speaker 5>hear if it's thread out, that's how this works.

0:15:53.680 --> 0:15:57.040
<v Speaker 1>Hey, Josh Maxim, if you're listening, buddy, you've got yourself

0:15:57.040 --> 0:16:00.400
<v Speaker 1>a mug. Your best podcast ever on Apple Podcasts, listening

0:16:00.400 --> 0:16:02.520
<v Speaker 1>since day one, haven't looked back. I've been listening to

0:16:02.640 --> 0:16:07.360
<v Speaker 1>komb since. Sorrychury, I look forward to my Mondays to

0:16:07.440 --> 0:16:09.200
<v Speaker 1>have an hour to sit down and enjoy my time.

0:16:09.640 --> 0:16:12.720
<v Speaker 5>Did he actually say what he's been listening to my

0:16:12.760 --> 0:16:18.000
<v Speaker 5>old podcast? I'm assuming yeah, not my cup of tea, not.

0:16:17.880 --> 0:16:20.360
<v Speaker 1>My cot I don't know, no wonder it was canceled,

0:16:20.560 --> 0:16:23.400
<v Speaker 1>historically canceled. I low key want Shuri to be my

0:16:23.400 --> 0:16:26.360
<v Speaker 1>personal stylist because you're always looking bougie. Oh take that back.

0:16:26.400 --> 0:16:28.080
<v Speaker 1>He also fucking not my cup of tea. He gives

0:16:28.080 --> 0:16:32.680
<v Speaker 1>you a shit when he commiments PS, love you, Jenna.

0:16:32.800 --> 0:16:34.160
<v Speaker 1>All dogs welcome in my house.

0:16:35.280 --> 0:16:35.960
<v Speaker 2>Call you a dog.

0:16:38.200 --> 0:16:38.800
<v Speaker 4>It's great.

0:16:38.880 --> 0:16:42.160
<v Speaker 5>I like him. I'm disrespectful within the reference to last

0:16:42.200 --> 0:16:44.480
<v Speaker 5>week when I said that I don't like inside dogs.

0:16:45.160 --> 0:16:46.960
<v Speaker 1>Oh, I thought he was saying, love you meet you

0:16:47.040 --> 0:16:49.440
<v Speaker 1>love your old podcast, Mitch, your fashion is great, and

0:16:49.560 --> 0:16:52.440
<v Speaker 1>Jenna every the podcast needs a good dog.

0:16:52.880 --> 0:16:56.240
<v Speaker 5>Jenna mutts like you were welcome under my roof, fuck you.

0:16:57.600 --> 0:17:00.480
<v Speaker 1>That's the best. We will send that mug out. What's

0:17:00.520 --> 0:17:03.360
<v Speaker 1>your name, Josh Maxim? This one is Brent jd nineteen

0:17:03.480 --> 0:17:06.320
<v Speaker 1>ninety nine. Good Year keeps my drive to work fun.

0:17:06.400 --> 0:17:08.320
<v Speaker 1>I live for this podcast. I've been following all of

0:17:08.320 --> 0:17:10.920
<v Speaker 1>you guys for ages. I love both Mitchell's and have

0:17:11.000 --> 0:17:12.760
<v Speaker 1>always had a good laugh in the car every episode.

0:17:12.760 --> 0:17:15.560
<v Speaker 1>I didn't realize how funny Jenna was. I remember hearing

0:17:15.560 --> 0:17:18.359
<v Speaker 1>her when she was working with Jason p J and Melbourne. Oh,

0:17:18.840 --> 0:17:21.280
<v Speaker 1>which is the Kiss Breakfast Show? That you had a

0:17:21.280 --> 0:17:24.320
<v Speaker 1>short stint at nine months and there were allegations, but

0:17:24.359 --> 0:17:29.119
<v Speaker 1>we won't go. Thank you for the weekly podcast, also

0:17:29.119 --> 0:17:30.800
<v Speaker 1>for the smaller ones when I don't have enough time

0:17:30.800 --> 0:17:33.000
<v Speaker 1>for the full episode on which that's you you make

0:17:33.040 --> 0:17:34.399
<v Speaker 1>the little snacker. I love that.

0:17:34.480 --> 0:17:37.600
<v Speaker 5>I'm glad someone appreciates that I'm catering this podcast to

0:17:37.640 --> 0:17:40.679
<v Speaker 5>those with short attention spands like myself. So there you go,

0:17:40.760 --> 0:17:41.320
<v Speaker 5>it's working.

0:17:41.560 --> 0:17:46.000
<v Speaker 1>That's Brent j. Nineteen ninety nine. Brand all right, don't

0:17:46.000 --> 0:17:47.879
<v Speaker 1>forget leave a review seven days to get in contact

0:17:47.880 --> 0:17:49.959
<v Speaker 1>with Jennak get a free season three mugg You can

0:17:49.960 --> 0:17:52.159
<v Speaker 1>buy them on the link and our buyer. But today,

0:17:52.440 --> 0:17:55.959
<v Speaker 1>are we all ready for our fan favorite segment? Of course,

0:17:56.359 --> 0:17:57.679
<v Speaker 1>let's roll talkback teams.

0:18:00.359 --> 0:18:02.520
<v Speaker 5>So talkback Tings is where we play the weird shit

0:18:02.600 --> 0:18:06.280
<v Speaker 5>that happens on talkback radio. It's such a unique, cooked

0:18:06.280 --> 0:18:08.200
<v Speaker 5>world of its own, isn't it talkback radio?

0:18:08.359 --> 0:18:11.560
<v Speaker 1>Oh my god, it isn't coming from FM radio? Tight bright,

0:18:11.880 --> 0:18:14.320
<v Speaker 1>no dead air, You move on. You don't really have

0:18:14.400 --> 0:18:17.119
<v Speaker 1>conversations unless that's the point of the whole segment. But

0:18:17.200 --> 0:18:19.840
<v Speaker 1>talk back now they got a field endless amounts of air.

0:18:19.960 --> 0:18:23.400
<v Speaker 5>Well. I heard something during the six hour drive back

0:18:23.400 --> 0:18:26.800
<v Speaker 5>home to bogen Gate wearingham right now, and I thought, oh,

0:18:26.960 --> 0:18:30.080
<v Speaker 5>that's very out there. That's odd. But I'm thinking, Mitch,

0:18:30.119 --> 0:18:33.560
<v Speaker 5>you can implement it into your FM radio world. So

0:18:34.280 --> 0:18:37.320
<v Speaker 5>John Law's right, the King. We've heard from him quite

0:18:37.320 --> 0:18:40.560
<v Speaker 5>a few times in this segment. He was taking a

0:18:40.560 --> 0:18:43.879
<v Speaker 5>call from someone and halfway through he sort of just

0:18:44.480 --> 0:18:49.199
<v Speaker 5>broke into song. What but he wasn't singing. It was

0:18:49.240 --> 0:18:50.199
<v Speaker 5>more like poetry.

0:18:50.280 --> 0:18:50.440
<v Speaker 1>Right.

0:18:50.480 --> 0:18:52.440
<v Speaker 5>It sounds weird, but give it a listen. I really

0:18:52.480 --> 0:18:54.440
<v Speaker 5>think Mitch, you should know take this on board.

0:18:54.440 --> 0:18:57.400
<v Speaker 1>I don't think I need it. I think my show

0:18:57.480 --> 0:18:59.960
<v Speaker 1>is just fine. But we have the audio. This is

0:19:00.080 --> 0:19:01.800
<v Speaker 1>Jong Laws on AM Radio.

0:19:02.080 --> 0:19:05.320
<v Speaker 2>One three hundred five six four sixty five two. Should

0:19:05.359 --> 0:19:06.920
<v Speaker 2>you like to give us a call and tell us.

0:19:06.800 --> 0:19:09.960
<v Speaker 1>What sorry that fucking number? Simplify it.

0:19:09.960 --> 0:19:12.080
<v Speaker 5>It's like one three hundred John Laws. It spelled his name.

0:19:12.160 --> 0:19:15.800
<v Speaker 1>Hey, listeners already have damage frontal loaves like, don't make

0:19:15.840 --> 0:19:18.760
<v Speaker 1>them have to hours? Is thirteen one o six five easy.

0:19:19.560 --> 0:19:20.840
<v Speaker 1>I'm sure you.

0:19:20.800 --> 0:19:22.920
<v Speaker 5>Know when you use the text on a Nokia as

0:19:22.960 --> 0:19:25.080
<v Speaker 5>the letters and numbers would be there. I'm pretty sure

0:19:25.160 --> 0:19:27.359
<v Speaker 5>one three hundred whatever it is that spells one three

0:19:27.440 --> 0:19:28.200
<v Speaker 5>hundred John Laws.

0:19:28.280 --> 0:19:30.680
<v Speaker 4>Oh my WSFM.

0:19:30.880 --> 0:19:33.400
<v Speaker 1>Oh that's actually smart. So they catered for that back

0:19:33.440 --> 0:19:35.040
<v Speaker 1>in the day when that was really cool.

0:19:35.520 --> 0:19:37.520
<v Speaker 5>But he doesn't say that. He says the number in

0:19:37.520 --> 0:19:40.400
<v Speaker 5>four one three hundred five six four six fighter.

0:19:40.880 --> 0:19:43.520
<v Speaker 1>His listeners can barely remembiner to take their blood pressure medication,

0:19:43.640 --> 0:19:45.960
<v Speaker 1>not alone that number. All right here, continuing the audio.

0:19:45.800 --> 0:19:49.120
<v Speaker 2>It is that is on your mind? We better talk

0:19:49.160 --> 0:19:51.040
<v Speaker 2>to Ross Ross? Are you there?

0:19:51.600 --> 0:19:51.840
<v Speaker 7>Yeah?

0:19:51.880 --> 0:19:52.120
<v Speaker 9>Mate?

0:19:52.960 --> 0:19:54.960
<v Speaker 2>Okay, what do you want to talk about? Ross?

0:19:55.200 --> 0:19:55.440
<v Speaker 1>Oh?

0:19:55.680 --> 0:19:58.560
<v Speaker 9>Yeah, just I had a bit of a culture shop

0:19:58.800 --> 0:20:02.000
<v Speaker 9>myself the other day. I drive a truck up and

0:20:02.040 --> 0:20:05.120
<v Speaker 9>down the up the coast and Queensland coast, and after

0:20:05.080 --> 0:20:08.680
<v Speaker 9>as far as Mount Eyser, and I was getting ready

0:20:08.680 --> 0:20:10.960
<v Speaker 9>to find in me truck and the gear bag was

0:20:11.000 --> 0:20:15.920
<v Speaker 9>missed five minutes on the front sets. And I come

0:20:15.920 --> 0:20:17.840
<v Speaker 9>from a country town where you went down the pub

0:20:17.880 --> 0:20:20.320
<v Speaker 9>and you left your wallet and your money on the

0:20:20.640 --> 0:20:21.520
<v Speaker 9>on the bar when you.

0:20:21.480 --> 0:20:22.280
<v Speaker 1>Went to the toilet.

0:20:22.640 --> 0:20:26.160
<v Speaker 2>Yeah, nobody touched the thing. Yeah. Oh, God knows what's

0:20:26.200 --> 0:20:28.520
<v Speaker 2>happened to that lovely attitude we used to have in

0:20:28.560 --> 0:20:30.800
<v Speaker 2>little towns where you could do anything you like. You

0:20:30.960 --> 0:20:34.000
<v Speaker 2>just got to be so careful these days because the

0:20:34.080 --> 0:20:37.000
<v Speaker 2>world has become a much more violent place than a

0:20:37.359 --> 0:20:39.280
<v Speaker 2>much more dishonest place than it used to be.

0:20:40.080 --> 0:20:43.200
<v Speaker 9>Yeah, and you know, everyone looked after everyone else.

0:20:43.600 --> 0:20:44.120
<v Speaker 2>That's right.

0:20:44.800 --> 0:20:47.840
<v Speaker 9>Everyone looked up for everyone up now it makes a

0:20:47.960 --> 0:20:50.399
<v Speaker 9>really paranoid about people, you know.

0:20:51.400 --> 0:20:53.480
<v Speaker 2>I remember a story I did about little towns. I

0:20:53.520 --> 0:20:54.399
<v Speaker 2>might read that for you.

0:20:55.200 --> 0:20:57.640
<v Speaker 6>Oh no, ye.

0:20:59.040 --> 0:21:02.080
<v Speaker 2>Okay, ros turn your radio on and listen, because it's

0:21:02.080 --> 0:21:04.399
<v Speaker 2>a good story about little towns. Are you ready?

0:21:07.119 --> 0:21:10.520
<v Speaker 1>Where do you get a good town from.

0:21:10.920 --> 0:21:14.480
<v Speaker 3>Let's just think about the magic of the little town.

0:21:16.200 --> 0:21:19.960
<v Speaker 3>A little town is where everybody knows what everybody else

0:21:20.040 --> 0:21:22.960
<v Speaker 3>is doing, but they read the weekly newspaper just to

0:21:23.000 --> 0:21:26.199
<v Speaker 3>see who got caught doing it. A little town is

0:21:26.480 --> 0:21:28.160
<v Speaker 3>where if you get the wrong number, you can talk

0:21:28.200 --> 0:21:33.119
<v Speaker 3>for fifteen minutes anyway if you want to. In any town,

0:21:34.000 --> 0:21:36.399
<v Speaker 3>the ratio of good people to bad people is one

0:21:36.480 --> 0:21:37.440
<v Speaker 3>hundred to one.

0:21:37.640 --> 0:21:38.840
<v Speaker 5>Where'd you get that statistic?

0:21:38.920 --> 0:21:39.320
<v Speaker 1>From?

0:21:39.880 --> 0:21:44.840
<v Speaker 3>One hundred are uncomfortable in a little town the one

0:21:45.680 --> 0:21:49.320
<v Speaker 3>is uncomfortable. A small town policeman has a first name.

0:21:50.840 --> 0:21:55.080
<v Speaker 3>The small town school teacher has the last word. The

0:21:55.160 --> 0:21:58.800
<v Speaker 3>small town preacher is sometimes a full time farmer. The

0:21:58.840 --> 0:22:05.879
<v Speaker 3>small town fireman takes turns. And you say, why would

0:22:05.960 --> 0:22:08.440
<v Speaker 3>anybody want to live in one of these tiny blink?

0:22:08.480 --> 0:22:14.080
<v Speaker 3>And you missed towns. I don't know, maybe because in

0:22:14.160 --> 0:22:18.080
<v Speaker 3>the class play there's a part for everybody. What in

0:22:18.200 --> 0:22:23.160
<v Speaker 3>the town jail there's rarely anybody? And then the terms

0:22:24.800 --> 0:22:31.840
<v Speaker 3>you're still among friends?

0:22:32.720 --> 0:22:35.080
<v Speaker 1>Oh my, Mitchell, what did you think when you heard

0:22:35.119 --> 0:22:35.840
<v Speaker 1>that live?

0:22:36.560 --> 0:22:39.160
<v Speaker 5>Well, I mean, I'll be honest, I did think, what

0:22:39.200 --> 0:22:42.600
<v Speaker 5>the fuck is going on? Where did this come from?

0:22:42.680 --> 0:22:45.280
<v Speaker 5>And I also did think, oh, he's clearly not reading

0:22:45.320 --> 0:22:47.439
<v Speaker 5>that live. His voice sounds way younger.

0:22:47.800 --> 0:22:50.440
<v Speaker 1>Yeah, that was in the mid eighties at least the

0:22:50.440 --> 0:22:52.640
<v Speaker 1>phlem wasn't on his throat as well at that point

0:22:52.640 --> 0:22:53.040
<v Speaker 1>in time.

0:22:53.200 --> 0:22:56.280
<v Speaker 5>But then I thought, this is John Laws we're talking about.

0:22:56.359 --> 0:23:00.320
<v Speaker 5>He has been in radio for four hundred years, and

0:23:00.359 --> 0:23:03.159
<v Speaker 5>so there must be some key to his longevity. And

0:23:03.200 --> 0:23:05.560
<v Speaker 5>I feel that that might be the fact that he

0:23:05.880 --> 0:23:09.359
<v Speaker 5>really thinks outside the box. So, Mitchell, I think you

0:23:09.400 --> 0:23:13.080
<v Speaker 5>should take inspiration from his poetry.

0:23:13.560 --> 0:23:14.720
<v Speaker 4>I was quite inspired.

0:23:14.840 --> 0:23:17.320
<v Speaker 1>And what starts some poetry on the night show or

0:23:17.359 --> 0:23:19.240
<v Speaker 1>the national breakfast show that I'm doing.

0:23:19.320 --> 0:23:22.600
<v Speaker 5>No, precisely, that's what I'm thinking. You've got this new

0:23:22.720 --> 0:23:25.800
<v Speaker 5>fancy radio gig. You're doing breakfast hours at the moment,

0:23:26.400 --> 0:23:31.840
<v Speaker 5>and I was thinking you should call your boss and

0:23:32.040 --> 0:23:35.480
<v Speaker 5>find some gentle guitar music similar to what John Laws

0:23:35.520 --> 0:23:40.000
<v Speaker 5>has with the pan Flete and then just say to him, hey, man,

0:23:40.040 --> 0:23:41.840
<v Speaker 5>I've got this idea. Can you let me know what

0:23:41.880 --> 0:23:45.240
<v Speaker 5>you think of this and then wing it? Just improvise

0:23:45.320 --> 0:23:46.360
<v Speaker 5>something similar to that.

0:23:46.720 --> 0:23:50.280
<v Speaker 1>Hold on, wait a second, now, I don't want to

0:23:50.320 --> 0:23:53.160
<v Speaker 1>implement this in my show. I've got enough content. I'm

0:23:53.160 --> 0:23:54.080
<v Speaker 1>more than a cross it.

0:23:54.720 --> 0:23:58.080
<v Speaker 5>Hey, if it's good enough for the great John Laws,

0:23:58.119 --> 0:24:00.720
<v Speaker 5>it's good enough for you, bucko. You could learn a

0:24:00.760 --> 0:24:03.680
<v Speaker 5>thing or two from him. I feel like poetry could

0:24:03.720 --> 0:24:04.400
<v Speaker 5>be your thing.

0:24:04.560 --> 0:24:08.000
<v Speaker 1>I found some music. This is perfect. This is lovely,

0:24:09.840 --> 0:24:12.120
<v Speaker 1>sounds like something from Banjo KAZUOI.

0:24:13.480 --> 0:24:15.000
<v Speaker 5>Okay, so call you bof dB.

0:24:15.359 --> 0:24:17.480
<v Speaker 1>No, no, I'm going to call my producer. I'm going

0:24:17.520 --> 0:24:21.119
<v Speaker 1>to call my producer, Alex Alex. Yeah, Alex is my

0:24:21.160 --> 0:24:22.720
<v Speaker 1>producer for the Winter Breakfast show.

0:24:22.720 --> 0:24:26.560
<v Speaker 5>That I oh wait, that is that the same intern

0:24:26.680 --> 0:24:29.200
<v Speaker 5>Alex that we had on this podcast. We brought her

0:24:29.240 --> 0:24:30.520
<v Speaker 5>into Oust Jenna.

0:24:30.680 --> 0:24:33.320
<v Speaker 1>Oh my god, yes we did, and then.

0:24:33.200 --> 0:24:36.679
<v Speaker 5>We offered her a role on this podcast as a producer,

0:24:36.760 --> 0:24:37.800
<v Speaker 5>and then she ghosted it.

0:24:37.840 --> 0:24:39.080
<v Speaker 1>Oh my god, she fucking did.

0:24:39.480 --> 0:24:40.360
<v Speaker 4>Came never.

0:24:40.440 --> 0:24:42.600
<v Speaker 5>We did a welfare check and we just presumed she

0:24:42.720 --> 0:24:46.000
<v Speaker 5>was dead. So she's back from the dead working on

0:24:46.040 --> 0:24:46.960
<v Speaker 5>your radio show, is she?

0:24:47.080 --> 0:24:49.360
<v Speaker 1>Yeah, she got the call up. She's my head producer.

0:24:49.440 --> 0:24:50.040
<v Speaker 4>She's alive.

0:24:50.280 --> 0:24:50.680
<v Speaker 1>Yeah.

0:24:50.720 --> 0:24:51.120
<v Speaker 6>Wow.

0:24:51.400 --> 0:24:54.399
<v Speaker 5>I can't believe she faked her own death just to

0:24:54.440 --> 0:24:57.080
<v Speaker 5>get out of working on this podcast. That's unbelieva.

0:24:57.119 --> 0:24:58.360
<v Speaker 4>That's something I would do.

0:24:59.000 --> 0:25:00.919
<v Speaker 1>You should imagine my when I got a call from

0:25:00.960 --> 0:25:02.320
<v Speaker 1>a number, I thought it's a polt.

0:25:02.520 --> 0:25:06.679
<v Speaker 5>Guys anyway, so maybe call Alex then, your producer and

0:25:06.720 --> 0:25:08.960
<v Speaker 5>just say, oh god, this is actually better because she'll

0:25:09.000 --> 0:25:11.200
<v Speaker 5>be really polite. She won't have the heart to tell

0:25:11.200 --> 0:25:14.280
<v Speaker 5>you that it's fucking stupid. Yeah, like, hey, babe, I'm

0:25:14.280 --> 0:25:16.480
<v Speaker 5>thinking outside the box. I want to bring something fresh

0:25:16.600 --> 0:25:18.520
<v Speaker 5>to the radio show next week. What do you think of?

0:25:19.240 --> 0:25:21.480
<v Speaker 5>And then what do you want your poem to be about?

0:25:21.560 --> 0:25:24.000
<v Speaker 1>Or maybe ask her, now, what's what's my poem to be?

0:25:24.040 --> 0:25:26.479
<v Speaker 1>And I'm gonna have to have an idea for a poem?

0:25:26.480 --> 0:25:28.639
<v Speaker 1>What about Princess Diana's mural.

0:25:28.680 --> 0:25:31.560
<v Speaker 5>That nah, you do better? You do better when you're improvising.

0:25:31.560 --> 0:25:33.359
<v Speaker 5>Maybe ask her to give you a random topic.

0:25:33.920 --> 0:25:35.879
<v Speaker 1>Oh good, Yeah, Okay, I'm going to dial her through.

0:25:35.920 --> 0:25:37.879
<v Speaker 1>I'm going to connect my phone so she knows it's me.

0:25:39.359 --> 0:25:40.800
<v Speaker 1>Fucking hell.

0:25:41.440 --> 0:25:42.600
<v Speaker 5>Can I hear the music again?

0:25:42.720 --> 0:25:45.240
<v Speaker 1>Yeah? I've got options. So this gentle guitar number three,

0:25:45.240 --> 0:25:58.639
<v Speaker 1>which you've heard, this sounds like the final Ballad of

0:25:58.680 --> 0:26:01.320
<v Speaker 1>the Titanic as it's into the North Pacific.

0:26:01.560 --> 0:26:02.080
<v Speaker 2>Does? Yeah?

0:26:02.080 --> 0:26:09.359
<v Speaker 5>That one's too emo. It needs to be a bit inspiring. Yeah,

0:26:10.080 --> 0:26:12.959
<v Speaker 5>this one sounds like New Poise panty line if by

0:26:13.040 --> 0:26:14.080
<v Speaker 5>Libra it does?

0:26:14.240 --> 0:26:17.120
<v Speaker 1>Yeah, it does. I like the bat trash, It's true

0:26:17.520 --> 0:26:20.320
<v Speaker 1>milk because I don't want the calthium and take from

0:26:20.320 --> 0:26:24.359
<v Speaker 1>regular milk. That's why I drink so good. All right, No,

0:26:24.440 --> 0:26:28.359
<v Speaker 1>I like three, this is it. This is it. Okay,

0:26:28.359 --> 0:26:30.720
<v Speaker 1>that's it. I'm gonna call it, but I'm going to

0:26:30.800 --> 0:26:38.159
<v Speaker 1>get her opinion on which it's me. You're not you

0:26:38.200 --> 0:26:43.520
<v Speaker 1>won't speaker phone rule number one, like I taught you. Oh,

0:26:43.600 --> 0:26:48.800
<v Speaker 1>I had an idea for the show. I'm thinking, you

0:26:48.880 --> 0:26:50.399
<v Speaker 1>know how you have Tom Gleismer from Have you been

0:26:50.400 --> 0:26:54.439
<v Speaker 1>paying Attention? Monday? Yeah, I'm thinking on Tuesday, just to

0:26:54.520 --> 0:26:56.879
<v Speaker 1>like tie into that comedy aspect and the fun we

0:26:56.920 --> 0:27:02.440
<v Speaker 1>should do. Okay, I should do poetry on the air, okay,

0:27:02.840 --> 0:27:09.520
<v Speaker 1>like live poetry, live lyrics about a topic that's current, Okay,

0:27:12.280 --> 0:27:13.080
<v Speaker 1>cool fun.

0:27:13.280 --> 0:27:15.439
<v Speaker 6>It'd be like, yeah, like I have like a slam

0:27:15.480 --> 0:27:16.480
<v Speaker 6>poetry kind of thing.

0:27:16.640 --> 0:27:19.240
<v Speaker 1>Yeah, not even slam, like inspiring, Like I want to

0:27:19.280 --> 0:27:24.720
<v Speaker 1>inspire like like people like kids listening, what's topical, what's

0:27:24.760 --> 0:27:27.200
<v Speaker 1>happening at the mow in like culture?

0:27:28.800 --> 0:27:29.840
<v Speaker 4>Well, I mean you.

0:27:29.880 --> 0:27:33.320
<v Speaker 1>Could you know, kind of do something inspiring in terms

0:27:33.400 --> 0:27:39.280
<v Speaker 1>of Brittany, you know, Britney Spears, people control you. Oh

0:27:39.320 --> 0:27:41.200
<v Speaker 1>my god, Britney Spears cooking. I just like get some

0:27:41.400 --> 0:27:46.720
<v Speaker 1>music out and I like i'd sing to music ideas.

0:27:46.720 --> 0:27:47.280
<v Speaker 5>It'd be like.

0:27:52.359 --> 0:27:58.120
<v Speaker 1>We knew you from a girl titan cue, but now

0:27:58.280 --> 0:28:04.120
<v Speaker 1>look at you like an old haggard boot free Brittany.

0:28:05.160 --> 0:28:09.720
<v Speaker 1>Let her out of that cage, Poor poor Brittany. It

0:28:09.880 --> 0:28:18.800
<v Speaker 1>makes me filled with rage. Blonde hair, blue eyes, her

0:28:18.920 --> 0:28:25.159
<v Speaker 1>father doing this. I despise something like that, you know,

0:28:25.320 --> 0:28:30.359
<v Speaker 1>like a poem, a current, Yeah yeah, that could work.

0:28:30.480 --> 0:28:36.760
<v Speaker 1>Or what else is topical? Well, I mean royal or

0:28:37.119 --> 0:28:43.280
<v Speaker 1>topical royals? Yeah yeah, yeah, yeah, yeah. You shouldn't have

0:28:43.360 --> 0:28:49.040
<v Speaker 1>got in that taxi cab. I'll die. Why did you

0:28:49.120 --> 0:28:55.280
<v Speaker 1>have to die? You would have been sixty today, it's

0:28:55.400 --> 0:28:59.400
<v Speaker 1>the sixty anniversary of her.

0:29:00.040 --> 0:29:05.320
<v Speaker 7>If there was a statue made for die and it

0:29:05.600 --> 0:29:12.120
<v Speaker 7>was built from concrete and lie, concrete and line.

0:29:13.520 --> 0:29:20.120
<v Speaker 1>A beautiful son's attended, tension was at an all time

0:29:27.040 --> 0:29:35.880
<v Speaker 1>No sign of Queen Lizzie, no sign h Philip wasn't there.

0:29:37.480 --> 0:29:41.560
<v Speaker 1>I guess he probably couldn't, because Philip.

0:29:41.280 --> 0:29:45.200
<v Speaker 5>Died, just like Die.

0:29:47.360 --> 0:29:50.080
<v Speaker 1>Princess died. Yes see, I think there's something you die too.

0:29:52.880 --> 0:29:56.160
<v Speaker 1>All right, Well, well we can talk Monday and then

0:29:56.280 --> 0:29:58.240
<v Speaker 1>we'll send it to managementcause I reckon that's good to

0:29:58.280 --> 0:30:03.480
<v Speaker 1>center like dB the buses. Yeah, I love that. Okay, fabulous,

0:30:03.480 --> 0:30:05.720
<v Speaker 1>all right, thanks Alex, I'll talk to you over the weekend.

0:30:06.640 --> 0:30:12.400
<v Speaker 1>Love you, love you. See Thanks the tips. Oh my god.

0:30:12.280 --> 0:30:14.960
<v Speaker 5>Now that didn't that didn't even feel like a prank call.

0:30:15.000 --> 0:30:18.080
<v Speaker 5>That felt like a genuine fucking brainstorm. And you know what,

0:30:18.280 --> 0:30:19.800
<v Speaker 5>I'm soul. I loved it.

0:30:20.000 --> 0:30:22.120
<v Speaker 1>I actually might run that audio on Monday morning.

0:30:22.240 --> 0:30:27.040
<v Speaker 5>That was inspirator. Oh my god, that was actually quite impressive.

0:30:27.080 --> 0:30:29.840
<v Speaker 5>You know what, Maybe save it for when you're back

0:30:29.880 --> 0:30:32.280
<v Speaker 5>doing nights radio because I believe you don't have a

0:30:32.360 --> 0:30:33.400
<v Speaker 5>news reader, right.

0:30:33.320 --> 0:30:34.520
<v Speaker 1>Yeah, I have no newsreader.

0:30:34.800 --> 0:30:37.400
<v Speaker 5>That could be your way of keeping people in foroard.

0:30:37.440 --> 0:30:40.000
<v Speaker 5>You just sing the news at them. Imagine Sandra Sully

0:30:40.040 --> 0:30:40.400
<v Speaker 5>doing that.

0:30:40.720 --> 0:30:47.320
<v Speaker 1>Oh my god, twelve dead in a car crash on

0:30:47.480 --> 0:30:50.640
<v Speaker 1>the Hume high Away this morning.

0:30:52.640 --> 0:30:54.520
<v Speaker 5>Do you know what the most impressive part was?

0:30:54.880 --> 0:30:55.440
<v Speaker 1>What? What?

0:30:55.440 --> 0:30:55.680
<v Speaker 2>What?

0:30:55.680 --> 0:30:55.960
<v Speaker 1>What?

0:30:56.480 --> 0:31:00.520
<v Speaker 5>The fact that John Laws's poem wasn't actually rhyming. I

0:31:00.560 --> 0:31:03.000
<v Speaker 5>don't know if you realized that, but you managed to

0:31:03.040 --> 0:31:04.840
<v Speaker 5>make your rhyme even though you didn't need to.

0:31:04.880 --> 0:31:07.320
<v Speaker 1>Because I've been to fucking theater school, I started improv

0:31:07.440 --> 0:31:09.240
<v Speaker 1>if there's one thing in life I can do, I

0:31:09.280 --> 0:31:13.400
<v Speaker 1>will never be a builder, never be a salesman. If

0:31:13.440 --> 0:31:15.440
<v Speaker 1>there's one thing I can do, it's fucking rhyme on

0:31:15.480 --> 0:31:17.680
<v Speaker 1>a song. I don't know where that is ever going

0:31:17.720 --> 0:31:19.680
<v Speaker 1>to come in handy, but you know what, I've got it.

0:31:19.840 --> 0:31:22.280
<v Speaker 5>Yeah, you've found your niche and you need to go

0:31:22.360 --> 0:31:24.840
<v Speaker 5>for it. I think this is your new thing. I mean,

0:31:24.880 --> 0:31:27.480
<v Speaker 5>I'm saying this now, like, oh, you should definitely start

0:31:27.520 --> 0:31:29.560
<v Speaker 5>doing this on radio or on our podcast. But I

0:31:29.560 --> 0:31:31.840
<v Speaker 5>think if if one week you came in and said

0:31:31.880 --> 0:31:34.560
<v Speaker 5>I have another poem, we'd be like, oh, the moment's passed.

0:31:34.760 --> 0:31:36.080
<v Speaker 5>We've been caught up at the moment.

0:31:36.160 --> 0:31:39.920
<v Speaker 1>Now, well, geez, nice to know that I've got in

0:31:39.920 --> 0:31:43.800
<v Speaker 1>the nahble after an executive producer from a big break, you.

0:31:43.800 --> 0:31:47.000
<v Speaker 5>Know that I obviously have more honesty than that. I'd

0:31:47.000 --> 0:31:48.320
<v Speaker 5>tell you if something is shit.

0:31:48.560 --> 0:31:50.520
<v Speaker 1>What do you mean you would you do? I'm like, man,

0:31:50.560 --> 0:31:52.760
<v Speaker 1>why don't we make pancakes on the show and throw

0:31:52.800 --> 0:31:53.800
<v Speaker 1>them at Sam?

0:31:54.200 --> 0:31:57.040
<v Speaker 4>And you go, no, Dylan, I think that's a great idea.

0:31:57.240 --> 0:32:02.000
<v Speaker 1>Can we do it guys week four? Or without Sam?

0:32:02.280 --> 0:32:02.959
<v Speaker 1>Is he okay?

0:32:03.160 --> 0:32:03.320
<v Speaker 6>Oh?

0:32:03.400 --> 0:32:04.560
<v Speaker 4>Yeah?

0:32:04.560 --> 0:32:05.160
<v Speaker 5>Who knows?

0:32:05.320 --> 0:32:06.000
<v Speaker 1>What's he doing.

0:32:06.200 --> 0:32:08.400
<v Speaker 5>I don't know, well, I think he might be caught

0:32:08.480 --> 0:32:10.360
<v Speaker 5>up in Sydney lockdown.

0:32:11.080 --> 0:32:14.240
<v Speaker 1>True, we forget that general gener and I are essential

0:32:13.520 --> 0:32:16.560
<v Speaker 1>and she's not essential.

0:32:16.640 --> 0:32:16.680
<v Speaker 2>Not.

0:32:17.880 --> 0:32:20.040
<v Speaker 5>Oh my god, can I tell you something? Just because

0:32:20.080 --> 0:32:22.800
<v Speaker 5>we're all friends here and I know that I'm in

0:32:22.840 --> 0:32:26.320
<v Speaker 5>an environment where I'm not being judged, of course, i'd

0:32:26.480 --> 0:32:29.160
<v Speaker 5>fucking slaugh to someone for a vapor right now?

0:32:31.000 --> 0:32:32.120
<v Speaker 1>Do not have one?

0:32:32.520 --> 0:32:34.920
<v Speaker 5>No, I thought, because you now have been weaning off

0:32:35.000 --> 0:32:38.240
<v Speaker 5>them slowly. I thought that if I was going out

0:32:38.240 --> 0:32:42.400
<v Speaker 5>clubbing and stuff, it'd be like temptation. I'm with friends

0:32:42.440 --> 0:32:45.120
<v Speaker 5>social vaping. But because we're in lockdown two weeks of

0:32:45.200 --> 0:32:47.960
<v Speaker 5>no clubbing or any socializing, I'm like, now it's the time.

0:32:48.240 --> 0:32:49.720
<v Speaker 5>So I haven't bought a single vape with me to

0:32:49.800 --> 0:32:50.520
<v Speaker 5>bogen Gate, and.

0:32:52.160 --> 0:32:55.880
<v Speaker 1>It's not easy to be fair. I did think that

0:32:55.960 --> 0:32:58.480
<v Speaker 1>you were in my neighborhood this morning. When I woke up,

0:32:58.520 --> 0:33:01.360
<v Speaker 1>Sidney was blanketed in fog. I thought, shit, Mitchell Combs

0:33:01.480 --> 0:33:04.160
<v Speaker 1>is back in town. But no, it was just thick

0:33:04.280 --> 0:33:06.400
<v Speaker 1>natural fog. It wasn't you on the vapes. I was

0:33:06.480 --> 0:33:08.440
<v Speaker 1>very confused at the moment, but it all was all

0:33:08.480 --> 0:33:11.360
<v Speaker 1>cleared up Wow, what it happened? What a show? You

0:33:11.360 --> 0:33:14.760
<v Speaker 1>know what randampause for us? Another isolation show. I mean,

0:33:14.800 --> 0:33:17.200
<v Speaker 1>where is studio? But Mitch, you're You're on bogen Gate

0:33:17.520 --> 0:33:20.720
<v Speaker 1>and we made it work just for you idiots listening.

0:33:21.360 --> 0:33:23.800
<v Speaker 5>Yeah, I was only going to come home for a

0:33:23.840 --> 0:33:26.400
<v Speaker 5>couple of days. This was always the plan, even before

0:33:26.440 --> 0:33:29.000
<v Speaker 5>we went into lockdown. But now that I'm here, I'm like,

0:33:29.560 --> 0:33:31.560
<v Speaker 5>might just stay put a bit. I'd rather be locked

0:33:31.560 --> 0:33:34.760
<v Speaker 5>down with the crisp country air than in Sydney.

0:33:34.640 --> 0:33:37.080
<v Speaker 1>Are you guys? So can you like go out and

0:33:37.120 --> 0:33:39.560
<v Speaker 1>shop like without masks or is it New South Wales Wide?

0:33:39.880 --> 0:33:42.200
<v Speaker 5>No? Because I came from Sydney, I still have to

0:33:42.280 --> 0:33:44.800
<v Speaker 5>obey the stay at home order, so I'm stuck on

0:33:44.840 --> 0:33:47.400
<v Speaker 5>the fucking fart oh only allowed to leave for like

0:33:47.520 --> 0:33:49.959
<v Speaker 5>employment purposes. So the only time I've left is to

0:33:50.000 --> 0:33:52.240
<v Speaker 5>post the is it just me mugs that people have ordered.

0:33:52.400 --> 0:33:54.360
<v Speaker 1>I'll just reach out to the park's dish and ask

0:33:54.400 --> 0:33:56.040
<v Speaker 1>if you can do an insta story for them and

0:33:56.040 --> 0:33:57.840
<v Speaker 1>give them ten bucks and there you go. Pay you

0:33:57.920 --> 0:34:02.440
<v Speaker 1>leave the bog and Gate, all right, thanks for listening.

0:34:02.560 --> 0:34:04.280
<v Speaker 1>Seventy three Is it just Me? You can follow us

0:34:04.280 --> 0:34:07.000
<v Speaker 1>on socials a couple of Mitches back on the TikTok.

0:34:07.040 --> 0:34:09.680
<v Speaker 1>Now that Mitchell doesn't have an actual full time job,

0:34:09.920 --> 0:34:11.879
<v Speaker 1>he can edit again, which is great and I feel

0:34:11.920 --> 0:34:14.320
<v Speaker 1>bad saying that, but I've got guys. My only skill

0:34:14.440 --> 0:34:17.120
<v Speaker 1>is able to rhyme and sing songs on the spot.

0:34:17.400 --> 0:34:18.480
<v Speaker 1>But Mitchell's skill.

0:34:18.320 --> 0:34:20.520
<v Speaker 5>What you're talking about. It's not like I ever stopped editor.

0:34:20.640 --> 0:34:22.360
<v Speaker 1>No, I know, but you would. Got su are busy

0:34:22.400 --> 0:34:24.640
<v Speaker 1>for a period. But now, oh my god, the TikTok's

0:34:24.640 --> 0:34:26.439
<v Speaker 1>are back. I've had someone message me and go, I'm

0:34:26.480 --> 0:34:29.160
<v Speaker 1>so glad I found your show on TikTok yesterday.

0:34:29.400 --> 0:34:31.160
<v Speaker 5>Yeah, a lot of people do come from TikTok. They

0:34:31.160 --> 0:34:32.520
<v Speaker 5>give us the follow up already.

0:34:32.680 --> 0:34:34.719
<v Speaker 1>We will see you next week for seventy four and

0:34:34.760 --> 0:34:37.880
<v Speaker 1>of course we'll see you on Instagram live this Sunday night.

0:34:37.920 --> 0:34:40.520
<v Speaker 1>We do it every week six o'clock on our Instagram page.

0:34:40.520 --> 0:34:42.480
<v Speaker 1>It's week. And buy mugs as well and leave us

0:34:42.480 --> 0:34:44.960
<v Speaker 1>a review five stars. It keeps us going on the cloud.

0:34:45.040 --> 0:34:46.960
<v Speaker 1>In the meantime, Mitch Day safe in bog and game.

0:34:47.000 --> 0:34:47.879
<v Speaker 1>We'll see you guys next week.

0:34:47.920 --> 0:34:49.319
<v Speaker 5>We will catch you guys next week.

0:34:49.360 --> 0:34:52.200
<v Speaker 1>Bye bye. Is it just me?

0:34:52.760 --> 0:34:54.000
<v Speaker 5>A podcast by a.

0:34:53.960 --> 0:34:54.920
<v Speaker 4>Couple of mitches.

0:34:55.239 --> 0:34:58.160
<v Speaker 1>Make sure you've hit follow on your podcast.

0:34:58.239 --> 0:35:33.920
<v Speaker 5>Suff welcome to add brief. This is our secret segment.

0:35:33.960 --> 0:35:37.000
<v Speaker 5>On the end, we pretend that we're done, We go bye, guys,

0:35:37.040 --> 0:35:39.520
<v Speaker 5>and then we keep chatting away. Only our favorite listeners

0:35:39.520 --> 0:35:40.839
<v Speaker 5>have discovered the secret. Though.

0:35:40.960 --> 0:35:44.160
<v Speaker 1>Yeah, okay, sometimes the best part, sometimes the worst.

0:35:44.160 --> 0:35:45.400
<v Speaker 4>Most of the time it's the worst.

0:35:45.440 --> 0:35:47.279
<v Speaker 5>I would say it's the worst, which is why we

0:35:47.360 --> 0:35:49.040
<v Speaker 5>keep it a secret. We want people to think that

0:35:49.080 --> 0:35:52.880
<v Speaker 5>we're kind of okay at producing a decent podcast. But

0:35:52.920 --> 0:35:54.359
<v Speaker 5>this bit is just us talking shit.

0:35:54.680 --> 0:35:56.400
<v Speaker 1>This is kind of like the after party. You know.

0:35:56.480 --> 0:35:58.920
<v Speaker 1>Sometimes you have a great party and it's and it's produced, right.

0:35:58.920 --> 0:36:01.080
<v Speaker 1>There's cake, and there's yeah, you know, lollly bags, and

0:36:01.120 --> 0:36:03.759
<v Speaker 1>there's the event, and there's performances and there's speeches. It's

0:36:03.760 --> 0:36:06.080
<v Speaker 1>a whole it's a whole production. And then you go,

0:36:06.160 --> 0:36:08.360
<v Speaker 1>you know what is an after party? Not everyone's invited

0:36:08.440 --> 0:36:09.680
<v Speaker 1>or you don't have to come. We're just going to

0:36:09.760 --> 0:36:12.160
<v Speaker 1>John O's and it's gonna be loose, like bring your

0:36:12.200 --> 0:36:14.600
<v Speaker 1>own alcohol and like no promises. You might get a

0:36:14.600 --> 0:36:18.200
<v Speaker 1>blowy in the backyard, but hey, so you'll go. Sometimes

0:36:18.200 --> 0:36:20.839
<v Speaker 1>the after party is the best part, and.

0:36:20.760 --> 0:36:22.120
<v Speaker 4>You're just still sitting around.

0:36:22.280 --> 0:36:24.880
<v Speaker 5>And sometimes they do keep the after party a secret

0:36:24.960 --> 0:36:26.719
<v Speaker 5>from some people, like you know, they don't want like

0:36:26.760 --> 0:36:29.320
<v Speaker 5>the Daggy aren't coming to the fucking after party.

0:36:29.520 --> 0:36:32.000
<v Speaker 1>Oh yeah, they're like me and you, Mitchell and everyone.

0:36:32.000 --> 0:36:34.640
<v Speaker 1>At Kyle's fiftieth we go to his after party. You

0:36:34.800 --> 0:36:37.920
<v Speaker 1>get straight in because Mitch's so confident. We're on Kyle's yacht.

0:36:37.960 --> 0:36:40.280
<v Speaker 1>I think we mentioned, Oh maybe we've told this story. Anyway,

0:36:40.360 --> 0:36:42.200
<v Speaker 1>Mitch walks straight into the after party and I go

0:36:42.280 --> 0:36:43.880
<v Speaker 1>up and my name's not on the lease. He's like, Noah,

0:36:43.920 --> 0:36:45.879
<v Speaker 1>you can't come in. I'm like, oh, I'm a cash cop.

0:36:46.680 --> 0:36:48.480
<v Speaker 5>When yeah, I gotta let in.

0:36:48.520 --> 0:36:51.680
<v Speaker 1>No worries Mitchell Coombs, Is it just me and kiss?

0:36:51.760 --> 0:36:53.799
<v Speaker 1>FM walks straight in as a cartwheel up the step

0:36:54.160 --> 0:36:56.000
<v Speaker 1>and then I can't even get in. I've got kiss

0:36:56.040 --> 0:36:59.920
<v Speaker 1>tattooed on my fucking forehead. My year ten after party

0:37:00.320 --> 0:37:03.080
<v Speaker 1>was really good. I remember it. It was a huge event.

0:37:03.360 --> 0:37:05.960
<v Speaker 5>Year's ten. Who had a good memory from year to ten?

0:37:06.040 --> 0:37:08.680
<v Speaker 5>Part if you wouldn't have been drinking or anything, Yeah

0:37:08.719 --> 0:37:09.040
<v Speaker 5>we were.

0:37:09.120 --> 0:37:11.600
<v Speaker 1>I was really straight and really skinny.

0:37:11.640 --> 0:37:13.120
<v Speaker 5>Yeah, but you wouldn't have been drinking.

0:37:13.440 --> 0:37:15.680
<v Speaker 1>Yeah, well, of course I was. My parents let me drink.

0:37:15.719 --> 0:37:16.680
<v Speaker 1>I had double backs and.

0:37:16.880 --> 0:37:19.560
<v Speaker 5>Be hi because you've always been like, not much of

0:37:19.600 --> 0:37:20.080
<v Speaker 5>a drinker.

0:37:20.400 --> 0:37:21.759
<v Speaker 1>It was a ride of passy. I lived in the

0:37:21.800 --> 0:37:23.840
<v Speaker 1>shi for god, so I had a couple of U dls.

0:37:23.960 --> 0:37:26.040
<v Speaker 1>You know, I fingered a girl in the backyard. It

0:37:26.160 --> 0:37:26.839
<v Speaker 1>was what we did.

0:37:27.000 --> 0:37:29.239
<v Speaker 5>Oh, how revaulting I did?

0:37:29.280 --> 0:37:31.799
<v Speaker 1>It was awful. What was your year ten formal mess?

0:37:31.840 --> 0:37:33.200
<v Speaker 1>Did you have a year ten formal than a year

0:37:33.200 --> 0:37:34.000
<v Speaker 1>twelve Farewell?

0:37:34.280 --> 0:37:36.759
<v Speaker 5>I don't think I even went. Actually, no, that's that's

0:37:36.800 --> 0:37:40.879
<v Speaker 5>a lie. I went to the junior dinner dance with

0:37:40.960 --> 0:37:46.280
<v Speaker 5>my girlfriend. Well, I know, I got a record sage.

0:37:46.320 --> 0:37:47.480
<v Speaker 5>I was very charming.

0:37:48.160 --> 0:37:49.960
<v Speaker 1>I can imagine. Then what about year twelve? Were you

0:37:50.000 --> 0:37:50.880
<v Speaker 1>out in year twelve?

0:37:51.760 --> 0:37:54.600
<v Speaker 5>I think by the time we had our graduation, I'd

0:37:54.600 --> 0:37:57.160
<v Speaker 5>come out to a few friends and so by that

0:37:57.280 --> 0:37:59.080
<v Speaker 5>point I didn't have a buzz cut. I had a

0:37:59.200 --> 0:38:03.680
<v Speaker 5>quiff gay right of passage and so, but I wasn't

0:38:03.680 --> 0:38:05.920
<v Speaker 5>like out now like, I don't think I told my

0:38:05.960 --> 0:38:07.640
<v Speaker 5>parents at that point. But yeah, I wasn't like there

0:38:07.640 --> 0:38:09.080
<v Speaker 5>with a fucking guy. I put it that way.

0:38:09.400 --> 0:38:14.560
<v Speaker 1>Jesus. Yeah. Now, did you guys have awards at your formals?

0:38:14.840 --> 0:38:18.240
<v Speaker 5>Oh my god, I was talking about this literally today

0:38:18.320 --> 0:38:21.439
<v Speaker 5>with Mum. Right, So I feel like they just put

0:38:21.480 --> 0:38:24.160
<v Speaker 5>these awards on shuffle and give it to any old

0:38:24.200 --> 0:38:29.160
<v Speaker 5>clown because I got the school Spirit Award, which is

0:38:29.239 --> 0:38:32.799
<v Speaker 5>absurd because my bragging right was that I had not

0:38:33.000 --> 0:38:37.120
<v Speaker 5>been to a single swimming or athletics carnival the entirety

0:38:37.120 --> 0:38:40.640
<v Speaker 5>of high school, and I openly had no school spirit.

0:38:41.080 --> 0:38:43.080
<v Speaker 5>So for me to get the school Spirit of War

0:38:43.239 --> 0:38:45.800
<v Speaker 5>was just fucking ridiculous. There were people there who actually

0:38:46.480 --> 0:38:48.560
<v Speaker 5>had school spirit and were there leading on all the

0:38:48.560 --> 0:38:51.319
<v Speaker 5>fucking chance give me a bee, and they didn't get

0:38:51.320 --> 0:38:53.799
<v Speaker 5>the school Spirit of war, but I did. It was ridiculous.

0:38:54.200 --> 0:38:57.520
<v Speaker 1>Yeah, I remember I got We all voted in my year,

0:38:57.600 --> 0:39:00.680
<v Speaker 1>so mine was legit. And I remember Kylie Aquell came

0:39:00.760 --> 0:39:03.440
<v Speaker 1>up to me and said, Mitch, you've won three awards,

0:39:03.680 --> 0:39:05.960
<v Speaker 1>but you can only have one for fairness, so you

0:39:06.000 --> 0:39:08.879
<v Speaker 1>get to pick what. Yeah, and I got to pick

0:39:08.880 --> 0:39:15.760
<v Speaker 1>out of class clown, biggest gossip or best personality.

0:39:15.960 --> 0:39:17.640
<v Speaker 5>Oh so they were like joke awards.

0:39:17.960 --> 0:39:21.080
<v Speaker 1>Yeah, well best personality is a bit fucking arrogant. Wasn't it.

0:39:21.080 --> 0:39:23.160
<v Speaker 1>But of course that's the one that's fifty. No, how

0:39:23.200 --> 0:39:26.040
<v Speaker 1>old have I been, seventeen year old Mitch pitt chows.

0:39:26.560 --> 0:39:28.800
<v Speaker 1>I was like, best personality your bode Well, it'll be

0:39:28.840 --> 0:39:31.360
<v Speaker 1>great on the great on the resume. So I go,

0:39:31.480 --> 0:39:33.880
<v Speaker 1>I want best personality. But I was torn with class

0:39:33.920 --> 0:39:35.640
<v Speaker 1>clown because a lot of my like comedy icons have

0:39:35.680 --> 0:39:37.840
<v Speaker 1>always said I was class clown. But I went with the

0:39:37.840 --> 0:39:40.759
<v Speaker 1>best personal and I got a sash. I was seeing

0:39:40.800 --> 0:39:42.000
<v Speaker 1>the events, I gave it to myself.

0:39:42.000 --> 0:39:45.560
<v Speaker 6>It was awful people who won class clown and all.

0:39:45.480 --> 0:39:47.400
<v Speaker 1>That my class clown I think is dead.

0:39:49.880 --> 0:39:51.600
<v Speaker 5>Has anyone from your year actually died?

0:39:52.160 --> 0:39:56.080
<v Speaker 1>Oh? How horrific have they? Not? My year? But there's

0:39:56.120 --> 0:39:58.640
<v Speaker 1>been people above it under yeah.

0:39:58.160 --> 0:40:00.640
<v Speaker 5>Yeah, a guy my year died, ut said about it?

0:40:00.760 --> 0:40:03.520
<v Speaker 5>Who I actually liked him? He died in a car accident.

0:40:03.600 --> 0:40:06.719
<v Speaker 1>I think, oh awful, Sorry, mitche I've had that too.

0:40:07.360 --> 0:40:09.440
<v Speaker 1>It does you know what, as horrendous as it is,

0:40:09.800 --> 0:40:12.200
<v Speaker 1>it does unite a year like or it does unite

0:40:12.239 --> 0:40:16.440
<v Speaker 1>a group of friends at that age, in those formative years,

0:40:16.480 --> 0:40:19.880
<v Speaker 1>having something traumatic happen really unites a bunch of people.

0:40:20.040 --> 0:40:22.080
<v Speaker 5>Oh no, I'm talking after we graduated.

0:40:22.520 --> 0:40:23.680
<v Speaker 1>Oh post graduation.

0:40:24.040 --> 0:40:27.120
<v Speaker 5>Oh yeah, at the five year reunion, it's like, whatever

0:40:27.160 --> 0:40:29.880
<v Speaker 5>happened to that guy? keV Ah dead? Oh?

0:40:29.920 --> 0:40:32.040
<v Speaker 1>Oh no we had it. We didn't have our five

0:40:32.120 --> 0:40:34.239
<v Speaker 1>year reunion because apparently I was meant to organize it.

0:40:34.280 --> 0:40:36.160
<v Speaker 1>And you know me, Mitchell, if that was the case,

0:40:36.239 --> 0:40:37.400
<v Speaker 1>it was never happening.

0:40:37.800 --> 0:40:40.319
<v Speaker 5>Oh you were not going to have a ten or

0:40:40.360 --> 0:40:43.280
<v Speaker 5>twenty nothing. Why the fuck were you meant to organize?

0:40:43.320 --> 0:40:46.359
<v Speaker 1>They said you were a school captain, you needed to organize. Yeah,

0:40:46.560 --> 0:40:49.160
<v Speaker 1>what about Melchi too, Campbell, the female school captain, she

0:40:49.200 --> 0:40:51.200
<v Speaker 1>could have fucking pulled her way, But no, she's working

0:40:51.239 --> 0:40:52.680
<v Speaker 1>for Rio Tinto and the banks.

0:40:52.800 --> 0:40:57.080
<v Speaker 5>Too busy, right, God, why would they expect you to

0:40:57.200 --> 0:40:59.840
<v Speaker 5>organize it? Did they realize that what they're up against?

0:41:00.200 --> 0:41:01.919
<v Speaker 1>I was very organized in high school, befo had nothing

0:41:01.920 --> 0:41:03.920
<v Speaker 1>else to do. School was my life. I love school,

0:41:03.960 --> 0:41:06.400
<v Speaker 1>so like I was pouring myself into that.

0:41:07.320 --> 0:41:09.759
<v Speaker 5>Yeah, I got when I came home the other day,

0:41:09.800 --> 0:41:13.400
<v Speaker 5>I was looking through my my cupboard and I had

0:41:13.440 --> 0:41:16.040
<v Speaker 5>all my folders that were color coded and really organized,

0:41:16.080 --> 0:41:18.160
<v Speaker 5>and you know how you get the dividers but each subject,

0:41:18.200 --> 0:41:20.040
<v Speaker 5>and I was like, fuck, I was organized. Look at this.

0:41:20.360 --> 0:41:23.360
<v Speaker 1>Oh my god, did you guys have a school folder?

0:41:23.640 --> 0:41:23.879
<v Speaker 5>Yeah?

0:41:23.960 --> 0:41:25.680
<v Speaker 1>Like I remember when you get to year ten, you

0:41:25.760 --> 0:41:28.000
<v Speaker 1>got your backpack. I had a lunch pack, fruity two

0:41:28.080 --> 0:41:30.560
<v Speaker 1>to break him, a little glad ziploc bag. And then

0:41:30.560 --> 0:41:33.800
<v Speaker 1>once you get to senior the one the uniform changed,

0:41:34.360 --> 0:41:37.920
<v Speaker 1>and two the backpack. You got rid of the backpack

0:41:37.960 --> 0:41:40.160
<v Speaker 1>and you got like a giant clip folder that has

0:41:40.160 --> 0:41:42.239
<v Speaker 1>the ring binder, like a big thick ring butter. And

0:41:42.280 --> 0:41:45.040
<v Speaker 1>you didn't have books. You just had loose leaf pages

0:41:45.280 --> 0:41:48.480
<v Speaker 1>with dividers. That was like English extension, English drama. And

0:41:48.520 --> 0:41:50.840
<v Speaker 1>I'm like, what, books are so much easier than this,

0:41:50.960 --> 0:41:52.520
<v Speaker 1>But we had to go to the folder. Did you

0:41:52.520 --> 0:41:53.319
<v Speaker 1>guys have it?

0:41:53.480 --> 0:41:56.440
<v Speaker 5>Just like? There was no directive that we had to

0:41:56.520 --> 0:41:58.799
<v Speaker 5>swap from books to folders. Why is it just like

0:41:58.800 --> 0:42:02.640
<v Speaker 5>an unspoken rule that once you're a senior youth folders

0:42:02.680 --> 0:42:03.319
<v Speaker 5>Now you don't you.

0:42:03.840 --> 0:42:05.319
<v Speaker 4>Thought about it, but it's true.

0:42:05.320 --> 0:42:07.839
<v Speaker 1>Did you do folded too? Yeah? I did folders too,

0:42:07.840 --> 0:42:08.800
<v Speaker 1>and one.

0:42:08.400 --> 0:42:10.399
<v Speaker 5>Wasn't in force. It was just the thing to do.

0:42:10.560 --> 0:42:12.560
<v Speaker 5>I don't think anyone ever questioned it. No, I don't

0:42:12.560 --> 0:42:14.200
<v Speaker 5>think I would have gotten in trouble if I suddenly

0:42:14.239 --> 0:42:15.400
<v Speaker 5>used books in year twelve.

0:42:15.440 --> 0:42:17.600
<v Speaker 1>Now, I remember Jerome Simpson used books and they were

0:42:17.600 --> 0:42:23.040
<v Speaker 1>contacted and he was horrifically bullied for it. I was

0:42:23.080 --> 0:42:25.759
<v Speaker 1>school captain, I was, I was, you know, social commentator.

0:42:25.760 --> 0:42:26.439
<v Speaker 1>I was very good.

0:42:26.840 --> 0:42:29.720
<v Speaker 5>I don't think you're capable of bullying anyone to their faith.

0:42:29.960 --> 0:42:33.279
<v Speaker 1>True. Also, i'd feel too guilty. I'd probably if I

0:42:33.360 --> 0:42:35.600
<v Speaker 1>ever did bully anyone. And I'm not entorsing it. This

0:42:35.760 --> 0:42:38.080
<v Speaker 1>is me. If I would apologize whenever I'm land Yeah,

0:42:38.160 --> 0:42:39.840
<v Speaker 1>you were, and then I'd bully them back, It'd be

0:42:39.880 --> 0:42:41.880
<v Speaker 1>a cycle of constant bullying to bully the bullies. It

0:42:41.920 --> 0:42:46.200
<v Speaker 1>was awful, backward robin hood. I loved school, like I

0:42:46.320 --> 0:42:47.640
<v Speaker 1>actually really enjoyed it.

0:42:47.920 --> 0:42:50.200
<v Speaker 5>No, I didn't, not, Jennet, what schood did you go to?

0:42:50.640 --> 0:42:52.880
<v Speaker 4>Oh it was a long time ago, you know it is.

0:42:53.080 --> 0:42:56.000
<v Speaker 1>Of course you still had the death penalty. Yeah, if

0:42:56.000 --> 0:42:58.439
<v Speaker 1>you didn't obviously, Chris picks in the moment.

0:42:58.480 --> 0:43:01.000
<v Speaker 4>Yeah, yeah, I was a close Yeah.

0:43:01.680 --> 0:43:04.760
<v Speaker 1>Or the only subject you could do was home eg Yeah,

0:43:04.840 --> 0:43:06.840
<v Speaker 1>nothing else, didn't you of course?

0:43:06.920 --> 0:43:07.120
<v Speaker 4>Yeah.

0:43:07.360 --> 0:43:10.480
<v Speaker 5>Jenna's First school is now a Heritage listed site.

0:43:10.640 --> 0:43:11.200
<v Speaker 4>Yeah it is.

0:43:11.960 --> 0:43:14.920
<v Speaker 5>It is an abandoned, termite infested shed.

0:43:15.160 --> 0:43:18.040
<v Speaker 6>Yes, but my second has been turned into a museum.

0:43:18.360 --> 0:43:22.040
<v Speaker 1>Oh beautiful, because that's where the dinosaurs asteroid hit. Right, Mitchell,

0:43:22.080 --> 0:43:23.400
<v Speaker 1>my school is sinking.

0:43:24.239 --> 0:43:26.359
<v Speaker 5>What what have you done?

0:43:26.880 --> 0:43:30.360
<v Speaker 1>Well? I was there for seven years of it, so no,

0:43:30.560 --> 0:43:32.799
<v Speaker 1>it's sinking because we're built because I'm in I was

0:43:32.800 --> 0:43:35.879
<v Speaker 1>in the in the shire, which is like Botany area

0:43:35.880 --> 0:43:39.759
<v Speaker 1>where Captain cookland and horrifically and it's all mangroves there

0:43:39.800 --> 0:43:42.920
<v Speaker 1>like water, so the school is built on mangroves, so

0:43:43.040 --> 0:43:45.400
<v Speaker 1>it's literally mud. There's no there's no ground under it,

0:43:45.440 --> 0:43:47.799
<v Speaker 1>so we sink. So every year we go down in

0:43:47.800 --> 0:43:51.120
<v Speaker 1>two millimeters. It was like an old school myth. And

0:43:51.680 --> 0:43:53.440
<v Speaker 1>when it rains we get flat because we are like

0:43:53.520 --> 0:43:55.160
<v Speaker 1>underwater and under sea level. It's awful.

0:43:55.760 --> 0:43:58.920
<v Speaker 5>Yeah, that happens with my childhood home, the one that

0:43:58.960 --> 0:44:02.520
<v Speaker 5>I'm currently in. That Oh, even when my brother was

0:44:02.520 --> 0:44:07.399
<v Speaker 5>renovating the bathroom, just the house either sinks or like

0:44:07.520 --> 0:44:11.440
<v Speaker 5>the clay beneath it. During the drought, in particular, because

0:44:12.520 --> 0:44:15.200
<v Speaker 5>the soil was so dry, it actually did the opposite,

0:44:15.280 --> 0:44:18.320
<v Speaker 5>like it expanded like and the house was like reverse sinking.

0:44:18.360 --> 0:44:20.800
<v Speaker 5>And so when my brother was renovating the bathroom and stuff.

0:44:20.840 --> 0:44:22.799
<v Speaker 5>They started getting like cracks in the wall and shit,

0:44:22.840 --> 0:44:25.960
<v Speaker 5>it's very weird building a house upon Clay don't recommend it.

0:44:26.200 --> 0:44:28.280
<v Speaker 1>Oh good, I'll just I'll have to call my buildroom

0:44:28.320 --> 0:44:33.120
<v Speaker 1>let him know he's concrete. Hayden said to me the

0:44:33.120 --> 0:44:34.640
<v Speaker 1>other days that we should buy a house. I'm like,

0:44:34.760 --> 0:44:37.239
<v Speaker 1>we can barely afford the fucking bts Mac's mail bait.

0:44:37.320 --> 0:44:38.920
<v Speaker 4>Buy a house, that's what he said.

0:44:39.520 --> 0:44:41.680
<v Speaker 1>Hell, he's on that TikTok money.

0:44:42.040 --> 0:44:46.719
<v Speaker 5>Oh oh god, you're starting to get that like commitment fear,

0:44:46.719 --> 0:44:50.279
<v Speaker 5>aren't you. He says, buy a house, and you're like, no.

0:44:49.760 --> 0:44:52.880
<v Speaker 1>No, I don't have commitment fear. I just I just

0:44:52.880 --> 0:44:55.080
<v Speaker 1>don't know if you have to go to a bank,

0:44:55.200 --> 0:44:57.120
<v Speaker 1>don't you sounds like.

0:44:57.080 --> 0:44:59.239
<v Speaker 5>A lot of work buying a house, so much time.

0:44:59.239 --> 0:45:01.319
<v Speaker 1>And they're like, what's your at score? I don't have

0:45:01.360 --> 0:45:03.360
<v Speaker 1>any credit, Like I've never had a credit card in

0:45:03.360 --> 0:45:06.160
<v Speaker 1>my life. A credit I'm too scared of. I have

0:45:06.200 --> 0:45:08.120
<v Speaker 1>to pay. Yeah, I'm like, what do your mean, bab

0:45:08.160 --> 0:45:10.080
<v Speaker 1>Why don't use dodo? I've got a plan my dad

0:45:10.120 --> 0:45:12.920
<v Speaker 1>pays for it. Still did he? Actually no, he stopped

0:45:12.920 --> 0:45:14.680
<v Speaker 1>when I moved out of home. He literally sat me

0:45:14.719 --> 0:45:17.360
<v Speaker 1>down and was like, mate, this is disgusting. I'm paying

0:45:17.360 --> 0:45:19.680
<v Speaker 1>your phone bill and you have your own national radio show.

0:45:19.880 --> 0:45:22.239
<v Speaker 1>Something's not adding up. And I went, you're right, you

0:45:22.239 --> 0:45:25.279
<v Speaker 1>should also be paying my internet. No, he pulled it off.

0:45:26.200 --> 0:45:27.560
<v Speaker 1>Look who's who's here?

0:45:28.160 --> 0:45:28.680
<v Speaker 5>Oh?

0:45:28.840 --> 0:45:31.759
<v Speaker 1>Come in, come in, Mitchell. Look who's Mitchell? Can't see

0:45:32.480 --> 0:45:33.239
<v Speaker 1>am I supposed to? Look?

0:45:33.239 --> 0:45:33.680
<v Speaker 5>Who there?

0:45:33.680 --> 0:45:35.839
<v Speaker 4>I don't want her to come in. I don't like her.

0:45:35.920 --> 0:45:41.120
<v Speaker 1>Oh yeah, Jenna is very upset bringer in ladies and gentlemen.

0:45:41.920 --> 0:45:44.400
<v Speaker 1>We'll know some fans will be excited. Is she coming in?

0:45:44.480 --> 0:45:47.319
<v Speaker 1>We just waved her over and she is? She there?

0:45:51.280 --> 0:45:51.560
<v Speaker 7>Guest.

0:45:52.880 --> 0:45:54.560
<v Speaker 5>I feel like one of the listeners right now because

0:45:54.600 --> 0:45:55.680
<v Speaker 5>I've got no idea what's going on?

0:45:55.719 --> 0:45:57.719
<v Speaker 1>Oh this is exciting. This is like a she is

0:45:58.000 --> 0:46:00.560
<v Speaker 1>does say it works? Does it work? Sit down on

0:46:00.600 --> 0:46:05.680
<v Speaker 1>Mike number three please, Mitchell is on on remote, the

0:46:05.719 --> 0:46:10.600
<v Speaker 1>satellite from Bogan Gate. You're on Mike three and they

0:46:10.760 --> 0:46:14.320
<v Speaker 1>are going to give you clues in a different voice.

0:46:14.360 --> 0:46:15.279
<v Speaker 4>And I don't like them.

0:46:15.360 --> 0:46:16.480
<v Speaker 1>Jenna doesn't like us.

0:46:16.560 --> 0:46:19.160
<v Speaker 5>All right, Oh my god, it's Natalie Penn's file.

0:46:21.360 --> 0:46:21.520
<v Speaker 2>Yeah.

0:46:21.719 --> 0:46:23.719
<v Speaker 1>I can't hear anything. She's got no headphones. I also

0:46:23.760 --> 0:46:25.560
<v Speaker 1>have a block to ear. Oh, had that happened?

0:46:26.040 --> 0:46:26.600
<v Speaker 10>I was sick?

0:46:26.960 --> 0:46:27.600
<v Speaker 1>Covid did.

0:46:29.040 --> 0:46:31.280
<v Speaker 10>And then it like the fluid moved to my ears.

0:46:31.719 --> 0:46:32.600
<v Speaker 10>I can't hear a thing.

0:46:32.680 --> 0:46:35.080
<v Speaker 5>Well that We need to get you back on again properly,

0:46:35.280 --> 0:46:37.959
<v Speaker 5>sometime soon. We need you to guest host the show again.

0:46:38.040 --> 0:46:39.440
<v Speaker 1>Mitch is saying, we need to get your back. No, no,

0:46:39.560 --> 0:46:44.319
<v Speaker 1>you can still put them in there. Look, studios were

0:46:44.320 --> 0:46:46.080
<v Speaker 1>Instead of a microphone, they're talking to a tin can

0:46:46.120 --> 0:46:48.840
<v Speaker 1>on some string and hope it broadcasts hello Mitch.

0:46:49.160 --> 0:46:49.840
<v Speaker 5>Hi, darling.

0:46:50.040 --> 0:46:52.399
<v Speaker 1>Can you hear him? Turn it up? I can hear

0:46:52.560 --> 0:46:55.320
<v Speaker 1>a bed that's hear me. I can hear you? Interesting?

0:46:55.400 --> 0:46:55.960
<v Speaker 4>Can you hear me?

0:46:56.640 --> 0:46:57.480
<v Speaker 2>Yes? I can hear you.

0:46:57.560 --> 0:47:00.719
<v Speaker 5>Unfortunately speak Mitchell the same room. Of course you're here.

0:47:02.000 --> 0:47:02.919
<v Speaker 5>Can I move to Mike four?

0:47:02.920 --> 0:47:05.120
<v Speaker 1>I'm not Oh no, Jenner, remember give me the headphone.

0:47:05.160 --> 0:47:05.319
<v Speaker 2>Jack.

0:47:05.800 --> 0:47:07.600
<v Speaker 1>So, Mitchell, we had to set up because Mitch is

0:47:07.600 --> 0:47:09.120
<v Speaker 1>on Saturday. You don't have to stand right next to me.

0:47:09.239 --> 0:47:11.280
<v Speaker 1>On how Branden's coming in? Hold on, come in, Branden?

0:47:11.480 --> 0:47:13.360
<v Speaker 5>Come, I just forget about Braiden.

0:47:13.920 --> 0:47:20.399
<v Speaker 1>Do you want me? Yeah? Ok, thank you, Nat, come

0:47:20.520 --> 0:47:21.040
<v Speaker 1>come in here.

0:47:22.600 --> 0:47:24.160
<v Speaker 5>I don't want to speak to her that badly and

0:47:24.200 --> 0:47:24.760
<v Speaker 5>all honesty.

0:47:25.760 --> 0:47:26.160
<v Speaker 1>Make sure.

0:47:26.800 --> 0:47:29.680
<v Speaker 5>Yeah, I had liked len Oh there you can hear me?

0:47:29.719 --> 0:47:29.799
<v Speaker 9>Now?

0:47:29.880 --> 0:47:30.680
<v Speaker 5>Can you hello?

0:47:30.800 --> 0:47:31.680
<v Speaker 10>Are we sharing a mic too?

0:47:31.760 --> 0:47:35.480
<v Speaker 1>Can I bring my mic over? This is like school captain,

0:47:35.600 --> 0:47:38.640
<v Speaker 1>go get the mic minutes? Yeah, but everyone, it was

0:47:38.800 --> 0:47:39.360
<v Speaker 1>Nat Panfile.

0:47:40.560 --> 0:47:42.480
<v Speaker 5>I was just saying that we should get Nat on

0:47:42.600 --> 0:47:44.839
<v Speaker 5>to guest host the podcast again. But now I'm having

0:47:44.920 --> 0:47:45.680
<v Speaker 5>second thoughts.

0:47:46.000 --> 0:47:46.239
<v Speaker 10>Yeah.

0:47:46.320 --> 0:47:48.279
<v Speaker 1>Sorry, it was very unprofessional. When I came in here

0:47:48.600 --> 0:47:51.080
<v Speaker 1>was all prepared. It was spontaneous. I had an issue

0:47:51.080 --> 0:47:52.880
<v Speaker 1>with my studio. I've got a voice track coming up

0:47:52.880 --> 0:47:55.480
<v Speaker 1>in a couple of minutes. Oh you sure live on air?

0:47:55.560 --> 0:47:59.879
<v Speaker 1>Are you? I really can't hear You're fine? So you're

0:48:00.040 --> 0:48:00.759
<v Speaker 1>liquid on the ear?

0:48:01.200 --> 0:48:02.360
<v Speaker 5>Yeah, in the ear drum.

0:48:02.360 --> 0:48:02.840
<v Speaker 1>I was going to go.

0:48:02.960 --> 0:48:05.000
<v Speaker 10>You know those candles we put them in and burn them.

0:48:05.280 --> 0:48:06.840
<v Speaker 10>I went to get one of them and the pharmacist

0:48:06.960 --> 0:48:08.399
<v Speaker 10>was like, what's wrong with your ear? And I said,

0:48:08.400 --> 0:48:10.319
<v Speaker 10>I think it's blocked and she said no, no, no, that's

0:48:10.360 --> 0:48:13.279
<v Speaker 10>for wax. So I had to get you know, there's

0:48:13.320 --> 0:48:15.279
<v Speaker 10>bottles you put water in them and the sachet and

0:48:15.280 --> 0:48:18.879
<v Speaker 10>then you put it up your nose in like a sinus. Yeah,

0:48:18.960 --> 0:48:20.880
<v Speaker 10>nose douche had to get one of those things.

0:48:20.920 --> 0:48:21.760
<v Speaker 1>God, the horrific.

0:48:21.800 --> 0:48:22.640
<v Speaker 4>Have you done them before?

0:48:23.600 --> 0:48:26.200
<v Speaker 5>I quite like them? Actually, I like them after.

0:48:26.440 --> 0:48:29.239
<v Speaker 10>During it's very invasive, like you have to squeeze it

0:48:29.239 --> 0:48:32.000
<v Speaker 10>into your nostril and then out of your other nostril

0:48:32.320 --> 0:48:34.200
<v Speaker 10>comes the snot and you've got to keep your mouth

0:48:34.239 --> 0:48:35.640
<v Speaker 10>open and it comes out your mouth.

0:48:35.680 --> 0:48:37.520
<v Speaker 1>If you haven't done it before, it's your nose is

0:48:37.560 --> 0:48:39.360
<v Speaker 1>so sensitive and it feels so.

0:48:39.440 --> 0:48:41.480
<v Speaker 5>Yeah, it hits the back of it very cleansing. I

0:48:41.560 --> 0:48:42.239
<v Speaker 5>quite like it.

0:48:42.440 --> 0:48:43.920
<v Speaker 10>Yeah, it's not about Oh I got in trouble. I

0:48:44.000 --> 0:48:46.360
<v Speaker 10>used my boyfriend's one.

0:48:46.440 --> 0:48:48.239
<v Speaker 5>Are you kid? I was like, mate, your tongue been

0:48:48.239 --> 0:48:49.160
<v Speaker 5>on my asshole.

0:48:48.920 --> 0:48:53.919
<v Speaker 10>And you want to worry about my nose?

0:48:54.360 --> 0:48:58.479
<v Speaker 1>Yeah didn't? You didn't as a good joke. You should

0:48:58.560 --> 0:49:01.520
<v Speaker 1>leave now because that was a high. What's coming up

0:49:01.560 --> 0:49:05.400
<v Speaker 1>on your show today? You know, just a lot of music?

0:49:05.600 --> 0:49:11.000
<v Speaker 10>Yeah, yea, heaps of hits, heaps of R and B

0:49:12.200 --> 0:49:12.640
<v Speaker 10>stand for.

0:49:14.120 --> 0:49:17.759
<v Speaker 5>Hmm, rhythm and blues. What Mitchell Rhythm and blues? I

0:49:17.760 --> 0:49:19.840
<v Speaker 5>didn't know that rhythm and blues. I thought everyone knew that.

0:49:20.560 --> 0:49:21.160
<v Speaker 4>I didn't know that.

0:49:21.520 --> 0:49:25.319
<v Speaker 1>I thought it was rumba or something umber and they

0:49:25.360 --> 0:49:26.200
<v Speaker 1>just supposed to be.

0:49:28.239 --> 0:49:29.400
<v Speaker 10>No rhythm and blues.

0:49:29.400 --> 0:49:32.080
<v Speaker 1>Apparently, there you go, the more you know, thanking that pani? Okay,

0:49:32.600 --> 0:49:34.319
<v Speaker 1>can you unplug my head? Yeah?

0:49:34.520 --> 0:49:35.360
<v Speaker 5>That was chaos.

0:49:35.640 --> 0:49:37.959
<v Speaker 1>Bye bye, Mitch Bye. I can't hear him again.

0:49:38.120 --> 0:49:39.160
<v Speaker 5>We'll talk to you again soon.

0:49:39.719 --> 0:49:40.320
<v Speaker 1>She's leaving.

0:49:40.440 --> 0:49:41.480
<v Speaker 4>What did I bring in here?

0:49:41.520 --> 0:49:46.720
<v Speaker 1>Nothing? Just your attitude? Yes, goodbye, thank you, nap Fold,

0:49:46.800 --> 0:49:49.320
<v Speaker 1>well done, well done, well done. Isn't she just treat

0:49:49.719 --> 0:49:50.120
<v Speaker 1>She's not.

0:49:51.400 --> 0:49:53.160
<v Speaker 5>Yeah, So that's what I mean when I say this

0:49:53.280 --> 0:49:54.919
<v Speaker 5>part is not the best part of the show.

0:49:55.840 --> 0:50:01.880
<v Speaker 1>Entertaining there for did you guys hee brain and the technician? Yeah,

0:50:01.960 --> 0:50:03.680
<v Speaker 1>he said talk to me before you go. Do you

0:50:03.680 --> 0:50:04.480
<v Speaker 1>know why he wants me to?

0:50:05.000 --> 0:50:05.120
<v Speaker 2>Oh?

0:50:05.160 --> 0:50:05.920
<v Speaker 5>Are you in trouble?

0:50:06.080 --> 0:50:08.000
<v Speaker 1>No, I'm not in trouble. I've mentioned this on the

0:50:08.000 --> 0:50:09.719
<v Speaker 1>show before. When you reach a certain point in your

0:50:09.760 --> 0:50:12.640
<v Speaker 1>career and your radio career, you get your own microphone.

0:50:12.760 --> 0:50:12.880
<v Speaker 2>Right.

0:50:13.080 --> 0:50:18.360
<v Speaker 1>Kyle's's goal Jacks as dimonded, Amanda Kell's's wood grain. Jonesy's

0:50:18.440 --> 0:50:22.240
<v Speaker 1>is made of misogyny.

0:50:24.040 --> 0:50:28.520
<v Speaker 5>It is not Jones is lovely? What what how could that?

0:50:28.560 --> 0:50:31.560
<v Speaker 1>What would that be just famous women's faces with x's

0:50:31.600 --> 0:50:32.239
<v Speaker 1>on them?

0:50:33.320 --> 0:50:38.000
<v Speaker 5>No, it would just be like newspaper Jonesy has endorsed

0:50:38.120 --> 0:50:42.520
<v Speaker 5>this show. It'd be Bob Hawk, Tony Abbott, Tony Abbott,

0:50:42.560 --> 0:50:45.640
<v Speaker 5>he's the one that copped the fucking misogyny speech. Definitely

0:50:45.719 --> 0:50:47.480
<v Speaker 5>plaster his fucked head all over it.

0:50:47.880 --> 0:50:52.000
<v Speaker 1>Anyway, I'm getting my own microphone and I'm getting it custom,

0:50:52.080 --> 0:50:56.400
<v Speaker 1>so I can pick any any texture, any color, any feature.

0:50:57.560 --> 0:50:59.040
<v Speaker 1>And I don't know what I want to get. What

0:50:59.040 --> 0:51:00.759
<v Speaker 1>should I get? If you listen to DM me, tell

0:51:00.800 --> 0:51:01.920
<v Speaker 1>me what you think I should get, because it'll be

0:51:01.920 --> 0:51:04.120
<v Speaker 1>in all my videos, my show. I'm on it. Now,

0:51:04.239 --> 0:51:06.040
<v Speaker 1>what should I do for my mic? Guys?

0:51:06.440 --> 0:51:09.280
<v Speaker 5>Oh god, there's a world of options, isn't there?

0:51:09.800 --> 0:51:12.080
<v Speaker 1>Very unrelatable content? But you can still help.

0:51:13.200 --> 0:51:19.319
<v Speaker 5>Why don't you get a dick like when people used

0:51:19.360 --> 0:51:23.440
<v Speaker 5>to do like scoobies, they would like plat those string

0:51:23.480 --> 0:51:25.959
<v Speaker 5>things together, just get scoobies all around.

0:51:25.640 --> 0:51:29.480
<v Speaker 1>It, just scooby the vibe. Yeah, actually funny?

0:51:30.040 --> 0:51:31.400
<v Speaker 5>Yeah, what's wrong with a scooby?

0:51:31.680 --> 0:51:33.560
<v Speaker 1>Or what if I just what if I go to

0:51:33.600 --> 0:51:37.520
<v Speaker 1>Wooli's headquarters and ask for ushies and just hot glue

0:51:37.640 --> 0:51:39.360
<v Speaker 1>ushies all over my mic and that way if I

0:51:39.440 --> 0:51:40.200
<v Speaker 1>drop it at one.

0:51:40.360 --> 0:51:43.319
<v Speaker 5>That's you'll have crap falling off it. That's no good.

0:51:43.840 --> 0:51:47.320
<v Speaker 1>I've thought what about hot wheel flames.

0:51:48.400 --> 0:51:49.240
<v Speaker 5>Like a scooter.

0:51:49.480 --> 0:51:49.680
<v Speaker 4>Like a.

0:51:51.640 --> 0:51:55.000
<v Speaker 5>Scooter, yeah, like a pair of heelies. Make it look

0:51:55.080 --> 0:51:57.640
<v Speaker 5>like a green machine. Oh my green.

0:51:57.840 --> 0:52:02.200
<v Speaker 1>Oh, like a purple pink flame, kiss colors because my

0:52:02.239 --> 0:52:04.400
<v Speaker 1>MIC's black, Jenny, you can see it. They could just

0:52:04.440 --> 0:52:06.680
<v Speaker 1>matt blackheat and then on the base two flames coming

0:52:06.800 --> 0:52:09.320
<v Speaker 1>up to my mouth that are bright purple.

0:52:09.840 --> 0:52:12.279
<v Speaker 5>I quite like, what else could you do?

0:52:12.520 --> 0:52:14.760
<v Speaker 1>What if I get it painted like a Harry Potter wand.

0:52:15.480 --> 0:52:16.759
<v Speaker 4>Can you get a long one?

0:52:17.120 --> 0:52:19.839
<v Speaker 1>Make it a long wondo. We've got the long stick

0:52:19.880 --> 0:52:21.680
<v Speaker 1>ones that I'll get or Mitchell, you were talking to

0:52:21.719 --> 0:52:23.360
<v Speaker 1>one of these ones, Mitchell, do you Jenny, You've got

0:52:23.400 --> 0:52:25.799
<v Speaker 1>the long one. But I've got a broadcasting mic, which

0:52:25.840 --> 0:52:29.399
<v Speaker 1>is like thick. It looks like a a submarine.

0:52:30.960 --> 0:52:33.160
<v Speaker 5>Make it a submarine. That's funny.

0:52:33.200 --> 0:52:35.200
<v Speaker 1>That's funny. To or a telescope.

0:52:36.200 --> 0:52:38.399
<v Speaker 5>What if you made it look like a toilet paper roll,

0:52:38.480 --> 0:52:40.319
<v Speaker 5>even with like a little bit of toilet paper left,

0:52:40.320 --> 0:52:41.320
<v Speaker 5>and everyone's like, what.

0:52:41.480 --> 0:52:44.840
<v Speaker 1>Oh my god, that's really good. That's cool. That's good.

0:52:45.480 --> 0:52:48.000
<v Speaker 1>I'm gonna send you Mitchell. I can get it chromed

0:52:48.040 --> 0:52:50.200
<v Speaker 1>as well, like I could also make it like metal.

0:52:50.640 --> 0:52:52.000
<v Speaker 5>What did that mean? Chromed?

0:52:52.360 --> 0:52:56.759
<v Speaker 1>Chromed like sparkly, like silver like kyle'ss gold. Right, but

0:52:56.840 --> 0:52:59.920
<v Speaker 1>like I could make mine like that shininess bit in

0:53:00.080 --> 0:53:00.680
<v Speaker 1>any color?

0:53:01.400 --> 0:53:05.879
<v Speaker 5>M okay, Jim. Yellow, Well, I mean, I wasn't gonna

0:53:05.880 --> 0:53:07.320
<v Speaker 5>say anything, but that would be nice.

0:53:07.920 --> 0:53:09.680
<v Speaker 1>Yellow is my favorite color. So it's not even to

0:53:09.680 --> 0:53:11.280
<v Speaker 1>do with gym. It is my favorite color.

0:53:11.560 --> 0:53:15.120
<v Speaker 5>Cute you should yellow yellow. That's gonna look a lot

0:53:15.200 --> 0:53:16.840
<v Speaker 5>like the golden microphone, though you don't want to be

0:53:16.840 --> 0:53:17.960
<v Speaker 5>accuses of copying him.

0:53:18.120 --> 0:53:22.720
<v Speaker 1>And you know a yellow submarine, Oh my god, because

0:53:22.719 --> 0:53:24.040
<v Speaker 1>I'm such a Beatles f.

0:53:25.800 --> 0:53:26.719
<v Speaker 4>Your favorite band.

0:53:26.880 --> 0:53:32.319
<v Speaker 1>I love their hit song Ladybug. Yes, orange, I do

0:53:32.480 --> 0:53:36.120
<v Speaker 1>like orange, Matte, Matt, Orange could be good. This is

0:53:36.239 --> 0:53:36.640
<v Speaker 1>about like.

0:53:36.640 --> 0:53:38.000
<v Speaker 5>A down mation print.

0:53:38.560 --> 0:53:41.239
<v Speaker 1>Oh what about it? What about a black and white

0:53:41.320 --> 0:53:43.040
<v Speaker 1>checkerboard print that could be fun?

0:53:43.440 --> 0:53:45.200
<v Speaker 5>No, that's very JJ's belt.

0:53:46.600 --> 0:53:51.279
<v Speaker 1>It is is so is flames I had. All I'm

0:53:51.320 --> 0:53:53.440
<v Speaker 1>thinking of is like it reminds me of that fat

0:53:53.480 --> 0:53:56.160
<v Speaker 1>chubby it kid from my Karli. He always had like

0:53:56.160 --> 0:53:59.320
<v Speaker 1>a black button up with red flames coming from the bottom.

0:53:59.440 --> 0:54:01.560
<v Speaker 1>Like that's what I'm picturing, but I want it like

0:54:01.600 --> 0:54:04.759
<v Speaker 1>it's it's self aware, it's referential. It's not like this

0:54:04.960 --> 0:54:06.800
<v Speaker 1>is kol I'm a hotspeaker.

0:54:07.200 --> 0:54:09.440
<v Speaker 5>You know what if you made it look like a

0:54:09.520 --> 0:54:12.040
<v Speaker 5>red velvet cake, like you've cut open the cake and

0:54:12.080 --> 0:54:12.920
<v Speaker 5>that texture, Oh.

0:54:12.920 --> 0:54:15.319
<v Speaker 1>My god, we're like a cupcake, like the top is

0:54:15.320 --> 0:54:17.040
<v Speaker 1>the icing where I speak into here?

0:54:17.520 --> 0:54:19.840
<v Speaker 5>Yeah, what about rainbow?

0:54:19.920 --> 0:54:20.960
<v Speaker 1>Because I'm I.

0:54:20.920 --> 0:54:23.160
<v Speaker 5>Could go a red velvet cake right now?

0:54:23.680 --> 0:54:25.239
<v Speaker 1>Have they made it to bogen Gat or are they

0:54:25.239 --> 0:54:26.320
<v Speaker 1>still on just chouk Mard.

0:54:27.560 --> 0:54:29.000
<v Speaker 5>I don't think I'd be able to get it anywhere

0:54:29.000 --> 0:54:31.160
<v Speaker 5>in bogen Gate, but surely for the parks or whatever

0:54:31.239 --> 0:54:31.760
<v Speaker 5>red velvet?

0:54:32.239 --> 0:54:33.880
<v Speaker 1>Can I get a red velvet cake plays at the

0:54:33.920 --> 0:54:40.520
<v Speaker 1>local bakery? Rot button material? No, ma'am. In Sydney, that's

0:54:40.520 --> 0:54:45.440
<v Speaker 1>a flavor, you lacky doo city folk. Next you'll be

0:54:45.480 --> 0:54:52.440
<v Speaker 1>ausing for a cornerally cake. Sorry to make fun of

0:54:52.480 --> 0:54:53.000
<v Speaker 1>the locals.

0:54:53.440 --> 0:54:54.680
<v Speaker 5>No, no, it's fine.

0:54:55.080 --> 0:54:57.040
<v Speaker 1>That was a joke because red velvet is a type

0:54:57.080 --> 0:54:57.640
<v Speaker 1>of material.

0:54:58.360 --> 0:55:00.239
<v Speaker 4>Yeah, yeah, I do know that.

0:55:00.200 --> 0:55:05.440
<v Speaker 6>You can buy Woolworths in Duble So really, parks and forms.

0:55:05.520 --> 0:55:07.279
<v Speaker 1>Is there a coles or are you like running an

0:55:07.280 --> 0:55:10.400
<v Speaker 1>IgA that has a local family surname attached to it,

0:55:10.480 --> 0:55:11.960
<v Speaker 1>like Richie's IgA.

0:55:12.200 --> 0:55:19.040
<v Speaker 5>Both there's like Woolies Coals and then Bernardi's It's Bernardi yep. Yeah. Also,

0:55:20.280 --> 0:55:23.279
<v Speaker 5>how funny is this? You know how Target used to

0:55:23.360 --> 0:55:27.719
<v Speaker 5>have like the mini version of Target called Target Country

0:55:27.719 --> 0:55:31.400
<v Speaker 5>Country Towns. Yeah, so they got rid of Target Country

0:55:31.560 --> 0:55:36.360
<v Speaker 5>recently and Jane was devastated. She's like, well, my kids

0:55:36.360 --> 0:55:40.240
<v Speaker 5>have moved out, there's no Target Country. What's the point

0:55:40.239 --> 0:55:43.400
<v Speaker 5>of even being here? And so she was devastated. But

0:55:43.400 --> 0:55:46.560
<v Speaker 5>they've changed it into a mini kmart And guess what

0:55:46.680 --> 0:55:52.359
<v Speaker 5>mani kmarts are called? Oh what k hub? Oh?

0:55:52.800 --> 0:55:55.480
<v Speaker 1>I think I watched a great twinking crashed on that

0:55:55.560 --> 0:55:56.800
<v Speaker 1>last night. Yeah.

0:55:56.840 --> 0:55:59.120
<v Speaker 5>I feel like I've been stuck in a k hub

0:55:59.160 --> 0:56:01.920
<v Speaker 5>once or twice to puffed off on early Sunday morning.

0:56:02.400 --> 0:56:05.160
<v Speaker 1>Oh, very true. That's isn't that where you're buy ketamine

0:56:05.200 --> 0:56:06.959
<v Speaker 1>on King Streets? They call it the k hub.

0:56:08.360 --> 0:56:10.160
<v Speaker 5>It's a weird name for it, isn't it. But yeah,

0:56:10.200 --> 0:56:12.520
<v Speaker 5>I still haven't been because I'm in fucking lockdown.

0:56:12.560 --> 0:56:15.160
<v Speaker 1>But you know that's so funny K hub.

0:56:15.280 --> 0:56:17.080
<v Speaker 4>Why couldn't it just be km up country?

0:56:17.239 --> 0:56:18.759
<v Speaker 5>Well, it's kind of like, you know how you've got

0:56:18.800 --> 0:56:21.080
<v Speaker 5>the Coles Express servos. Why don't they just call it

0:56:21.160 --> 0:56:22.080
<v Speaker 5>kmart Express?

0:56:22.440 --> 0:56:24.920
<v Speaker 1>Yeah, oh came out express to be perfect.

0:56:25.560 --> 0:56:27.800
<v Speaker 5>I've never even seen a k hub. Let me google

0:56:27.840 --> 0:56:28.200
<v Speaker 5>this shit.

0:56:28.880 --> 0:56:30.960
<v Speaker 1>Careful, hope you're not on the family Wi Fi. They

0:56:31.040 --> 0:56:35.520
<v Speaker 1>might have alert set up. Your poor mom will call

0:56:35.600 --> 0:56:36.160
<v Speaker 1>your dad.

0:56:36.440 --> 0:56:38.440
<v Speaker 5>Cute Ian, what to be.

0:56:39.239 --> 0:56:40.760
<v Speaker 1>Going while I'm at the store.

0:56:42.040 --> 0:56:45.360
<v Speaker 5>No, they're quite cute. Actually, these k Hubs I've just

0:56:45.400 --> 0:56:47.360
<v Speaker 5>searched k Hub.

0:56:48.239 --> 0:56:49.640
<v Speaker 4>Be careful, Braiden, we'll come back.

0:56:49.840 --> 0:56:51.160
<v Speaker 1>Yeah, I'm going to get off the workwise.

0:56:52.640 --> 0:56:55.400
<v Speaker 5>Oh so it's got the big K like kmart and

0:56:55.440 --> 0:56:56.879
<v Speaker 5>then just the word hub instead of.

0:56:56.800 --> 0:56:58.600
<v Speaker 1>Mart, nice and Rainbow.

0:56:59.080 --> 0:57:00.920
<v Speaker 5>Yeah, it's like a a kmart.

0:57:01.239 --> 0:57:04.680
<v Speaker 1>August twenty twenty so it's new. Kmart unveils new k

0:57:04.840 --> 0:57:08.160
<v Speaker 1>hub format in former Target stores. Also, they have bought

0:57:08.320 --> 0:57:09.680
<v Speaker 1>all country targets, Mitch.

0:57:10.160 --> 0:57:13.040
<v Speaker 5>It's so funny. I'm reading the list of towns that

0:57:13.280 --> 0:57:15.839
<v Speaker 5>k hub is opening and it sounds like you've made

0:57:15.880 --> 0:57:16.360
<v Speaker 5>half of them.

0:57:16.360 --> 0:57:19.920
<v Speaker 1>Mark, Oh my god, I've got it to go ramble.

0:57:19.640 --> 0:57:24.160
<v Speaker 5>Some off Ganada Picked and Timid a Ladala. Actually the

0:57:24.200 --> 0:57:27.920
<v Speaker 5>the ro real places I know it does gilcare are

0:57:28.240 --> 0:57:32.600
<v Speaker 5>Bowen Charter towers. That sounds about it. Chinchilla, that's surely

0:57:32.680 --> 0:57:35.840
<v Speaker 5>fag stagham mariba.

0:57:36.280 --> 0:57:38.760
<v Speaker 1>Oh, I've got the list too, flat at and tops

0:57:40.200 --> 0:57:44.800
<v Speaker 1>underwindy Carrie Cecleton, Wow, what really it?

0:57:46.960 --> 0:57:47.320
<v Speaker 5>Uh?

0:57:47.800 --> 0:57:54.240
<v Speaker 1>Kai Abram, I've got yagarossa heights.

0:57:54.680 --> 0:57:57.800
<v Speaker 5>No, by the way, I'm reading real ones you're making.

0:57:57.840 --> 0:57:58.600
<v Speaker 1>It might have failed.

0:57:59.320 --> 0:58:03.760
<v Speaker 5>She believed my weird talent that I've kept with me

0:58:03.800 --> 0:58:06.960
<v Speaker 5>from primary school. Speaking of country towns, you know that

0:58:07.080 --> 0:58:11.439
<v Speaker 5>song that's like I've been everywhere, man, I've been everywhere.

0:58:12.280 --> 0:58:14.200
<v Speaker 5>I still know the words to that because we had

0:58:14.200 --> 0:58:15.800
<v Speaker 5>to do it at school.

0:58:16.120 --> 0:58:18.840
<v Speaker 4>You know all the words sing it yep, and.

0:58:18.800 --> 0:58:20.880
<v Speaker 5>You know how they rattle off the country towns really quick.

0:58:21.000 --> 0:58:23.160
<v Speaker 4>Yeah, yeah, rattle off the towns.

0:58:24.080 --> 0:58:26.560
<v Speaker 5>And I'm gonna have to remember as a bear man

0:58:26.640 --> 0:58:30.560
<v Speaker 5>I breathe a mountain. Eh, I've traveled, I've had man,

0:58:30.800 --> 0:58:34.360
<v Speaker 5>I've been everywhere. Been a Tullemore sing or Mala La

0:58:34.960 --> 0:58:38.680
<v Speaker 5>Rick Birdsville and kind of kind of mind staff Fine

0:58:38.680 --> 0:58:46.120
<v Speaker 5>Plott fuck lost there. If I was in studio, I

0:58:46.120 --> 0:58:47.520
<v Speaker 5>would have gotten you to play the music so that

0:58:47.560 --> 0:58:48.400
<v Speaker 5>would be more impressive.

0:58:48.440 --> 0:58:50.320
<v Speaker 1>But you know I did search it. Sorry, but we

0:58:50.400 --> 0:58:50.840
<v Speaker 1>don't have it.

0:58:51.400 --> 0:58:52.840
<v Speaker 5>It would have been out of think anyway because of

0:58:52.840 --> 0:58:53.720
<v Speaker 5>the delay between us.

0:58:54.600 --> 0:58:57.880
<v Speaker 1>Yeah, you know what we've done fucking well everyone for

0:58:58.000 --> 0:58:58.400
<v Speaker 1>this show.

0:58:58.640 --> 0:59:03.080
<v Speaker 5>Oh dear, I just realized that. Oh no, I just

0:59:03.280 --> 0:59:07.000
<v Speaker 5>googled the song. I've been everywhere to see if I

0:59:07.040 --> 0:59:10.240
<v Speaker 5>could find the lyrics, and it's performed by Rolph Harris.

0:59:10.440 --> 0:59:14.480
<v Speaker 4>Oh no, all of that back.

0:59:14.680 --> 0:59:16.760
<v Speaker 1>Yeah, that can go.

0:59:19.000 --> 0:59:19.440
<v Speaker 4>Goodness.

0:59:19.880 --> 0:59:21.760
<v Speaker 5>Maybe I could re record it so that it doesn't

0:59:21.800 --> 0:59:23.280
<v Speaker 5>it's not tainted by his memory.

0:59:23.960 --> 0:59:26.880
<v Speaker 1>Yeah, maybe, because I doubt he wrote it. Do you

0:59:26.920 --> 0:59:28.440
<v Speaker 1>guys want to play the quiz that I do every

0:59:28.480 --> 0:59:29.760
<v Speaker 1>morning on my new radio show.

0:59:29.920 --> 0:59:34.120
<v Speaker 4>Yeah, Question boost CUIs of the day, high questions.

0:59:34.480 --> 0:59:36.600
<v Speaker 1>First quiz of the day. Because it's five in the morning,

0:59:36.880 --> 0:59:41.080
<v Speaker 1>five questions at five am, first quiz. No one else

0:59:41.080 --> 0:59:43.160
<v Speaker 1>has asked these questions. Is it making sense why it's

0:59:43.160 --> 0:59:47.600
<v Speaker 1>called first quiz? Mitchell, let's get on with it. Sorry.

0:59:47.680 --> 0:59:51.080
<v Speaker 1>Question one, Actually, if you win, you get to pick

0:59:51.120 --> 0:59:53.720
<v Speaker 1>something from Carl Jackieo's prize vault, which sure I'm opening

0:59:53.800 --> 0:59:58.000
<v Speaker 1>now I've got the curious that's just oh oh my god,

0:59:58.200 --> 1:00:00.760
<v Speaker 1>that's where Brooklyn sleeps. That old on day one. That

1:00:00.840 --> 1:00:04.960
<v Speaker 1>was a brilliant joke. That I've used every morning. Question one,

1:00:05.040 --> 1:00:07.160
<v Speaker 1>how old de choice of Anturn this week twenty six

1:00:07.280 --> 1:00:07.840
<v Speaker 1>or thirty.

1:00:07.640 --> 1:00:12.160
<v Speaker 5>Six twenty twenty six? Obviously twenty six?

1:00:13.160 --> 1:00:16.400
<v Speaker 1>Cloudy Day is the fresh track from which Ozzie.

1:00:16.200 --> 1:00:19.720
<v Speaker 5>Local Oh oh oh tones?

1:00:19.720 --> 1:00:19.960
<v Speaker 6>And I.

1:00:21.480 --> 1:00:24.520
<v Speaker 1>Correct, Mitchell, Which Ossie reality show has sent its contestants

1:00:24.520 --> 1:00:25.520
<v Speaker 1>to ULARU this week?

1:00:26.120 --> 1:00:26.280
<v Speaker 6>Oh?

1:00:26.400 --> 1:00:28.520
<v Speaker 5>Mastership correct?

1:00:28.560 --> 1:00:30.160
<v Speaker 1>I don't know how melissaly On put up with a

1:00:30.240 --> 1:00:35.760
<v Speaker 1>dry heat. Question four? What profession is our upcoming bachelor?

1:00:35.920 --> 1:00:36.600
<v Speaker 1>Jimy Nicholson?

1:00:37.000 --> 1:00:38.040
<v Speaker 5>I know, pilot.

1:00:40.480 --> 1:00:41.600
<v Speaker 4>He's a good pilot.

1:00:43.480 --> 1:00:45.440
<v Speaker 1>The promos, actually, the promos look good.

1:00:45.440 --> 1:00:47.160
<v Speaker 4>Have we all seen that promos are horrific?

1:00:47.760 --> 1:00:49.160
<v Speaker 5>What do you mean? I was there when they were

1:00:49.160 --> 1:00:50.360
<v Speaker 5>shooting it. I like it.

1:00:50.480 --> 1:00:52.840
<v Speaker 4>What the ones of him in a plane in the sky.

1:00:54.000 --> 1:00:55.800
<v Speaker 5>No, I was just there at the airport. I went

1:00:55.840 --> 1:00:57.800
<v Speaker 5>and did like a behind the scenes shoot when I

1:00:57.920 --> 1:00:58.960
<v Speaker 5>was working at Kisstones.

1:00:59.040 --> 1:01:01.120
<v Speaker 1>Oh, I get it, I get it, I get it.

1:01:01.960 --> 1:01:03.960
<v Speaker 5>That makes sense that they did a really good job

1:01:04.000 --> 1:01:06.120
<v Speaker 5>at making that promo look more glamorous than it actually was.

1:01:06.240 --> 1:01:09.080
<v Speaker 1>Let me tell you, Yeah, it does look glam Yeah,

1:01:10.240 --> 1:01:12.840
<v Speaker 1>that's so funny. That's like me watching the m H

1:01:12.840 --> 1:01:17.120
<v Speaker 1>three seventy documentary. I was there, Well, but I get it.

1:01:17.160 --> 1:01:19.680
<v Speaker 1>You're at the epop. All right, for the win, Rebel

1:01:19.680 --> 1:01:22.840
<v Speaker 1>Wilson starts in the latest commercial for which payment service?

1:01:26.640 --> 1:01:27.680
<v Speaker 5>Oh is it after pay?

1:01:29.440 --> 1:01:33.960
<v Speaker 1>Well done in bog and Gate, you have won. Congratulations,

1:01:34.000 --> 1:01:37.960
<v Speaker 1>we will send you something from win ten thousand dollars. No, no,

1:01:38.120 --> 1:01:40.520
<v Speaker 1>that's not it's not the Kyle and Jackie O pop quiz.

1:01:40.600 --> 1:01:41.959
<v Speaker 4>It doesn't he get to go in the vault.

1:01:42.240 --> 1:01:43.800
<v Speaker 1>Yeah, he gets to go in the vault. But the

1:01:43.880 --> 1:01:46.360
<v Speaker 1>vault is a random question. He doesn't actually get to

1:01:46.400 --> 1:01:47.360
<v Speaker 1>pick what's in the vault.

1:01:47.720 --> 1:01:49.800
<v Speaker 5>Oh, well, that's shit. I want to know what's in

1:01:49.920 --> 1:01:50.760
<v Speaker 5>there and what I'm winning.

1:01:51.000 --> 1:01:53.520
<v Speaker 1>Oh, I'll let you know. Sadly, times and eyes on

1:01:53.560 --> 1:01:56.040
<v Speaker 1>the other morning at kiss, What a funny thing to

1:01:56.160 --> 1:02:03.160
<v Speaker 1>see five seconds rule is over. That's a great game.

1:02:03.280 --> 1:02:04.320
<v Speaker 1>That's a good game. It's fun.

1:02:04.400 --> 1:02:06.479
<v Speaker 5>Yeah, it's a good game if I'm the one winning.

1:02:06.560 --> 1:02:07.320
<v Speaker 5>So yeah, I agree.

1:02:07.440 --> 1:02:07.680
<v Speaker 7>True.

1:02:07.720 --> 1:02:09.600
<v Speaker 1>Oh that's the metric is an okay? Fair, fair fair?

1:02:09.680 --> 1:02:11.520
<v Speaker 1>Now I know for next time. All right, let's go,

1:02:11.760 --> 1:02:12.440
<v Speaker 1>let's get out of here.

1:02:12.640 --> 1:02:14.560
<v Speaker 5>Yeah, let's get out of here. I might see you

1:02:14.640 --> 1:02:16.680
<v Speaker 5>next week, or I might be in Bogan Gate who knows.

1:02:16.520 --> 1:02:19.160
<v Speaker 1>Who knows. We'll be here regardless. See you guys, have

1:02:19.200 --> 1:02:19.680
<v Speaker 1>a great week.

1:02:19.800 --> 1:02:22.520
<v Speaker 5>Thanks for listening. Don't forget. We hope this podcast made

1:02:22.520 --> 1:02:24.240
<v Speaker 5>you feel at least two percent better today.

1:02:24.280 --> 1:02:26.840
<v Speaker 1>That's all, that's, that's all, all right. See you guys

1:02:26.920 --> 1:02:28.280
<v Speaker 1>next week. Bye, good bye bye.

1:02:28.640 --> 1:02:29.840
<v Speaker 6>Is It just Me?

1:02:30.440 --> 1:02:33.600
<v Speaker 5>A podcast by a couple of miches. Make sure you've

1:02:33.680 --> 1:02:36.400
<v Speaker 5>hit follow on your podcast app.