1 00:00:00,240 --> 00:00:04,560 Speaker 1: Break the Flick with benosh On ninety six a FM. 2 00:00:04,840 --> 00:00:08,640 Speaker 2: Okay, Wonka, wonkad. 3 00:00:11,400 --> 00:00:13,520 Speaker 1: This review might get wonky. I don't know about Wonka. 4 00:00:13,920 --> 00:00:17,680 Speaker 2: Okay, take us down the candy Lane. 5 00:00:17,800 --> 00:00:20,919 Speaker 1: Okay. Well, at the start of twenty twenty three, you'd 6 00:00:20,920 --> 00:00:23,200 Speaker 1: see all these articles around the internet like the most 7 00:00:23,200 --> 00:00:26,000 Speaker 1: anticipated movies of the year to look forward to, and 8 00:00:26,079 --> 00:00:28,400 Speaker 1: Barbie was on that list, Oppenheimer was on that list, 9 00:00:28,680 --> 00:00:34,080 Speaker 1: and Wonka was absolutely on that list. It stars Timitate Chalamay, 10 00:00:34,120 --> 00:00:36,440 Speaker 1: who's so hot right now in Hollywood. He's dating at 11 00:00:36,520 --> 00:00:42,320 Speaker 1: Kardashian Jenna. He's dating Kylie Jenner, a billionaire. And also 12 00:00:42,440 --> 00:00:43,880 Speaker 1: he's not kind of like unlike a lot of people 13 00:00:43,920 --> 00:00:46,440 Speaker 1: that get into relationships with Kardashian's and not kind of 14 00:00:46,479 --> 00:00:49,000 Speaker 1: like playing second fiddle, like he's he's famous enough that 15 00:00:49,040 --> 00:00:50,519 Speaker 1: he can kind of go toe to toe with a 16 00:00:50,640 --> 00:00:53,520 Speaker 1: letter of fame. And so he was cast to play 17 00:00:53,560 --> 00:00:57,320 Speaker 1: a young Willie Wonka in this prequel. And now there's 18 00:00:57,360 --> 00:01:00,760 Speaker 1: been two previous adaptations of roll Dal's famous Charlie and 19 00:01:00,760 --> 00:01:02,640 Speaker 1: the Chocolate Factory, which I think came out in nineteen 20 00:01:02,840 --> 00:01:08,080 Speaker 1: seventy one. The first was the one starring Gene Wilder 21 00:01:08,640 --> 00:01:11,200 Speaker 1: Willy Wonka and the Chocolate Factory. And then there was 22 00:01:11,240 --> 00:01:13,800 Speaker 1: one in two thousand and five, I think, directed by 23 00:01:13,800 --> 00:01:17,000 Speaker 1: Tim Burton, starring Johnny Depp, which it made a lot 24 00:01:17,000 --> 00:01:19,240 Speaker 1: of money at the box office. I didn't particularly love it, 25 00:01:19,280 --> 00:01:22,920 Speaker 1: but certainly younger audiences that's what they think was the 26 00:01:22,959 --> 00:01:24,160 Speaker 1: original Willy Wonker movie. 27 00:01:24,600 --> 00:01:25,319 Speaker 2: The originals. 28 00:01:25,400 --> 00:01:27,959 Speaker 1: Yeah, the original it's pretty creepy, and they think and 29 00:01:27,959 --> 00:01:29,880 Speaker 1: they think the original with Gen Wilder is just something 30 00:01:29,880 --> 00:01:32,600 Speaker 1: that they see in internet memes really, because yeah, the 31 00:01:32,640 --> 00:01:37,080 Speaker 1: Gene Wilder Wonka internet meme is like it's iconic. But 32 00:01:37,560 --> 00:01:39,760 Speaker 1: both of those movies were, you know, they're kind of 33 00:01:39,800 --> 00:01:41,720 Speaker 1: a bit dark, they're a bit creepy. 34 00:01:41,880 --> 00:01:44,040 Speaker 2: It's meant to be. It's a dark story. It is 35 00:01:45,360 --> 00:01:45,959 Speaker 2: at the end of the day. 36 00:01:45,959 --> 00:01:48,360 Speaker 1: It's about a chocolate factory with the worst of health 37 00:01:48,400 --> 00:01:53,600 Speaker 1: and safety protocols in history, like kids going to that factory. 38 00:01:53,840 --> 00:01:56,960 Speaker 1: It's been zero days since our last accident. That's a 39 00:01:57,000 --> 00:02:02,279 Speaker 1: situation and this guy. But this Wonker prequel, it's worth noting, 40 00:02:02,560 --> 00:02:06,040 Speaker 1: is a prequel of the Gene Wilder movie. So it's 41 00:02:06,040 --> 00:02:07,880 Speaker 1: not a prequel of the Tim Burton movie. So when 42 00:02:07,920 --> 00:02:10,040 Speaker 1: you're looking at timoitates Chala May. He's trying to do 43 00:02:10,160 --> 00:02:13,600 Speaker 1: a young Gene Wilder, and he does an amazing job. 44 00:02:13,800 --> 00:02:17,000 Speaker 1: Like the great thing about this movie is Chala May's performance. 45 00:02:17,760 --> 00:02:19,600 Speaker 1: There are some musical numbers which I'll touch on in 46 00:02:19,680 --> 00:02:22,080 Speaker 1: a minute. And he's got a lovely singing voice, really 47 00:02:22,120 --> 00:02:25,200 Speaker 1: really really really sweet voice. It's a great talent, and 48 00:02:25,240 --> 00:02:28,480 Speaker 1: he's an amazing talent, and he's got that whimsy to him. 49 00:02:29,080 --> 00:02:31,600 Speaker 1: And so he plays this young chocolate tea who arrives 50 00:02:31,600 --> 00:02:33,480 Speaker 1: in the big city kind of like a London kind 51 00:02:33,480 --> 00:02:37,320 Speaker 1: of a city, and he has a dream of changing 52 00:02:37,360 --> 00:02:40,160 Speaker 1: the world one chocolate at a time, very sweet literally 53 00:02:40,320 --> 00:02:45,680 Speaker 1: and figuratively. And then but his dreams get untracked really 54 00:02:45,760 --> 00:02:50,600 Speaker 1: quickly by the evil chocolate cartel who run chocolate in 55 00:02:50,680 --> 00:02:53,760 Speaker 1: this city, and they run it with an iron fist, 56 00:02:53,760 --> 00:02:55,600 Speaker 1: and they have it. They have a corrupt chief of 57 00:02:55,639 --> 00:02:58,919 Speaker 1: police played by Keegan Michael Key in their pocket. They 58 00:02:58,919 --> 00:03:00,680 Speaker 1: pay him off in chocolate to make sure there are 59 00:03:00,720 --> 00:03:03,200 Speaker 1: no competitors that rise through the ranks. And so they 60 00:03:03,240 --> 00:03:07,240 Speaker 1: immediately see Timitate Shalamaye's Wonka as a real threat to 61 00:03:07,280 --> 00:03:11,240 Speaker 1: their business model, and so they arrange with this dodgy 62 00:03:11,320 --> 00:03:15,239 Speaker 1: landlord played by Olivia Coleman Oscar winner Olivia Colman, who 63 00:03:15,280 --> 00:03:20,360 Speaker 1: is phenomenal to trick him into signing an accommodation contract 64 00:03:20,400 --> 00:03:23,839 Speaker 1: that basically sees him becoming her servant, and he's get 65 00:03:23,919 --> 00:03:27,760 Speaker 1: stuck working in the wash house, can't make chocolate. He's 66 00:03:27,800 --> 00:03:30,120 Speaker 1: basically a prisoner, and so he's out of the picture. 67 00:03:30,240 --> 00:03:34,040 Speaker 1: Chocolate cartel is happy, but they didn't bank on Wonka 68 00:03:34,280 --> 00:03:37,200 Speaker 1: befriending all of the other people who are similarly trapped 69 00:03:37,200 --> 00:03:41,080 Speaker 1: in the wash house, this sort of assortment of motley characters. 70 00:03:41,080 --> 00:03:45,080 Speaker 1: There's an accountant, there are all of these people with 71 00:03:45,160 --> 00:03:48,840 Speaker 1: different skill sets, and they band together to help Wonka 72 00:03:49,000 --> 00:03:51,920 Speaker 1: get out of the wash house and secretly sneak around 73 00:03:51,960 --> 00:03:56,200 Speaker 1: town selling his chocolates from like pop up stalls and 74 00:03:56,280 --> 00:03:59,480 Speaker 1: developing this incredible reputation around the city as being the 75 00:03:59,520 --> 00:04:03,600 Speaker 1: sort of these magical chocolate maker of renown, to the 76 00:04:03,600 --> 00:04:05,640 Speaker 1: point where he eventually gets his own shop. So that's 77 00:04:05,680 --> 00:04:09,960 Speaker 1: basically the premise of the movie. Now, it all sounds 78 00:04:09,960 --> 00:04:10,440 Speaker 1: pretty good. 79 00:04:11,000 --> 00:04:11,440 Speaker 2: The problem. 80 00:04:11,600 --> 00:04:15,000 Speaker 1: The problem with this film is it's a musical, which 81 00:04:15,040 --> 00:04:18,000 Speaker 1: is in itself not a problem if the songs are good, 82 00:04:18,960 --> 00:04:21,800 Speaker 1: and in this case, they're just not They're written by 83 00:04:21,839 --> 00:04:25,640 Speaker 1: the frontman of the UK band The Divine Comedy, who 84 00:04:25,680 --> 00:04:28,520 Speaker 1: wrote the theme song for Father Ted. There's a bit 85 00:04:28,520 --> 00:04:31,279 Speaker 1: of it for transpotters out there. Yeah, and you know, 86 00:04:31,400 --> 00:04:33,560 Speaker 1: like he's a fine musician and all that, but like 87 00:04:33,720 --> 00:04:35,760 Speaker 1: musical numbers, as anyone knows if you've been to a 88 00:04:35,800 --> 00:04:37,919 Speaker 1: musical or watched a musical movie, like, they have to 89 00:04:37,960 --> 00:04:40,039 Speaker 1: have a bit of pep and pizaz and they have 90 00:04:40,160 --> 00:04:43,080 Speaker 1: to carry the story forward and they do a lot 91 00:04:43,080 --> 00:04:43,960 Speaker 1: of heavy lifting. 92 00:04:43,680 --> 00:04:46,280 Speaker 2: Here, pure imagination. And that's the. 93 00:04:46,279 --> 00:04:50,400 Speaker 1: Moment that the iconic cinema and these songs are just 94 00:04:50,520 --> 00:04:53,040 Speaker 1: not that interesting. They're not like it's not like a 95 00:04:53,120 --> 00:04:56,040 Speaker 1: Lin Manuel Miranda or a Passeck and Paul who did 96 00:04:56,040 --> 00:04:58,120 Speaker 1: the songs in La La Land. The songs are just 97 00:04:58,160 --> 00:05:01,320 Speaker 1: honestly duds, even though Timothy shallow May sings them very well. 98 00:05:01,839 --> 00:05:04,400 Speaker 1: And so and you have lots of these yeah, yeah, 99 00:05:04,520 --> 00:05:06,680 Speaker 1: so you have lots of these, lots of these songs 100 00:05:06,720 --> 00:05:08,760 Speaker 1: when the time could have been better spent with more 101 00:05:08,800 --> 00:05:11,800 Speaker 1: screen time for Olivia Coleman, who's amazing, more screen time 102 00:05:11,839 --> 00:05:15,360 Speaker 1: for Rowan Atkinson, who's a dodgy, corrupt priest, more screen 103 00:05:15,400 --> 00:05:20,960 Speaker 1: time for Hugh Grant. That is actually reflective of how 104 00:05:21,040 --> 00:05:24,039 Speaker 1: much time he gets in the movie. So you watch 105 00:05:24,080 --> 00:05:25,560 Speaker 1: the trailer and you think, oh, there's going to be 106 00:05:25,560 --> 00:05:28,520 Speaker 1: so much Hugh grand But no, there is the best 107 00:05:28,560 --> 00:05:32,320 Speaker 1: bits the best in the trailer, Like I reckon, he's 108 00:05:32,360 --> 00:05:34,279 Speaker 1: in it for about five minutes, when I would have 109 00:05:34,279 --> 00:05:36,839 Speaker 1: happily seen him as a major character who was in 110 00:05:36,880 --> 00:05:41,480 Speaker 1: there for the whole film. Criminally underused considering how amazing 111 00:05:41,520 --> 00:05:43,920 Speaker 1: he is Hugh Grant what I was. 112 00:05:44,000 --> 00:05:45,520 Speaker 2: But which is? 113 00:05:45,560 --> 00:05:47,280 Speaker 1: Which is all good? Like that? That is all great? 114 00:05:47,320 --> 00:05:51,520 Speaker 1: So the performances, the performances are all good. The songs 115 00:05:51,600 --> 00:05:54,360 Speaker 1: really drag the film down. It's also does not have 116 00:05:55,120 --> 00:05:57,400 Speaker 1: any edge at all, like it is not in any 117 00:05:57,400 --> 00:05:59,719 Speaker 1: way sort of dark and creepy like the first two movies. 118 00:06:00,080 --> 00:06:02,400 Speaker 1: It's directed by Paul Kin, great British director who gave 119 00:06:02,440 --> 00:06:05,280 Speaker 1: us the Paddington movies, which were really really good and 120 00:06:05,400 --> 00:06:08,560 Speaker 1: extremely sweet family movies. That's what this is. This is 121 00:06:08,560 --> 00:06:12,480 Speaker 1: a sweet family movie. Adults who go along expecting to 122 00:06:12,640 --> 00:06:15,160 Speaker 1: find something like the first two probably going to be 123 00:06:15,160 --> 00:06:17,200 Speaker 1: a bit disappointed. It's going to be like the Cadbury 124 00:06:17,480 --> 00:06:22,479 Speaker 1: Cadbury Favorite Selection where maybe you get the Turkish delight left. 125 00:06:22,279 --> 00:06:25,640 Speaker 2: At the end, so not moment you do get. 126 00:06:25,680 --> 00:06:26,960 Speaker 1: You do get a little bit of candy man and 127 00:06:27,040 --> 00:06:30,239 Speaker 1: you and you do get a lovely pure imagination moment 128 00:06:30,279 --> 00:06:32,720 Speaker 1: at the end, which is which is pretty pretty hard 129 00:06:32,960 --> 00:06:33,200 Speaker 1: to say. 130 00:06:33,520 --> 00:06:36,400 Speaker 2: All Right, well, how many Pick and Mix. 131 00:06:38,880 --> 00:06:42,320 Speaker 1: TV? I'm going to give this three so not terrible, 132 00:06:42,720 --> 00:06:47,120 Speaker 1: not amazing, good family fair for the school holidays, Okay. 133 00:06:46,400 --> 00:06:48,440 Speaker 2: A medium Christmas movie, just. 134 00:06:48,400 --> 00:06:50,920 Speaker 1: Stuck up at the candy barn with sugar and you'll. 135 00:06:52,279 --> 00:06:55,320 Speaker 2: All right, thank you, ben, guys, We'll see you in 136 00:06:55,400 --> 00:06:59,320 Speaker 2: twenty twenty four. Yes, you're sharing us in the right 137 00:06:59,320 --> 00:07:00,880 Speaker 2: direction this year. My pleasure