WEBVTT - It's Time To Let Your Friends Date Losers 🤢

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<v Speaker 1>Flex and Frooms, Flex and Frooms. This is the Flex

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<v Speaker 1>and Frooms catch up podcast.

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<v Speaker 2>Happy Monday, Precious little Goremulins, miss you dearly.

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<v Speaker 1>Today.

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<v Speaker 2>We're chatting about our cult and our slogan. Plus people

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<v Speaker 2>are mad at Drake, which is kind of unsurprising, but

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<v Speaker 2>when you really think about it, completely surprising. I feel

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<v Speaker 2>like some celebrities are just scapegoats for slow news days

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<v Speaker 2>and some just like randomly are all we can talk

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<v Speaker 2>about facts. Let's get to it, Flex and Frooms on kedus.

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<v Speaker 2>We must discuss life after the Matilda's I made a

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<v Speaker 2>confession that when Fred again was pumping and there was

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<v Speaker 2>all this hype, and I personally felt as though people

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<v Speaker 2>were pretending to understand the hype for fee of looking

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<v Speaker 2>like a loser who doesn't know what's happening in current events.

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<v Speaker 2>And then I too experienced jumping onto the hype train

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<v Speaker 2>because I was infected with social contagion. And now eight

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<v Speaker 2>days later, I'm still interested in sports broadly, and I've

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<v Speaker 2>brought in my horizon, said AFLW. Yes, I've been reading

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<v Speaker 2>about the NBA and I'm wearing a jacket that has

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<v Speaker 2>golf emblems on them.

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<v Speaker 3>Is this golf emblems, it's at the back. Okay that

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<v Speaker 3>you made yourself.

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<v Speaker 1>I did make it myself direct correct correct.

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<v Speaker 3>Check Flex and frooms. There's videos of us from today, yes,

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<v Speaker 3>and Flex he's wearing the jacket correct now.

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<v Speaker 2>So doing my research for the AFL and the AFLW.

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<v Speaker 2>This initially started because when I moved to Melbourne, I

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<v Speaker 2>was very surprised to find out that liking sports in

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<v Speaker 2>particular AFL is a statewide thing. It's not for sports fans,

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<v Speaker 2>it's cultural and I hadn't seen anything like it before.

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<v Speaker 1>A lot of the introductory conversations I was having, as

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<v Speaker 1>have you picked a team?

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<v Speaker 2>Heavy picked a team, and so I hadn't picked a team,

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<v Speaker 2>and I didn't realize we're so convoluted picking a team

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<v Speaker 2>for reasons we can't get into right now. But so

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<v Speaker 2>since then I followed the AFL and the AFLW on

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<v Speaker 2>Instagram and they made a post a couple of days

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<v Speaker 2>ago that says equal player prize money for AFL and

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<v Speaker 2>AFLW competitions, which I thought was sick. I said, okay,

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<v Speaker 2>post Matilda's there's a vibe, there's momentum now that can

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<v Speaker 2>come across really misleading because there are four final AFL

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<v Speaker 2>teams and eight final AFLW teams, so it's equal prize

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<v Speaker 2>money split between players, so they don't get paid the same.

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<v Speaker 2>I see, but you know, this is why we have

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<v Speaker 2>to read more than the headlines. Alas, I went into

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<v Speaker 2>the comments and people were not happy, which I thought

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<v Speaker 2>was really interesting because on face value, this feels like

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<v Speaker 2>good information to happen, and you could imagine what the

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<v Speaker 2>comments were saying, like why are women getting this money?

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<v Speaker 2>It's undeserving, la la la, And I couldn't tell if

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<v Speaker 2>it was like low level misogyny off those merit in

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<v Speaker 2>the critique.

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<v Speaker 1>And so based on reading.

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<v Speaker 2>Some of these comments, I feel like what people are

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<v Speaker 2>saying is the AFLW has been around for it's in

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<v Speaker 2>its eighth year, and the AFL's this heritage, legacy corporation

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<v Speaker 2>league that's been around for like one hundred and fifty years.

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<v Speaker 3>I never cared, just split the record and say, okay,

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<v Speaker 3>never had a team, just going to reiterate that, wow,

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<v Speaker 3>not a sport family.

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<v Speaker 1>Not a sport family.

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<v Speaker 3>W I willing to usher it into the next yet

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<v Speaker 3>give it a second.

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<v Speaker 2>So they're saying that, you know, just comparatively the clubs

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<v Speaker 2>haven't been around for the same amount of time, which

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<v Speaker 2>means that the players who have in the AFL have

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<v Speaker 2>had to pave the way and kind of work towards

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<v Speaker 2>this prize are more entitled to more money than the

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<v Speaker 2>afl W who are a newer team. And I said, Okay,

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<v Speaker 2>I don't know if really enough that makes sense. It

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<v Speaker 2>just sounds like these guys got a one hundred and

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<v Speaker 2>fifty year head start. That's what I'm getting. Then people

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<v Speaker 2>start going into quantifiable numbers. The attendees of the games

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<v Speaker 2>roughly seven million AFL attendees and roughly four hundred and

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<v Speaker 2>ten thousand afl W attendees. So the conversation now is

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<v Speaker 2>if they're not bringing the same amount of people and

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<v Speaker 2>they're not generating the same amount of ticket sales, should

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<v Speaker 2>they be entitled to the same amount of prize money.

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<v Speaker 1>Yes, relatively.

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<v Speaker 2>Then the next critique was, okay, well, when you watch

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<v Speaker 2>the AFL, because it's been years and years and years

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<v Speaker 2>of people building of these men, in particular building these skills,

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<v Speaker 2>and the AFL has been quite instrumental in creating like

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<v Speaker 2>an exceptional kind of player. These people are like freaks

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<v Speaker 2>of nature with what they're able to do, and they're

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<v Speaker 2>comparing that to the AFLW where women haven't historically been

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<v Speaker 2>allowed to play the game at the same level. There's

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<v Speaker 2>not been support or infrastructure, and a lot of the

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<v Speaker 2>current players are not homegrown AFL players. They approach like

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<v Speaker 2>cricket players and boxers and netball players and basketball players,

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<v Speaker 2>and so they're not playing to the same level of

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<v Speaker 2>excellence as AFL players.

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<v Speaker 1>Should they be rewarded the same.

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<v Speaker 2>I so this is layer This is a layered conversation,

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<v Speaker 2>and so it's not to say that, you know, the

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<v Speaker 2>headline is misleading or whatever, but I think the conversation

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<v Speaker 2>that's started.

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<v Speaker 1>Is so juicy.

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<v Speaker 2>At the time of the post being up. Now it's

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<v Speaker 2>got like two thousand comments. People have stuff to say,

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<v Speaker 2>but I don't know what difference it's going to make

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<v Speaker 2>because I think that people can't really discern if the.

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<v Speaker 1>Critique has merit.

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<v Speaker 3>It's too layered.

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<v Speaker 1>It's so layered.

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<v Speaker 3>Also, chicken and egg.

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<v Speaker 1>The bloody money up place chicken and egg.

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<v Speaker 3>Then you'll bring more women's to be like, I want

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<v Speaker 3>to get a little more cash. They're going to yeet

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<v Speaker 3>away from the other sports. To me, enjoying sport is

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<v Speaker 3>like learning to read like learning to enjoy fiction. It's

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<v Speaker 3>like I don't look at it and then instantly get

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<v Speaker 3>into it. I'm like, whoa, I'm missing this whole, like

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<v Speaker 3>little tiny not even this whole branch on this tree

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<v Speaker 3>of enjoyment.

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<v Speaker 2>I'm ready for my culture understanding to improve. I'm learning

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<v Speaker 2>so much about people from being interested in sport.

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<v Speaker 3>So if you are a frequent listener to the show,

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<v Speaker 3>you will know that we do have megalo maniac tendencies.

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<v Speaker 3>And as I believe, I've.

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<v Speaker 2>Seen Google that before, I before I co sign Megaloma

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<v Speaker 2>that I'm right there with you.

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<v Speaker 1>But I just want to make sure.

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<v Speaker 3>Can I try and explain see if I'm close egotistical,

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<v Speaker 3>grandiose ideas for centering yourself.

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<v Speaker 2>A Meglo Mayac is a pathological egotist, and we said,

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<v Speaker 2>you know what that is someone with a psychological disorder

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<v Speaker 2>with symptoms like delusions of grandeur and an obsession with power.

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<v Speaker 1>I don't know if I'm with you, know I want.

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<v Speaker 2>The audience outside delusional fantasies of wealth, power, omnipotent Mine's

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<v Speaker 2>not delusional though exactly.

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<v Speaker 3>Anyway, we want to create a cult. Now I know

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<v Speaker 3>what you're thinking, cults are super scary and people need

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<v Speaker 3>to get out of them. But no, you can willingly.

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<v Speaker 1>Enter a cult if you need to.

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<v Speaker 3>Cultivate a sense of community, and we're here to fill

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<v Speaker 3>that gap. Flex is leader of the cult.

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<v Speaker 1>I come to that decision.

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<v Speaker 3>We came to that decision because it was like quite

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<v Speaker 3>late in the afternoon and I had completely switched off.

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<v Speaker 3>I was looking at my messages and I was looking

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<v Speaker 3>at my own Instagram story.

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<v Speaker 1>It's flexing.

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<v Speaker 2>Okay, So we all know that what makes a cult stick,

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<v Speaker 2>or makes anything sticker, is great marketing and great branding.

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<v Speaker 1>We need a name and a slogan.

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<v Speaker 2>I would like to give you some keywords and some

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<v Speaker 2>ideas on how I'd like this to come across. Nothing

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<v Speaker 2>about this cult needs to feel gimmicky. It can't be gimmicky.

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<v Speaker 2>We're not leaning into like the spirituality of it. We're

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<v Speaker 2>trying to exploit life to get the best of it

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<v Speaker 2>for us. We also are about all things hot, sexy, fun, educational, entertaining, lighthearted.

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<v Speaker 2>I think one thing that's going to really become an

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<v Speaker 2>archetypal cornerstone of our cult is the concept of Jester's privilege.

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<v Speaker 2>Are you aware of what Jessic's privilege is through me

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<v Speaker 2>is yep. Let me read it out for you based

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<v Speaker 2>on how Wikipedia would define it. Jesic's privilege is the

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<v Speaker 2>ability and right of a jester to talk and mock

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<v Speaker 2>freely without being punished for nothing, he says, seems to matter.

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<v Speaker 2>That is the energy we bring into our utopia. In

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<v Speaker 2>this studio, we say stuff we enjoy, We give each

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<v Speaker 2>other the better, we give each other the benefit of

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<v Speaker 2>the doubt.

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<v Speaker 1>We keep it pushing, truly, that is the energy of

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<v Speaker 1>the cult. Don't bring it down.

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<v Speaker 3>I think we should save that name for maybe something else. However,

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<v Speaker 3>I have no, that's not the name.

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<v Speaker 1>It will be the name.

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<v Speaker 2>That's just the ethos that I want people to come

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<v Speaker 2>to the cult with. Okay, it's very I don't want

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<v Speaker 2>it to come across as gimme key, it's very.

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<v Speaker 3>Earnest, amazing. Okay. So with that in mind, I have

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<v Speaker 3>come up with a suggestion. It's still staying with that

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<v Speaker 3>regal vibe when we call the munch Kings, but with

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<v Speaker 3>kings on the end.

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<v Speaker 1>Why kings, you'll see, okay, because we are.

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<v Speaker 2>Mickey looks confused, given that you and producing Mickey share

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<v Speaker 2>one brain.

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<v Speaker 1>If you two are not on the same page. I

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<v Speaker 1>don't think it's gonna work out.

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<v Speaker 3>No, you're gonna be aating words girls. So munch King's

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<v Speaker 3>one word. We've got that, okay. So the idea is,

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<v Speaker 3>as we talk about patriarchy, matriarchy on the show, not macharchy,

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<v Speaker 3>what even I think that we do need to herald

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<v Speaker 3>in a bit of the hangover of the patriarchy and

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<v Speaker 3>bring in the word king. But for the girlipops now

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<v Speaker 3>the slogan patriarch king exactly about munch kings because we're cute,

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<v Speaker 3>and the slogan is no munches, just munchies, but also

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<v Speaker 3>in brackets, sober and clean both physically and no drugs.

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<v Speaker 1>Do you want to say your own cults? I feel

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<v Speaker 1>like you've got a very.

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<v Speaker 2>Clear vision and I don't want to get in the

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<v Speaker 2>way of you exercising. You'll understand where I was going

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<v Speaker 2>with that one. Oh, Like, it's so clear, just not

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<v Speaker 2>aligning what we want. And so what we're going to

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<v Speaker 2>do now, given that through me has very generously come

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<v Speaker 2>up with something creative and ingenious off the.

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<v Speaker 1>Top, We're going to do a bit of a pole.

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<v Speaker 2>You're going to share your suggestions with us on what

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<v Speaker 2>our cult should be called and what the slogan should be.

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<v Speaker 1>On our Instagram. It's flex and Frooms.

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<v Speaker 2>We're going to compare your options to frooms as options,

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<v Speaker 2>and then you, our cult members, will decide at the

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<v Speaker 2>end of it.

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<v Speaker 1>I think that's fair, diplomatic.

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<v Speaker 3>Definitely fair, babe.

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<v Speaker 1>The first and last time will be fair and diplomatic.

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<v Speaker 3>I'm not sure suits, but we will try. Our best.

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<v Speaker 2>Question of the day, should you just let your friends

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<v Speaker 2>date losers?

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<v Speaker 1>Why?

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<v Speaker 2>I feel personally that you might be spending too much

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<v Speaker 2>energy coaching your friends out of decisions they're gonna already make. Anyway,

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<v Speaker 2>this thought didn't spark for me. I got it from

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<v Speaker 2>a TikTok. She is Livy l iv I.

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<v Speaker 4>I came to this point and like realization in my

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<v Speaker 4>life with my friends where if they want to do

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<v Speaker 4>like toxic behaviors and they want to go.

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<v Speaker 1>Their loser X, you know what I'm gonna do.

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<v Speaker 5>I'm like, yeah, like, go ahead that loser, like do

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<v Speaker 5>whatever makes your soul happy, or say they want to

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<v Speaker 5>date a loser, Yeah, date him going ahead.

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<v Speaker 1>You want to know why? Because I don't give up.

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<v Speaker 4>You can't control other people's actions and what they do,

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<v Speaker 4>and if someone wants to put.

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<v Speaker 5>Themselves through hell, then they can put themselves through hell.

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<v Speaker 5>I'm not gonna sit and try and get someone out

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<v Speaker 5>of a situation that they're willingly putting themselves in. But

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<v Speaker 5>if my friends want to do actions, you know what,

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<v Speaker 5>I'll support them because that's clearly what they need.

0:10:58.000 --> 0:11:03.200
<v Speaker 3>She really said, I'm not okay, it's not okay.

0:11:03.679 --> 0:11:05.760
<v Speaker 2>Part of me agrees with the sentiment that you should

0:11:05.840 --> 0:11:09.800
<v Speaker 2>let your friends date losers, in the sense that you

0:11:09.840 --> 0:11:14.520
<v Speaker 2>shouldn't go out of your way to squeeze yourself into

0:11:14.559 --> 0:11:17.920
<v Speaker 2>a decision your friend is making because you wouldn't make it.

0:11:18.559 --> 0:11:20.840
<v Speaker 2>I don't think you should coach them into dating them.

0:11:21.240 --> 0:11:23.280
<v Speaker 2>I don't think you should derail them off their path

0:11:23.320 --> 0:11:26.280
<v Speaker 2>because you would make a different decision. But I often

0:11:26.320 --> 0:11:29.280
<v Speaker 2>think you have to recognize where the friendship sits in

0:11:29.360 --> 0:11:30.400
<v Speaker 2>terms of priorities.

0:11:30.960 --> 0:11:32.920
<v Speaker 1>Okay, you know, like, you're not gonna are you a

0:11:33.040 --> 0:11:33.640
<v Speaker 1>ride or die?

0:11:33.679 --> 0:11:36.120
<v Speaker 2>Who's like I'm following you into I'm following you off

0:11:36.120 --> 0:11:39.360
<v Speaker 2>that bridge. That's your boyfriend, that's my boyfriend. That's our boyfriend.

0:11:39.640 --> 0:11:42.400
<v Speaker 2>He's a loser, but we love him. Or are you

0:11:42.480 --> 0:11:44.520
<v Speaker 2>more concerned with making sure your friend just has a

0:11:44.559 --> 0:11:47.920
<v Speaker 2>safe space. It's event and to share and to not

0:11:47.920 --> 0:11:51.400
<v Speaker 2>feel alone. Are you too driven by your own morals

0:11:51.400 --> 0:11:54.839
<v Speaker 2>and ethics to let a friendship determine how you feel

0:11:54.840 --> 0:11:58.520
<v Speaker 2>about something that you wouldn't agree with. Are you prioritizing

0:11:58.920 --> 0:12:01.880
<v Speaker 2>how you feel or what you believe over the reality

0:12:01.920 --> 0:12:05.640
<v Speaker 2>of their situation. That's a bit different, but overall, yeah,

0:12:05.880 --> 0:12:09.200
<v Speaker 2>let your friends date loses. We're phrasing this like you

0:12:09.240 --> 0:12:12.439
<v Speaker 2>have any real say over who your friends date. Any Also,

0:12:13.880 --> 0:12:16.600
<v Speaker 2>let them.

0:12:15.760 --> 0:12:19.559
<v Speaker 3>The damn to be damned. As we say, let someone

0:12:19.640 --> 0:12:22.160
<v Speaker 3>reject you once, but when the girl is gone back

0:12:22.160 --> 0:12:26.080
<v Speaker 3>for seconds, my hands are tied. My hands are tied.

0:12:27.040 --> 0:12:30.040
<v Speaker 3>But try and catch yourself before you make any more decisions.

0:12:30.600 --> 0:12:33.840
<v Speaker 2>I just think your commitment to being a friend sometimes

0:12:33.840 --> 0:12:37.920
<v Speaker 2>has to supersede what is the best piece of advice

0:12:38.000 --> 0:12:38.360
<v Speaker 2>to give.

0:12:38.520 --> 0:12:42.280
<v Speaker 3>And unfortunately, by not doing the advice, you are going

0:12:42.320 --> 0:12:45.199
<v Speaker 3>to cut yourself out double the amount of time of

0:12:45.240 --> 0:12:46.199
<v Speaker 3>like listening to.

0:12:46.160 --> 0:12:47.959
<v Speaker 1>The problems one more time.

0:12:48.400 --> 0:12:50.319
<v Speaker 3>So like by you just letting them do it when

0:12:50.320 --> 0:12:52.840
<v Speaker 3>you know that it's a bad idea, you are perhaps

0:12:52.920 --> 0:12:56.240
<v Speaker 3>like letting them perpetuate the thing for another two weeks

0:12:56.600 --> 0:12:58.360
<v Speaker 3>and that's another two weeks of you having to listen.

0:12:58.920 --> 0:13:02.000
<v Speaker 2>If you don't stop your friends from dating losers, you

0:13:02.080 --> 0:13:05.920
<v Speaker 2>become a loser. I just did the math really quickly.

0:13:07.160 --> 0:13:10.920
<v Speaker 2>So if you are who you surround yourself with, you

0:13:10.960 --> 0:13:14.600
<v Speaker 2>surround yourself with a friend. They surround themselves with a loser.

0:13:14.920 --> 0:13:18.599
<v Speaker 1>You are now what alulah eh?

0:13:18.920 --> 0:13:21.480
<v Speaker 3>Let that be a lesson girls and boys.

0:13:21.559 --> 0:13:22.839
<v Speaker 1>If you're not doing it for yourself, do it for

0:13:22.880 --> 0:13:25.120
<v Speaker 1>your girls, do it for your friends.

0:13:27.880 --> 0:13:30.719
<v Speaker 3>This is flex and frooms on Kita.

0:13:31.840 --> 0:13:34.760
<v Speaker 2>Got some bad news, but truly I say bad news

0:13:34.800 --> 0:13:37.880
<v Speaker 2>to preface the gossip because people don't like hearing gossip

0:13:37.920 --> 0:13:40.680
<v Speaker 2>for what it is, fun and exciting, even if it's sad.

0:13:41.720 --> 0:13:44.840
<v Speaker 2>Drake is on tour in America. Will he make it

0:13:44.880 --> 0:13:45.679
<v Speaker 2>back to Australia.

0:13:45.720 --> 0:13:46.480
<v Speaker 1>I'm not sure.

0:13:46.559 --> 0:13:48.439
<v Speaker 2>But the time that he came last time, I saw

0:13:48.520 --> 0:13:51.800
<v Speaker 2>him three times, so I might draked out. Yeah, I

0:13:51.800 --> 0:13:54.000
<v Speaker 2>don't know. Years I'm not good with years. Like you, you

0:13:53.920 --> 0:13:55.559
<v Speaker 2>really have a good a good.

0:13:55.640 --> 0:13:56.520
<v Speaker 1>Grasp on time.

0:13:56.679 --> 0:13:56.959
<v Speaker 3>I do.

0:13:57.080 --> 0:13:57.520
<v Speaker 1>I don't.

0:13:57.920 --> 0:14:00.280
<v Speaker 2>But I saw him once I paid two hunch fifty

0:14:00.320 --> 0:14:02.520
<v Speaker 2>bucks to stand in the center, and then the other

0:14:02.559 --> 0:14:06.240
<v Speaker 2>two times was the Sony corporate box the price has

0:14:06.240 --> 0:14:09.320
<v Speaker 2>gone up. What I will say, though, is I think

0:14:09.400 --> 0:14:11.480
<v Speaker 2>Drake is an amazing performer. And what I learned about

0:14:11.559 --> 0:14:13.960
<v Speaker 2>him that I could not foresee or fathom before I

0:14:14.000 --> 0:14:17.719
<v Speaker 2>went to that concert is how scripted and formulate concerts are.

0:14:18.040 --> 0:14:20.080
<v Speaker 2>I obviously knew that the songs were going to go

0:14:20.160 --> 0:14:22.880
<v Speaker 2>in the same order, but he said the same thing

0:14:23.080 --> 0:14:26.360
<v Speaker 2>every night, and every night I almost thought it was

0:14:26.400 --> 0:14:29.400
<v Speaker 2>sincere and I was like, no, it's scripted. At the time,

0:14:29.480 --> 0:14:32.880
<v Speaker 2>he was selling Summer sixteen merch, right, so he'd be like,

0:14:33.120 --> 0:14:34.880
<v Speaker 2>I see you over there with the green Eyes and

0:14:34.880 --> 0:14:37.000
<v Speaker 2>the Summer sixteen merch, the green Eyes.

0:14:37.160 --> 0:14:39.120
<v Speaker 1>I see you over there in the summer sixteen look

0:14:39.160 --> 0:14:40.080
<v Speaker 1>at mean yes.

0:14:39.920 --> 0:14:44.240
<v Speaker 2>You baby, yeah, and I ate up every time. By

0:14:44.320 --> 0:14:45.640
<v Speaker 2>day three, I was like, there's something off and I

0:14:45.640 --> 0:14:47.880
<v Speaker 2>don't know what it is. Oh, I've heard this before.

0:14:48.240 --> 0:14:49.360
<v Speaker 3>I've heard green eyes.

0:14:49.960 --> 0:14:50.360
<v Speaker 1>H Yeah.

0:14:50.920 --> 0:14:53.160
<v Speaker 2>Like it was the same thing again and again and again,

0:14:53.200 --> 0:14:55.000
<v Speaker 2>and maybe he'd add a little bit extra, but he

0:14:55.000 --> 0:14:56.440
<v Speaker 2>would never take away the bass.

0:14:56.560 --> 0:14:57.560
<v Speaker 1>Maybe he's different now.

0:14:57.960 --> 0:15:00.760
<v Speaker 2>So when videos were coming up with my TikTok drakeven content,

0:15:00.840 --> 0:15:03.080
<v Speaker 2>I thought they'd be overwhelmingly positive because I think he

0:15:03.120 --> 0:15:07.600
<v Speaker 2>is a good performer. What is happening is Drake isn't

0:15:07.640 --> 0:15:12.720
<v Speaker 2>necessarily singing his songs as they are. He's putting a

0:15:12.760 --> 0:15:15.360
<v Speaker 2>playful spin on them. He's adding a riff or two

0:15:15.480 --> 0:15:19.520
<v Speaker 2>here and there. He's singing covers, he's singing the originals

0:15:19.520 --> 0:15:21.760
<v Speaker 2>of songs, he's interpolated, he's having.

0:15:21.520 --> 0:15:23.640
<v Speaker 1>A good time with it. People don't like that.

0:15:24.160 --> 0:15:27.240
<v Speaker 2>People are saying, I want to hear the song as

0:15:27.240 --> 0:15:31.840
<v Speaker 2>it sounds on the record, which begs the question do

0:15:31.960 --> 0:15:35.000
<v Speaker 2>we go to concerts to hear songs that sound exactly

0:15:35.080 --> 0:15:36.960
<v Speaker 2>like the record or do we go for a show,

0:15:37.440 --> 0:15:40.120
<v Speaker 2>Because sometimes when I go out to gigs, I say

0:15:40.200 --> 0:15:43.360
<v Speaker 2>it sounds just like the record, but in a way

0:15:43.400 --> 0:15:43.880
<v Speaker 2>that I'm.

0:15:43.680 --> 0:15:44.920
<v Speaker 1>Like, are you lip syncing?

0:15:45.800 --> 0:15:46.320
<v Speaker 3>Interesting?

0:15:46.960 --> 0:15:47.160
<v Speaker 2>You know?

0:15:47.160 --> 0:15:47.840
<v Speaker 1>Are you really are?

0:15:47.840 --> 0:15:47.920
<v Speaker 3>You?

0:15:47.960 --> 0:15:50.360
<v Speaker 1>Can you hit that perfectly? Sometimes I want to hear

0:15:50.480 --> 0:15:51.200
<v Speaker 1>a little bit of.

0:15:51.080 --> 0:15:53.760
<v Speaker 2>The raw vocal so I know you're actually singing. And

0:15:53.840 --> 0:15:56.240
<v Speaker 2>sometimes it's nice to be like, oh, you're switching it up,

0:15:56.280 --> 0:15:58.320
<v Speaker 2>you're switching up. People aren't happy.

0:15:59.240 --> 0:16:01.480
<v Speaker 3>I don't like it. For example, and radio, when people

0:16:01.560 --> 0:16:04.800
<v Speaker 3>like when the DJ like starts singing the end of

0:16:04.880 --> 0:16:07.040
<v Speaker 3>the song before they go into oh you don't like.

0:16:07.000 --> 0:16:11.440
<v Speaker 1>That, nah, said the zone.

0:16:11.440 --> 0:16:14.200
<v Speaker 3>I'm trying to listen to Savage Garden to the Moon

0:16:14.200 --> 0:16:16.160
<v Speaker 3>and Back, and you're singing the riff like, leave me

0:16:16.160 --> 0:16:16.520
<v Speaker 3>out of it.

0:16:16.760 --> 0:16:22.479
<v Speaker 2>With all due respect, The thing is, I'm now understanding

0:16:22.600 --> 0:16:25.080
<v Speaker 2>for the money people now pay to go to concerts.

0:16:25.080 --> 0:16:26.960
<v Speaker 2>So let's say five sixties a go when I saw

0:16:27.040 --> 0:16:29.480
<v Speaker 2>Drake and it was two fifty for me, that was huge.

0:16:29.160 --> 0:16:30.360
<v Speaker 1>Money, big money.

0:16:30.960 --> 0:16:34.320
<v Speaker 2>Now people are paying six hundred, seven hundred, eight hundred

0:16:34.600 --> 0:16:35.720
<v Speaker 2>for that kind of money.

0:16:36.200 --> 0:16:38.920
<v Speaker 1>I need this to be indistinguishable from Spotify.

0:16:39.200 --> 0:16:42.840
<v Speaker 2>Yeah, and add dancers, and add stage production. I need

0:16:42.880 --> 0:16:46.240
<v Speaker 2>to see Betley's and cars and motorbikes on the stage

0:16:46.520 --> 0:16:47.320
<v Speaker 2>doing wheelies.

0:16:47.360 --> 0:16:47.560
<v Speaker 1>You know.

0:16:48.360 --> 0:16:50.560
<v Speaker 3>I did say, like on a TikTok, which we'll put

0:16:50.640 --> 0:16:53.320
<v Speaker 3>up on our insta Drake like on the big screens

0:16:53.320 --> 0:16:55.080
<v Speaker 3>when they throw to the audience, had put the cry

0:16:55.160 --> 0:16:56.120
<v Speaker 3>filter genius.

0:16:56.240 --> 0:16:57.000
<v Speaker 1>That's hilarious.

0:16:57.000 --> 0:16:59.160
<v Speaker 3>Like more of that. That's like a concert experience, you know.

0:16:59.600 --> 0:17:03.880
<v Speaker 2>Anyway, Justice for Drake, Free him, let him go from

0:17:03.880 --> 0:17:06.200
<v Speaker 2>your limitations of experiencing live music.

0:17:06.200 --> 0:17:07.400
<v Speaker 1>You've forgotten what it's about.

0:17:07.640 --> 0:17:11.040
<v Speaker 3>And I'll also say all the best performers came from

0:17:11.160 --> 0:17:14.800
<v Speaker 3>having a TV show. You got your Gambino and just

0:17:14.960 --> 0:17:15.440
<v Speaker 3>end with that.

0:17:15.520 --> 0:17:16.440
<v Speaker 1>You got your drakes, you got.

0:17:16.400 --> 0:17:19.480
<v Speaker 3>Your miless arises. Just let it be known. I must

0:17:19.520 --> 0:17:22.080
<v Speaker 3>admit I have been getting back into the going out zone.

0:17:22.240 --> 0:17:23.800
<v Speaker 3>I did take a little tiny bit of a break.

0:17:23.840 --> 0:17:26.520
<v Speaker 3>Not any reason, Okay, I say this sort of say.

0:17:26.680 --> 0:17:29.480
<v Speaker 3>Went to the Royal in Bondi recently. It's a pub

0:17:29.520 --> 0:17:31.960
<v Speaker 3>on the corner. It is attached to Totti's. Tell me why

0:17:32.000 --> 0:17:34.600
<v Speaker 3>I'm at the Royal. A couple drinks in having the

0:17:34.600 --> 0:17:36.440
<v Speaker 3>best time of life. I just pop in for a

0:17:36.520 --> 0:17:38.800
<v Speaker 3>quick dance before going to Club seventy seven. The night

0:17:38.840 --> 0:17:41.600
<v Speaker 3>really nice, and night took a turn four a m.

0:17:42.280 --> 0:17:45.399
<v Speaker 1>Well, the youth in you is screeching. It was flooring

0:17:45.440 --> 0:17:46.080
<v Speaker 1>its way out.

0:17:46.400 --> 0:17:47.960
<v Speaker 3>I was hanging out with a twenty four year old,

0:17:47.960 --> 0:17:50.560
<v Speaker 3>so I was right.

0:17:50.520 --> 0:17:52.560
<v Speaker 1>Up, I've still got it.

0:17:53.160 --> 0:17:55.960
<v Speaker 3>Anyway, I sided up to the bar and I'm asking

0:17:56.000 --> 0:17:58.320
<v Speaker 3>for this light shee slushy. Theyse do thesees, and the

0:17:58.359 --> 0:17:59.880
<v Speaker 3>guys like, we don't do them anymore. So I'm like, damn,

0:17:59.920 --> 0:18:02.359
<v Speaker 3>I I'll get fo soda with a little tiny splash

0:18:02.400 --> 0:18:02.960
<v Speaker 3>of pineapple.

0:18:03.359 --> 0:18:06.280
<v Speaker 1>Huh why a tiny splash? Just don't want the full strength?

0:18:06.640 --> 0:18:09.560
<v Speaker 3>The little taste anyway, I struggle a conversation with the

0:18:09.560 --> 0:18:11.960
<v Speaker 3>man next to me, a British lad. Okay, I just.

0:18:11.960 --> 0:18:13.880
<v Speaker 1>Think, let's have a little how did you do that?

0:18:15.119 --> 0:18:15.280
<v Speaker 2>Oh?

0:18:15.320 --> 0:18:17.760
<v Speaker 3>Because we started? He rolls up, I'm already there, and

0:18:17.800 --> 0:18:19.960
<v Speaker 3>he goes, don't worry, don't worry. I'll make sure you

0:18:20.040 --> 0:18:22.000
<v Speaker 3>go before me. I said that he.

0:18:21.880 --> 0:18:22.720
<v Speaker 1>Knows how this works.

0:18:22.720 --> 0:18:24.919
<v Speaker 2>He says, patriarchy is real and it's right, but I

0:18:24.920 --> 0:18:27.359
<v Speaker 2>will make sure as a man and a woman is

0:18:27.400 --> 0:18:27.840
<v Speaker 2>going first.

0:18:27.880 --> 0:18:30.520
<v Speaker 3>Then he goes so so and the guy serves the

0:18:30.640 --> 0:18:33.159
<v Speaker 3>other guy and he's like, no, I swear I was

0:18:33.160 --> 0:18:35.800
<v Speaker 3>doing it for you. Anyway. We're gagging, We're gagging, cackling, gangling, canny.

0:18:36.600 --> 0:18:39.320
<v Speaker 3>I'm focused on talking to the bartender. And there's a

0:18:39.359 --> 0:18:41.760
<v Speaker 3>woman that comes up behind him. He's like and she's like,

0:18:41.880 --> 0:18:44.479
<v Speaker 3>oh my god, oh my god, you're talking to rooms

0:18:44.520 --> 0:18:46.120
<v Speaker 3>and I could hear it at them shag my hand

0:18:46.119 --> 0:18:47.240
<v Speaker 3>and I'm like, I'm gonna get my drink.

0:18:47.240 --> 0:18:50.000
<v Speaker 2>I'm turn out, I'm gonna do the requisite hell out

0:18:50.520 --> 0:18:52.560
<v Speaker 2>meet and Greek meet and Greek and like I just love.

0:18:52.520 --> 0:18:56.320
<v Speaker 3>The man being like what what anyway? Then the guy's like, damn,

0:18:56.840 --> 0:18:58.560
<v Speaker 3>I know you. I work at ARRAN.

0:19:00.040 --> 0:19:00.679
<v Speaker 1>The one even.

0:19:02.600 --> 0:19:04.080
<v Speaker 3>He did not call, and I'm like, he's like, I

0:19:04.240 --> 0:19:05.880
<v Speaker 3>was at your like event on the boat.

0:19:05.720 --> 0:19:08.119
<v Speaker 1>Party, not on the luxury bar, the luxury barge.

0:19:08.359 --> 0:19:11.520
<v Speaker 2>If people don't know, ARRAN is Australian radio network, it's

0:19:11.560 --> 0:19:13.800
<v Speaker 2>where we actually work. It's the umbrella of all the

0:19:13.840 --> 0:19:16.320
<v Speaker 2>other radio stations here. So there's you know us we

0:19:16.400 --> 0:19:18.800
<v Speaker 2>get and Amanda don't. There's Kyle and Jackie.

0:19:18.840 --> 0:19:20.280
<v Speaker 3>Oh we're here.

0:19:20.640 --> 0:19:21.200
<v Speaker 1>We're all peers.

0:19:21.440 --> 0:19:23.959
<v Speaker 3>I start a conversation with this woman instantly, I'm enamored,

0:19:24.720 --> 0:19:26.280
<v Speaker 3>and I say to her, can you please do a

0:19:26.359 --> 0:19:27.160
<v Speaker 3>voice note for the show?

0:19:28.119 --> 0:19:30.480
<v Speaker 2>Oh? God, please?

0:19:31.400 --> 0:19:39.600
<v Speaker 1>Six please Hello, it's your pleasure to be here. Why

0:19:39.600 --> 0:19:43.240
<v Speaker 1>are you coaching how we want to sound like?

0:19:46.440 --> 0:19:46.560
<v Speaker 5>Hi?

0:19:46.880 --> 0:19:52.240
<v Speaker 6>I'm indeed king love flex and flute foods. It kiss

0:19:52.320 --> 0:19:55.600
<v Speaker 6>me through my daily life. I've help me through so

0:19:55.800 --> 0:19:58.399
<v Speaker 6>many sad times. I listen to every.

0:19:58.280 --> 0:20:06.720
<v Speaker 2>Day and Eliza listen, Okay, it's India, you coaching Indie

0:20:06.760 --> 0:20:09.200
<v Speaker 2>to begin with, Indy says, what should I say?

0:20:09.680 --> 0:20:12.880
<v Speaker 1>Room says, okay, tell them you love the show.

0:20:13.160 --> 0:20:17.080
<v Speaker 3>And I mean she said what she said, I just

0:20:17.160 --> 0:20:19.680
<v Speaker 3>actually did it. She also said, I've been listening for

0:20:19.720 --> 0:20:21.240
<v Speaker 3>a long time. And I can tell that you and

0:20:21.320 --> 0:20:24.400
<v Speaker 3>Flex really like each other now, Yeah, And I said,

0:20:24.440 --> 0:20:24.639
<v Speaker 3>you know.

0:20:24.680 --> 0:20:27.280
<v Speaker 1>What, hey, we're connected, Artie.

0:20:27.800 --> 0:20:32.280
<v Speaker 2>Let the girlies know. Okay, what everyone thinks friendships are effortless.

0:20:32.280 --> 0:20:33.840
<v Speaker 2>I think that's the thing that gets me about just

0:20:33.960 --> 0:20:36.560
<v Speaker 2>existing and being like getting to a point whereople can

0:20:36.600 --> 0:20:38.920
<v Speaker 2>observe you being good at something they think it doesn't

0:20:39.240 --> 0:20:42.359
<v Speaker 2>take effort. Like if Room's and I only talked to

0:20:42.440 --> 0:20:45.560
<v Speaker 2>each other when we came into the studio, it would

0:20:45.560 --> 0:20:46.960
<v Speaker 2>sound like it sounded like a year and a half

0:20:47.000 --> 0:20:53.000
<v Speaker 2>ago fore I were doing facetimes yep, text threats, divulging, debriefing, gossiping,

0:20:53.480 --> 0:20:56.240
<v Speaker 2>looping in, looping around, looping back out.

0:20:56.480 --> 0:21:00.680
<v Speaker 3>And you know who I think for that? Guess me?

0:21:02.080 --> 0:21:04.960
<v Speaker 1>You think she says she thanks men.

0:21:07.280 --> 0:21:07.680
<v Speaker 3>Amazing?

0:21:07.720 --> 0:21:11.440
<v Speaker 2>Is that coming through? Is Honestly, she's leading the chart.

0:21:11.520 --> 0:21:14.520
<v Speaker 2>She's a vehicle for patriarchy. Rimmy has a vested interest

0:21:14.560 --> 0:21:15.120
<v Speaker 2>in patriarchy.

0:21:15.119 --> 0:21:15.840
<v Speaker 1>She's got stocks.

0:21:16.320 --> 0:21:18.320
<v Speaker 3>Thank you, Indy, we love you. Thank you for listening.

0:21:18.560 --> 0:21:20.639
<v Speaker 1>What a queen You've been listening to The Flex and

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<v Speaker 1>Froom's daily podcast.

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<v Speaker 4>For more, tune Indicator on DAB or stream it on iHeartRadio.