1 00:00:01,680 --> 00:00:05,080 Speaker 1: Welcome to Behind the Scenes podcast. Will we answer your 2 00:00:05,160 --> 00:00:07,880 Speaker 1: questions if you've got one, hit us up, although I'm 3 00:00:07,920 --> 00:00:10,000 Speaker 1: not sure. I think there has been a bit of 4 00:00:10,000 --> 00:00:12,440 Speaker 1: a backlog. Apologies if we haven't got to your questions 5 00:00:12,480 --> 00:00:17,159 Speaker 1: just yet. I think there's just a delay in the 6 00:00:17,320 --> 00:00:20,279 Speaker 1: transcribing because they do get physically written down and then 7 00:00:20,320 --> 00:00:22,000 Speaker 1: putting this little treasure chest. 8 00:00:22,360 --> 00:00:23,160 Speaker 2: I like the chest. 9 00:00:23,680 --> 00:00:25,759 Speaker 1: I like the chest as well, but you know, the 10 00:00:25,880 --> 00:00:27,520 Speaker 1: chest is none of as good as the treasure, as 11 00:00:27,520 --> 00:00:32,920 Speaker 1: the great saying goes, and currently it's it's relatively treasureless, 12 00:00:32,960 --> 00:00:36,599 Speaker 1: and that's lacking treasure. A digital teams only as good 13 00:00:36,600 --> 00:00:38,080 Speaker 1: as it's digital content maker. 14 00:00:38,680 --> 00:00:42,440 Speaker 2: And the one person on the digital team here, I'm 15 00:00:42,520 --> 00:00:44,560 Speaker 2: very busy, but if you would like me to grab 16 00:00:44,560 --> 00:00:46,319 Speaker 2: one of the questions, I can run it in for you. 17 00:00:47,640 --> 00:00:49,280 Speaker 1: Well, you just get writing out there, mate, one step 18 00:00:49,280 --> 00:00:50,560 Speaker 1: at a time. I reckon one foot in front of 19 00:00:50,560 --> 00:00:50,760 Speaker 1: the other. 20 00:00:50,760 --> 00:00:52,440 Speaker 3: We've got to write them down first, so you read 21 00:00:52,440 --> 00:00:52,879 Speaker 3: and write and. 22 00:00:52,880 --> 00:00:55,480 Speaker 1: Then we'll think about putting it in the box. Alight woods, 23 00:00:59,200 --> 00:01:00,120 Speaker 1: I'm happy to help you. 24 00:01:00,400 --> 00:01:01,480 Speaker 3: What are we dealing with today? 25 00:01:01,600 --> 00:01:08,920 Speaker 2: You need a hand? So this is part two of ipepe. 26 00:01:08,959 --> 00:01:11,039 Speaker 2: I hope she hits you. I think I've deserved. 27 00:01:11,160 --> 00:01:13,560 Speaker 4: I think after the recording, I think I think that's 28 00:01:13,840 --> 00:01:17,000 Speaker 4: he's not allowed. I just maybe just like a flat tire, 29 00:01:17,120 --> 00:01:18,680 Speaker 4: just hoping she walks behind you gives you a flat 30 00:01:18,720 --> 00:01:20,399 Speaker 4: tire because you deserve that. 31 00:01:20,440 --> 00:01:23,000 Speaker 3: Actually might slash my tires. 32 00:01:23,240 --> 00:01:25,959 Speaker 1: My bike is okayv You do a wonderful job. We 33 00:01:26,000 --> 00:01:28,120 Speaker 1: are just running. There's only one question in the box. 34 00:01:28,120 --> 00:01:29,480 Speaker 1: I can only I'm only just dealing with what's in 35 00:01:29,480 --> 00:01:29,840 Speaker 1: front of me. 36 00:01:30,920 --> 00:01:35,560 Speaker 4: Now that we're in part two, we're in part two. 37 00:01:35,959 --> 00:01:36,880 Speaker 3: We're in part two. 38 00:01:36,959 --> 00:01:38,919 Speaker 4: We're in part two of a question that we received 39 00:01:38,959 --> 00:01:41,840 Speaker 4: yesterday is what is your least favorite emotion to feel? 40 00:01:43,480 --> 00:01:50,080 Speaker 4: So ah, cards on the table. I am, I feel, 41 00:01:50,320 --> 00:01:53,360 Speaker 4: I do feel. I'm not a robot, but I I 42 00:01:53,400 --> 00:01:55,080 Speaker 4: find feelings very confusing. 43 00:01:57,360 --> 00:02:00,560 Speaker 2: Yeah, it's like, which I'm sure lot of people do. 44 00:02:00,760 --> 00:02:03,280 Speaker 4: You Just you feel something something's going on, and it 45 00:02:03,360 --> 00:02:05,480 Speaker 4: might be like painful, or like it's a it's a 46 00:02:05,880 --> 00:02:08,760 Speaker 4: sensation in your body, or it's like something's off. And 47 00:02:08,800 --> 00:02:10,640 Speaker 4: it takes me actually a fair bit of time to 48 00:02:10,680 --> 00:02:12,240 Speaker 4: be like I actually what is what? 49 00:02:12,360 --> 00:02:13,120 Speaker 3: Actually is that? 50 00:02:13,400 --> 00:02:19,080 Speaker 1: I find this really really interesting because Sam is exactly 51 00:02:19,160 --> 00:02:21,799 Speaker 1: the same as you. I know, you two are pretty 52 00:02:21,840 --> 00:02:23,480 Speaker 1: much carbon copies of each other. 53 00:02:23,320 --> 00:02:24,160 Speaker 2: But very strange. 54 00:02:24,440 --> 00:02:28,600 Speaker 1: It is very very strange, but you sheesus the same thing. 55 00:02:28,639 --> 00:02:30,600 Speaker 1: If I have an argument with her or something, I 56 00:02:30,600 --> 00:02:33,000 Speaker 1: can tell she's upset off and I'm like, what's going 57 00:02:33,000 --> 00:02:35,639 Speaker 1: on And she's like, it's taken us a long time 58 00:02:35,639 --> 00:02:37,760 Speaker 1: for her to just go I don't know yet. Yeah, 59 00:02:37,800 --> 00:02:40,560 Speaker 1: I did meet it because for me, it's like reading 60 00:02:40,600 --> 00:02:42,520 Speaker 1: a book and I'm like, that's what that is. 61 00:02:43,040 --> 00:02:43,359 Speaker 3: Bang. 62 00:02:43,840 --> 00:02:45,880 Speaker 1: But for her, it's taken me a long time for 63 00:02:45,880 --> 00:02:47,160 Speaker 1: her to I'm like, because I used to just think 64 00:02:47,160 --> 00:02:49,000 Speaker 1: it was a delaying tactic because she knew I was 65 00:02:49,040 --> 00:02:52,720 Speaker 1: coming from. She's like, I'm like, just totally a feeling 66 00:02:52,880 --> 00:02:55,200 Speaker 1: and she you know now I'm like, well, no, hang on, 67 00:02:55,240 --> 00:02:56,240 Speaker 1: you actually have no idea. 68 00:02:56,280 --> 00:02:58,520 Speaker 4: Well, she's got the whole English, the Dutch to English thing. 69 00:02:58,520 --> 00:03:00,280 Speaker 4: I don't even have that, but I like the way 70 00:03:00,280 --> 00:03:02,560 Speaker 4: it feels for me is like there's no words. I 71 00:03:02,600 --> 00:03:04,560 Speaker 4: don't have any words to explain what's happening right now. 72 00:03:04,560 --> 00:03:06,320 Speaker 4: But there's a thing that's going on in me. Do 73 00:03:06,400 --> 00:03:07,640 Speaker 4: you figure out what that is? 74 00:03:08,000 --> 00:03:13,560 Speaker 1: Do you get the words as the like as you 75 00:03:13,600 --> 00:03:17,120 Speaker 1: give the emotion like space, time and space. 76 00:03:17,880 --> 00:03:19,280 Speaker 3: Do the words sort of arrive? 77 00:03:19,560 --> 00:03:21,720 Speaker 4: Yes, yeah, I do get there, but I need to, 78 00:03:21,800 --> 00:03:23,800 Speaker 4: like I really need to like walk away and just 79 00:03:23,840 --> 00:03:26,760 Speaker 4: like figure it out. So often, like I'll just write 80 00:03:26,800 --> 00:03:28,880 Speaker 4: it down. I'll start writing, and then eventually it'll be. 81 00:03:28,919 --> 00:03:30,840 Speaker 2: Like, oh, I think that's what was going on. 82 00:03:32,000 --> 00:03:33,840 Speaker 4: But it's like it's like I don't allow myself to 83 00:03:33,960 --> 00:03:36,360 Speaker 4: like accept that that's what's going on. It's like it 84 00:03:36,400 --> 00:03:38,240 Speaker 4: feels like there's a bit of a war going on 85 00:03:38,280 --> 00:03:42,120 Speaker 4: inside my body where it's like you know the start 86 00:03:42,120 --> 00:03:43,960 Speaker 4: of those war scenes in films where you get the 87 00:03:43,960 --> 00:03:46,680 Speaker 4: two sides running into each other. Just take Gladiator. First 88 00:03:46,720 --> 00:03:49,720 Speaker 4: scene in Gladiator two armies running each other. That's what 89 00:03:49,760 --> 00:03:51,000 Speaker 4: it feels like internally, I. 90 00:03:50,960 --> 00:03:54,560 Speaker 3: Think, yeah, you have that like heat or friction or just. 91 00:03:54,520 --> 00:03:56,360 Speaker 2: It's just like there's a battle going on and I'm like, ah, 92 00:03:56,440 --> 00:03:58,200 Speaker 2: what do you guys? Who side are you want? And 93 00:03:58,200 --> 00:03:59,040 Speaker 2: what's happening in there? 94 00:03:59,080 --> 00:04:02,320 Speaker 4: And then I just walk away and just figure it out. 95 00:04:02,920 --> 00:04:05,720 Speaker 4: So everyone's everyone said, bright everyone, sit down, hey, sit down, 96 00:04:05,760 --> 00:04:08,520 Speaker 4: sit down, listen up right, What's what are you finting? 97 00:04:08,800 --> 00:04:10,800 Speaker 2: What's your issue? Why are you making my stomach hurt 98 00:04:11,320 --> 00:04:14,000 Speaker 2: while you're making my heart feel tight? Yeah? What's that 99 00:04:14,080 --> 00:04:14,520 Speaker 2: all about? 100 00:04:15,600 --> 00:04:17,039 Speaker 1: So? Do you? 101 00:04:17,320 --> 00:04:17,520 Speaker 2: Yeah? 102 00:04:17,520 --> 00:04:17,760 Speaker 3: Sorry? 103 00:04:17,760 --> 00:04:19,240 Speaker 4: You go to I want to I want to know 104 00:04:19,320 --> 00:04:22,919 Speaker 4: if like when you like, do you know if I said, like, 105 00:04:22,960 --> 00:04:24,120 Speaker 4: what what is anger to you? 106 00:04:24,200 --> 00:04:25,800 Speaker 2: And stuff like or like what is joy? 107 00:04:25,960 --> 00:04:26,680 Speaker 3: Or what is like? 108 00:04:26,720 --> 00:04:29,680 Speaker 2: Can you so okay? Those for what they feel like 109 00:04:29,760 --> 00:04:30,080 Speaker 2: for you? 110 00:04:30,279 --> 00:04:33,800 Speaker 4: Positive ones? I actually I can. I engage them very 111 00:04:33,880 --> 00:04:36,320 Speaker 4: quickly and very easily. If I feel joy or happy, 112 00:04:36,400 --> 00:04:38,960 Speaker 4: it like it lifts my entire body off the ground. 113 00:04:39,040 --> 00:04:40,400 Speaker 2: Okay, And I know that instantly. 114 00:04:40,880 --> 00:04:43,560 Speaker 4: It's more the ones that it's like, I think it's 115 00:04:43,640 --> 00:04:46,520 Speaker 4: probably the emotions that I'm ashamed of having mm and 116 00:04:46,640 --> 00:04:49,320 Speaker 4: if they would put them in a negative category, and 117 00:04:49,480 --> 00:04:50,920 Speaker 4: I think that's for battle. 118 00:04:51,360 --> 00:04:54,520 Speaker 1: And that's probably what's blocking you from understanding them, is 119 00:04:54,600 --> 00:04:55,880 Speaker 1: this sense of shame. 120 00:04:56,520 --> 00:04:59,320 Speaker 4: I think so and not again subconscious this is all 121 00:04:59,640 --> 00:05:01,359 Speaker 4: without me thinking that. It's like, I think there's a 122 00:05:01,400 --> 00:05:02,800 Speaker 4: part of me which it's just like, don't feel that, 123 00:05:02,839 --> 00:05:04,479 Speaker 4: don't feel that, don't feel that. And then it's like 124 00:05:04,760 --> 00:05:07,159 Speaker 4: it's in there and that's when you feel it physically. 125 00:05:07,440 --> 00:05:09,160 Speaker 2: And I think that's the confusion for me. I'm like whoa, 126 00:05:09,240 --> 00:05:11,159 Speaker 2: what the something's happening in me? 127 00:05:11,279 --> 00:05:15,120 Speaker 1: So subconsciously you're you're suppressing what's happening, and then as 128 00:05:15,120 --> 00:05:17,480 Speaker 1: a result that would probably create more tension as well. 129 00:05:17,839 --> 00:05:21,240 Speaker 4: Yes, and it blocks the connection to my language where 130 00:05:21,240 --> 00:05:23,039 Speaker 4: I'm like, yeah, I don't even I can't. 131 00:05:23,080 --> 00:05:25,479 Speaker 1: I can't think about what this is yet because it's 132 00:05:25,520 --> 00:05:29,120 Speaker 1: so intense. Yeah, yeah, that's so interesting. 133 00:05:29,200 --> 00:05:30,920 Speaker 2: Yeah, but that's the that's the really point. I don't. 134 00:05:30,960 --> 00:05:33,920 Speaker 4: I don't feel it with positive like emotions that I feel. 135 00:05:34,240 --> 00:05:38,479 Speaker 4: I'm happy to share, like the positive ones. I feel 136 00:05:38,480 --> 00:05:40,400 Speaker 4: that I know exactly what that feeling feels like, and 137 00:05:40,440 --> 00:05:43,800 Speaker 4: I love that. But anyway, so do you sorry one 138 00:05:43,800 --> 00:05:47,800 Speaker 4: more question do you have, like a. 139 00:05:47,400 --> 00:05:52,239 Speaker 1: Is it cathartic when you finally sit the armies down 140 00:05:52,320 --> 00:05:54,400 Speaker 1: and you know, find out who their liege is. 141 00:05:56,200 --> 00:05:58,440 Speaker 4: I think, oh, yeah, cathartic is very strong. I think 142 00:05:58,440 --> 00:06:02,440 Speaker 4: it's like it's like very crystallizing. Yeah, it's a it's 143 00:06:02,440 --> 00:06:06,280 Speaker 4: a it's just a real like oh that's a oh right, 144 00:06:06,360 --> 00:06:08,440 Speaker 4: that is. I think maybe I just didn't know what 145 00:06:08,520 --> 00:06:11,800 Speaker 4: cathasis was and I was trying to answer the question 146 00:06:11,880 --> 00:06:17,599 Speaker 4: without saying what does that mean? Well, yeah, yes it is, 147 00:06:17,600 --> 00:06:20,520 Speaker 4: and then I often and then you want to more 148 00:06:20,600 --> 00:06:22,239 Speaker 4: often than not with my partner, I want to report 149 00:06:22,320 --> 00:06:26,400 Speaker 4: back referring so you know how it's got real weird 150 00:06:26,600 --> 00:06:30,760 Speaker 4: really suddenly, and I like just that nothing really came 151 00:06:30,839 --> 00:06:33,880 Speaker 4: of what happened there, and you were probably really confused. 152 00:06:34,440 --> 00:06:37,080 Speaker 2: I was confused too, but I think this is what happened. 153 00:06:37,520 --> 00:06:39,560 Speaker 3: Yeah, yeah, yeah, that's the same as seminar. 154 00:06:39,600 --> 00:06:42,039 Speaker 2: And then it's like ah and it's funny, like. 155 00:06:42,040 --> 00:06:45,279 Speaker 3: There are always great conversations as well, oh the best. 156 00:06:45,520 --> 00:06:47,200 Speaker 2: Yeah. 157 00:06:47,680 --> 00:06:51,080 Speaker 4: So so with that in mind, I actually, you should 158 00:06:51,080 --> 00:06:53,839 Speaker 4: go to our sponsors bloody oaths. We should bluddy, I 159 00:06:53,839 --> 00:06:58,560 Speaker 4: should and here they are bloody outstanding. I mean they 160 00:06:58,560 --> 00:07:01,400 Speaker 4: are I'm just gonna say this. They are the best 161 00:07:01,400 --> 00:07:04,800 Speaker 4: at what they do. So with that in mind that 162 00:07:04,880 --> 00:07:08,280 Speaker 4: I just struggle to attach things, attach words to emotions, 163 00:07:08,440 --> 00:07:09,520 Speaker 4: and that's that's pretty much it. 164 00:07:09,520 --> 00:07:10,440 Speaker 2: That's a bit of a journey. 165 00:07:11,000 --> 00:07:13,440 Speaker 4: I had to go to a to answer the question 166 00:07:13,480 --> 00:07:15,560 Speaker 4: of what was my least favorite emotion to feel? I 167 00:07:15,600 --> 00:07:18,560 Speaker 4: went to one of those emotion wheels, which is something 168 00:07:18,640 --> 00:07:20,960 Speaker 4: that I'm trying to encourage with rem. 169 00:07:20,960 --> 00:07:22,200 Speaker 3: What is an emotion wheel? 170 00:07:22,240 --> 00:07:24,640 Speaker 2: So it's just like it's just it's a colorful wheel. 171 00:07:25,040 --> 00:07:28,400 Speaker 4: Yeah, and they kind of like categorize as like red 172 00:07:28,480 --> 00:07:30,000 Speaker 4: and blue and a. 173 00:07:30,000 --> 00:07:31,360 Speaker 2: Light okay, and you kind of like it. 174 00:07:31,520 --> 00:07:34,680 Speaker 4: Really it can help me to figure out what am 175 00:07:34,680 --> 00:07:35,200 Speaker 4: I feeling. 176 00:07:35,640 --> 00:07:38,120 Speaker 3: You have an emotion wheel that you use. 177 00:07:38,320 --> 00:07:41,360 Speaker 4: Hoffman, it's a it's yeah, that's done. It's great. It's 178 00:07:41,440 --> 00:07:42,880 Speaker 4: really good. It's great. 179 00:07:44,120 --> 00:07:45,440 Speaker 3: Let me talk about one hundred. 180 00:07:45,760 --> 00:07:49,200 Speaker 1: It's an app on your phone to search it online. 181 00:07:49,480 --> 00:07:51,760 Speaker 2: What do you This isn't technically in wheel form, but 182 00:07:51,840 --> 00:07:55,280 Speaker 2: this is the Hoffman Hoffman and Albert Hoffman. I don't 183 00:07:55,280 --> 00:07:58,800 Speaker 2: know if it's Albert. So that's a that's a feelings wheel, 184 00:07:59,240 --> 00:08:02,160 Speaker 2: feelings we Hoffman wheel. Oh that's on Amazon. You can 185 00:08:02,200 --> 00:08:02,600 Speaker 2: buy it. 186 00:08:03,400 --> 00:08:05,760 Speaker 3: Oh yeah, sounds like why would you buy emotion? Got 187 00:08:05,800 --> 00:08:06,640 Speaker 3: it for free on your phone? 188 00:08:06,680 --> 00:08:12,280 Speaker 1: Baby emotions color that Hofmanffman see that it's enormous. 189 00:08:12,320 --> 00:08:14,040 Speaker 2: So, but it like starts with like so in the 190 00:08:14,040 --> 00:08:15,560 Speaker 2: middle basic ones. 191 00:08:15,440 --> 00:08:17,920 Speaker 1: Yeah, in the middle of the primary colors in the middle, 192 00:08:18,040 --> 00:08:21,640 Speaker 1: and it goes sad, mad, scared, joyful, powerful, peaceful. 193 00:08:21,760 --> 00:08:22,360 Speaker 3: So can I. 194 00:08:22,280 --> 00:08:25,640 Speaker 1: Guess without looking so sad, it's going to be blue? 195 00:08:26,680 --> 00:08:28,600 Speaker 1: No ship, you're kidding? 196 00:08:28,600 --> 00:08:29,480 Speaker 2: Peaceful's blue? 197 00:08:30,560 --> 00:08:30,760 Speaker 3: Right? 198 00:08:30,840 --> 00:08:31,520 Speaker 2: I've recently found it. 199 00:08:31,600 --> 00:08:34,439 Speaker 4: I'm very colorblind though, like I'm I'm I'm really figuring 200 00:08:34,480 --> 00:08:38,640 Speaker 4: that out. You're colorblind to bad games? 201 00:08:38,679 --> 00:08:43,600 Speaker 3: Sad, yellow? No, what's sad? Green? Pink, pink? 202 00:08:43,840 --> 00:08:44,559 Speaker 2: Like like a. 203 00:08:45,080 --> 00:08:50,599 Speaker 1: I'm sorry Hoffman, I think Halfman better not be because his 204 00:08:50,720 --> 00:08:51,800 Speaker 1: reputations blighted. 205 00:08:51,800 --> 00:08:53,880 Speaker 2: Forever of sad pink, Mad is red? 206 00:08:54,200 --> 00:08:56,079 Speaker 3: Well, obviously that's what I'm saying. I mean, that's a 207 00:08:56,120 --> 00:08:56,480 Speaker 3: free hit. 208 00:08:56,640 --> 00:09:00,840 Speaker 4: Scared orange's to be there as well. 209 00:09:01,120 --> 00:09:03,360 Speaker 2: But anyway, what colors to one side? 210 00:09:03,480 --> 00:09:03,800 Speaker 1: No? 211 00:09:03,800 --> 00:09:05,120 Speaker 2: No, tell me there's another one? 212 00:09:05,360 --> 00:09:06,360 Speaker 3: Is that Hoffman's wheel? 213 00:09:06,360 --> 00:09:07,920 Speaker 2: Because you think, what do you think powerful is? 214 00:09:10,120 --> 00:09:14,640 Speaker 1: Well, I mean I'm going to say, like a say purple, 215 00:09:17,800 --> 00:09:19,920 Speaker 1: I would say like a shade of red? 216 00:09:20,520 --> 00:09:26,720 Speaker 2: Green? No, No, one's green with power. 217 00:09:27,960 --> 00:09:30,440 Speaker 3: We discussed this last time. You're green with envy, you're sick. 218 00:09:30,640 --> 00:09:31,600 Speaker 2: That's true, that's true. 219 00:09:31,640 --> 00:09:35,880 Speaker 4: I think that'd come under mad, Yeah, under so okay, 220 00:09:35,920 --> 00:09:37,920 Speaker 4: So again this is you can just google this. 221 00:09:38,000 --> 00:09:39,920 Speaker 2: That'll make much more sense if you can see it. 222 00:09:39,960 --> 00:09:43,079 Speaker 4: But basically it starts with really basic emotions and then 223 00:09:43,080 --> 00:09:44,880 Speaker 4: once you figure out that you're I think I'm in 224 00:09:44,920 --> 00:09:46,920 Speaker 4: the mad category, then you go further out. 225 00:09:47,000 --> 00:09:48,440 Speaker 3: Hang on, hang on, hang on. 226 00:09:48,520 --> 00:09:51,800 Speaker 1: So you so you've got the thing and you don't 227 00:09:51,800 --> 00:09:54,640 Speaker 1: know what you don't know what the word is. So yeah, 228 00:09:54,760 --> 00:09:56,720 Speaker 1: and then you get out Hoffman's wheel. 229 00:09:57,120 --> 00:10:01,720 Speaker 2: Yeah. The first step there, which is like what. 230 00:10:00,720 --> 00:10:02,120 Speaker 3: You have to get a sense of what color it 231 00:10:02,200 --> 00:10:02,440 Speaker 3: might be. 232 00:10:02,520 --> 00:10:04,360 Speaker 4: So you go like, I think I'm angry, but what 233 00:10:04,400 --> 00:10:07,640 Speaker 4: like what so you think that you're so I think 234 00:10:07,640 --> 00:10:08,080 Speaker 4: it's angry. 235 00:10:08,520 --> 00:10:10,319 Speaker 1: I thought the step you would do is you'd try 236 00:10:10,360 --> 00:10:13,000 Speaker 1: and feel the color which associated with how you're feeling. 237 00:10:13,120 --> 00:10:15,079 Speaker 1: Oh no, I don't do that because a lot of 238 00:10:15,080 --> 00:10:17,040 Speaker 1: people would A lot of people would be able to 239 00:10:17,080 --> 00:10:19,920 Speaker 1: do that, like a lot of people can describe their 240 00:10:19,920 --> 00:10:24,720 Speaker 1: emotions in color. Yeah, this is a lovely bit for 241 00:10:24,840 --> 00:10:28,080 Speaker 1: our children and the art Galloy. This is it. I'm 242 00:10:28,160 --> 00:10:32,960 Speaker 1: just saying, this is a beautiful segment. This is great 243 00:10:33,160 --> 00:10:37,080 Speaker 1: chat boy colors and emotions and wheels and totally. 244 00:10:38,520 --> 00:10:40,120 Speaker 2: A little in your bank pocket. 245 00:10:40,240 --> 00:10:42,080 Speaker 3: This guy was genuine grew less. 246 00:10:43,240 --> 00:10:46,800 Speaker 2: I don't know. I think I mean across the board 247 00:10:47,080 --> 00:10:50,920 Speaker 2: the colors that people go for anyway, So sorry you 248 00:10:51,320 --> 00:10:53,200 Speaker 2: I don't need I don't go color for I don't, 249 00:10:53,240 --> 00:10:56,920 Speaker 2: I don't. You don't what color am I feeling? I 250 00:10:56,960 --> 00:10:57,440 Speaker 2: can go to. 251 00:10:57,559 --> 00:10:59,880 Speaker 4: Once I've got separation from it, I then just had 252 00:10:59,920 --> 00:11:02,800 Speaker 4: to investigate and like, okay, let's really what is this? Okay, 253 00:11:02,840 --> 00:11:05,080 Speaker 4: I go, I think I'm feeling angry, but that doesn't 254 00:11:05,080 --> 00:11:06,800 Speaker 4: make any sense. Why am I feeling anger. 255 00:11:07,960 --> 00:11:11,280 Speaker 2: On this wheel? So so I go mad? 256 00:11:11,360 --> 00:11:13,160 Speaker 1: Okay, and that's one of the one that's one of 257 00:11:13,160 --> 00:11:14,560 Speaker 1: the closest ones to the center. 258 00:11:14,679 --> 00:11:16,280 Speaker 2: They take one step out, yes, and then I go, 259 00:11:16,440 --> 00:11:18,640 Speaker 2: am I hurt and my hostile? Am I angry? Am 260 00:11:18,640 --> 00:11:20,959 Speaker 2: I selfish? And I hate that critical? 261 00:11:21,000 --> 00:11:23,760 Speaker 1: So the colors don't mean anything to you really, not really, 262 00:11:24,400 --> 00:11:26,240 Speaker 1: because we've found out that you're colorblind. 263 00:11:26,320 --> 00:11:28,840 Speaker 2: But well that just doesn't work for it. But that's 264 00:11:28,840 --> 00:11:29,439 Speaker 2: not going to help me. 265 00:11:30,240 --> 00:11:33,720 Speaker 1: That's fine, But the words, yes, yes, See what I 266 00:11:33,800 --> 00:11:37,160 Speaker 1: find interesting is I reckon If you had I mean, 267 00:11:38,440 --> 00:11:40,360 Speaker 1: I don't know if there's going to be a sound wheel, 268 00:11:40,520 --> 00:11:42,720 Speaker 1: if that's available as well, but like that I would 269 00:11:42,720 --> 00:11:44,040 Speaker 1: find way more useful. 270 00:11:44,280 --> 00:11:45,520 Speaker 2: I mean a sound wheel. 271 00:11:46,120 --> 00:11:49,720 Speaker 1: Well, like if you had if the wheel had sound 272 00:11:49,720 --> 00:11:53,880 Speaker 1: effects which you could click on which would best convey 273 00:11:53,960 --> 00:11:57,280 Speaker 1: your emotion, and then that then had a word underneath 274 00:11:57,320 --> 00:11:59,920 Speaker 1: it that would be red hot because we could weep 275 00:12:00,240 --> 00:12:02,760 Speaker 1: because the sound wheel for me, that's like you create 276 00:12:02,840 --> 00:12:05,120 Speaker 1: that music. I know exactly what I'm feeling when I 277 00:12:05,160 --> 00:12:08,959 Speaker 1: hear certain types of music, music, therapy, art, therapy, anyway, 278 00:12:09,040 --> 00:12:09,480 Speaker 1: carry on. 279 00:12:09,679 --> 00:12:10,880 Speaker 3: So you're in the second. 280 00:12:10,600 --> 00:12:14,080 Speaker 2: You go mad, and then you go so I go hurt. Okay, yeah, 281 00:12:14,120 --> 00:12:15,400 Speaker 2: I think I was. I was hurt. 282 00:12:15,679 --> 00:12:18,120 Speaker 4: And then I go further out one more and then 283 00:12:18,160 --> 00:12:22,880 Speaker 4: how do you feel after that? Distant, sarcastic, frustrated, jealous, irritated, skeptical, 284 00:12:22,920 --> 00:12:25,520 Speaker 4: And I go, yes, all of a sudden became very irritable. 285 00:12:25,760 --> 00:12:29,120 Speaker 4: So I'm currently fearing feeling irritated, and then I need 286 00:12:29,160 --> 00:12:32,800 Speaker 4: to go like, okay, so what what happened that it 287 00:12:32,800 --> 00:12:35,880 Speaker 4: made me feel irritated? And often it's like, oh my god. 288 00:12:36,240 --> 00:12:40,360 Speaker 4: I think she mentioned she had a passing comment about 289 00:12:40,480 --> 00:12:43,400 Speaker 4: what pants I was wearing this weekend, and all I've 290 00:12:43,440 --> 00:12:46,280 Speaker 4: done is gone. She has an issue with the way that. 291 00:12:46,280 --> 00:12:49,720 Speaker 2: I look, Yeah, and that that that's made me mad. 292 00:12:50,320 --> 00:12:52,120 Speaker 3: Do you ever go to one step further than that? 293 00:12:52,200 --> 00:12:54,000 Speaker 2: What's that? Why? I started? 294 00:12:54,320 --> 00:12:57,960 Speaker 3: Well, no, no know why her commenting on how you look 295 00:12:58,640 --> 00:13:02,160 Speaker 3: makes you irritated? Undred is that? Has that? Does that happen? Actually? 296 00:13:02,200 --> 00:13:02,800 Speaker 3: Does that flow? 297 00:13:03,320 --> 00:13:05,160 Speaker 2: And that's that's where that that is where that's. 298 00:13:05,000 --> 00:13:08,040 Speaker 1: The magic that takes you right back to whatever it 299 00:13:08,240 --> 00:13:09,960 Speaker 1: was as a kid or whatever it is. 300 00:13:09,840 --> 00:13:11,400 Speaker 2: School day where the whole school laughed and we were 301 00:13:11,440 --> 00:13:12,200 Speaker 2: having bad pants on. 302 00:13:12,360 --> 00:13:14,600 Speaker 3: Okay, great, is that it was that natural thing? No? 303 00:13:14,760 --> 00:13:18,120 Speaker 4: Okay, but but that might be Yeah, you're able to 304 00:13:18,120 --> 00:13:19,880 Speaker 4: do that. And then and then the best thing is 305 00:13:19,920 --> 00:13:22,280 Speaker 4: I can explain to mim that every time you comment 306 00:13:22,320 --> 00:13:25,440 Speaker 4: on my pants, there was this moment that happened in 307 00:13:25,520 --> 00:13:28,959 Speaker 4: year three. Yeah, I'm going to be really sensitive about 308 00:13:29,000 --> 00:13:30,120 Speaker 4: comments about my pants. 309 00:13:30,120 --> 00:13:32,760 Speaker 3: Great, and then that totally. 310 00:13:33,880 --> 00:13:37,080 Speaker 1: Because if you if you're met with raw combative emotion 311 00:13:37,160 --> 00:13:39,599 Speaker 1: on another person your instant, you know, you could just 312 00:13:39,600 --> 00:13:42,000 Speaker 1: go straight into combat mode yourself. Told, if they can 313 00:13:42,040 --> 00:13:44,360 Speaker 1: explain to you where that comes from, yeah, but it 314 00:13:44,360 --> 00:13:47,240 Speaker 1: takes a what totally changes how you approach that thing 315 00:13:47,280 --> 00:13:47,600 Speaker 1: for them. 316 00:13:47,720 --> 00:13:49,800 Speaker 4: But yeah, the hardest is when there's a when there's 317 00:13:50,240 --> 00:13:52,040 Speaker 4: as I'm true the experience when there's heat both ways 318 00:13:52,040 --> 00:13:54,200 Speaker 4: and then someone's trying to walk away as well. 319 00:13:54,640 --> 00:13:56,000 Speaker 3: Well, that's what I'm saying with Sam. I'm like you 320 00:13:56,120 --> 00:13:57,760 Speaker 3: just yeah, stand and fight me. 321 00:13:58,120 --> 00:14:01,240 Speaker 4: No, but yeah, but also like if you're around exactly 322 00:14:01,280 --> 00:14:01,640 Speaker 4: because of the. 323 00:14:01,640 --> 00:14:03,560 Speaker 2: Emotion there, You're you're you're. 324 00:14:03,320 --> 00:14:05,480 Speaker 4: Dealing with emotions as well, and it's like, you know, 325 00:14:05,880 --> 00:14:08,720 Speaker 4: you're both both people in an emotional fight are not 326 00:14:08,760 --> 00:14:10,960 Speaker 4: being rational. Yeah, and then it's hard and then even 327 00:14:10,960 --> 00:14:13,440 Speaker 4: like sometimes I'm like, I'm not walking away, I'm figuring 328 00:14:13,440 --> 00:14:16,800 Speaker 4: this out now, but I'm just blind. Yeah, I don't 329 00:14:16,800 --> 00:14:17,400 Speaker 4: know what I'm doing. 330 00:14:17,480 --> 00:14:19,440 Speaker 1: Yeah, well, I think I learned that lesson the hard way, 331 00:14:19,680 --> 00:14:21,520 Speaker 1: And I don't know if mims the same. Yeah, I 332 00:14:21,560 --> 00:14:24,960 Speaker 1: think you're exactly the same as this. Not surprisingly, very weirdly, 333 00:14:27,040 --> 00:14:31,280 Speaker 1: if I push sim in that moment, if I do, 334 00:14:31,360 --> 00:14:35,600 Speaker 1: they're like, yeah, you stand and fight me, centurion. Yeah, yeah, yeah, 335 00:14:35,720 --> 00:14:37,200 Speaker 1: it probably only happened. 336 00:14:39,720 --> 00:14:41,960 Speaker 3: Five times, I reckon in the nine years that we've 337 00:14:41,960 --> 00:14:42,440 Speaker 3: been together. 338 00:14:43,640 --> 00:14:46,320 Speaker 1: If I push her over the brink, like in that moment, 339 00:14:46,600 --> 00:14:50,320 Speaker 1: I experience a level of heat from her that I've 340 00:14:50,720 --> 00:14:53,240 Speaker 1: that I don't like saying because it's very overwhelming. It 341 00:14:53,360 --> 00:14:56,120 Speaker 1: totally overwhelms her and she goes she goes to like 342 00:14:56,960 --> 00:14:59,640 Speaker 1: level eleven. Yeah, but yeah, I don't even have that 343 00:14:59,680 --> 00:15:03,400 Speaker 1: in my wheelhouse. Like I considered a level ten pretty comfortably. 344 00:15:03,480 --> 00:15:06,040 Speaker 3: If I need to. Yeah, but like she got she 345 00:15:06,280 --> 00:15:10,000 Speaker 3: eclipses me, and then I'm just like, whoa, I went 346 00:15:10,440 --> 00:15:11,400 Speaker 3: that was bad? 347 00:15:11,440 --> 00:15:12,400 Speaker 1: Will? Yeah. 348 00:15:12,760 --> 00:15:14,240 Speaker 4: It feels a little bit like if you you've seen 349 00:15:14,240 --> 00:15:17,720 Speaker 4: Stranger Things, yep, you know, and you know those scenes 350 00:15:18,240 --> 00:15:21,400 Speaker 4: where Eleven just gets pushed a little bit too far eleven. 351 00:15:23,240 --> 00:15:25,400 Speaker 2: And then like she blows up power plants she has 352 00:15:25,400 --> 00:15:26,120 Speaker 2: a noseblade. 353 00:15:26,360 --> 00:15:29,120 Speaker 3: Yeah, and then does that happen to you as well? 354 00:15:29,200 --> 00:15:30,640 Speaker 1: Or do you just like, do you ever get to 355 00:15:30,680 --> 00:15:32,920 Speaker 1: that point where you do turnover and then you're like, 356 00:15:32,960 --> 00:15:33,680 Speaker 1: whoa too far? 357 00:15:34,400 --> 00:15:35,000 Speaker 3: Ah? 358 00:15:35,520 --> 00:15:36,080 Speaker 1: Yeah? 359 00:15:36,280 --> 00:15:39,239 Speaker 3: Yeah, very very rarely yeah, yeah. 360 00:15:39,000 --> 00:15:41,600 Speaker 2: And it's just but it's just it's just you just 361 00:15:41,840 --> 00:15:43,000 Speaker 2: like what happens. 362 00:15:43,040 --> 00:15:44,960 Speaker 3: That's such a weird It is like the it's like Eleven. 363 00:15:45,000 --> 00:15:47,320 Speaker 3: It actually it's totally It's involuntary, isn't it? Because you 364 00:15:47,360 --> 00:15:49,680 Speaker 3: just it's your last line of defense. You know. 365 00:15:49,720 --> 00:15:53,160 Speaker 1: That's the beautiful thing about anger is that, like anger is, 366 00:15:53,960 --> 00:15:56,040 Speaker 1: it is your last line of defense. It'll always be 367 00:15:56,120 --> 00:15:58,560 Speaker 1: there for you. It's this thing that you don't like 368 00:15:58,600 --> 00:16:00,800 Speaker 1: getting in touch with, but it white. One of my 369 00:16:00,800 --> 00:16:04,680 Speaker 1: favorite poets says, anger is the most beautiful, but your 370 00:16:04,760 --> 00:16:08,120 Speaker 1: most beautiful protector. It is your last soldier on the 371 00:16:08,200 --> 00:16:11,240 Speaker 1: hill that will always be like, nah, barger off. 372 00:16:11,120 --> 00:16:12,080 Speaker 3: But I'm too far. 373 00:16:12,400 --> 00:16:14,080 Speaker 2: Yeah, but I shut down. 374 00:16:13,920 --> 00:16:17,720 Speaker 1: Though I know his point is that you can often 375 00:16:17,800 --> 00:16:20,800 Speaker 1: be like quite angry at yourself for being like that. 376 00:16:21,280 --> 00:16:24,320 Speaker 1: Oh's try and look at it as like somebody else 377 00:16:24,360 --> 00:16:25,880 Speaker 1: pushed you to a place that you didn't want to be. 378 00:16:26,320 --> 00:16:28,560 Speaker 1: It was really beautiful that you had to defend yourself 379 00:16:28,960 --> 00:16:30,160 Speaker 1: to go and look after yourself. 380 00:16:30,320 --> 00:16:31,440 Speaker 2: Oh that's true. That's true. 381 00:16:31,440 --> 00:16:33,080 Speaker 1: That's how I try, And that's how I had to 382 00:16:33,080 --> 00:16:36,000 Speaker 1: sort of reframe those moments with sim because you know, yeah, 383 00:16:36,040 --> 00:16:37,920 Speaker 1: she'd really lift off and make me feel like shit, 384 00:16:38,040 --> 00:16:38,800 Speaker 1: and then I'd be like. 385 00:16:38,880 --> 00:16:40,480 Speaker 2: Which, but would she even just like shut down? I 386 00:16:40,480 --> 00:16:41,200 Speaker 2: think I'm more. 387 00:16:41,200 --> 00:16:45,240 Speaker 1: Actually fully totally cooks her, totally cooks her when that happens, 388 00:16:45,280 --> 00:16:48,040 Speaker 1: and it's overly like four or five times, and every 389 00:16:48,040 --> 00:16:49,840 Speaker 1: time I'm like, oh, no, that was bad. 390 00:16:49,920 --> 00:16:51,440 Speaker 3: I should have loture you put that down a long 391 00:16:51,480 --> 00:16:54,160 Speaker 3: time ago. But really, I'm glad you mentioned That's a 392 00:16:54,160 --> 00:16:55,160 Speaker 3: really good thing to. 393 00:16:55,080 --> 00:16:56,840 Speaker 1: Mention, because I only there be loads of people who 394 00:16:58,240 --> 00:17:01,160 Speaker 1: for one of a bit of a term emotionally dyslexic. 395 00:17:01,120 --> 00:17:05,040 Speaker 2: Get the wheel. And then I'm glad. 396 00:17:04,760 --> 00:17:06,200 Speaker 1: That you showed me it was on your phone because 397 00:17:06,240 --> 00:17:08,240 Speaker 1: I kind of just pictured you, like in a park 398 00:17:08,240 --> 00:17:09,200 Speaker 1: with like a twister wheel. 399 00:17:10,760 --> 00:17:18,680 Speaker 4: Not feeling that twist again, Happy, Nope, twist again, See 400 00:17:18,680 --> 00:17:19,280 Speaker 4: you next time.