WEBVTT - BONUS: Churi chats with Miley Cyrus

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<v Speaker 1>Is it just me a podcast by a couple of mitches.

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<v Speaker 1>MITCHI spoke with Miley Cyrus recently.

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<v Speaker 2>Yeah, I did for the night show on KISSFM. I

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<v Speaker 2>got Miley sort of last minute. It came through out

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<v Speaker 2>of nowhere and they were like, you've got eight minutes

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<v Speaker 2>with Miley, no more, no less.

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<v Speaker 3>It was very exciting, very jealous. I am a big

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<v Speaker 3>Miley fan.

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<v Speaker 1>In fact, I've watched a lot of Miley interviews. What

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<v Speaker 1>sort of move was she in?

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<v Speaker 2>Was she in one of those I'm a serious musician

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<v Speaker 2>not giving you much kind of interviews or was it

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<v Speaker 2>a bit of fun?

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<v Speaker 3>Oh? It was like brilliant.

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<v Speaker 2>I was worried at first because she popped up on Zoom.

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<v Speaker 2>So this is hilarious, Right, she pops up on Zoom

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<v Speaker 2>and I get an email beforehand being like, Miley will join,

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<v Speaker 2>she'll have a publicist, she'll have hair and makeup.

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<v Speaker 3>I don't know why at Zoom.

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<v Speaker 2>She'll have a PR, she'll have marketing, she'll have a manager,

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<v Speaker 2>she'll have an agent, she'll have music label that I'll

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<v Speaker 2>be on the Zoom. Do not start unless everyone's.

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<v Speaker 1>God, that's daunting.

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<v Speaker 3>It was scary.

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<v Speaker 2>So I'm like, okay, in my at home studio, and

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<v Speaker 2>she pops up first before anyone, ten minutes early.

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<v Speaker 3>So it's just me and Miley, and I didn't know what.

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<v Speaker 2>Was on the I told you do not let her in

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<v Speaker 2>the room before we're there, but she arrived first. Then

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<v Speaker 2>here was Miley Cyrus clicking enter Mitch Jury's zoom room.

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<v Speaker 2>But she wasn't under Miley Cyrus. She must have been

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<v Speaker 2>using like a label laptop or computer setup. Well, you

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<v Speaker 2>should have followed their instruction and kicked her out and

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<v Speaker 2>be like, no, Miley, you're not allowed in until they're in.

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<v Speaker 3>You've ented too early. Miley and I click it. I'm like,

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<v Speaker 3>oh shit, Hi, Miley Cyrus. So do we hear all

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<v Speaker 3>that in the recording? Is it the unedited version?

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<v Speaker 2>This is fully unedited. We'll start it from the moment

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<v Speaker 2>Miley says hi, and you can hear the shee terry

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<v Speaker 2>in my voice when I realized, oh dear, that's not

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<v Speaker 2>a label representative, that's Miley Ray Cyrus.

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<v Speaker 3>I can't wait. Let's listen. Give it up for Miley Cyrus.

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<v Speaker 1>Hello.

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<v Speaker 3>Oh hey, oh my god, hey there you are. How

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<v Speaker 3>are you? Good? Morning?

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<v Speaker 4>Good? This seems like there's going to be a good

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<v Speaker 4>conversation from the wall behind you.

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<v Speaker 3>Oh do you like it?

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<v Speaker 2>My boyfriend put them up and he's like, this is

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<v Speaker 2>this is my spare room. As much as these yours

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<v Speaker 2>I get to pick. I'm like, as long as my

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<v Speaker 2>shot like my radio show logos. There.

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<v Speaker 3>Can you see the vinyls?

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<v Speaker 1>Yes, I love him. I'm a wait is that real?

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<v Speaker 3>Yeah? Duh?

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<v Speaker 1>The Call Me Mother album? Yeah, yeah, everything to me.

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<v Speaker 1>Your boyfriend when.

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<v Speaker 2>He does, He's got Britney's on there, this camp rock,

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<v Speaker 2>he loves camp rock, high school all this. Yeah, there's

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<v Speaker 2>Charlie Casey Muskrave.

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<v Speaker 1>This is nostalgic Kevin. I'm really into it.

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<v Speaker 2>He's like he he rotates them too. It's like a

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<v Speaker 2>work roster. He's like, all right, so Christmas, will put

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<v Speaker 2>some Christmas stuff up. I'm like, do what you want.

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<v Speaker 4>I live And also you rule for allowing that that's

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<v Speaker 4>a self expression. That is just the most valuable thing

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<v Speaker 4>in a relationship.

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<v Speaker 2>So slave all they have, I have like the comedy

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<v Speaker 2>vinyls like I've got Joan Rivers her original comedy.

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<v Speaker 4>Oh, I mean that's really that's that's that's gotta be

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<v Speaker 4>really worth something.

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<v Speaker 1>Where'd you get that.

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<v Speaker 2>Yeah, I got that in LA because like, obviously we're

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<v Speaker 2>in Australia.

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<v Speaker 3>I got that in La Fi.

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<v Speaker 1>Of course you got that in LA.

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<v Speaker 2>It was like three dollars fifty. I'm like, I think

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<v Speaker 2>this is a mistake.

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<v Speaker 3>He's three.

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<v Speaker 1>No, that is a mistake. That's a collector's item.

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<v Speaker 2>Thank you so much. And it's so good too. I

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<v Speaker 2>love just listening to John when she was like in

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<v Speaker 2>the thirties. It's just it's ideal. So, yeah, welcome to

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<v Speaker 2>my spare room. Miley Cyrus love it.

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<v Speaker 4>I think that this is very much what my spare

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<v Speaker 4>room kind of looks like. I actually have some n

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<v Speaker 4>Sync dolls.

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<v Speaker 1>Is that Spice Yeah, yeah, I've got I've.

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<v Speaker 4>Got Spice Girl dolls on my wall. I've got a

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<v Speaker 4>very similar wall. But see, I put all my barbies

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<v Speaker 4>like in this in this I had my mom put

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<v Speaker 4>it in like boxes to preserve because I also, like,

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<v Speaker 4>you know, like the jone. That's just that these things

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<v Speaker 4>are getting more valuable by the day, so I've got

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<v Speaker 4>them preserved and protected because they are.

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<v Speaker 1>It's fine art at this point.

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<v Speaker 2>Yeah, I know, you mean for some people that come

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<v Speaker 2>into this room and they're like, this is like a

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<v Speaker 2>creepy American horror story.

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<v Speaker 3>Vibe. What's going on with all the dolls and all

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<v Speaker 3>and all the vinyls.

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<v Speaker 1>I'm I tell them it's museum quality.

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<v Speaker 3>Thank you, Miley, I see you.

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<v Speaker 1>Museum quality.

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<v Speaker 2>If anyone the world would get it, it's Miley Cyrus.

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<v Speaker 2>I'm gonna play this audio on loop when people walk

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<v Speaker 2>into this room to.

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<v Speaker 1>Justify museum pality.

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<v Speaker 4>Museum pality, museum pality.

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<v Speaker 3>It's so good to have you. I've been a big fan.

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<v Speaker 2>Fee's a derb and look at the vinyls, but it's

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<v Speaker 2>great to make this finally happen.

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<v Speaker 3>We love you. You're amazing.

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<v Speaker 1>Thank you so much.

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<v Speaker 2>This is so cool. A Plastic Hearts is out now.

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<v Speaker 2>The world is sort of vibe and it's hot. It's

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<v Speaker 2>a really great album, and I'm so happy for you.

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<v Speaker 2>Are you sort of buzzing and you and you're enjoying

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<v Speaker 2>writing the hype of it?

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<v Speaker 4>Yeah, you know, I think one of the biggest bummers

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<v Speaker 4>of this year is is the you know, I guess

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<v Speaker 4>I'm unable to travel right at the moment and perform

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<v Speaker 4>live around the world because it seems like it's really relating,

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<v Speaker 4>and I think that's the biggest goal of a storyteller,

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<v Speaker 4>of anyone behind you on the wall there, I think

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<v Speaker 4>the one thing that even though they're all very unique

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<v Speaker 4>and different, the common thread between them would be that

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<v Speaker 4>as an artist, your goal is for people to see

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<v Speaker 4>and find themselves in the art that you make, whether

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<v Speaker 4>it's film, music, in this any sense of storytelling, you

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<v Speaker 4>want people to find themselves in the stories that you're

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<v Speaker 4>telling that are personal and intimate.

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<v Speaker 1>And it feels like no.

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<v Speaker 4>Matter where it is around the world, whether it's Australia,

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<v Speaker 4>do you ask anywhere that I've spoken to, it feels

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<v Speaker 4>like everyone's really finding themselves and relating to the music

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<v Speaker 4>in a way that makes it very special for me.

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<v Speaker 3>Yeah, you do that very well though.

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<v Speaker 2>One of my favorite records that you've ever put out

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<v Speaker 2>as Dead Pets, and I think you're the only artist

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<v Speaker 2>to ever sort of put an album out like that,

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<v Speaker 2>which was such a risk, I guess creatively, but you

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<v Speaker 2>pulled it off and you nailed it, and that is

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<v Speaker 2>what you do so well as an artist. And this

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<v Speaker 2>album feels like you right now in the moment. I mean,

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<v Speaker 2>Midnight Sky is obviously the lead track everyone's going crazy

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<v Speaker 2>about the Cevie Nicks remix is amazing.

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<v Speaker 3>Why don't we quickly talk about that? How did you

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<v Speaker 3>get Stevie is?

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<v Speaker 2>I was maybe thinking maybe it's like a connection with

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<v Speaker 2>your dad, maybe like you know, you grew up you

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<v Speaker 2>maybe you knew and maybe your dad.

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<v Speaker 3>How did that work?

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<v Speaker 1>Well?

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<v Speaker 4>Actually, when I I sampled at just seventeen in Midnight Sky,

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<v Speaker 4>and I reached out to Stevie directly and asked her

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<v Speaker 4>to kind of bless it and allow it, and she said,

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<v Speaker 4>you can borrow from me anytime. And when she said that,

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<v Speaker 4>I'm one of those people that when someone says, if

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<v Speaker 4>you need anything at all, call me, like I call

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<v Speaker 4>five minutes later, like I'm I will always take someone

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<v Speaker 4>up on their word.

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<v Speaker 1>And so I did.

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<v Speaker 4>And it really came at such a great time before

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<v Speaker 4>the record because I think, you know what I do

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<v Speaker 4>with Midnight Sky, blending those sounds, making something that's reminiscent,

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<v Speaker 4>something that honors the original song, but then again breathes

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<v Speaker 4>new life into it, makes it something that's really modern,

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<v Speaker 4>even though you've heard the song a million times now,

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<v Speaker 4>giving it a new identity that you've never heard before.

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<v Speaker 4>And I think the collaborators have all been you know,

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<v Speaker 4>it's really important ingredients to the records that I made,

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<v Speaker 4>because having these legends that really paved the path for

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<v Speaker 4>the road that I'm on right now, but then having

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<v Speaker 4>someone like Dua Lipa that makes it modern right now,

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<v Speaker 4>so current, I think, you know you really this record

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<v Speaker 4>is something that again there's there's something nostalgic about it,

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<v Speaker 4>but there's also something that I feel is innovative, and

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<v Speaker 4>that's that's kind of what I always aim for.

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<v Speaker 2>Yeah, did you get sent like a ZIP file of

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<v Speaker 2>Stevie's audio or did you just get a thumb drive

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<v Speaker 2>seat to you and you're like, oh, plug it in,

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<v Speaker 2>put it.

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<v Speaker 3>In the computer. Steve's stuff's arrived.

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<v Speaker 4>Yes, going in through all those vocals, and you know,

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<v Speaker 4>some of my favorite things are getting to hear the

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<v Speaker 4>breaths and the dirt and grime that you know, usually

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<v Speaker 4>when you get the polished.

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<v Speaker 1>Product, we lose a lot of that.

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<v Speaker 4>That was one thing you mentioned Dead Pets that was

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<v Speaker 4>really important that I kept in all the imperfections, and

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<v Speaker 4>that's something that's really honored on this record also as

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<v Speaker 4>we allow it to be organic and authentic and in

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<v Speaker 4>that there's no way that it can be perfected.

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<v Speaker 1>It has to.

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<v Speaker 4>You have to let the flaws almost highlight them because

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<v Speaker 4>it makes it so real.

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<v Speaker 3>Yeah, let's talk prison enough.

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<v Speaker 2>Because that song is being played on lap here at kiss,

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<v Speaker 2>it's like a heart request. People seem to love it

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<v Speaker 2>and do a lepa. It seems like a great fit

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<v Speaker 2>for you. Are you and that film clip? By the way,

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<v Speaker 2>I mean, that's hot. You guys make the hottest couple.

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<v Speaker 2>I was like, jeesy, I've got a boyfriend. But even

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<v Speaker 2>I was like, let's watch that again.

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<v Speaker 3>That was that?

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<v Speaker 1>Yes, I live well listen.

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<v Speaker 4>It was such a It was such a It was

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<v Speaker 4>such a cool experience because she is someone that's really trusting,

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<v Speaker 4>and you know, I really respect that because she brought

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<v Speaker 4>no fear to what we were creating. She was really

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<v Speaker 4>down to kind of you know, I think our individuality

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<v Speaker 4>were very similar, but we're also very different. And I

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<v Speaker 4>think that neither one of those were ignored. I think

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<v Speaker 4>again they were. They were brought into the light and

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<v Speaker 4>allowed the things that we have in common. You know,

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<v Speaker 4>we we really celebrate them, but we also let the

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<v Speaker 4>differences shine. And I think that's something that I guess

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<v Speaker 4>we could all really use. And I think that's what

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<v Speaker 4>makes each art is so unique, and allowing her to

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<v Speaker 4>be her and allowing me to be me and not

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<v Speaker 4>trying to kind of create one identity, but allow us

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<v Speaker 4>both as individuals to be happy with what we made.

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<v Speaker 2>How the single is great, but how could you not

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<v Speaker 2>like fall in love with her rubbing around with fake

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<v Speaker 2>blood and smashing sheet and punching wolls and like in

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<v Speaker 2>the clothes that you were room.

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<v Speaker 3>Was it a fun shoot?

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<v Speaker 1>It was a very fun shoot.

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<v Speaker 4>And more than that, you know, I feel like I

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<v Speaker 4>really got to know her in a way that the

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<v Speaker 4>chemistry Again, it's all about authenticity and there was nothing

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<v Speaker 4>about it that was put on or an act because.

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<v Speaker 1>We got to in creating this.

0:09:41.200 --> 0:09:43.960
<v Speaker 4>She gave me direct contact where there was never any

0:09:44.000 --> 0:09:47.200
<v Speaker 4>run around going you know, through teams or playing telephone.

0:09:47.320 --> 0:09:49.920
<v Speaker 4>She really you know, we we even edited this video

0:09:50.080 --> 0:09:52.480
<v Speaker 4>like over text message. I think it's a very current

0:09:52.520 --> 0:09:54.640
<v Speaker 4>way of doing things. You know, I'd send her little

0:09:54.679 --> 0:09:56.800
<v Speaker 4>clips say are you happy with this? And you know,

0:09:56.920 --> 0:09:59.160
<v Speaker 4>her being happy with what we made and me feeling

0:09:59.240 --> 0:10:02.720
<v Speaker 4>like I made something that you know, freaked people out.

0:10:02.960 --> 0:10:05.160
<v Speaker 4>But you know, also I think people laugh, you know,

0:10:05.280 --> 0:10:08.400
<v Speaker 4>especially when Divine comes on, because there you laugh you're

0:10:08.440 --> 0:10:11.040
<v Speaker 4>in shock, you're grossed out, you're turned on. I like

0:10:11.080 --> 0:10:13.840
<v Speaker 4>people to leave my video confused. It's like, how do

0:10:13.880 --> 0:10:14.480
<v Speaker 4>I feel about this?

0:10:14.840 --> 0:10:16.880
<v Speaker 2>Leaving and Miley Star's album is like leaving a good

0:10:17.000 --> 0:10:19.920
<v Speaker 2>orgie you like. I like that, but right, but shit happened?

0:10:21.080 --> 0:10:21.360
<v Speaker 1>Yeah?

0:10:21.480 --> 0:10:24.560
<v Speaker 4>Yeah, it's always I like people to just know I'm

0:10:24.600 --> 0:10:26.560
<v Speaker 4>not sure what happened, but I like it.

0:10:26.640 --> 0:10:27.960
<v Speaker 1>You know, that's that's what you want.

0:10:27.920 --> 0:10:31.760
<v Speaker 2>Exactly Right now. Album is great, It's out there in

0:10:31.800 --> 0:10:34.080
<v Speaker 2>the world. People are loving it, They're consuming it. Are

0:10:34.120 --> 0:10:35.839
<v Speaker 2>you happy, You're feeling good? Like you in a good

0:10:35.840 --> 0:10:37.880
<v Speaker 2>spot right now? Creatively, I know that she's been crapping.

0:10:37.920 --> 0:10:39.360
<v Speaker 2>It's such a shit question to be like, how have

0:10:39.400 --> 0:10:40.000
<v Speaker 2>you been this year?

0:10:40.280 --> 0:10:42.880
<v Speaker 4>But do you know, you know, there's some guilt with

0:10:42.960 --> 0:10:46.720
<v Speaker 4>my answer because I am very I'm I'm super super,

0:10:46.840 --> 0:10:50.600
<v Speaker 4>you know, grateful. I guess the gratitude overrides the guilt

0:10:50.640 --> 0:10:55.439
<v Speaker 4>of feeling, you know, like, this year has been really

0:10:55.880 --> 0:11:00.560
<v Speaker 4>amazing because I think everyone you know, there's been a

0:11:00.559 --> 0:11:04.280
<v Speaker 4>little benefit slowing down and it's been really reflective and

0:11:04.320 --> 0:11:07.479
<v Speaker 4>so that for a songwriter can be really beneficial.

0:11:07.800 --> 0:11:10.720
<v Speaker 2>Yeah, I spoke to your sister. Actually, Noah I was.

0:11:10.800 --> 0:11:13.240
<v Speaker 2>I met her when she first came to Australia way

0:11:13.280 --> 0:11:14.760
<v Speaker 2>way way back, when I had her in and I

0:11:14.760 --> 0:11:16.520
<v Speaker 2>had her in studio, and we've really tried to like

0:11:16.840 --> 0:11:17.920
<v Speaker 2>pioneer and get.

0:11:17.760 --> 0:11:20.000
<v Speaker 3>Her stuff on because I think she's incredible.

0:11:20.000 --> 0:11:22.840
<v Speaker 2>She's got such a unique voice and the stuff that

0:11:22.880 --> 0:11:25.880
<v Speaker 2>she puts out is so fun. And the last time

0:11:25.920 --> 0:11:27.760
<v Speaker 2>I spoke to her, she I'm like, I've never spoken

0:11:27.800 --> 0:11:29.760
<v Speaker 2>to your sister. What do you recommend? She was like,

0:11:29.840 --> 0:11:33.200
<v Speaker 2>ask her about our dad's secret FaceTime phone. I was like, what, wait,

0:11:33.240 --> 0:11:35.080
<v Speaker 2>what's the secret? And she's like, bye, I gotta go,

0:11:35.440 --> 0:11:36.199
<v Speaker 2>want you can't leave?

0:11:36.240 --> 0:11:39.840
<v Speaker 1>Oh my god, Well, my dad.

0:11:39.880 --> 0:11:41.760
<v Speaker 4>The thing about my dad's FaceTime phone is he actually

0:11:41.800 --> 0:11:43.680
<v Speaker 4>doesn't really know how to use it. You have to

0:11:43.720 --> 0:11:46.560
<v Speaker 4>call him on the non FaceTime phone before to walk

0:11:46.640 --> 0:11:49.520
<v Speaker 4>him through like even turning the phone on.

0:11:50.320 --> 0:11:50.520
<v Speaker 3>You know.

0:11:50.600 --> 0:11:51.160
<v Speaker 1>I sent my.

0:11:51.160 --> 0:11:53.480
<v Speaker 4>Dad like a YouTube video the other day and it

0:11:53.559 --> 0:11:57.240
<v Speaker 4>was basically like sending him instructions to mars, Like he

0:11:57.320 --> 0:11:57.839
<v Speaker 4>really just.

0:11:57.800 --> 0:11:59.040
<v Speaker 1>Had no idea what to do.

0:12:00.120 --> 0:12:02.480
<v Speaker 4>So my dad, my dad has a theory that two

0:12:02.559 --> 0:12:05.240
<v Speaker 4>blackberries equal an iPhone, which is not.

0:12:05.880 --> 0:12:06.559
<v Speaker 3>At all true.

0:12:06.600 --> 0:12:10.199
<v Speaker 4>No, no, So he at one time was like yeah,

0:12:10.240 --> 0:12:13.560
<v Speaker 4>he had two blackberries. Now he's got a FaceTime phone,

0:12:13.559 --> 0:12:15.839
<v Speaker 4>but it does nothing but FaceTime and it's always left

0:12:15.880 --> 0:12:18.440
<v Speaker 4>on FaceTime, so he doesn't have to Actually, all he

0:12:18.480 --> 0:12:20.280
<v Speaker 4>has to do is like swipe when we call.

0:12:20.480 --> 0:12:22.719
<v Speaker 1>Oh yeah, yeah, my.

0:12:22.720 --> 0:12:26.120
<v Speaker 4>Dad still like paints on, you know, like you know,

0:12:26.880 --> 0:12:30.559
<v Speaker 4>my dad is very my dad has He kind of

0:12:30.640 --> 0:12:33.200
<v Speaker 4>jokes that we're all doing this social distancing now because

0:12:33.240 --> 0:12:37.240
<v Speaker 4>my dad has been participating in isolation. Yeah, since nineteen

0:12:37.320 --> 0:12:41.360
<v Speaker 4>ninety three. It's encouraged to stay distanced. And one of

0:12:41.400 --> 0:12:43.760
<v Speaker 4>those that he, you know, kind of stays away from

0:12:43.840 --> 0:12:46.360
<v Speaker 4>is technology and how quickly that it's updated.

0:12:46.400 --> 0:12:48.600
<v Speaker 1>And he does not bless him blessing him.

0:12:48.600 --> 0:12:49.600
<v Speaker 3>That's part of the job. Though.

0:12:49.640 --> 0:12:51.960
<v Speaker 2>I love that he's got a separate FaceTime phote like

0:12:51.960 --> 0:12:54.160
<v Speaker 2>he's the president, like he's got the nuclear codes.

0:12:54.080 --> 0:12:57.120
<v Speaker 3>He needs it. It's yeah, he's backpocket. Yeah yeah, did

0:12:57.200 --> 0:12:57.559
<v Speaker 3>your dad?

0:12:57.600 --> 0:12:59.120
<v Speaker 2>I know my dad since he messages, I'm on the

0:12:59.160 --> 0:13:01.160
<v Speaker 2>radio and I'm doing bits paces and you might love

0:13:01.200 --> 0:13:03.560
<v Speaker 2>it so good Dad X, like you know, cent of it,

0:13:03.679 --> 0:13:05.800
<v Speaker 2>like it's like a high creue, like cent of eight

0:13:05.840 --> 0:13:08.079
<v Speaker 2>different paragraphs. Do you still get like the classic dad

0:13:08.120 --> 0:13:09.440
<v Speaker 2>messages from your Dad.

0:13:09.800 --> 0:13:12.880
<v Speaker 4>Oh yeah, my dad thinks that every photo he takes

0:13:13.040 --> 0:13:16.680
<v Speaker 4>is like a work of art, and he titles each

0:13:16.720 --> 0:13:20.120
<v Speaker 4>of them with parentheses. Oh, but they will just be

0:13:20.280 --> 0:13:22.320
<v Speaker 4>titled like what they are. So the other day he

0:13:22.400 --> 0:13:25.000
<v Speaker 4>just wrote like river and I'm like, no, Dad, that's

0:13:25.040 --> 0:13:28.520
<v Speaker 4>not like a river, Like that's an actual river. There's

0:13:28.520 --> 0:13:31.600
<v Speaker 4>really nothing like about it. And there's like then it'll

0:13:31.600 --> 0:13:33.880
<v Speaker 4>just be like bird, and you're like, no, that's an

0:13:33.960 --> 0:13:36.480
<v Speaker 4>actual bird, Like there's really no reason to be like

0:13:36.559 --> 0:13:38.880
<v Speaker 4>this about it, Like it's just a bird and that's

0:13:38.920 --> 0:13:39.560
<v Speaker 4>not a title.

0:13:40.600 --> 0:13:44.120
<v Speaker 3>Yeah, let him leave. He's creative. Live you having fun. Yeah,

0:13:44.120 --> 0:13:45.040
<v Speaker 3>he's enjoying, right.

0:13:45.080 --> 0:13:47.720
<v Speaker 4>I call this one bird. We're like, no, you don't

0:13:47.720 --> 0:13:50.559
<v Speaker 4>call that. Everyone calls that. Look, it's not like something

0:13:50.559 --> 0:13:51.480
<v Speaker 4>that you've come up with.

0:13:51.600 --> 0:13:53.600
<v Speaker 3>That says bird in the Oxford Dictionary.

0:13:53.679 --> 0:13:57.520
<v Speaker 2>Dad. Yeah, that's the best plastic hots is out now, Miley,

0:13:57.640 --> 0:14:00.440
<v Speaker 2>this has been a pleasure. I'm so dec to have

0:14:00.440 --> 0:14:01.920
<v Speaker 2>new stuff from you in the world because we've been

0:14:01.920 --> 0:14:04.079
<v Speaker 2>playing the old stuff and they're partying in the USA

0:14:04.200 --> 0:14:06.400
<v Speaker 2>sort of came back on loop with the election, and

0:14:06.559 --> 0:14:09.199
<v Speaker 2>it's so nice to have all this stuff on rotation from.

0:14:09.000 --> 0:14:10.440
<v Speaker 1>You because thank you.

0:14:10.480 --> 0:14:12.920
<v Speaker 3>I appreciate it and we love you down here in Australia.

0:14:12.960 --> 0:14:14.800
<v Speaker 3>Come and see you soon. Please, thank you.

0:14:14.880 --> 0:14:17.200
<v Speaker 4>As soon as it's a green light eight, I'm gone.

0:14:17.240 --> 0:14:18.040
<v Speaker 1>I can't wait now.

0:14:18.040 --> 0:14:20.320
<v Speaker 2>We can't really fitish a spare bed in the spare room,

0:14:20.360 --> 0:14:21.560
<v Speaker 2>but we'll make it happen.

0:14:21.600 --> 0:14:24.640
<v Speaker 1>I'm gonna sleep with you two. You're gonna make a

0:14:24.640 --> 0:14:25.960
<v Speaker 1>Miley sandwich.

0:14:25.640 --> 0:14:30.600
<v Speaker 3>You me and John. Yeah, Miley, we love you. Think Yeah.

0:14:30.600 --> 0:14:32.920
<v Speaker 4>I'll pour some cherry juice all over you and lick

0:14:33.000 --> 0:14:34.080
<v Speaker 4>you like I did du A Liba.

0:14:34.280 --> 0:14:36.640
<v Speaker 3>Oh please, thank you so it's on my bucket list.

0:14:37.240 --> 0:14:40.240
<v Speaker 3>You're the best. Thank you so much. You appreciate it,

0:14:40.320 --> 0:14:41.040
<v Speaker 3>so good to chat.

0:14:41.960 --> 0:14:43.000
<v Speaker 1>Thanks.

0:14:44.120 --> 0:14:46.760
<v Speaker 4>You can follow the show online, just search a couple

0:14:46.800 --> 0:14:47.360
<v Speaker 4>of miches.

0:14:47.600 --> 0:14:49.360
<v Speaker 3>If you don't, you're a tickhead.