1 00:00:00,360 --> 00:00:03,680 Speaker 1: Jonesy and Amanda's. 2 00:00:02,840 --> 00:00:04,840 Speaker 2: All right, Well, let's go into the suggestion box. It's 3 00:00:04,840 --> 00:00:05,600 Speaker 2: not always easy. 4 00:00:05,640 --> 00:00:06,760 Speaker 3: I don't know we had a suggestion. 5 00:00:06,960 --> 00:00:09,040 Speaker 2: I didn't either. It's called Twitter. 6 00:00:10,240 --> 00:00:13,600 Speaker 3: The reason I do commercial radio is because it's a 7 00:00:13,640 --> 00:00:16,439 Speaker 3: one way street. You don't have to take suggestions, you 8 00:00:16,480 --> 00:00:17,639 Speaker 3: don't have to listen to anything. 9 00:00:18,000 --> 00:00:20,000 Speaker 2: No, That's why I do it, Brendon. 10 00:00:19,720 --> 00:00:21,440 Speaker 3: That's why I'm not on Twitter or Instagram. 11 00:00:21,680 --> 00:00:26,239 Speaker 2: Radio is about connection. Connection, and we talk and we 12 00:00:26,440 --> 00:00:29,000 Speaker 2: encourage debate, and so when people want a debate with us, 13 00:00:29,000 --> 00:00:29,880 Speaker 2: we have to take it on. 14 00:00:30,000 --> 00:00:31,120 Speaker 3: We don't encourage debate. 15 00:00:31,720 --> 00:00:33,520 Speaker 2: Well, wouldn't you like to think that when you say 16 00:00:33,520 --> 00:00:38,199 Speaker 2: something important like oh, you know, I've done off? I 17 00:00:38,200 --> 00:00:41,000 Speaker 2: don't know that when you say something that matters to 18 00:00:41,000 --> 00:00:42,680 Speaker 2: you that you'd like to think that people think, Oh 19 00:00:42,720 --> 00:00:43,400 Speaker 2: is that how I feel? 20 00:00:43,440 --> 00:00:43,760 Speaker 4: Do I not? 21 00:00:43,800 --> 00:00:45,600 Speaker 2: That's what the whole pub test is about. 22 00:00:45,880 --> 00:00:48,479 Speaker 3: Sure, but that's what other people say about the issue 23 00:00:48,479 --> 00:00:50,320 Speaker 3: of the day, not about what we actually do. 24 00:00:50,440 --> 00:00:53,000 Speaker 2: Well, you're going to have to toughen up. We got 25 00:00:53,840 --> 00:00:56,200 Speaker 2: I saw a tweet yesterday. Just listen to Jones and 26 00:00:56,240 --> 00:00:59,520 Speaker 2: Amanda's rightfully Jones Amanda rightfully being supportive of all the 27 00:00:59,520 --> 00:01:02,640 Speaker 2: women's mind and then they go on to be snyd 28 00:01:03,000 --> 00:01:06,399 Speaker 2: about wop the song whop and act like a song 29 00:01:06,400 --> 00:01:08,840 Speaker 2: that is explicitly about women taking control of their own 30 00:01:08,880 --> 00:01:12,600 Speaker 2: sexuality is the end of feminism? Talk about not passing 31 00:01:12,680 --> 00:01:15,200 Speaker 2: the pub test, Well, what happened yesterday? We did talk 32 00:01:15,240 --> 00:01:20,080 Speaker 2: about the emotion in the ground swell of women marching 33 00:01:20,120 --> 00:01:23,160 Speaker 2: all around Australia today, and then we said that at 34 00:01:23,160 --> 00:01:25,320 Speaker 2: the same time that that was happening, we were seeing 35 00:01:25,319 --> 00:01:28,080 Speaker 2: this song being performed at the Grammys. 36 00:01:29,440 --> 00:01:32,959 Speaker 3: I'm talking, and we just said, these are the times 37 00:01:32,959 --> 00:01:33,520 Speaker 3: that we live in. 38 00:01:34,000 --> 00:01:37,360 Speaker 2: We kind of did infer that there's a line in 39 00:01:37,400 --> 00:01:40,800 Speaker 2: there that says, make it rain, make it rain, make 40 00:01:40,880 --> 00:01:43,759 Speaker 2: it rain. If you want to see my train, Yeah, 41 00:01:43,800 --> 00:01:45,640 Speaker 2: so you know, give me money and I'll show it 42 00:01:45,640 --> 00:01:48,720 Speaker 2: to you. And I guess that is me being old 43 00:01:48,880 --> 00:01:51,920 Speaker 2: fashioned in that regard, because and I've heard this said, 44 00:01:52,080 --> 00:01:55,080 Speaker 2: and it's true. This song is about women reclaiming their 45 00:01:55,080 --> 00:01:59,080 Speaker 2: sexuality and being in control, and it was a different 46 00:01:59,120 --> 00:02:04,000 Speaker 2: way of of actioning that that we saw the same 47 00:02:04,880 --> 00:02:07,600 Speaker 2: the marches. So I actually take that on board. 48 00:02:08,080 --> 00:02:10,679 Speaker 3: Well, I get that, but I think we're allowed to 49 00:02:10,720 --> 00:02:15,000 Speaker 3: say as well. These are the times that we live in. Yeah, 50 00:02:15,040 --> 00:02:16,600 Speaker 3: but you know what I mean. Yeah, it's like when 51 00:02:16,639 --> 00:02:18,280 Speaker 3: you go down the beach. These days, you get down 52 00:02:18,280 --> 00:02:19,680 Speaker 3: the beach, you can see a woman in a burker 53 00:02:19,919 --> 00:02:23,519 Speaker 3: and you can see a woman wearing dental floss, and 54 00:02:23,840 --> 00:02:26,200 Speaker 3: you don't say anything. You don't judge anything, you don't lee, 55 00:02:26,320 --> 00:02:29,480 Speaker 3: you don't do anything. I'm just saying that's I accept that. 56 00:02:29,520 --> 00:02:31,640 Speaker 3: I accept that what people wear. You know, in the 57 00:02:31,680 --> 00:02:34,120 Speaker 3: eighties and stuff, if you saw a guy dressed up 58 00:02:34,120 --> 00:02:36,000 Speaker 3: as a girl would be a good chance you'd make 59 00:02:36,000 --> 00:02:38,160 Speaker 3: a sneery face a something. I don't do that anymore 60 00:02:38,720 --> 00:02:41,720 Speaker 3: because we're becoming more in enlightened. But having said that, 61 00:02:41,880 --> 00:02:45,360 Speaker 3: you should be able to say, oh, yeah, we're in 62 00:02:45,400 --> 00:02:49,640 Speaker 3: some funny times now, you know. And you got this 63 00:02:49,760 --> 00:02:55,000 Speaker 3: other song that's about that. It's just observational humor. Let's 64 00:02:55,040 --> 00:02:55,720 Speaker 3: not no no. 65 00:02:56,240 --> 00:02:58,960 Speaker 2: Speak as well. Well, I can unpack it because actually 66 00:02:59,000 --> 00:03:00,839 Speaker 2: I had a bit of a light bulb moment. They 67 00:03:00,840 --> 00:03:02,600 Speaker 2: are both part of the same story. 68 00:03:02,720 --> 00:03:03,640 Speaker 4: I agree with this. 69 00:03:03,760 --> 00:03:05,720 Speaker 3: I agree with whatever she says. I do agree. 70 00:03:05,800 --> 00:03:09,080 Speaker 2: All right, I'm all sensitive, aren't you. That's how are 71 00:03:09,080 --> 00:03:10,000 Speaker 2: you going to feel about this? 72 00:03:10,200 --> 00:03:12,720 Speaker 3: I'm not sensitive. I'm just saying you you'd be able 73 00:03:12,760 --> 00:03:14,320 Speaker 3: to say you can say what you like. 74 00:03:14,320 --> 00:03:17,160 Speaker 2: And this this person has just said, hey, what about this? 75 00:03:17,880 --> 00:03:20,480 Speaker 3: So, you know, explaining a joke? 76 00:03:21,080 --> 00:03:22,560 Speaker 4: You know, come on, no. 77 00:03:22,680 --> 00:03:24,920 Speaker 2: I took that on board. Are we to had this 78 00:03:25,040 --> 00:03:26,480 Speaker 2: Gholie a couple of weeks ago. 79 00:03:27,320 --> 00:03:31,200 Speaker 1: Hi, Danzy and Amanda, I absolutely love, love, love your show. 80 00:03:31,520 --> 00:03:33,720 Speaker 1: I feel a bit weird calling out my gully, but 81 00:03:33,800 --> 00:03:35,800 Speaker 1: it's just when you refer to the girls in the 82 00:03:35,880 --> 00:03:39,960 Speaker 1: typing pool who I'm not sure, but I'm assuming your producers. 83 00:03:40,200 --> 00:03:42,880 Speaker 1: I don't know why, but it has strange connotations for 84 00:03:42,960 --> 00:03:45,320 Speaker 1: me as a collective noun and thoughts like there are 85 00:03:45,320 --> 00:03:47,800 Speaker 1: a flock of birds or a pot of dolphins. I 86 00:03:47,800 --> 00:03:49,800 Speaker 1: feel like maybe it could be nice that they use 87 00:03:49,840 --> 00:03:54,000 Speaker 1: their names or job title. I love you guys, great show. Thanks. 88 00:03:54,240 --> 00:03:56,000 Speaker 2: Can I say we've had a number of calls saying 89 00:03:56,040 --> 00:03:57,920 Speaker 2: the same thing. I was walking through this yesterday. 90 00:03:57,920 --> 00:04:00,400 Speaker 3: When number is it? An Alan Jones tsunami meaning the. 91 00:04:00,960 --> 00:04:08,720 Speaker 2: Can I speak? You're very sensitive to this? I walked 92 00:04:08,800 --> 00:04:11,040 Speaker 2: through well. Part of our show is give and take. 93 00:04:11,400 --> 00:04:13,760 Speaker 2: We flow like a river. People are allowed to join 94 00:04:13,840 --> 00:04:18,080 Speaker 2: the conversation. First time you've noticed that, and I heard 95 00:04:18,120 --> 00:04:19,560 Speaker 2: one of the girls and the type people pick up 96 00:04:19,600 --> 00:04:22,120 Speaker 2: the phone and she said, yes, okay, I'll pass that 97 00:04:22,160 --> 00:04:23,680 Speaker 2: on and said, oh, what's that about? And it's someone 98 00:04:23,880 --> 00:04:25,880 Speaker 2: not liking that we were talking about the typing pool 99 00:04:26,040 --> 00:04:28,400 Speaker 2: and I know you've come up with this term and 100 00:04:28,440 --> 00:04:31,120 Speaker 2: it is said with irony. You were saying it with irony. 101 00:04:31,320 --> 00:04:33,440 Speaker 2: But if we have new people joining us, they don't 102 00:04:33,440 --> 00:04:37,000 Speaker 2: know it's ironic. We have the best team of radio 103 00:04:37,040 --> 00:04:41,320 Speaker 2: producers in Australia and we we don't say. 104 00:04:41,160 --> 00:04:43,800 Speaker 3: That enough, right, So we're going to call him now. 105 00:04:44,000 --> 00:04:46,640 Speaker 2: Well, actually let's see, let's get Millian. Hey, Milly is 106 00:04:46,960 --> 00:04:51,000 Speaker 2: our executive She is our executive producer. 107 00:04:51,120 --> 00:04:54,800 Speaker 3: A woman that runs the phone answering. 108 00:04:55,200 --> 00:04:58,440 Speaker 2: Oh, she's the executive producer? Is her title? How do 109 00:04:58,480 --> 00:05:01,400 Speaker 2: you feel, Millie? Because you know it's said ironically, but 110 00:05:01,480 --> 00:05:04,000 Speaker 2: actually this is an interesting conversation. What do you think? 111 00:05:04,120 --> 00:05:06,919 Speaker 4: Yeah, it really is. And you know the girls and I, 112 00:05:07,320 --> 00:05:09,599 Speaker 4: Tash and Anna are their names there, as you know 113 00:05:09,920 --> 00:05:14,520 Speaker 4: both of you. They're great producer, absolutely, and we know 114 00:05:14,640 --> 00:05:17,599 Speaker 4: that it's kind of said in like we get the 115 00:05:17,680 --> 00:05:19,479 Speaker 4: humor of you and we know that you guys know, 116 00:05:19,520 --> 00:05:21,560 Speaker 4: we work really hard and we do much more than 117 00:05:21,880 --> 00:05:25,360 Speaker 4: typing and answering the phone, so we haven't really ever 118 00:05:25,520 --> 00:05:28,240 Speaker 4: taken offense to it at all. But when people do 119 00:05:28,360 --> 00:05:30,919 Speaker 4: call up, I guess we kind of understand. With the 120 00:05:30,960 --> 00:05:33,640 Speaker 4: time we live in and how women in the workforce, 121 00:05:33,720 --> 00:05:36,640 Speaker 4: you know, we're doing much more than that now, And 122 00:05:36,920 --> 00:05:40,640 Speaker 4: like we understand that people call up and sort of 123 00:05:40,839 --> 00:05:41,920 Speaker 4: give their opinion on it. 124 00:05:41,960 --> 00:05:45,719 Speaker 2: But would you rather be called the producers? Sounds like 125 00:05:45,720 --> 00:05:49,960 Speaker 2: a musical? What should we because seriously, I'm started feeling 126 00:05:50,000 --> 00:05:52,760 Speaker 2: comfortable now saying typing. Put really look at your face. 127 00:05:53,440 --> 00:05:55,520 Speaker 3: We would come on, I'm open to spit all this. 128 00:05:57,000 --> 00:06:00,120 Speaker 3: What about the ladies at the touch shop? No, what 129 00:06:00,160 --> 00:06:01,400 Speaker 3: about the canteen ladies? 130 00:06:02,400 --> 00:06:04,159 Speaker 2: What about we move into the twenty twenties? 131 00:06:04,760 --> 00:06:07,920 Speaker 4: You just call us producing your producing team, because that's 132 00:06:07,960 --> 00:06:08,280 Speaker 4: what we. 133 00:06:08,480 --> 00:06:10,320 Speaker 2: Let's do that, all right. We are no longer. 134 00:06:10,080 --> 00:06:16,480 Speaker 3: Saying million Tashna the girls that produced the show and 135 00:06:16,600 --> 00:06:17,640 Speaker 3: went to university? 136 00:06:17,720 --> 00:06:21,800 Speaker 2: Are you tone deaf? Are you serious? 137 00:06:22,520 --> 00:06:24,479 Speaker 3: So we got to say girls type. Paul just sums 138 00:06:24,560 --> 00:06:25,600 Speaker 3: up very quickly. 139 00:06:25,360 --> 00:06:27,720 Speaker 2: But so does our team of producers. It's the same 140 00:06:27,800 --> 00:06:32,240 Speaker 2: number of words. No, guys, I also would like to say, 141 00:06:32,279 --> 00:06:40,480 Speaker 2: I don't identify as them on anyone. 142 00:06:37,320 --> 00:06:37,919 Speaker 3: The A b C. 143 00:06:40,240 --> 00:06:42,719 Speaker 2: I appreciate this suggestion. 144 00:06:43,200 --> 00:06:44,520 Speaker 3: Can we say ghoulies anymore? 145 00:06:44,600 --> 00:06:47,760 Speaker 1: Yes, of course, with James and Amanda