1 00:00:04,080 --> 00:00:04,800 Speaker 1: Fish friend. 2 00:00:06,600 --> 00:00:17,119 Speaker 2: Will. Good afternoon everyone. It's Will and Body getting your. 3 00:00:17,040 --> 00:00:20,760 Speaker 3: Home for the next couple of hours all across the country. 4 00:00:21,400 --> 00:00:23,040 Speaker 4: Wud the country? 5 00:00:23,600 --> 00:00:26,400 Speaker 3: Yeah, mate, last time we spoke about this. I mean, 6 00:00:26,440 --> 00:00:27,560 Speaker 3: there's a lot of things that I think we talk 7 00:00:27,600 --> 00:00:29,560 Speaker 3: about on this show that don't go any further. 8 00:00:29,840 --> 00:00:33,040 Speaker 4: No, mainly the bosses say no boys that don't do that. 9 00:00:33,320 --> 00:00:36,239 Speaker 1: Not enough money for that one. No, that's all. 10 00:00:36,320 --> 00:00:38,280 Speaker 4: We get sick of it. To be honest, we're like, 11 00:00:38,320 --> 00:00:42,120 Speaker 4: we're like children, or we're like we're like goldfish. We tended, 12 00:00:42,720 --> 00:00:44,919 Speaker 4: we forget it, we forget all, we get bored of it, 13 00:00:44,960 --> 00:00:46,480 Speaker 4: and we move on to the other side of the tank. 14 00:00:46,760 --> 00:00:49,000 Speaker 4: But one that has resurfaced, which is actually a bit 15 00:00:49,000 --> 00:00:52,279 Speaker 4: of a surprise, is our is our endeavors and our 16 00:00:52,400 --> 00:00:54,360 Speaker 4: journey to get on You Sucker. 17 00:00:54,960 --> 00:00:58,640 Speaker 3: You Sucker's rocket ship will yeah, you Suckers Ship, which 18 00:00:58,680 --> 00:01:02,240 Speaker 3: will be He's a Japanese billionaire. Elon Mascus, in charge 19 00:01:02,240 --> 00:01:05,119 Speaker 3: of SpaceX the program, has said that he is going 20 00:01:05,360 --> 00:01:08,400 Speaker 3: You Sucker is going to be the first person to 21 00:01:08,440 --> 00:01:12,000 Speaker 3: be a moon tourist Moon and yousaker. He said he 22 00:01:12,040 --> 00:01:13,880 Speaker 3: wants to take six artists with him. 23 00:01:13,760 --> 00:01:17,680 Speaker 4: And I don't know, two more deserving artists than you 24 00:01:17,720 --> 00:01:17,920 Speaker 4: and I. 25 00:01:18,040 --> 00:01:18,400 Speaker 1: That's right. 26 00:01:18,440 --> 00:01:20,199 Speaker 3: And look, we got a little bit excited talking about 27 00:01:20,240 --> 00:01:22,080 Speaker 3: this last time, but this is the position we ended 28 00:01:22,160 --> 00:01:22,440 Speaker 3: up in. 29 00:01:23,000 --> 00:01:25,639 Speaker 4: You know what, I'm on board on this show us 30 00:01:25,680 --> 00:01:28,440 Speaker 4: calling you sucker, mazour. We want to try yeah, bloody 31 00:01:28,480 --> 00:01:33,840 Speaker 4: oh alrights his number in the the white pages. And 32 00:01:33,959 --> 00:01:36,600 Speaker 4: then after that we sort of said that when need 33 00:01:36,600 --> 00:01:37,520 Speaker 4: to impress him. 34 00:01:37,400 --> 00:01:39,720 Speaker 3: Well, we don't think that. We spoke to a few 35 00:01:39,720 --> 00:01:43,000 Speaker 3: people recently. We surveyed people is talking on the radio 36 00:01:43,160 --> 00:01:45,440 Speaker 3: form of art unanimously know? 37 00:01:45,880 --> 00:01:47,800 Speaker 4: Debatable? There were two people unanimously know. 38 00:01:48,160 --> 00:01:50,440 Speaker 1: So what what have we got over our slaves? 39 00:01:50,440 --> 00:01:51,920 Speaker 3: Which is going to be a good enough piece of 40 00:01:52,160 --> 00:01:55,400 Speaker 3: art that we can impress a Japanese billionaire. 41 00:01:54,960 --> 00:01:57,000 Speaker 1: In order to go to the moon with him. 42 00:01:57,120 --> 00:01:58,480 Speaker 4: We're going to try and do it with you guys. 43 00:01:58,600 --> 00:01:59,960 Speaker 4: Ye you guys? Are you guys? 44 00:02:00,120 --> 00:02:02,000 Speaker 3: We've got a blank canvas here. If you've got any 45 00:02:02,040 --> 00:02:05,440 Speaker 3: ideas we need to create an impressive piece of artwork, 46 00:02:05,480 --> 00:02:06,080 Speaker 3: we'll talk. 47 00:02:05,880 --> 00:02:07,640 Speaker 1: About it a little bit later on in the show. 48 00:02:08,040 --> 00:02:10,200 Speaker 3: Brand new segment to start the show off, can't wait 49 00:02:10,360 --> 00:02:11,960 Speaker 3: to talk to you guys about the big things that 50 00:02:11,960 --> 00:02:14,440 Speaker 3: we're probably not going to discuss later on. 51 00:02:16,040 --> 00:02:17,080 Speaker 1: Chants from one thousand bucks. 52 00:02:17,080 --> 00:02:18,800 Speaker 3: All thanks to OLAF if you want to register Willamwood 53 00:02:18,840 --> 00:02:20,560 Speaker 3: dot com to a you for that. Trying a brand 54 00:02:20,600 --> 00:02:23,919 Speaker 3: new segment right now. We haven't done this before, but 55 00:02:24,000 --> 00:02:27,720 Speaker 3: this is big. We realize during our show that there 56 00:02:27,720 --> 00:02:29,840 Speaker 3: are a lot of things. You know, we are meant 57 00:02:29,880 --> 00:02:32,080 Speaker 3: to be a show that's on weekly and people listening 58 00:02:32,080 --> 00:02:33,760 Speaker 3: to the radio to catch up on things that are 59 00:02:33,760 --> 00:02:34,799 Speaker 3: going on, et cetera, the. 60 00:02:34,720 --> 00:02:36,280 Speaker 4: Big news news Woods. 61 00:02:37,200 --> 00:02:40,880 Speaker 3: So these these are big things that we probably won't 62 00:02:40,960 --> 00:02:51,800 Speaker 3: cover throughout the show, but we feel obliged to mention them. Yeah, 63 00:02:52,800 --> 00:02:55,320 Speaker 3: and I think we worked that opener about six times. 64 00:02:55,320 --> 00:02:59,519 Speaker 3: So if it's not, if it's not, if it sounds familiar, 65 00:03:00,760 --> 00:03:01,280 Speaker 3: it is. 66 00:03:01,840 --> 00:03:03,440 Speaker 4: He broke, will don't fix it. 67 00:03:04,040 --> 00:03:07,079 Speaker 3: It's a great so big things we probably won't cover today. 68 00:03:07,720 --> 00:03:11,040 Speaker 3: The fact that goss Over the Eagles won the Granny 69 00:03:11,080 --> 00:03:13,280 Speaker 3: and the Roosters won the Granny in the league and 70 00:03:13,320 --> 00:03:14,720 Speaker 3: the a f L respectively. 71 00:03:14,800 --> 00:03:19,239 Speaker 4: Two birds will yep, that's my thoughts on a big story. 72 00:03:19,360 --> 00:03:24,840 Speaker 3: Two birds chicken and eagle yep, chicken and eagle chicken 73 00:03:24,880 --> 00:03:25,680 Speaker 3: and who would. 74 00:03:26,560 --> 00:03:28,280 Speaker 4: Now here's where we go now, This is a good question, 75 00:03:28,320 --> 00:03:32,200 Speaker 4: and this should be a fun topic for mine eagle. 76 00:03:32,880 --> 00:03:35,800 Speaker 4: Everyone's thinking, Eagle, but what are the rules around the fight? 77 00:03:35,880 --> 00:03:37,960 Speaker 4: Because if it was an if you're allowed the. 78 00:03:39,480 --> 00:03:42,040 Speaker 1: Flightless eagle is saying, if you clip the eagles wings. 79 00:03:41,960 --> 00:03:44,720 Speaker 4: Well no, that's horrific and no one's clipping anyone's wings. 80 00:03:44,720 --> 00:03:46,880 Speaker 4: But if it was a cage fight, and now I. 81 00:03:47,920 --> 00:03:50,640 Speaker 1: You know what, cock fighting is illegal, so I'm. 82 00:03:50,520 --> 00:03:52,560 Speaker 4: Not going to talk about it. And they're good, good, 83 00:03:52,960 --> 00:03:54,480 Speaker 4: that's why we won't cover it. That's right. 84 00:03:54,600 --> 00:03:59,760 Speaker 1: Next story, mate, Kanye, Yes, I've got access to the fact. 85 00:04:00,080 --> 00:04:04,680 Speaker 3: Come up the connection to that guy Ye has changed 86 00:04:04,720 --> 00:04:09,600 Speaker 3: his name from Kanye to just Yay, So just why e. 87 00:04:10,200 --> 00:04:12,400 Speaker 4: Yeah, I did see this actually, but now interesting, you've 88 00:04:12,440 --> 00:04:16,320 Speaker 4: just gone straight ahead and pronounced that it's Yay without 89 00:04:16,400 --> 00:04:22,200 Speaker 4: the can. I think it's just Yee and Ye. Well no, no, 90 00:04:22,240 --> 00:04:24,600 Speaker 4: you drop the car. He doesn't, He doesn't go no longer. 91 00:04:24,720 --> 00:04:27,359 Speaker 4: Can Hang on a second. 92 00:04:27,720 --> 00:04:28,560 Speaker 1: He's a bit of a car. 93 00:04:28,480 --> 00:04:30,880 Speaker 3: Though he's always had a bit of can to his name. 94 00:04:30,920 --> 00:04:32,520 Speaker 4: Well, maybe he's not going to be a can anymore. 95 00:04:33,160 --> 00:04:36,480 Speaker 3: Maybe that's why, maybe maybe that's why he's dropped the car. 96 00:04:36,800 --> 00:04:39,520 Speaker 4: Yeah, dropped the car. Yeah, and we've all dropped on 97 00:04:40,320 --> 00:04:45,080 Speaker 4: I think we've had enough. Can move next story. 98 00:04:45,480 --> 00:04:47,280 Speaker 3: I've got a story which is going to fascinate you 99 00:04:47,320 --> 00:04:50,440 Speaker 3: actually because he's around. He's on that new Channel seven 100 00:04:50,839 --> 00:04:53,719 Speaker 3: TV show called like Everybody get together. 101 00:04:53,480 --> 00:04:54,920 Speaker 4: And stand in a podium. 102 00:04:55,760 --> 00:04:58,760 Speaker 3: He's what you know, there's a show called Everyone hang 103 00:04:58,839 --> 00:04:59,320 Speaker 3: Out Together. 104 00:04:59,520 --> 00:05:00,560 Speaker 4: There's a big mother of them. 105 00:05:00,680 --> 00:05:04,120 Speaker 1: It's a show called Everyone All Together Now. It's called 106 00:05:04,160 --> 00:05:06,080 Speaker 1: All Together Now show. 107 00:05:06,200 --> 00:05:10,120 Speaker 3: Yeah, yeah, yeah, everybody's downing the podium together and let's 108 00:05:10,120 --> 00:05:12,800 Speaker 3: rework the set that we used for the last failed show. 109 00:05:14,920 --> 00:05:18,320 Speaker 4: Hey, come on, come on now. Now his name is 110 00:05:18,600 --> 00:05:25,640 Speaker 4: Ronan Keith. So he's on the show All Together Now. 111 00:05:26,040 --> 00:05:28,039 Speaker 1: He's he's somewhere, he could be who knows. 112 00:05:28,480 --> 00:05:32,760 Speaker 4: Them was on the voice Okay, but anyway, get this 113 00:05:33,200 --> 00:05:34,200 Speaker 4: story leak today. 114 00:05:34,839 --> 00:05:39,320 Speaker 1: He got offered Ewan McGregor's. 115 00:05:38,600 --> 00:05:41,400 Speaker 3: Role in Mulan Rouge. Well, he was in the running 116 00:05:41,400 --> 00:05:44,320 Speaker 3: for it get out. Yes, so apparently there was three 117 00:05:44,360 --> 00:05:49,480 Speaker 3: people in the running. There was obviously Ewan Ronan. Yeah, 118 00:05:49,560 --> 00:05:51,760 Speaker 3: and surely we're playing. When you say nothing at all, Mike, 119 00:05:51,800 --> 00:05:53,640 Speaker 3: I mean, Jesus given it. Throw the guy by, and 120 00:05:53,720 --> 00:05:57,000 Speaker 3: I mean that's easily a bigger song. And I mean 121 00:05:57,040 --> 00:06:03,840 Speaker 3: he's a spirit when you hear that and you said 122 00:06:04,000 --> 00:06:05,240 Speaker 3: nothing pipes. 123 00:06:05,480 --> 00:06:07,120 Speaker 4: He would have been good in rouge. He would have 124 00:06:07,120 --> 00:06:08,680 Speaker 4: been good in rouge. And the other one was leaning 125 00:06:08,680 --> 00:06:09,200 Speaker 4: on di Caprio. 126 00:06:10,360 --> 00:06:25,240 Speaker 3: Cappers couldn't sing caps Capers, you're the catman. 127 00:06:26,240 --> 00:06:26,800 Speaker 4: Catman do. 128 00:06:29,600 --> 00:06:31,919 Speaker 3: But chance help you guys out if you're in love 129 00:06:32,120 --> 00:06:34,800 Speaker 3: at the moment, help me out very surely, hopefully, I think. 130 00:06:35,839 --> 00:06:39,080 Speaker 3: But would row a little story that my girlfriend found 131 00:06:39,120 --> 00:06:40,400 Speaker 3: in the Dutch news this morning. 132 00:06:40,400 --> 00:06:41,360 Speaker 1: That's right, she does. 133 00:06:41,360 --> 00:06:42,960 Speaker 4: She still read the Dutch news, she. 134 00:06:43,320 --> 00:06:45,040 Speaker 1: Still frequents the Dutch tabloids. 135 00:06:45,160 --> 00:06:47,360 Speaker 4: For those who don't know her homeland is the douche 136 00:06:47,720 --> 00:06:52,920 Speaker 4: the Dutch. Then sorry that Holland. Sorry sorry, she crawls up, 137 00:06:53,120 --> 00:07:01,080 Speaker 4: She crawled up. She's from Holland, which actually, for those 138 00:07:01,080 --> 00:07:05,040 Speaker 4: of you playing at home, actually just means shower in French. 139 00:07:05,480 --> 00:07:05,720 Speaker 1: Yeah. 140 00:07:05,760 --> 00:07:07,640 Speaker 4: But also people say Doucheland, Doucheland. 141 00:07:08,160 --> 00:07:10,560 Speaker 1: For no, that's Deutschland, which is German? 142 00:07:11,040 --> 00:07:15,000 Speaker 4: Is it? Yes? And we're all learning things and I've 143 00:07:15,000 --> 00:07:15,640 Speaker 4: stuffed it again. 144 00:07:20,200 --> 00:07:23,200 Speaker 3: I no, No, Deutschland is German. They called German and 145 00:07:23,240 --> 00:07:25,080 Speaker 3: German good all right? That Germany in German. 146 00:07:25,440 --> 00:07:30,360 Speaker 1: So she found this story. Get this Dutch bloke lost 147 00:07:30,400 --> 00:07:30,880 Speaker 1: his wallet. 148 00:07:31,640 --> 00:07:36,880 Speaker 4: Oh shame story lost his wallet and found it? 149 00:07:37,520 --> 00:07:39,200 Speaker 1: Yeah, twenty three years later? 150 00:07:39,480 --> 00:07:44,360 Speaker 4: Goodness, gracious mate, twenty three twenty three years later. Can 151 00:07:44,400 --> 00:07:47,240 Speaker 4: I ask where? I actually don't know because I can't 152 00:07:47,280 --> 00:07:48,320 Speaker 4: read the story. 153 00:07:48,000 --> 00:07:48,160 Speaker 5: But. 154 00:07:54,560 --> 00:07:57,640 Speaker 1: Is there a picture picture graphic at the top? 155 00:07:57,680 --> 00:08:02,440 Speaker 3: And I was like, great, she said no, she can't 156 00:08:02,440 --> 00:08:02,880 Speaker 3: be bothered. 157 00:08:02,920 --> 00:08:04,760 Speaker 1: So but I just thought that in itself is incredible 158 00:08:04,760 --> 00:08:06,440 Speaker 1: because it's such a good feeling. 159 00:08:06,200 --> 00:08:08,080 Speaker 3: When you lose something and you find it again. But 160 00:08:08,200 --> 00:08:12,800 Speaker 3: to find something that long after you've lost it is incredible. 161 00:08:12,880 --> 00:08:16,840 Speaker 3: Like the currency in the wallet wouldn't be usable anymore 162 00:08:17,760 --> 00:08:18,560 Speaker 3: from twenty. 163 00:08:18,320 --> 00:08:22,680 Speaker 4: Three years Yeah, listen, well, surely does currency change that 164 00:08:22,680 --> 00:08:25,760 Speaker 4: that that quickly? Well? Current twenty dollar notes have been 165 00:08:25,800 --> 00:08:29,680 Speaker 4: you know, around for my whole life, the current How 166 00:08:29,760 --> 00:08:32,800 Speaker 4: many times does Holland change their currency? You're right, well, 167 00:08:33,000 --> 00:08:37,839 Speaker 4: the euro? The euro came in. Yeahh when did that happen? 168 00:08:40,480 --> 00:08:45,319 Speaker 1: That happened within about the turn of the century, two thousand. 169 00:08:46,280 --> 00:08:49,600 Speaker 4: So his currency and his wallet would no longer be effective. 170 00:08:49,640 --> 00:08:53,840 Speaker 4: Will your point stands? Well, do you think the Dutch 171 00:08:53,880 --> 00:08:55,960 Speaker 4: currency was gone? I was like, they kept like changing 172 00:08:56,000 --> 00:08:58,320 Speaker 4: there No, no, they don't just keep changing. 173 00:08:58,320 --> 00:09:01,360 Speaker 1: There was no when Europe became the hero anyway. 174 00:09:01,640 --> 00:09:03,520 Speaker 4: Do what do you think the Dutch cards was called before? 175 00:09:03,520 --> 00:09:08,920 Speaker 4: It was the eurom Dutch, the Duchies, I'll let you 176 00:09:08,920 --> 00:09:14,120 Speaker 4: think about it. The cloggies, A couple of cloggis, mate, 177 00:09:14,600 --> 00:09:15,079 Speaker 4: I don't. 178 00:09:14,880 --> 00:09:17,280 Speaker 3: Know, so I would have known from other people on 179 00:09:17,559 --> 00:09:18,960 Speaker 3: thirty one and six five. 180 00:09:20,720 --> 00:09:25,079 Speaker 4: What the Dutch would have called their cards. So we've 181 00:09:25,080 --> 00:09:27,440 Speaker 4: got cloggies and cloggis. 182 00:09:28,960 --> 00:09:30,600 Speaker 3: No, I want to know in thirty one and six five, 183 00:09:30,600 --> 00:09:33,240 Speaker 3: because this guy's twenty three years found something that he 184 00:09:33,320 --> 00:09:38,720 Speaker 3: lost phenomenal. How have you lost something? And then what's 185 00:09:38,720 --> 00:09:40,199 Speaker 3: the time span in. 186 00:09:40,360 --> 00:09:41,719 Speaker 4: Case your phone still going off? 187 00:09:42,360 --> 00:09:45,320 Speaker 3: You've been taking calls since I started, for God's sake, 188 00:09:46,520 --> 00:09:47,559 Speaker 3: thirty one and six five? 189 00:09:47,640 --> 00:09:49,560 Speaker 4: Have you lost something? And how long did you have 190 00:09:49,640 --> 00:09:51,679 Speaker 4: to wait till you found it again? Oh? 191 00:09:51,720 --> 00:09:54,960 Speaker 3: I love these record currently stands at twenty three years 192 00:09:54,960 --> 00:09:57,200 Speaker 3: for a Dutch bloke, which I don't know the details about. 193 00:09:57,240 --> 00:09:58,800 Speaker 1: I'm sorry, but I promise it's a legit. 194 00:09:58,600 --> 00:10:01,959 Speaker 3: Story because twenty three years, like you've written it off, 195 00:10:02,000 --> 00:10:04,640 Speaker 3: I don't more than more than written it off. 196 00:10:04,640 --> 00:10:06,360 Speaker 4: For twenty three years, I would be shocked. If we 197 00:10:06,400 --> 00:10:08,760 Speaker 4: get over a year, I'd be shocked because it's just gone, 198 00:10:08,840 --> 00:10:09,200 Speaker 4: isn't it? 199 00:10:09,240 --> 00:10:11,640 Speaker 3: Like you just these days you'd think, like if it's 200 00:10:11,679 --> 00:10:14,679 Speaker 3: gone for two days, gone, isn't it? 201 00:10:14,760 --> 00:10:18,080 Speaker 4: You cancel your bank cards after what two hours? Oh? Yeah, 202 00:10:18,120 --> 00:10:22,600 Speaker 4: the cards go. You sort it instantly. So there's details 203 00:10:22,600 --> 00:10:26,360 Speaker 4: on this story. Interesting. There are so many questions, so 204 00:10:26,400 --> 00:10:28,240 Speaker 4: many holes that I could have answered. 205 00:10:29,120 --> 00:10:32,600 Speaker 1: But have you lost something? And how long have you 206 00:10:32,679 --> 00:10:34,000 Speaker 1: waited until you found it again? 207 00:10:34,160 --> 00:10:36,280 Speaker 3: Records at twenty three years, but you know you can 208 00:10:36,320 --> 00:10:37,319 Speaker 3: impress us with less. 209 00:10:37,320 --> 00:10:39,960 Speaker 4: I'm sure i'd be impressed with one year. Very I'd 210 00:10:40,000 --> 00:10:42,360 Speaker 4: be impressed with a month, honestly, Yeah, honestly. 211 00:10:42,800 --> 00:10:46,160 Speaker 3: Oh the barro taking calls thirty one of six five? 212 00:10:46,320 --> 00:10:49,319 Speaker 3: How long have you lost something? At four before you 213 00:10:49,440 --> 00:10:50,079 Speaker 3: found it again? 214 00:10:51,400 --> 00:10:53,080 Speaker 4: Because there's a Dutch guy who lost his will for 215 00:10:53,080 --> 00:10:55,480 Speaker 4: twenty three years. We know nothing more of the story 216 00:10:55,520 --> 00:10:56,720 Speaker 4: because it's induct. 217 00:10:56,400 --> 00:10:59,679 Speaker 1: Though, and I can't My girlfriend told me the story. 218 00:10:59,760 --> 00:11:02,360 Speaker 3: She's she's not answering her phone, so you haven't go 219 00:11:02,360 --> 00:11:05,000 Speaker 3: any more details. But we can just speculate though, like 220 00:11:05,160 --> 00:11:07,280 Speaker 3: maybe you've got it. I don't know, Maybe he was 221 00:11:07,280 --> 00:11:08,959 Speaker 3: just walking on the beach round and he picked it up. 222 00:11:09,080 --> 00:11:11,400 Speaker 3: Tammy's given us a call about something she's lost and 223 00:11:11,520 --> 00:11:13,160 Speaker 3: found ages later. 224 00:11:13,400 --> 00:11:16,839 Speaker 4: Tammy, Hi, how are you? We're good? What do you lose? 225 00:11:17,679 --> 00:11:19,520 Speaker 1: I lost my engagement ring. 226 00:11:21,520 --> 00:11:25,640 Speaker 4: While you were engaged. Yes, we'll take it off. That's 227 00:11:25,679 --> 00:11:26,920 Speaker 4: a good point to take it off. 228 00:11:27,880 --> 00:11:31,400 Speaker 6: I was actually taking it off to cook my kids dinner. 229 00:11:32,200 --> 00:11:32,640 Speaker 4: In the house. 230 00:11:32,720 --> 00:11:34,679 Speaker 3: Completely innocuous. And how long did you have to wait 231 00:11:34,720 --> 00:11:35,320 Speaker 3: to find it again? 232 00:11:35,360 --> 00:11:36,559 Speaker 1: Tim Fiste? 233 00:11:36,800 --> 00:11:37,040 Speaker 7: Years? 234 00:11:37,720 --> 00:11:41,800 Speaker 4: Years? Tammy? So and so where did you find it? Tammy? 235 00:11:42,640 --> 00:11:44,240 Speaker 6: My uncle actually found it. 236 00:11:44,400 --> 00:11:46,079 Speaker 4: Your uncle where? 237 00:11:47,559 --> 00:11:49,600 Speaker 6: He won't tell me, but he was not at the 238 00:11:49,640 --> 00:11:51,520 Speaker 6: premises when I've actually. 239 00:11:51,160 --> 00:11:55,960 Speaker 4: Lost it, mate, I think you're wearing a fake Tmmy. 240 00:11:56,040 --> 00:11:58,680 Speaker 4: I reckon, I reckon? Your uncle Paun dies. 241 00:11:59,840 --> 00:12:02,320 Speaker 1: You're who was in tens of thousands of dollars worth 242 00:12:02,320 --> 00:12:03,840 Speaker 1: of Why would you give it a secret? 243 00:12:05,440 --> 00:12:09,040 Speaker 3: If you've registered Willemoody dot com dot au, you've got 244 00:12:09,040 --> 00:12:11,680 Speaker 3: a chance to win a thousand bucks or thanks to 245 00:12:11,760 --> 00:12:13,720 Speaker 3: Allah allah they're. 246 00:12:13,600 --> 00:12:16,680 Speaker 1: Right here the kids. How you get there? Dylan Square? 247 00:12:16,880 --> 00:12:17,960 Speaker 1: Where you in now? 248 00:12:18,000 --> 00:12:21,720 Speaker 4: A lovely woman called Michelle registered online Willamwoody dot com 249 00:12:21,920 --> 00:12:27,240 Speaker 4: dot au and we've got Michelle here. Michelle there, you 250 00:12:27,240 --> 00:12:30,560 Speaker 4: go good, We're very good. Thank you. You got a 251 00:12:30,559 --> 00:12:32,640 Speaker 4: little transport story for us. 252 00:12:33,320 --> 00:12:36,680 Speaker 8: Yeah, I was lashing for the train on a Monday morning. 253 00:12:36,880 --> 00:12:41,640 Speaker 6: Just got on the train, satpletely sat trading. So I 254 00:12:41,640 --> 00:12:44,760 Speaker 6: immediately got up and from the time of moving, sitting 255 00:12:45,160 --> 00:12:47,120 Speaker 6: you know, in the seat, just like standing on the pole, 256 00:12:47,520 --> 00:12:49,920 Speaker 6: I realized the snow hit me that I'd sat in 257 00:12:50,000 --> 00:12:57,760 Speaker 6: somebody's way. Oh yes, and I have to wait, like I. 258 00:12:57,800 --> 00:13:01,079 Speaker 8: Just tore it the smell of someone. We like three 259 00:13:01,120 --> 00:13:03,439 Speaker 8: stops till I got into the city, and then I 260 00:13:03,520 --> 00:13:05,720 Speaker 8: had to go and buy a new dress to work 261 00:13:05,880 --> 00:13:08,760 Speaker 8: and have a shout, work and everything like dagging. 262 00:13:09,000 --> 00:13:16,640 Speaker 4: But yah, sounds like you deserve a thousand bucks Michelle, 263 00:13:18,240 --> 00:13:21,480 Speaker 4: absolute bloody lotely congratulations. You got a thousand bucks and 264 00:13:21,559 --> 00:13:23,599 Speaker 4: you got a fifty dollars all about you. 265 00:13:25,360 --> 00:13:26,080 Speaker 6: Thank you. 266 00:13:26,280 --> 00:13:28,880 Speaker 4: So is Michelle cover the cost of the new genes 267 00:13:28,880 --> 00:13:30,200 Speaker 4: that were doused in urine? 268 00:13:31,600 --> 00:13:33,040 Speaker 8: Thank you mate. 269 00:13:33,240 --> 00:13:35,240 Speaker 2: All the ride to the kids they get they're getting 270 00:13:35,640 --> 00:13:36,520 Speaker 2: your first ride today. 271 00:13:36,520 --> 00:13:37,600 Speaker 4: You're going to be a part of that with them. 272 00:13:37,800 --> 00:13:39,480 Speaker 3: You dot com dot au is the place to do 273 00:13:39,559 --> 00:13:41,560 Speaker 3: us and just tell us where where you're when you 274 00:13:41,559 --> 00:13:43,439 Speaker 3: should have booked an all a ride instead got a 275 00:13:43,480 --> 00:13:45,480 Speaker 3: brand new piece of art that would like you guys 276 00:13:45,520 --> 00:13:47,640 Speaker 3: to help us make in order to try and get 277 00:13:47,640 --> 00:13:48,080 Speaker 3: to the moon. 278 00:13:48,280 --> 00:13:50,840 Speaker 4: Mm hmm. That sounds obscure. Yes. And when we say 279 00:13:51,679 --> 00:13:53,280 Speaker 4: all of us get into the moon, just us, like 280 00:13:53,640 --> 00:13:55,000 Speaker 4: just the two of us will be going to the moon. 281 00:13:55,040 --> 00:13:56,600 Speaker 4: But we are all getting this there. 282 00:13:56,760 --> 00:13:59,720 Speaker 1: It's our ticket to the moon. We'll explain more later, mate. 283 00:14:00,040 --> 00:14:03,880 Speaker 3: Donald Trump said some really interesting things recently, but today 284 00:14:04,120 --> 00:14:05,800 Speaker 3: he I. 285 00:14:05,720 --> 00:14:07,920 Speaker 4: Think nearly topped it. I think he nearly topped it. 286 00:14:09,160 --> 00:14:11,360 Speaker 3: He was talking about the fact his relationship with Kim 287 00:14:11,400 --> 00:14:14,360 Speaker 3: Jong unen at a rally I believe in West Virginia. 288 00:14:15,000 --> 00:14:19,640 Speaker 4: He got up there and well, I just I'll let 289 00:14:19,680 --> 00:14:20,560 Speaker 4: the audio do the talking. 290 00:14:20,600 --> 00:14:22,840 Speaker 1: This is him talking about Kim Jong un. 291 00:14:23,280 --> 00:14:25,920 Speaker 9: I was really being tough and so was he, and 292 00:14:26,040 --> 00:14:27,560 Speaker 9: we got back and forth. 293 00:14:28,120 --> 00:14:29,280 Speaker 4: And then we fell in love. 294 00:14:29,520 --> 00:14:33,880 Speaker 9: Okay, no, really, he wrote me beautiful letters, and they're 295 00:14:33,920 --> 00:14:34,920 Speaker 9: great letters. 296 00:14:35,960 --> 00:14:36,720 Speaker 4: We fell in love. 297 00:14:37,040 --> 00:14:38,160 Speaker 1: People are reporting that. 298 00:14:39,920 --> 00:14:41,000 Speaker 4: I think it's beautiful. 299 00:14:41,000 --> 00:14:41,800 Speaker 1: It is not beautiful. 300 00:14:42,480 --> 00:14:45,160 Speaker 4: It's a beautiful thing. They had a tough relationship, they're aggressive, 301 00:14:45,200 --> 00:14:46,720 Speaker 4: and then all of a sudden, some love letters and 302 00:14:47,040 --> 00:14:49,520 Speaker 4: she didn't have a pen name for each other. And 303 00:14:49,560 --> 00:14:54,360 Speaker 4: if they did, what would it be? Well, oh, now, 304 00:14:54,400 --> 00:14:55,520 Speaker 4: hang on, we don't need to get sexy. 305 00:14:55,560 --> 00:14:57,040 Speaker 3: I don't think it would be sexy. I think it'd 306 00:14:57,080 --> 00:14:59,320 Speaker 3: be kind of just like I think you'd call him Donny. 307 00:15:00,040 --> 00:15:02,360 Speaker 4: I like Donnie. I think Donnie is cute. And then 308 00:15:02,400 --> 00:15:05,360 Speaker 4: we calls him rocketman. He already calls him rocketman, doesn't he? 309 00:15:05,440 --> 00:15:07,160 Speaker 4: And I think first off that was seen as like 310 00:15:07,240 --> 00:15:09,120 Speaker 4: I'm having to go at you, but now it's like, indeed, 311 00:15:09,120 --> 00:15:11,200 Speaker 4: my dear, my dear rocketman, you're my rocket, You're my 312 00:15:11,240 --> 00:15:12,520 Speaker 4: big little You're my big rocket. 313 00:15:14,080 --> 00:15:16,000 Speaker 3: I think that I think these many things has proven 314 00:15:16,040 --> 00:15:19,200 Speaker 3: for us the power of the love letters of like, well, 315 00:15:19,240 --> 00:15:21,320 Speaker 3: you know what great power love letter can bring. 316 00:15:21,360 --> 00:15:22,720 Speaker 4: I mean, you and I on this show. 317 00:15:23,640 --> 00:15:25,440 Speaker 3: I don't know how this came up, but live on 318 00:15:25,480 --> 00:15:27,920 Speaker 3: the air, we wrote a love letter to each other. 319 00:15:28,680 --> 00:15:30,480 Speaker 4: I think we've got audio. 320 00:15:30,280 --> 00:15:33,280 Speaker 1: Of one of probably not your love letter. 321 00:15:33,520 --> 00:15:37,000 Speaker 4: I it's our audio producers chosen. So she definitely chose mine. 322 00:15:38,400 --> 00:15:38,920 Speaker 7: She chose. 323 00:15:40,440 --> 00:15:40,640 Speaker 4: Mate. 324 00:15:40,640 --> 00:15:42,880 Speaker 3: I need you to know that I genuinely adore every 325 00:15:42,920 --> 00:15:44,280 Speaker 3: day that I get to have in here with you. 326 00:15:44,800 --> 00:15:46,760 Speaker 3: I love you if your ability to see something in 327 00:15:46,800 --> 00:15:49,880 Speaker 3: a positive light. I love you for your compassion, for 328 00:15:49,960 --> 00:15:51,920 Speaker 3: your humility, and for your passion. 329 00:15:52,360 --> 00:15:54,720 Speaker 1: It's a ridiculous setup that we have, mate, all right, 330 00:15:54,800 --> 00:15:55,120 Speaker 1: that'll do. 331 00:15:55,480 --> 00:15:55,760 Speaker 3: Wow. 332 00:15:56,480 --> 00:15:58,280 Speaker 1: And it was nice. 333 00:15:58,480 --> 00:16:00,000 Speaker 3: It was a nice moment that we have on air, 334 00:16:00,120 --> 00:16:02,320 Speaker 3: and yours was beautiful as well. I think unlucky not 335 00:16:02,360 --> 00:16:03,960 Speaker 3: to be chosen to. I think we've lost the audio. 336 00:16:03,960 --> 00:16:06,160 Speaker 3: I'm just hearing that from audio producer. She wasn't choosing 337 00:16:06,160 --> 00:16:10,360 Speaker 3: who was better. We've just lost. I think we've got 338 00:16:10,360 --> 00:16:12,680 Speaker 3: a unique opportunity on the airwaves through the power of 339 00:16:12,760 --> 00:16:15,160 Speaker 3: love letters right now, because you and I are good 340 00:16:15,160 --> 00:16:17,680 Speaker 3: at writing them. There's no I think Kim John and 341 00:16:17,680 --> 00:16:19,800 Speaker 3: Donald Trump have shown the strength that a love letter 342 00:16:19,840 --> 00:16:23,560 Speaker 3: can bring. And you and I have great pedigree when 343 00:16:23,600 --> 00:16:24,800 Speaker 3: it comes to writing love letters. 344 00:16:24,840 --> 00:16:28,040 Speaker 1: We do thirty one and six five's our phone number 345 00:16:28,880 --> 00:16:29,440 Speaker 1: right now. 346 00:16:29,760 --> 00:16:32,200 Speaker 3: I want to try something because I think reading out 347 00:16:32,200 --> 00:16:33,560 Speaker 3: a love letter to somebody is. 348 00:16:35,040 --> 00:16:37,480 Speaker 4: It's the best thing you can do. It really is. Yeah. 349 00:16:37,520 --> 00:16:39,720 Speaker 4: And then just talking about your emotions, I think it's 350 00:16:39,760 --> 00:16:40,600 Speaker 4: a great thing to doday. 351 00:16:40,400 --> 00:16:42,680 Speaker 3: And showing your gratitude and showing the person that you 352 00:16:42,760 --> 00:16:44,920 Speaker 3: love that you care if not something to be shamed 353 00:16:44,960 --> 00:16:45,400 Speaker 3: of anymore. 354 00:16:45,440 --> 00:16:46,320 Speaker 1: I think we're past that. 355 00:16:46,400 --> 00:16:48,880 Speaker 3: It's just a great moment for you to share. Thirty 356 00:16:48,920 --> 00:16:51,040 Speaker 3: one and six five. What I'd like to do now is, 357 00:16:51,480 --> 00:16:53,720 Speaker 3: if you've got somebody that you love in your life, 358 00:16:55,360 --> 00:16:57,160 Speaker 3: would you like us to write your them a love 359 00:16:57,240 --> 00:16:58,840 Speaker 3: letter on your behalf? 360 00:16:59,400 --> 00:17:01,920 Speaker 4: Yeah? Yeah, I love this, And then we can actually 361 00:17:01,960 --> 00:17:04,840 Speaker 4: call them straight after and you can instantly you can 362 00:17:05,000 --> 00:17:07,080 Speaker 4: read the letter to them. Well, you can read the 363 00:17:07,119 --> 00:17:09,040 Speaker 4: lad We're not going to read it. We're to read it. 364 00:17:09,080 --> 00:17:11,240 Speaker 1: But thirty one or six five, if you've got somebody. 365 00:17:10,960 --> 00:17:13,520 Speaker 4: In your life that you love, that. 366 00:17:13,440 --> 00:17:17,000 Speaker 3: You would like us to write a love letter too 367 00:17:17,640 --> 00:17:19,320 Speaker 3: that can be read out on the airway. 368 00:17:19,520 --> 00:17:22,160 Speaker 4: I cannot stress enough how good we are at love letters. 369 00:17:22,880 --> 00:17:26,160 Speaker 4: It'll be an amazing you can't. You just can't stress enough. 370 00:17:26,160 --> 00:17:28,359 Speaker 4: If you want to take your rations to the next level. 371 00:17:28,200 --> 00:17:29,560 Speaker 1: Yeah, now's the chance. 372 00:17:29,640 --> 00:17:31,440 Speaker 4: Yeah, maybe you've been together for four years, you want 373 00:17:31,440 --> 00:17:35,199 Speaker 4: to get proposed to? Oh oh call now, what do 374 00:17:35,200 --> 00:17:37,200 Speaker 4: you mean? Well, maybe that gets them further, you know 375 00:17:37,240 --> 00:17:38,280 Speaker 4: what I mean? Like they want to get. 376 00:17:38,200 --> 00:17:40,480 Speaker 1: Proposed to, want to get proposal, and we're not writing 377 00:17:40,480 --> 00:17:41,000 Speaker 1: the proposal. 378 00:17:41,119 --> 00:17:43,040 Speaker 4: Well, we could include that no we go the earth, 379 00:17:43,040 --> 00:17:43,280 Speaker 4: we go. 380 00:17:43,359 --> 00:17:44,320 Speaker 1: We can't, bloody Earth, we can. 381 00:17:44,359 --> 00:17:45,000 Speaker 4: We definitely can't. 382 00:17:45,000 --> 00:17:47,720 Speaker 3: Okay, trying something you'll live bit out of the box, 383 00:17:47,760 --> 00:17:48,720 Speaker 3: which I think people. 384 00:17:48,480 --> 00:17:51,119 Speaker 4: Have come to expect from us. Woods. You know, we're rugues. 385 00:17:51,320 --> 00:17:55,560 Speaker 4: Very rarely in the box, well, very very rarely. Go on. 386 00:17:56,160 --> 00:17:58,480 Speaker 3: Yeah, no, so totally out of the box here on 387 00:17:58,480 --> 00:18:03,000 Speaker 3: a Monday, and we want to try and forwards is 388 00:18:03,359 --> 00:18:06,840 Speaker 3: we've been inspired by our favorite person, Donald Trump. 389 00:18:06,920 --> 00:18:07,240 Speaker 4: Again. 390 00:18:07,800 --> 00:18:13,199 Speaker 3: He said this today talking about Kim John Owen, So have. 391 00:18:13,280 --> 00:18:14,479 Speaker 4: A listen to this. Listen to this. 392 00:18:14,560 --> 00:18:17,240 Speaker 9: I was really being tough and so was he, and 393 00:18:17,320 --> 00:18:18,840 Speaker 9: we all got back and forth. 394 00:18:19,400 --> 00:18:20,560 Speaker 4: And then we fell in love. 395 00:18:20,800 --> 00:18:25,160 Speaker 9: Okay, oh really he wrote me beautiful letters and they're 396 00:18:25,200 --> 00:18:25,960 Speaker 9: great letters. 397 00:18:27,240 --> 00:18:28,040 Speaker 4: We fell in love. 398 00:18:28,520 --> 00:18:30,160 Speaker 1: Beautiful, bizarre, it's just beautiful. 399 00:18:30,840 --> 00:18:31,400 Speaker 4: It's beautiful. 400 00:18:31,440 --> 00:18:33,560 Speaker 3: It's beautiful, and I think it just proves the power 401 00:18:33,560 --> 00:18:35,040 Speaker 3: of a love letter. Now you and I have written 402 00:18:35,080 --> 00:18:37,160 Speaker 3: love letters to each other on this show, which people 403 00:18:37,240 --> 00:18:37,840 Speaker 3: have enjoyed. 404 00:18:38,400 --> 00:18:42,359 Speaker 4: Some touching moments, a little bit of I was sad. 405 00:18:42,480 --> 00:18:43,160 Speaker 4: It was sad in. 406 00:18:43,119 --> 00:18:44,480 Speaker 1: Here, but it was beautifully sad. 407 00:18:45,280 --> 00:18:47,600 Speaker 4: And we want to try and share the love. We 408 00:18:47,640 --> 00:18:49,240 Speaker 4: want to spread our skill will. 409 00:18:49,520 --> 00:18:51,280 Speaker 1: We're bloody good at them. I think we've proven that 410 00:18:51,320 --> 00:18:52,000 Speaker 1: on the airways. 411 00:18:52,280 --> 00:18:53,960 Speaker 3: So we've said to other people thirty one or six 412 00:18:54,040 --> 00:18:56,080 Speaker 3: five is the phone number do you have? You got 413 00:18:56,080 --> 00:18:58,400 Speaker 3: someone who want to write a love letter too, We're 414 00:18:58,440 --> 00:18:59,640 Speaker 3: happy to craft it for you. 415 00:19:00,119 --> 00:19:03,000 Speaker 4: She here has backed in the boys straight off the bat, 416 00:19:03,080 --> 00:19:06,159 Speaker 4: Josh May can I first off, stay, thanks for the faith. 417 00:19:05,960 --> 00:19:06,480 Speaker 5: No, thank you. 418 00:19:06,520 --> 00:19:07,359 Speaker 10: I really appreciate it. 419 00:19:07,440 --> 00:19:10,080 Speaker 4: Boys. Different experience for me. 420 00:19:10,600 --> 00:19:12,880 Speaker 1: Yeah, it's an experience for us as well. 421 00:19:14,359 --> 00:19:16,720 Speaker 4: We're it'll go well though, We're gonna go really well. 422 00:19:16,960 --> 00:19:20,240 Speaker 4: So we need to get some details about your girlfriend, 423 00:19:20,240 --> 00:19:24,600 Speaker 4: who I'm being told is called Katerina. Yeah. Yeah, So mate, 424 00:19:24,960 --> 00:19:27,440 Speaker 4: we start off with where did you meet or how 425 00:19:27,440 --> 00:19:27,840 Speaker 4: did you meet? 426 00:19:27,920 --> 00:19:28,439 Speaker 6: Yeah? Love her? 427 00:19:28,480 --> 00:19:29,160 Speaker 4: Yeah. 428 00:19:29,320 --> 00:19:31,600 Speaker 10: I met her through a high school mate that I 429 00:19:31,640 --> 00:19:33,920 Speaker 10: went to school with from probably year five or year six. 430 00:19:34,000 --> 00:19:36,280 Speaker 11: I grew up with him, and then one thing led 431 00:19:36,320 --> 00:19:38,320 Speaker 11: to another and I ended up meeting her through him, 432 00:19:38,320 --> 00:19:42,600 Speaker 11: and as usual, things tend to fall out of everything 433 00:19:42,680 --> 00:19:44,480 Speaker 11: like that, and we fell in love and now we're 434 00:19:44,480 --> 00:19:45,200 Speaker 11: here today. 435 00:19:45,240 --> 00:19:48,520 Speaker 3: Nice and and mate, can I ask like, was the 436 00:19:49,160 --> 00:19:50,720 Speaker 3: what was the name of the high school friend that 437 00:19:50,760 --> 00:19:51,359 Speaker 3: you met through? 438 00:19:52,400 --> 00:19:53,360 Speaker 10: Antonio Lakata. 439 00:19:54,000 --> 00:19:56,000 Speaker 4: Yeah. And then what about when when we did your 440 00:19:56,000 --> 00:19:58,040 Speaker 4: first see it when your first later eyes on her. 441 00:19:58,400 --> 00:20:00,600 Speaker 10: First time, my late eyes on O that actually at 442 00:20:00,640 --> 00:20:03,600 Speaker 10: her brother's presentation for you twelve? Yeah, oh yeah, yet 443 00:20:03,640 --> 00:20:05,879 Speaker 10: again another one of my high school mates was there 444 00:20:05,880 --> 00:20:10,040 Speaker 10: presenting a year twelve major artwork and end there. 445 00:20:10,000 --> 00:20:12,880 Speaker 1: And Josh, have you got a nickname for her? 446 00:20:13,320 --> 00:20:13,760 Speaker 4: Just cat? 447 00:20:14,560 --> 00:20:14,760 Speaker 7: Yeah? 448 00:20:15,880 --> 00:20:17,480 Speaker 4: Do you ever say like, hey, pussy Cat? 449 00:20:18,240 --> 00:20:21,800 Speaker 10: Oh no, No, another that I'll work for a father, 450 00:20:21,920 --> 00:20:23,760 Speaker 10: so I can't really push my boundary. 451 00:20:24,119 --> 00:20:26,040 Speaker 4: You worked for her dad? 452 00:20:26,680 --> 00:20:27,680 Speaker 10: Yeah, I worked for a father. 453 00:20:27,880 --> 00:20:31,640 Speaker 4: That's a good detail. That's a really good detail. God, 454 00:20:32,440 --> 00:20:33,480 Speaker 4: you work for her dad. 455 00:20:34,520 --> 00:20:36,760 Speaker 1: Is there something that she doesn't like about you? 456 00:20:37,680 --> 00:20:39,040 Speaker 10: Something that she doesn't like about me? 457 00:20:39,240 --> 00:20:39,440 Speaker 6: Yeah? 458 00:20:39,440 --> 00:20:40,120 Speaker 4: This is important. 459 00:20:40,160 --> 00:20:42,520 Speaker 10: Well, I'm an existing smoker of cigarette. 460 00:20:42,760 --> 00:20:46,040 Speaker 4: Okay, smoke some dads. Yeah, she doesn't like that. 461 00:20:46,920 --> 00:20:48,000 Speaker 10: No, she's not a big thing. 462 00:20:48,480 --> 00:20:51,200 Speaker 1: Okay, Okay, So we've got pussy Cat. 463 00:20:51,880 --> 00:20:53,439 Speaker 4: You're a smoker. She hates it. 464 00:20:54,040 --> 00:20:59,159 Speaker 3: You meant through Antonio Leacata, and you work for her dad. 465 00:21:00,040 --> 00:21:03,600 Speaker 4: They're building, right, that's what we've got to do with him. Josh, 466 00:21:03,640 --> 00:21:04,240 Speaker 4: we've got. 467 00:21:04,080 --> 00:21:07,639 Speaker 1: One song and you've agreed you're backing the boys. 468 00:21:07,640 --> 00:21:09,919 Speaker 3: Here, we're going to write your love letter, flick it 469 00:21:09,960 --> 00:21:12,920 Speaker 3: to you via text message, and then on the other side, 470 00:21:13,000 --> 00:21:15,919 Speaker 3: you're going to call Katerina your girlfriend and you're going 471 00:21:15,960 --> 00:21:17,720 Speaker 3: to read a love letter on the airwaves. 472 00:21:17,880 --> 00:21:18,760 Speaker 10: Oh beautiful. 473 00:21:19,280 --> 00:21:22,439 Speaker 3: It's William Woody getting your home with serious creative juices 474 00:21:22,480 --> 00:21:22,760 Speaker 3: going on? 475 00:21:22,800 --> 00:21:25,080 Speaker 4: Though, Can I just say flyover that song? They're flowing. 476 00:21:25,119 --> 00:21:27,359 Speaker 3: It feels good. It feels like a boost juice bar 477 00:21:27,480 --> 00:21:30,880 Speaker 3: in here. It does what we said, juice is flying all. 478 00:21:30,840 --> 00:21:31,720 Speaker 4: Right, yeah, good one. 479 00:21:32,600 --> 00:21:35,240 Speaker 3: So so Josh has given us call. We said we 480 00:21:35,280 --> 00:21:37,320 Speaker 3: can write a very good love letter. We've got the 481 00:21:37,320 --> 00:21:39,920 Speaker 3: bear building blocks of the fact that his girlfriend's name 482 00:21:40,000 --> 00:21:43,640 Speaker 3: is Katerina. She hates, the fact that he smokes, yep, yep. 483 00:21:45,080 --> 00:21:48,440 Speaker 3: They met through a guy called Antonio Locata yep. 484 00:21:48,520 --> 00:21:50,080 Speaker 4: And then it was actually at an art show and 485 00:21:50,240 --> 00:21:51,000 Speaker 4: art presentation. 486 00:21:51,240 --> 00:21:53,000 Speaker 3: Yeah, and he works for a dad. So they're the 487 00:21:53,040 --> 00:21:55,840 Speaker 3: only bits we've got. He's a smoker, her name's Katerina. 488 00:21:56,280 --> 00:21:58,760 Speaker 3: They met at an art presentation and they met through 489 00:21:58,760 --> 00:21:59,960 Speaker 3: a guy called Antonio Lacarta. 490 00:22:00,119 --> 00:22:02,840 Speaker 4: That's it. We've got Josh on the phone right now. Josh, 491 00:22:02,880 --> 00:22:03,840 Speaker 4: how are you feeling, mate? 492 00:22:04,000 --> 00:22:05,360 Speaker 5: Not too bad, boy, it's not too bad. 493 00:22:05,400 --> 00:22:06,760 Speaker 4: This is going to be a good. 494 00:22:06,600 --> 00:22:07,119 Speaker 10: Laugh for me. 495 00:22:07,480 --> 00:22:10,399 Speaker 3: Well wait see, mate, this this could this could end 496 00:22:10,440 --> 00:22:11,840 Speaker 3: up in the rip of a night for you as well. 497 00:22:11,880 --> 00:22:15,320 Speaker 4: So you've got we've texted you the love letter. 498 00:22:16,000 --> 00:22:18,600 Speaker 3: Yeah, we're going to call Caterina right now and we're 499 00:22:18,600 --> 00:22:20,639 Speaker 3: going to act like we're not here. So please just 500 00:22:20,680 --> 00:22:23,359 Speaker 3: make it seem like it's just you calling uh, and 501 00:22:23,359 --> 00:22:24,920 Speaker 3: then we'll talk to you immediately afterwards. 502 00:22:24,920 --> 00:22:27,000 Speaker 1: Good luck, all right, thanks, I'm going. 503 00:22:26,920 --> 00:22:29,240 Speaker 4: To get tears, Josh. I'm feeling good. I'm feeling good. 504 00:22:31,520 --> 00:22:33,960 Speaker 1: Hello, hey, baby, you're going good. 505 00:22:34,240 --> 00:22:34,520 Speaker 5: Good. 506 00:22:34,680 --> 00:22:36,960 Speaker 11: Listen, I've had something written down for a little while, 507 00:22:36,960 --> 00:22:37,600 Speaker 11: and I don't know. 508 00:22:37,760 --> 00:22:40,600 Speaker 1: It's been taking me a little while. You're right here. 509 00:22:41,200 --> 00:22:42,400 Speaker 4: Just hear me out, hear me out. 510 00:22:42,760 --> 00:22:45,960 Speaker 5: Yeah, you are the love of my life. I'll leave 511 00:22:45,960 --> 00:22:46,320 Speaker 5: it at that. 512 00:22:46,680 --> 00:22:48,800 Speaker 10: The first time we met, you were looking at us. 513 00:22:49,160 --> 00:22:51,720 Speaker 5: My eyes searched the room. It was you from the start. 514 00:22:52,040 --> 00:22:53,159 Speaker 5: I'm a part of your family. 515 00:22:53,160 --> 00:22:54,160 Speaker 2: I'll work for your dad. 516 00:22:54,440 --> 00:22:55,119 Speaker 5: You should know that. 517 00:22:55,200 --> 00:22:56,520 Speaker 4: I pray you. 518 00:22:56,520 --> 00:23:00,920 Speaker 5: You're no passing fad. You hate the fact that, if 519 00:23:00,920 --> 00:23:01,520 Speaker 5: I could. 520 00:23:01,280 --> 00:23:03,240 Speaker 10: I'd inhale it up until you choke. 521 00:23:03,640 --> 00:23:04,200 Speaker 5: This has all. 522 00:23:04,119 --> 00:23:05,840 Speaker 11: Happened because of the Antonio Leacata. 523 00:23:06,440 --> 00:23:08,440 Speaker 3: I love that you loved him, even when I drop 524 00:23:08,480 --> 00:23:09,119 Speaker 3: a bad fire. 525 00:23:10,560 --> 00:23:15,720 Speaker 10: TA give me a while to say, I just thought weird, but. 526 00:23:15,760 --> 00:23:16,600 Speaker 3: You know what I thought? 527 00:23:16,640 --> 00:23:18,720 Speaker 10: Why not on a day logue today, I'll drop something 528 00:23:18,760 --> 00:23:19,240 Speaker 10: like that on you. 529 00:23:20,680 --> 00:23:31,040 Speaker 7: And also, you're live on radio, Caterina, you got William? 530 00:23:31,080 --> 00:23:36,720 Speaker 4: What are you hear? You're live on radio? Did you 531 00:23:36,800 --> 00:23:42,879 Speaker 4: like the pot? It was beautiful? Oh my god, that's you. 532 00:23:43,640 --> 00:23:44,080 Speaker 1: He did. 533 00:23:44,240 --> 00:23:46,800 Speaker 3: He did mince his words a little bit, though, and 534 00:23:46,920 --> 00:23:49,560 Speaker 3: rather than saying I know the fact I know that 535 00:23:49,640 --> 00:23:51,000 Speaker 3: you hate me, the fact that I smoked. 536 00:23:51,040 --> 00:23:53,000 Speaker 1: But if I could, id'how you up until I choke? 537 00:23:53,400 --> 00:23:57,000 Speaker 1: He said, he said I did inhale them up until 538 00:23:57,040 --> 00:24:03,800 Speaker 1: you choke, which it's a real tweak. What do you 539 00:24:03,840 --> 00:24:05,240 Speaker 1: think the poem, Caterina are pretty good? 540 00:24:05,440 --> 00:24:06,200 Speaker 9: Yeah? Pretty cool? 541 00:24:06,280 --> 00:24:06,760 Speaker 4: Pretty cool? 542 00:24:06,800 --> 00:24:07,040 Speaker 12: Cool? 543 00:24:07,040 --> 00:24:08,160 Speaker 1: One great? 544 00:24:08,160 --> 00:24:10,439 Speaker 4: And so anything to say to Josh in return, like 545 00:24:10,480 --> 00:24:18,800 Speaker 4: anything that might happen tonight, I don't know. Just beautiful, 546 00:24:20,160 --> 00:24:22,600 Speaker 4: maybe Josh's maybe it sounds like it's gone. It sounds 547 00:24:22,600 --> 00:24:25,040 Speaker 4: like it's gone beautifully. Josh, thanks so much. 548 00:24:25,400 --> 00:24:27,240 Speaker 1: I hope you guys have a wonderful day. 549 00:24:27,359 --> 00:24:34,480 Speaker 4: Thank you, thank you, No worries, guys, goodbye bye. Wow. Well, 550 00:24:34,480 --> 00:24:36,320 Speaker 4: I think that went pretty well. I think went incredibly well. 551 00:24:36,320 --> 00:24:38,399 Speaker 4: I think that was actually beautiful. She was really toughed. 552 00:24:38,480 --> 00:24:42,040 Speaker 4: I think she was taken aback. And the line where 553 00:24:42,080 --> 00:24:44,440 Speaker 4: he said that he wanted to yeah, well, then when 554 00:24:44,440 --> 00:24:46,560 Speaker 4: it turned out that she was going to choke, well, 555 00:24:46,840 --> 00:24:50,320 Speaker 4: she was going to choke on his smoke. Hate the 556 00:24:50,400 --> 00:24:54,320 Speaker 4: fact that I, okay got dark pretty could inhale him 557 00:24:54,359 --> 00:24:56,840 Speaker 4: until you took an m night shamelain and twist in 558 00:24:56,880 --> 00:24:59,959 Speaker 4: the middle there where it got to be so vindictive. 559 00:25:01,000 --> 00:25:03,680 Speaker 3: It was just like stuff you made, I'll keep smoking 560 00:25:03,760 --> 00:25:05,080 Speaker 3: until you die. 561 00:25:05,600 --> 00:25:06,560 Speaker 4: Amazing stuff. 562 00:25:06,880 --> 00:25:07,920 Speaker 1: Well, I think we've done well. 563 00:25:08,160 --> 00:25:10,320 Speaker 4: My buddy enjoyed that. I hope everyone enjoyed the. 564 00:25:10,280 --> 00:25:15,280 Speaker 3: Antonio Lecada, I love you, love me even when I 565 00:25:15,359 --> 00:25:16,560 Speaker 3: drop a bad father line. 566 00:25:16,560 --> 00:25:18,480 Speaker 4: As much as we did, you shouldn't even love it that. 567 00:25:18,640 --> 00:25:23,159 Speaker 4: I like a little bit of normal, great stub. I 568 00:25:23,320 --> 00:25:24,720 Speaker 4: very much enjoyed that. We're going to go to the 569 00:25:24,720 --> 00:25:26,280 Speaker 4: traffic on the other side. 570 00:25:26,840 --> 00:25:30,200 Speaker 1: We have got a big global scale operation. 571 00:25:29,880 --> 00:25:31,200 Speaker 4: Which will need your helps. 572 00:25:31,200 --> 00:25:34,000 Speaker 1: They stay with us, will and would get a go. Hey, it'swelling, 573 00:25:34,080 --> 00:25:36,880 Speaker 1: Mordy getting your home on a Monday. 574 00:25:37,520 --> 00:25:39,280 Speaker 3: A chance for us to deal in a little bit 575 00:25:39,280 --> 00:25:42,400 Speaker 3: of Dolly Doctor Territory Woods a little later on in 576 00:25:42,560 --> 00:25:43,920 Speaker 3: the show, but right now. 577 00:25:44,000 --> 00:25:46,920 Speaker 1: I saw a story earlier today about Roan and Keith 578 00:25:50,280 --> 00:25:55,880 Speaker 1: story leak today. He got offered you and McGregor's role 579 00:25:56,320 --> 00:25:57,600 Speaker 1: in Mulin Rouge. 580 00:25:57,600 --> 00:25:59,520 Speaker 3: Well, he was in the running for it, and surely 581 00:25:59,520 --> 00:26:01,280 Speaker 3: we're playing. When you say nothing at all, Mike, I 582 00:26:01,320 --> 00:26:03,200 Speaker 3: mean Jesus given it. Throw the guy by, and I 583 00:26:03,240 --> 00:26:06,320 Speaker 3: mean that's easily a biggest song star. 584 00:26:06,440 --> 00:26:10,439 Speaker 4: When you hear that and you said nothing pipes, he 585 00:26:10,440 --> 00:26:12,119 Speaker 4: would have been good in ruge. He would have been 586 00:26:12,119 --> 00:26:12,680 Speaker 4: good in rouge. 587 00:26:12,880 --> 00:26:16,080 Speaker 3: And the other one was Leanard DiCaprio. CAPPIs couldn't sing 588 00:26:16,280 --> 00:26:34,639 Speaker 3: cavers caps You're giddy the Catman star Catman do. He 589 00:26:34,720 --> 00:26:37,040 Speaker 3: would row up next to you and I are trying 590 00:26:37,119 --> 00:26:38,200 Speaker 3: to get to the moon. 591 00:26:38,480 --> 00:26:40,400 Speaker 4: It sounds like a. 592 00:26:40,320 --> 00:26:43,520 Speaker 3: Far fetched idea, but there's legitimately a person going. He's 593 00:26:43,560 --> 00:26:47,320 Speaker 3: inviting six artists, six artists to go with him as 594 00:26:47,359 --> 00:26:49,280 Speaker 3: the first moon tourist. We think we can get in 595 00:26:49,280 --> 00:26:51,160 Speaker 3: the plane or the ship, the rocket ship. 596 00:26:51,040 --> 00:26:55,440 Speaker 4: You and me, Picasso money. You know that's a shame. 597 00:26:57,520 --> 00:27:02,880 Speaker 3: That's help show. You and I get very excited about 598 00:27:03,080 --> 00:27:03,920 Speaker 3: things on this show. 599 00:27:04,160 --> 00:27:04,520 Speaker 4: We do. 600 00:27:04,600 --> 00:27:06,680 Speaker 3: We get excited about big ideas, and then we often 601 00:27:06,680 --> 00:27:08,840 Speaker 3: forget them and we don't talk about them again, or we. 602 00:27:08,840 --> 00:27:11,240 Speaker 4: Just don't have enough money to do them. 603 00:27:11,280 --> 00:27:15,000 Speaker 3: But recently we got very excited about something which we 604 00:27:15,119 --> 00:27:18,080 Speaker 3: think is attainable. So Elon Musk is in charge of 605 00:27:18,119 --> 00:27:23,360 Speaker 3: the space exploratory company SpaceX. He's announced recently they are 606 00:27:23,359 --> 00:27:25,280 Speaker 3: going to start doing tours of the Moon, so it 607 00:27:25,359 --> 00:27:27,560 Speaker 3: can be tourists of the Moon. 608 00:27:27,720 --> 00:27:28,399 Speaker 4: Huge awesome. 609 00:27:28,440 --> 00:27:31,120 Speaker 3: He's also announced that there's a guy by the name 610 00:27:31,240 --> 00:27:37,760 Speaker 3: of Usaku Maysaasku. 611 00:27:35,240 --> 00:27:39,640 Speaker 4: Maysour, Japanese billionaire I believe, you. 612 00:27:39,640 --> 00:27:43,880 Speaker 1: Believe correctly, and he is going to be the first 613 00:27:43,920 --> 00:27:48,879 Speaker 1: space tourist. So we've missed out on that predictably of course. 614 00:27:50,440 --> 00:27:55,320 Speaker 3: However, Usaka has said that he is going to take 615 00:27:55,800 --> 00:27:57,720 Speaker 3: six artists with him. 616 00:27:57,720 --> 00:28:00,800 Speaker 4: All of a sudden, two artists in here there is 617 00:28:00,880 --> 00:28:02,240 Speaker 4: pricked up, didn't they? Well we did. 618 00:28:02,280 --> 00:28:03,719 Speaker 1: We got a bit excited about this. 619 00:28:04,760 --> 00:28:07,359 Speaker 4: You know what, I'm on board on this show us 620 00:28:07,440 --> 00:28:10,199 Speaker 4: calling you suckers out. You want to try? Yeah, bloody? 621 00:28:10,200 --> 00:28:15,520 Speaker 4: Oh his number in the the white padgers. We've tried 622 00:28:15,560 --> 00:28:18,639 Speaker 4: calling a lot of moussakas in sorry suckers. 623 00:28:20,440 --> 00:28:25,240 Speaker 12: Greekless when we after calling a number of Greek lasagna restaurants, 624 00:28:25,280 --> 00:28:28,720 Speaker 12: we then realized it was yousucker then also didn't get 625 00:28:28,720 --> 00:28:29,280 Speaker 12: on to the man. 626 00:28:29,400 --> 00:28:32,600 Speaker 4: So we think rather than try and find his phone number, yeah, 627 00:28:32,640 --> 00:28:34,199 Speaker 4: which we've realized is impossible. 628 00:28:34,520 --> 00:28:37,560 Speaker 3: Yeah, well, yeah, he's a billionaire. They don't exist in 629 00:28:37,640 --> 00:28:38,640 Speaker 3: accessible phone numbers. 630 00:28:38,680 --> 00:28:41,560 Speaker 4: I don't even know the extension to call Japan. So 631 00:28:41,960 --> 00:28:45,280 Speaker 4: you know, we're god cooked. So what we need to 632 00:28:45,320 --> 00:28:46,960 Speaker 4: do what we think we need to do, well. 633 00:28:46,920 --> 00:28:50,920 Speaker 3: Even before we before we actually get our ship together 634 00:28:51,000 --> 00:28:53,600 Speaker 3: and call them, Yes, yes, yes, we need to have 635 00:28:53,880 --> 00:28:57,280 Speaker 3: we need to exist as artists because yes, right now, 636 00:28:57,360 --> 00:29:01,680 Speaker 3: I think we surveyed a few of our friends. Nobody 637 00:29:01,720 --> 00:29:04,840 Speaker 3: thinks that us talking on the radio amounts to us 638 00:29:04,880 --> 00:29:05,640 Speaker 3: being artists. 639 00:29:05,400 --> 00:29:07,080 Speaker 4: Which we disagree with. But you know, we've got to 640 00:29:07,120 --> 00:29:09,120 Speaker 4: listen to those We've got to listen to that feedback. 641 00:29:09,160 --> 00:29:10,160 Speaker 1: But we know it's true. 642 00:29:10,240 --> 00:29:14,560 Speaker 4: So we think we need to create some sort of art, yeah, 643 00:29:14,600 --> 00:29:18,440 Speaker 4: to get the attention of you, sucker. That's right, and 644 00:29:18,480 --> 00:29:20,520 Speaker 4: this is where we need your help. Thirteen one oh 645 00:29:20,560 --> 00:29:23,160 Speaker 4: six five is our number. We you want to create 646 00:29:23,280 --> 00:29:28,240 Speaker 4: some form of art, some brilliant piece of art, piece 647 00:29:28,240 --> 00:29:30,840 Speaker 4: of art that you sucker will see and then say 648 00:29:30,960 --> 00:29:34,360 Speaker 4: I need those two artists on MySpace ship. Yeah, to 649 00:29:34,400 --> 00:29:35,000 Speaker 4: go to the moon. 650 00:29:36,280 --> 00:29:38,320 Speaker 1: That's the plan. Yeah, that's the plan. 651 00:29:38,360 --> 00:29:41,400 Speaker 4: And the art can be anything. Yeah, that's right if we. 652 00:29:41,320 --> 00:29:43,760 Speaker 3: Think about some So who do you think let's start with, 653 00:29:43,800 --> 00:29:46,320 Speaker 3: who do you think would go with Yousaca right now? 654 00:29:46,360 --> 00:29:47,280 Speaker 1: Like, who's your calling out? 655 00:29:47,440 --> 00:29:48,120 Speaker 4: Jackson Pollock? 656 00:29:48,960 --> 00:29:49,640 Speaker 1: I think he's dead? 657 00:29:49,760 --> 00:29:51,440 Speaker 4: He wait, what is alive? 658 00:29:52,600 --> 00:29:55,120 Speaker 1: Well, it doesn't need to be It doesn't need to be. 659 00:29:56,760 --> 00:30:00,400 Speaker 3: A painter artist either, if you like the directive Pielberg, 660 00:30:00,480 --> 00:30:02,400 Speaker 3: Christopher Nolan, Christopher Nolan. 661 00:30:02,360 --> 00:30:04,440 Speaker 1: Spielberg, this is good these guys. 662 00:30:04,920 --> 00:30:07,040 Speaker 3: So a couple of directors that might go Robert de Niro, 663 00:30:07,400 --> 00:30:11,239 Speaker 3: he's an actor, but an artist. But okay, so there 664 00:30:11,240 --> 00:30:12,840 Speaker 3: are a couple of people that that's the sort of 665 00:30:12,880 --> 00:30:14,920 Speaker 3: company that we could be in. Yeah, but we need 666 00:30:14,960 --> 00:30:18,360 Speaker 3: to start broadening our horizons because Usuku is hoping, hoping 667 00:30:18,440 --> 00:30:22,240 Speaker 3: to make like a body of work of the moon, 668 00:30:22,360 --> 00:30:24,440 Speaker 3: which was created by artists when they got to the moon. 669 00:30:24,480 --> 00:30:26,280 Speaker 3: So we need to show him that we can do 670 00:30:27,600 --> 00:30:29,320 Speaker 3: art which involves the moon. 671 00:30:29,400 --> 00:30:30,520 Speaker 1: I think that's good. 672 00:30:30,600 --> 00:30:32,840 Speaker 4: I like that. Yeah, okay, thirteen one oh sixty five. 673 00:30:32,840 --> 00:30:34,800 Speaker 4: We really need your ideas because we's be honest, we're 674 00:30:34,800 --> 00:30:35,640 Speaker 4: scrapping a little bit. 675 00:30:35,800 --> 00:30:36,000 Speaker 9: Yeah. 676 00:30:36,120 --> 00:30:40,200 Speaker 4: We we just brought up Robert de Niro. We need 677 00:30:40,240 --> 00:30:47,640 Speaker 4: a moon, a moon inspired piece of art. What moon 678 00:30:47,720 --> 00:30:52,480 Speaker 4: is your stimulus? So the moon? Here's one huge thing 679 00:30:52,520 --> 00:30:55,720 Speaker 4: of cheese, because you know how people think the moon 680 00:30:55,800 --> 00:30:56,720 Speaker 4: is made of cheese. 681 00:30:56,800 --> 00:30:59,960 Speaker 1: Well in the movie with Wallace and Grummet, that's where. 682 00:30:59,720 --> 00:31:01,760 Speaker 4: They come from, is it. Yeah, So we just create 683 00:31:01,800 --> 00:31:06,720 Speaker 4: this huge cheese and the art to take a photo 684 00:31:06,760 --> 00:31:09,960 Speaker 4: of it, and that's the art. I can't stress enough. 685 00:31:09,960 --> 00:31:11,680 Speaker 4: We're doing it to go to the moon. 686 00:31:11,760 --> 00:31:14,360 Speaker 3: I really want to go, guys, I want to be 687 00:31:14,400 --> 00:31:16,640 Speaker 3: I want to If we're thinking about the moon, what 688 00:31:16,720 --> 00:31:17,320 Speaker 3: the moon's about? 689 00:31:17,360 --> 00:31:18,640 Speaker 1: It's filled with craters. 690 00:31:19,080 --> 00:31:21,840 Speaker 3: It's filled with craters, right, So maybe we could make 691 00:31:21,880 --> 00:31:24,360 Speaker 3: an artwork which is inspired by craters. So maybe we 692 00:31:24,680 --> 00:31:27,240 Speaker 3: we've got a big sort of like what's the what 693 00:31:27,320 --> 00:31:27,640 Speaker 3: are those? 694 00:31:28,240 --> 00:31:31,880 Speaker 4: What's it called an escape? Parker bowl bowl? Y skate bowl? 695 00:31:31,960 --> 00:31:32,560 Speaker 4: Skate bowl? 696 00:31:32,880 --> 00:31:34,120 Speaker 1: Have we filled that with paint? 697 00:31:34,560 --> 00:31:34,880 Speaker 4: Yes? 698 00:31:35,200 --> 00:31:39,480 Speaker 1: And I slipped into the bowl in our tummies. Know this, 699 00:31:39,480 --> 00:31:42,560 Speaker 1: this is what artists do. And then we shmeared ourselves 700 00:31:42,600 --> 00:31:43,320 Speaker 1: on a canvas. 701 00:31:43,640 --> 00:31:47,640 Speaker 3: Oh, then you put different different bits of paint in 702 00:31:47,680 --> 00:31:48,040 Speaker 3: the bowl. 703 00:31:48,320 --> 00:31:51,240 Speaker 4: Yes, so we jump into a crater of paint slop 704 00:31:51,280 --> 00:31:53,920 Speaker 4: ourselves around. That's the art. 705 00:31:55,480 --> 00:31:58,200 Speaker 13: Or we make some art out of crate crates, great grate, 706 00:31:58,400 --> 00:32:02,600 Speaker 13: great craters, the crates, crater woods. Now we're going join us, 707 00:32:03,240 --> 00:32:06,360 Speaker 13: join the join the inspirational creative meeting. 708 00:32:07,080 --> 00:32:09,000 Speaker 1: We don't need a handy you, guys, this is sounding 709 00:32:09,200 --> 00:32:10,200 Speaker 1: this is sounding not good. 710 00:32:10,280 --> 00:32:13,200 Speaker 3: I thought the I thought crators. I thought crates was 711 00:32:13,520 --> 00:32:14,960 Speaker 3: very good. So you're talking about just getting a bunch 712 00:32:14,960 --> 00:32:15,400 Speaker 3: of milk. 713 00:32:15,200 --> 00:32:16,719 Speaker 4: Crates, yeah, and then make a bit of art out 714 00:32:16,720 --> 00:32:23,200 Speaker 4: of it. Yeah, right, do a tree thirty one six five. 715 00:32:24,120 --> 00:32:25,160 Speaker 1: We really need to get. 716 00:32:25,000 --> 00:32:27,080 Speaker 4: To the mood, and I think we think about it. 717 00:32:27,120 --> 00:32:27,280 Speaker 10: Guys. 718 00:32:27,320 --> 00:32:29,800 Speaker 3: We're going to try and call this new sucker Maizoi 719 00:32:29,920 --> 00:32:33,480 Speaker 3: guy and show him a piece of artwork which we 720 00:32:33,520 --> 00:32:35,280 Speaker 3: think is worthy enough to get us to the moon. 721 00:32:35,360 --> 00:32:36,920 Speaker 3: So maybe if you are an artist, you might be 722 00:32:36,960 --> 00:32:40,600 Speaker 3: an art teacher. You might have some canvases lying around. 723 00:32:40,840 --> 00:32:42,080 Speaker 4: Yeah, yeah, yeah, I don't know. 724 00:32:42,280 --> 00:32:44,280 Speaker 3: We need to show this guy that we're artists and 725 00:32:44,480 --> 00:32:46,120 Speaker 3: to get to the moon. Thirty one and six fives 726 00:32:46,160 --> 00:32:50,920 Speaker 3: the number we need some inspiration, moon inspired inspiration. 727 00:32:51,240 --> 00:32:54,080 Speaker 4: That's the only like fence we're putting there. Well, the 728 00:32:54,120 --> 00:32:57,320 Speaker 4: Moon it's a what do you call it stimulus? Stimulus? 729 00:32:57,400 --> 00:33:00,240 Speaker 3: Yeah, that moon is the stimulus five. 730 00:33:00,280 --> 00:33:01,240 Speaker 4: We'll take your calls up next. 731 00:33:01,240 --> 00:33:03,920 Speaker 3: What piece of arch sall we try and get ourselves? 732 00:33:04,240 --> 00:33:06,920 Speaker 3: We are trying and this sounds ridiculous and a lot 733 00:33:06,920 --> 00:33:08,560 Speaker 3: of you are going to turn off now and go 734 00:33:09,080 --> 00:33:12,280 Speaker 3: don't believe you. But this is an opportunity people, We 735 00:33:12,320 --> 00:33:21,040 Speaker 3: are trying to get to the moon. Who's the guy 736 00:33:21,080 --> 00:33:23,960 Speaker 3: that owns the rocket ships has said that the first 737 00:33:24,040 --> 00:33:28,600 Speaker 3: moon tourist is going to be a guy called Usaku Maizawa, right, 738 00:33:28,640 --> 00:33:29,480 Speaker 3: who's a billionaire. 739 00:33:29,960 --> 00:33:32,040 Speaker 1: We're just calling him Hissaker because it's easy. 740 00:33:32,600 --> 00:33:35,800 Speaker 3: Usaka is inviting He has said he's going to invite 741 00:33:35,840 --> 00:33:36,960 Speaker 3: six artists with him. 742 00:33:37,080 --> 00:33:39,360 Speaker 1: Six artists woulds that's it. It's gonna be the first 743 00:33:39,400 --> 00:33:41,520 Speaker 1: people to go on a tour of the moon. 744 00:33:41,800 --> 00:33:44,520 Speaker 4: Huge, huge, We'd love to do a radio show from 745 00:33:44,560 --> 00:33:47,640 Speaker 4: the Moon epic. I don't know what we talk about 746 00:33:47,720 --> 00:33:51,400 Speaker 4: up there, but you know, from the Moon about nothing. 747 00:33:51,880 --> 00:33:54,160 Speaker 4: Do we chat with you whatever, We have a chat 748 00:33:54,200 --> 00:33:55,480 Speaker 4: with him, We talk to the artists. 749 00:33:55,600 --> 00:33:58,840 Speaker 3: But but first we need to prove to this Issuka 750 00:33:58,920 --> 00:34:01,360 Speaker 3: guy that we are artists and and we haven't got. 751 00:34:01,480 --> 00:34:04,040 Speaker 1: I mean, we've sent him the link to the podcast. 752 00:34:03,600 --> 00:34:06,240 Speaker 4: We have, but we haven't. We can see that he 753 00:34:06,280 --> 00:34:08,960 Speaker 4: hasn't opened it yet, which is which is saddening. But 754 00:34:09,400 --> 00:34:12,279 Speaker 4: we think we need to create a moon inspired or 755 00:34:12,320 --> 00:34:14,480 Speaker 4: moon related art piece of. 756 00:34:14,560 --> 00:34:16,640 Speaker 3: Art to get on his radar because right now, like 757 00:34:16,800 --> 00:34:20,479 Speaker 3: the podcast good, I mean, iHeartRadio people and check it out, 758 00:34:20,560 --> 00:34:23,359 Speaker 3: that's right, but it's not it's not getting us on 759 00:34:23,400 --> 00:34:25,000 Speaker 3: the table as artists. 760 00:34:24,680 --> 00:34:26,680 Speaker 4: That's right. So thirty one sixty five looking for your 761 00:34:26,680 --> 00:34:28,680 Speaker 4: ideas on a moon related piece of art. We got 762 00:34:28,680 --> 00:34:31,160 Speaker 4: Brad here. Brad, what's your idea? 763 00:34:31,320 --> 00:34:33,319 Speaker 10: Hey, fellas, I was just thinking, you get a whole 764 00:34:33,320 --> 00:34:36,439 Speaker 10: load of people together, Yeah, in some colored T shirts. 765 00:34:36,280 --> 00:34:38,840 Speaker 5: Lie down on a giant piece of concrete, recreate the 766 00:34:38,840 --> 00:34:41,120 Speaker 5: moon landing with all the people being the moon, and 767 00:34:41,160 --> 00:34:42,520 Speaker 5: you can be neil. I'm strong, fellows. 768 00:34:42,719 --> 00:34:44,919 Speaker 1: Oh, I don't mind that at all. 769 00:34:46,000 --> 00:34:48,200 Speaker 4: Is there a small concern that that would make weird 770 00:34:48,360 --> 00:34:52,200 Speaker 4: we're jumping on people? Is that. Now you just lie down, mate, 771 00:34:52,840 --> 00:34:56,279 Speaker 4: just lie down. We're lying down. So we're lying We're 772 00:34:56,320 --> 00:34:57,839 Speaker 4: lying down on people lying down. 773 00:34:59,239 --> 00:35:01,960 Speaker 10: Yeah. Yeah, there's just like a spider camp going across. 774 00:35:02,000 --> 00:35:04,080 Speaker 6: Take a photo us are standing on the moon. 775 00:35:04,719 --> 00:35:06,759 Speaker 4: Oh so it's like a steal. It's a still yeah, 776 00:35:06,800 --> 00:35:07,520 Speaker 4: and I'm hearing it. 777 00:35:08,000 --> 00:35:11,560 Speaker 1: I'm very concerned doing a moon landing while lying in 778 00:35:11,600 --> 00:35:11,960 Speaker 1: the ground. 779 00:35:11,960 --> 00:35:13,840 Speaker 4: So everyone's wearing a moon T shirt. Now jump in 780 00:35:13,840 --> 00:35:15,279 Speaker 4: at any time if I've got this wrong, Brad. But 781 00:35:15,320 --> 00:35:16,920 Speaker 4: everyone's wearing moon T shirt. I get it. 782 00:35:16,920 --> 00:35:22,280 Speaker 3: Everyone's they're in green T shirts. 783 00:35:22,360 --> 00:35:26,040 Speaker 1: People form the shape of the moon, and news are 784 00:35:26,080 --> 00:35:26,560 Speaker 1: the only. 785 00:35:26,360 --> 00:35:29,239 Speaker 4: One who stand out and are the people on the moon. 786 00:35:29,760 --> 00:35:30,720 Speaker 1: We are the people. 787 00:35:30,920 --> 00:35:31,919 Speaker 4: Why is the moon green? 788 00:35:36,280 --> 00:35:39,160 Speaker 3: We're trying to prove that we're so we can impress 789 00:35:39,160 --> 00:35:41,200 Speaker 3: this Japanese billionaire and go to the moon with him. 790 00:35:41,360 --> 00:35:44,000 Speaker 3: What's your moon inspired piece of art? 791 00:35:44,040 --> 00:35:44,399 Speaker 4: You reckon? 792 00:35:44,400 --> 00:35:49,000 Speaker 5: We should try, guys, I reckon, you should dip your bumbs, 793 00:35:49,040 --> 00:35:52,040 Speaker 5: be cheek into some paint and just up and down 794 00:35:52,080 --> 00:35:57,080 Speaker 5: on some canvas and create some moon images. 795 00:35:57,880 --> 00:36:01,880 Speaker 4: Moon images. We draw a picture only with our bums, 796 00:36:02,719 --> 00:36:05,440 Speaker 4: which is so it's like a piece of art created 797 00:36:05,480 --> 00:36:08,400 Speaker 4: by moons. But we can draw another picture, so we 798 00:36:08,440 --> 00:36:13,920 Speaker 4: can draw your soccer mooning. So we're mooning you mooning. 799 00:36:14,040 --> 00:36:16,800 Speaker 4: We're mooning you soccer while you're a genius Wally. 800 00:36:16,840 --> 00:36:18,000 Speaker 1: That's that's so clever. 801 00:36:18,560 --> 00:36:21,560 Speaker 3: Absolutely, we are just going to send him like a 802 00:36:21,600 --> 00:36:23,920 Speaker 3: photo of a bit of canvas with just bum prints 803 00:36:23,920 --> 00:36:25,560 Speaker 3: on it, though, is that right? 804 00:36:25,600 --> 00:36:30,080 Speaker 5: Well, yeah, you're mooning him from another country. 805 00:36:31,320 --> 00:36:34,720 Speaker 3: Watching us put the art together as well, James thirty 806 00:36:34,760 --> 00:36:36,359 Speaker 3: one and six five. We need a piece of art 807 00:36:36,440 --> 00:36:39,360 Speaker 3: to impress a Japanese billionaire, so he'll take us to 808 00:36:39,400 --> 00:36:39,719 Speaker 3: the moon. 809 00:36:39,920 --> 00:36:43,080 Speaker 4: What of your gult all mine sort of channels the 810 00:36:43,120 --> 00:36:51,080 Speaker 4: same idea of bare bottoms. Yeah, this is the mooning traversal. Yeah. Ye, 811 00:36:51,920 --> 00:36:54,560 Speaker 4: there was that artist that came to Molbourne recently, Spencer 812 00:36:54,640 --> 00:36:58,600 Speaker 4: Tunic did on Chapple Street. 813 00:36:59,440 --> 00:37:02,759 Speaker 3: Oh yeah, heard about him. What are you suggesting a 814 00:37:02,800 --> 00:37:04,760 Speaker 3: bit of a co lab here, James. 815 00:37:04,840 --> 00:37:05,600 Speaker 4: Yeah, definitely. 816 00:37:06,440 --> 00:37:07,880 Speaker 5: I'm not sure you're famous enough for that. 817 00:37:08,280 --> 00:37:12,640 Speaker 1: Yeah, that's totally bad. 818 00:37:13,360 --> 00:37:13,799 Speaker 4: So hang on. 819 00:37:13,880 --> 00:37:15,760 Speaker 3: But we've got a couple of ideas here, and maybe 820 00:37:15,920 --> 00:37:18,600 Speaker 3: if I can bring Brad back into the fole. Well, 821 00:37:18,640 --> 00:37:21,640 Speaker 3: I think I'm enjoying Brad's enthusiasm James is onto something. 822 00:37:21,640 --> 00:37:23,960 Speaker 3: There's obviously this Spencer Tunic dude, who I'm getting told 823 00:37:24,040 --> 00:37:29,560 Speaker 3: is relatively famous. We're coming back to your Brad, Brad Brady, Okay, 824 00:37:29,719 --> 00:37:34,400 Speaker 3: apparently this Spencer Tunic guy is famous for taking photos. 825 00:37:34,000 --> 00:37:38,120 Speaker 1: Of nude people. Yep, what if we. 826 00:37:38,160 --> 00:37:41,120 Speaker 3: Borrow a bit of your taking photos of people with 827 00:37:41,160 --> 00:37:45,400 Speaker 3: bare bums in the air, right, and and we we 828 00:37:45,560 --> 00:37:48,200 Speaker 3: get a whole bunch of people together covered in paint, 829 00:37:49,280 --> 00:37:52,799 Speaker 3: and we get them to moon the camera and then. 830 00:37:52,719 --> 00:37:55,440 Speaker 1: We take a photo of it, like Spencer Tunic would, thoughts. 831 00:37:55,160 --> 00:37:57,839 Speaker 4: Brad, that could work? 832 00:37:58,360 --> 00:38:06,480 Speaker 1: Yeah, that is out there. Yeah, I think I love 833 00:38:07,000 --> 00:38:07,440 Speaker 1: I think. 834 00:38:07,560 --> 00:38:09,399 Speaker 4: I think you and I could walk on the bum's will. 835 00:38:09,440 --> 00:38:12,680 Speaker 4: I think I think maybe we could. We incorporate Brad's 836 00:38:12,719 --> 00:38:15,000 Speaker 4: idea the moon landing. 837 00:38:15,080 --> 00:38:20,680 Speaker 3: That's it, because we're on the moon, the moon. 838 00:38:20,760 --> 00:38:22,520 Speaker 4: This is this is this. Now we're cooking. 839 00:38:22,600 --> 00:38:25,040 Speaker 3: So you and I are painted in a separate color 840 00:38:25,200 --> 00:38:26,359 Speaker 3: to everyone else. 841 00:38:26,400 --> 00:38:28,120 Speaker 4: We're painted as astronauts, which. 842 00:38:27,960 --> 00:38:31,600 Speaker 3: Is Brad's idea. Yes, or maybe we're just in astronauts suits. 843 00:38:32,200 --> 00:38:36,240 Speaker 3: We're in astronauts suits, school astronaut suits, Neil Armstrong style. 844 00:38:36,280 --> 00:38:38,760 Speaker 4: And then we create a circle, a huge group, circle 845 00:38:38,760 --> 00:38:41,960 Speaker 4: of everyone with their bums out mooning, the camera mooning, 846 00:38:42,000 --> 00:38:44,840 Speaker 4: and it's a mooning of the moon. So it's a 847 00:38:44,880 --> 00:38:46,440 Speaker 4: moon made up of people mooning. 848 00:38:47,320 --> 00:38:49,160 Speaker 1: Yes, and we're landing on the moon. 849 00:38:49,160 --> 00:38:52,160 Speaker 4: We're walking on the moon of moon. Wow, this is 850 00:38:52,360 --> 00:38:53,120 Speaker 4: this is now? 851 00:38:53,160 --> 00:38:53,399 Speaker 1: Where? 852 00:38:53,719 --> 00:38:58,160 Speaker 4: Now we are in art territory? Yes, we're in art territory. 853 00:38:58,280 --> 00:39:00,960 Speaker 4: Now it is. I'd say it to two hundred volunteers. 854 00:39:00,960 --> 00:39:03,080 Speaker 4: The people are happy to get naked and let Will 855 00:39:03,120 --> 00:39:04,239 Speaker 4: and I walk on them. 856 00:39:04,400 --> 00:39:06,319 Speaker 1: How would this Spencer Tunic bloke do it? 857 00:39:06,480 --> 00:39:09,360 Speaker 4: We should text him they we should a. 858 00:39:09,400 --> 00:39:11,120 Speaker 1: Weird shot to get Spencer Tunic? 859 00:39:11,160 --> 00:39:12,799 Speaker 4: Do you reckon? What do you got? 860 00:39:12,840 --> 00:39:15,240 Speaker 3: Is he? Is he tough to get? He's pretty famous? 861 00:39:15,280 --> 00:39:17,279 Speaker 3: Is he don't get to produce like he was in 862 00:39:17,320 --> 00:39:18,240 Speaker 3: Australia recently? 863 00:39:18,280 --> 00:39:19,920 Speaker 4: All right, you know what I think? We've got the 864 00:39:19,920 --> 00:39:22,160 Speaker 4: bare building box with something really good here? Yeah, yeah, 865 00:39:22,200 --> 00:39:23,680 Speaker 4: I know, definitely mooning. 866 00:39:23,440 --> 00:39:25,839 Speaker 3: And camera covered in paint which covers the art thing. 867 00:39:25,960 --> 00:39:27,920 Speaker 3: Then you and I walking on the bums. It's a 868 00:39:27,960 --> 00:39:28,520 Speaker 3: moon landing. 869 00:39:28,560 --> 00:39:31,640 Speaker 4: We're mooning the moon. Let's just call him nice Coliny 870 00:39:31,640 --> 00:39:33,440 Speaker 4: tomorrow and so can we take a few shots. I 871 00:39:33,440 --> 00:39:36,240 Speaker 4: don't think that's that work. That's not right to one, 872 00:39:36,719 --> 00:39:39,080 Speaker 4: but yes, I have. 873 00:39:42,360 --> 00:39:44,160 Speaker 3: This is a great idea I think Spencer Tunics I 874 00:39:44,200 --> 00:39:44,880 Speaker 3: need to get in touch with. 875 00:39:45,000 --> 00:39:46,400 Speaker 1: We're going to go to the traffic. That is a 876 00:39:46,440 --> 00:39:47,400 Speaker 1: belter of an idea. 877 00:39:47,400 --> 00:39:48,040 Speaker 4: We're going to the moon. 878 00:39:48,120 --> 00:39:52,360 Speaker 3: Everyone onto your hats. It's the anniversary of something today. 879 00:39:52,880 --> 00:39:55,759 Speaker 4: I don't know if it's the anniversary, but it's a 880 00:39:55,880 --> 00:39:59,520 Speaker 4: celebration of I think one of the greatest. I'm calling 881 00:39:59,520 --> 00:40:02,279 Speaker 4: it an inst institution that ever existed in Australia. It 882 00:40:02,360 --> 00:40:05,319 Speaker 4: was Dolly Doctor. Do you remember Dolly Doctor. I do 883 00:40:05,400 --> 00:40:06,360 Speaker 4: remember Dolly Doctor. 884 00:40:06,400 --> 00:40:09,840 Speaker 3: It wasn't something that I was necessarily following, but I 885 00:40:09,880 --> 00:40:12,960 Speaker 3: remember reading the magazines my sister used to get. Yes, 886 00:40:13,000 --> 00:40:16,239 Speaker 3: it was intriguing stuff as an eleven year old and 887 00:40:16,600 --> 00:40:19,600 Speaker 3: it was pretty much pretty much informed, pretty much ran 888 00:40:19,680 --> 00:40:21,359 Speaker 3: my sexual education from that age. 889 00:40:21,400 --> 00:40:24,239 Speaker 4: I think, well absolutely, And it's the Dolly Doctor has 890 00:40:24,239 --> 00:40:25,759 Speaker 4: come out and done an article today. Her name is 891 00:40:25,760 --> 00:40:29,680 Speaker 4: actually doctor Melissa Kang and she's talked about the twenty 892 00:40:29,719 --> 00:40:34,040 Speaker 4: three years that Dolly Doctor used to run. Years twenty 893 00:40:34,080 --> 00:40:36,279 Speaker 4: three and it was so popular people would get the 894 00:40:36,320 --> 00:40:39,160 Speaker 4: magazine Dolly No Offense, Dolly Magazine but I got the 895 00:40:39,160 --> 00:40:41,240 Speaker 4: reason why you got a got it for Dolly doctor. 896 00:40:41,320 --> 00:40:43,480 Speaker 3: And we're talking before the fact that you know, but 897 00:40:43,520 --> 00:40:46,240 Speaker 3: back then we didn't have the internet. 898 00:40:46,360 --> 00:40:47,759 Speaker 4: It was obviously stuff. 899 00:40:47,480 --> 00:40:49,200 Speaker 3: That you were probably a little bit nervous to talk 900 00:40:49,239 --> 00:40:51,840 Speaker 3: about with your parents or anybody that was older than 901 00:40:51,880 --> 00:40:53,480 Speaker 3: you that might have gone through it right at that 902 00:40:53,520 --> 00:40:54,440 Speaker 3: stage in your life. 903 00:40:54,520 --> 00:40:57,080 Speaker 4: And you could remain completely anonymoonymous. Yeah, it was so 904 00:40:57,120 --> 00:41:01,200 Speaker 4: good because you could remain anonymous. Now because this i'll 905 00:41:01,200 --> 00:41:03,800 Speaker 4: call it a segment or device that she used to do. 906 00:41:03,800 --> 00:41:07,400 Speaker 4: It was so popular. Yep, I thought we could steal it. 907 00:41:09,280 --> 00:41:12,560 Speaker 4: I was thinking where I was thinking we could just 908 00:41:13,120 --> 00:41:15,319 Speaker 4: we're not We're not doctors. No, we're not doctors, but 909 00:41:15,560 --> 00:41:18,919 Speaker 4: we're wise. We're not I think I think we've been 910 00:41:18,960 --> 00:41:21,600 Speaker 4: through a lot of experiences that can help you with 911 00:41:21,680 --> 00:41:27,279 Speaker 4: certain things, such as I've been through puberty. I've had 912 00:41:27,320 --> 00:41:30,279 Speaker 4: I've had good relationships, I've had bad relationships. I've had 913 00:41:30,360 --> 00:41:33,120 Speaker 4: I've had growths. You know, I've had things on my 914 00:41:33,160 --> 00:41:36,000 Speaker 4: body that I was like, what the hell's that? Yeah, 915 00:41:36,120 --> 00:41:38,239 Speaker 4: and I've figured out what they are. So look, you're 916 00:41:38,280 --> 00:41:40,479 Speaker 4: what I've got the text to do. They've actually set 917 00:41:40,560 --> 00:41:43,200 Speaker 4: up a text line for us. Okay, the number is 918 00:41:43,320 --> 00:41:46,440 Speaker 4: zero four two nine and then just thirteen one oh 919 00:41:46,480 --> 00:41:48,759 Speaker 4: six five. I'll say it again, zero. 920 00:41:49,080 --> 00:41:51,359 Speaker 3: Stand in call number. Yeah, thirteen one and six five 921 00:41:51,400 --> 00:41:53,120 Speaker 3: with four two nine in front of it. 922 00:41:53,280 --> 00:41:56,920 Speaker 4: Zero four two nine thirteen one oh six five. This 923 00:41:57,000 --> 00:42:04,600 Speaker 4: isn't Dully doctor, this is Wally doctor. Uh so our 924 00:42:04,640 --> 00:42:07,800 Speaker 4: little spin on ear. This is your chance to anonymously 925 00:42:07,880 --> 00:42:13,040 Speaker 4: text doctor Willam Woody doctor, William Woody, dolly doctor. You 926 00:42:13,080 --> 00:42:15,520 Speaker 4: can anonymously text us right now and just ask us 927 00:42:15,520 --> 00:42:21,880 Speaker 4: any question. Maybe you're a bit embarrassed about it. Oh, 928 00:42:22,200 --> 00:42:29,360 Speaker 4: I've got I've grown a seventh toe. What's actually I 929 00:42:29,400 --> 00:42:30,040 Speaker 4: wouldn't be able to. 930 00:42:31,880 --> 00:42:36,800 Speaker 1: Go over? I'm trying to that's that's okay, question, that's awesome. 931 00:42:37,280 --> 00:42:41,359 Speaker 4: I really like this person in my class, but I 932 00:42:41,400 --> 00:42:43,160 Speaker 4: sweat every time and I got to talk to them. 933 00:42:43,440 --> 00:42:49,840 Speaker 4: What should I do? Wally? So right now? 934 00:42:50,120 --> 00:42:55,440 Speaker 3: So now we're guaranteeing anonymity. Yeah, text line being for 935 00:42:55,920 --> 00:43:00,800 Speaker 3: nine thirteen one o six five will answer any question you've. 936 00:43:00,600 --> 00:43:04,960 Speaker 4: Got for us. After sports class, I'm always a bit smelly, Okay, 937 00:43:05,000 --> 00:43:07,960 Speaker 4: what's the deal? Wally doctor? And then they all to 938 00:43:08,040 --> 00:43:11,080 Speaker 4: do with sweating and smell. I don't know why. I 939 00:43:11,120 --> 00:43:11,759 Speaker 4: don't know why. 940 00:43:15,120 --> 00:43:17,480 Speaker 3: Weren't they usually like I have a crush on my 941 00:43:17,520 --> 00:43:21,480 Speaker 3: set on my step sister. I have a crush on 942 00:43:21,480 --> 00:43:24,120 Speaker 3: my stepsister. And then and then the Dolly doctor would 943 00:43:24,160 --> 00:43:25,759 Speaker 3: discuss whether that was. 944 00:43:25,719 --> 00:43:28,279 Speaker 4: Okay, this is good that sort of thing, this is 945 00:43:28,320 --> 00:43:31,080 Speaker 4: really good. Yeah, questions like that. 946 00:43:31,160 --> 00:43:33,080 Speaker 1: We need to stress that we're knock doctors. 947 00:43:34,280 --> 00:43:38,399 Speaker 3: But we have got right now four two nine one 948 00:43:38,480 --> 00:43:40,560 Speaker 3: three one oh six five is the text line. We 949 00:43:40,600 --> 00:43:43,760 Speaker 3: don't normally use the text line. We're opening up exclusively 950 00:43:43,840 --> 00:43:46,480 Speaker 3: for this bit. Have you got a question for us? 951 00:43:46,719 --> 00:43:48,600 Speaker 3: It can be it can be any question when in stressed, 952 00:43:48,600 --> 00:43:51,960 Speaker 3: but not doctors, but Dolly Doctors, tyle questions are preferred. 953 00:43:52,280 --> 00:43:56,719 Speaker 4: We can answer any question. We can answer. We can 954 00:43:56,760 --> 00:43:59,680 Speaker 4: answer any question you want. We're obviously a family friendly show. 955 00:44:00,040 --> 00:44:04,920 Speaker 4: The first one i've also I've also just seen the 956 00:44:04,960 --> 00:44:09,040 Speaker 4: first one. We can't read that one. But that's how 957 00:44:09,120 --> 00:44:10,880 Speaker 4: quick thing we get the text, So keep them coming 958 00:44:11,960 --> 00:44:14,759 Speaker 4: zero for two nine thirteen, one sixty five. Give us 959 00:44:14,760 --> 00:44:16,880 Speaker 4: a text We will answer your questions. Up next to 960 00:44:17,000 --> 00:44:18,480 Speaker 4: Wally doctor, do it here we go. 961 00:44:19,560 --> 00:44:21,560 Speaker 3: I need to stress before we get into this. We 962 00:44:21,719 --> 00:44:23,799 Speaker 3: are not doctors, not. 963 00:44:23,760 --> 00:44:25,799 Speaker 4: Doctors, very far from it, very far. 964 00:44:25,840 --> 00:44:28,640 Speaker 3: We're talking about the fact that Dolly Doctor owned up 965 00:44:28,920 --> 00:44:30,640 Speaker 3: to who she was, and more an article about how 966 00:44:30,680 --> 00:44:34,160 Speaker 3: important that that piece was. It was part of a magazine, obviously, 967 00:44:34,200 --> 00:44:38,719 Speaker 3: but obviously was sexually informative for the country. Obviously when 968 00:44:38,719 --> 00:44:40,960 Speaker 3: there was nine animity, you couldn't google things at the time, 969 00:44:41,080 --> 00:44:42,919 Speaker 3: so if you had an older ceiling like I did, 970 00:44:42,920 --> 00:44:45,000 Speaker 3: where you could read the Dolly Doctor, it actually answered 971 00:44:45,000 --> 00:44:45,960 Speaker 3: a lot of questions. 972 00:44:45,680 --> 00:44:47,839 Speaker 4: All the time, bloody and twenty three years it ran 973 00:44:47,920 --> 00:44:52,360 Speaker 4: for incredibly popular bit. So we are just shamelessly stealing 974 00:44:52,640 --> 00:44:55,320 Speaker 4: hijacking it. But this isn't Dolly Doctor. This is Wally 975 00:44:55,400 --> 00:45:01,640 Speaker 4: Doctor Will and Woody Doctor Wali Doctor. 976 00:45:01,640 --> 00:45:04,480 Speaker 3: Going to say, this is some of the bes gear 977 00:45:04,719 --> 00:45:07,560 Speaker 3: I've ever read. We we've opened up a text line. 978 00:45:07,560 --> 00:45:10,239 Speaker 3: We don't we don't often do texts because we like 979 00:45:10,280 --> 00:45:11,959 Speaker 3: being in contact with our social media so we can get. 980 00:45:11,880 --> 00:45:12,920 Speaker 4: In touch with you. 981 00:45:13,400 --> 00:45:15,360 Speaker 1: But the text we've got it. 982 00:45:15,360 --> 00:45:17,680 Speaker 3: We've got a one off text line for this. Oh 983 00:45:17,800 --> 00:45:21,400 Speaker 3: four two nine one three one O six five is 984 00:45:21,440 --> 00:45:23,799 Speaker 3: the text number. If you have an anonymous text for 985 00:45:23,880 --> 00:45:25,920 Speaker 3: us and you would like Wally Doctor to answer now 986 00:45:25,960 --> 00:45:26,800 Speaker 3: we have mustress. 987 00:45:26,880 --> 00:45:27,120 Speaker 4: Again. 988 00:45:27,200 --> 00:45:29,359 Speaker 1: We are not doctors, that's right, and some of these 989 00:45:29,400 --> 00:45:30,960 Speaker 1: are way above our pay grades. 990 00:45:31,040 --> 00:45:32,959 Speaker 4: So take all our advice with a with a pinch 991 00:45:33,000 --> 00:45:36,319 Speaker 4: of salt, actually with kilograms of salt. No, yeah, you 992 00:45:36,360 --> 00:45:37,600 Speaker 4: can't even taste any more. 993 00:45:37,480 --> 00:45:38,320 Speaker 1: Because it's so salted. 994 00:45:38,440 --> 00:45:38,520 Speaker 5: Right. 995 00:45:38,520 --> 00:45:43,600 Speaker 4: Here's one text. Why does my older brother always smell? 996 00:45:44,320 --> 00:45:47,440 Speaker 4: He takes two showers a day. We're going to handle. 997 00:45:51,960 --> 00:45:55,400 Speaker 4: Two showers is a lot, that's the How many showers 998 00:45:55,440 --> 00:45:58,040 Speaker 4: do you have? Just the one? I reckon? 999 00:45:59,160 --> 00:46:01,399 Speaker 1: It depends I I ride home and I'm sweaty shaw 1000 00:46:01,400 --> 00:46:04,279 Speaker 1: are you yeah? Okay, I don't know. 1001 00:46:04,320 --> 00:46:06,239 Speaker 4: It's a good question. Some people just smell more than 1002 00:46:06,239 --> 00:46:06,640 Speaker 4: other people. 1003 00:46:06,719 --> 00:46:08,960 Speaker 1: I'd say the good thing to do there is have 1004 00:46:09,040 --> 00:46:10,760 Speaker 1: the chat with the person that smells, though. 1005 00:46:11,400 --> 00:46:13,000 Speaker 4: Just have a word to them. So if you're listening, 1006 00:46:13,400 --> 00:46:14,320 Speaker 4: younger brother. 1007 00:46:14,280 --> 00:46:16,680 Speaker 3: Because if someone stinks, there's nothing worse than people not 1008 00:46:16,719 --> 00:46:18,440 Speaker 3: telling them that they stink. I think you want to 1009 00:46:18,480 --> 00:46:20,560 Speaker 3: You've you've got to have somebody you're close enough with 1010 00:46:20,640 --> 00:46:23,520 Speaker 3: to sit you down and go mate, just if I 1011 00:46:23,560 --> 00:46:26,000 Speaker 3: can help your smell, there's other things. 1012 00:46:25,840 --> 00:46:27,520 Speaker 4: Out there, and I can tell you now, he'll get 1013 00:46:27,560 --> 00:46:30,680 Speaker 4: a bit defensive, at the start, he might attack you, 1014 00:46:31,160 --> 00:46:33,400 Speaker 4: but in the long run he will appreciate that you 1015 00:46:33,520 --> 00:46:34,440 Speaker 4: told him. 1016 00:46:34,760 --> 00:46:36,839 Speaker 3: But I don't know why he smells. Different people smell 1017 00:46:36,840 --> 00:46:37,520 Speaker 3: for different reasons. 1018 00:46:37,520 --> 00:46:41,920 Speaker 4: That's it. Yeah, yeah, we've covered that one right, one 1019 00:46:41,920 --> 00:46:44,120 Speaker 4: of the middle there. Yes, okay, I'm in love with 1020 00:46:44,200 --> 00:46:48,080 Speaker 4: my best friend, but she's in a relationship. Please help 1021 00:46:49,040 --> 00:46:52,319 Speaker 4: now you're you're more the romantic on this show. Well, ye, 1022 00:46:52,840 --> 00:46:55,160 Speaker 4: love is very strong, but I don't like the idea 1023 00:46:55,160 --> 00:46:59,440 Speaker 4: of cheating. Yeah, how would you play it? Will you're 1024 00:46:59,440 --> 00:47:00,439 Speaker 4: in love with your best friend. 1025 00:47:00,440 --> 00:47:02,240 Speaker 3: I don't know if that's a guy or a girl talking. 1026 00:47:02,440 --> 00:47:07,160 Speaker 3: But I'm a big believer in just telling people these things. 1027 00:47:08,280 --> 00:47:10,160 Speaker 4: Yeah, just to say to the best, But is that 1028 00:47:10,200 --> 00:47:12,080 Speaker 4: fair on the person who's in the relationship with the best? 1029 00:47:12,239 --> 00:47:13,320 Speaker 4: I reckon even just put yourself. 1030 00:47:13,400 --> 00:47:15,239 Speaker 3: You know that scene in love actually where the guy 1031 00:47:15,320 --> 00:47:18,520 Speaker 3: rocks up with the signs, Yeah, after he's court filming 1032 00:47:19,600 --> 00:47:21,920 Speaker 3: what's her name, Kiera Knightley here and yeah, yeah, I've 1033 00:47:21,920 --> 00:47:23,520 Speaker 3: always filmed creepy. 1034 00:47:23,880 --> 00:47:24,440 Speaker 4: Don't do that. 1035 00:47:24,520 --> 00:47:27,120 Speaker 3: Every time I watch that movie, I'm like, super creepy, dude. 1036 00:47:27,520 --> 00:47:29,600 Speaker 1: You filmed the bride for the entire wedding. 1037 00:47:29,640 --> 00:47:31,680 Speaker 4: I've always looked at that. Guy's the most selfish person 1038 00:47:31,719 --> 00:47:36,040 Speaker 4: in movie history. Really, his best friend is most selfish person. Yeah, 1039 00:47:36,560 --> 00:47:38,759 Speaker 4: his best friend is married to this girl, and he 1040 00:47:38,800 --> 00:47:40,720 Speaker 4: has then tried to win her over with these signs. 1041 00:47:40,760 --> 00:47:42,280 Speaker 1: But he doesn't try and win her over. 1042 00:47:43,880 --> 00:47:45,040 Speaker 4: With the you know, the music playing. 1043 00:47:45,080 --> 00:47:47,880 Speaker 1: He does he dodge with the music. That's a bit deceitful. 1044 00:47:47,880 --> 00:47:50,920 Speaker 1: I agree, tell tell him his Carol's actually know I 1045 00:47:50,960 --> 00:47:51,320 Speaker 1: look at it. 1046 00:47:51,400 --> 00:47:55,120 Speaker 4: He's a dog. He's an absolutely dog. It's my best mate. 1047 00:47:55,239 --> 00:47:57,320 Speaker 4: That to me and my girlfriend. Are you kidding? 1048 00:47:57,320 --> 00:47:57,480 Speaker 8: Mate? 1049 00:47:57,520 --> 00:47:59,480 Speaker 4: You rocked up at my house. The way he went 1050 00:47:59,520 --> 00:48:00,480 Speaker 4: about it was bad. 1051 00:48:00,600 --> 00:48:03,680 Speaker 1: Yeah, he went about it, and actually that was downright deceitful. 1052 00:48:03,840 --> 00:48:06,600 Speaker 4: He's an awful character. He's a bad guy. But no surprise, 1053 00:48:06,680 --> 00:48:09,839 Speaker 4: he's in no other films. You never see him. 1054 00:48:11,120 --> 00:48:13,720 Speaker 3: But I will say I think in every other scenario, 1055 00:48:13,760 --> 00:48:15,640 Speaker 3: I reckon honestly is the best policy with love. And 1056 00:48:15,719 --> 00:48:17,839 Speaker 3: you don't choose who you love. You do not choose 1057 00:48:17,840 --> 00:48:19,200 Speaker 3: who you love. You don't choose who you like. 1058 00:48:19,600 --> 00:48:20,319 Speaker 4: So it's a. 1059 00:48:20,280 --> 00:48:23,040 Speaker 3: Good idea to just walk up to someone and tell 1060 00:48:23,080 --> 00:48:25,040 Speaker 3: him you like him, and just say look, you apologize, like, 1061 00:48:25,040 --> 00:48:26,239 Speaker 3: look on really, So I feel this way. 1062 00:48:26,280 --> 00:48:33,400 Speaker 4: I can't help it. So yeah, okay, and yeah, someone 1063 00:48:33,440 --> 00:48:39,200 Speaker 4: I had the other question here on how they can 1064 00:48:39,280 --> 00:48:41,239 Speaker 4: increase the certain airor of their body. Yeah, we've got 1065 00:48:41,280 --> 00:48:43,520 Speaker 4: a couple of them. Not sure if we can answer 1066 00:48:43,800 --> 00:48:46,040 Speaker 4: that one. I saw one which said my own I 1067 00:48:46,040 --> 00:48:46,920 Speaker 4: probably can't read that one. 1068 00:48:46,920 --> 00:48:49,000 Speaker 3: There's a few here, like why do I always get 1069 00:48:49,000 --> 00:48:51,440 Speaker 3: the urge to lick my fingers when I'm using glue 1070 00:48:51,520 --> 00:48:52,560 Speaker 3: and get it on my fingers? 1071 00:48:54,480 --> 00:48:56,200 Speaker 4: I don't know. That's a pretty weird one. Matter I 1072 00:48:56,239 --> 00:49:02,080 Speaker 4: can see. Someone actually definitely goes there weird. There's so 1073 00:49:02,200 --> 00:49:06,120 Speaker 4: many red ones. I can't even believe it. Oh my god, 1074 00:49:06,600 --> 00:49:08,920 Speaker 4: as we got here, there we go. I get pimples 1075 00:49:08,920 --> 00:49:14,120 Speaker 4: on my butt cheeks and we've all been there. My 1076 00:49:14,200 --> 00:49:15,839 Speaker 4: girlfriend hates them. How do I get rid of them? 1077 00:49:15,880 --> 00:49:16,640 Speaker 1: We've all been there? 1078 00:49:16,719 --> 00:49:19,640 Speaker 4: Clearer sill have you? Absolutely so? 1079 00:49:20,040 --> 00:49:21,960 Speaker 3: There's nothing worse than being playing your butt, and for 1080 00:49:22,000 --> 00:49:23,600 Speaker 3: some reason it feels quite healthy. 1081 00:49:23,680 --> 00:49:24,799 Speaker 1: But it's hard to get rid of. 1082 00:49:25,800 --> 00:49:28,400 Speaker 4: Change your change your jocks? Also, do you change your 1083 00:49:28,440 --> 00:49:31,719 Speaker 4: jocks for? I also wear as you know? Will I 1084 00:49:32,520 --> 00:49:37,480 Speaker 4: wear a dry fit underwear? Why does my dog always 1085 00:49:37,520 --> 00:49:39,640 Speaker 4: run away? Dog doesn't like you? 1086 00:49:39,719 --> 00:49:42,439 Speaker 3: Mate, that's a hard one answer next time I need 1087 00:49:42,520 --> 00:49:44,120 Speaker 3: some extra cash, but I'm later. 1088 00:49:44,400 --> 00:49:45,719 Speaker 4: No, no, no, no, no, don't really end up. 1089 00:49:45,719 --> 00:49:48,040 Speaker 1: I should I have a crack at my boss. 1090 00:49:48,640 --> 00:49:51,480 Speaker 4: No. The answers no, don't do that one, don't do 1091 00:49:51,560 --> 00:49:53,480 Speaker 4: that one. No, do not do that one. 1092 00:49:53,520 --> 00:49:57,000 Speaker 3: Thank you very much for all the questions. These are 1093 00:49:57,000 --> 00:49:59,040 Speaker 3: getting out of control now. 1094 00:50:00,040 --> 00:50:02,920 Speaker 4: Of them we can't read out. Unfortunately. I really appreciate it. 1095 00:50:03,080 --> 00:50:05,200 Speaker 3: So maybe we should just do a little bit of traffic. Yeah, 1096 00:50:05,280 --> 00:50:06,840 Speaker 3: we'll come back on outside. Thank you very much for 1097 00:50:06,960 --> 00:50:08,000 Speaker 3: I think it's quite good Love. 1098 00:50:08,040 --> 00:50:08,800 Speaker 4: What you great segment. 1099 00:50:09,080 --> 00:50:10,680 Speaker 3: I think what we have learned from this is that 1100 00:50:10,719 --> 00:50:13,279 Speaker 3: the guy from Love actually is an absolute. 1101 00:50:12,960 --> 00:50:14,080 Speaker 1: Dear, just a dog. 1102 00:50:14,520 --> 00:50:17,400 Speaker 4: It's one of our worst characters. Tell your partner. There 1103 00:50:17,400 --> 00:50:20,720 Speaker 4: are singers, Yeah, I love you, Dylan his best mate's 1104 00:50:20,719 --> 00:50:25,040 Speaker 4: wife filmeder yeah. Gross. All right. Thank you so much 1105 00:50:25,080 --> 00:50:25,719 Speaker 4: for joining us. 1106 00:50:25,960 --> 00:50:29,000 Speaker 3: Appreciate all the texts that came in there through the 1107 00:50:29,040 --> 00:50:31,480 Speaker 3: wally doctor to the person that wanted to hook up 1108 00:50:32,040 --> 00:50:32,960 Speaker 3: with their cousin. 1109 00:50:34,120 --> 00:50:35,320 Speaker 1: No is the answer. 1110 00:50:36,400 --> 00:50:39,600 Speaker 4: I don't care how tempted you. It's illegal. Is illegal? Yep, 1111 00:50:39,760 --> 00:50:41,400 Speaker 4: it is illegal. I think it is. 1112 00:50:41,640 --> 00:50:44,080 Speaker 1: My private parts are Harry join the club. 1113 00:50:45,000 --> 00:50:46,520 Speaker 4: It's all good. That's pretty much everybody. 1114 00:50:46,800 --> 00:50:49,239 Speaker 3: I mean, there's a lot of stuff coming through which 1115 00:50:49,280 --> 00:50:52,440 Speaker 3: is hard to deal with, but we have appreciated all 1116 00:50:52,480 --> 00:50:54,359 Speaker 3: the texts that came through there and a one off 1117 00:50:54,400 --> 00:50:56,799 Speaker 3: Wally Doctor to the person whose girlfriend's turned off by 1118 00:50:56,800 --> 00:51:00,520 Speaker 3: the pimples on their butts. Job was sending you product 1119 00:51:00,520 --> 00:51:01,560 Speaker 3: as well, which has worked for him. 1120 00:51:02,120 --> 00:51:04,520 Speaker 4: I've got a product and also dry fed unders. I 1121 00:51:04,560 --> 00:51:07,120 Speaker 4: cannot tell you how much of a treat that made 1122 00:51:07,120 --> 00:51:07,360 Speaker 4: for me. 1123 00:51:07,480 --> 00:51:08,760 Speaker 1: Where do babies come from? 1124 00:51:09,200 --> 00:51:12,160 Speaker 3: That question should be answered on the Carl and JQO 1125 00:51:12,680 --> 00:51:15,080 Speaker 3: Our Power, which is up next. I believe they're addressing 1126 00:51:15,120 --> 00:51:17,960 Speaker 3: that first and foremost, so you guys can get on 1127 00:51:18,000 --> 00:51:20,719 Speaker 3: there enjoy it. As to the question, I'm a virgin 1128 00:51:20,719 --> 00:51:21,600 Speaker 3: at twenty eight years. 1129 00:51:21,440 --> 00:51:23,920 Speaker 4: Old and I want to get laid, they're also covering all. 1130 00:51:23,760 --> 00:51:26,520 Speaker 3: That stuff, so look forward to that in the next 1131 00:51:26,560 --> 00:51:29,960 Speaker 3: hour or so. Otherwise, get the podcast. iHeartRadio is the 1132 00:51:30,120 --> 00:51:33,360 Speaker 3: place to get our podcast. Woulds we think we could 1133 00:51:33,360 --> 00:51:35,319 Speaker 3: go to the moon. I know that sounds ridiculous, but 1134 00:51:35,360 --> 00:51:38,040 Speaker 3: there's a Japanese billionaire going. He's taking six artists. We're 1135 00:51:38,040 --> 00:51:39,799 Speaker 3: trying to put together a piece of art to go there. 1136 00:51:39,920 --> 00:51:42,680 Speaker 4: Yeah, that's right. And look this is obviously not locked 1137 00:51:42,680 --> 00:51:45,279 Speaker 4: in at this point, but we're thinking a whole bunch 1138 00:51:45,320 --> 00:51:48,640 Speaker 4: of people in the nude making the shape of the moon. 1139 00:51:49,120 --> 00:51:50,560 Speaker 4: So when they are in the nude, they're going to 1140 00:51:50,560 --> 00:51:54,480 Speaker 4: be mooning the camera. So while they're mooning making the 1141 00:51:54,600 --> 00:51:55,239 Speaker 4: shape of. 1142 00:51:55,239 --> 00:51:57,359 Speaker 1: The moon, and we're just mooning the camera, they don't 1143 00:51:57,680 --> 00:51:58,880 Speaker 1: the shame in the moon, just mooning. 1144 00:51:58,680 --> 00:52:00,600 Speaker 4: It, just mooning it. And then you are going to 1145 00:52:00,600 --> 00:52:04,240 Speaker 4: be lands, I mean, Neil Armstrong and Buzz Alder, buzz Aldron, 1146 00:52:04,280 --> 00:52:06,279 Speaker 4: we'll have a fight over who's who there, and we're 1147 00:52:06,320 --> 00:52:08,640 Speaker 4: going to be walking on the moons. We're going to 1148 00:52:08,680 --> 00:52:09,720 Speaker 4: be walking on the moons. 1149 00:52:09,800 --> 00:52:12,880 Speaker 3: It's obviously not locked in, but it's a metaphorical moon landing. 1150 00:52:13,160 --> 00:52:17,839 Speaker 3: You're also mooning this Japanese billionaires, you know, like mate. 1151 00:52:18,840 --> 00:52:20,440 Speaker 4: Mooning you to go to the moon. I mean, I 1152 00:52:20,480 --> 00:52:21,720 Speaker 4: think you'll love so many levels. 1153 00:52:22,080 --> 00:52:23,680 Speaker 3: You're trying to get in touch with a dude who 1154 00:52:23,680 --> 00:52:27,440 Speaker 3: apparently takes photos of nude people professionally, Spencer Tunick. Spencer 1155 00:52:27,840 --> 00:52:29,640 Speaker 3: Tunney is his name. But if you're you know, if 1156 00:52:29,640 --> 00:52:33,320 Speaker 3: you're a nudist, great photographer for us. 1157 00:52:33,480 --> 00:52:36,480 Speaker 4: Yeah, get in touch with us Yeah. Will and Woody 1158 00:52:36,520 --> 00:52:39,520 Speaker 4: on socials, Instagram, Facebook, right to us. Please get involved, 1159 00:52:39,520 --> 00:52:40,879 Speaker 4: help us out. Love you guys to help out. 1160 00:52:40,880 --> 00:52:42,280 Speaker 3: We don't get out if you'll pick up that thread 1161 00:52:42,320 --> 00:52:44,680 Speaker 3: Tomorrow from four o'clock Will Catulator goodbye. 1162 00:52:45,080 --> 00:52:47,440 Speaker 4: Get a fresh way to drives home with Will and 1163 00:52:47,480 --> 00:52:47,800 Speaker 4: Woody