1 00:00:00,080 --> 00:00:02,800 Speaker 1: Hates well the Mardy hope you're having a wonderful drive 2 00:00:03,120 --> 00:00:05,200 Speaker 1: home Friday. Our third hell of a time to be alive. 3 00:00:05,280 --> 00:00:07,880 Speaker 1: Ursula Carlson's going to join us really really shortly, and 4 00:00:07,960 --> 00:00:12,959 Speaker 1: Woods is not joining us right now. We're trying. I mean, 5 00:00:13,000 --> 00:00:14,960 Speaker 1: he's in Africa. He's about to go on, I'm a 6 00:00:14,960 --> 00:00:16,279 Speaker 1: sleepy to get me out of here, but I can. 7 00:00:16,480 --> 00:00:18,919 Speaker 1: I can hear him already yelling that from whatever room 8 00:00:19,040 --> 00:00:21,680 Speaker 1: is in over there right now as he painfully tries 9 00:00:21,720 --> 00:00:23,720 Speaker 1: to figure out how his audio mixer works so that 10 00:00:23,760 --> 00:00:26,040 Speaker 1: he can join the feed here guys. But and I 11 00:00:26,120 --> 00:00:29,120 Speaker 1: mean that because this isn't just a standard Friday show. 12 00:00:29,200 --> 00:00:31,400 Speaker 1: We've got huge guests, but we also have the interview 13 00:00:31,480 --> 00:00:35,120 Speaker 1: right now that he's been wanting for ten years. So look, Woods, 14 00:00:35,159 --> 00:00:36,920 Speaker 1: if you can hear me, I'm not sure what part 15 00:00:37,000 --> 00:00:41,880 Speaker 1: of your audio equipment's working, but tough titties, because right 16 00:00:41,920 --> 00:00:46,160 Speaker 1: now I have got the one and only Russell Crowe 17 00:00:46,200 --> 00:00:47,159 Speaker 1: who joins us right now. 18 00:00:47,200 --> 00:00:49,279 Speaker 2: And Willem Woody, Hello, mate, how you doing? 19 00:00:49,320 --> 00:00:50,040 Speaker 3: We'll welcome to it. 20 00:00:50,200 --> 00:00:54,160 Speaker 1: Welcome to Will doesn't have the same ring to it 21 00:00:54,200 --> 00:00:55,520 Speaker 1: I said, I said, welcome to Will. 22 00:00:55,560 --> 00:00:58,000 Speaker 3: It doesn't have the same ring to it. 23 00:00:58,000 --> 00:00:59,960 Speaker 1: It's a bit embarrassing that I'm doing this by myself 24 00:01:00,200 --> 00:01:02,280 Speaker 1: as it's scary for you because I've been wanting to 25 00:01:02,320 --> 00:01:05,319 Speaker 1: interview for you for a very very long time. So 26 00:01:05,560 --> 00:01:07,120 Speaker 1: I'm pumped to talk to You've got a brand new film. 27 00:01:07,160 --> 00:01:10,679 Speaker 1: It's called The Pope's Exorcist. It's in Cinema's April six, 28 00:01:10,920 --> 00:01:16,320 Speaker 1: where you play the Pope's chief exorcist. And yet despite 29 00:01:16,360 --> 00:01:19,399 Speaker 1: all the money and wealth and prowess behind the Vatican, 30 00:01:19,800 --> 00:01:23,520 Speaker 1: you take a scooter from Italy to Spain. 31 00:01:24,400 --> 00:01:27,760 Speaker 2: He's a priest. What do you expecting to be in 32 00:01:27,800 --> 00:01:28,640 Speaker 2: a private Jane. 33 00:01:28,959 --> 00:01:31,280 Speaker 3: Yeah, absolutely, that's the deal these days. 34 00:01:31,640 --> 00:01:33,520 Speaker 4: Actually, I'm not sure that there was a scene. I'm 35 00:01:33,520 --> 00:01:35,600 Speaker 4: not sure if it's still in the movie. I don't 36 00:01:35,600 --> 00:01:37,920 Speaker 4: think it is still in the movie. But at one 37 00:01:38,000 --> 00:01:41,039 Speaker 4: point in time, you know, the the Pope says, I'll 38 00:01:41,120 --> 00:01:43,360 Speaker 4: arrange a flight and he's like no, no, no, yeah, 39 00:01:45,840 --> 00:01:46,280 Speaker 4: I'm not. 40 00:01:46,319 --> 00:01:47,000 Speaker 2: A fan of flying. 41 00:01:48,000 --> 00:01:49,280 Speaker 3: Have you been on one of them? 42 00:01:49,480 --> 00:01:49,680 Speaker 2: Yeah? 43 00:01:49,720 --> 00:01:54,200 Speaker 4: Yeah, you know, man, I've been a motorbike rider for 44 00:01:54,240 --> 00:01:57,360 Speaker 4: a large my life and I've done I've done motorbike 45 00:01:57,440 --> 00:02:01,480 Speaker 4: rides of seven thousand kilometers. Mate, you know, Harley Davison 46 00:02:01,520 --> 00:02:04,200 Speaker 4: going around around the outback, you know, at two wheels 47 00:02:04,480 --> 00:02:07,240 Speaker 4: is no problem for me. We actually I really enjoyed 48 00:02:07,240 --> 00:02:08,519 Speaker 4: that they found such a cool scooter. 49 00:02:08,639 --> 00:02:10,880 Speaker 1: Right, So it wasn't your request that you that you 50 00:02:10,919 --> 00:02:12,519 Speaker 1: got on a scooter. It was it was part of 51 00:02:12,520 --> 00:02:12,919 Speaker 1: the script. 52 00:02:12,960 --> 00:02:14,160 Speaker 3: You weren't like it, No. 53 00:02:13,960 --> 00:02:20,080 Speaker 4: No, no, that I added the scooter because it was 54 00:02:20,160 --> 00:02:22,919 Speaker 4: just a thing of like being so symbolic of Rome, 55 00:02:23,040 --> 00:02:27,360 Speaker 4: you know. And I also just liked the idea, and 56 00:02:27,400 --> 00:02:29,160 Speaker 4: it seems a lot of other people are going with me. 57 00:02:29,240 --> 00:02:31,959 Speaker 4: I just like the visual idea of a priest on 58 00:02:32,040 --> 00:02:32,639 Speaker 4: a Lambretta. 59 00:02:33,080 --> 00:02:34,880 Speaker 3: This is not the first time that somebody brought this 60 00:02:34,960 --> 00:02:35,240 Speaker 3: up with. 61 00:02:35,240 --> 00:02:37,640 Speaker 4: You, mate, I put I put images up on social 62 00:02:37,680 --> 00:02:38,640 Speaker 4: media and the explode. 63 00:02:39,040 --> 00:02:42,640 Speaker 3: You know, it was just like the idea. Who knew 64 00:02:42,639 --> 00:02:44,280 Speaker 3: that it's outrageous? 65 00:02:44,480 --> 00:02:46,160 Speaker 1: Well, you're talking about the last time you're in Rome, 66 00:02:46,600 --> 00:02:48,760 Speaker 1: and obviously a time that I know you from being 67 00:02:48,760 --> 00:02:51,040 Speaker 1: in Rome. Is obviously that the Gladiator movie was all 68 00:02:51,320 --> 00:02:53,640 Speaker 1: set in Rome from a long time ago. But the 69 00:02:53,680 --> 00:02:57,760 Speaker 1: difference was that obviously Father Gabrielle's has got an accent 70 00:02:57,840 --> 00:03:01,200 Speaker 1: that comes with him, you know, sounds is there a 71 00:03:01,240 --> 00:03:04,000 Speaker 1: reason that Maximus didn't come with an Italian accent or 72 00:03:04,360 --> 00:03:06,679 Speaker 1: a Roman motive at the time. 73 00:03:06,760 --> 00:03:08,919 Speaker 4: See, I think that's a different period of time because 74 00:03:08,960 --> 00:03:09,840 Speaker 4: I did suggest it. 75 00:03:09,919 --> 00:03:13,200 Speaker 3: You know, it is Maximus with an Italian accent. 76 00:03:13,720 --> 00:03:15,400 Speaker 2: Yeah, but no, no, but he wasn't. 77 00:03:15,240 --> 00:03:18,840 Speaker 1: Italian fair enough, he was suspend Yeah yeah. 78 00:03:18,639 --> 00:03:21,440 Speaker 4: Yeah, So I actually said to Ridley in one meeting, 79 00:03:21,480 --> 00:03:26,120 Speaker 4: I want to do this character like it's Antonio Banderis 80 00:03:26,160 --> 00:03:31,720 Speaker 4: with slightly better elocution, and sorry, can you give me 81 00:03:31,840 --> 00:03:34,480 Speaker 4: just went absolutely not, but you're not doing that. 82 00:03:34,480 --> 00:03:37,160 Speaker 2: There's no way you're doing that. However, you be a bit. 83 00:03:37,880 --> 00:03:40,280 Speaker 1: Can you give me a bit of Maximus with is 84 00:03:40,320 --> 00:03:41,800 Speaker 1: Antonio Benderoz please? 85 00:03:42,480 --> 00:03:43,640 Speaker 2: No Ah. 86 00:03:43,960 --> 00:03:46,600 Speaker 4: You know, but times have changed in twenty plus years 87 00:03:46,600 --> 00:03:48,200 Speaker 4: on or twenty four years on. 88 00:03:48,760 --> 00:03:51,720 Speaker 2: You know, people are more inclined to. 89 00:03:53,360 --> 00:03:56,120 Speaker 4: Just understand that, you know, this is an Italian character 90 00:03:56,200 --> 00:03:57,880 Speaker 4: should be honored as an Italian man. 91 00:03:57,920 --> 00:03:58,080 Speaker 2: You know. 92 00:03:58,160 --> 00:04:01,840 Speaker 4: So look so far, you know people have responded to 93 00:04:01,880 --> 00:04:04,800 Speaker 4: that really well, there's a certain pathos. 94 00:04:04,280 --> 00:04:07,360 Speaker 2: I think, yeah, that comes with the accent when you know, 95 00:04:07,480 --> 00:04:07,960 Speaker 2: put in. 96 00:04:09,160 --> 00:04:11,200 Speaker 1: Well as an exorcist as well, you got to get 97 00:04:11,200 --> 00:04:14,080 Speaker 1: those You've got to reach those levels as an Exorcist, right, 98 00:04:14,120 --> 00:04:16,480 Speaker 1: and everything sounds better when you're yelling in Italian. It's 99 00:04:16,520 --> 00:04:19,479 Speaker 1: probably the best language. It's probably the best language to 100 00:04:19,560 --> 00:04:22,560 Speaker 1: yell in, isn't it. They managed to get a the 101 00:04:22,560 --> 00:04:24,400 Speaker 1: word pathos. They managed to get a sense of drama 102 00:04:24,400 --> 00:04:25,440 Speaker 1: out of their speech that nobody. 103 00:04:26,000 --> 00:04:28,880 Speaker 4: I just think it's such a beautiful, milfluous sound, the 104 00:04:28,920 --> 00:04:29,680 Speaker 4: Italian accent. 105 00:04:29,880 --> 00:04:31,320 Speaker 3: Yeah, yeah, I agree. 106 00:04:31,640 --> 00:04:33,520 Speaker 1: And now mate, you, I want to talk a little 107 00:04:33,520 --> 00:04:36,680 Speaker 1: bit bout the project of yours because you. My junior 108 00:04:36,720 --> 00:04:38,920 Speaker 1: producer Analyz text me this morning and she was like, 109 00:04:39,040 --> 00:04:41,799 Speaker 1: Russell Crowe's texting me what the dead? 110 00:04:42,200 --> 00:04:45,440 Speaker 3: Ha ha, And I was like, what is Russell texting 111 00:04:45,480 --> 00:04:45,919 Speaker 3: you about? 112 00:04:46,480 --> 00:04:48,880 Speaker 1: And You've got some shows coming up which I wasn't across, 113 00:04:48,920 --> 00:04:50,520 Speaker 1: so into a garden. Part is going to be touring. 114 00:04:51,040 --> 00:04:53,480 Speaker 1: You're playing everywhere as well Byron Sydney. I saw you 115 00:04:53,560 --> 00:04:55,120 Speaker 1: playing the New SB and Melbourn as well, which will 116 00:04:55,160 --> 00:04:56,440 Speaker 1: be hot gy if people get a chance to get 117 00:04:56,480 --> 00:04:56,880 Speaker 1: down there. 118 00:04:57,120 --> 00:04:59,560 Speaker 4: It's been a long time since I've done yeah, getting 119 00:04:59,560 --> 00:05:02,720 Speaker 4: on the road in Australia. Yeah, probably like since twenty 120 00:05:02,800 --> 00:05:05,680 Speaker 4: fourteen or something like that. Yeah, but in the intervening years, 121 00:05:05,720 --> 00:05:09,039 Speaker 4: you know, I've been doing these shows in New York, 122 00:05:09,200 --> 00:05:13,000 Speaker 4: Los Angeles, London, Leeds, south of France, you know, so 123 00:05:13,760 --> 00:05:14,960 Speaker 4: it's time to bring it home. 124 00:05:15,600 --> 00:05:17,680 Speaker 1: Bloody exciting indoor gardenparty dot com. If you want to 125 00:05:17,680 --> 00:05:19,680 Speaker 1: see Russell, I imagine you guys are all touring around 126 00:05:19,760 --> 00:05:24,880 Speaker 1: on green vespers as well. There's a cheap shot anyway. Look, 127 00:05:24,920 --> 00:05:27,280 Speaker 1: we are more with Russell Crowe. Right up next. Russell 128 00:05:27,360 --> 00:05:30,640 Speaker 1: Woody is in Africa. He's missed his interview and I 129 00:05:30,640 --> 00:05:32,400 Speaker 1: don't know how much it would kill him, so I 130 00:05:32,400 --> 00:05:34,360 Speaker 1: would love it if you could if we can call 131 00:05:34,440 --> 00:05:36,160 Speaker 1: him up next, that's the very least we could do. 132 00:05:36,200 --> 00:05:37,240 Speaker 2: I reckon, Yeah, let's give him. 133 00:05:37,279 --> 00:05:39,640 Speaker 4: Let's give him a call, so we'll if he doesn't 134 00:05:39,640 --> 00:05:40,880 Speaker 4: pick up, can we leave a message? 135 00:05:40,920 --> 00:05:41,240 Speaker 2: All right? 136 00:05:41,360 --> 00:05:42,480 Speaker 3: Stay with us, Russell Crowe. 137 00:05:42,520 --> 00:05:44,640 Speaker 1: More with him right up next on Willim Woody as 138 00:05:44,680 --> 00:05:47,120 Speaker 1: he calls Woods in Africa and we finally get him 139 00:05:47,120 --> 00:05:48,920 Speaker 1: on the show because it has been a long time 140 00:05:48,960 --> 00:05:50,960 Speaker 1: where he hasn't spoken. He will join his guys. 141 00:05:51,000 --> 00:05:51,440 Speaker 2: I hope. 142 00:05:53,120 --> 00:05:54,880 Speaker 1: Well and what he Happy Friday brought to you by 143 00:05:54,880 --> 00:05:58,039 Speaker 1: Celebrations this afternoon, guys, Woods is in Africa. I've said 144 00:05:58,040 --> 00:05:59,520 Speaker 1: for the last ten minutes that I'm hoping he's going 145 00:05:59,560 --> 00:06:01,720 Speaker 1: to be joining. A part of me feels as if 146 00:06:01,720 --> 00:06:04,159 Speaker 1: he's probably electrocuted himself trying to figure out how to 147 00:06:04,160 --> 00:06:06,880 Speaker 1: work the mixer that we sent him over with to Africa. 148 00:06:07,440 --> 00:06:10,599 Speaker 1: And it's devastating because right now, for ten years in radio, 149 00:06:10,640 --> 00:06:12,440 Speaker 1: he's been wanting to speak to one person and one 150 00:06:12,440 --> 00:06:15,919 Speaker 1: person only, and that's Russell Crowe. And Russell Crowe joins 151 00:06:15,960 --> 00:06:18,160 Speaker 1: me right now, Russell, welcome back to weather Woody. 152 00:06:18,360 --> 00:06:19,080 Speaker 2: Thank you very much. 153 00:06:19,279 --> 00:06:19,559 Speaker 3: Russell. 154 00:06:19,600 --> 00:06:21,040 Speaker 1: I've got one more favorite to ask if you've got 155 00:06:21,040 --> 00:06:22,960 Speaker 1: a sec My friend wood he's about to go into 156 00:06:22,960 --> 00:06:26,680 Speaker 1: the jungle in Africa shitting himself. He's a massive fan of yours. 157 00:06:28,200 --> 00:06:30,080 Speaker 1: If is there any chance you'd give m a call 158 00:06:30,120 --> 00:06:31,159 Speaker 1: and just wish him good luck? 159 00:06:31,720 --> 00:06:32,360 Speaker 2: Yeah, let's give me. 160 00:06:32,480 --> 00:06:34,839 Speaker 4: Let's give him a call, so we'll if he doesn't 161 00:06:34,880 --> 00:06:36,279 Speaker 4: pick up, can we leave a message? 162 00:06:36,440 --> 00:06:38,680 Speaker 3: I reckon, Yeah, I reckon, we can leave a message. 163 00:06:38,680 --> 00:06:39,560 Speaker 3: I think that's a great idea. 164 00:06:39,800 --> 00:06:44,200 Speaker 1: Yeah, he's favorite movie in the whole world is probably Gladiator. 165 00:06:45,400 --> 00:06:49,360 Speaker 1: Just so you know, you have reached Assage, laugh, You've 166 00:06:49,360 --> 00:06:51,280 Speaker 1: reached Woody, And unfortunately I can't get to the pot, 167 00:06:52,080 --> 00:06:54,200 Speaker 1: but I will endeavor to get back to you when 168 00:06:54,200 --> 00:06:54,560 Speaker 1: I can. 169 00:06:54,800 --> 00:06:58,320 Speaker 2: Cheers, Hey, Woody, how are you doing. It's Russell Crowe. 170 00:06:59,800 --> 00:07:03,520 Speaker 4: I'm I'm on Will's radio show and he's doing really 171 00:07:03,600 --> 00:07:06,800 Speaker 4: well without year around. Actually mate, he's doing He's doing 172 00:07:06,920 --> 00:07:11,000 Speaker 4: very good. So look, while you're in Africa, I would 173 00:07:11,000 --> 00:07:13,840 Speaker 4: just say, take advantage of everybody you meet, every conversation, 174 00:07:14,240 --> 00:07:16,560 Speaker 4: you know, do some networking, you know, just in case 175 00:07:16,600 --> 00:07:18,880 Speaker 4: things don't work out so well for you back here. 176 00:07:19,160 --> 00:07:21,400 Speaker 4: Now that Will's taken over and everybody's seen that he 177 00:07:21,440 --> 00:07:26,200 Speaker 4: actually operates perfectly well as a solo act, not as 178 00:07:26,200 --> 00:07:28,360 Speaker 4: a duo. But anyway, I don't want you to scare 179 00:07:28,400 --> 00:07:30,560 Speaker 4: you about that you're about to go into the jungle 180 00:07:30,600 --> 00:07:33,280 Speaker 4: with I'm a celebrity. Get me out of here, and 181 00:07:34,520 --> 00:07:37,400 Speaker 4: you know, I know, and so DOS will know that 182 00:07:37,440 --> 00:07:42,440 Speaker 4: you're going to have a terrible time, absolutely shit time, 183 00:07:42,960 --> 00:07:45,000 Speaker 4: and then you're going to come back and try. 184 00:07:44,800 --> 00:07:46,680 Speaker 2: And pretend that it was really good. 185 00:07:46,920 --> 00:07:50,040 Speaker 4: Anyway, mate, all the best, have fun over there and 186 00:07:50,920 --> 00:07:52,280 Speaker 4: donate the dried insects. 187 00:07:52,320 --> 00:07:55,160 Speaker 3: Amazing you. 188 00:07:56,560 --> 00:07:58,720 Speaker 1: I didn't tells of Boland, but he has a serious 189 00:07:58,720 --> 00:08:01,600 Speaker 1: insecurity about me doing a radio show by myself, so 190 00:08:01,800 --> 00:08:05,160 Speaker 1: you and he was like he was in therapy before 191 00:08:05,240 --> 00:08:07,080 Speaker 1: going to the jungle about the fact that he was 192 00:08:07,120 --> 00:08:07,840 Speaker 1: going to lose. 193 00:08:07,600 --> 00:08:08,360 Speaker 3: Me and his partner. 194 00:08:08,480 --> 00:08:11,480 Speaker 1: So well done on pressing that button and probably sending 195 00:08:11,560 --> 00:08:13,640 Speaker 1: him into a meltdown before he actually goes in solo. 196 00:08:14,160 --> 00:08:16,640 Speaker 2: That's what I'm here for, Russell. 197 00:08:16,680 --> 00:08:19,200 Speaker 1: It's great to talk The Pope's Exorcist. You can go 198 00:08:19,200 --> 00:08:21,120 Speaker 1: and check it out wherever, well at the cinemas, which 199 00:08:21,120 --> 00:08:22,720 Speaker 1: is buddy exciting, and get back into the movies, guys. 200 00:08:22,720 --> 00:08:24,000 Speaker 1: I keep saying that. And the other great thing is 201 00:08:24,040 --> 00:08:25,480 Speaker 1: live music which is out and about as well indoor 202 00:08:25,520 --> 00:08:28,240 Speaker 1: Gudenparty dot com. Fielding on Cee Russell's doing the whole country? 203 00:08:28,320 --> 00:08:30,040 Speaker 1: Is he get a chance to see him all over 204 00:08:30,080 --> 00:08:32,959 Speaker 1: the country in a range of different locations there, mate, 205 00:08:32,960 --> 00:08:33,679 Speaker 1: thanks so much for joining. 206 00:08:33,760 --> 00:08:35,320 Speaker 3: It's been a pleasure. Good luck with the film. 207 00:08:35,920 --> 00:08:37,959 Speaker 2: It's been awesome, Thank you very much. 208 00:08:37,960 --> 00:08:43,320 Speaker 1: The Pops Exorcist is in cinemas on April six, and 209 00:08:44,160 --> 00:08:45,000 Speaker 1: right up next. 210 00:08:45,720 --> 00:08:48,079 Speaker 3: I mean, gee whiz, hopefully Woody joins us. 211 00:08:48,320 --> 00:08:50,480 Speaker 1: I mean, I mean I hope so I also hope 212 00:08:50,480 --> 00:08:53,720 Speaker 1: he doesn't hear that before before we get to play 213 00:08:53,720 --> 00:08:55,520 Speaker 1: it to him on air. I'll try and get a 214 00:08:55,520 --> 00:08:57,000 Speaker 1: message out to him. Guys, I mean told that the 215 00:08:57,000 --> 00:08:59,360 Speaker 1: coms are getting better. He's just missed the best interview. 216 00:09:00,080 --> 00:09:02,640 Speaker 1: He just missed his favorite person to interview. And then 217 00:09:02,720 --> 00:09:05,439 Speaker 1: that person called him and left him a voice message 218 00:09:05,720 --> 00:09:08,120 Speaker 1: to say, suffering your jocks, the show is better without you. 219 00:09:08,520 --> 00:09:11,199 Speaker 1: I mean, I mean, I don't believe in things happening 220 00:09:11,200 --> 00:09:13,560 Speaker 1: for a reason. But that's poetry. That is that is 221 00:09:13,640 --> 00:09:16,600 Speaker 1: good gear. Woods hopefully back with his up next, and 222 00:09:16,679 --> 00:09:20,439 Speaker 1: hopefully we get a chance to well laugh in his face. 223 00:09:22,760 --> 00:09:25,440 Speaker 1: It's with the money, Woods joining us from Africa. Hopefully 224 00:09:25,520 --> 00:09:27,439 Speaker 1: up next he goes into the arms left jungle. Tomorrow 225 00:09:27,440 --> 00:09:27,920 Speaker 1: It's kiss