WEBVTT - A Bangover 💥

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<v Speaker 1>Are you ready to do some detective work?

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<v Speaker 2>Okay, I'll get it you just click play for a

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<v Speaker 2>nice and easy listener. Now you have to do work.

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<v Speaker 2>Just kidding, I'm doing the hard work.

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<v Speaker 1>I'm utsimone and very.

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<v Speaker 2>Soon I will be introducing you to someone seemingly normal,

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<v Speaker 2>but they are concealing something peculiar, weird or a little

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<v Speaker 2>freaky from us side. But don't worry, I will uncover

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<v Speaker 2>what that is. This is concealed with me artsimone. Time

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<v Speaker 2>for the announcement from our guest roll the tape.

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<v Speaker 3>Hi, my name's Lawrence.

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<v Speaker 4>I'm from Wagga Wagga in New South Wales. I've lived

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<v Speaker 4>in Melbourne for seventeen years. I'm in a Melbourne band.

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<v Speaker 4>I'm a staunch union rep. I've had one haircut in

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<v Speaker 4>thirteen years and I'm concealing my day job.

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<v Speaker 1>Holli, Lawrence, how are you?

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<v Speaker 3>I am very well?

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<v Speaker 4>How are you?

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<v Speaker 2>You've really throwed me on the one haircut in thirteen years.

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<v Speaker 2>To give context, you have a luscious mane in front

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<v Speaker 2>of me. It is giving full rock star. So you

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<v Speaker 2>are in a band as well? What do you play?

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<v Speaker 3>I play guitar, piano and I sing.

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<v Speaker 2>You do a lot of their banging, a lot of

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<v Speaker 2>head bangs, a lot of momentum in with it.

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<v Speaker 3>Do what a bangover is?

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<v Speaker 1>Oh? Okay, well, I guess I can assume what a

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<v Speaker 1>bangover is.

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<v Speaker 4>The bangover is what happens when you're thirty five and

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<v Speaker 4>above and you've been headbanging your favorite band. The next

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<v Speaker 4>day you wake over with a very, very very sore neck,

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<v Speaker 4>which is not something that happens in your twenties.

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<v Speaker 3>So you bangover gets worse. When you hangover gets worse.

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<v Speaker 2>Now we know why you're a union rep, because you're like,

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<v Speaker 2>you got to stop moving your next you know you

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<v Speaker 2>doing that. But now so you're you're sitting but in

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<v Speaker 2>front of me, you've got a big, luscious maine. You've

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<v Speaker 2>got a big chops. They're called chops.

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<v Speaker 1>Oh, I'm so good.

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<v Speaker 2>I haven't been to have facial hair ever since because

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<v Speaker 2>I'm am a cross dresser, so the beer doesn't really

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<v Speaker 2>go with the look. You know, maybe one day, maybe

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<v Speaker 2>one day and we've got cut off flannel. Now I'm

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<v Speaker 2>back to the haircut, right, white haircut in thirteen years?

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<v Speaker 1>What are you afraid of?

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<v Speaker 2>Oh, I'm afraid of barber's.

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<v Speaker 1>Oh Okay, I don't know.

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<v Speaker 4>It wasn't a fun experience as a kid, just bitten,

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<v Speaker 4>mashed down to the barbers, wanted to have long hair,

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<v Speaker 4>and then I turned eighteen, had long hair, and then

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<v Speaker 4>never went back.

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<v Speaker 2>Look, I can relate to you because I don't have

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<v Speaker 2>long hair, but I always wanted to color my hair,

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<v Speaker 2>and then sow, I was eighteen and out of high school,

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<v Speaker 2>I colored my hair and I've had crazy colors ever since,

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<v Speaker 2>and I won't stop. I'm going to do it until

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<v Speaker 2>this four hairs left. I'm just going to just going

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<v Speaker 2>to die those four. I'm really hoping I go gray

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<v Speaker 2>early because I'm sick of bleaching. That'd be amazing. Then

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<v Speaker 2>I could just chuck the color on. Would that beautiful?

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<v Speaker 4>I was starting to get a little bit self conscious

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<v Speaker 4>about turning gray. They're starting to come out the front

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<v Speaker 4>because under the on the sideburns they're all like blasting

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<v Speaker 4>the gray. And my partners are very excited for the

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<v Speaker 4>silver fox period.

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<v Speaker 1>Bring it up.

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<v Speaker 2>Yeah all right, okay, So I'm going to ask you

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<v Speaker 2>three questions, and from the answers to those three questions,

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<v Speaker 2>I'm going to try and work out what you were

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<v Speaker 2>concealing from me, which you said is your day job?

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<v Speaker 1>Okay, mysterious.

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<v Speaker 2>First question for you is what was your favorite TV

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<v Speaker 2>show growing up?

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<v Speaker 3>Thomas the Tank Engine?

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<v Speaker 2>Okay, train. Oh, he's not called the fat Controller anymore.

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<v Speaker 3>I don't know what it is.

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<v Speaker 2>But no, he's just like mister Controller or something, you know,

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<v Speaker 2>which is which is fine? What was your favorite engine

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<v Speaker 2>out of the Thomas and the Tank Engine?

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<v Speaker 3>It was Henry?

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<v Speaker 1>Henry? Was he the angry one?

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<v Speaker 3>No, the angry on was Gordon?

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<v Speaker 1>Are you really?

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<v Speaker 3>God? Am I so good at this?

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<v Speaker 5>You know?

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<v Speaker 2>Question number two? What physical feature do people recognize first

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<v Speaker 2>about you?

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<v Speaker 3>It's not so much a physical feature, it's the it's

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<v Speaker 3>my voice.

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<v Speaker 1>Your voice.

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<v Speaker 2>Oh I thought they'd say, like your hair. No, it

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<v Speaker 2>used to be oh so your voice.

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<v Speaker 1>They like you. Okay, they know your voice too. Choo okay, beautiful.

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<v Speaker 2>And the third question I have is what Ozzie landmarks

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<v Speaker 2>should be added to the list of Wonders of the world.

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<v Speaker 3>Flint the Street Station.

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<v Speaker 2>Okay, I think I got this one. I feel like

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<v Speaker 2>I got so let's put it together, all right. First

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<v Speaker 2>of all, Thomas the Tank Agent. Wonderful choice. We're all

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<v Speaker 2>going about trains, and then you say a voice. You

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<v Speaker 2>know this, You know this is only one thing that

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<v Speaker 2>comes to mind, which kind of comes back to, you know,

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<v Speaker 2>talking about the fact control of bat Do you like

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<v Speaker 2>announce things on to the platforms? Are you the platform

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<v Speaker 2>announce it? Person that goes the three forty two Lily

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<v Speaker 2>Dale will now be departing from platform two.

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<v Speaker 4>Is it? Good morning and welcome to Flinda Street Station.

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<v Speaker 4>My name is Lawrence Houson, or if some of you

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<v Speaker 4>know me better as the voice of Flinda Station. I

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<v Speaker 4>went viral in November twenty twenty three four making obnoxious

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<v Speaker 4>train announcements at Flinda Station, and I've been doing it

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<v Speaker 4>ever since.

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<v Speaker 2>You just popped up on my instant stories. I swear

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<v Speaker 2>like two weeks ago. Ah, it was you. You weren't dressed

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<v Speaker 2>like this, so.

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<v Speaker 3>It's very not allowed to be dressed like this. I

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<v Speaker 3>got a tip of hair back then.

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<v Speaker 1>Well that's that thing too.

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<v Speaker 2>I did not reckond go pah. I don't know what

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<v Speaker 2>to tell you, but I'm actually really good at this.

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<v Speaker 2>Who would have thought after three seasons I got it

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<v Speaker 2>right here? Lawrence is that man at the train station.

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<v Speaker 2>He's the voice of Linda's Street. Isn't that amazing? What

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<v Speaker 2>a good voice. Not as good as mine though. All right,

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<v Speaker 2>So we're here with Lawrence, who is the voice of

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<v Speaker 2>Flinder's station in my presence. Ah, and what a perfect

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<v Speaker 2>format to have you here on we get to listen

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<v Speaker 2>to your beautiful tones direct into our ear holes.

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<v Speaker 1>Isn't that beautiful?

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<v Speaker 3>Somewhat more conversational announced and style.

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<v Speaker 1>That is true, Actually, that is true.

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<v Speaker 2>You could actually branch out a little bit more, but

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<v Speaker 2>I feel like you kind of do that a little

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<v Speaker 2>bit within your job. So maybe let's explain if people

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<v Speaker 2>don't know exactly what it is you do. You work

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<v Speaker 2>at Flint the Street station. Do you just do the announcements?

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<v Speaker 2>What else do you do? Like did it just how

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<v Speaker 2>that happen? Because people may not know, but usually along

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<v Speaker 2>the train line it's just some lady who's like a

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<v Speaker 2>computer generated aay, I have.

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<v Speaker 1>Avoiced that goes the next station is glen Ferry.

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<v Speaker 3>That is on the internal on the inside of the trains.

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<v Speaker 4>Yeah, because the drivers have to concentrate on what they're doing,

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<v Speaker 4>so they can't make all the announcements all the time.

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<v Speaker 3>Sometimes they do, but not all the time.

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<v Speaker 4>So I was hired as an LSA or what's known

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<v Speaker 4>as a leading station assistant, So we could be on

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<v Speaker 4>the barriers, we could be roving, we could be making

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<v Speaker 4>platform announcements. I just kind of hinted at work a

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<v Speaker 4>lot that I'd like to be on platform announcements because

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<v Speaker 4>I've spent more than half my life in front of

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<v Speaker 4>a microft.

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<v Speaker 1>What was the position that they already had.

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<v Speaker 4>It used to be an official position, and then it

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<v Speaker 4>was absorbed into LSA's in general, so you know, we're

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<v Speaker 4>a little bit more flexible in what it is that

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<v Speaker 4>we do. But I just sort of let work know, hey,

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<v Speaker 4>I'm quite good at this.

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<v Speaker 3>Can I do this?

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<v Speaker 4>And I'd actually enjoy turning up to work more. And

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<v Speaker 4>they were like, if this would make work more enjoyable

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<v Speaker 4>for you, then let's make it happen.

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<v Speaker 3>And that had it happened, which is nice.

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<v Speaker 4>So the important bit is like just the safety announcements,

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<v Speaker 4>making sure that kids aren't you know, running into the

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<v Speaker 4>pit or prams are rolling towards the you know, making

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<v Speaker 4>sure people aren't skateboarding up and down the platforms. And

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<v Speaker 4>then secondarily it's just letting people know when trains are

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<v Speaker 4>coming in.

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<v Speaker 1>Just listening to you. Now, you'd be really good at

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<v Speaker 1>telling people off.

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<v Speaker 2>Wouldn't you'd be I'd have a good teacher voice.

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<v Speaker 3>I laid into someone today. You know what it is.

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<v Speaker 4>It's this constant bothersome issue that happens on the network

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<v Speaker 4>where you've turned up too late for your train, but

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<v Speaker 4>you keep sitting there trying to open the door and

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<v Speaker 4>hitting the button and the driver can't.

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<v Speaker 3>Leave until you step back.

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<v Speaker 4>And today I employed what a partner of mine is

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<v Speaker 4>called the dad voice get back. It just goes way

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<v Speaker 4>deeper and really resonant and really rule and it gives

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<v Speaker 4>people that jold and they take a step back in

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<v Speaker 4>the train can leave. So I'm starting to employ that

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<v Speaker 4>more and more.

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<v Speaker 3>As the days go on.

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<v Speaker 1>You're very qualified.

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<v Speaker 2>I usually just hit at them, which usually works well

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<v Speaker 2>because I feel like we have a lot in common.

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<v Speaker 2>We have to facilitate a lot of things. On a microphone,

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<v Speaker 2>you're dealing with a lot more people and a lot

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<v Speaker 2>of a variety of people. And you know, Dore, I say, actually,

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<v Speaker 2>maybe you know keeping people safe.

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<v Speaker 1>I don't tend to do that.

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<v Speaker 2>I probably make them unsafe because I but I have

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<v Speaker 2>to go higher in my voice the people to pay attention.

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<v Speaker 2>You get to do the opposite yes, I do. I

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<v Speaker 2>blend in if I.

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<v Speaker 1>Got a low, which I won't do today anyway.

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<v Speaker 2>So were you just always interested in trains? Are you

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<v Speaker 2>just like, oh, I'm I'm just going to pick up

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<v Speaker 2>a job there. I've wanted something to do.

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<v Speaker 4>I from a very young age obsessed with trains. That's

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<v Speaker 4>not why I went to Metro. I've worked a series

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<v Speaker 4>of jobs over the years and I had just left

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<v Speaker 4>Australia Post and was looking to do something with a

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<v Speaker 4>much more customer facing role, because yeah, I wanted something

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<v Speaker 4>a bit more engaged with people, and so I went

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<v Speaker 4>to Metro and.

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<v Speaker 3>I just wanted to do a customer service role.

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<v Speaker 4>Didn't even know that platform announcing was a thing that

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<v Speaker 4>you could still be done on a manual level and

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<v Speaker 4>then bang found.

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<v Speaker 3>A way in.

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<v Speaker 2>So when did you start to add your own flare

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<v Speaker 2>to this? Because I don't I feel like you were

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<v Speaker 2>you inditially you just you know as you do the

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<v Speaker 2>basics ago, it's the five forty five city loop.

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<v Speaker 1>I don't know. I haven't caught a trade in a

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<v Speaker 1>long time.

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<v Speaker 3>I'd like to say I was that humble at the start,

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<v Speaker 3>but I.

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<v Speaker 4>Really I no, no, no, no, So you do you

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<v Speaker 4>do three weeks at the Metro Academy, which is their

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<v Speaker 4>educational facility.

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<v Speaker 1>Yeah, I know, I graduated from the Metro Academy. You'd be.

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<v Speaker 4>It's actually like a registered educational facility, like you get

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<v Speaker 4>a cert three or four in rail customer service, specifically

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<v Speaker 4>rail customer service.

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<v Speaker 3>But I've been a class with seventeen people. Oh nearly.

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<v Speaker 1>I haven't finished reparation yet.

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<v Speaker 4>You know, the training goes for three weeks and then

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<v Speaker 4>they do the platform announcement section of the training, and

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<v Speaker 4>so someone who's been doing it at Flinder's for sixteen

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<v Speaker 4>years comes up and gives you a pep talk and

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<v Speaker 4>takes you down to the station. And I'm sitting in

0:10:03.520 --> 0:10:05.840
<v Speaker 4>a class of people who you know, very nervous, they

0:10:05.920 --> 0:10:07.720
<v Speaker 4>never even heard their voice. Come by and get them

0:10:07.720 --> 0:10:13.600
<v Speaker 4>on exactly system before I'm trembling, going let me add it, watch.

0:10:14.440 --> 0:10:18.520
<v Speaker 1>Give it to me, give give, and I just dropped straight.

0:10:18.800 --> 0:10:23.600
<v Speaker 4>Was like, come to Flinder Street station like I've em

0:10:23.720 --> 0:10:26.080
<v Speaker 4>seed weddings, I've seen gigs.

0:10:26.120 --> 0:10:27.840
<v Speaker 3>I was just like, you know what, this is where

0:10:27.840 --> 0:10:29.120
<v Speaker 3>I live, this is my home.

0:10:29.240 --> 0:10:30.880
<v Speaker 1>I want to see you do a football game next.

0:10:30.960 --> 0:10:31.959
<v Speaker 3>Something would love to do.

0:10:32.720 --> 0:10:36.640
<v Speaker 2>That's a whole other art to it, or.

0:10:36.640 --> 0:10:38.680
<v Speaker 3>An auctioneer, which i'd love to give a crack.

0:10:38.920 --> 0:10:41.600
<v Speaker 2>Yes, well, the whole time we've been talking, I've had

0:10:41.640 --> 0:10:44.200
<v Speaker 2>ideas for you because I think also they should let

0:10:44.240 --> 0:10:46.160
<v Speaker 2>you do a rock concert on the platform.

0:10:46.640 --> 0:10:47.679
<v Speaker 1>I think they should let you do.

0:10:47.640 --> 0:10:51.679
<v Speaker 3>That issues without whatsoever they could use.

0:10:51.960 --> 0:10:54.520
<v Speaker 2>They could use the ballroom upstairs, Yeah they can what

0:10:54.679 --> 0:10:57.480
<v Speaker 2>you should let them. You're famous now you're you're Flinder

0:10:57.520 --> 0:10:58.560
<v Speaker 2>Street famous in the.

0:10:59.520 --> 0:11:03.160
<v Speaker 1>Card Little Be Good, Please go on, go on.

0:11:03.480 --> 0:11:06.160
<v Speaker 2>So maybe rock show or at auction Okay, that's gonna

0:11:06.160 --> 0:11:07.640
<v Speaker 2>be fun as well, so many things you do with

0:11:07.640 --> 0:11:10.680
<v Speaker 2>your voice. Oh maybe they'll let you re record that

0:11:10.760 --> 0:11:13.520
<v Speaker 2>lady on the train. I feel like it's still the

0:11:13.520 --> 0:11:15.240
<v Speaker 2>same lady that when I was in high school going

0:11:15.360 --> 0:11:17.400
<v Speaker 2>up and down the train line. Maybe I was a

0:11:17.400 --> 0:11:17.959
<v Speaker 2>little I.

0:11:17.920 --> 0:11:20.280
<v Speaker 1>Was a little our line. Oh no, yeah, I was

0:11:20.320 --> 0:11:21.360
<v Speaker 1>a little our line.

0:11:21.400 --> 0:11:22.840
<v Speaker 2>But I got from a real buck to stop before

0:11:22.840 --> 0:11:27.160
<v Speaker 2>the little dye, yes, queen, a little lord line. But

0:11:27.200 --> 0:11:29.559
<v Speaker 2>now I'm a Geelong girl, so I'm on the very line,

0:11:29.600 --> 0:11:31.959
<v Speaker 2>which you know was you don't have to deal with do.

0:11:32.000 --> 0:11:32.480
<v Speaker 3>A little bit.

0:11:32.520 --> 0:11:35.280
<v Speaker 4>I was on platform six and seven today and go

0:11:35.280 --> 0:11:36.600
<v Speaker 4>and Bansdale trains come through.

0:11:36.760 --> 0:11:39.240
<v Speaker 1>I don't have to go to something across everyone, right,

0:11:39.559 --> 0:11:40.640
<v Speaker 1>which I hate see it.

0:11:40.800 --> 0:11:42.800
<v Speaker 4>But the train brings a little piece of Southern Cross

0:11:42.800 --> 0:11:44.520
<v Speaker 4>with it because it pulls up at the platform. It's

0:11:44.520 --> 0:11:48.880
<v Speaker 4>just like, smells like Southern Cross. How's that dense stench

0:11:48.920 --> 0:11:52.280
<v Speaker 4>of diesel? Fantastic Metro trains don't smell like that, but

0:11:52.559 --> 0:11:53.479
<v Speaker 4>Eline trains.

0:11:55.640 --> 0:11:58.080
<v Speaker 2>Alright, I'll see how it is. Yeah, but we have

0:11:58.160 --> 0:12:02.120
<v Speaker 2>twins on our train and we have water dispenses.

0:12:02.240 --> 0:12:05.240
<v Speaker 3>Take that. Yeah, I can't argue with you.

0:12:06.200 --> 0:12:09.000
<v Speaker 4>At least they don't get off the train with black lungs.

0:12:10.240 --> 0:12:12.600
<v Speaker 1>We have a quiet carriage, so that's nice as well.

0:12:12.840 --> 0:12:14.240
<v Speaker 1>You would not do well with a quiet.

0:12:14.559 --> 0:12:17.800
<v Speaker 4>And I get a victim from probably just straight me

0:12:17.840 --> 0:12:18.679
<v Speaker 4>to the roof instead.

0:12:19.360 --> 0:12:21.079
<v Speaker 2>So you were going at it, you were, you were

0:12:21.080 --> 0:12:24.960
<v Speaker 2>being vivacious and vibrant from the beginning. How did your

0:12:25.200 --> 0:12:26.680
<v Speaker 2>Flinders Station account start?

0:12:27.120 --> 0:12:29.160
<v Speaker 4>It started off with a few people taking videos and

0:12:29.160 --> 0:12:31.320
<v Speaker 4>putting them on the TikTok and stuff. But this one

0:12:31.320 --> 0:12:35.319
<v Speaker 4>particular girl, Lucy, got really into it and she's worked,

0:12:35.320 --> 0:12:36.440
<v Speaker 4>she worked in the city and so she.

0:12:36.440 --> 0:12:37.400
<v Speaker 1>Wouldn't even behind it.

0:12:37.640 --> 0:12:40.600
<v Speaker 4>No, No, I didn't, No, No, this this, this popped

0:12:40.679 --> 0:12:44.680
<v Speaker 4>up organically. Wow, yeah, I know never thought that's not

0:12:44.720 --> 0:12:46.120
<v Speaker 4>the first time I've been stalked either.

0:12:46.440 --> 0:12:50.160
<v Speaker 2>And let's well, let's get into We'll finished this and

0:12:50.160 --> 0:12:52.000
<v Speaker 2>then go into the stalking after It's all right.

0:12:52.080 --> 0:12:55.000
<v Speaker 4>So Lucy would come to go through the station on

0:12:55.040 --> 0:12:56.640
<v Speaker 4>the way to and from work in the city, and

0:12:56.679 --> 0:12:59.400
<v Speaker 4>then this captured her imagination and she starts filming it.

0:12:59.400 --> 0:13:00.520
<v Speaker 2>I feel like a lot of Peple would have been

0:13:00.520 --> 0:13:03.240
<v Speaker 2>filming it regardless, because it's definitely breakout of the norm

0:13:03.280 --> 0:13:04.160
<v Speaker 2>that people are used to.

0:13:04.679 --> 0:13:07.480
<v Speaker 1>So, I mean, I probably would be like this cap.

0:13:07.640 --> 0:13:10.920
<v Speaker 4>I still like just scroll through Instagram and find like

0:13:11.120 --> 0:13:14.040
<v Speaker 4>random recordings of me just popping up everywhere that I

0:13:14.080 --> 0:13:14.880
<v Speaker 4>didn't even know about.

0:13:15.000 --> 0:13:16.480
<v Speaker 3>So yeah, lots of people do it, ye.

0:13:16.679 --> 0:13:20.400
<v Speaker 4>She made a concerted effort to document that this is

0:13:20.440 --> 0:13:21.480
<v Speaker 4>a tribute to this guy.

0:13:21.920 --> 0:13:22.520
<v Speaker 3>All right.

0:13:23.400 --> 0:13:25.560
<v Speaker 1>Wow, So she she's made the account.

0:13:25.880 --> 0:13:28.160
<v Speaker 2>Do you feel like you've something's taken away from you,

0:13:28.640 --> 0:13:33.679
<v Speaker 2>a bit of ownership over like your own I don't know, identity.

0:13:33.920 --> 0:13:35.320
<v Speaker 1>No, it's like a fan account.

0:13:35.360 --> 0:13:36.839
<v Speaker 3>It's kind of public property, isn't it.

0:13:36.880 --> 0:13:45.719
<v Speaker 4>Like you're out there, I belong to Melbourne, dedicated, I'm

0:13:45.760 --> 0:13:47.840
<v Speaker 4>part of furniture now Gallant Gallant.

0:13:48.240 --> 0:13:49.360
<v Speaker 1>I guess it's a fan account.

0:13:49.720 --> 0:13:52.400
<v Speaker 2>But in a day, in an age where people want

0:13:52.440 --> 0:13:56.040
<v Speaker 2>to pivot off everything to become superstars themselves. Have you

0:13:56.080 --> 0:13:58.040
<v Speaker 2>ever wanted to be like, right, how can I use

0:13:58.080 --> 0:14:00.560
<v Speaker 2>this to advertise my band?

0:14:00.840 --> 0:14:02.559
<v Speaker 1>Or do this or do that?

0:14:02.640 --> 0:14:04.960
<v Speaker 3>I have been doing a bit of that recently. Ish.

0:14:05.400 --> 0:14:08.080
<v Speaker 4>She has since stepped back from it. I don't think

0:14:08.080 --> 0:14:10.640
<v Speaker 4>she expected it to blow up as big as it did.

0:14:10.640 --> 0:14:12.439
<v Speaker 4>It started off as just you know, oh, maybe a

0:14:12.480 --> 0:14:14.520
<v Speaker 4>few hundred people like this, not one hundred and ten

0:14:14.559 --> 0:14:17.840
<v Speaker 4>thousand people. So she handed it over to one of

0:14:17.840 --> 0:14:20.400
<v Speaker 4>my partners who now runs the account and sort of

0:14:20.440 --> 0:14:22.800
<v Speaker 4>accepts all of the submissions that come in from people

0:14:22.840 --> 0:14:23.560
<v Speaker 4>and uploads them.

0:14:23.720 --> 0:14:28.120
<v Speaker 2>Oh great, okay, fabulous. So other time you were talking about.

0:14:28.080 --> 0:14:33.520
<v Speaker 3>Right, I came. So it's an era of my life.

0:14:33.640 --> 0:14:36.800
<v Speaker 4>I was working at a backpacker hostel on Elizabeth Street,

0:14:36.960 --> 0:14:39.200
<v Speaker 4>right next to Flinders Station. In fact, it was called

0:14:39.240 --> 0:14:42.680
<v Speaker 4>the Flinders Station Hotel at the time, just above a

0:14:42.760 --> 0:14:43.680
<v Speaker 4>bar called the Joint Bar?

0:14:43.880 --> 0:14:46.720
<v Speaker 1>Are you always? Is everything centric around Flinders Street?

0:14:46.840 --> 0:14:47.800
<v Speaker 3>I don't know what happened.

0:14:47.920 --> 0:14:51.080
<v Speaker 4>I'm not even from Melbourne, Like, I just moved down

0:14:51.120 --> 0:14:53.040
<v Speaker 4>here and all of a sudden, but I feel like

0:14:53.120 --> 0:14:56.320
<v Speaker 4>a lot of things like center around the CBD and

0:14:56.360 --> 0:14:59.720
<v Speaker 4>in particular Flinders for people like you move here as

0:14:59.720 --> 0:15:02.320
<v Speaker 4>an e pat from the country and it's the it's

0:15:02.360 --> 0:15:05.200
<v Speaker 4>the first major landmark you've become aware of that and

0:15:05.400 --> 0:15:08.040
<v Speaker 4>Urica sky Deck or something, not even Parliament House, like

0:15:08.120 --> 0:15:12.000
<v Speaker 4>you just this stationed, this iconic, big yellow bastard of

0:15:12.000 --> 0:15:12.320
<v Speaker 4>a thing.

0:15:12.400 --> 0:15:14.920
<v Speaker 3>And then yeah, I don't know, it is kind of sent.

0:15:15.680 --> 0:15:17.760
<v Speaker 2>With the flint the street station steps because I was

0:15:17.760 --> 0:15:20.560
<v Speaker 2>a station rat emo when I was a god. I

0:15:20.600 --> 0:15:22.080
<v Speaker 2>wasn't one of the really good ones because I was

0:15:22.120 --> 0:15:23.760
<v Speaker 2>a nerd anyway, but I just felt like I was.

0:15:23.760 --> 0:15:25.440
<v Speaker 1>I'd just go to Dangerfield across the road.

0:15:25.480 --> 0:15:29.440
<v Speaker 4>But that was a time and place that was Melbourne

0:15:29.480 --> 0:15:32.480
<v Speaker 4>right there, Like people used to come into the city

0:15:32.520 --> 0:15:36.320
<v Speaker 4>and go check out thee just hang out. You guys

0:15:36.360 --> 0:15:39.560
<v Speaker 4>were doing like occupy Wall Street before by Wall Street,

0:15:39.560 --> 0:15:42.200
<v Speaker 4>but it was you know, Emo, Pye Flinda.

0:15:41.880 --> 0:15:44.560
<v Speaker 2>Street exactly, and it's it's beautiful. I think that's stunning.

0:15:44.600 --> 0:15:46.360
<v Speaker 2>Actually I thought it was great. Yeah, I think you

0:15:46.440 --> 0:15:49.720
<v Speaker 2>all looked amazing. I think you talking all right.

0:15:50.320 --> 0:15:52.680
<v Speaker 4>So I'm working at this backpack, soscal in the city

0:15:53.360 --> 0:15:55.800
<v Speaker 4>and I'm just going about my life, going out with

0:15:55.800 --> 0:15:56.160
<v Speaker 4>my friends.

0:15:56.200 --> 0:15:57.080
<v Speaker 3>Blah blah blah.

0:15:57.120 --> 0:16:02.600
<v Speaker 4>I turned thirty five years ago and on my thirtieth birthday,

0:16:03.480 --> 0:16:06.240
<v Speaker 4>I get this message in my DMS and it's like, Hey,

0:16:07.320 --> 0:16:10.320
<v Speaker 4>you don't know me, but it's your birthday and so

0:16:10.440 --> 0:16:12.640
<v Speaker 4>on this your birthday. I want to tell you that

0:16:13.280 --> 0:16:16.320
<v Speaker 4>for a period of your life from two thousand and

0:16:16.720 --> 0:16:19.640
<v Speaker 4>nine to twenty thirteen, there were a group of kids

0:16:19.640 --> 0:16:22.240
<v Speaker 4>from Melbourne UNI who used to spot you out in

0:16:22.280 --> 0:16:25.800
<v Speaker 4>public and we started a Facebook group where we would

0:16:25.800 --> 0:16:28.240
<v Speaker 4>contribute photos of where we would see you out and

0:16:28.280 --> 0:16:30.160
<v Speaker 4>about and I want you to have it.

0:16:32.160 --> 0:16:34.840
<v Speaker 1>So they gave me your birthday.

0:16:34.880 --> 0:16:38.360
<v Speaker 2>You got a weird digital version of this is your life.

0:16:38.400 --> 0:16:42.480
<v Speaker 2>You're like, all right, welcome, Yeah, here's the little time

0:16:42.520 --> 0:16:43.720
<v Speaker 2>capsule for you to enjoy.

0:16:44.520 --> 0:16:44.800
<v Speaker 1>Wow.

0:16:45.000 --> 0:16:47.480
<v Speaker 3>Yeah it was intense and so they gave me access.

0:16:47.520 --> 0:16:49.000
<v Speaker 1>Is that just because you looked too unique?

0:16:49.080 --> 0:16:49.200
<v Speaker 4>Like?

0:16:49.320 --> 0:16:49.720
<v Speaker 1>Is that it?

0:16:50.160 --> 0:16:50.920
<v Speaker 3>I think that was it?

0:16:51.040 --> 0:16:54.040
<v Speaker 4>Yeah, I'm going through this was going for like four

0:16:54.120 --> 0:16:57.280
<v Speaker 4>or five years. I'm seeing photos of me with like

0:16:57.520 --> 0:17:00.560
<v Speaker 4>ex girlfriends' best maids, people who have It's moved to

0:17:00.600 --> 0:17:03.240
<v Speaker 4>the UK and it's all here and they've documented like

0:17:03.280 --> 0:17:06.560
<v Speaker 4>this whole period of my life and I'm like, wow, the.

0:17:06.520 --> 0:17:07.199
<v Speaker 1>People want't you.

0:17:07.280 --> 0:17:09.240
<v Speaker 2>I've got no idea, that's what That's what I'm getting

0:17:09.240 --> 0:17:11.960
<v Speaker 2>from this. The people want you. And I think that's beautiful.

0:17:12.000 --> 0:17:15.200
<v Speaker 2>You're a magnet of attraction and you've got to use that,

0:17:15.280 --> 0:17:20.680
<v Speaker 2>all right, You've got to use that bit. So speaking

0:17:20.720 --> 0:17:22.840
<v Speaker 2>of do people just come to Flinness Street just to

0:17:22.880 --> 0:17:23.879
<v Speaker 2>see you do the announcements?

0:17:24.960 --> 0:17:25.200
<v Speaker 3>Yeah?

0:17:25.280 --> 0:17:27.280
<v Speaker 1>Do you have a favorite platform? Oh?

0:17:27.440 --> 0:17:31.640
<v Speaker 4>Actually yeah, I do Platform one and Platform four and five.

0:17:31.800 --> 0:17:33.480
<v Speaker 1>Better acoustics, just.

0:17:33.680 --> 0:17:37.080
<v Speaker 3>More intense, like a lot busier, Yeah, bigger audience.

0:17:37.119 --> 0:17:38.680
<v Speaker 1>So yeah, well that too. Yeah.

0:17:38.800 --> 0:17:40.640
<v Speaker 4>Like I said, I was on platform six and seven

0:17:40.680 --> 0:17:43.720
<v Speaker 4>today and six and seven is the most bone boring

0:17:43.760 --> 0:17:45.000
<v Speaker 4>platform in the whole station.

0:17:45.119 --> 0:17:45.880
<v Speaker 3>Can't stand it.

0:17:45.960 --> 0:17:47.879
<v Speaker 4>Like by the time the trains come through, they've already

0:17:47.880 --> 0:17:49.560
<v Speaker 4>done the city loops, so no one gets off and

0:17:49.600 --> 0:17:51.919
<v Speaker 4>I'm just sitting there going, oh awesome, another trickle of

0:17:51.920 --> 0:17:54.640
<v Speaker 4>six or seven people just got off to the Flinders.

0:17:54.280 --> 0:17:56.440
<v Speaker 1>Have an artist, people to see my work.

0:17:57.320 --> 0:18:00.240
<v Speaker 3>And I'm jealously looking at like four and five.

0:18:00.640 --> 0:18:03.320
<v Speaker 4>Thousands of people moving across it and I'm just like

0:18:03.400 --> 0:18:04.359
<v Speaker 4>this is garbage.

0:18:05.520 --> 0:18:10.159
<v Speaker 2>So what has it been like the response from you know,

0:18:10.200 --> 0:18:14.040
<v Speaker 2>the upper bubs and your colleagues with the attention and

0:18:14.480 --> 0:18:16.560
<v Speaker 2>popularity that you have gained, they've.

0:18:16.480 --> 0:18:17.199
<v Speaker 3>All enjoyed it.

0:18:17.760 --> 0:18:20.240
<v Speaker 4>The upper above like the I got to meet the CEO.

0:18:20.400 --> 0:18:22.439
<v Speaker 4>I mean what, I'd worked there two months and the

0:18:22.480 --> 0:18:25.600
<v Speaker 4>CEO came down to say hi, and you know, that

0:18:25.680 --> 0:18:27.679
<v Speaker 4>was a really nice chat. And my managers have been

0:18:27.800 --> 0:18:31.760
<v Speaker 4>very supportive and yeah, actually, like you know, it's still

0:18:31.760 --> 0:18:32.760
<v Speaker 4>a valued skill.

0:18:33.080 --> 0:18:34.199
<v Speaker 3>I'm getting deployed now.

0:18:34.200 --> 0:18:36.359
<v Speaker 4>I get deployments like I'm going to wind up an

0:18:36.400 --> 0:18:40.480
<v Speaker 4>Adelaide station or Perth at some point making a guest appear.

0:18:41.200 --> 0:18:42.560
<v Speaker 1>That I do a tour.

0:18:42.880 --> 0:18:45.120
<v Speaker 2>Yeah, who would have thought? It's not the music that's

0:18:45.160 --> 0:18:47.440
<v Speaker 2>going to get you touring. You're going to be doing

0:18:47.480 --> 0:18:48.960
<v Speaker 2>from station to station?

0:18:49.440 --> 0:18:51.720
<v Speaker 3>Did I slog my guts out in a rock bend

0:18:51.800 --> 0:18:54.359
<v Speaker 3>for ten years? I could have just joined Metro?

0:18:54.680 --> 0:18:56.280
<v Speaker 1>Oh well that's okay.

0:18:56.400 --> 0:18:58.920
<v Speaker 2>You know, you live in your learn, So when you're

0:18:59.119 --> 0:19:02.160
<v Speaker 2>putting together one of your announcements, what is a little

0:19:02.160 --> 0:19:03.960
<v Speaker 2>bit of extra info that you like to throw in?

0:19:04.080 --> 0:19:04.720
<v Speaker 1>Is their rules?

0:19:04.760 --> 0:19:06.880
<v Speaker 2>Is there dos and don't to the things? No, there's

0:19:06.920 --> 0:19:09.520
<v Speaker 2>the basics you have to follow yet, which is what train?

0:19:09.720 --> 0:19:12.520
<v Speaker 2>It's safety and what time?

0:19:13.600 --> 0:19:19.960
<v Speaker 3>Tray trag jo give me trade that too, Definitely safety pose.

0:19:20.280 --> 0:19:22.600
<v Speaker 4>It's just like, you know, make sure everyone's doing the

0:19:22.760 --> 0:19:27.200
<v Speaker 4>right thing, staying behind the yellow line, you know, not writing, Yeah,

0:19:27.440 --> 0:19:30.680
<v Speaker 4>don't do anything, don't start bouncing up and down, gym up.

0:19:30.600 --> 0:19:34.000
<v Speaker 2>And down the yep ye your dad's step, Yeah, beautiful

0:19:34.040 --> 0:19:34.800
<v Speaker 2>step number one.

0:19:34.920 --> 0:19:37.200
<v Speaker 4>And then it's just what the train needs, the schedule

0:19:37.280 --> 0:19:39.639
<v Speaker 4>when it's leaving, and then you know, letting people know

0:19:39.640 --> 0:19:42.480
<v Speaker 4>if there's delays and stuff. It's pretty bread and butter stuff.

0:19:42.560 --> 0:19:43.879
<v Speaker 4>That's I think that's why I jazz it up.

0:19:44.320 --> 0:19:45.960
<v Speaker 1>How do you do get any info? You just literally

0:19:45.960 --> 0:19:47.240
<v Speaker 1>look at the screens radio.

0:19:48.080 --> 0:19:50.240
<v Speaker 3>Yeah, it's like a play by play of what's going on.

0:19:50.280 --> 0:19:52.200
<v Speaker 4>As soon as it starts crackling, it's just like pause

0:19:52.240 --> 0:19:53.080
<v Speaker 4>what you're doing, listen in.

0:19:53.840 --> 0:19:56.720
<v Speaker 2>Yeah, I've just got intel, spoken to big brother and

0:19:57.359 --> 0:19:59.200
<v Speaker 2>we're going to have a three minute delay. Sorry everyone,

0:19:59.680 --> 0:20:01.760
<v Speaker 2>but thirty seven degrees today? How do you all feel

0:20:01.760 --> 0:20:02.080
<v Speaker 2>about it?

0:20:02.160 --> 0:20:03.440
<v Speaker 3>Yeah, well that's it. Yeah.

0:20:03.480 --> 0:20:05.680
<v Speaker 4>So I just start dropping in weather reports. I start

0:20:05.760 --> 0:20:08.959
<v Speaker 4>you know, making comments like you know, when poies are

0:20:08.960 --> 0:20:10.800
<v Speaker 4>in town. Like, hope you guys have a cracking time

0:20:10.800 --> 0:20:11.600
<v Speaker 4>at Fooies tonight.

0:20:12.160 --> 0:20:14.840
<v Speaker 1>Do you have bored talking to yourself? What do you

0:20:14.880 --> 0:20:15.919
<v Speaker 1>get to kind of I'm.

0:20:15.760 --> 0:20:18.439
<v Speaker 3>Talking about all my friends on the platform, the hundreds

0:20:18.480 --> 0:20:19.600
<v Speaker 3>and thousands.

0:20:19.080 --> 0:20:21.119
<v Speaker 1>Of because of the conversation, you're still kind of like

0:20:22.119 --> 0:20:22.440
<v Speaker 1>it is.

0:20:22.359 --> 0:20:23.119
<v Speaker 3>A bit one sided.

0:20:24.920 --> 0:20:28.160
<v Speaker 1>It's another train surprise, it's a train today.

0:20:28.359 --> 0:20:30.119
<v Speaker 3>It's a challenge to get the reaction out of people.

0:20:30.720 --> 0:20:31.160
<v Speaker 1>Okay.

0:20:31.280 --> 0:20:34.080
<v Speaker 4>Yeah, So sometimes, like you know, everyone's had a bit

0:20:34.080 --> 0:20:36.520
<v Speaker 4>of a dead day from time to time. They file

0:20:36.600 --> 0:20:38.840
<v Speaker 4>into a platform, one glue to their phones. It's when

0:20:38.840 --> 0:20:40.639
<v Speaker 4>you say the thing that gets them to look up,

0:20:40.720 --> 0:20:42.240
<v Speaker 4>or you watch that crack in the in the edge

0:20:42.240 --> 0:20:43.760
<v Speaker 4>of someone's face as they begin to smile.

0:20:43.800 --> 0:20:50.200
<v Speaker 2>It's like, gotcha, So you know you're a star. Now

0:20:51.000 --> 0:20:55.600
<v Speaker 2>you're you know, you're famous. Is there any situations where

0:20:55.600 --> 0:20:57.080
<v Speaker 2>people like come up to you and like do the voice?

0:20:57.480 --> 0:20:58.800
<v Speaker 1>Do the voice? Do it? Do it?

0:20:59.400 --> 0:21:01.400
<v Speaker 3>Yeah, show me a comedian in this city.

0:21:01.400 --> 0:21:03.280
<v Speaker 4>Who hasn't someone come up and going, you know, oh,

0:21:03.400 --> 0:21:06.720
<v Speaker 4>you're a comedian, say something funny, tell us a joke,

0:21:06.760 --> 0:21:08.720
<v Speaker 4>and it's like, you know, the worst one is when

0:21:08.800 --> 0:21:11.640
<v Speaker 4>I've just clocked on maybe I've run open mic night

0:21:11.680 --> 0:21:13.600
<v Speaker 4>the night before. Maybe i was at banm Brackets till

0:21:13.600 --> 0:21:16.640
<v Speaker 4>eleven pm. Maybe I'm running on fumes a rock up

0:21:16.640 --> 0:21:19.119
<v Speaker 4>at five minutes past seven and I get onto the

0:21:19.119 --> 0:21:21.080
<v Speaker 4>platform and someone comes up and going, you're the guy

0:21:21.119 --> 0:21:26.600
<v Speaker 4>from Tiktoks say something funny like they got yeah, but.

0:21:28.840 --> 0:21:31.120
<v Speaker 3>You're I can't, I'm incapable.

0:21:31.200 --> 0:21:34.160
<v Speaker 4>Well you do you say something funny?

0:21:35.160 --> 0:21:38.280
<v Speaker 1>Get away from the line. That's your safety.

0:21:38.359 --> 0:21:40.239
<v Speaker 3>Now, how'd you like that?

0:21:40.280 --> 0:21:44.119
<v Speaker 1>For human? But the same thing.

0:21:44.119 --> 0:21:45.679
<v Speaker 2>People come to me when I'm out of drag and

0:21:45.680 --> 0:21:47.639
<v Speaker 2>they're like, oh, You're not very exciting, are you.

0:21:47.640 --> 0:21:50.119
<v Speaker 1>I'm like, no, I'm not working. God, they're not.

0:21:50.520 --> 0:21:54.680
<v Speaker 3>It's not a twenty four hour job. I'm human too,

0:21:55.119 --> 0:21:55.879
<v Speaker 3>I'm a yuman.

0:21:55.960 --> 0:21:59.680
<v Speaker 1>It's what we do now.

0:21:59.720 --> 0:22:02.400
<v Speaker 2>I I've actually got a lot of training in this position,

0:22:02.480 --> 0:22:06.040
<v Speaker 2>because one, I've caught a train before. Two I used

0:22:06.040 --> 0:22:08.840
<v Speaker 2>to work at cafscene run the drive through. So so

0:22:08.880 --> 0:22:11.800
<v Speaker 2>I think I'm very qualified. And you've already given me

0:22:11.880 --> 0:22:14.520
<v Speaker 2>a bit of the format. So we've got your dad's safety,

0:22:14.720 --> 0:22:18.080
<v Speaker 2>then we've got your train time, and then we've got

0:22:18.440 --> 0:22:22.639
<v Speaker 2>fun fact essentially. Yeah, I'll say fun fact could be

0:22:22.680 --> 0:22:26.119
<v Speaker 2>boring fact, like I'm thirty one. What I try to

0:22:26.119 --> 0:22:28.960
<v Speaker 2>get is I want to do a platform announcement. So

0:22:29.240 --> 0:22:30.280
<v Speaker 2>what platform am I on?

0:22:30.359 --> 0:22:30.639
<v Speaker 1>Tell me?

0:22:30.720 --> 0:22:31.600
<v Speaker 3>You're on platform one?

0:22:31.680 --> 0:22:32.720
<v Speaker 1>Platform one? What no?

0:22:32.760 --> 0:22:32.920
<v Speaker 4>Wait?

0:22:33.000 --> 0:22:33.800
<v Speaker 3>No, no, no, no.

0:22:33.640 --> 0:22:35.960
<v Speaker 4>No, we're gonna we're going into your origin story. You're

0:22:36.000 --> 0:22:37.000
<v Speaker 4>on platform two and three?

0:22:37.160 --> 0:22:38.879
<v Speaker 1>Oh yes, Can I have a lilard our line?

0:22:39.000 --> 0:22:40.200
<v Speaker 3>You are on the lid line.

0:22:40.200 --> 0:22:41.840
<v Speaker 2>I hated Belgrave because I had to change it ring

0:22:41.880 --> 0:22:44.000
<v Speaker 2>good and it was a nightmare.

0:22:44.920 --> 0:22:47.480
<v Speaker 1>Oh okay, So what platform I're on? Two and three?

0:22:47.640 --> 0:22:48.000
<v Speaker 3>Correct?

0:22:48.359 --> 0:22:50.160
<v Speaker 1>Loward a line? Okay.

0:22:50.760 --> 0:22:53.359
<v Speaker 2>But outside of that, I think I need a good intro.

0:22:53.440 --> 0:22:55.240
<v Speaker 2>So can you give me a tip for a good

0:22:55.359 --> 0:22:57.320
<v Speaker 2>intro at Flindustreet Station.

0:22:57.520 --> 0:22:58.760
<v Speaker 3>You've got to make it personable.

0:22:59.160 --> 0:23:01.639
<v Speaker 4>It's got to be you like say hi to people

0:23:01.680 --> 0:23:03.960
<v Speaker 4>like someone elnces just crack straight into the next train

0:23:04.000 --> 0:23:06.800
<v Speaker 4>to arrive is like no, no, no. Welcome them to where

0:23:06.800 --> 0:23:10.200
<v Speaker 4>they are, Welcome them to these hallowed halls. So greet

0:23:10.240 --> 0:23:12.560
<v Speaker 4>them like when they get off the train, wish them

0:23:12.560 --> 0:23:14.400
<v Speaker 4>a good day. But do it as you so.

0:23:19.920 --> 0:23:26.080
<v Speaker 5>You sing ye ma'am, good morning Flinders Stream, Hello to all.

0:23:26.080 --> 0:23:28.920
<v Speaker 5>I'm fabulous to see extinguished gets coming off the train.

0:23:29.000 --> 0:23:31.920
<v Speaker 5>Don't you look beautiful here on this hallowed morning here

0:23:31.960 --> 0:23:34.119
<v Speaker 5>at Flinna's Threat station. Now I want to let you

0:23:34.160 --> 0:23:36.080
<v Speaker 5>know that you better have a good day and you've

0:23:36.080 --> 0:23:36.960
<v Speaker 5>had a wonderful Trivin.

0:23:37.080 --> 0:23:38.760
<v Speaker 1>But this train's about to leave, all.

0:23:38.760 --> 0:23:40.440
<v Speaker 2>Right, so make sure you're back away from the doors

0:23:40.480 --> 0:23:42.720
<v Speaker 2>and they're closing because this one is going back to

0:23:42.760 --> 0:23:44.000
<v Speaker 2>Ludale at am.

0:23:44.200 --> 0:23:45.400
<v Speaker 1>Okay, so have a good day.

0:23:45.600 --> 0:23:48.560
<v Speaker 2>It's actually gonna be thirty three degrees part the cloudy,

0:23:48.800 --> 0:23:51.600
<v Speaker 2>and I'm just shining because I see all your beautiful

0:23:51.600 --> 0:23:52.280
<v Speaker 2>faces here.

0:23:52.600 --> 0:24:04.040
<v Speaker 1>Okay, bye, that was beautiful, Thank you lovers.

0:24:04.080 --> 0:24:08.480
<v Speaker 2>Lawrence the voice of Flinders Street. Ah, what amazing talent.

0:24:08.840 --> 0:24:12.800
<v Speaker 2>But what chitis Lawrence? Because someone may be coming to

0:24:12.800 --> 0:24:16.520
<v Speaker 2>take over a platform two and three now me, you've

0:24:16.560 --> 0:24:20.040
<v Speaker 2>been listening to an iHeart Australia production Conceal It with artsimone.

0:24:20.359 --> 0:24:22.199
<v Speaker 2>Listen to more of what you love on iHeart and

0:24:22.560 --> 0:24:25.200
<v Speaker 2>check out two people who definitely had the comment talks

0:24:25.240 --> 0:24:26.760
<v Speaker 2>a bit too much on their report.

0:24:27.359 --> 0:24:28.440
<v Speaker 1>Check out the socials