WEBVTT - UNPACKED REALITY AUSTRALIAN IDOL - TJ & TYLER

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. Hey guys, welcome back

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<v Speaker 1>to TV Reload. Thank you for clicking and downloading. On

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<v Speaker 1>today's episode with TJ and Tyler, this week's eliminated singers

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<v Speaker 1>from Australian Idol on Channel seven. Twenty years after Guys

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<v Speaker 1>Sebastian pipped Shannonold to become Australia's first Idol, the international

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<v Speaker 1>star making reality TV Sensation has returned to Channel seven

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<v Speaker 1>and seven plus And if you aren't watching, you were

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<v Speaker 1>missing out on some sensational television. Said to be the

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<v Speaker 1>toughest season we've ever seen an Australian Idol. I think

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<v Speaker 1>Kyle Sandalance mentioned that last night we saw the top

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<v Speaker 1>ten go down to the top eight. Today we are

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<v Speaker 1>going to sit down with TJ and Tyler to get

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<v Speaker 1>the goss on what they thought of their time on

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<v Speaker 1>the show. We will unpack why this season has seen

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<v Speaker 1>so many shot departures so far and how the judges

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<v Speaker 1>may be affecting the votes. TJ will unpack his unusual

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<v Speaker 1>style and if John Farnham has actually contacted him about

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<v Speaker 1>his version of the voice. We'll talk about his career

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<v Speaker 1>progression from idol and who is going on the boys

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<v Speaker 1>tour once Idol is finished? Plus everything from what they

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<v Speaker 1>thought of Amy Sharks singing live and if it's okay

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<v Speaker 1>to sing with American accents if you are Australian. There

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<v Speaker 1>is actually so much to unpack with the guys today,

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<v Speaker 1>and they're very genuine boys. So sit back and relax

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<v Speaker 1>as we dive just that little bit deeper into the

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<v Speaker 1>world of Australian Idol. How are you mate?

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<v Speaker 2>Look a lot better than me.

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<v Speaker 1>So what type of sleep do you get after being

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<v Speaker 1>eliminated from Australian Idol?

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<v Speaker 3>None, yes, well yeah, I was gonna say, well, yeah,

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<v Speaker 3>it's this type of sleep that you and yeah, yeah, nam,

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<v Speaker 3>So it's all good.

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<v Speaker 2>It's all good.

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<v Speaker 1>Did you try and get any sleep? Did you lie

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<v Speaker 1>in bed and do? What my mum would say is

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<v Speaker 1>just as long as you're in bed and you're lying there,

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<v Speaker 1>then it's still good.

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<v Speaker 2>Yeah, I guess.

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<v Speaker 3>So, you know, I wasn't sleeping, but as long as

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<v Speaker 3>I hit the pillar and like pretended to sleep, it's okay.

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<v Speaker 1>Well, I just want to say that Post Malone song

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<v Speaker 1>of yours and your version of it was dope. And

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<v Speaker 1>I'm forty four and I shouldn't say the word dope

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<v Speaker 1>because it makes me seem ridiculous, but I feel like

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<v Speaker 1>it's appropriate.

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<v Speaker 2>Yeah.

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<v Speaker 3>I don't know. I just kind of just winged it

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<v Speaker 3>and people are saying they like it, so that's that

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<v Speaker 3>makes me happy.

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<v Speaker 2>So yeah, it was.

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<v Speaker 3>I mean, I put I obviously put some thought into it,

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<v Speaker 3>but I just wanted to have a different bit of

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<v Speaker 3>edge on it. It was a bit of different vibe

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<v Speaker 3>to it and turned out all right.

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<v Speaker 1>I think I think I heard you say that you

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<v Speaker 1>saw post Malone. Did you see him in a live

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<v Speaker 1>concert at some point?

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<v Speaker 3>Yeah, I saw im, and I saw him at Spilt Milk,

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<v Speaker 3>which is a music festival.

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<v Speaker 4>Yeah.

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<v Speaker 1>And did you borrow any of his dance moves? Because

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<v Speaker 1>Kyle Sanderalanz was saying that some of your dance moves

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<v Speaker 1>were very Zoolander, But I was actually thinking I could

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<v Speaker 1>see some actual post Malone in there, because he's kind

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<v Speaker 1>of doing some strange stuff while he's dancing, isn't he Yeah,

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<v Speaker 1>he does.

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<v Speaker 3>He does some whack moves and like he's so unique

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<v Speaker 3>in how he does that, And honestly, I just I

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<v Speaker 3>had no choreography planned whatever, just came to my mind.

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<v Speaker 3>I just did it, and that's just what happened. So

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<v Speaker 3>nothing was planned. Everything was honestly just like feeling it,

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<v Speaker 3>just doing what I felt was right.

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<v Speaker 1>Well, I really do you know what? I actually was

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<v Speaker 1>so looking forward to every week, and I don't know

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<v Speaker 1>how I'm going to enjoy the show without you and

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<v Speaker 1>your voice. To me, maybe it's just that's the style

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<v Speaker 1>of music that I'm into, But I don't feel like

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<v Speaker 1>the competition is going to be the same now that

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<v Speaker 1>you've gone. What is up with the voting this year?

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<v Speaker 1>Why are we seeing so many of our best artists

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<v Speaker 1>being booted out of the competition.

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<v Speaker 4>I don't know.

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<v Speaker 2>I mean it's tough.

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<v Speaker 3>Hey, Like I am obviously in this like locked away

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<v Speaker 3>in this in this world of just like being in

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<v Speaker 3>the studio recording, filming, you know, rehearsing, and it's like

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<v Speaker 3>you kind of distance yourself from the outside world a bit.

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<v Speaker 3>And I think what it is honestly, Like you know,

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<v Speaker 3>I think Trans a great example, Like you know, he

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<v Speaker 3>has this massive sort of support group behind him and

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<v Speaker 3>he's just getting hundreds of thousands of votes. Trans a

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<v Speaker 3>great singer, But like I'm not targeting him, but like

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<v Speaker 3>a lot of people have his like whole followings behind them,

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<v Speaker 3>and it's not necessarily because they can, you know, they

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<v Speaker 3>have the best voice or they look the best.

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<v Speaker 2>Is because they just like people. It's honestly just fans

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<v Speaker 2>of who.

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<v Speaker 3>They are, what they do, how they address. Obviously like

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<v Speaker 3>their voice and all that stuff is accounted for. But yeah, everyone,

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<v Speaker 3>like a very few select people that just have a

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<v Speaker 3>lot and a lot of support behind them. And I

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<v Speaker 3>was kind of getting all my votes from like a

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<v Speaker 3>small community basing and for my family and friends, so

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<v Speaker 3>it was it was a tough compent. It's a tough

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<v Speaker 3>comp because some people just really really loved more than others.

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<v Speaker 2>So but that's just the that's the that's just how

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<v Speaker 2>it is.

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<v Speaker 1>But Tyler, you know, the judges really can influence the outcomes.

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<v Speaker 1>If they say that you're too good, people don't seem

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<v Speaker 1>to vote for them. But if they say you are terrible,

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<v Speaker 1>or in fact call you Curmit the frog, then that

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<v Speaker 1>I believe changes the votes. So they've got to be

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<v Speaker 1>really careful about what they say because I kind of

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<v Speaker 1>feel like the judges are controlling this somehow.

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<v Speaker 3>Yeah, I think the judges have they have a massive say,

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<v Speaker 3>like people say that the judges have an sort of

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<v Speaker 3>effects on this what they do because what they say

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<v Speaker 3>people listen to.

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<v Speaker 2>They are they have the credible source within the show.

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<v Speaker 3>And if they go, oh yeah, no, not your best performance,

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<v Speaker 3>ra Rah, obviously a show I think one way, I think,

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<v Speaker 3>oh that was amazing, perfect in Australia in another way,

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<v Speaker 3>so it's like, yeah, they have a massive say so

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<v Speaker 3>what they can definitely control the show in how they

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<v Speaker 3>comment on our.

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<v Speaker 1>Performances because I believe that if we took away that

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<v Speaker 1>Kermit comment from Trent and we called you Agro or

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<v Speaker 1>of some other puppet, I don't know, kind of feel

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<v Speaker 1>like Australia might have felt like you were unsafe and

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<v Speaker 1>so they would have voted for you.

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<v Speaker 3>I feel like the judges like life our performance and

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<v Speaker 3>I was like pretty mutually like oh yeah, it was cool.

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<v Speaker 3>You know, there's nothing controversial, and it was just sort

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<v Speaker 3>of like your basic sort of comments. And also at

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<v Speaker 3>the same time, it happens if I'd closed or sometimes

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<v Speaker 3>I feel like the show might keep certain people there

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<v Speaker 3>for a reason because you know, they might you know,

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<v Speaker 3>create certain stories or you know, the controversy that they

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<v Speaker 3>want to keep on the show. So you know, I'm

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<v Speaker 3>not saying that I know anything because I don't, but

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<v Speaker 3>it is what it is, I guess. So you just

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<v Speaker 3>got to go to roll with the punches.

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<v Speaker 1>I kind of feel like you're the Matt Corby And

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<v Speaker 1>maybe this is showing my age when I see this.

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<v Speaker 1>Maybe you don't know who Matt Corby is, but I

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<v Speaker 1>feel like you're the Matt Corby of the season. I

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<v Speaker 1>feel like you're the artist that I can imagine already

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<v Speaker 1>being on Triple J, already having a different sound, already

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<v Speaker 1>stepping outside of the idol box because no one even

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<v Speaker 1>thinks of Matt Corby coming from Australian Idol. And I

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<v Speaker 1>feel like that's the conversation we're going to have about

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<v Speaker 1>you in ten years is people will be like, did

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<v Speaker 1>you know that he was on Australian Idol. I feel

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<v Speaker 1>like that's where we're going.

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<v Speaker 3>That's great, I mean that would be crazy. I love

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<v Speaker 3>Matt Corby, mate, He's amazing and I want to still

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<v Speaker 3>pushing to play a show with him. It could be

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<v Speaker 3>true that I think like, in the next couple of years,

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<v Speaker 3>I want to be remembered for, you know, being a

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<v Speaker 3>good songwriter and bringing a good show to your city,

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<v Speaker 3>wherever you live, and I think, like the whole old experience,

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<v Speaker 3>it will be acknowledged, but it might not be remembered

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<v Speaker 3>very well, and it might be one of those things

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<v Speaker 3>like you said, you look at that in the past.

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<v Speaker 3>Tyler's great, but did you know, like like you just said,

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<v Speaker 3>did you know he was actually an Australian id on

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<v Speaker 3>People be like, oh, well, no, I didn't.

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<v Speaker 2>So, but I'm like, I'm.

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<v Speaker 3>Hoping that's that's the player because They're like, I want

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<v Speaker 3>to be playing shows for living, you know. I want

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<v Speaker 3>to go around and play my original set with the

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<v Speaker 3>band and just play to these awesome crowds and wherever

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<v Speaker 3>I go, I.

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<v Speaker 2>Just want I want people to come and just just

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<v Speaker 2>listen and have a good time. And I hope that

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<v Speaker 2>will be my.

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<v Speaker 3>Life stern and I'm already doing it just sort of

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<v Speaker 3>small scale. I hope the scales gets bigger and bigger

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<v Speaker 3>because I just I just live for and hale, like

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<v Speaker 3>especially being on that stage of an idol, it's like

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<v Speaker 3>playing for that crowd and it's just like sometimes you

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<v Speaker 3>just want to cry because you just it just feels so.

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<v Speaker 2>It just feels so good.

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<v Speaker 1>I mean, these shows are kind of like an invitation

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<v Speaker 1>to a career. That's the way that I've always explained it,

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<v Speaker 1>because yes, it shows you that you have an X

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<v Speaker 1>factor to get picked and to get as far as

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<v Speaker 1>you do. But I mean, it's really up to you

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<v Speaker 1>as to what you do moving out of this. And

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<v Speaker 1>I just feel like that transition for you will be

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<v Speaker 1>quite easy, because I mean, idle. You know, they've got

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<v Speaker 1>to do things like let's have a game that we're

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<v Speaker 1>playing with the audience where you know, the judges are

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<v Speaker 1>picking songs for you. That can be a bit of

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<v Speaker 1>a distraction and it can be a bit of a

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<v Speaker 1>novelty where that kind of stuff doesn't really exist for artists,

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<v Speaker 1>you know what I mean in the real world.

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<v Speaker 3>So true, Hey, yeah, And I think that that's because

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<v Speaker 3>you remember, at the end of the day, like it

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<v Speaker 3>is a television show and that they want to enter

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<v Speaker 3>pole and they want there to be controversy. It's like

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<v Speaker 3>that's what's just so different, Like it's not you're not

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<v Speaker 3>in the music industry there, You're not doing that. You're

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<v Speaker 3>like on a television show that's trying to get good

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<v Speaker 3>ratings and get some awesome ads in the lineup, and

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<v Speaker 3>you know, I know that a lot of them do

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<v Speaker 3>care about us and what we do, but at the

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<v Speaker 3>same time, like they're trying to just create a really

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<v Speaker 3>captivating television show. And I think that that for me

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<v Speaker 3>is like one thing that I started.

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<v Speaker 2>To learn, and like I just when I learned that,

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<v Speaker 2>it's like, you know, I.

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<v Speaker 3>Want to go out there and perform like it my

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<v Speaker 3>last performance, and just that's all you can really do

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<v Speaker 3>is just like to speak for yourself. And I don't know,

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<v Speaker 3>sometimes they try to throw a spanner in the works,

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<v Speaker 3>but it's really important for what I try to do

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<v Speaker 3>is be myself. And I watched back to the episodes

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<v Speaker 3>and sometimes instead of smiling and you know, doing that,

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<v Speaker 3>I'm just looking like and need it. But that's just

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<v Speaker 3>because I just tried to be myself. But I try

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<v Speaker 3>to statue to myself because you don't want anyone having

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<v Speaker 3>a false representation of who you are.

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<v Speaker 1>You've been put in advice though, Like I mean, this

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<v Speaker 1>is what I don't think people realize. You know, when

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<v Speaker 1>you're being picked to me on a show like this,

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<v Speaker 1>it is a much bigger beast than I think in

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<v Speaker 1>what people understand and when you're in the vice. It's

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<v Speaker 1>very hard to try to stay true to yourself. I

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<v Speaker 1>genuinely do think we've got a really good understanding of

0:09:24.120 --> 0:09:26.280
<v Speaker 1>who you were, though I think you maintained that. I

0:09:26.320 --> 0:09:28.000
<v Speaker 1>don't think there's anything that you need to be embarrassed

0:09:28.000 --> 0:09:29.800
<v Speaker 1>about at all. I mean, there was probably one dance

0:09:29.880 --> 0:09:32.680
<v Speaker 1>move that I thought, watching back maybe looked a little

0:09:32.679 --> 0:09:36.839
<v Speaker 1>bit strange. But that'll be on TikTok tomorrow, And maybe

0:09:36.840 --> 0:09:38.320
<v Speaker 1>that's the controversy that you need.

0:09:38.520 --> 0:09:41.439
<v Speaker 2>Maybe God, sometimes I should think about what I'm doing.

0:09:41.480 --> 0:09:43.280
<v Speaker 2>But anyway, who's.

0:09:43.040 --> 0:09:44.920
<v Speaker 1>Going on the boys tour? Maybe this is where the

0:09:44.960 --> 0:09:48.560
<v Speaker 1>controversy that's going to elevate you into statum is going

0:09:48.640 --> 0:09:50.960
<v Speaker 1>to come from. As in, like the boys on the

0:09:51.000 --> 0:09:53.280
<v Speaker 1>show remaining, didn't you say last night you're going to

0:09:53.360 --> 0:09:55.120
<v Speaker 1>take the boys on tour? Like we're going to go

0:09:55.360 --> 0:09:56.880
<v Speaker 1>and do an idle tour?

0:09:57.120 --> 0:09:58.920
<v Speaker 3>Oh? So what I mean is like say, I have

0:09:59.040 --> 0:10:01.839
<v Speaker 3>two best friends that are twin brothers and we grew

0:10:01.920 --> 0:10:04.200
<v Speaker 3>up together, and okay, they are the boys, and they

0:10:04.480 --> 0:10:06.840
<v Speaker 3>stood up and had a cheering I think they might

0:10:06.880 --> 0:10:09.439
<v Speaker 3>have been in last night's show. They might have shown

0:10:09.480 --> 0:10:11.520
<v Speaker 3>them with those two boys. So one of them is

0:10:11.520 --> 0:10:13.520
<v Speaker 3>a drummer, and one of them is are guitars and

0:10:13.520 --> 0:10:17.240
<v Speaker 3>seeing we all sing, but so essentially we're a trio. Yeah,

0:10:17.360 --> 0:10:19.640
<v Speaker 3>I'm like the lead singer. When I said that, it's

0:10:19.640 --> 0:10:21.120
<v Speaker 3>like I want to, you know, sad to me just

0:10:21.160 --> 0:10:23.280
<v Speaker 3>going around my guitar to all the countries, I.

0:10:23.200 --> 0:10:26.280
<v Speaker 2>Mean all the the the cities maybe countries. One day.

0:10:26.320 --> 0:10:28.839
<v Speaker 3>I want to obviously bring bring the band and make

0:10:28.920 --> 0:10:31.320
<v Speaker 3>it a real awesome show, like you know, like bring

0:10:31.360 --> 0:10:32.680
<v Speaker 3>the same energy.

0:10:32.440 --> 0:10:34.439
<v Speaker 2>As the idol stage of the Footall Band.

0:10:34.480 --> 0:10:36.920
<v Speaker 3>And I want to do my songs, but I might

0:10:36.960 --> 0:10:39.000
<v Speaker 3>also play, you know, some some of the idle songs

0:10:39.040 --> 0:10:40.600
<v Speaker 3>that I've done, but I want to I want to

0:10:40.600 --> 0:10:43.680
<v Speaker 3>bring that vibe and it's it's definitely the worst. As

0:10:43.679 --> 0:10:45.920
<v Speaker 3>soon as they get home tomorrow, it's going to be

0:10:46.000 --> 0:10:50.640
<v Speaker 3>like put down organizing at every city, which venue, let's

0:10:50.640 --> 0:10:53.680
<v Speaker 3>skept tickets going and get people to come and watch

0:10:53.840 --> 0:10:55.640
<v Speaker 3>in person instead of on a television screen.

0:10:55.920 --> 0:10:59.000
<v Speaker 1>What did you think of Amy Shark's Foreman's I think

0:10:59.040 --> 0:11:01.280
<v Speaker 1>we saw how high it is to sing on that stage.

0:11:01.280 --> 0:11:03.720
<v Speaker 1>By watching someone of her caliber up there, you know,

0:11:03.840 --> 0:11:06.160
<v Speaker 1>you can hear some of that music intonation and some

0:11:06.200 --> 0:11:09.480
<v Speaker 1>of the people were commenting about a slight American accent

0:11:09.559 --> 0:11:12.160
<v Speaker 1>being heard with Amy, and then also people are talking

0:11:12.400 --> 0:11:15.640
<v Speaker 1>about an American accent being heard in some of the artists.

0:11:15.720 --> 0:11:20.440
<v Speaker 1>But what's your comment on Australian artists singing with American accents?

0:11:20.559 --> 0:11:22.760
<v Speaker 1>Is that a crutch that we should try and avoid

0:11:22.880 --> 0:11:24.960
<v Speaker 1>or is that something that just happens.

0:11:25.640 --> 0:11:28.920
<v Speaker 3>Look, in my personal opinion, it's a tough one to

0:11:29.000 --> 0:11:31.760
<v Speaker 3>crack because I don't think I have too much American

0:11:31.800 --> 0:11:35.920
<v Speaker 3>accent with myself, so commenting on people that do, it's

0:11:35.920 --> 0:11:37.840
<v Speaker 3>a tough one to talk about because.

0:11:37.840 --> 0:11:38.520
<v Speaker 1>Could you hear it?

0:11:38.520 --> 0:11:38.800
<v Speaker 4>Though?

0:11:39.000 --> 0:11:41.040
<v Speaker 1>Could you hear some of the American accents coming out

0:11:41.040 --> 0:11:42.560
<v Speaker 1>of the performance, especially this week?

0:11:42.600 --> 0:11:44.880
<v Speaker 2>Okay, yeah, I can, I can, yeah, And I can't.

0:11:44.920 --> 0:11:45.880
<v Speaker 2>Like when I think about.

0:11:45.640 --> 0:11:48.839
<v Speaker 3>The contestants from last night, like the ten of Us,

0:11:48.920 --> 0:11:50.439
<v Speaker 3>I can't like to tell you shut off top my

0:11:50.480 --> 0:11:53.680
<v Speaker 3>head who I think doesn't and doesn't. But like you said,

0:11:53.679 --> 0:11:55.880
<v Speaker 3>with Amy, like I think throughout her whole crew, she's

0:11:55.880 --> 0:11:57.880
<v Speaker 3>always had that And I don't know if she does

0:11:57.920 --> 0:12:00.439
<v Speaker 3>it deliberately, and I don't know if you just I'm

0:12:00.440 --> 0:12:01.800
<v Speaker 3>assuming it comes naturally for her.

0:12:01.800 --> 0:12:02.120
<v Speaker 2>I don't know.

0:12:02.120 --> 0:12:04.120
<v Speaker 3>I don't think she's putting it on. But I know

0:12:04.160 --> 0:12:06.559
<v Speaker 3>a couple of my matest kind of have that as well.

0:12:06.720 --> 0:12:07.520
<v Speaker 3>I don't know what it is.

0:12:07.520 --> 0:12:09.840
<v Speaker 2>It might be who they listen to, who they're influenced

0:12:09.840 --> 0:12:12.640
<v Speaker 2>by throughout their career. But if it works for them,

0:12:12.640 --> 0:12:13.199
<v Speaker 2>it works them.

0:12:13.240 --> 0:12:15.319
<v Speaker 3>Like you know, Amy obviously has an awesome career, and

0:12:15.440 --> 0:12:18.640
<v Speaker 3>there's an audience there that that love what she does, that.

0:12:18.520 --> 0:12:21.200
<v Speaker 1>Loves Maybe it makes her sound more universal, I mean global.

0:12:21.280 --> 0:12:23.720
<v Speaker 1>Maybe you know, the music is more accessible if that.

0:12:23.960 --> 0:12:28.440
<v Speaker 1>If that's the case, EXE, what could you offer as

0:12:28.480 --> 0:12:31.320
<v Speaker 1>advice to people who would want to do this show? Like,

0:12:31.360 --> 0:12:33.960
<v Speaker 1>now that you've gone through the whole experience, do you

0:12:34.080 --> 0:12:35.680
<v Speaker 1>have any advice on how to do it?

0:12:35.800 --> 0:12:37.120
<v Speaker 2>Okay, I guess yeah.

0:12:37.320 --> 0:12:39.080
<v Speaker 3>I ran a couple of the contestants from last year

0:12:39.120 --> 0:12:42.319
<v Speaker 3>and asked for advice, And now that I've done it, honestly,

0:12:42.440 --> 0:12:46.600
<v Speaker 3>I was going into it very skeptical and like very like, oh,

0:12:46.640 --> 0:12:48.079
<v Speaker 3>I don't know if it's the right thing to do,

0:12:48.400 --> 0:12:51.560
<v Speaker 3>But honestly, like after doing it, like I don't see

0:12:51.600 --> 0:12:54.199
<v Speaker 3>any issues in doing the show at all if you're

0:12:54.240 --> 0:12:56.400
<v Speaker 3>an honest like me, I was very like, oh, you know,

0:12:56.480 --> 0:12:58.040
<v Speaker 3>I want to dress like I want I want to

0:12:58.040 --> 0:13:00.320
<v Speaker 3>address myself. I want to play the guitar. I want

0:13:00.360 --> 0:13:01.840
<v Speaker 3>to do the songs that I want to do. But

0:13:02.200 --> 0:13:03.839
<v Speaker 3>then it's like, why don't just try not playing the

0:13:03.880 --> 0:13:05.560
<v Speaker 3>guitar and why do you just try this song? Wan

0:13:05.600 --> 0:13:07.240
<v Speaker 3>need to try away in this And it's like then it.

0:13:07.320 --> 0:13:08.000
<v Speaker 2>Forced upon you.

0:13:08.040 --> 0:13:10.080
<v Speaker 3>They just say try it because obviously they want you

0:13:10.120 --> 0:13:12.839
<v Speaker 3>to be comfortable. They're not all horrible humans, They're like,

0:13:12.880 --> 0:13:16.120
<v Speaker 3>they're all very very kind. I personally have learned so

0:13:16.240 --> 0:13:18.760
<v Speaker 3>much about myself, Like I didn't This is my first

0:13:18.800 --> 0:13:22.840
<v Speaker 3>like Chemical POMPEII, I had no guitar and that was

0:13:22.840 --> 0:13:24.880
<v Speaker 3>the first time I've been on a massive stage without

0:13:24.920 --> 0:13:27.000
<v Speaker 3>a guitar and by myself. I can only have a

0:13:27.040 --> 0:13:28.920
<v Speaker 3>band with me, like the being behind me and the

0:13:28.960 --> 0:13:31.440
<v Speaker 3>best band in Australia. And it's like, I've learned so

0:13:31.559 --> 0:13:34.280
<v Speaker 3>much about myself. I didn't know I could do that

0:13:34.400 --> 0:13:35.480
<v Speaker 3>and I've never tried, but now.

0:13:35.400 --> 0:13:37.000
<v Speaker 2>And I could do it. So one thing is I've

0:13:37.040 --> 0:13:39.600
<v Speaker 2>learned a lot about myself, and two is like.

0:13:39.679 --> 0:13:42.920
<v Speaker 3>I mean, I've gained an amazing sort of following as

0:13:42.960 --> 0:13:46.439
<v Speaker 3>well that of people that are interested, genuinely interested.

0:13:46.040 --> 0:13:48.320
<v Speaker 2>In what I do and me as an artist.

0:13:48.440 --> 0:13:51.720
<v Speaker 3>And I think I've gained a lot of positive things

0:13:51.800 --> 0:13:55.400
<v Speaker 3>from this show. At this stage now, I haven't experienced

0:13:55.440 --> 0:13:57.719
<v Speaker 3>anything negative. I mean I haven't been able to serve

0:13:57.760 --> 0:14:00.560
<v Speaker 3>for a while. That's the only negative thing I think about.

0:14:01.200 --> 0:14:03.200
<v Speaker 3>And you're away from your family and friends, you get

0:14:03.240 --> 0:14:07.200
<v Speaker 3>a bit isolated, and that side is tough. Honestly, it's

0:14:07.240 --> 0:14:10.480
<v Speaker 3>just it's just like amazing exposure and good experience and

0:14:10.480 --> 0:14:13.480
<v Speaker 3>the learning experience, and all you got to think about

0:14:13.559 --> 0:14:15.840
<v Speaker 3>is contracts and stuff like that. Just make sure you

0:14:15.880 --> 0:14:19.080
<v Speaker 3>read the contracts through. You know, you are signed with

0:14:19.120 --> 0:14:19.960
<v Speaker 3>management and Sony.

0:14:19.960 --> 0:14:22.200
<v Speaker 1>If you win, well maybe you also have Kyle sandy

0:14:22.280 --> 0:14:24.040
<v Speaker 1>Lands mobile number and you can go one of those

0:14:24.200 --> 0:14:26.880
<v Speaker 1>wild Coachella to us that he was talking about.

0:14:26.920 --> 0:14:27.480
<v Speaker 2>That'd be great.

0:14:27.520 --> 0:14:29.960
<v Speaker 3>Yeah, I mean you get to on a pass super

0:14:30.040 --> 0:14:33.040
<v Speaker 3>we're in like a yacht with the Kyle that that

0:14:33.160 --> 0:14:35.200
<v Speaker 3>was cool. So you get to do a lot of

0:14:35.200 --> 0:14:37.880
<v Speaker 3>cool stuff. And I mean it is stressful. You got

0:14:37.920 --> 0:14:40.680
<v Speaker 3>something like I found out I was through on Tuesday

0:14:40.720 --> 0:14:42.280
<v Speaker 3>and then on Saturday I had to perform a new

0:14:42.280 --> 0:14:44.680
<v Speaker 3>song again. So like you've got to be mentally prepared.

0:14:44.840 --> 0:14:46.840
<v Speaker 3>Don't do it if you play five gigs and you

0:14:46.880 --> 0:14:49.320
<v Speaker 3>think you're having all right voice and you know you're

0:14:49.360 --> 0:14:51.360
<v Speaker 3>just just coming into it. I think, just just give

0:14:51.400 --> 0:14:53.720
<v Speaker 3>yourself a bit of time because it is a lot,

0:14:53.840 --> 0:14:55.720
<v Speaker 3>and you need to know how to manage yourself once

0:14:55.760 --> 0:14:57.520
<v Speaker 3>you're out of the show, you know, because there's no

0:14:57.560 --> 0:14:59.400
<v Speaker 3>one holding your hand once you're out. You need to

0:14:59.400 --> 0:15:01.760
<v Speaker 3>know how it all works. And I've been doing it

0:15:01.800 --> 0:15:04.120
<v Speaker 3>since I was sixteen is about six years now, and

0:15:04.400 --> 0:15:06.840
<v Speaker 3>I think that's how like the six year experience has

0:15:06.920 --> 0:15:08.880
<v Speaker 3>helped me kind of push through this. And you know,

0:15:09.000 --> 0:15:11.120
<v Speaker 3>I'm not devastating on leaving because I get to work

0:15:11.280 --> 0:15:12.280
<v Speaker 3>on myself.

0:15:11.920 --> 0:15:12.640
<v Speaker 2>Now, if you know what I mean.

0:15:12.760 --> 0:15:16.040
<v Speaker 1>Well, guys, Sebastian's reached out to Ripley to mentor him.

0:15:16.200 --> 0:15:18.640
<v Speaker 1>Maybe there's another artist in Australia that's going to want

0:15:18.640 --> 0:15:21.480
<v Speaker 1>to mentor you, and mentorships are so important as well.

0:15:21.760 --> 0:15:23.480
<v Speaker 2>I'd love that. That would be really really cool.

0:15:23.680 --> 0:15:24.440
<v Speaker 4>I hope I.

0:15:24.400 --> 0:15:25.160
<v Speaker 2>Hope someone does.

0:15:25.360 --> 0:15:30.240
<v Speaker 3>I've been sort of run solo managing and promote myself

0:15:30.480 --> 0:15:32.520
<v Speaker 3>for the last six years, so it's like to have

0:15:32.840 --> 0:15:33.360
<v Speaker 3>helping hand.

0:15:33.400 --> 0:15:34.200
<v Speaker 2>It always be nice.

0:15:34.440 --> 0:15:36.120
<v Speaker 1>Just get Shannon Nol to do it, because we could

0:15:36.120 --> 0:15:38.040
<v Speaker 1>bring that rivalry back, you know what I mean, like

0:15:38.240 --> 0:15:40.560
<v Speaker 1>everyone would find that's a good rivalry. Who do you

0:15:40.560 --> 0:15:41.240
<v Speaker 1>think is going to win?

0:15:41.480 --> 0:15:43.760
<v Speaker 2>Like one person? I'll give you my top three?

0:15:43.960 --> 0:15:45.600
<v Speaker 1>No, no, no, I just want who you'd think is

0:15:45.640 --> 0:15:48.600
<v Speaker 1>going to win, not who your best friend is or

0:15:48.800 --> 0:15:51.320
<v Speaker 1>who is the best boys or has the best personality.

0:15:51.720 --> 0:15:53.280
<v Speaker 1>Who's going to take this out?

0:15:54.160 --> 0:15:57.480
<v Speaker 3>Honestly, I think I've been seeing a lot of buck

0:15:57.520 --> 0:15:58.760
<v Speaker 3>it's a girl's year, it's girls.

0:15:58.840 --> 0:16:00.840
<v Speaker 2>Yeah, a lot of the All the Girl was just amazing.

0:16:01.160 --> 0:16:02.920
<v Speaker 2>You know. I think it's a topic.

0:16:03.040 --> 0:16:05.760
<v Speaker 3>I think it's between I think it's between Amy and

0:16:05.800 --> 0:16:06.760
<v Speaker 3>I can't figure on it.

0:16:06.920 --> 0:16:08.160
<v Speaker 2>I think it's one of those two girls.

0:16:08.360 --> 0:16:10.280
<v Speaker 1>Okay, we'll take that from you. The last question I

0:16:10.320 --> 0:16:12.800
<v Speaker 1>asked is something that everyone gets asked when they do

0:16:12.920 --> 0:16:15.560
<v Speaker 1>my podcast, and that is what's something from behind the scenes,

0:16:15.600 --> 0:16:17.280
<v Speaker 1>something we didn't get a chance to see. If your

0:16:17.320 --> 0:16:20.160
<v Speaker 1>time on Australian Idol kind of like it behind the

0:16:20.200 --> 0:16:22.640
<v Speaker 1>scenes secret I guess from you.

0:16:22.480 --> 0:16:25.640
<v Speaker 3>Behind the scenes secret, I don't know, but it's pretty

0:16:25.640 --> 0:16:27.800
<v Speaker 3>out there a like honestly, like it's like you're there

0:16:27.800 --> 0:16:29.800
<v Speaker 3>at the studio all day and then your home and you're.

0:16:29.680 --> 0:16:33.200
<v Speaker 2>Just full asleep because you're so tired. I guess.

0:16:33.920 --> 0:16:37.440
<v Speaker 3>I mean before I sund Chemical, who I saying Chemical?

0:16:37.520 --> 0:16:38.120
<v Speaker 2>This lighting?

0:16:38.360 --> 0:16:42.320
<v Speaker 3>This lighting League came crashing down on me, on me

0:16:42.360 --> 0:16:44.560
<v Speaker 3>and Amy. So that wasn't that wasn't That wasn't fun.

0:16:44.640 --> 0:16:47.120
<v Speaker 3>But honestly, that was because an audience member was leaning

0:16:47.120 --> 0:16:48.960
<v Speaker 3>on something like it's like it's no big deal, like

0:16:49.000 --> 0:16:51.200
<v Speaker 3>it's okay, but that I think that kind of threw

0:16:51.280 --> 0:16:52.880
<v Speaker 3>me off my performance for Chemical a bit.

0:16:53.000 --> 0:16:54.880
<v Speaker 1>But that just rattles that would rattle me.

0:16:55.200 --> 0:16:56.360
<v Speaker 2>It's okay, everyone was okay.

0:16:56.440 --> 0:16:58.360
<v Speaker 3>No one was like, no one was bally injured or

0:16:58.400 --> 0:16:59.800
<v Speaker 3>anything like that, and it was just it was.

0:16:59.720 --> 0:17:02.480
<v Speaker 2>Just an accident. That's something that happened perform my performance

0:17:02.520 --> 0:17:03.200
<v Speaker 2>and no one knew.

0:17:03.320 --> 0:17:05.040
<v Speaker 3>But you just got to It's like that show like

0:17:05.160 --> 0:17:07.840
<v Speaker 3>even if you get you know, something happens, you just

0:17:07.840 --> 0:17:08.520
<v Speaker 3>got to play through it.

0:17:08.600 --> 0:17:11.240
<v Speaker 1>A It's like even if your pants catch on fire,

0:17:11.280 --> 0:17:12.320
<v Speaker 1>you're going to keep singing.

0:17:12.920 --> 0:17:14.600
<v Speaker 3>So it's like, all right, sorry that happened, but yeah,

0:17:14.600 --> 0:17:16.719
<v Speaker 3>you got to sing next and there's yeah, so it's

0:17:16.720 --> 0:17:17.040
<v Speaker 3>all good.

0:17:17.040 --> 0:17:18.880
<v Speaker 2>So it just cop it to the head and keep going.

0:17:19.000 --> 0:17:21.080
<v Speaker 1>Well, mate, I absolutely loved you on the show and

0:17:21.119 --> 0:17:24.040
<v Speaker 1>I actually loved chatting with you today. I'm certainly going

0:17:24.080 --> 0:17:26.199
<v Speaker 1>to be in your audience and seeing what you do

0:17:26.320 --> 0:17:28.600
<v Speaker 1>with this. I'll keep my eye out for your name

0:17:28.680 --> 0:17:31.560
<v Speaker 1>and a festival or wherever you're performing. I just want

0:17:31.560 --> 0:17:33.160
<v Speaker 1>to wish you the best of luck with this whole thing.

0:17:33.320 --> 0:17:35.280
<v Speaker 2>Thank you so much. The tool will be announced sooner.

0:17:35.280 --> 0:17:37.280
<v Speaker 2>I will promote it on my social as well.

0:17:37.359 --> 0:17:39.080
<v Speaker 3>So I want everyone that enjoys what I did to

0:17:39.080 --> 0:17:40.840
<v Speaker 3>come to a show, you know, like I just wanted

0:17:40.920 --> 0:17:43.240
<v Speaker 3>to have party with everyone and just have fun and

0:17:43.280 --> 0:17:45.600
<v Speaker 3>share some songs and have a good time.

0:17:45.680 --> 0:17:47.360
<v Speaker 2>So yeah, thank you so much for having me brother.

0:17:47.680 --> 0:17:51.000
<v Speaker 1>Amazing, amazing, so good. Really happy to be able to

0:17:51.080 --> 0:17:53.399
<v Speaker 1>have that chat with Tyler this morning and talk to

0:17:53.400 --> 0:17:55.920
<v Speaker 1>me about his Australian idol journey. Plenty of the one

0:17:55.960 --> 0:17:58.680
<v Speaker 1>packed there, much like TJ, who's coming up next. We're

0:17:58.680 --> 0:18:02.120
<v Speaker 1>going to talk about he's rearranging of John Farnham's song

0:18:02.280 --> 0:18:04.639
<v Speaker 1>You're the Voice, which would have been pretty daunting, amongst

0:18:04.680 --> 0:18:07.000
<v Speaker 1>other things. To sit back and relax and enjoy part

0:18:07.000 --> 0:18:10.200
<v Speaker 1>two of today's chat. I am such a big fan.

0:18:10.240 --> 0:18:12.159
<v Speaker 1>I think you did such a great job on this show.

0:18:12.280 --> 0:18:14.680
<v Speaker 4>Thank you so much. That really means you're.

0:18:14.480 --> 0:18:17.679
<v Speaker 1>Probably the most original artist that we've ever seen on

0:18:17.760 --> 0:18:20.199
<v Speaker 1>Australian Idol. I have to ask you, how did this

0:18:20.200 --> 0:18:21.439
<v Speaker 1>opportunity come up for you?

0:18:21.880 --> 0:18:24.800
<v Speaker 4>I got hit up last year being like these auditions

0:18:24.920 --> 0:18:26.840
<v Speaker 4>and I was like, I don't know, they don't know

0:18:26.920 --> 0:18:30.280
<v Speaker 4>this shows for me, and then I ended up like

0:18:30.400 --> 0:18:32.399
<v Speaker 4>doing it. You know, my talk to my family of

0:18:32.440 --> 0:18:34.639
<v Speaker 4>course about like is this the right show? Should I

0:18:34.680 --> 0:18:37.040
<v Speaker 4>go on a show I got a talent or the voice,

0:18:37.119 --> 0:18:39.680
<v Speaker 4>you know? And then it was like, ultimately this seemed

0:18:39.720 --> 0:18:42.159
<v Speaker 4>like the best place to showcase my talent.

0:18:42.320 --> 0:18:44.320
<v Speaker 1>Well, I kind of do think that's a great spot

0:18:44.359 --> 0:18:48.080
<v Speaker 1>to start, because I always wonder why people choose certain shows,

0:18:48.119 --> 0:18:51.119
<v Speaker 1>and I do think that Australian Idol does suit you

0:18:51.200 --> 0:18:53.719
<v Speaker 1>better because you know, with the voice, we're relying on

0:18:53.760 --> 0:18:56.240
<v Speaker 1>a specific we're relying on them turning a chair for

0:18:56.280 --> 0:18:58.240
<v Speaker 1>a voice, where with this show, I feel like we're

0:18:58.280 --> 0:19:01.800
<v Speaker 1>allowing people's personality to come out and for audiences to

0:19:01.840 --> 0:19:04.639
<v Speaker 1>get to know your character a little bit more. So,

0:19:04.680 --> 0:19:06.199
<v Speaker 1>I think you've done the right job. I think you've

0:19:06.200 --> 0:19:06.960
<v Speaker 1>picked the right show.

0:19:07.200 --> 0:19:09.360
<v Speaker 4>Thank you. Yeah, And like this was a place where

0:19:09.400 --> 0:19:12.239
<v Speaker 4>I could go against the cookie cutter image of like

0:19:12.440 --> 0:19:14.440
<v Speaker 4>you just come on the show. You start off your song,

0:19:14.520 --> 0:19:16.560
<v Speaker 4>are slow, and then admitt and then you're belt at

0:19:16.560 --> 0:19:19.199
<v Speaker 4>the end, which is usually what the top twelve is

0:19:19.560 --> 0:19:22.119
<v Speaker 4>at the stage at least. And I feel like I

0:19:22.160 --> 0:19:24.199
<v Speaker 4>was happy that I was more than that. I was

0:19:24.280 --> 0:19:27.560
<v Speaker 4>an artist who came on ben wheneveryone else was arresting.

0:19:27.640 --> 0:19:30.320
<v Speaker 4>I was spending my time like planning my set design,

0:19:30.440 --> 0:19:33.640
<v Speaker 4>doing my stage part, my lighting, talking about what outfits

0:19:33.640 --> 0:19:36.320
<v Speaker 4>are one aware, and then talking to the band. You know,

0:19:36.560 --> 0:19:40.320
<v Speaker 4>I was involved in those practices and so much more

0:19:40.520 --> 0:19:43.840
<v Speaker 4>than just singing for me, So I'm happy I got

0:19:43.880 --> 0:19:47.240
<v Speaker 4>to shake stuff up and just bringing completely unique thing.

0:19:47.359 --> 0:19:49.000
<v Speaker 4>I feel like I'm the first to do this on

0:19:49.000 --> 0:19:51.000
<v Speaker 4>your own, and I hope I'm not the last. I

0:19:51.000 --> 0:19:54.000
<v Speaker 4>can't wait to see the next self producing girl come

0:19:54.040 --> 0:19:56.640
<v Speaker 4>on and she just does everything, you know, like, I'm

0:19:56.680 --> 0:19:57.440
<v Speaker 4>excited for that.

0:19:57.600 --> 0:19:59.520
<v Speaker 1>I think you're a trailblazer because I think you have

0:19:59.600 --> 0:20:01.760
<v Speaker 1>opened the door for people who might have thought that

0:20:01.800 --> 0:20:04.439
<v Speaker 1>the idol isn't for them. I want to know what

0:20:04.520 --> 0:20:06.800
<v Speaker 1>sort of music you grew up listening to and what

0:20:06.880 --> 0:20:08.879
<v Speaker 1>sort of it had inspired you, and the reason why

0:20:08.840 --> 0:20:10.680
<v Speaker 1>I ask you. This is because we saw you sort

0:20:10.720 --> 0:20:13.159
<v Speaker 1>of blowing up pop songs. We saw you blowing up

0:20:13.240 --> 0:20:15.960
<v Speaker 1>versions of pop songs on this show, so it felt

0:20:15.960 --> 0:20:18.760
<v Speaker 1>like you knew all of these songs. But I it

0:20:18.880 --> 0:20:21.600
<v Speaker 1>still made me wonder what you'd grown up listening to,

0:20:21.680 --> 0:20:23.320
<v Speaker 1>what sort of music you like?

0:20:23.760 --> 0:20:26.440
<v Speaker 4>I like everything, and I tell people I will listen

0:20:26.480 --> 0:20:30.320
<v Speaker 4>to anything that's not Satanna quassia music because I just

0:20:30.400 --> 0:20:32.760
<v Speaker 4>love every single genre I come across. I grew up

0:20:32.800 --> 0:20:36.360
<v Speaker 4>with the with the very fruit salad like mixture when

0:20:36.400 --> 0:20:38.080
<v Speaker 4>I was a kid. You know, my parents used to

0:20:38.080 --> 0:20:40.800
<v Speaker 4>play We start off listening to Kirk Franklin in the morning.

0:20:40.880 --> 0:20:43.480
<v Speaker 4>Then we'd be listening to Bonjo with an Ac DC,

0:20:43.680 --> 0:20:47.880
<v Speaker 4>then Bob Marley, then Tupac, then Beggie. Then we're going

0:20:48.240 --> 0:20:50.840
<v Speaker 4>way to decide or listen to like country. So there

0:20:50.960 --> 0:20:54.560
<v Speaker 4>was like never just one like artist I was listening to,

0:20:54.720 --> 0:20:56.880
<v Speaker 4>like all my references and from in a suerio session,

0:20:56.880 --> 0:20:59.240
<v Speaker 4>I'll be like, yeah, now give me like a guitar

0:20:59.320 --> 0:21:02.040
<v Speaker 4>like Kirk Cook, but now I want like since like

0:21:02.320 --> 0:21:05.680
<v Speaker 4>Kevin Parker, you know, like I go back now round

0:21:05.800 --> 0:21:08.399
<v Speaker 4>like Kanye, you know, like I never just sit with

0:21:08.520 --> 0:21:11.160
<v Speaker 4>one thing and I was like, what was how come

0:21:11.320 --> 0:21:14.439
<v Speaker 4>everyone doesn't matter what journal you listen to? Why do

0:21:14.440 --> 0:21:17.520
<v Speaker 4>you like listening to each one of the like each

0:21:17.640 --> 0:21:21.880
<v Speaker 4>artist from that genre has a song which surpasses the

0:21:21.880 --> 0:21:24.440
<v Speaker 4>word genre. And that's because they were in the same

0:21:24.440 --> 0:21:26.480
<v Speaker 4>boat and ars where they grubb listening to everything, and

0:21:26.520 --> 0:21:30.720
<v Speaker 4>they added elements from like different genres. You don't realize

0:21:30.720 --> 0:21:33.760
<v Speaker 4>this is a listener, but you've been tricked. There's drums

0:21:33.800 --> 0:21:36.840
<v Speaker 4>from country, and there's the man's from rock, and then

0:21:36.840 --> 0:21:40.080
<v Speaker 4>there's vocals from hip hop in this song. And that's

0:21:40.080 --> 0:21:42.679
<v Speaker 4>why every single person likes it. And I feel like,

0:21:42.760 --> 0:21:45.080
<v Speaker 4>growing up, I always wanted to make music like that,

0:21:45.119 --> 0:21:47.439
<v Speaker 4>where you're four years old, you've come out of your

0:21:47.480 --> 0:21:49.720
<v Speaker 4>mom's boomb and you love it, or you're at your

0:21:49.720 --> 0:21:52.440
<v Speaker 4>deathbedd and you're still loving it like and I feel

0:21:52.480 --> 0:21:54.640
<v Speaker 4>like I brought that to the show. I was flipping

0:21:54.720 --> 0:21:57.679
<v Speaker 4>songs that were for like the oldies and bringing it

0:21:57.720 --> 0:22:01.120
<v Speaker 4>to the new, younger generation. I love music, and I

0:22:01.200 --> 0:22:03.199
<v Speaker 4>love being able to listen to everything and put it

0:22:03.240 --> 0:22:05.480
<v Speaker 4>into sounding palatable for everybody.

0:22:05.640 --> 0:22:07.480
<v Speaker 1>I think everyone watching the show could see that you

0:22:07.520 --> 0:22:10.000
<v Speaker 1>took risks as well, which I think makes these sorts

0:22:10.000 --> 0:22:12.720
<v Speaker 1>of shows more interesting for us. As opposed to just

0:22:12.760 --> 0:22:15.600
<v Speaker 1>getting up and singing song after song, you gave something

0:22:15.640 --> 0:22:19.359
<v Speaker 1>of a variety. I think, what song did you enjoy

0:22:19.400 --> 0:22:22.760
<v Speaker 1>the most singing on this show? And is that the

0:22:22.920 --> 0:22:25.480
<v Speaker 1>sound that we're going to be seeing more of when

0:22:25.520 --> 0:22:26.639
<v Speaker 1>you release your music?

0:22:27.200 --> 0:22:29.760
<v Speaker 4>Like the one I enjoyed the most was definitely my

0:22:29.880 --> 0:22:33.919
<v Speaker 4>audition because I had the most input at that stage

0:22:34.040 --> 0:22:36.879
<v Speaker 4>because I got to choose the song every round. I

0:22:36.920 --> 0:22:39.399
<v Speaker 4>got way more like input in terms of how I

0:22:39.440 --> 0:22:41.680
<v Speaker 4>wanted it to sound because I was making the beat

0:22:41.720 --> 0:22:44.800
<v Speaker 4>and everything. But that was the first and only time

0:22:44.840 --> 0:22:47.640
<v Speaker 4>I really got to choose what I performed, so i'd

0:22:47.680 --> 0:22:50.760
<v Speaker 4>be more of that alternative R and B sound. I'm

0:22:50.800 --> 0:22:52.280
<v Speaker 4>not a hip hop but I don't know when they

0:22:52.320 --> 0:22:54.440
<v Speaker 4>started branding me as that. I was like, I've never

0:22:54.480 --> 0:22:57.600
<v Speaker 4>said that make hip hop. I make alternative R and B.

0:22:57.800 --> 0:23:00.840
<v Speaker 4>So I feel like that audition and and you're the

0:23:00.960 --> 0:23:04.480
<v Speaker 4>voice you'll see me bounce between the two. As an artist,

0:23:04.480 --> 0:23:06.359
<v Speaker 4>I want to make You want to make music that

0:23:06.400 --> 0:23:09.080
<v Speaker 4>you can drive to late at night after you've been dumped,

0:23:09.160 --> 0:23:11.040
<v Speaker 4>and you can cry too. And I also want to

0:23:11.080 --> 0:23:12.960
<v Speaker 4>make music that you can play as a football team

0:23:13.119 --> 0:23:14.920
<v Speaker 4>before you get onto the pitch feeling out.

0:23:15.240 --> 0:23:17.560
<v Speaker 1>That's a variety. I mean, how scary was it? You

0:23:17.600 --> 0:23:21.200
<v Speaker 1>just mentioned John Farnham and singing that version of the voice.

0:23:21.320 --> 0:23:23.040
<v Speaker 1>That must have been kind of scary to do in

0:23:23.080 --> 0:23:25.600
<v Speaker 1>front of Australia, considering that it is, you know, the

0:23:25.640 --> 0:23:27.240
<v Speaker 1>unofficial Australian anthem.

0:23:27.600 --> 0:23:30.919
<v Speaker 4>It was exciting. It's a song that deserves to be

0:23:31.080 --> 0:23:33.440
<v Speaker 4>heard by the new generation. And so many people my

0:23:33.560 --> 0:23:36.040
<v Speaker 4>age and younger hate that song. They're just like, I

0:23:36.080 --> 0:23:38.439
<v Speaker 4>don't like it when my parents play that, Like, you know,

0:23:38.840 --> 0:23:41.399
<v Speaker 4>the old people are getting too drunk at the barbecue

0:23:41.480 --> 0:23:43.679
<v Speaker 4>when that song comes on and you're ready to just

0:23:43.840 --> 0:23:46.760
<v Speaker 4>leave me. You're ready to leave the cookout.

0:23:46.480 --> 0:23:48.400
<v Speaker 1>And already mom and dad enough.

0:23:49.240 --> 0:23:53.120
<v Speaker 4>Yeah, when you hear that a Metallica and the CDC someone,

0:23:53.320 --> 0:23:55.600
<v Speaker 4>you're just like, all the kids are leaving, you know.

0:23:55.640 --> 0:23:57.359
<v Speaker 4>They want to listen to a lot nas X and

0:23:57.800 --> 0:23:59.880
<v Speaker 4>all that whatnot. So I was like, you know what,

0:24:00.040 --> 0:24:02.320
<v Speaker 4>I want to trick my generation and to listen to

0:24:02.359 --> 0:24:05.800
<v Speaker 4>the song that deserves to go past generations to me

0:24:05.840 --> 0:24:07.880
<v Speaker 4>add things they like, I know, they love it away.

0:24:07.960 --> 0:24:10.520
<v Speaker 4>So they love sneers, They love all these new sounds

0:24:10.600 --> 0:24:13.359
<v Speaker 4>and I love John Farlom. I've watched out documentary so

0:24:13.480 --> 0:24:15.800
<v Speaker 4>much and seeing what he had to go through to

0:24:15.880 --> 0:24:19.120
<v Speaker 4>convince people, and you went through exactly what I went through.

0:24:19.160 --> 0:24:20.679
<v Speaker 4>I was like, I'm going to go through what you

0:24:20.720 --> 0:24:23.800
<v Speaker 4>went through to give your song the respect that it deserves,

0:24:23.840 --> 0:24:28.000
<v Speaker 4>because it disserves to continue being played on rotation. I

0:24:28.160 --> 0:24:29.359
<v Speaker 4>like both versions. I love this.

0:24:30.000 --> 0:24:31.359
<v Speaker 1>I just want to know how long it took to

0:24:31.400 --> 0:24:34.440
<v Speaker 1>get that arrangement, because you know you did so much

0:24:34.520 --> 0:24:37.160
<v Speaker 1>to change it and I don't know, but this goes

0:24:37.200 --> 0:24:39.000
<v Speaker 1>to show how much I'm not a singer. I feel

0:24:39.040 --> 0:24:42.359
<v Speaker 1>like for me, I would do that arrangement and understand it,

0:24:42.440 --> 0:24:45.119
<v Speaker 1>but then once I'd start performing it live, I'd somehow

0:24:45.160 --> 0:24:49.119
<v Speaker 1>start slipping back into the original arrangement of that. You know,

0:24:49.320 --> 0:24:51.320
<v Speaker 1>how long did it take to pull all of that together?

0:24:51.640 --> 0:24:54.119
<v Speaker 4>It took I'm not going to lie. It took ages.

0:24:54.240 --> 0:24:57.080
<v Speaker 4>I did not sleep that week, I did not get

0:24:57.119 --> 0:25:00.560
<v Speaker 4>any rest. That was the version I performed was version

0:25:00.640 --> 0:25:04.320
<v Speaker 4>seven point four. I do I work in versions, and

0:25:04.359 --> 0:25:07.520
<v Speaker 4>I'll go up to like eight, I'll go one point

0:25:06.480 --> 0:25:09.200
<v Speaker 4>one point three point eight and this is like, this

0:25:09.280 --> 0:25:12.359
<v Speaker 4>is let me explain how it goes I make the version,

0:25:12.640 --> 0:25:14.800
<v Speaker 4>I send it to music team. Music teams like, nah,

0:25:15.080 --> 0:25:18.000
<v Speaker 4>I say, send it back their version. Nah, I sent

0:25:18.119 --> 0:25:20.520
<v Speaker 4>my new version. We go back and forth, we sit

0:25:20.600 --> 0:25:23.240
<v Speaker 4>down together, the we have a writing sech We're like, okay,

0:25:23.400 --> 0:25:27.000
<v Speaker 4>we're a version of five now, and we can't please everyone.

0:25:27.080 --> 0:25:30.160
<v Speaker 4>I remember I'm needing, like I can't please everyone. What

0:25:30.200 --> 0:25:32.720
<v Speaker 4>can I do to make it palatable to the young

0:25:32.840 --> 0:25:37.240
<v Speaker 4>generation but also respect the older generation. I'll keep the

0:25:37.359 --> 0:25:40.879
<v Speaker 4>choruses the same, but everything else I'll change up. And

0:25:40.920 --> 0:25:44.000
<v Speaker 4>I was like, okay, cool. Version six came through and

0:25:44.040 --> 0:25:47.320
<v Speaker 4>I'm working on them, like, this might sound stupid. How

0:25:47.320 --> 0:25:50.800
<v Speaker 4>about I can I can give more respect. Let's add

0:25:50.840 --> 0:25:54.560
<v Speaker 4>the bagpipes. So I add the backpipes and I sampled them.

0:25:54.640 --> 0:25:57.879
<v Speaker 4>I remember Will's face as he plays it how it is,

0:25:58.119 --> 0:26:00.399
<v Speaker 4>and I sample it and pitch it up make it

0:26:00.440 --> 0:26:02.919
<v Speaker 4>sound a little bit weird because I'm a producer. I

0:26:03.080 --> 0:26:05.480
<v Speaker 4>remember his face being because he's like the world champion

0:26:05.560 --> 0:26:07.439
<v Speaker 4>bagpipe player and he's like, what are you doing to

0:26:07.480 --> 0:26:09.879
<v Speaker 4>my play? You can see that look on his face,

0:26:10.040 --> 0:26:13.119
<v Speaker 4>and I'm just like, it's crazy looking. At the first version,

0:26:13.160 --> 0:26:16.600
<v Speaker 4>which was a Kevin Parker Taynam Powler like slowed sonic

0:26:16.720 --> 0:26:21.200
<v Speaker 4>version with like acoustic guitars, was campfire energy, post malone energy.

0:26:21.600 --> 0:26:25.040
<v Speaker 4>It was real slow, but it wasn't performable. And then

0:26:25.119 --> 0:26:29.000
<v Speaker 4>go into this black skinhead type seven point four version

0:26:29.080 --> 0:26:32.280
<v Speaker 4>which is formerable and has way more energy. So it

0:26:32.320 --> 0:26:33.680
<v Speaker 4>was a very crazy journey.

0:26:33.920 --> 0:26:35.800
<v Speaker 1>It felt like putting on leather pants and going to

0:26:35.840 --> 0:26:37.720
<v Speaker 1>a club. For me, that's what I thought, you know.

0:26:37.840 --> 0:26:40.040
<v Speaker 4>Yeah, literally, I was like, I don't know if this

0:26:40.200 --> 0:26:43.320
<v Speaker 4>was like if everyone's going to like this. There's a

0:26:43.359 --> 0:26:45.000
<v Speaker 4>marker for people who are going to like this, there's

0:26:45.000 --> 0:26:46.320
<v Speaker 4>the people who are going to be like, who does

0:26:46.359 --> 0:26:46.960
<v Speaker 4>he think he is?

0:26:47.240 --> 0:26:49.080
<v Speaker 1>Well, no one wants to see me on leather pants,

0:26:49.119 --> 0:26:52.240
<v Speaker 1>but I still think it's very worth taking the risk.

0:26:52.359 --> 0:26:54.800
<v Speaker 1>Did you hear from John Farnham? Did you hear anything

0:26:54.880 --> 0:26:57.560
<v Speaker 1>from John or John's family about your version?

0:26:57.920 --> 0:27:02.080
<v Speaker 4>Not yet, but hopefully I do. Like whether he likes

0:27:02.119 --> 0:27:03.960
<v Speaker 4>it or doesn't like it, at the end of the day,

0:27:04.000 --> 0:27:06.640
<v Speaker 4>I made you feel something, you know, and I feel we'll.

0:27:06.520 --> 0:27:10.480
<v Speaker 1>Get him on the phone now call him. I grew

0:27:10.520 --> 0:27:12.800
<v Speaker 1>up my dad was good friends with John Farnham, so

0:27:13.960 --> 0:27:16.000
<v Speaker 1>he had a holiday house next to our house out

0:27:16.000 --> 0:27:18.760
<v Speaker 1>in the country, and I was so young when I

0:27:18.800 --> 0:27:22.600
<v Speaker 1>met him the first time that I didn't care about fame.

0:27:22.640 --> 0:27:26.080
<v Speaker 1>I didn't care about someone being popular, so I used

0:27:26.119 --> 0:27:29.600
<v Speaker 1>to call him Johnny Fardam. I think I was four

0:27:29.720 --> 0:27:31.879
<v Speaker 1>and my dad was driving over to John's house one

0:27:31.960 --> 0:27:33.720
<v Speaker 1>day and he said to my brother, and I have

0:27:33.800 --> 0:27:36.919
<v Speaker 1>one of you kids called John Farnham John Fardham to

0:27:36.960 --> 0:27:39.960
<v Speaker 1>his face. Then you're not getting any pocket money.

0:27:39.800 --> 0:27:41.920
<v Speaker 4>And that's a big deal when you're a kid. Ocker

0:27:42.040 --> 0:27:43.280
<v Speaker 4>money is your lively.

0:27:44.119 --> 0:27:45.800
<v Speaker 1>I now think back to it and I think about,

0:27:45.880 --> 0:27:49.280
<v Speaker 1>you know, how big he is, and that I would

0:27:49.280 --> 0:27:52.520
<v Speaker 1>spend at that time with him. It all just seems surreal,

0:27:52.600 --> 0:27:53.960
<v Speaker 1>doesn't seem like it really happened.

0:27:54.119 --> 0:27:56.880
<v Speaker 4>That's the thing is, like you have no idea who

0:27:57.040 --> 0:28:00.359
<v Speaker 4>someone is, especially as such a young age. When you

0:28:00.400 --> 0:28:02.600
<v Speaker 4>look back, you're like, oh my gosh, I was literally

0:28:03.320 --> 0:28:04.840
<v Speaker 4>with the living, breathing.

0:28:04.880 --> 0:28:10.040
<v Speaker 1>Legend, legend loving. The judges went on a real rollercoaster,

0:28:10.040 --> 0:28:12.399
<v Speaker 1>I think with you, and you know they they were

0:28:12.400 --> 0:28:15.520
<v Speaker 1>obviously talking to you and giving you constructive criticism, but

0:28:15.720 --> 0:28:19.159
<v Speaker 1>Marsha kept talking about you needing to sing more. What

0:28:19.160 --> 0:28:23.320
<v Speaker 1>what did you take of Marsha and that particular critique.

0:28:22.720 --> 0:28:26.200
<v Speaker 4>Well, it's hard to sing more when I'm being given

0:28:26.320 --> 0:28:29.679
<v Speaker 4>rap songs and then being expected to sing them like

0:28:29.840 --> 0:28:32.200
<v Speaker 4>every week, and I'm like, guys, I'm not a I'm

0:28:32.240 --> 0:28:34.959
<v Speaker 4>not a rapper. I'm not a hip hopper. Imgal Turnavi

0:28:35.000 --> 0:28:38.120
<v Speaker 4>Rom made it clear my audition that this is my style.

0:28:38.480 --> 0:28:40.800
<v Speaker 4>But then you get our email of what song is

0:28:40.840 --> 0:28:42.800
<v Speaker 4>singing and it's a rap song, and I'm like, cool,

0:28:42.920 --> 0:28:44.480
<v Speaker 4>do you know what's going to happen. I'm going to

0:28:44.560 --> 0:28:47.120
<v Speaker 4>have to do work my butt off to make this

0:28:47.280 --> 0:28:50.080
<v Speaker 4>Singapore and even if there's only so much you can

0:28:50.160 --> 0:28:52.840
<v Speaker 4>do to a rap song to make it Singapore. And

0:28:52.880 --> 0:28:55.240
<v Speaker 4>then I'm going to get feedback from the judges saying

0:28:55.280 --> 0:28:56.880
<v Speaker 4>you need to sing more, and I'm like, well, it's

0:28:56.960 --> 0:28:59.040
<v Speaker 4>not it's not my fault.

0:28:59.440 --> 0:29:01.280
<v Speaker 1>It kind of well like at times they didn't know

0:29:01.320 --> 0:29:02.400
<v Speaker 1>what to do with you.

0:29:02.440 --> 0:29:05.120
<v Speaker 4>No, that's the thing, and it helped me realize that

0:29:05.440 --> 0:29:07.800
<v Speaker 4>I was trying to be put into a box, and

0:29:07.840 --> 0:29:10.280
<v Speaker 4>a box that makes sense for mainstream when I'm not

0:29:10.400 --> 0:29:13.800
<v Speaker 4>that kind of artist, like you said, trail bread blazers.

0:29:13.800 --> 0:29:16.160
<v Speaker 4>A word I've been hit with so much on this

0:29:16.240 --> 0:29:19.160
<v Speaker 4>journey is that Australia is a little bit behind when

0:29:19.200 --> 0:29:22.120
<v Speaker 4>it comes to the music industry and what we do

0:29:22.320 --> 0:29:25.479
<v Speaker 4>compared to the global aspect. So my goal is to

0:29:25.600 --> 0:29:27.880
<v Speaker 4>be the first and the only teaching that.

0:29:28.440 --> 0:29:28.560
<v Speaker 1>Like.

0:29:28.800 --> 0:29:31.920
<v Speaker 4>I love my uniqueness. I feel like my goal is

0:29:31.960 --> 0:29:35.120
<v Speaker 4>to make it globally and then bridge that gap for Australia.

0:29:35.240 --> 0:29:37.960
<v Speaker 4>I'm want to come back and then help make those

0:29:37.960 --> 0:29:42.360
<v Speaker 4>opportunities here. I really feel a burden in my heart

0:29:42.120 --> 0:29:46.120
<v Speaker 4>to really bridge that gap between Australia and the international market.

0:29:46.400 --> 0:29:49.960
<v Speaker 1>You know, Teaj I was talking to Tyler earlier about

0:29:50.000 --> 0:29:53.400
<v Speaker 1>the use of the American accent within singing, and it's

0:29:53.480 --> 0:29:56.320
<v Speaker 1>really interesting. We can hear different accents and a lot

0:29:56.320 --> 0:29:59.760
<v Speaker 1>of your music. What's the decision making process when it

0:30:00.000 --> 0:30:04.000
<v Speaker 1>come to some of those intonations? Are you sometimes trying

0:30:04.080 --> 0:30:06.960
<v Speaker 1>to sing with an Australian accent? Are you sometimes trying

0:30:06.960 --> 0:30:08.120
<v Speaker 1>to sing with an American accent?

0:30:08.240 --> 0:30:08.320
<v Speaker 4>Like?

0:30:08.560 --> 0:30:11.320
<v Speaker 1>Is there a decision or a conscious understanding of what

0:30:11.360 --> 0:30:12.959
<v Speaker 1>you're doing with your accents? At times?

0:30:13.200 --> 0:30:15.200
<v Speaker 4>I think it's just because I listen to a lot

0:30:15.200 --> 0:30:18.760
<v Speaker 4>of them both, like Australian and American music. Plus my

0:30:18.960 --> 0:30:21.960
<v Speaker 4>normal accent is like a weird I've got my dad's

0:30:22.000 --> 0:30:25.280
<v Speaker 4>American accent. And then of course I grew up in Australia,

0:30:25.360 --> 0:30:28.640
<v Speaker 4>so either way and like those different wangs come in

0:30:28.680 --> 0:30:32.120
<v Speaker 4>and out. But I'm also very like subconsciously aware that

0:30:32.240 --> 0:30:36.080
<v Speaker 4>the more American need like accent is what goes around

0:30:36.120 --> 0:30:39.920
<v Speaker 4>globally because America sets the standard musically when it comes

0:30:40.000 --> 0:30:42.200
<v Speaker 4>to like the accent. When you hear that, you're more

0:30:42.320 --> 0:30:44.720
<v Speaker 4>likely to listen to it. Sometimes it can be a

0:30:44.760 --> 0:30:47.400
<v Speaker 4>turn off when you have like a hardcore British accent

0:30:47.800 --> 0:30:51.200
<v Speaker 4>or qie or harcore Australian accent to the world. To

0:30:51.360 --> 0:30:53.880
<v Speaker 4>us it's normal inspire. But because I want to be

0:30:53.880 --> 0:30:56.920
<v Speaker 4>a global artist, I have to be of course like

0:30:57.240 --> 0:30:58.440
<v Speaker 4>aware of those things.

0:30:58.520 --> 0:31:00.560
<v Speaker 1>There's a lot of you know, press should be on

0:31:00.600 --> 0:31:02.640
<v Speaker 1>these shows and sort of you mentioned this as well,

0:31:02.680 --> 0:31:05.800
<v Speaker 1>about sort of being a square peg being fitted into

0:31:05.960 --> 0:31:08.600
<v Speaker 1>a circle hole. I don't think that's the right saying,

0:31:08.600 --> 0:31:10.600
<v Speaker 1>but anyway, I think you understand what I'm trying to say.

0:31:10.760 --> 0:31:12.760
<v Speaker 1>What do you think about other artists next year being

0:31:12.800 --> 0:31:15.120
<v Speaker 1>in a similar position to you, being a little bit

0:31:15.160 --> 0:31:18.560
<v Speaker 1>left of center but still being something quite extraordinary. Is

0:31:18.680 --> 0:31:21.680
<v Speaker 1>Australian idol the right place for those young people to

0:31:21.720 --> 0:31:23.160
<v Speaker 1>go and take their work.

0:31:23.400 --> 0:31:27.080
<v Speaker 4>It wasn't before me, but now after me, I feel

0:31:27.120 --> 0:31:30.080
<v Speaker 4>like it is considering. I made it to the finals

0:31:30.320 --> 0:31:33.240
<v Speaker 4>doing what I do. I walked through this door so

0:31:33.280 --> 0:31:35.960
<v Speaker 4>I could stand right the doorway and keep the door open.

0:31:36.360 --> 0:31:39.600
<v Speaker 4>And I hope to see little girls next year who

0:31:39.640 --> 0:31:42.920
<v Speaker 4>are like, yeah, I'm an all rounded artist, you know,

0:31:43.040 --> 0:31:46.240
<v Speaker 4>like just doing what I did. I want to see

0:31:46.280 --> 0:31:50.520
<v Speaker 4>a whole generation of people coming and following my footsteps.

0:31:50.520 --> 0:31:52.880
<v Speaker 1>And I was actually going to wear my hair in

0:31:52.920 --> 0:31:56.240
<v Speaker 1>two separate top knots, you know, EJ style, but I

0:31:56.240 --> 0:32:01.120
<v Speaker 1>thought I'd be done for cultural appropriation. But I'm definitely

0:32:01.280 --> 0:32:03.000
<v Speaker 1>I'm definitely going to do it at some point, maybe

0:32:03.000 --> 0:32:04.400
<v Speaker 1>in the privacy of my own home.

0:32:04.640 --> 0:32:06.760
<v Speaker 4>I'd love to see you do. Hey, if Prince Flegg

0:32:06.840 --> 0:32:10.040
<v Speaker 4>could do it Star Wars that I feel like you

0:32:10.040 --> 0:32:11.240
<v Speaker 4>could easily pull it off.

0:32:11.440 --> 0:32:14.080
<v Speaker 1>At this point of the competition, who do you think

0:32:14.320 --> 0:32:16.400
<v Speaker 1>is going to win? Not who you think is maybe

0:32:16.440 --> 0:32:18.800
<v Speaker 1>your best friend or even who has the best voice,

0:32:18.920 --> 0:32:20.400
<v Speaker 1>Like who do you think is going to walk out

0:32:20.440 --> 0:32:22.600
<v Speaker 1>of Australian Idol as the winner of twenty twenty four?

0:32:22.840 --> 0:32:25.040
<v Speaker 4>And I've been asked this question a lot, and I

0:32:25.080 --> 0:32:29.400
<v Speaker 4>feel like for me. It's between Amy and and Dylan.

0:32:29.720 --> 0:32:32.920
<v Speaker 4>I feel like Dylan is the most Dylan and Amy

0:32:32.960 --> 0:32:34.080
<v Speaker 4>are the most consistent.

0:32:34.320 --> 0:32:35.040
<v Speaker 1>I think you're right.

0:32:35.200 --> 0:32:37.760
<v Speaker 4>I was well rounded and in terms of like the

0:32:37.800 --> 0:32:41.440
<v Speaker 4>population who watch Australian Idol, that's what they're looking for,

0:32:41.640 --> 0:32:44.080
<v Speaker 4>you know, They're looking for that person who can take

0:32:44.120 --> 0:32:45.920
<v Speaker 4>you on a journey and then bout at the end

0:32:46.040 --> 0:32:49.480
<v Speaker 4>and keep you engaged. So I feel like those those

0:32:49.480 --> 0:32:51.040
<v Speaker 4>two are differently the ones too.

0:32:51.520 --> 0:32:53.080
<v Speaker 1>I feel like they're going to make it to the finale.

0:32:53.160 --> 0:32:55.040
<v Speaker 1>I feel like that's what we're gearing ourselves up for.

0:32:55.360 --> 0:32:57.600
<v Speaker 1>I think people will riot if that doesn't happen.

0:32:57.760 --> 0:33:01.120
<v Speaker 4>People will riot, people write it wouldn't relliant image and that.

0:33:01.760 --> 0:33:05.480
<v Speaker 4>I strongly thought Imagen was going to win this show.

0:33:05.760 --> 0:33:08.240
<v Speaker 4>I was from the day I met her, and just

0:33:08.280 --> 0:33:12.080
<v Speaker 4>because of her vocal technique, she's definitely was the most

0:33:12.120 --> 0:33:13.920
<v Speaker 4>skilled vocalist out of all of us.

0:33:14.400 --> 0:33:16.920
<v Speaker 1>It's just proof that there's more to this particular type

0:33:16.920 --> 0:33:18.600
<v Speaker 1>of competition than just a voice, do you know what

0:33:18.640 --> 0:33:20.680
<v Speaker 1>I mean? Like, there's there's a lot going on. I mean,

0:33:20.800 --> 0:33:24.120
<v Speaker 1>Marshall was saying in the media yesterday, you know people

0:33:24.120 --> 0:33:26.239
<v Speaker 1>are voting, this is a lot of votes that are

0:33:26.240 --> 0:33:28.600
<v Speaker 1>coming through and people are voting for the artists that

0:33:28.600 --> 0:33:31.720
<v Speaker 1>they want to win. But there's other variables when it

0:33:31.720 --> 0:33:34.040
<v Speaker 1>comes to this type of a competition. And also you

0:33:34.080 --> 0:33:36.520
<v Speaker 1>know when Idol was originally in Australia and it came

0:33:36.560 --> 0:33:39.280
<v Speaker 1>out in twenty twenty two, you know, we've come a

0:33:39.280 --> 0:33:41.640
<v Speaker 1>long way I think since then and the way in

0:33:41.680 --> 0:33:44.320
<v Speaker 1>which the types of people who vote for shows.

0:33:44.000 --> 0:33:46.760
<v Speaker 4>Like this one hundred percent. People need to understand that

0:33:46.840 --> 0:33:50.840
<v Speaker 4>it's called Idle, not Australians thinger, it's about who as

0:33:50.920 --> 0:33:53.520
<v Speaker 4>an artist. The whole point of this show is to

0:33:53.560 --> 0:33:56.480
<v Speaker 4>find the next big artist. So it's easy for a

0:33:56.560 --> 0:33:58.800
<v Speaker 4>label to do it. It's so hard for a label

0:33:58.840 --> 0:34:02.280
<v Speaker 4>to turn an amazing singer into an artist because it's

0:34:02.320 --> 0:34:03.920
<v Speaker 4>like the singer doesn't even know what they do. They

0:34:04.000 --> 0:34:06.320
<v Speaker 4>spend their whole lecture singing covers, so they don't even

0:34:06.360 --> 0:34:08.440
<v Speaker 4>know what they want to do, They how to address themselves,

0:34:08.480 --> 0:34:10.600
<v Speaker 4>they don't know how to write. Or wasn't this year

0:34:11.160 --> 0:34:14.040
<v Speaker 4>one made the top twelve? So you crazy? Was that

0:34:14.200 --> 0:34:16.880
<v Speaker 4>you had a a bup of artists? You have people

0:34:17.160 --> 0:34:20.120
<v Speaker 4>or everyone had their own full package of different things

0:34:20.120 --> 0:34:22.080
<v Speaker 4>that they were offering. So I was like, it's so

0:34:22.280 --> 0:34:24.680
<v Speaker 4>easy or able to pick any one of us and

0:34:24.760 --> 0:34:26.360
<v Speaker 4>we could start dropping it.

0:34:26.560 --> 0:34:29.040
<v Speaker 1>Tough competition, that's for sure. I think last year feels

0:34:29.080 --> 0:34:31.799
<v Speaker 1>like young talent time compared to this. Before you go,

0:34:31.840 --> 0:34:33.840
<v Speaker 1>I have to ask you, what is something from behind

0:34:33.840 --> 0:34:35.800
<v Speaker 1>the scenes, something we didn't get a chance to say.

0:34:36.000 --> 0:34:38.520
<v Speaker 1>Tyler actually just said that a light nearly fell on him,

0:34:38.560 --> 0:34:41.919
<v Speaker 1>which I thought was interesting for one of his performances.

0:34:42.000 --> 0:34:44.160
<v Speaker 1>When you walk away from this experience and you look back,

0:34:44.160 --> 0:34:46.760
<v Speaker 1>what's something from behind the scenes that you'll remember.

0:34:46.719 --> 0:34:50.160
<v Speaker 4>How hard working everyone is. I'm so grateful to the

0:34:50.280 --> 0:34:52.680
<v Speaker 4>crew and the team that I worked with to be

0:34:52.719 --> 0:34:55.520
<v Speaker 4>able to turn around my crazy ideas in three days.

0:34:55.600 --> 0:34:58.560
<v Speaker 4>It was like ridiculous. I don't like to have this

0:34:58.680 --> 0:35:01.880
<v Speaker 4>kind of production. Insane. No, I never really got to

0:35:01.920 --> 0:35:04.560
<v Speaker 4>see what I did behind the scenes, Like when everyone

0:35:04.560 --> 0:35:08.319
<v Speaker 4>else was literally resting, partying and everything, I was in

0:35:08.440 --> 0:35:12.040
<v Speaker 4>my hotel room working on my live arrangement, tapping up

0:35:12.040 --> 0:35:15.160
<v Speaker 4>my stage, pot typing up what I want, styling wine,

0:35:15.400 --> 0:35:17.920
<v Speaker 4>tapping up all of that, and then having meetings with

0:35:18.000 --> 0:35:21.120
<v Speaker 4>every department, Like I never got to rest o what's what?

0:35:21.280 --> 0:35:23.120
<v Speaker 4>Like I had to work four times as that as

0:35:23.120 --> 0:35:25.279
<v Speaker 4>everyone because I didn't have a voice like everybody else,

0:35:25.400 --> 0:35:27.480
<v Speaker 4>and because I wasn't getting the single songs I could

0:35:27.480 --> 0:35:30.759
<v Speaker 4>show off my voice. So yeah, I wish people had

0:35:30.760 --> 0:35:33.000
<v Speaker 4>gotten to see that sign and got into meet the

0:35:33.000 --> 0:35:35.960
<v Speaker 4>people who deserve their credit, Andy the sound guy, and

0:35:36.320 --> 0:35:39.680
<v Speaker 4>you know, and Andy the girl who styled me, and

0:35:39.880 --> 0:35:43.240
<v Speaker 4>all those different people in Erica and Leally like Mitch,

0:35:43.520 --> 0:35:46.520
<v Speaker 4>so many dope people that people wanted to get to know.

0:35:46.760 --> 0:35:49.120
<v Speaker 1>This well, I think you're just so amazing. I think

0:35:49.160 --> 0:35:51.000
<v Speaker 1>we've only just seen the tip of the iceberg with

0:35:51.040 --> 0:35:52.840
<v Speaker 1>what it is that you can do. I think Australia

0:35:52.920 --> 0:35:54.719
<v Speaker 1>is going to be in your audience for a very

0:35:54.760 --> 0:35:58.240
<v Speaker 1>long time. I thoroughly enjoyed watching you take these risks

0:35:58.280 --> 0:36:01.080
<v Speaker 1>on this show. I think that the show themselves should

0:36:01.080 --> 0:36:03.239
<v Speaker 1>be very happy that we've been able to say a

0:36:03.280 --> 0:36:06.120
<v Speaker 1>new story. And yeah, I think you should be very

0:36:06.120 --> 0:36:08.120
<v Speaker 1>proud of what you've done to this show.

0:36:08.560 --> 0:36:11.640
<v Speaker 4>Thank you. I'm just so happy that I got to

0:36:12.040 --> 0:36:15.080
<v Speaker 4>do something for the dreamers. Like all I've been saying

0:36:15.120 --> 0:36:18.359
<v Speaker 4>all the week is literally dream big enough to take

0:36:18.360 --> 0:36:20.160
<v Speaker 4>out of your small town so you can become big

0:36:20.280 --> 0:36:22.799
<v Speaker 4>enough to feed them, and stop saying is just something

0:36:22.800 --> 0:36:25.840
<v Speaker 4>I want to live by. I just want to inspire generation.

0:36:26.000 --> 0:36:28.319
<v Speaker 4>I want to become an artist who just does more

0:36:28.400 --> 0:36:31.680
<v Speaker 4>than perform and make music, like I genuinely keep telling people,

0:36:31.719 --> 0:36:34.120
<v Speaker 4>I want to build hospitals. I want to make a

0:36:34.160 --> 0:36:37.200
<v Speaker 4>clothing brand and put clothing people who come afford them,

0:36:37.200 --> 0:36:39.600
<v Speaker 4>and just do so much more, Like this is so

0:36:39.719 --> 0:36:42.600
<v Speaker 4>much bigger than me, and I hope I just really

0:36:42.600 --> 0:36:44.719
<v Speaker 4>make a positive impact on the span. Oh.

0:36:44.800 --> 0:36:46.279
<v Speaker 1>I think you will. I think you will.