1 00:00:01,080 --> 00:00:04,680 Speaker 1: Powered by the radio WAPP from ninety six air m 2 00:00:04,960 --> 00:00:09,840 Speaker 1: to whereever you're listening today. This is Clearsy and Lisa's podcast. 3 00:00:10,119 --> 00:00:13,280 Speaker 2: Coming up on the podcast today, beno'chet reviews The Boogeyman. 4 00:00:13,440 --> 00:00:16,759 Speaker 2: We talked to David Fishwick about his movie Bank of Dave. 5 00:00:17,040 --> 00:00:19,840 Speaker 2: We talked to Tasma Walton about her new movie Sweet Ass, 6 00:00:20,160 --> 00:00:23,160 Speaker 2: and we take your calls on when you embarrassed yourself 7 00:00:23,200 --> 00:00:25,720 Speaker 2: in front of your kids. So there is a video 8 00:00:25,760 --> 00:00:29,680 Speaker 2: who doing the rounds? Classic mum, how could you? 9 00:00:30,000 --> 00:00:30,360 Speaker 1: Moment? 10 00:00:30,960 --> 00:00:34,040 Speaker 2: Mum, how could you? 11 00:00:34,040 --> 00:00:34,600 Speaker 1: No? 12 00:00:34,840 --> 00:00:38,240 Speaker 2: But she did the scene a sports carnival at a 13 00:00:38,280 --> 00:00:42,720 Speaker 2: primary school in Essex in the UK, the old let's 14 00:00:42,760 --> 00:00:45,320 Speaker 2: get the parents up race bit of a novelty. All 15 00:00:45,320 --> 00:00:48,600 Speaker 2: the kids around their heats, so the mum's lineup. All 16 00:00:48,640 --> 00:00:54,280 Speaker 2: good until someone's mum face plants very heavily, dress goes 17 00:00:54,400 --> 00:00:58,600 Speaker 2: up and over her head and mum who chose to 18 00:00:58,640 --> 00:01:01,280 Speaker 2: wear the stringiest of g strings? 19 00:01:01,280 --> 00:01:02,360 Speaker 1: Thankfully it wasn't. 20 00:01:03,760 --> 00:01:07,320 Speaker 2: No no, but it was close, and from this view 21 00:01:07,560 --> 00:01:11,080 Speaker 2: it may as well have been. Mum is left basically 22 00:01:11,120 --> 00:01:14,200 Speaker 2: on her hands and he's giving the whole school an 23 00:01:14,200 --> 00:01:18,800 Speaker 2: eye fall of mum bum which, as we all know, 24 00:01:19,160 --> 00:01:21,560 Speaker 2: doesn't matter how old you are. That is the last 25 00:01:21,600 --> 00:01:25,040 Speaker 2: thing you want on display at the sports carnival is 26 00:01:25,120 --> 00:01:28,520 Speaker 2: your mum's bum. 27 00:01:28,560 --> 00:01:31,720 Speaker 1: So this woman is so mortified. 28 00:01:32,200 --> 00:01:35,160 Speaker 2: She said she's moved to her kid, her eight year 29 00:01:35,160 --> 00:01:37,839 Speaker 2: old daughter, to a new school. 30 00:01:38,400 --> 00:01:39,320 Speaker 1: But that's extreme. 31 00:01:39,360 --> 00:01:43,600 Speaker 3: But the Internet never forgets follows you, that's right, follows. 32 00:01:43,880 --> 00:01:46,640 Speaker 1: Once upon a time it would. It would have been 33 00:01:46,680 --> 00:01:47,960 Speaker 1: the stuff of legends. 34 00:01:48,320 --> 00:01:52,760 Speaker 2: Now it's the stuff of fact, to be viewed over 35 00:01:53,320 --> 00:01:58,040 Speaker 2: and over down and made into memes and just. 36 00:02:00,480 --> 00:02:02,840 Speaker 1: Ie, the internet eat. 37 00:02:02,720 --> 00:02:07,080 Speaker 3: It not as much as she does, not as much 38 00:02:07,080 --> 00:02:08,120 Speaker 3: as this woman does. 39 00:02:08,919 --> 00:02:12,600 Speaker 2: So it has happened to the best of a side, 40 00:02:12,639 --> 00:02:16,040 Speaker 2: hasn't it. Have you embarrassed yourself in front of your kids? 41 00:02:16,480 --> 00:02:19,520 Speaker 1: Danny, you've been doing? Good morning? Hey, here you go. 42 00:02:20,120 --> 00:02:20,800 Speaker 1: What happened? 43 00:02:21,560 --> 00:02:23,720 Speaker 4: We rent on the hold, Lady of Queensland, and the 44 00:02:24,200 --> 00:02:27,680 Speaker 4: same parks had the surfing, you know, the hard persson 45 00:02:27,680 --> 00:02:30,959 Speaker 4: of water looks like a wave. Yeah, I'm wearing a 46 00:02:31,000 --> 00:02:33,040 Speaker 4: pair of narchy pants with no jocks in it. 47 00:02:34,600 --> 00:02:40,960 Speaker 1: Built jocks. 48 00:02:39,520 --> 00:02:42,720 Speaker 4: Lasted about three seconds, stacked it and it's ripped my 49 00:02:42,840 --> 00:02:43,880 Speaker 4: pants straight off. 50 00:02:44,040 --> 00:02:45,760 Speaker 1: Oh no, I can. 51 00:02:45,639 --> 00:02:49,160 Speaker 5: See I'm going over the edge and I'm scared the 52 00:02:49,200 --> 00:02:56,440 Speaker 5: tops in the back pool area. 53 00:02:56,880 --> 00:02:57,840 Speaker 6: It was pretty embarrassing. 54 00:02:57,919 --> 00:03:00,320 Speaker 1: You go from commando to command. 55 00:03:00,120 --> 00:03:06,240 Speaker 5: A whole family there watching them. 56 00:03:06,560 --> 00:03:08,480 Speaker 1: And then they turned around and walked away. We don't 57 00:03:08,639 --> 00:03:13,080 Speaker 1: him security. 58 00:03:13,440 --> 00:03:17,120 Speaker 2: Oh Danny, I'm just picturing your pants going over the 59 00:03:17,840 --> 00:03:19,000 Speaker 2: edge of the wave. 60 00:03:19,240 --> 00:03:21,280 Speaker 1: Who had to retrieve them for you? Or did you 61 00:03:21,360 --> 00:03:22,119 Speaker 1: make that long walk? 62 00:03:22,600 --> 00:03:25,000 Speaker 4: That was That was my only goal in life to 63 00:03:25,040 --> 00:03:25,440 Speaker 4: get those. 64 00:03:26,480 --> 00:03:29,520 Speaker 1: She had never moved so fast. Thanks Daddy. 65 00:03:32,760 --> 00:03:36,800 Speaker 2: Hudson in Quanana, I say, Hudson, what an awesome name. 66 00:03:37,520 --> 00:03:42,800 Speaker 1: I love that. It's the best. So Hudson, what happened? So? 67 00:03:43,200 --> 00:03:44,760 Speaker 6: First off, I'd like to say I got my name 68 00:03:44,760 --> 00:03:45,360 Speaker 6: when I was born. 69 00:03:45,400 --> 00:03:49,480 Speaker 2: It was a crowd that didn't embarrass you with that. 70 00:03:49,480 --> 00:03:50,120 Speaker 1: That's awesome. 71 00:03:50,320 --> 00:03:52,600 Speaker 6: It's kind of all. And we're doing, like, you know, 72 00:03:52,680 --> 00:03:55,600 Speaker 6: the relay race around the around the oval. Yeah, and 73 00:03:56,160 --> 00:03:58,200 Speaker 6: they came down to watch, you know, managed to get 74 00:03:58,200 --> 00:03:59,240 Speaker 6: off the couch or whatever. 75 00:03:59,520 --> 00:04:00,960 Speaker 1: And good on him. 76 00:04:01,480 --> 00:04:04,240 Speaker 6: As we run past, there's a stream coming from me 77 00:04:04,320 --> 00:04:06,840 Speaker 6: and we're like okay, and then he turned sight on 78 00:04:07,040 --> 00:04:09,520 Speaker 6: you know, so we can't really see, but yeah, he 79 00:04:09,640 --> 00:04:10,360 Speaker 6: was taking. 80 00:04:10,040 --> 00:04:16,200 Speaker 1: A midroy lately. Yeah, that's not what they made by 81 00:04:16,240 --> 00:04:17,040 Speaker 1: passing the baton. 82 00:04:19,640 --> 00:04:23,520 Speaker 3: Oh and that is yeah, not my dad. 83 00:04:23,680 --> 00:04:25,799 Speaker 1: No, next time, leave him on the couch. 84 00:04:25,839 --> 00:04:32,080 Speaker 2: Mate Shelley in Queen's Park. 85 00:04:32,240 --> 00:04:36,880 Speaker 1: Hello, Hello, good morning, you listen good? What is your story? Well, 86 00:04:37,400 --> 00:04:40,440 Speaker 1: we went to school. I went to primary school. 87 00:04:40,480 --> 00:04:42,920 Speaker 7: My sister was in high school, and we were in 88 00:04:42,960 --> 00:04:47,280 Speaker 7: the northern suburbs named suburb. Yes, the bright yellow and 89 00:04:47,320 --> 00:04:52,080 Speaker 7: green uniform. Then I moved to Belmont, Okay. I went 90 00:04:52,160 --> 00:04:54,920 Speaker 7: to Belle May and my sister went to Belmont High 91 00:04:55,360 --> 00:04:59,880 Speaker 7: and our mum maders wear our homemade craigie you know, 92 00:05:00,080 --> 00:05:03,320 Speaker 7: forms from two months. 93 00:05:03,279 --> 00:05:09,039 Speaker 1: A way to stand out, homemade strong faces. 94 00:05:10,120 --> 00:05:12,279 Speaker 2: So it wasn't it was just like in a different 95 00:05:12,320 --> 00:05:14,360 Speaker 2: shade of the same color it was. 96 00:05:14,720 --> 00:05:16,800 Speaker 1: It was clearly a different school. 97 00:05:16,920 --> 00:05:22,320 Speaker 7: Uniform, clearly home made. 98 00:05:23,560 --> 00:05:24,400 Speaker 1: They weren't knitted. 99 00:05:24,480 --> 00:05:32,279 Speaker 7: But yeah, no, it was mortified and it was not good. 100 00:05:31,360 --> 00:05:38,560 Speaker 2: Good started because you know, it's just you think kids 101 00:05:38,560 --> 00:05:41,080 Speaker 2: aren't going to notice something like that. Yes they do. 102 00:05:41,400 --> 00:05:49,000 Speaker 2: The Bye Lisa and south Lake. Hello, Hello, what have 103 00:05:49,040 --> 00:05:49,880 Speaker 2: you got for us? 104 00:05:49,880 --> 00:05:52,920 Speaker 8: Well, my youngest son was graduating from high school and 105 00:05:53,000 --> 00:05:55,320 Speaker 8: I was in the audience with my oldest son and 106 00:05:56,200 --> 00:05:58,840 Speaker 8: they were calling him out alphabetically, and you know, over 107 00:05:58,920 --> 00:06:01,360 Speaker 8: I was slightly golf plaped the kid. And when they 108 00:06:01,360 --> 00:06:03,760 Speaker 8: got to a kid a couple of letters before mine, 109 00:06:04,600 --> 00:06:07,560 Speaker 8: his family went off and they had really celebrated, and 110 00:06:07,560 --> 00:06:09,680 Speaker 8: there was a family behind us who we heard sort 111 00:06:09,680 --> 00:06:10,680 Speaker 8: of whispered to each other. 112 00:06:11,400 --> 00:06:12,440 Speaker 9: You know, there's always one. 113 00:06:13,080 --> 00:06:16,600 Speaker 8: So my oldest son and I communicated silently to each other. 114 00:06:17,240 --> 00:06:25,279 Speaker 8: Wait for hours, charle. A couple of letters later, when 115 00:06:25,279 --> 00:06:26,159 Speaker 8: they called. 116 00:06:25,839 --> 00:06:30,239 Speaker 9: Out my son's we went off and it was like, whoa. 117 00:06:30,800 --> 00:06:33,159 Speaker 9: My oldest son has got quite a good voice and 118 00:06:33,240 --> 00:06:37,680 Speaker 9: cuty hand and put it. You know, it was fantastic, 119 00:06:38,320 --> 00:06:41,240 Speaker 9: and my son on the stage just wanted to die. 120 00:06:41,560 --> 00:06:42,640 Speaker 8: It was so much. 121 00:06:43,360 --> 00:06:46,640 Speaker 1: So this was meditated embarrassment. 122 00:06:47,320 --> 00:06:50,680 Speaker 9: A silent exchange. His mother and suddenly number at each 123 00:06:50,680 --> 00:06:52,680 Speaker 9: other and wearing. 124 00:06:52,200 --> 00:06:56,760 Speaker 2: That's a beautiful moment. I like it, the son's expense. 125 00:06:56,839 --> 00:07:01,120 Speaker 2: But you know, you'll find a way. You'll come around again. 126 00:07:03,880 --> 00:07:09,160 Speaker 2: It will. There is a movie d out today. It's 127 00:07:09,160 --> 00:07:11,480 Speaker 2: going to be in cinemas today. It's called Bank of Dave, 128 00:07:11,920 --> 00:07:15,600 Speaker 2: based on the true life experiences of Dave Fishwick. The 129 00:07:15,640 --> 00:07:18,080 Speaker 2: film tells the story of how a working classman from 130 00:07:18,080 --> 00:07:21,360 Speaker 2: the small English town of Burnley for the banking establishment 131 00:07:21,440 --> 00:07:24,960 Speaker 2: in London to set up a local community bank, the 132 00:07:25,040 --> 00:07:28,160 Speaker 2: Bank of Dave. It is in cinema today and we've 133 00:07:28,160 --> 00:07:30,080 Speaker 2: got the real Dave with us. Dave Fishwick. 134 00:07:30,120 --> 00:07:34,200 Speaker 10: Good morning, good morning, Good morning Australia. 135 00:07:34,360 --> 00:07:35,240 Speaker 1: Australia. 136 00:07:35,360 --> 00:07:39,120 Speaker 2: Who doesn't love to take on the big guns and win? 137 00:07:39,240 --> 00:07:41,840 Speaker 2: Tell us a real life story behind the film. Why 138 00:07:41,840 --> 00:07:43,920 Speaker 2: did you start your own bank? How does one even 139 00:07:43,920 --> 00:07:44,800 Speaker 2: start their own bank? 140 00:07:45,000 --> 00:07:46,960 Speaker 10: Well, to be honest, late two thousand and eight, early 141 00:07:47,000 --> 00:07:50,080 Speaker 10: two thousand and nine, my minibus customers, because I sell bosses, 142 00:07:50,560 --> 00:07:53,960 Speaker 10: my minibus customers were coming to me wanting finance for 143 00:07:54,000 --> 00:07:55,880 Speaker 10: the bosses. I used to fill the forms and send 144 00:07:55,880 --> 00:07:57,440 Speaker 10: it off to the banks, and the banks used to 145 00:07:57,520 --> 00:07:59,920 Speaker 10: pay me, and I thought, right, fabulous. 146 00:08:00,160 --> 00:08:03,160 Speaker 1: And then overnight it just stopped. The banks just stopped 147 00:08:03,240 --> 00:08:07,000 Speaker 1: lending to my customers. Financial crist that's it, and this 148 00:08:07,120 --> 00:08:08,320 Speaker 1: is this is really bad. 149 00:08:08,640 --> 00:08:10,680 Speaker 10: But then I thought, well, perhaps I can help other 150 00:08:10,880 --> 00:08:11,920 Speaker 10: businesses as well. 151 00:08:12,080 --> 00:08:13,920 Speaker 1: Maybe I could start my own little bank. 152 00:08:14,240 --> 00:08:17,480 Speaker 10: So I started lending to my customers and they paid 153 00:08:17,480 --> 00:08:20,240 Speaker 10: me back, and I thought this banking malarkey, it's not 154 00:08:20,280 --> 00:08:28,640 Speaker 10: that difficult. So then I thought, well I want to 155 00:08:28,680 --> 00:08:31,520 Speaker 10: start helping other businesses. So I went to London and 156 00:08:32,000 --> 00:08:35,240 Speaker 10: that's where all the bankers are and I thought, right, okay, 157 00:08:35,360 --> 00:08:37,920 Speaker 10: how do I start my own proper bank? And they 158 00:08:37,920 --> 00:08:40,120 Speaker 10: said where you're from? I said, I'm from Burnley and 159 00:08:40,160 --> 00:08:46,920 Speaker 10: that put him off for starters. Did you go to Cambridge? 160 00:08:47,080 --> 00:08:49,280 Speaker 10: And I said, let me tell you about people that 161 00:08:49,320 --> 00:08:53,040 Speaker 10: come from Berlin. We don't get them opportunities. We are 162 00:08:53,120 --> 00:08:54,560 Speaker 10: not just started. 163 00:08:54,760 --> 00:08:56,760 Speaker 1: Yeah, yeah. 164 00:08:56,880 --> 00:08:58,800 Speaker 10: And then I met this guy called Andrew Hilton, who's 165 00:08:58,840 --> 00:09:01,120 Speaker 10: the head of the banking and he said, well, what 166 00:09:01,160 --> 00:09:02,840 Speaker 10: do you mom and dad do? I said, well, my 167 00:09:02,920 --> 00:09:06,000 Speaker 10: dad works on a farm in the morning as a laborer, 168 00:09:06,080 --> 00:09:07,960 Speaker 10: and then he works as a tackler in the afternoon 169 00:09:08,000 --> 00:09:09,840 Speaker 10: fixing loans. And I said my mum was a weaver 170 00:09:09,960 --> 00:09:12,320 Speaker 10: in the same factory. And he said, oh no, no, 171 00:09:12,440 --> 00:09:16,400 Speaker 10: you're not from the correct place and you've not had 172 00:09:16,400 --> 00:09:18,680 Speaker 10: the correct parents. Wanted to stick him in a wheelbin? 173 00:09:19,559 --> 00:09:22,600 Speaker 1: Did they just make it more determined, Dave, I was 174 00:09:22,640 --> 00:09:23,920 Speaker 1: just going to do it anywhere. Yeah. 175 00:09:24,080 --> 00:09:26,200 Speaker 10: Yeah, you know, you've got to turn their nose into Yester's. 176 00:09:26,200 --> 00:09:29,120 Speaker 10: And that's so important. 177 00:09:29,440 --> 00:09:32,280 Speaker 3: How did the story of this who did you go 178 00:09:32,360 --> 00:09:34,320 Speaker 3: to somebody. Did someone come to you. How does the 179 00:09:34,360 --> 00:09:36,960 Speaker 3: whole conversation about turning this into a movie come about? 180 00:09:37,360 --> 00:09:40,440 Speaker 10: That's a really good question, because I got a phone 181 00:09:40,480 --> 00:09:42,240 Speaker 10: call from Hollywood, like you do when you come from. 182 00:09:42,120 --> 00:09:47,199 Speaker 1: Burnlef with the wrong parents. Dave the banking capital of England. 183 00:09:49,160 --> 00:09:51,720 Speaker 10: And it's called Piers Ashwast to this guy, the writer, 184 00:09:51,800 --> 00:09:54,360 Speaker 10: and he actually writes the mission impossible for Tom Crows. 185 00:09:54,640 --> 00:09:56,240 Speaker 1: And he told me he was and. 186 00:09:56,160 --> 00:09:57,760 Speaker 10: He said, I want to make a movie about your life, 187 00:09:57,800 --> 00:10:00,520 Speaker 10: a myopic. And I said, don't people they's supposed to 188 00:10:00,520 --> 00:10:02,040 Speaker 10: be dead when you make it up, because I'm a 189 00:10:02,120 --> 00:10:06,160 Speaker 10: lying And I said, you better get yourself at Burnley then, 190 00:10:06,200 --> 00:10:08,800 Speaker 10: and he did. He came and we spoke about it, 191 00:10:08,840 --> 00:10:10,560 Speaker 10: and I said it were important that we filmed it 192 00:10:10,600 --> 00:10:12,320 Speaker 10: in Burnley, and we filmed it at my house, and 193 00:10:12,320 --> 00:10:13,920 Speaker 10: we filmed it at the garage, and we filmed it 194 00:10:13,920 --> 00:10:16,360 Speaker 10: in the bank, and he did all the things he 195 00:10:16,400 --> 00:10:18,400 Speaker 10: said he was going to do. And all these big 196 00:10:18,440 --> 00:10:21,199 Speaker 10: stars turned up in Burnley, and Phoebe dennerver out of 197 00:10:21,200 --> 00:10:24,320 Speaker 10: Bridgitton and she flew in from la that night and 198 00:10:24,760 --> 00:10:27,480 Speaker 10: she come off one hundred million dollar set from Bridgiiton, 199 00:10:27,880 --> 00:10:30,199 Speaker 10: she come to market and there she is in a 200 00:10:30,240 --> 00:10:31,679 Speaker 10: wet Tuesday afternoon having a chip. 201 00:10:31,720 --> 00:10:33,480 Speaker 1: What's it were me? She's living a dream. 202 00:10:33,920 --> 00:10:36,160 Speaker 2: I feel like there's a movie just the making of 203 00:10:36,200 --> 00:10:37,240 Speaker 2: the movie. 204 00:10:39,800 --> 00:10:40,959 Speaker 1: I take it because they. 205 00:10:40,920 --> 00:10:43,480 Speaker 2: All came to Burnley to you, Dave, so I take 206 00:10:43,520 --> 00:10:45,360 Speaker 2: it to you. You got plenty of input into the 207 00:10:45,360 --> 00:10:46,160 Speaker 2: making of the film. 208 00:10:46,559 --> 00:10:48,640 Speaker 10: It was important that we did a lot of the 209 00:10:48,679 --> 00:10:51,720 Speaker 10: things in the right places for real. For me it 210 00:10:51,880 --> 00:10:54,840 Speaker 10: was I mean, Rory Kinney turned up and Rory looks 211 00:10:54,840 --> 00:10:58,280 Speaker 10: more like me than I do. And he's the guy 212 00:10:58,280 --> 00:11:00,240 Speaker 10: at a Bond that he's Tanner out of Bond. And 213 00:11:00,520 --> 00:11:02,280 Speaker 10: I did say to him, I said, next time you're 214 00:11:02,280 --> 00:11:04,199 Speaker 10: in Bond, people are going to be shouting at the 215 00:11:04,200 --> 00:11:08,600 Speaker 10: big screen saying, Dave's in Bond. I said, from Bond 216 00:11:08,640 --> 00:11:11,240 Speaker 10: to Burnley, I said, you've now pinked in your career. 217 00:11:11,600 --> 00:11:12,200 Speaker 1: Yeah. 218 00:11:12,320 --> 00:11:14,360 Speaker 2: When people ask who plays you, do you say the 219 00:11:14,360 --> 00:11:17,760 Speaker 2: guy from Bond, the Bond guy. 220 00:11:19,840 --> 00:11:22,280 Speaker 1: Do you know he's I mean his father were very 221 00:11:22,400 --> 00:11:24,120 Speaker 1: very famous. Rykin here as well. 222 00:11:24,840 --> 00:11:28,000 Speaker 10: His father were very famous, and he's such a good actor. 223 00:11:28,040 --> 00:11:31,360 Speaker 10: I mean he's won Olivia Awards and all sort of time. 224 00:11:31,679 --> 00:11:34,040 Speaker 10: He came to my house and he knocked on the door. 225 00:11:34,120 --> 00:11:37,120 Speaker 10: He said, Dave, mate, Dave, and I thought you'll do 226 00:11:37,240 --> 00:11:40,720 Speaker 10: for me. That's fantastic, Dave. You still work out of 227 00:11:40,720 --> 00:11:41,400 Speaker 10: your garage? 228 00:11:41,559 --> 00:11:42,800 Speaker 1: Yeah, I mean, I've. 229 00:11:42,679 --> 00:11:45,440 Speaker 10: Got awful dozen businesses, but I still go to work 230 00:11:45,800 --> 00:11:48,360 Speaker 10: and it's very important. I still eat toast and drink 231 00:11:48,360 --> 00:11:51,240 Speaker 10: tea with all the lads and I love. You must 232 00:11:51,280 --> 00:11:53,600 Speaker 10: never forget where you come from, or you'll never get 233 00:11:53,640 --> 00:11:56,719 Speaker 10: to where you want to actually be. It's so important 234 00:11:57,000 --> 00:11:58,680 Speaker 10: you must never give up. I mean, the four rules 235 00:11:58,720 --> 00:12:01,320 Speaker 10: are so important in life and m business. Run number one, 236 00:12:01,360 --> 00:12:05,040 Speaker 10: never lose money. Rule number two, never forget rule number one, 237 00:12:05,679 --> 00:12:08,640 Speaker 10: Rule number three and four are so important. Runumber three 238 00:12:08,720 --> 00:12:11,040 Speaker 10: is never give up, and run number four the most 239 00:12:11,080 --> 00:12:13,200 Speaker 10: important one in the world to all the listeners is 240 00:12:13,600 --> 00:12:16,160 Speaker 10: rull Number four is never ever give up. 241 00:12:16,640 --> 00:12:18,800 Speaker 1: Yeah, yeah, yeah, absolutely. 242 00:12:19,040 --> 00:12:22,079 Speaker 3: I've Deaf Lippard make an appearance in this movie. Did 243 00:12:22,080 --> 00:12:24,600 Speaker 3: you ever get to have toast and tea with Deaf Lippard? Really? 244 00:12:24,720 --> 00:12:25,080 Speaker 9: Yes? 245 00:12:25,360 --> 00:12:27,520 Speaker 10: Yes, I've got some lovely pictures I'll send you shortly 246 00:12:27,559 --> 00:12:28,840 Speaker 10: for your website. 247 00:12:29,840 --> 00:12:31,640 Speaker 1: You know, me and Deaf Leopard would. 248 00:12:31,440 --> 00:12:35,360 Speaker 10: Become pals, and it's just marvelous and they're brilliant singing 249 00:12:35,400 --> 00:12:38,720 Speaker 10: and I'm terrible, but I keep trying, you know. But 250 00:12:38,760 --> 00:12:40,520 Speaker 10: they're from Sheffield, they're from on the up the road 251 00:12:40,520 --> 00:12:42,120 Speaker 10: from the north to see and when they found out 252 00:12:42,160 --> 00:12:44,599 Speaker 10: about it, they said, no problem, we'll do it. And 253 00:12:44,679 --> 00:12:47,080 Speaker 10: then when they come over, they were about an hour late, 254 00:12:47,200 --> 00:12:50,679 Speaker 10: and all these big cameras are everywhere waiting and they said, look. 255 00:12:50,480 --> 00:12:52,400 Speaker 1: We're rock stars that were always late. 256 00:12:52,520 --> 00:12:52,680 Speaker 9: You know. 257 00:12:52,840 --> 00:12:56,080 Speaker 1: I thought, Oh, it's brilliant, is this, Dave? 258 00:12:56,160 --> 00:12:59,200 Speaker 2: A lot of people are hung up on this statement 259 00:12:59,440 --> 00:13:02,160 Speaker 2: that you've made. I'm a self made millionaire and I'll 260 00:13:02,160 --> 00:13:04,320 Speaker 2: give away ninety nine percent of my fortune when I 261 00:13:04,360 --> 00:13:07,080 Speaker 2: die because I don't want to burden my two children 262 00:13:07,440 --> 00:13:08,160 Speaker 2: with riches. 263 00:13:09,720 --> 00:13:12,480 Speaker 10: Well my son, my son, Yeah, my son can actually 264 00:13:12,520 --> 00:13:14,839 Speaker 10: see it that way. 265 00:13:15,240 --> 00:13:19,240 Speaker 1: Do they see it as a burden? Let me burden Dad. 266 00:13:20,160 --> 00:13:22,280 Speaker 10: Well, to be honest, what we're going to do is 267 00:13:22,400 --> 00:13:25,760 Speaker 10: we're actually going to give away ninety My sons are 268 00:13:25,760 --> 00:13:28,160 Speaker 10: from Lane police officer and my daughter works for an 269 00:13:28,160 --> 00:13:29,000 Speaker 10: animal charity. 270 00:13:29,080 --> 00:13:30,360 Speaker 1: Yeah, yeah, he has. 271 00:13:30,480 --> 00:13:32,240 Speaker 10: And I said to him, look, you can have enough 272 00:13:32,240 --> 00:13:34,800 Speaker 10: money to do anything, but not enough money to do nothing. 273 00:13:35,000 --> 00:13:38,560 Speaker 10: It's very important leads too much money to the children. 274 00:13:39,040 --> 00:13:43,480 Speaker 1: You're going to tell your kids today, Yeah, I haven't 275 00:13:43,480 --> 00:13:44,840 Speaker 1: got as much money as Dave, don't you. 276 00:13:46,160 --> 00:13:47,800 Speaker 10: Well, I mean we're still going to leave enough for 277 00:13:48,600 --> 00:13:51,480 Speaker 10: health and for all these things the need, but not 278 00:13:51,520 --> 00:13:53,080 Speaker 10: too much that they can stay in bed ale. Then 279 00:13:53,320 --> 00:13:55,880 Speaker 10: I've got two grandchildren, have two little boys, and I 280 00:13:55,920 --> 00:14:00,320 Speaker 10: will help them do anything, but not help them do nothings. 281 00:14:00,880 --> 00:14:02,760 Speaker 2: Pray for them to have a purpose, I've heard for 282 00:14:02,800 --> 00:14:04,920 Speaker 2: a long time. Yeah, because otherwise they'll be buds too, 283 00:14:04,960 --> 00:14:05,440 Speaker 2: that's right. 284 00:14:05,840 --> 00:14:06,120 Speaker 1: Yeah. 285 00:14:06,240 --> 00:14:08,200 Speaker 10: Well, I've seen such a lot of friends who've become 286 00:14:08,240 --> 00:14:10,960 Speaker 10: wealthy and give everything to the kids, and the kids 287 00:14:11,000 --> 00:14:12,880 Speaker 10: have just gone off the rails and it's just not good. 288 00:14:13,120 --> 00:14:13,360 Speaker 11: Yeah. 289 00:14:13,440 --> 00:14:16,000 Speaker 10: Well, a lot of wealthy people they seem to climb 290 00:14:16,080 --> 00:14:17,920 Speaker 10: up a tree and pull the ladder up. They're frying 291 00:14:17,920 --> 00:14:20,760 Speaker 10: to death. Are telling anybody anything? And why, you know, 292 00:14:21,160 --> 00:14:23,600 Speaker 10: I love giving advice. I mean I'm the business doctor 293 00:14:23,640 --> 00:14:25,760 Speaker 10: in the mail line and I do it for free, 294 00:14:25,800 --> 00:14:28,560 Speaker 10: and when people write in, I give them honest opinions. 295 00:14:28,600 --> 00:14:30,640 Speaker 10: And you know, if you've got all the things you need, 296 00:14:30,720 --> 00:14:33,000 Speaker 10: why are you frying of anybody else? You know, having 297 00:14:33,040 --> 00:14:36,040 Speaker 10: some advice we should be giving it out. We should 298 00:14:36,040 --> 00:14:38,520 Speaker 10: be doing that and looking after society. 299 00:14:38,000 --> 00:14:39,400 Speaker 1: Helping people help themselves. 300 00:14:39,480 --> 00:14:42,760 Speaker 10: Yeah yeah, well winning community banks all over Australia, the 301 00:14:42,760 --> 00:14:44,440 Speaker 10: same as we do in the UK, run by the 302 00:14:44,480 --> 00:14:47,800 Speaker 10: community to benefit the community and not the bonus culture. 303 00:14:48,720 --> 00:14:50,800 Speaker 2: Well, Dave, I reckon, I can guarantee that Perth has 304 00:14:50,840 --> 00:14:53,400 Speaker 2: just fallen in love with you this morning and we'll 305 00:14:53,400 --> 00:14:56,400 Speaker 2: be racing off to see Bank of Dave, which is 306 00:14:56,440 --> 00:15:00,400 Speaker 2: in cinemas today. What an amazing story, What a great 307 00:15:00,720 --> 00:15:03,760 Speaker 2: fun movie it's going to be, Dave. Thank you so much. 308 00:15:04,400 --> 00:15:08,000 Speaker 1: Thank you to you very very soon. All send us 309 00:15:08,000 --> 00:15:14,720 Speaker 1: those Jeff Flappert pictures. Hooraye more CZ more Lisa more 310 00:15:14,800 --> 00:15:23,080 Speaker 1: podcasts soon. The Sure Report on ninety six AM. 311 00:15:24,920 --> 00:15:27,560 Speaker 2: Harrison Ford has revealed the question he gets asked them 312 00:15:27,600 --> 00:15:31,320 Speaker 2: most often by Star Wars fans is also the question 313 00:15:31,400 --> 00:15:32,280 Speaker 2: he hates the most. 314 00:15:32,640 --> 00:15:33,760 Speaker 1: Any idea what it might be? 315 00:15:37,000 --> 00:15:41,000 Speaker 2: No, it's it's who'd win a fight between Hands Solo 316 00:15:41,080 --> 00:15:42,160 Speaker 2: and Indiana Jones. 317 00:15:43,120 --> 00:15:45,520 Speaker 1: Yeah, I would never have thought to me, never wanted 318 00:15:45,560 --> 00:15:47,160 Speaker 1: to hold back on saying what he thinks. 319 00:15:47,200 --> 00:15:49,960 Speaker 2: Ford says, you would think that there would be many 320 00:15:50,040 --> 00:15:53,040 Speaker 2: meaningful and thoughtful questions that fans would ask give him 321 00:15:53,040 --> 00:15:53,760 Speaker 2: the chance. 322 00:15:53,520 --> 00:15:57,840 Speaker 1: Who would win a fight between and Chewbacer. N Yeah, there, 323 00:15:57,320 --> 00:15:58,080 Speaker 1: you know. 324 00:15:58,080 --> 00:16:00,320 Speaker 2: They could ask about the history of his character scenes 325 00:16:00,320 --> 00:16:02,160 Speaker 2: he'd like to play out differently, but oh no, no, 326 00:16:02,240 --> 00:16:05,560 Speaker 2: it's always the fight question. For the record, he says, 327 00:16:05,600 --> 00:16:10,920 Speaker 2: the answer would be me. A Broadway Musicians Union has 328 00:16:10,960 --> 00:16:14,200 Speaker 2: objected to the pre recorded instrumental tracks that Talking Heads 329 00:16:14,280 --> 00:16:17,120 Speaker 2: David Berne is using in his upcoming musical Here Lies 330 00:16:17,200 --> 00:16:20,320 Speaker 2: Love Link. He's doing this with that point, Slim should 331 00:16:20,360 --> 00:16:22,960 Speaker 2: be good anyway. The union claims using pre recorded music 332 00:16:23,040 --> 00:16:26,920 Speaker 2: violates a contract with the Broadway League, which reportedly dictates 333 00:16:26,920 --> 00:16:29,520 Speaker 2: that all musicals at the Broadway Theater must employ at 334 00:16:29,600 --> 00:16:34,080 Speaker 2: least nineteen musicians. Burn sees things differently, of course. He 335 00:16:34,200 --> 00:16:37,280 Speaker 2: says the performance of the live vocals to pre recorded 336 00:16:37,320 --> 00:16:40,960 Speaker 2: tracks is actually paramount to its artistic concept shows due 337 00:16:40,960 --> 00:16:41,880 Speaker 2: to open next month. 338 00:16:42,640 --> 00:16:48,920 Speaker 1: So how about alpatuita way eighty eighty three years old. 339 00:16:49,040 --> 00:16:50,480 Speaker 1: His girlfriend's pregnant. 340 00:16:50,640 --> 00:16:54,320 Speaker 2: She's twenty nine at eighty three, Owl's going to be 341 00:16:54,360 --> 00:16:57,000 Speaker 2: a father for the fourth time, and he says, no 342 00:16:57,040 --> 00:17:00,240 Speaker 2: one's more surprised than him. Thought he would have been 343 00:17:00,240 --> 00:17:09,320 Speaker 2: shooting blanks by now. Shut yest friend that still works. 344 00:17:09,320 --> 00:17:12,200 Speaker 2: You've still got at owl. It feels like Pachito and 345 00:17:12,240 --> 00:17:14,120 Speaker 2: de Niro have always had to one up each other, 346 00:17:14,480 --> 00:17:16,760 Speaker 2: you know, just like you know, just last month, De 347 00:17:16,840 --> 00:17:21,040 Speaker 2: Niro Welcome Baby number seven had seventy nine an our owl. 348 00:17:21,840 --> 00:17:22,360 Speaker 1: There you go. 349 00:17:23,040 --> 00:17:26,600 Speaker 2: So Deaf Leopard and Motley Crue have just announced they're 350 00:17:26,600 --> 00:17:29,359 Speaker 2: coming down Under in November. But before you get too excited, 351 00:17:29,880 --> 00:17:33,239 Speaker 2: they're only going to Melbourne, Sydney and Brisbane boom. If 352 00:17:33,280 --> 00:17:36,200 Speaker 2: you're keen though, tickets gone sound next Wednesday and Thursday 353 00:17:36,240 --> 00:17:36,960 Speaker 2: through Live Nation. 354 00:17:37,320 --> 00:17:39,399 Speaker 1: It's kind of a reverse Coldplay. 355 00:17:38,960 --> 00:17:43,960 Speaker 3: Yeah thing. It is payback, So I am back. All 356 00:17:44,000 --> 00:17:47,760 Speaker 3: those three cities got together and out. Yeah. 357 00:17:47,800 --> 00:17:52,320 Speaker 2: Absolutely sweet as is in cinemas across the country today. 358 00:17:52,359 --> 00:17:54,320 Speaker 2: And we are joined by one of the stars this morning, 359 00:17:54,359 --> 00:17:59,400 Speaker 2: Tasma Walton. Good morning, right, how are you enjoying living 360 00:17:59,440 --> 00:18:01,720 Speaker 2: back in double I have to ask, first of all, 361 00:18:01,920 --> 00:18:02,760 Speaker 2: truth be told. 362 00:18:02,840 --> 00:18:06,800 Speaker 1: I absolutely love it, y you know where the last state? 363 00:18:07,520 --> 00:18:08,880 Speaker 1: Absolutely yes? 364 00:18:08,960 --> 00:18:11,560 Speaker 11: So look I grew up in Geralton's Yeah. To be honest, I. 365 00:18:11,520 --> 00:18:14,439 Speaker 12: Never actually lived in person from Geralton to Sydney and 366 00:18:14,480 --> 00:18:17,680 Speaker 12: then State East Coast for quite some time Okay. 367 00:18:17,320 --> 00:18:19,480 Speaker 11: So I'm just loving being. 368 00:18:19,440 --> 00:18:21,719 Speaker 1: Back, yeah somewhere new. 369 00:18:22,359 --> 00:18:25,760 Speaker 2: Yeah it is exactly yeah, Yeah, it's so much quicker 370 00:18:25,760 --> 00:18:26,560 Speaker 2: to get up to Jarlton. 371 00:18:26,640 --> 00:18:28,720 Speaker 1: Now we've got all these options with the Indian Ocean 372 00:18:28,880 --> 00:18:29,840 Speaker 1: Road and everything. 373 00:18:30,680 --> 00:18:34,680 Speaker 2: Yes, yes, Now, the story of Sweet Ass was inspired 374 00:18:34,680 --> 00:18:37,000 Speaker 2: by its writer, So tell us about her and what 375 00:18:37,080 --> 00:18:38,320 Speaker 2: the movie is essentially about. 376 00:18:38,440 --> 00:18:39,560 Speaker 1: Lovely job. 377 00:18:41,320 --> 00:18:43,320 Speaker 12: So, I've known jub Now for a very long time. 378 00:18:43,400 --> 00:18:47,160 Speaker 12: We both started in theater. Actually we did a play 379 00:18:47,240 --> 00:18:49,840 Speaker 12: for the for Black Swan back in the early two thousands, 380 00:18:50,240 --> 00:18:52,879 Speaker 12: and so this is a story that is based on 381 00:18:53,240 --> 00:18:57,440 Speaker 12: her real life experience as a young Aboriginal woman growing. 382 00:18:57,240 --> 00:18:59,960 Speaker 11: Up in the Pilbra. So she's a port Edlin girl. 383 00:19:00,080 --> 00:19:03,520 Speaker 12: She's actually yournial is her traditional country which is Breamway, 384 00:19:04,480 --> 00:19:08,320 Speaker 12: but grew up in port Headland and was sort of 385 00:19:08,400 --> 00:19:10,600 Speaker 12: during her adolescent years just having a bit of a 386 00:19:10,640 --> 00:19:11,160 Speaker 12: tough time. 387 00:19:11,560 --> 00:19:12,800 Speaker 11: And back in. 388 00:19:12,800 --> 00:19:15,200 Speaker 12: That day, there were these photos offaris that were going 389 00:19:15,240 --> 00:19:18,399 Speaker 12: around to remote places and she got a spot on 390 00:19:18,400 --> 00:19:21,679 Speaker 12: one of them and went out on country for you know, 391 00:19:21,680 --> 00:19:23,959 Speaker 12: I think it was a week, and learned how to 392 00:19:24,320 --> 00:19:27,720 Speaker 12: take beautiful photographs of country and. 393 00:19:27,960 --> 00:19:31,200 Speaker 1: Never any places to do. It is there that. 394 00:19:31,040 --> 00:19:36,600 Speaker 12: Way incredible and for her it sort of revolutionized her 395 00:19:36,640 --> 00:19:40,760 Speaker 12: perspective on her life and pathways and choices that she 396 00:19:40,840 --> 00:19:41,280 Speaker 12: could make. 397 00:19:41,840 --> 00:19:42,800 Speaker 11: So, you know, she. 398 00:19:42,720 --> 00:19:47,480 Speaker 12: Always credits that particular experience to you know, the arts 399 00:19:48,200 --> 00:19:51,800 Speaker 12: saving her, you know, from possibly. 400 00:19:51,520 --> 00:19:55,240 Speaker 1: Almost giving her purpose, sense of purpose. 401 00:19:56,119 --> 00:19:57,520 Speaker 11: It opened the world up to her. 402 00:19:58,200 --> 00:20:00,199 Speaker 12: She saw that that power of the arts to to 403 00:20:00,240 --> 00:20:02,400 Speaker 12: save lives and to open opportunities. 404 00:20:02,560 --> 00:20:04,760 Speaker 2: Not to mention, I guess what she was immersed in. 405 00:20:05,040 --> 00:20:09,160 Speaker 2: That's pretty soul feeding absolutely to be working. 406 00:20:08,840 --> 00:20:09,760 Speaker 1: In that kind of area. 407 00:20:09,800 --> 00:20:14,280 Speaker 2: And what is amazing is you filmed in Karajani National Park. 408 00:20:14,520 --> 00:20:17,520 Speaker 2: You would have had to get expect permission for that, 409 00:20:17,760 --> 00:20:21,480 Speaker 2: and what a treat. Yeah, it's for us raw for you. 410 00:20:21,880 --> 00:20:25,280 Speaker 12: Yeah, that's yeah, Yeah, the most incredible landscape. You know, 411 00:20:25,400 --> 00:20:28,359 Speaker 12: I absolutely recommend it to anybody who wants to go 412 00:20:28,400 --> 00:20:31,720 Speaker 12: and immerse themselves in our ancient country that we had. 413 00:20:32,080 --> 00:20:34,440 Speaker 12: You know, it's so spectacular and was so blessed to 414 00:20:34,440 --> 00:20:35,560 Speaker 12: be able to shoot up there. 415 00:20:35,640 --> 00:20:38,800 Speaker 2: So the young cast are an outstanding bunch of actors. 416 00:20:39,560 --> 00:20:42,400 Speaker 2: Just seeing young talent coming through the way they are 417 00:20:42,480 --> 00:20:46,160 Speaker 2: and the diverse talent that we've got, does that fill 418 00:20:46,200 --> 00:20:46,800 Speaker 2: you with joy? 419 00:20:47,040 --> 00:20:47,359 Speaker 9: Yeah? 420 00:20:47,400 --> 00:20:50,840 Speaker 12: Absolutely, and it's exciting because you know, we're in a 421 00:20:50,960 --> 00:20:53,360 Speaker 12: very different era to what it was when I first started. 422 00:20:53,840 --> 00:20:57,640 Speaker 12: You know, there are so many more pathways and opportunities. 423 00:20:58,240 --> 00:21:00,919 Speaker 12: So it's it's I think, you know, young person starting 424 00:21:00,920 --> 00:21:04,560 Speaker 12: out in the industry, now anything could happen. So it 425 00:21:04,680 --> 00:21:07,400 Speaker 12: is you know, I feel really excited for those kids 426 00:21:07,440 --> 00:21:09,680 Speaker 12: coming through that they just you know, the world could 427 00:21:09,720 --> 00:21:10,600 Speaker 12: be their oyster. 428 00:21:10,520 --> 00:21:13,080 Speaker 3: Not necessarily just having to take the traditional route of 429 00:21:13,560 --> 00:21:17,200 Speaker 3: stage or television or film, but so many other avenues 430 00:21:17,200 --> 00:21:19,720 Speaker 3: that they can definitely so many other paths that they 431 00:21:19,760 --> 00:21:20,040 Speaker 3: can take. 432 00:21:20,080 --> 00:21:23,600 Speaker 12: Also, just in practical terms, the way that people audition 433 00:21:23,720 --> 00:21:25,440 Speaker 12: these days. You know, you used to go into a 434 00:21:25,520 --> 00:21:27,919 Speaker 12: room with the director and the producer and the screen 435 00:21:27,960 --> 00:21:29,000 Speaker 12: test and all that sort of stuff. 436 00:21:29,040 --> 00:21:31,880 Speaker 11: Now it's all self taping. So you can be at home. 437 00:21:32,200 --> 00:21:35,080 Speaker 12: You know, you can be in Geralton do a self test, 438 00:21:35,560 --> 00:21:39,280 Speaker 12: and that could go to a studio in America, you know, 439 00:21:39,440 --> 00:21:41,719 Speaker 12: and you look. You know, obviously it's a little bit 440 00:21:41,720 --> 00:21:43,919 Speaker 12: akin to winning a lotto, but still to be in 441 00:21:43,920 --> 00:21:44,520 Speaker 12: it to win. 442 00:21:44,400 --> 00:21:47,360 Speaker 3: It, that's true, but you didn't have to you don't 443 00:21:47,400 --> 00:21:49,879 Speaker 3: have to go there for them to actually discover you 444 00:21:49,920 --> 00:21:51,840 Speaker 3: and if you have that spark, if you have that 445 00:21:51,920 --> 00:21:54,280 Speaker 3: thing that they're looking for, it doesn't matter where you are. 446 00:21:54,680 --> 00:21:55,760 Speaker 3: That's right, I can see it. 447 00:21:55,760 --> 00:21:57,680 Speaker 1: That's right. It's completely opened up. 448 00:21:58,040 --> 00:22:01,439 Speaker 2: You're working with Mark Cole Smith, who watched in the 449 00:22:01,520 --> 00:22:04,920 Speaker 2: Mystery wrote Origin, and you were in the other two. 450 00:22:05,080 --> 00:22:06,920 Speaker 1: You weren't in the one with him, were you? Because 451 00:22:06,960 --> 00:22:08,399 Speaker 1: you were That's right, because your. 452 00:22:08,359 --> 00:22:12,199 Speaker 12: Role is in the other exactly exactly, So so obviously 453 00:22:12,240 --> 00:22:12,639 Speaker 12: the Origin. 454 00:22:13,960 --> 00:22:17,280 Speaker 11: Yes, it's going back to. 455 00:22:16,880 --> 00:22:19,960 Speaker 2: Yeah, yeah, yeah, and we see a fabulous a younger Mary, 456 00:22:20,080 --> 00:22:20,879 Speaker 2: love love love him. 457 00:22:20,920 --> 00:22:22,720 Speaker 1: Yes, we saw a younger Mary exactly. Yeah. 458 00:22:22,840 --> 00:22:26,720 Speaker 2: And the cast was all brilliant, wonderful. So now you 459 00:22:26,800 --> 00:22:27,920 Speaker 2: get to work with him. 460 00:22:28,280 --> 00:22:29,680 Speaker 1: Yes, it was. It was fantastic. 461 00:22:29,680 --> 00:22:32,680 Speaker 12: I actually did work on the set in a sort 462 00:22:32,680 --> 00:22:34,639 Speaker 12: of behind the scenes capacity. Is a drama tag and 463 00:22:34,680 --> 00:22:39,240 Speaker 12: a social producer. Yeah, it's you're stepping into a legacy project, really, 464 00:22:39,720 --> 00:22:42,480 Speaker 12: so just to help those guys just kind of find 465 00:22:42,520 --> 00:22:44,920 Speaker 12: their feet in this in this world. 466 00:22:45,119 --> 00:22:47,280 Speaker 11: Yes, so, yeah, it was a really. 467 00:22:47,119 --> 00:22:49,280 Speaker 12: Wonderful experience, just to sort of see it from a 468 00:22:49,320 --> 00:22:50,080 Speaker 12: different perspective. 469 00:22:50,320 --> 00:22:53,640 Speaker 2: You've appeared on so many TV series, including Mystery Road, 470 00:22:53,920 --> 00:22:55,919 Speaker 2: Blue Heelers is there anything on the small screen. We 471 00:22:55,960 --> 00:23:00,439 Speaker 2: can look forward to seeing you in soon. Yes, but 472 00:23:00,480 --> 00:23:05,480 Speaker 2: you can't stay. I can't tell you. Are you replacing Kosh? 473 00:23:08,920 --> 00:23:16,280 Speaker 1: Do not know? Could you imagine? No? No, no, none 474 00:23:16,280 --> 00:23:18,040 Speaker 1: of us. You don't want to get up that early 475 00:23:18,080 --> 00:23:22,080 Speaker 1: to take it from us. Not definitely. It hurts. Is 476 00:23:22,119 --> 00:23:23,879 Speaker 1: there a role you'd love to play or wish you'd 477 00:23:23,920 --> 00:23:26,200 Speaker 1: been given the part for? Oh my goodness. 478 00:23:26,680 --> 00:23:30,359 Speaker 12: Look, I think every actor has to be able to say, yes, 479 00:23:30,560 --> 00:23:35,280 Speaker 12: there's something of roles like, yeah, there are so many 480 00:23:35,280 --> 00:23:38,080 Speaker 12: great and I'm just watching Succession at the moment. 481 00:23:38,280 --> 00:23:39,920 Speaker 1: Yeah, yes, you know, I look at a. 482 00:23:39,880 --> 00:23:42,600 Speaker 12: Lot of characters on that, but I'd love to get 483 00:23:42,640 --> 00:23:45,400 Speaker 12: my teeth into and they have such a great way 484 00:23:45,440 --> 00:23:47,960 Speaker 12: of working. You know, the script are so funny, but 485 00:23:48,040 --> 00:23:50,800 Speaker 12: they're playing you know, the authenticity and the truth of it, 486 00:23:51,240 --> 00:23:53,600 Speaker 12: Like some of that dialogue is priceless. 487 00:23:53,880 --> 00:23:56,359 Speaker 1: I love to be able to play one of those characters. 488 00:23:56,760 --> 00:23:59,639 Speaker 1: Swear they were flying the wall at a Murdock meeting, 489 00:23:59,680 --> 00:24:01,720 Speaker 1: wouldn't that's the rumor. 490 00:24:02,000 --> 00:24:04,280 Speaker 2: I love it when it irritates life and back and 491 00:24:04,320 --> 00:24:10,520 Speaker 2: forward and all of that ruse that fine line. Well, 492 00:24:10,720 --> 00:24:13,199 Speaker 2: as I said, sweet as is in cinemas across the 493 00:24:13,240 --> 00:24:15,240 Speaker 2: country today. Thank you for joining us. 494 00:24:15,359 --> 00:24:16,760 Speaker 11: Thank you so much for having me. 495 00:24:16,960 --> 00:24:20,119 Speaker 1: Good luck with the film teers. Thank you more, Clezy 496 00:24:20,400 --> 00:24:28,520 Speaker 1: more Lisa podcast soon Read the flick with Ben o'she 497 00:24:28,640 --> 00:24:32,160 Speaker 1: on ninety six am. Good morning, Ben, morning Ben. 498 00:24:32,760 --> 00:24:35,199 Speaker 13: Hey, guys, got an exciting one to talk to you 499 00:24:35,200 --> 00:24:38,000 Speaker 13: about them. Okay, unless you don't like scary movies. 500 00:24:38,600 --> 00:24:42,360 Speaker 1: Look, they're scary, and they're scary one. 501 00:24:43,119 --> 00:24:44,800 Speaker 13: This one is terrifying. 502 00:24:45,520 --> 00:24:47,359 Speaker 1: So it's called the Bookie Man. 503 00:24:47,400 --> 00:24:50,040 Speaker 13: It's not a short story that Stephen King, who have 504 00:24:50,160 --> 00:24:53,960 Speaker 13: caused The Master of Horror, wrote back in nineteen seventy three, 505 00:24:54,960 --> 00:24:58,000 Speaker 13: and the basic premise is a simple one. Like the 506 00:24:58,040 --> 00:25:02,200 Speaker 13: film itself, is extremely bimble in plot, it is often 507 00:25:02,240 --> 00:25:07,280 Speaker 13: the best. Basically, it's about this supernatural creature that lurks 508 00:25:07,280 --> 00:25:10,760 Speaker 13: in the dark, spaces around your house and comes out 509 00:25:11,160 --> 00:25:13,840 Speaker 13: when you least expect it to kind of prey on 510 00:25:14,080 --> 00:25:17,840 Speaker 13: people who've experienced trauma in their lives, sort of tormenting 511 00:25:17,880 --> 00:25:21,320 Speaker 13: them until eventually finally knocking them off. 512 00:25:21,600 --> 00:25:24,199 Speaker 1: And in this case, the Boogeyman. 513 00:25:24,560 --> 00:25:29,000 Speaker 13: The Boogeyman latches itself to a family who just recently 514 00:25:29,040 --> 00:25:32,160 Speaker 13: lost a husband who's lost his wife in a car accident. 515 00:25:32,200 --> 00:25:36,400 Speaker 13: Two kids lost their mum. The dad is played by Christmasina, 516 00:25:36,440 --> 00:25:39,080 Speaker 13: who's a great actor having a real moment right now. 517 00:25:39,119 --> 00:25:43,199 Speaker 13: He was just in the Nike movie Air and was 518 00:25:43,280 --> 00:25:44,760 Speaker 13: in The Sinner from a. 519 00:25:44,680 --> 00:25:45,560 Speaker 6: Couple of years ago. 520 00:25:45,800 --> 00:25:47,240 Speaker 1: So he plays Will. 521 00:25:47,359 --> 00:25:51,280 Speaker 13: The Psychiatrist' dad is two daughters, a teenager who's going 522 00:25:51,320 --> 00:25:54,480 Speaker 13: through some troubles at school played by Sophie Thatcher from 523 00:25:54,560 --> 00:25:58,560 Speaker 13: Yellowjackets and Little Vivian Larra Blair, who's a ten year 524 00:25:58,600 --> 00:26:01,639 Speaker 13: old actress who plays Princess Leiah in the Obi Wan 525 00:26:01,720 --> 00:26:06,440 Speaker 13: Kenobi series. So the boogeyman kind of starts appearing in 526 00:26:07,160 --> 00:26:11,399 Speaker 13: Vivian's closet. She realizes there's something weird happening in her 527 00:26:11,400 --> 00:26:14,680 Speaker 13: bedroom at night, you know, all the standard staff screams 528 00:26:14,680 --> 00:26:17,400 Speaker 13: out for a dad for an older sister. No one 529 00:26:17,440 --> 00:26:23,320 Speaker 13: believes her, and things start to get increasingly scary and crazy. 530 00:26:23,720 --> 00:26:25,680 Speaker 13: While she is dealing with it all on her own. 531 00:26:26,320 --> 00:26:29,320 Speaker 13: They take her to a therapist who does this kind 532 00:26:29,359 --> 00:26:34,439 Speaker 13: of like darkness aversion therapy, and then the creature appears 533 00:26:34,440 --> 00:26:40,760 Speaker 13: in the therapist's office. It is absolutely terrifying, and the 534 00:26:40,840 --> 00:26:43,560 Speaker 13: director Rob Savage has done a great job of using 535 00:26:43,600 --> 00:26:47,439 Speaker 13: CG effects too, like the Monster is actually like nightmare 536 00:26:47,480 --> 00:26:50,320 Speaker 13: inducing for adults. And I interviewed him the other day 537 00:26:50,359 --> 00:26:52,040 Speaker 13: and he said, what I wanted to do with this 538 00:26:52,080 --> 00:26:54,680 Speaker 13: film is create that feeling of when you're a kid 539 00:26:54,800 --> 00:26:57,119 Speaker 13: and you think you hear of something that goes bump 540 00:26:57,119 --> 00:26:58,760 Speaker 13: in the night, and you're too scared to call that 541 00:26:58,880 --> 00:27:01,040 Speaker 13: to your parents. I want to create that in a 542 00:27:01,040 --> 00:27:03,840 Speaker 13: cinema and then have people go home after the film 543 00:27:04,119 --> 00:27:06,120 Speaker 13: and be scared to turn off the lights in their bedroom. 544 00:27:06,600 --> 00:27:09,040 Speaker 1: Yeah, or hang you. I'm over the edge of the 545 00:27:09,040 --> 00:27:12,600 Speaker 1: band idea, so want I'm still not good with that. 546 00:27:12,840 --> 00:27:15,520 Speaker 1: Still wants people, So he wants people to leave traumatized. 547 00:27:15,640 --> 00:27:18,440 Speaker 13: Yes, you're traumatized and so but the film. The film 548 00:27:18,520 --> 00:27:20,920 Speaker 13: is very basic, like it only goes it only goes 549 00:27:20,960 --> 00:27:23,600 Speaker 13: for a bit over ninety minutes. It gets out quick, 550 00:27:23,600 --> 00:27:26,520 Speaker 13: which is a blessing these days with most films stretching. 551 00:27:26,200 --> 00:27:26,879 Speaker 1: Over to hours. 552 00:27:28,280 --> 00:27:31,400 Speaker 14: There's a lot of there's a lot of a lot 553 00:27:31,400 --> 00:27:34,919 Speaker 14: of horror movie tropes, right, Yeah, it's kind of a 554 00:27:34,960 --> 00:27:39,520 Speaker 14: lot of cliches, but it's just very solid genre filmmaking. 555 00:27:39,800 --> 00:27:43,920 Speaker 2: All right, Well, how many when Stephen King gets it right? 556 00:27:43,960 --> 00:27:45,880 Speaker 1: He gets it right? Are you giving it? 557 00:27:46,720 --> 00:27:48,960 Speaker 13: I'm going to give this a very solid three star. 558 00:27:49,320 --> 00:27:50,640 Speaker 1: Okay, it's good. 559 00:27:51,320 --> 00:27:55,280 Speaker 2: It does sound light, so it's a classic scared classical movie. 560 00:27:55,720 --> 00:27:58,760 Speaker 1: Yeah, it'll scare you, all right, Thank you Ben, Thank 561 00:27:58,800 --> 00:28:03,520 Speaker 1: you Ben. There you guys peril. You've been warned. Simple, 562 00:28:03,760 --> 00:28:06,560 Speaker 1: I think is best for that kind of thing. Yes, 563 00:28:06,800 --> 00:28:08,719 Speaker 1: and nice and short. 564 00:28:08,840 --> 00:28:14,040 Speaker 3: You can only people for so long, ye, Clazie and 565 00:28:14,280 --> 00:28:16,000 Speaker 3: Lisa