1
00:00:00,720 --> 00:00:03,560
Speaker 1: You can catch Troy Hawk, who is bringing your show

2
00:00:03,600 --> 00:00:06,560
Speaker 1: Sigmund Troy to the ASTA Theater on May the twelve.

3
00:00:06,720 --> 00:00:09,840
Speaker 1: Tickets are through Tickeer Tech. Now, I said, Troy Hawk

4
00:00:10,160 --> 00:00:14,320
Speaker 1: is a nineteen thirties Mattine idol investigator. He is a character,

5
00:00:14,720 --> 00:00:17,320
Speaker 1: but don't tell him that because we're about to talk

6
00:00:17,360 --> 00:00:17,640
Speaker 1: to him.

7
00:00:18,079 --> 00:00:21,360
Speaker 2: Troy, when you say characters, do you mean I'm good

8
00:00:21,520 --> 00:00:22,160
Speaker 2: value at past?

9
00:00:22,360 --> 00:00:25,079
Speaker 1: That's exactly what we made. That's all we had to explain.

10
00:00:25,760 --> 00:00:26,279
Speaker 2: It's all about.

11
00:00:27,320 --> 00:00:30,600
Speaker 1: So now, Sigmund troyd tell us about this. I mean,

12
00:00:30,640 --> 00:00:31,560
Speaker 1: I've got some idea.

13
00:00:33,159 --> 00:00:36,920
Speaker 2: So essentially this show and that I'm doing is my

14
00:00:37,159 --> 00:00:42,920
Speaker 2: takedown of psychotherapy and psychotherapists. I'm not sure if either

15
00:00:43,000 --> 00:00:46,760
Speaker 2: of you has ever made your way onto a couch

16
00:00:47,120 --> 00:00:51,000
Speaker 2: in that regard just to watch Telly coffees, just to

17
00:00:51,040 --> 00:00:55,240
Speaker 2: watch it. No self examination over the demons of your

18
00:00:55,280 --> 00:00:58,080
Speaker 2: path in order to make your future more palatable. I'm

19
00:00:58,160 --> 00:00:58,639
Speaker 2: sure you have.

20
00:00:58,720 --> 00:01:01,080
Speaker 1: Other issues here, really sure you're doing it could be

21
00:01:01,120 --> 00:01:03,320
Speaker 1: a very deep Darkted Troy.

22
00:01:03,360 --> 00:01:06,760
Speaker 2: Exactly, I'm exposing the whole surbango for the snake oil

23
00:01:06,840 --> 00:01:09,520
Speaker 2: that it actually is I'm doing with this show. I

24
00:01:09,560 --> 00:01:09,840
Speaker 2: love it.

25
00:01:09,959 --> 00:01:12,360
Speaker 3: Is that what intrigues you so much about psychotherapy, Troy?

26
00:01:12,480 --> 00:01:15,160
Speaker 3: Is you know that feeling of what's going on here?

27
00:01:15,200 --> 00:01:16,840
Speaker 2: Well, I don't know what it is. I've always been

28
00:01:16,920 --> 00:01:19,880
Speaker 2: very analystical. I mean, I'm an unbearable overd thing. If

29
00:01:19,920 --> 00:01:22,720
Speaker 2: I can't find a logical pathway for something, I have

30
00:01:22,840 --> 00:01:26,559
Speaker 2: to I have to stay there until I do. Okay.

31
00:01:27,000 --> 00:01:30,720
Speaker 2: And so when I meet people who do this for

32
00:01:30,760 --> 00:01:33,240
Speaker 2: a living, I hold them to current a hive regards

33
00:01:33,720 --> 00:01:37,160
Speaker 2: if that makes sense, And if within a slight spoiler

34
00:01:37,200 --> 00:01:41,640
Speaker 2: alerts here, if within their process they start attacking my mother,

35
00:01:41,840 --> 00:01:44,600
Speaker 2: well I'm afraid I'm going to fire back with both parrels.

36
00:01:46,520 --> 00:01:47,040
Speaker 2: I agree.

37
00:01:47,200 --> 00:01:49,560
Speaker 1: I feel like psychotherapy is just another excuse to not

38
00:01:49,600 --> 00:01:50,640
Speaker 1: be who you actually are.

39
00:01:50,840 --> 00:01:53,800
Speaker 2: You know, just be you exactly? But who is you?

40
00:01:54,000 --> 00:01:56,880
Speaker 2: What is a real person? Nobody's really being their real

41
00:01:56,880 --> 00:01:59,200
Speaker 2: selves at any point. I mean, if you two will

42
00:01:59,240 --> 00:02:01,080
Speaker 2: be a real self right now, you wouldn't be in

43
00:02:01,080 --> 00:02:04,080
Speaker 2: the radio station at home, naked, covered in biscuit clubs.

44
00:02:04,200 --> 00:02:05,000
Speaker 2: That's the whole thing.

45
00:02:07,400 --> 00:02:08,840
Speaker 1: Are you a psycho? The first?

46
00:02:08,880 --> 00:02:09,400
Speaker 2: Sorry I am?

47
00:02:11,000 --> 00:02:12,160
Speaker 3: You've been looking for Rah?

48
00:02:12,240 --> 00:02:14,960
Speaker 1: What's the other one? Looking into a crystal ball? Psych

49
00:02:15,240 --> 00:02:20,720
Speaker 1: What a psychic now, Troy, you do have mother sort

50
00:02:20,720 --> 00:02:24,000
Speaker 1: of things going on because your mother decided on homeschooling you.

51
00:02:24,080 --> 00:02:26,680
Speaker 1: Why did your mother decide on homeschooling you.

52
00:02:26,720 --> 00:02:30,280
Speaker 2: Mother is in the same vein as myself as something

53
00:02:30,520 --> 00:02:32,720
Speaker 2: of an overthinking and for her, if I had to

54
00:02:32,720 --> 00:02:34,640
Speaker 2: put it a certain way, you're only drawing a picture,

55
00:02:34,720 --> 00:02:37,960
Speaker 2: but you're not quite sure that you've finished drawing it yet,

56
00:02:38,000 --> 00:02:39,680
Speaker 2: and you keep coming back to it, and you keep

57
00:02:40,000 --> 00:02:44,440
Speaker 2: adding new details until it's absolutely perfect and it's exactly

58
00:02:44,800 --> 00:02:47,480
Speaker 2: the way that you want to be. I know sometimes

59
00:02:47,480 --> 00:02:49,840
Speaker 2: you can ruin a picture that way, but I believe

60
00:02:50,120 --> 00:02:52,760
Speaker 2: that was mother's approach to parenting. I think she had

61
00:02:52,800 --> 00:02:55,520
Speaker 2: a very very clear idea and what she wanted me

62
00:02:55,600 --> 00:02:58,840
Speaker 2: to be coming out into society, and that was how

63
00:02:58,840 --> 00:03:01,639
Speaker 2: that went down. And I wouldn't be who I am

64
00:03:01,680 --> 00:03:02,160
Speaker 2: without her.

65
00:03:03,320 --> 00:03:05,880
Speaker 3: I try. What about these greeting videos are going viral

66
00:03:05,919 --> 00:03:07,760
Speaker 3: on TikTok there, They're a bit of a big deal.

67
00:03:07,919 --> 00:03:10,040
Speaker 3: You know, you think you have different venues. We like

68
00:03:10,080 --> 00:03:13,040
Speaker 3: to get with the people. Any chance you'll be doing that,

69
00:03:13,600 --> 00:03:14,920
Speaker 3: I wouldn't suggest the family court.

70
00:03:15,240 --> 00:03:18,440
Speaker 2: There is a there is a strong chance. Obviously, I

71
00:03:18,520 --> 00:03:23,560
Speaker 2: can't give my whereabouts. You'll know after it's happens. I've

72
00:03:23,600 --> 00:03:26,120
Speaker 2: had some in Melbourne. I've done a couple of Melbourne.

73
00:03:26,840 --> 00:03:33,240
Speaker 2: I've got some very interesting responses, particularly k Mars, you know,

74
00:03:33,720 --> 00:03:37,080
Speaker 2: I mean everybody can. Yeah, I've got some very very

75
00:03:37,160 --> 00:03:41,680
Speaker 2: choice Australian vernacular. You see, you've got a word that's

76
00:03:41,680 --> 00:03:43,800
Speaker 2: a dreadful word in the UK. That's kind of a

77
00:03:43,840 --> 00:03:47,720
Speaker 2: Swiss Army Knight's work with multiple different applications in Australia.

78
00:03:49,960 --> 00:03:54,280
Speaker 2: That was Yeah, that was fired directly at me, getting.

79
00:03:54,040 --> 00:03:58,080
Speaker 1: Gid or should be right, mate, No, it was the

80
00:03:58,080 --> 00:03:58,480
Speaker 1: other end.

81
00:03:58,600 --> 00:04:00,720
Speaker 2: It was the other it was, but very much the

82
00:04:00,760 --> 00:04:01,440
Speaker 2: other end of the space.

83
00:04:01,520 --> 00:04:05,200
Speaker 1: Yeah, of course, just take it with a grain of salt. Troy. Really,

84
00:04:05,800 --> 00:04:07,840
Speaker 1: we can't wait to your in town. We look forward

85
00:04:07,880 --> 00:04:09,480
Speaker 1: to it, Sigmund Troy.

86
00:04:09,840 --> 00:04:12,360
Speaker 2: I can't wait. The first thing I'm going to do

87
00:04:12,560 --> 00:04:14,440
Speaker 2: is I'm going to go down to the bas Monkey

88
00:04:14,480 --> 00:04:17,080
Speaker 2: and I'm going to silently pray they haven't changed the

89
00:04:17,120 --> 00:04:21,480
Speaker 2: thing over the last three years. I adored that they

90
00:04:21,520 --> 00:04:24,280
Speaker 2: have good, good, good. I want to frown on that

91
00:04:24,320 --> 00:04:26,640
Speaker 2: balcony over the street.

92
00:04:26,839 --> 00:04:31,200
Speaker 1: All right, absolutely, Troy, it's very clever for to the

93
00:04:31,240 --> 00:04:35,040
Speaker 1: ad theater made the tour. Tickets are through Ticke Tech. Troy,

94
00:04:35,279 --> 00:04:37,520
Speaker 1: we look forward to having you at The Monkey. Thank you, Troy.

95
00:04:37,520 --> 00:04:40,120
Speaker 2: I loved to mother, adorable love speaking to you. Thank

96
00:04:40,160 --> 00:04:41,479
Speaker 2: you so much. Never change.