1 00:00:00,400 --> 00:00:06,440 Speaker 1: Well and Woody podcast Many bedroom injuries right now thirty 2 00:00:06,519 --> 00:00:08,320 Speaker 1: one oh six ' five beg. 3 00:00:08,560 --> 00:00:11,280 Speaker 2: This was your partner who suffered a bedroom injury. 4 00:00:12,560 --> 00:00:17,200 Speaker 3: Yeah, he he woke up in the morning as you do, 5 00:00:17,560 --> 00:00:22,920 Speaker 3: and went to climb in the shower and shut the door, 6 00:00:22,960 --> 00:00:25,640 Speaker 3: and he sort of got in the way and shut 7 00:00:25,680 --> 00:00:26,720 Speaker 3: the door on himself. 8 00:00:27,640 --> 00:00:29,960 Speaker 2: Oh you do, joint. So what was the damage there 9 00:00:29,960 --> 00:00:31,200 Speaker 2: when he shut the door on himself. 10 00:00:32,479 --> 00:00:35,400 Speaker 3: He just had a little quick trip for the emergency apartment, 11 00:00:35,479 --> 00:00:37,879 Speaker 3: but he got good master about a. 12 00:00:37,880 --> 00:00:41,720 Speaker 1: Week shut the door on it when yeah, yeah, yeah, 13 00:00:41,720 --> 00:00:45,280 Speaker 1: well it's it's dragging behind him obviously big. 14 00:00:46,680 --> 00:00:48,400 Speaker 3: I think he just didn't get out of the way, 15 00:00:48,560 --> 00:00:50,640 Speaker 3: to be honest, give it credit. 16 00:00:51,159 --> 00:00:53,000 Speaker 1: On a second though, without again, without going too much 17 00:00:53,000 --> 00:00:55,440 Speaker 1: in I'm interested in the ergonomics here because if it's 18 00:00:55,480 --> 00:00:59,400 Speaker 1: a door, if it's a door that you're closing behind you, right, 19 00:01:00,240 --> 00:01:02,760 Speaker 1: turn the jerremy blocks and turn this story. It was 20 00:01:02,760 --> 00:01:05,880 Speaker 1: a door that you're closing behind you, it would take 21 00:01:06,120 --> 00:01:09,440 Speaker 1: like it'd have to be lag. 22 00:01:09,480 --> 00:01:11,320 Speaker 2: It swings like a grandfather clock that's once and I'm 23 00:01:11,360 --> 00:01:15,840 Speaker 2: sort of imagining think such a stallion. 24 00:01:15,959 --> 00:01:18,479 Speaker 1: Was it a close behind door? Was it because sliding door. 25 00:01:18,520 --> 00:01:20,119 Speaker 1: I can imagine he just got a little bit too 26 00:01:20,120 --> 00:01:20,800 Speaker 1: close to the sun. 27 00:01:20,880 --> 00:01:22,200 Speaker 2: Still he's a swing for Yeah. 28 00:01:22,480 --> 00:01:24,560 Speaker 3: I think he was facing the door and he went 29 00:01:24,600 --> 00:01:29,640 Speaker 3: to grab it and pulled it. 30 00:01:31,040 --> 00:01:33,199 Speaker 2: Grandfather clock mid ninetying. 31 00:01:34,480 --> 00:01:39,800 Speaker 1: Sah, my goly, gosh. 32 00:01:39,240 --> 00:01:41,600 Speaker 2: Well, Sarah, what's your bedroom injury? 33 00:01:41,800 --> 00:01:43,280 Speaker 1: What should be a new phone to me? Can we 34 00:01:43,280 --> 00:01:45,080 Speaker 1: tell how bigger is based on how you heard it? 35 00:01:47,720 --> 00:01:49,520 Speaker 2: Hi, Sarah wants your bedroom injury. 36 00:01:50,240 --> 00:01:50,559 Speaker 4: Hello. 37 00:01:51,000 --> 00:01:55,080 Speaker 5: So I was with my my partner of five years now, 38 00:01:55,080 --> 00:01:56,840 Speaker 5: but when we first got together, we went out, had 39 00:01:56,840 --> 00:02:00,680 Speaker 5: a lovely night, you know, come home, went together, went 40 00:02:00,720 --> 00:02:03,600 Speaker 5: to bed, but I was still a little bit shy 41 00:02:03,720 --> 00:02:06,520 Speaker 5: and no, I didn't want to go like ya go 42 00:02:06,560 --> 00:02:08,600 Speaker 5: to the star. So I went to the powder room 43 00:02:09,360 --> 00:02:11,840 Speaker 5: and everything that's dark. As I sort of come back, 44 00:02:12,120 --> 00:02:16,480 Speaker 5: I literally chipped over my foot and my head landed on. 45 00:02:16,600 --> 00:02:21,040 Speaker 1: The end of no on no Sarah. 46 00:02:21,280 --> 00:02:24,040 Speaker 5: Yeah, no, it's pretty bad, like really bad. So I 47 00:02:24,080 --> 00:02:28,760 Speaker 5: split my forehead open, and yeah, I thought that was okay. 48 00:02:28,919 --> 00:02:30,959 Speaker 5: Like I said, I'm okay, I'm okay, and he looked 49 00:02:30,960 --> 00:02:33,480 Speaker 5: at me and he said, Sarah, you're not. Yeah. Yeah. 50 00:02:33,639 --> 00:02:34,520 Speaker 6: So after the. 51 00:02:34,440 --> 00:02:37,639 Speaker 5: Emergency department and then once we got in there. Once 52 00:02:37,680 --> 00:02:39,520 Speaker 5: they sort of cleaned everything up. What wasn't just my 53 00:02:39,600 --> 00:02:42,040 Speaker 5: forehead they once they cleaned up, my whole nose was 54 00:02:42,080 --> 00:02:47,640 Speaker 5: like slapped open. Oh intersection on my face? 55 00:02:48,080 --> 00:02:53,280 Speaker 1: Oh, oh my god. When you go to the hospital, Sarah, Like, 56 00:02:53,320 --> 00:02:56,520 Speaker 1: so he takes you in there, obviously, do you do 57 00:02:56,600 --> 00:02:57,800 Speaker 1: you have to have that? Does he have to have 58 00:02:57,840 --> 00:03:00,400 Speaker 1: that moment where he's like, look, just met a. You 59 00:03:00,440 --> 00:03:02,440 Speaker 1: know we were gonna we're going to hook up. But 60 00:03:03,760 --> 00:03:05,280 Speaker 1: did you he was? 61 00:03:05,639 --> 00:03:07,639 Speaker 5: He was, he knew, he was like, okay, because I'm 62 00:03:07,639 --> 00:03:08,600 Speaker 5: going to keep me on my taes. 63 00:03:08,720 --> 00:03:10,720 Speaker 6: So nothing's changed since. 64 00:03:10,800 --> 00:03:11,639 Speaker 1: Are you still with him? 65 00:03:12,520 --> 00:03:12,680 Speaker 3: Oh? 66 00:03:12,760 --> 00:03:17,120 Speaker 2: Yes, yeah, that's the story, and scars had character Sarah. 67 00:03:17,120 --> 00:03:18,960 Speaker 2: So I'm sure that the t intersection. 68 00:03:18,600 --> 00:03:21,560 Speaker 5: Looks he can't leave me after the star on my 69 00:03:21,600 --> 00:03:22,680 Speaker 5: face anyway. 70 00:03:22,560 --> 00:03:25,880 Speaker 2: So after the whatsay I said. 71 00:03:25,639 --> 00:03:27,239 Speaker 5: He can't leave me. Now I've got like a star 72 00:03:27,280 --> 00:03:27,760 Speaker 5: on my face. 73 00:03:27,880 --> 00:03:30,600 Speaker 2: Yeah exactly right, Yeah, no, exactly right. It's like a 74 00:03:30,639 --> 00:03:34,000 Speaker 2: tattoo for him. What a scar form? 75 00:03:34,520 --> 00:03:36,880 Speaker 1: He doesn't know you one because you've got a scar. 76 00:03:36,800 --> 00:03:38,600 Speaker 2: And tripped over your own feet. 77 00:03:38,680 --> 00:03:38,880 Speaker 1: Sarah. 78 00:03:38,880 --> 00:03:39,920 Speaker 2: It wasn't really his fault. 79 00:03:40,160 --> 00:03:42,720 Speaker 1: He can't leave you because I've got his bed imprinted 80 00:03:42,760 --> 00:03:46,120 Speaker 1: on my forehead. Maybe he loves you, Sarah, give yourself 81 00:03:46,120 --> 00:03:49,080 Speaker 1: some value, mate, he's into you. I reckon, Thanks for 82 00:03:49,120 --> 00:03:51,760 Speaker 1: the call. We've got Eva here on thirty one and 83 00:03:51,840 --> 00:03:54,040 Speaker 1: six foot Eva bedroom in Jesus Is a few years 84 00:03:54,080 --> 00:03:55,000 Speaker 1: back hit us. 85 00:03:55,800 --> 00:03:59,640 Speaker 6: OHI yeah, so early jays in our relationship with my partner, 86 00:03:59,760 --> 00:04:04,760 Speaker 6: we thought we'd be adventurers and we were going to 87 00:04:04,800 --> 00:04:07,080 Speaker 6: try a new move that we invented ourselves. 88 00:04:08,080 --> 00:04:08,680 Speaker 4: Helicopter. 89 00:04:10,280 --> 00:04:11,760 Speaker 1: Hang on, hang on, let's just. 90 00:04:14,360 --> 00:04:17,240 Speaker 2: Come on. We're right there. Come on. 91 00:04:17,440 --> 00:04:19,320 Speaker 1: But I just want to know. I don't want to 92 00:04:19,400 --> 00:04:21,760 Speaker 1: know about I don't want to know the details woods. 93 00:04:21,880 --> 00:04:25,760 Speaker 1: I just want to know Eva. Just did you sit 94 00:04:25,839 --> 00:04:29,240 Speaker 1: down together and have a discussion let's inventor move or 95 00:04:29,360 --> 00:04:30,280 Speaker 1: was it incidental? 96 00:04:31,520 --> 00:04:34,919 Speaker 4: It was kind of incidental. There wasn't a lot of discussion. 97 00:04:35,000 --> 00:04:37,480 Speaker 4: If there was, we probably would have realized that. 98 00:04:38,760 --> 00:04:40,960 Speaker 2: It was dangerous logs and ergonomicop it. 99 00:04:40,960 --> 00:04:41,880 Speaker 6: Just wouldn't have worked. 100 00:04:42,120 --> 00:04:45,280 Speaker 2: It's called the helicopter. It's like the iron loaders and 101 00:04:45,360 --> 00:04:47,880 Speaker 2: blades of Gloria. Imagine that's what I'm picturing. What are 102 00:04:47,880 --> 00:04:50,920 Speaker 2: we talking about? 103 00:04:52,200 --> 00:04:57,400 Speaker 4: It involved him of slinging me ivery shoulders. Why is it? 104 00:04:57,440 --> 00:04:57,640 Speaker 5: Why? 105 00:04:57,680 --> 00:04:57,840 Speaker 1: Why? 106 00:04:57,960 --> 00:04:59,040 Speaker 2: Why is that the helicopter? 107 00:05:00,400 --> 00:05:06,640 Speaker 4: Well, there was a spin involved, so. 108 00:05:05,320 --> 00:05:06,320 Speaker 1: How big was it? 109 00:05:06,640 --> 00:05:10,159 Speaker 2: He's helicopter in it? And then fireman holding you over 110 00:05:10,200 --> 00:05:10,599 Speaker 2: his shoulder. 111 00:05:10,680 --> 00:05:13,400 Speaker 1: He's not a helicoptering it while fireman holding her, she's 112 00:05:13,440 --> 00:05:17,400 Speaker 1: the blade of the helicopter. The helicopter. While this is 113 00:05:17,440 --> 00:05:18,120 Speaker 1: going on. 114 00:05:17,960 --> 00:05:20,440 Speaker 2: This doesn't sound like a bedroom move like. It sounds 115 00:05:20,480 --> 00:05:23,800 Speaker 2: like bor room dancing exactly. Anyway, Sorry, what happened? 116 00:05:25,279 --> 00:05:27,200 Speaker 1: Do you mind? Actually? I wouldn't mind if you can 117 00:05:27,320 --> 00:05:30,000 Speaker 1: draw a diagram and send it to our Instagram page. 118 00:05:30,040 --> 00:05:31,599 Speaker 2: Will if you can d ms? 119 00:05:31,640 --> 00:05:33,599 Speaker 1: I'd really love to see what this looks like. 120 00:05:35,600 --> 00:05:37,320 Speaker 2: Yeah, that'd be great. I'd appreciate that. 121 00:05:37,360 --> 00:05:39,560 Speaker 1: All right, carry on though, you're in You're in the helicopter. 122 00:05:40,320 --> 00:05:42,440 Speaker 4: So yeah, it didn't it didn't go too well. I 123 00:05:42,560 --> 00:05:45,279 Speaker 4: landed awkwardly on his shoulder and cracked the rib. 124 00:05:45,720 --> 00:05:50,680 Speaker 2: Oh god, and so did you? Did you continue? 125 00:05:50,720 --> 00:05:50,960 Speaker 1: Though? 126 00:05:51,279 --> 00:05:51,400 Speaker 5: Oh? 127 00:05:51,520 --> 00:05:54,320 Speaker 2: Was that that was cracked the rib? And helicopter needs 128 00:05:54,320 --> 00:05:54,880 Speaker 2: to be grounded? 129 00:05:55,680 --> 00:05:58,920 Speaker 4: Yeah, the helicopter was grounded real quick. A bit of 130 00:05:58,960 --> 00:05:59,760 Speaker 4: a crash landing. 131 00:06:00,000 --> 00:06:03,359 Speaker 1: Actually, oh nice, like what you've done there? Carried on 132 00:06:03,400 --> 00:06:05,159 Speaker 1: with the helicopter metaphor, very. 133 00:06:05,320 --> 00:06:06,720 Speaker 2: Very unlucky cockpit. 134 00:06:08,000 --> 00:06:09,279 Speaker 1: So very good again. 135 00:06:12,120 --> 00:06:15,000 Speaker 6: Hear more of the boys on the Full Show podcast, 136 00:06:15,160 --> 00:06:18,160 Speaker 6: all on the iHeartRadio a app oh wherever get your 137 00:06:18,200 --> 00:06:18,719 Speaker 6: podcast