1 00:00:00,520 --> 00:00:00,800 Speaker 1: Quest. 2 00:00:00,880 --> 00:00:04,240 Speaker 2: Yeah, welcome friends to the Christian O'Connell Show podcast. 3 00:00:05,280 --> 00:00:09,400 Speaker 3: Welcome to the What's it called again? Record an episode one. 4 00:00:09,440 --> 00:00:12,320 Speaker 3: It's every sort of seventeen weeks. We like to get 5 00:00:12,360 --> 00:00:14,560 Speaker 3: together and put out a podcast that comes out three 6 00:00:14,560 --> 00:00:19,000 Speaker 3: times a year. It's like a pop up podcast. Oh no, 7 00:00:20,280 --> 00:00:24,120 Speaker 3: another one we are so we are just to give 8 00:00:24,120 --> 00:00:25,799 Speaker 3: it a bit of shape and context. This is the 9 00:00:25,920 --> 00:00:31,160 Speaker 3: last week on air for the show. In the UK, 10 00:00:32,320 --> 00:00:35,400 Speaker 3: I would have a respectable two week break at the 11 00:00:35,479 --> 00:00:37,240 Speaker 3: end of the year and I'd work up until about 12 00:00:37,240 --> 00:00:38,280 Speaker 3: the twenty third of December. 13 00:00:38,600 --> 00:00:39,880 Speaker 1: Is I couldn't believe when. 14 00:00:39,800 --> 00:00:43,600 Speaker 3: I moved here and Australian radio shuts down for six weeks. 15 00:00:44,640 --> 00:00:48,120 Speaker 3: I actually I'm dreading saying to the listeners this is 16 00:00:48,159 --> 00:00:50,720 Speaker 3: the last show of the year on November twenty ninth. 17 00:00:51,000 --> 00:00:56,400 Speaker 2: It's awkward, it is, you know sometimes listeners like gangry. 18 00:00:56,520 --> 00:00:59,200 Speaker 4: Yeah, they actually like they do get upset and I 19 00:00:59,320 --> 00:00:59,960 Speaker 4: understand it. 20 00:01:00,080 --> 00:01:01,120 Speaker 1: I get it. 21 00:01:01,120 --> 00:01:03,440 Speaker 4: It's so early, they're still going to work. And then 22 00:01:03,480 --> 00:01:04,440 Speaker 4: they're like, oh, these if. 23 00:01:04,319 --> 00:01:06,080 Speaker 1: You just going out, then why don't you so long? 24 00:01:06,160 --> 00:01:09,560 Speaker 3: Because they shut they stop ratings, yes, and so the 25 00:01:09,640 --> 00:01:13,360 Speaker 3: whole currency of radio same as TV. Is about ratings, 26 00:01:13,720 --> 00:01:17,240 Speaker 3: and so if if we're out of the ratings time, 27 00:01:17,480 --> 00:01:18,720 Speaker 3: so they're like, we ain't paying yet. 28 00:01:19,000 --> 00:01:21,360 Speaker 5: Yeah, but they also want you to rest because. 29 00:01:21,200 --> 00:01:25,640 Speaker 1: They don't care about that. It would work me to 30 00:01:25,800 --> 00:01:26,960 Speaker 1: like bloed if they could. 31 00:01:27,680 --> 00:01:30,160 Speaker 3: It is about eighteen hours a day of stuff on 32 00:01:30,200 --> 00:01:31,119 Speaker 3: this radio station. 33 00:01:31,440 --> 00:01:36,120 Speaker 1: I don't care about rest. That's the funniest thing you 34 00:01:36,200 --> 00:01:39,440 Speaker 1: said on this podcast. Are you high right now? 35 00:01:42,280 --> 00:01:42,680 Speaker 5: But we do. 36 00:01:42,800 --> 00:01:43,320 Speaker 3: We align. 37 00:01:43,520 --> 00:01:46,320 Speaker 5: We align with school holidays because the most. 38 00:01:46,319 --> 00:01:48,800 Speaker 1: Don't break up. The kids do not break up on 39 00:01:48,840 --> 00:01:51,680 Speaker 1: November twenty ninth. They at least they were doing another 40 00:01:51,720 --> 00:01:52,200 Speaker 1: two weeks. 41 00:01:52,320 --> 00:01:55,000 Speaker 5: Private schools do know, they don't. 42 00:01:56,080 --> 00:01:57,960 Speaker 1: Know how long December. 43 00:01:58,080 --> 00:01:59,960 Speaker 4: Yeah, it's early mid December. 44 00:02:00,160 --> 00:02:01,680 Speaker 1: Oh well yeah yeah. 45 00:02:01,760 --> 00:02:03,600 Speaker 5: Oh and then I have no reasoning as to why 46 00:02:03,680 --> 00:02:04,920 Speaker 5: we break up so early. 47 00:02:05,040 --> 00:02:08,880 Speaker 3: No, So I thought we could talk about sort of 48 00:02:08,919 --> 00:02:11,280 Speaker 3: the year as a whole, how we're feeling about next 49 00:02:11,320 --> 00:02:17,520 Speaker 3: year as well, because when when we stop, I don't 50 00:02:17,680 --> 00:02:19,960 Speaker 3: stop stop stop, We're not doing the show, We're not 51 00:02:20,000 --> 00:02:21,640 Speaker 3: doing the hour. So there's let's wear and tear. So 52 00:02:21,720 --> 00:02:23,960 Speaker 3: I am looking forward to the break. Been a really 53 00:02:24,000 --> 00:02:26,160 Speaker 3: full on year this year, so I'm looking forward to 54 00:02:26,200 --> 00:02:30,639 Speaker 3: the break. Actually, However, I also get very excited because 55 00:02:31,720 --> 00:02:34,240 Speaker 3: I guess it's like a farmer's field that you've been 56 00:02:34,400 --> 00:02:36,760 Speaker 3: sort of working and seeding and growing, and it you 57 00:02:36,840 --> 00:02:39,800 Speaker 3: let yourself go fallow and you allow new things to 58 00:02:39,840 --> 00:02:42,760 Speaker 3: come through. So I get very excited by this this 59 00:02:42,919 --> 00:02:43,760 Speaker 3: period of time. 60 00:02:43,960 --> 00:02:45,840 Speaker 5: So what do you do during this time storm? 61 00:02:46,000 --> 00:02:48,120 Speaker 3: I'll still as things happen, I'll still make notes and 62 00:02:48,200 --> 00:02:50,440 Speaker 3: I feel like I would do when we're doing the show. 63 00:02:50,520 --> 00:02:52,520 Speaker 3: So and then I like to I think you can 64 00:02:52,560 --> 00:02:54,280 Speaker 3: look at the bigger arc of it all. That's what 65 00:02:54,360 --> 00:02:55,960 Speaker 3: I get the time to be able to do is 66 00:02:56,000 --> 00:02:59,000 Speaker 3: actually look at where have we, where are we now? 67 00:02:59,360 --> 00:03:01,120 Speaker 3: How do I feel about that? And where would I 68 00:03:01,320 --> 00:03:04,000 Speaker 3: like us to go? And then I think individually, where 69 00:03:04,000 --> 00:03:06,600 Speaker 3: am I in my kind of I guess, my journey 70 00:03:06,600 --> 00:03:08,280 Speaker 3: of doing this, and what do I want more of 71 00:03:08,400 --> 00:03:08,680 Speaker 3: less of? 72 00:03:08,720 --> 00:03:09,079 Speaker 1: As well? 73 00:03:09,080 --> 00:03:11,560 Speaker 3: Next year it's a big year for us personally at home. 74 00:03:12,040 --> 00:03:14,880 Speaker 3: Lois eight year old daughter will leave home in February. 75 00:03:15,160 --> 00:03:17,760 Speaker 3: No kids at home, so that's all part of it, 76 00:03:17,800 --> 00:03:19,600 Speaker 3: as well as is kind of like knowing that it's 77 00:03:19,639 --> 00:03:20,160 Speaker 3: twenty six. 78 00:03:20,280 --> 00:03:23,560 Speaker 1: Oh thank you very much, Josh. Have you come from bed? 79 00:03:23,560 --> 00:03:26,520 Speaker 1: You appeared to be wearing pajamas actually actually look like 80 00:03:26,520 --> 00:03:27,959 Speaker 1: he's escaped from an institute. 81 00:03:28,360 --> 00:03:30,280 Speaker 3: This is We're not on the set of One Who 82 00:03:30,280 --> 00:03:31,440 Speaker 3: Flew Over the Cuckoo's Next. 83 00:03:33,040 --> 00:03:34,440 Speaker 4: I've just come back from snowboarding. 84 00:03:36,480 --> 00:03:42,280 Speaker 1: Thank you very much for that. So, yeah, has he 85 00:03:42,360 --> 00:03:43,160 Speaker 1: gone to work like that? 86 00:03:43,400 --> 00:03:44,000 Speaker 4: Yeah? 87 00:03:44,080 --> 00:03:49,200 Speaker 3: Australia, we're talking on today's show about the passion, well 88 00:03:49,320 --> 00:03:52,720 Speaker 3: the lack of really And I've never been to a 89 00:03:52,760 --> 00:03:55,560 Speaker 3: more casual country I go to. You go to a 90 00:03:55,640 --> 00:03:58,560 Speaker 3: formal event and people are still like dressed scruffly. 91 00:03:58,760 --> 00:03:59,840 Speaker 5: Yes, that is true. 92 00:04:00,160 --> 00:04:02,800 Speaker 6: I yesterday was sitting down there and I said to 93 00:04:02,840 --> 00:04:05,800 Speaker 6: the guys, without even looking, I bet you huggies on 94 00:04:05,920 --> 00:04:09,000 Speaker 6: his way down because I could hear his thongs slapping 95 00:04:09,040 --> 00:04:09,600 Speaker 6: on the floor. 96 00:04:10,280 --> 00:04:11,720 Speaker 1: That may thongs. 97 00:04:14,680 --> 00:04:17,159 Speaker 3: And jack Like, I said, we need that rest, you know, 98 00:04:17,279 --> 00:04:19,520 Speaker 3: so I can come up more terrible jokes like that. 99 00:04:20,080 --> 00:04:21,840 Speaker 5: Who do you think the most stylish in our team? 100 00:04:22,480 --> 00:04:22,720 Speaker 1: Oh? 101 00:04:22,839 --> 00:04:23,440 Speaker 4: The way. 102 00:04:25,640 --> 00:04:29,839 Speaker 3: The way you're asking that, you were smiling like obviously me, 103 00:04:30,520 --> 00:04:31,839 Speaker 3: it is you, It is you. 104 00:04:31,920 --> 00:04:34,040 Speaker 4: But I would say it is a low bar. 105 00:04:34,320 --> 00:04:37,560 Speaker 2: I don't think this is a particularly fashionable myself included. 106 00:04:37,680 --> 00:04:40,800 Speaker 3: I would I like to think that people would think 107 00:04:40,800 --> 00:04:42,120 Speaker 3: that I make some efforts. 108 00:04:42,240 --> 00:04:43,240 Speaker 5: You do look very nice. 109 00:04:43,279 --> 00:04:43,760 Speaker 1: Yeah, I do. 110 00:04:44,000 --> 00:04:46,320 Speaker 3: I want to be as scruffy as certain team members 111 00:04:46,400 --> 00:04:51,240 Speaker 3: Jack Post. You know Patsy also is on point every day. 112 00:04:51,320 --> 00:04:53,279 Speaker 5: Yes, she does look beautiful, apart. 113 00:04:53,040 --> 00:04:55,320 Speaker 3: From when it was like the Monday after the outcro 114 00:04:55,480 --> 00:04:59,279 Speaker 3: waters where she looked like something out of her Tim 115 00:04:59,279 --> 00:05:08,640 Speaker 3: Burton movie Hell An a Bone. Oh wait, you're not 116 00:05:08,680 --> 00:05:11,599 Speaker 3: in character. Oh sorry, you've just been drinking all weekend. 117 00:05:13,839 --> 00:05:15,880 Speaker 5: Now I wanted to go back. You were talking about 118 00:05:15,920 --> 00:05:18,039 Speaker 5: it being a big time for you over this break. 119 00:05:18,080 --> 00:05:20,760 Speaker 3: Yeah, yeah, it is. Yeah, huge change. I would say, 120 00:05:20,760 --> 00:05:23,800 Speaker 3: the biggest change since we became parents. You now got this. 121 00:05:24,520 --> 00:05:27,159 Speaker 3: It feels like another coming of age. There's all this 122 00:05:27,200 --> 00:05:29,080 Speaker 3: attention about the sort of Ferris beauty years, you know, 123 00:05:29,120 --> 00:05:31,440 Speaker 3: when we were becoming eighteen nineteen, you know, that journey 124 00:05:31,440 --> 00:05:35,240 Speaker 3: from being a teenager into an adult. This is the 125 00:05:35,279 --> 00:05:37,560 Speaker 3: next coming of age people don't talk about. It is 126 00:05:37,560 --> 00:05:40,320 Speaker 3: what happens when the kids leave home and what happens 127 00:05:40,320 --> 00:05:42,280 Speaker 3: to you with all that all that time, you're being 128 00:05:42,320 --> 00:05:42,840 Speaker 3: gifted a boat. 129 00:05:43,000 --> 00:05:43,720 Speaker 1: But it's not just that. 130 00:05:43,760 --> 00:05:45,400 Speaker 3: You know where you are on the arc of your life, 131 00:05:45,720 --> 00:05:48,200 Speaker 3: and no other time have I ever ever felt. 132 00:05:47,880 --> 00:05:50,080 Speaker 1: That, yes, because you're raising kids. 133 00:05:50,080 --> 00:05:52,239 Speaker 3: So all you're doing is raising kids, working, raising kids, 134 00:05:52,520 --> 00:05:55,599 Speaker 3: making sure that everything's running on or running on track. 135 00:05:55,800 --> 00:05:59,400 Speaker 1: And then suddenly you get this, Oh it can wait. 136 00:05:59,440 --> 00:05:59,960 Speaker 1: They leave home. 137 00:06:00,080 --> 00:06:02,080 Speaker 3: Of course you always knew, but now you're actually in 138 00:06:02,120 --> 00:06:02,839 Speaker 3: that reality. 139 00:06:02,960 --> 00:06:03,200 Speaker 4: Yeah. 140 00:06:03,200 --> 00:06:05,200 Speaker 6: Well it was all about them, so you weren't focused 141 00:06:05,240 --> 00:06:07,479 Speaker 6: on yourself, and now it's kind of like they're gone 142 00:06:07,520 --> 00:06:08,560 Speaker 6: and the silence has come. 143 00:06:08,760 --> 00:06:11,440 Speaker 1: Yes, yeah there is silence. Yeah, there's that. There's going 144 00:06:11,520 --> 00:06:11,800 Speaker 1: to be that. 145 00:06:11,839 --> 00:06:13,479 Speaker 3: So it's the same for my wife, even more so 146 00:06:13,640 --> 00:06:15,880 Speaker 3: for Sarah because obviously I've not been there in the 147 00:06:15,920 --> 00:06:18,560 Speaker 3: morning for ninety five percent of the time, so I've 148 00:06:18,600 --> 00:06:21,440 Speaker 3: been doing the radio show. So Sarah waking up in 149 00:06:21,480 --> 00:06:25,080 Speaker 3: a suddenly a really quiet house the first time in twenty. 150 00:06:24,880 --> 00:06:28,039 Speaker 1: Years, big thing. So it's a lot going on. And 151 00:06:28,080 --> 00:06:30,360 Speaker 1: then in the middle of that, it's like, well, what's. 152 00:06:30,040 --> 00:06:33,279 Speaker 3: What does the radio show mean to me? This Saturday, 153 00:06:33,360 --> 00:06:35,640 Speaker 3: November the twenty eighth is twenty six years of breakfast 154 00:06:35,760 --> 00:06:37,720 Speaker 3: radio for that, So I got half my life on 155 00:06:37,839 --> 00:06:40,560 Speaker 3: fifty one. It's over half my life I've been doing this, 156 00:06:40,920 --> 00:06:41,960 Speaker 3: and so you kind of think. 157 00:06:41,800 --> 00:06:44,160 Speaker 1: Like, where what do I want? 158 00:06:44,720 --> 00:06:47,479 Speaker 3: Yeah, yeah, what does it mean to me now? Which 159 00:06:47,520 --> 00:06:51,080 Speaker 3: is a nice question to ask, because it's changing massively. 160 00:06:51,120 --> 00:06:52,479 Speaker 3: What it means to me, what it meant to me 161 00:06:52,560 --> 00:06:54,560 Speaker 3: ten years ago isn't what it means to me now. 162 00:06:54,800 --> 00:06:57,120 Speaker 5: So what did it mean to you ten years ago? 163 00:06:57,400 --> 00:06:59,000 Speaker 3: When I were in the first I would say, the 164 00:06:59,040 --> 00:07:01,120 Speaker 3: first ten years of ra Breakfast Ready for me, it 165 00:07:01,200 --> 00:07:04,000 Speaker 3: was purely about being the funniest man on the radio. 166 00:07:04,360 --> 00:07:04,800 Speaker 1: That was it. 167 00:07:04,880 --> 00:07:08,080 Speaker 3: I'd tell you the whole show was all just about that. 168 00:07:08,080 --> 00:07:10,200 Speaker 3: That that, And then what happens is after a while 169 00:07:10,200 --> 00:07:13,640 Speaker 3: that becomes a straight jacket and you're you're saying jokes 170 00:07:13,640 --> 00:07:16,280 Speaker 3: and things that actually you don't believe. And then that 171 00:07:16,440 --> 00:07:18,000 Speaker 3: I think it tied in fact, when I was becoming 172 00:07:18,040 --> 00:07:19,560 Speaker 3: a dad as well, I was changing, and then you 173 00:07:19,640 --> 00:07:22,320 Speaker 3: suddenly like, I feel embarrassed by some of this stuff now. 174 00:07:22,320 --> 00:07:24,360 Speaker 3: And so then it's the hard thing of like, how 175 00:07:24,400 --> 00:07:26,280 Speaker 3: do you evolve? How do you change? How do you 176 00:07:26,360 --> 00:07:29,800 Speaker 3: do that? On in front of a microphone, your times 177 00:07:29,840 --> 00:07:34,000 Speaker 3: evolving out loud, and it's yeah, that's a bumpy old 178 00:07:34,000 --> 00:07:34,960 Speaker 3: path I'm still on. 179 00:07:35,280 --> 00:07:36,840 Speaker 1: It's a lot of mumbling and stumbling. 180 00:07:37,720 --> 00:07:39,520 Speaker 3: That actually is what I would name my next book 181 00:07:39,520 --> 00:07:41,000 Speaker 3: about radio mumbling and stumbling. 182 00:07:41,120 --> 00:07:43,240 Speaker 5: I love that, I actually love. 183 00:07:43,160 --> 00:07:44,080 Speaker 1: But that's what it is. 184 00:07:44,600 --> 00:07:48,160 Speaker 3: It's the mumbling and stumbling, and actually the stumbling is 185 00:07:48,200 --> 00:07:51,440 Speaker 3: where you stumble into the gold sometimes or our. 186 00:07:51,360 --> 00:07:56,280 Speaker 1: Version of gold sort of you know, fake gold Goldie. 187 00:07:56,520 --> 00:07:58,480 Speaker 6: I like that you were saying, kind of what does 188 00:07:58,600 --> 00:08:01,640 Speaker 6: radio mean to you now? And you've been doing it 189 00:08:01,680 --> 00:08:03,520 Speaker 6: for so long, But you, guys, will be. 190 00:08:03,480 --> 00:08:06,080 Speaker 3: The same thing why you got into doing this. Yes, 191 00:08:06,240 --> 00:08:08,440 Speaker 3: will be changing its meaning, yes, of. 192 00:08:08,400 --> 00:08:09,480 Speaker 5: Course, yeah, yeah, yeah. 193 00:08:09,640 --> 00:08:12,760 Speaker 6: But I even think on this show, and I've worked 194 00:08:12,800 --> 00:08:16,160 Speaker 6: on quite a few shows that even though you say 195 00:08:16,200 --> 00:08:18,840 Speaker 6: you've done it for twenty six years, you haven't done 196 00:08:18,840 --> 00:08:21,120 Speaker 6: the same thing for twenty six years, like a lot 197 00:08:21,160 --> 00:08:21,760 Speaker 6: of people do. 198 00:08:22,000 --> 00:08:23,440 Speaker 1: Yes, even you. 199 00:08:23,400 --> 00:08:25,760 Speaker 3: Get frozen into an act, then there's nothing worse than 200 00:08:25,760 --> 00:08:30,280 Speaker 3: that you sort of you sort of become concrete. Yes, 201 00:08:30,360 --> 00:08:32,679 Speaker 3: you know, we've all heard those and we've got actually, 202 00:08:32,720 --> 00:08:34,440 Speaker 3: you know people like this in your life, don't you 203 00:08:34,960 --> 00:08:37,520 Speaker 3: who Actually sometimes you see haven't seen for a while, 204 00:08:37,880 --> 00:08:39,920 Speaker 3: and they are exactly the same, you know. 205 00:08:40,120 --> 00:08:42,880 Speaker 1: Yeah, and it's sort of calloused a bit to life. 206 00:08:43,120 --> 00:08:43,360 Speaker 2: Yeah. 207 00:08:43,440 --> 00:08:47,559 Speaker 6: I really like the word evolving because on this show, 208 00:08:48,400 --> 00:08:51,760 Speaker 6: I've every day you push us to evolve, so we're 209 00:08:51,800 --> 00:08:53,200 Speaker 6: not just happy with what we're doing. 210 00:08:53,240 --> 00:08:54,920 Speaker 1: I think a lot of something, honest is probably pushing 211 00:08:54,960 --> 00:08:55,600 Speaker 1: you to madness. 212 00:08:55,720 --> 00:08:58,160 Speaker 5: Yea sometimes now. 213 00:09:00,360 --> 00:09:04,280 Speaker 3: I'm just hoping one of you would say no, no. 214 00:09:02,240 --> 00:09:09,120 Speaker 5: No A use that just put it back in the 215 00:09:09,120 --> 00:09:09,440 Speaker 5: other bit. 216 00:09:10,400 --> 00:09:12,760 Speaker 6: But yeah, I'm always evolving on the show, and that's 217 00:09:12,800 --> 00:09:16,000 Speaker 6: what I love like. I don't feel as though I'm 218 00:09:16,040 --> 00:09:18,440 Speaker 6: just stagnant and doing the same thing over and over again. 219 00:09:18,480 --> 00:09:19,760 Speaker 5: We're always pushing. 220 00:09:19,400 --> 00:09:22,680 Speaker 6: Ourselves to be better, to do more, to think of 221 00:09:22,720 --> 00:09:23,960 Speaker 6: things different to me. 222 00:09:24,000 --> 00:09:26,000 Speaker 3: I don't like that. I don't know I thought that 223 00:09:26,040 --> 00:09:28,320 Speaker 3: we have to push ourselves to be better. I think 224 00:09:28,360 --> 00:09:30,400 Speaker 3: it naturally, if you're getting it right, you create these 225 00:09:30,400 --> 00:09:36,160 Speaker 3: conditions where you naturally will enjoy it more, find different 226 00:09:36,160 --> 00:09:38,560 Speaker 3: ways to make it easier and get into flow more, 227 00:09:38,679 --> 00:09:42,040 Speaker 3: and there will be improvements. Rather than purely trying to 228 00:09:42,080 --> 00:09:45,439 Speaker 3: improve that feels like you're not good enough, and as 229 00:09:45,480 --> 00:09:47,000 Speaker 3: a part of you, when we ever feel that that 230 00:09:47,120 --> 00:09:50,599 Speaker 3: inherently resists that. It's like, it's actually, why wouldn't you 231 00:09:50,679 --> 00:09:52,920 Speaker 3: want to Like a tree, it is just constantly evolving 232 00:09:52,960 --> 00:09:55,800 Speaker 3: and unfolding. It does it naturally, and I think it's 233 00:09:55,800 --> 00:09:57,800 Speaker 3: about getting out of our way. The moment I come 234 00:09:57,840 --> 00:10:00,199 Speaker 3: in and think, and this does happen a lot. I think, God, 235 00:10:00,200 --> 00:10:01,439 Speaker 3: I've got to be fun. I've got to do all 236 00:10:01,440 --> 00:10:03,640 Speaker 3: this for three hours. I'm really tired. I didn't get 237 00:10:03,679 --> 00:10:05,920 Speaker 3: enough to sleep last night. It's all too much. I 238 00:10:06,000 --> 00:10:08,080 Speaker 3: get my own way. I'll have a harder start to 239 00:10:08,120 --> 00:10:10,960 Speaker 3: the show the more I then sort of refresh myself 240 00:10:11,080 --> 00:10:13,040 Speaker 3: and just got to think, I choose to do this, 241 00:10:13,160 --> 00:10:14,120 Speaker 3: I'm lucky to do this. 242 00:10:14,200 --> 00:10:15,160 Speaker 1: I really enjoy this. 243 00:10:15,520 --> 00:10:17,720 Speaker 3: I'll to start the conversation with Jack and Pats and 244 00:10:17,800 --> 00:10:18,800 Speaker 3: let the show unfold. 245 00:10:19,040 --> 00:10:22,360 Speaker 1: Then it's lighter for me. It's like, right, okay, yeah, yeah. 246 00:10:22,360 --> 00:10:24,680 Speaker 2: That was the biggest surprise I think when I first 247 00:10:24,760 --> 00:10:29,920 Speaker 2: came onto the show is that your sort of way 248 00:10:29,960 --> 00:10:33,000 Speaker 2: of getting better wasn't to like work harder and work 249 00:10:33,040 --> 00:10:35,760 Speaker 2: harder and making its more difficult and like increase the hours. 250 00:10:35,840 --> 00:10:37,800 Speaker 2: Like if we wanted to get better, it was always 251 00:10:38,200 --> 00:10:41,480 Speaker 2: for you, like making things flow, making things easier, making 252 00:10:41,520 --> 00:10:45,760 Speaker 2: things lighter, making things more simple. And that's something that 253 00:10:45,760 --> 00:10:47,720 Speaker 2: that was like a big learning for me because for me, 254 00:10:47,800 --> 00:10:49,760 Speaker 2: like you're always taught, like going through school, like you 255 00:10:49,840 --> 00:10:53,680 Speaker 2: gotta work harder and you do this and actually like 256 00:10:53,960 --> 00:10:55,840 Speaker 2: a lot, letting go of a lot of that is 257 00:10:55,880 --> 00:10:56,559 Speaker 2: actually the. 258 00:10:56,800 --> 00:11:00,880 Speaker 3: What happens then is everything improves, yes, naturally, because it 259 00:11:00,960 --> 00:11:03,600 Speaker 3: just you're getting actually in the way of natural improvement. 260 00:11:03,640 --> 00:11:06,240 Speaker 3: And we work in a real cutthroat industry, so this 261 00:11:06,280 --> 00:11:09,440 Speaker 3: isn't woo woo, right, I can't keep doing this job. 262 00:11:09,480 --> 00:11:11,559 Speaker 3: I'd get I would have been five years ago if 263 00:11:11,559 --> 00:11:14,360 Speaker 3: it was. It's not about being lazy or passive. It's 264 00:11:14,400 --> 00:11:17,120 Speaker 3: actually it's hard to actually describe to be. But I'm 265 00:11:17,160 --> 00:11:21,480 Speaker 3: hoping they're listening and people are understanding what what what? What 266 00:11:21,160 --> 00:11:22,880 Speaker 3: the essences are what I'm saying, because you would have 267 00:11:22,920 --> 00:11:25,000 Speaker 3: experienced this in your own life anything. 268 00:11:25,240 --> 00:11:27,720 Speaker 6: With stress, like you're stressed out, you have no ability 269 00:11:27,920 --> 00:11:31,280 Speaker 6: construction there, Yes you can't. You just your mind just 270 00:11:31,320 --> 00:11:33,160 Speaker 6: like focuses on that and goes over and over and 271 00:11:33,160 --> 00:11:33,640 Speaker 6: you don't. 272 00:11:33,480 --> 00:11:36,480 Speaker 5: Have the ability or the freedom to just let it be. 273 00:11:36,840 --> 00:11:38,760 Speaker 5: And I think that's very very true. 274 00:11:38,840 --> 00:11:41,800 Speaker 3: So I think it being and letting it unfold as well, 275 00:11:41,840 --> 00:11:45,000 Speaker 3: and then actually things do just naturally improve without any 276 00:11:45,080 --> 00:11:47,520 Speaker 3: of that kind of like a drilling structs or a 277 00:11:47,559 --> 00:11:50,840 Speaker 3: personal trainer, going harder, faster, quicker, stronger. 278 00:11:51,080 --> 00:11:53,160 Speaker 1: That's fucking exhausting. I don't want that life. I don't 279 00:11:53,160 --> 00:11:54,599 Speaker 1: want that life for my kids. I wouldn't want it 280 00:11:54,679 --> 00:11:57,640 Speaker 1: for anybody, you know. So it's that and you're. 281 00:11:57,520 --> 00:12:01,400 Speaker 6: Right, you've proven that that ability like to do that 282 00:12:01,520 --> 00:12:02,880 Speaker 6: is the best way to approach it. 283 00:12:02,960 --> 00:12:04,440 Speaker 1: Yeah, but I'm not very consistent with that. 284 00:12:04,600 --> 00:12:07,599 Speaker 3: I most of my twenty six years been characterized, I 285 00:12:07,600 --> 00:12:09,959 Speaker 3: would say, about an awful lot of burnout. And that's 286 00:12:10,000 --> 00:12:11,920 Speaker 3: where I do get into that You've got to do more, 287 00:12:11,920 --> 00:12:13,840 Speaker 3: You've got to come up more ideas. Look's like a 288 00:12:13,840 --> 00:12:16,439 Speaker 3: hamster word in my head, and so it's about trying 289 00:12:16,440 --> 00:12:20,040 Speaker 3: to undo some of that. But that's still my. 290 00:12:20,240 --> 00:12:21,800 Speaker 1: Version of that. But you guys have that you really 291 00:12:21,840 --> 00:12:23,320 Speaker 1: care about the show. You work really hard. 292 00:12:23,600 --> 00:12:25,480 Speaker 3: I bet you find it very hard sometimes in the 293 00:12:25,520 --> 00:12:28,079 Speaker 3: afternoon to actually leave it all behind. It's like, oh 294 00:12:28,080 --> 00:12:30,400 Speaker 3: my god, is that going to fall over this afternoon? 295 00:12:30,440 --> 00:12:33,280 Speaker 3: And so you guys have a different kind of accountability 296 00:12:33,320 --> 00:12:34,960 Speaker 3: to me. Yes, you know, and that's heavy for you 297 00:12:35,000 --> 00:12:37,280 Speaker 3: guys to have have that of a different kind. 298 00:12:37,440 --> 00:12:43,280 Speaker 5: Yeah, yeah, absolutely, But I I think that how you've 299 00:12:43,360 --> 00:12:45,720 Speaker 5: taught us to approach things, which is that let it 300 00:12:45,760 --> 00:12:48,199 Speaker 5: be we work as hard as we can to make 301 00:12:48,240 --> 00:12:48,920 Speaker 5: something work. 302 00:12:49,040 --> 00:12:52,200 Speaker 6: We do, and if it doesn't come off, there's a 303 00:12:52,280 --> 00:12:53,600 Speaker 6: reason for it, and it's okay. 304 00:12:53,720 --> 00:12:55,760 Speaker 1: Yeah. And also it's like, what is it? What is 305 00:12:55,800 --> 00:12:56,839 Speaker 1: like at school? You're right r. 306 00:12:57,200 --> 00:12:59,000 Speaker 3: The emphasis is all about getting the right answer, knowing 307 00:12:59,000 --> 00:13:00,880 Speaker 3: the right answer. No, you've got it wrong, bad you 308 00:13:00,880 --> 00:13:02,840 Speaker 3: you feel shame. I guess you don't. I must never 309 00:13:02,880 --> 00:13:05,040 Speaker 3: get anything wrong in life where possible. I got to 310 00:13:05,160 --> 00:13:07,280 Speaker 3: never let my house out out again. Actually, what you 311 00:13:07,360 --> 00:13:10,360 Speaker 3: realize a lot of the fun is actually when it 312 00:13:10,400 --> 00:13:14,040 Speaker 3: goes and inverted commas wrong something you in that situation, 313 00:13:14,240 --> 00:13:18,319 Speaker 3: and you've got to make it funnier. Talk about what 314 00:13:18,440 --> 00:13:20,920 Speaker 3: it is falling over. This isn't going very well. This 315 00:13:20,960 --> 00:13:25,640 Speaker 3: is a terrible idea of mine. That's real life. That's funnier, way, way, 316 00:13:25,720 --> 00:13:29,160 Speaker 3: way funny. I was watching the Olympics, remember the Olympics 317 00:13:29,200 --> 00:13:32,520 Speaker 3: this year, and the surfing was an entirely even part 318 00:13:32,559 --> 00:13:36,280 Speaker 3: of the world. I had these yes it was, and 319 00:13:36,320 --> 00:13:40,239 Speaker 3: I was watching it right and they had two commodators 320 00:13:40,240 --> 00:13:41,480 Speaker 3: and one of them was really good, saying now you 321 00:13:41,520 --> 00:13:43,040 Speaker 3: know that people might be watching right now. I have 322 00:13:43,200 --> 00:13:46,040 Speaker 3: never seen surfing and how it's marked and how it works. 323 00:13:46,120 --> 00:13:48,480 Speaker 3: What do they need to know? And they had this 324 00:13:48,559 --> 00:13:51,880 Speaker 3: formal world champion who said something unbelievable which speaks this. 325 00:13:51,880 --> 00:13:54,320 Speaker 3: This person said, well, basically, what it is is the 326 00:13:54,360 --> 00:13:57,640 Speaker 3: person who's having the most fun wins. And I was like, 327 00:13:57,800 --> 00:14:00,960 Speaker 3: oh my god. I literally got my notepad out and 328 00:14:00,960 --> 00:14:04,480 Speaker 3: wrote it down. The person who's having the most fun wins. 329 00:14:05,520 --> 00:14:08,160 Speaker 3: They're more experimental, they're more in flow the moment. They 330 00:14:08,200 --> 00:14:10,600 Speaker 3: think I've been training for this for the last four years. 331 00:14:10,679 --> 00:14:13,120 Speaker 3: I've dedicated all of my life. I have to win 332 00:14:13,200 --> 00:14:15,880 Speaker 3: gold or it's all going to be worthless. That person 333 00:14:16,080 --> 00:14:17,199 Speaker 3: is not going to do their best. 334 00:14:17,920 --> 00:14:18,120 Speaker 1: You know. 335 00:14:18,160 --> 00:14:20,680 Speaker 3: It's like when you like you look at Lebron or 336 00:14:20,720 --> 00:14:23,760 Speaker 3: anyone like Michael Jordan. You know when they're doing what 337 00:14:23,800 --> 00:14:25,640 Speaker 3: they do that with Flair and that they're not doing 338 00:14:25,680 --> 00:14:29,800 Speaker 3: it because they're like so left leg here right, and 339 00:14:30,040 --> 00:14:33,800 Speaker 3: they're he's in play. He's just he's in flow. Look 340 00:14:33,800 --> 00:14:36,320 Speaker 3: what happens. He's not doing it because like Phil Jackson 341 00:14:36,360 --> 00:14:38,560 Speaker 3: on any of the coaches is yelling at him, like 342 00:14:39,040 --> 00:14:43,000 Speaker 3: get get some more hurt god. 343 00:14:43,800 --> 00:14:44,160 Speaker 1: Turble. 344 00:14:44,240 --> 00:14:48,760 Speaker 6: This year, well, we did a couple of things this 345 00:14:48,840 --> 00:14:50,880 Speaker 6: year to kind of help with that. And I think 346 00:14:50,960 --> 00:14:53,640 Speaker 6: one being our post it notes. So we used to 347 00:14:53,720 --> 00:14:56,240 Speaker 6: have a board that was in the studio. That kind 348 00:14:56,240 --> 00:14:56,600 Speaker 6: of happened. 349 00:14:56,640 --> 00:14:57,680 Speaker 1: That was the stress me out. 350 00:14:57,960 --> 00:15:00,320 Speaker 3: I've been back at school and stuff like that and 351 00:15:00,360 --> 00:15:01,360 Speaker 3: never even looked at it. 352 00:15:01,640 --> 00:15:03,400 Speaker 1: Yeah, so it's just kind of like one day was like, 353 00:15:03,440 --> 00:15:04,640 Speaker 1: that thing really irritates me. 354 00:15:04,680 --> 00:15:06,760 Speaker 3: And then I remember when I was like putting our 355 00:15:06,840 --> 00:15:08,200 Speaker 3: long stand up shows together. 356 00:15:08,520 --> 00:15:10,480 Speaker 1: That's what I did. I would just think of a 357 00:15:10,480 --> 00:15:12,040 Speaker 1: story and idea, put it on a post a note 358 00:15:12,040 --> 00:15:12,840 Speaker 1: and put it up on a wall. 359 00:15:12,840 --> 00:15:14,520 Speaker 3: They don't think of another one and another one. Then 360 00:15:14,560 --> 00:15:16,640 Speaker 3: I try them out, and it all felt very light 361 00:15:16,680 --> 00:15:18,880 Speaker 3: and easy. It's just shit on a post a note 362 00:15:18,960 --> 00:15:19,640 Speaker 3: on the wall. 363 00:15:19,640 --> 00:15:19,960 Speaker 1: It is. 364 00:15:20,280 --> 00:15:23,200 Speaker 3: I'd tell some of the shit is actually that's actually 365 00:15:23,200 --> 00:15:25,920 Speaker 3: working on and I was just lighter with it. And 366 00:15:25,960 --> 00:15:28,320 Speaker 3: then and and so we only did this a couple 367 00:15:28,360 --> 00:15:29,920 Speaker 3: of months ago. Now, if you look at the studio wall, 368 00:15:29,960 --> 00:15:31,680 Speaker 3: we should take a photo actually put it up there. 369 00:15:32,040 --> 00:15:32,480 Speaker 1: You'll see. 370 00:15:32,560 --> 00:15:35,640 Speaker 3: It's like we just pitch around ideas and so there's 371 00:15:35,640 --> 00:15:39,240 Speaker 3: stuff up there reviewing the reviewers. Walking Wars, which is 372 00:15:39,240 --> 00:15:40,640 Speaker 3: about a thing that happened to me a couple of 373 00:15:40,680 --> 00:15:42,840 Speaker 3: weeks ago. Which I still haven't got around to talking about. 374 00:15:43,080 --> 00:15:44,000 Speaker 5: I'm desperate to hear. 375 00:15:44,360 --> 00:15:45,920 Speaker 1: I'll tell you what that walking wars is about. 376 00:15:45,960 --> 00:15:48,320 Speaker 3: It's simply about how the other day I was at 377 00:15:48,360 --> 00:15:52,600 Speaker 3: Walworths Okay and the supermarket, and there was a I'm 378 00:15:52,640 --> 00:15:54,760 Speaker 3: walking straight and sudden there's a lady coming from my 379 00:15:54,840 --> 00:15:57,760 Speaker 3: left and we're going to be walking to the escalator 380 00:15:57,800 --> 00:16:00,640 Speaker 3: at the same time. I'm sad to say, I put 381 00:16:00,640 --> 00:16:03,200 Speaker 3: a bit of an extra sipident. Yes, I wanted to 382 00:16:03,240 --> 00:16:06,440 Speaker 3: beat her, and it became important to me, right I 383 00:16:06,480 --> 00:16:09,440 Speaker 3: know she is. Then she started to So now we're 384 00:16:09,440 --> 00:16:14,000 Speaker 3: in a walking w It's so and how many times 385 00:16:14,000 --> 00:16:15,880 Speaker 3: you be done this? When you're walking down the street, 386 00:16:15,880 --> 00:16:18,880 Speaker 3: you overtake somebody and now they've sped up as a. 387 00:16:18,840 --> 00:16:19,840 Speaker 1: Good car does as well. 388 00:16:20,520 --> 00:16:24,240 Speaker 3: I can't keep I can't keep this space up. 389 00:16:25,040 --> 00:16:28,520 Speaker 1: They're gaining. 390 00:16:29,200 --> 00:16:29,520 Speaker 3: This up. 391 00:16:29,560 --> 00:16:30,880 Speaker 1: I can't walk this quickly. 392 00:16:31,000 --> 00:16:33,320 Speaker 6: I always do that at the airport, Like you get 393 00:16:33,320 --> 00:16:34,920 Speaker 6: off the plane and you're in a rush, and then 394 00:16:35,000 --> 00:16:36,880 Speaker 6: like you kind of overtaken someone and then they. 395 00:16:36,960 --> 00:16:39,440 Speaker 3: But you can't sustain that pace and you kind of 396 00:16:39,440 --> 00:16:40,760 Speaker 3: set the fifteen hundred meters. 397 00:16:40,760 --> 00:16:42,840 Speaker 1: You've broken out the pack too soon. 398 00:16:42,960 --> 00:16:44,640 Speaker 6: And you don't want that thing to happen where Like 399 00:16:44,680 --> 00:16:46,960 Speaker 6: in the car, you get stopped at the red light 400 00:16:47,040 --> 00:16:48,800 Speaker 6: and you've kind of taken off and then they come up. 401 00:16:50,280 --> 00:16:50,800 Speaker 1: The lights. 402 00:16:51,040 --> 00:16:54,080 Speaker 3: Lights are just changing, they've got momentum, you're standing start and. 403 00:16:54,000 --> 00:16:55,960 Speaker 1: Then they pulled bast God damn it. This is the 404 00:16:56,000 --> 00:17:00,280 Speaker 1: worst day. That is the walking walls. 405 00:17:01,880 --> 00:17:02,360 Speaker 4: So good. 406 00:17:02,800 --> 00:17:04,880 Speaker 5: There's also one up there that we were a bit 407 00:17:05,040 --> 00:17:06,760 Speaker 5: scared to do on the air. 408 00:17:07,480 --> 00:17:12,960 Speaker 3: Which one oh fuck, fuck, this dear listener is is 409 00:17:13,000 --> 00:17:16,720 Speaker 3: actually the name of an uber driver, Right, I got 410 00:17:16,720 --> 00:17:19,080 Speaker 3: an Uber and I you know, when you have to 411 00:17:19,080 --> 00:17:22,120 Speaker 3: say something, I'm looking at thinking there's no other way to. 412 00:17:22,040 --> 00:17:24,840 Speaker 1: Pronounce this other than so I go. 413 00:17:25,480 --> 00:17:29,600 Speaker 3: I put, like a slight foreign, excellent your name, and 414 00:17:29,680 --> 00:17:32,840 Speaker 3: he literally moved the rear view mirror. 415 00:17:32,520 --> 00:17:35,480 Speaker 1: To me and he went, yes, I went. 416 00:17:40,320 --> 00:17:46,720 Speaker 3: Foreign. You know when the Google translated puts, it's always 417 00:17:46,720 --> 00:17:48,000 Speaker 3: some voice like that, Oh. 418 00:17:49,520 --> 00:17:52,119 Speaker 1: Who is that guy? All the ways sound like that, 419 00:17:52,280 --> 00:17:52,600 Speaker 1: doesn't it. 420 00:17:55,280 --> 00:17:58,560 Speaker 3: I wanted down to know I pronounced crazy the other day, 421 00:17:58,600 --> 00:17:59,760 Speaker 3: and so I went on there and stuff like that, 422 00:17:59,760 --> 00:18:02,320 Speaker 3: you know, Spanish meat, and it was like clear. 423 00:18:04,280 --> 00:18:05,920 Speaker 1: I was like, this guy has got a hell. 424 00:18:05,680 --> 00:18:08,680 Speaker 3: Of a great voice, Yeah anyway, So I went your name, 425 00:18:09,080 --> 00:18:11,240 Speaker 3: but I didn't do it like that, so I became 426 00:18:11,400 --> 00:18:20,440 Speaker 3: bor rat, like your name Naddy, naughty, you won't fuck. 427 00:18:20,920 --> 00:18:24,520 Speaker 3: So I go to him your name fuck and he 428 00:18:24,600 --> 00:18:28,840 Speaker 3: laughed and he went, it's uh, it's you fuck. I went, wow, 429 00:18:30,240 --> 00:18:33,520 Speaker 3: mimer Moore, and he goes, it's cost me girlfriends. I mean, 430 00:18:33,560 --> 00:18:35,520 Speaker 3: what do you mean because I'm going out the day 431 00:18:35,640 --> 00:18:37,440 Speaker 3: and then they start taking mick out the name and 432 00:18:37,480 --> 00:18:38,960 Speaker 3: after a while I want to move on. They don't 433 00:18:38,960 --> 00:18:40,679 Speaker 3: want to. They're like, old, I'm going to take a 434 00:18:40,680 --> 00:18:43,200 Speaker 3: photo of you and can you film you saying your name? 435 00:18:43,240 --> 00:18:44,320 Speaker 3: I want to send it to my friend and then 436 00:18:44,320 --> 00:18:48,040 Speaker 3: we get into an argument. He goes, it's cost me relationships. 437 00:18:48,040 --> 00:18:50,280 Speaker 3: So he goes, I said, oh wow. So he was 438 00:18:50,280 --> 00:18:53,840 Speaker 3: telling me about his it's a family name important to okay, 439 00:18:53,800 --> 00:18:56,040 Speaker 3: it from a long line going about hundreds of years 440 00:18:56,040 --> 00:18:59,080 Speaker 3: of fox. So he said he didn't like. He moved 441 00:18:59,160 --> 00:19:01,760 Speaker 3: into Melbourne eight year go. He didn't learn any English right, 442 00:19:02,480 --> 00:19:04,879 Speaker 3: so he didn't even realize that he had a funny 443 00:19:04,960 --> 00:19:08,680 Speaker 3: name because to him, that's not an unusual name until 444 00:19:08,680 --> 00:19:11,719 Speaker 3: he's a learning English and English school here and the 445 00:19:11,760 --> 00:19:16,160 Speaker 3: teacher goes, mystic, you fuck and the cast is laughing. 446 00:19:16,200 --> 00:19:19,399 Speaker 3: He doesn't understand, he doesn't understand what's going on. They 447 00:19:19,400 --> 00:19:21,280 Speaker 3: were like laughter every time, and he's like looking at him, go, 448 00:19:21,400 --> 00:19:25,000 Speaker 3: they're really odd and he can't understand any English. 449 00:19:25,359 --> 00:19:26,679 Speaker 1: And then he gets up to speed. 450 00:19:26,760 --> 00:19:29,040 Speaker 3: Anyway that there's been laughing at me all these years 451 00:19:29,040 --> 00:19:31,160 Speaker 3: and he can't get laid because of his name. 452 00:19:31,440 --> 00:19:33,359 Speaker 1: So anyway, I go, but why have you changed it? 453 00:19:33,359 --> 00:19:38,879 Speaker 1: He goes, I have now I'm Trevor went, why have 454 00:19:38,920 --> 00:19:42,679 Speaker 1: you done that? It goes an Irish. 455 00:19:42,600 --> 00:19:45,960 Speaker 3: Flatmate and I always liked his name, went Trevor, but 456 00:19:46,080 --> 00:19:47,240 Speaker 3: Trevor fuck. 457 00:19:47,920 --> 00:19:50,440 Speaker 4: And Trevor also, I'll say not a sexy name. 458 00:19:54,480 --> 00:20:02,280 Speaker 3: Yes, yes, Trevor fuck. But obviously I can't say his name, 459 00:20:02,600 --> 00:20:05,680 Speaker 3: which is his name on the show, correct, I can't 460 00:20:05,680 --> 00:20:06,200 Speaker 3: get the fuck? 461 00:20:06,400 --> 00:20:07,359 Speaker 5: Yeah, we get in trouble. 462 00:20:07,880 --> 00:20:09,920 Speaker 4: In trouble is someone's name. 463 00:20:10,320 --> 00:20:11,560 Speaker 5: Yes, I do know. 464 00:20:11,800 --> 00:20:13,920 Speaker 6: But if there's a child in the car or they're 465 00:20:13,960 --> 00:20:16,800 Speaker 6: hearing is what if the child gets an uber Well, 466 00:20:16,800 --> 00:20:18,240 Speaker 6: they're not reading his name. 467 00:20:18,480 --> 00:20:19,480 Speaker 4: He can't hide his name. 468 00:20:19,560 --> 00:20:19,880 Speaker 2: I think. 469 00:20:24,680 --> 00:20:25,600 Speaker 3: You know what they should do is they have a 470 00:20:25,640 --> 00:20:28,439 Speaker 3: kids who be driven by kids. But it's just like 471 00:20:28,480 --> 00:20:36,879 Speaker 3: a small motorized car special lay. Anyway, that's that story. 472 00:20:37,080 --> 00:20:39,040 Speaker 3: I don't think he can ever go on air. No, 473 00:20:39,560 --> 00:20:42,840 Speaker 3: there's another one in terms of like I think this 474 00:20:42,920 --> 00:20:45,240 Speaker 3: is too dark, right, I asked my wife and after kids, 475 00:20:45,280 --> 00:20:47,439 Speaker 3: They're like, don't do that, you just you actually just 476 00:20:47,480 --> 00:20:48,240 Speaker 3: make people cry. 477 00:20:48,840 --> 00:20:50,440 Speaker 1: We lost our dog a couple of weeks ago. 478 00:20:50,880 --> 00:20:53,040 Speaker 3: Dog put down right, And you know what, when I 479 00:20:53,080 --> 00:20:55,440 Speaker 3: love watching the oscars, I like actually being moved by 480 00:20:55,480 --> 00:20:59,640 Speaker 3: when they go in memory memoriam who we lost this year? 481 00:21:00,760 --> 00:21:02,440 Speaker 3: What about at the end of this week we do 482 00:21:02,520 --> 00:21:05,080 Speaker 3: what about the pets that have been lost. 483 00:21:06,160 --> 00:21:06,600 Speaker 1: This year? 484 00:21:08,359 --> 00:21:13,920 Speaker 4: Okay, last, let me go back to so what it's 485 00:21:14,000 --> 00:21:15,160 Speaker 4: just like in your hair, just. 486 00:21:17,280 --> 00:21:20,600 Speaker 3: Christian, we lost we lost Terry the beagle. Terry was 487 00:21:20,640 --> 00:21:23,040 Speaker 3: a buffet ve It's just future. 488 00:21:23,560 --> 00:21:26,600 Speaker 5: I don't okay, you understand what. 489 00:21:26,560 --> 00:21:29,080 Speaker 1: I'm trying to do, like it could? You know? 490 00:21:29,600 --> 00:21:31,639 Speaker 3: I was thinking about this because the wording matters with 491 00:21:31,720 --> 00:21:34,000 Speaker 3: this one. I need to set the right tone because 492 00:21:34,000 --> 00:21:38,920 Speaker 3: this is a celebration pets lost this year but never forgotten. 493 00:21:39,760 --> 00:21:43,600 Speaker 2: Too serious heavy, I think you're like, it's more like 494 00:21:43,880 --> 00:21:47,080 Speaker 2: tell us about your you know, favorite memory of your dead. 495 00:21:47,320 --> 00:21:53,120 Speaker 3: But you can still that's that's lost is better than dead. 496 00:21:53,800 --> 00:21:55,439 Speaker 5: It needs to be a positive in memorial. 497 00:21:55,480 --> 00:22:17,320 Speaker 7: Rainbow Bridge, Yes, yeah, now I think that's the area. 498 00:22:08,560 --> 00:22:11,399 Speaker 1: You kermit doing. Rainbow Bridge Rainbow Connection. 499 00:22:12,200 --> 00:22:15,800 Speaker 3: Oh my god, it's the most moving thing, almost beautiful. 500 00:22:16,240 --> 00:22:18,760 Speaker 2: What I would love is for you, maybe tomorrow, to 501 00:22:18,960 --> 00:22:21,360 Speaker 2: just pitch this to Jack and pattern you get there. 502 00:22:21,400 --> 00:22:24,520 Speaker 3: Reader, you're only doing this to make me look forward. 503 00:22:25,400 --> 00:22:27,240 Speaker 1: No, no, no, we're not. We're not doing. 504 00:22:27,040 --> 00:22:28,240 Speaker 5: It you Okay. 505 00:22:28,280 --> 00:22:31,840 Speaker 6: For example, if she just it's relentlessly sad and you 506 00:22:31,840 --> 00:22:35,280 Speaker 6: were going to it's just sad, it's it's just sad things. 507 00:22:35,320 --> 00:22:37,359 Speaker 1: But what I love is like like Nisa and I 508 00:22:37,400 --> 00:22:39,560 Speaker 1: miss I miss my dog. She was an awesome dog. 509 00:22:39,880 --> 00:22:41,159 Speaker 1: I missed her. Have you morning when I get up 510 00:22:41,200 --> 00:22:41,600 Speaker 1: because she. 511 00:22:41,640 --> 00:22:43,600 Speaker 3: Was like excited to see me and it caught us four. 512 00:22:43,800 --> 00:22:45,359 Speaker 3: So the house is already quiet at the moment. So 513 00:22:45,440 --> 00:22:47,960 Speaker 3: I've got good memories of a great dog, okay, And 514 00:22:47,960 --> 00:22:50,800 Speaker 3: that's what I missed. It's keeping those memories alive because actually, 515 00:22:51,000 --> 00:22:53,080 Speaker 3: then she's not she was never really a dog. She's 516 00:22:53,119 --> 00:22:55,280 Speaker 3: part of your family. Then you know that she loved 517 00:22:55,280 --> 00:22:55,800 Speaker 3: your dog. 518 00:22:55,760 --> 00:22:58,320 Speaker 5: Yes, obsessed with my dog, absolutely devastated. 519 00:22:58,440 --> 00:23:01,320 Speaker 3: They give you a conditional love, so they're not really 520 00:23:01,359 --> 00:23:02,080 Speaker 3: just a dog. 521 00:23:01,960 --> 00:23:03,280 Speaker 1: Or a cat or sake. 522 00:23:03,440 --> 00:23:05,560 Speaker 6: Do you know every morning, for five minutes, I scratch 523 00:23:05,600 --> 00:23:08,520 Speaker 6: Henry's belly when I get up earlier. 524 00:23:09,840 --> 00:23:10,439 Speaker 1: You love it. 525 00:23:10,440 --> 00:23:11,960 Speaker 5: There's a great start to do it because I just 526 00:23:11,960 --> 00:23:12,840 Speaker 5: love him so much. 527 00:23:13,160 --> 00:23:15,240 Speaker 6: And sometimes, like you know, I spend all day work, 528 00:23:15,320 --> 00:23:17,800 Speaker 6: so when I get home and be like, all right, imagine. 529 00:23:17,520 --> 00:23:19,159 Speaker 3: There's sadly one day you've got to put them down 530 00:23:19,200 --> 00:23:23,000 Speaker 3: and just say goodbye to him, okay, And then sudden 531 00:23:23,040 --> 00:23:24,240 Speaker 3: there's a guy on around and going eight. 532 00:23:24,080 --> 00:23:24,919 Speaker 1: Tell me about Henry. 533 00:23:25,119 --> 00:23:26,040 Speaker 5: I wouldn't be able to. 534 00:23:26,040 --> 00:23:27,960 Speaker 3: And then you suddenly hear you just make me say, 535 00:23:28,000 --> 00:23:32,160 Speaker 3: then you hear that's lost this year but never forgotten. 536 00:23:32,560 --> 00:23:33,840 Speaker 5: I would not be able to call it in. I 537 00:23:33,880 --> 00:23:34,880 Speaker 5: wouldn't be able to speak. 538 00:23:35,680 --> 00:23:36,760 Speaker 1: Let me speak for you. 539 00:23:36,840 --> 00:23:40,320 Speaker 2: Yeah, they can message in with their lovely favorite memories 540 00:23:40,320 --> 00:23:41,680 Speaker 2: of their pets, and. 541 00:23:41,640 --> 00:23:43,840 Speaker 1: With Henry, that's great. Henry. 542 00:23:44,440 --> 00:23:47,640 Speaker 3: Henry was a rip of a little dog who would 543 00:23:47,720 --> 00:23:51,359 Speaker 3: spoiled to just live for that five minute belly rub. 544 00:23:51,720 --> 00:23:54,200 Speaker 3: I hope you're right now a cross that rainbow connection 545 00:23:54,560 --> 00:23:57,280 Speaker 3: having a good old belly rub Henry, Bye bye. 546 00:23:57,800 --> 00:24:00,320 Speaker 5: I love that. I Actually I like the dear of 547 00:24:00,359 --> 00:24:02,320 Speaker 5: a text because then if people. 548 00:24:02,080 --> 00:24:05,400 Speaker 1: Cry no, no, no, we can't let them too much. 549 00:24:05,600 --> 00:24:08,760 Speaker 6: So the text is great. And texting your favorite story 550 00:24:08,800 --> 00:24:10,240 Speaker 6: about them, I'm. 551 00:24:10,119 --> 00:24:12,320 Speaker 1: Not sure about that because they don't really do that much. 552 00:24:12,760 --> 00:24:15,160 Speaker 1: It's not like. 553 00:24:14,560 --> 00:24:15,440 Speaker 4: Once, you know, was. 554 00:24:17,200 --> 00:24:19,240 Speaker 3: In the pub, you know, and he was like, let's go, 555 00:24:19,320 --> 00:24:23,119 Speaker 3: let's go do some karaoke, and I'm like, what beers that? 556 00:24:23,320 --> 00:24:27,480 Speaker 1: Come on? There's an illgal place. He used to be 557 00:24:27,520 --> 00:24:28,359 Speaker 1: a world owner. 558 00:24:28,800 --> 00:24:31,359 Speaker 3: Okay, I saw that guy. 559 00:24:31,840 --> 00:24:33,600 Speaker 1: There's no great stories. 560 00:24:33,160 --> 00:24:36,920 Speaker 6: About I had a great story about unnything. 561 00:24:37,040 --> 00:24:38,359 Speaker 1: Everything story you have is great. 562 00:24:38,359 --> 00:24:39,480 Speaker 5: Do you want to hear my great story? 563 00:24:40,119 --> 00:24:40,600 Speaker 3: Okay? 564 00:24:40,880 --> 00:24:43,440 Speaker 6: Once upon a time he went out the back. He'd 565 00:24:43,440 --> 00:24:44,600 Speaker 6: put some clothes on the line, and. 566 00:24:44,600 --> 00:24:47,880 Speaker 5: He couldn't find the pet. No, my uncle couldn't find 567 00:24:47,880 --> 00:24:50,840 Speaker 5: his favorite singlet. It was a blue singlet. 568 00:24:51,240 --> 00:24:54,159 Speaker 6: Many days later he saw it popping out his dog's 569 00:24:54,160 --> 00:24:55,720 Speaker 6: bum and he had to pull the singlet out of 570 00:24:55,760 --> 00:24:56,080 Speaker 6: his dogs. 571 00:24:59,000 --> 00:25:00,600 Speaker 4: We can't have that, can't have that. 572 00:25:02,160 --> 00:25:04,880 Speaker 1: No, it's not it's okay. It's like a magician's trick 573 00:25:04,920 --> 00:25:06,520 Speaker 1: when he pulls it out of his pocket. You know, 574 00:25:06,560 --> 00:25:09,639 Speaker 1: all the all the all the the flats. 575 00:25:11,560 --> 00:25:15,919 Speaker 4: I think we have the skills to do this in a. 576 00:25:16,760 --> 00:25:18,760 Speaker 5: It's sad, It is so sad. 577 00:25:19,359 --> 00:25:21,040 Speaker 4: There are some parts of life of the sad. 578 00:25:21,359 --> 00:25:23,320 Speaker 3: You're right, you're right, you're right, you're right, alright, But 579 00:25:23,359 --> 00:25:24,679 Speaker 3: I just wonder if it's just going to be just 580 00:25:25,160 --> 00:25:29,840 Speaker 3: upsetting the people who just suddenly tuning in with no warning, right, 581 00:25:30,040 --> 00:25:32,480 Speaker 3: no warning, they can't have it. I'm really having a 582 00:25:32,520 --> 00:25:34,840 Speaker 3: bad week and I'm coming to my guy, coming to 583 00:25:34,880 --> 00:25:36,480 Speaker 3: Christian and I can rely on him. 584 00:25:36,480 --> 00:25:37,879 Speaker 1: He's like a cann of coat. You open up, you 585 00:25:37,880 --> 00:25:39,800 Speaker 1: know what you're getting. Made me laugh. 586 00:25:39,920 --> 00:25:43,480 Speaker 3: Question because life's tough, and I'm like, Pad's lost this 587 00:25:43,600 --> 00:25:47,680 Speaker 3: ship but never forgotten. Let me tell you about parakeet Pete. 588 00:25:48,640 --> 00:25:51,440 Speaker 3: We last Pete this year. He's up there right now 589 00:25:51,520 --> 00:25:54,879 Speaker 3: flapping around in heaven, but sadly flaps his last flap 590 00:25:54,880 --> 00:25:58,760 Speaker 3: in October. We missed parakeet Pete. The kids are still 591 00:25:58,800 --> 00:26:03,440 Speaker 3: crying at night and they go, hurarchy pee, hury. 592 00:26:03,600 --> 00:26:04,280 Speaker 1: We can't have it. 593 00:26:04,400 --> 00:26:06,200 Speaker 5: No, what about six word? 594 00:26:06,320 --> 00:26:06,560 Speaker 4: Dead? 595 00:26:06,600 --> 00:26:09,440 Speaker 5: Pet would have been six words? 596 00:26:09,840 --> 00:26:11,320 Speaker 1: Do six word ulogy? 597 00:26:13,160 --> 00:26:17,480 Speaker 5: Six words eulogy? No, if you have to put nature 598 00:26:17,520 --> 00:26:18,720 Speaker 5: in six words, what would you say? 599 00:26:19,320 --> 00:26:21,800 Speaker 3: You can't see up in six words, that's what I've 600 00:26:21,840 --> 00:26:25,000 Speaker 3: just said in six words, you can't. 601 00:26:26,040 --> 00:26:28,119 Speaker 1: All right, So anyway, this is why we do this stuff. 602 00:26:28,119 --> 00:26:28,600 Speaker 1: We watch out. 603 00:26:28,600 --> 00:26:34,640 Speaker 3: Here's another idea OA Oasis. Bigger, big year for Oasis, 604 00:26:34,640 --> 00:26:38,360 Speaker 3: even bigger year next year. Now bigger because they were 605 00:26:38,400 --> 00:26:40,960 Speaker 3: never going to get back together. You know, they're saying 606 00:26:41,000 --> 00:26:44,840 Speaker 3: this is the world's biggest reunion too. It's huge, big, 607 00:26:44,880 --> 00:26:47,800 Speaker 3: So of this, what's the story Morning Glory feature? What 608 00:26:48,000 --> 00:26:51,760 Speaker 3: is the story Morning Glory? Rio reads out a headline 609 00:26:51,840 --> 00:26:55,440 Speaker 3: A long time, We've got to guess what the story. 610 00:26:55,200 --> 00:27:00,240 Speaker 2: Is, okay, Well, like I read out a headline yes, yeah, okay. 611 00:27:00,520 --> 00:27:02,719 Speaker 3: From a moment in history, and then people are going 612 00:27:02,760 --> 00:27:07,560 Speaker 3: to guess for what is the story Morning? Like? 613 00:27:07,640 --> 00:27:10,480 Speaker 4: That is the story Morning? 614 00:27:14,800 --> 00:27:15,040 Speaker 2: Yes? 615 00:27:15,160 --> 00:27:19,120 Speaker 5: I love that great. I'm locking it in for next year, looking. 616 00:27:18,960 --> 00:27:19,760 Speaker 1: In for twenty five. 617 00:27:21,040 --> 00:27:25,120 Speaker 3: Also, you know what, why don't we just why don't 618 00:27:25,119 --> 00:27:27,480 Speaker 3: we just say our dream and intention for next year? 619 00:27:27,600 --> 00:27:28,800 Speaker 1: Sure, let's have a real talk. 620 00:27:29,560 --> 00:27:31,919 Speaker 3: The dream for next year talking about Oasis is that 621 00:27:32,000 --> 00:27:35,679 Speaker 3: I take the show to London. We're ten listeners and 622 00:27:35,720 --> 00:27:37,560 Speaker 3: then we all go and see the opening night at 623 00:27:37,560 --> 00:27:41,040 Speaker 3: Wembley of Oasis in London. So we'd be on air 624 00:27:41,080 --> 00:27:43,960 Speaker 3: the whole week broadcasting about Live to Australia. That is 625 00:27:44,000 --> 00:27:46,960 Speaker 3: my dream next year, in the middle of July nineteenth 626 00:27:47,280 --> 00:27:48,159 Speaker 3: to the twenty fifth. 627 00:27:48,280 --> 00:27:50,760 Speaker 1: Yes, that's what I want to make happen next year. 628 00:27:50,880 --> 00:27:52,000 Speaker 5: Yes, and we are working for. 629 00:27:52,640 --> 00:27:56,760 Speaker 3: A big stretch. It's an adventure. Obviously, we need commercial 630 00:27:56,760 --> 00:27:59,359 Speaker 3: partners to fund this because it would cost a lot 631 00:27:59,359 --> 00:27:59,720 Speaker 3: of money. 632 00:27:59,760 --> 00:28:01,000 Speaker 5: Yes, it would cost a lot of money. 633 00:28:01,000 --> 00:28:03,320 Speaker 1: Many Jack sort of business class. 634 00:28:03,440 --> 00:28:06,680 Speaker 5: Yeah, he always asked, because she never seed. 635 00:28:06,520 --> 00:28:09,119 Speaker 1: You on the day other than when he needs to 636 00:28:09,160 --> 00:28:09,760 Speaker 1: fly somewhere. 637 00:28:09,800 --> 00:28:11,800 Speaker 6: Remember when he started to stretch in the morning before 638 00:28:11,840 --> 00:28:13,600 Speaker 6: the show and that lasted maybe like two days. 639 00:28:13,880 --> 00:28:17,199 Speaker 3: Remember that wrist rolling thing for half a show and 640 00:28:17,240 --> 00:28:18,359 Speaker 3: then never saw that again. 641 00:28:19,280 --> 00:28:21,000 Speaker 5: So what would it mean for you to like be 642 00:28:21,080 --> 00:28:22,080 Speaker 5: able to do something like this. 643 00:28:22,320 --> 00:28:23,520 Speaker 1: Oh it, it's so much fun. 644 00:28:23,840 --> 00:28:26,920 Speaker 3: It's the countdown to it, it's working out how we're 645 00:28:26,960 --> 00:28:29,960 Speaker 3: going to do it. And then I just obviously because 646 00:28:29,960 --> 00:28:32,640 Speaker 3: I was in London for so long, there's so much 647 00:28:32,760 --> 00:28:34,960 Speaker 3: there's so much fun things to go and do there. 648 00:28:35,320 --> 00:28:38,040 Speaker 3: Perhaps he's never been to the UK, never been to London. 649 00:28:38,320 --> 00:28:42,200 Speaker 3: Her going off and see Bucket windsor Castle on going 650 00:28:42,200 --> 00:28:44,520 Speaker 3: to Harrod's and reporting back on that is so much 651 00:28:44,520 --> 00:28:46,760 Speaker 3: on and that is going to be the event of 652 00:28:46,800 --> 00:28:47,280 Speaker 3: next year. 653 00:28:47,440 --> 00:28:48,920 Speaker 1: Absolutely waste his first show. 654 00:28:48,960 --> 00:28:50,800 Speaker 3: They're doing other shows obviously before they get to London. 655 00:28:50,840 --> 00:28:53,280 Speaker 3: I appreciate that. But the really big thing is, you 656 00:28:53,320 --> 00:28:55,960 Speaker 3: know they sold out ten nights over a one hundred 657 00:28:56,000 --> 00:28:59,280 Speaker 3: thousand at Wembley and it's such an iconic mega stadium 658 00:28:59,320 --> 00:29:02,160 Speaker 3: that as well. That would be incredible and to count 659 00:29:02,200 --> 00:29:04,040 Speaker 3: down what it's going to be like to that would 660 00:29:04,040 --> 00:29:04,600 Speaker 3: be amazing. 661 00:29:04,840 --> 00:29:06,880 Speaker 5: And you've always wanted to take the show back to 662 00:29:06,920 --> 00:29:10,160 Speaker 5: the UK listeners. Yeah, so being. 663 00:29:09,960 --> 00:29:12,440 Speaker 6: Able to do the two together, it's back to London 664 00:29:12,560 --> 00:29:15,280 Speaker 6: and its favorite band of all time. It was just 665 00:29:15,520 --> 00:29:18,520 Speaker 6: such a perfect alignment that if we could do it, 666 00:29:18,520 --> 00:29:19,680 Speaker 6: it would be amazing. 667 00:29:19,320 --> 00:29:22,520 Speaker 1: Scene and be an evening show for us. Yes, six 668 00:29:22,560 --> 00:29:25,240 Speaker 1: am in Melbourne would be nine o'clock at night. 669 00:29:25,360 --> 00:29:27,440 Speaker 4: Yeah, so it'd be starting nine o'clock on. 670 00:29:27,440 --> 00:29:29,520 Speaker 1: A Sunday, would be the Monday morning show. 671 00:29:29,560 --> 00:29:34,040 Speaker 3: Yes, yeah, going nine pm till twelve, So right for me, 672 00:29:34,080 --> 00:29:37,080 Speaker 3: I think it'd be fun. Yeah, that's great. Jack Post 673 00:29:37,160 --> 00:29:40,080 Speaker 3: goes to bed about call of Bars seven. Yes, that's 674 00:29:40,400 --> 00:29:44,760 Speaker 3: I mean, it's not exactly, cartworlding into the studio. 675 00:29:44,440 --> 00:29:47,400 Speaker 1: At six am. Tell's he going to be like not 676 00:29:47,720 --> 00:29:48,320 Speaker 1: at nine? 677 00:29:48,640 --> 00:29:53,320 Speaker 3: From nine, ten, eleven, twelve past. 678 00:29:53,160 --> 00:29:57,440 Speaker 1: Nine in years yeah, jet. 679 00:29:57,320 --> 00:30:00,240 Speaker 5: Lag, yoh, we might not have him for a couple 680 00:30:00,280 --> 00:30:02,400 Speaker 5: of shows. I reckon we might. 681 00:30:02,440 --> 00:30:05,240 Speaker 1: He might be there, just be like the Wiggles. 682 00:30:05,240 --> 00:30:09,040 Speaker 4: Wake up, Jeff, that's so true. We'll deal with that. 683 00:30:09,080 --> 00:30:09,480 Speaker 4: Would do. 684 00:30:11,920 --> 00:30:14,479 Speaker 2: That would be incredible We've never done it. Would be, 685 00:30:14,520 --> 00:30:16,800 Speaker 2: like you said, a real stretch for the show. 686 00:30:17,080 --> 00:30:18,480 Speaker 1: Come on, it was big when we took the show 687 00:30:18,480 --> 00:30:19,240 Speaker 1: to Dingley Village. 688 00:30:19,480 --> 00:30:23,560 Speaker 5: True, great, So that was a great jow you. 689 00:30:23,880 --> 00:30:25,680 Speaker 3: If you can make it in Dingley Village, you can 690 00:30:25,680 --> 00:30:27,720 Speaker 3: make it in That's what they say. 691 00:30:27,760 --> 00:30:28,600 Speaker 1: It is what they say. 692 00:30:28,720 --> 00:30:30,640 Speaker 4: And we've been here like watches the seventh year of 693 00:30:30,680 --> 00:30:31,040 Speaker 4: the show. 694 00:30:31,120 --> 00:30:33,880 Speaker 3: Now next year, twenty twenty five, it feels like Time 695 00:30:34,280 --> 00:30:37,600 Speaker 3: will be seven years old in July. We will. 696 00:30:37,720 --> 00:30:40,479 Speaker 2: Yes, Yeah, it feels like it feels like we've been 697 00:30:40,520 --> 00:30:43,400 Speaker 2: building and building and now it's time to take. 698 00:30:43,440 --> 00:30:44,320 Speaker 1: And we've got a reason to. 699 00:30:44,480 --> 00:30:46,040 Speaker 3: And I wouldn't do it if we can't take a 700 00:30:46,040 --> 00:30:48,760 Speaker 3: load of listeners as well, because that'd be incredible thing 701 00:30:48,840 --> 00:30:49,320 Speaker 3: to give away. 702 00:30:49,400 --> 00:30:51,120 Speaker 6: Come and join us, on the plane trip of an 703 00:30:51,120 --> 00:30:54,280 Speaker 6: absolute lifetime, especially for our audience to like to be 704 00:30:54,320 --> 00:30:57,560 Speaker 6: able to go. And as you said, like Oasis broke up, 705 00:30:57,600 --> 00:30:59,280 Speaker 6: no one ever thought they would ever get back together. 706 00:30:59,320 --> 00:31:02,000 Speaker 6: You see that again, and that's devastating as a huge 707 00:31:02,000 --> 00:31:03,960 Speaker 6: fan to think I'm never going to be able to 708 00:31:03,960 --> 00:31:04,360 Speaker 6: see them. 709 00:31:04,520 --> 00:31:05,600 Speaker 1: No, I never thought what happened. 710 00:31:05,760 --> 00:31:08,479 Speaker 6: Yeah, but for them to rejoin, it's just such a 711 00:31:08,520 --> 00:31:11,360 Speaker 6: moment in history to be a part of, and for 712 00:31:11,440 --> 00:31:14,520 Speaker 6: us to be there and amongst it is so exciting. 713 00:31:15,240 --> 00:31:15,480 Speaker 1: Yeah. 714 00:31:15,520 --> 00:31:17,960 Speaker 3: There's a song of theirs, right, and it's one of 715 00:31:17,960 --> 00:31:22,080 Speaker 3: the lessons on It's called at Quiesce. And if I'm 716 00:31:22,080 --> 00:31:25,040 Speaker 3: putting that set list together, you begin with at Quiesce 717 00:31:25,160 --> 00:31:27,800 Speaker 3: because there's a line in there we believe in one another. 718 00:31:28,200 --> 00:31:30,760 Speaker 3: The moment they sing that on the stage together they've 719 00:31:30,800 --> 00:31:33,200 Speaker 3: not been a cheer for many many years, will be 720 00:31:33,560 --> 00:31:36,160 Speaker 3: electric and you want to be in it to feel that, 721 00:31:36,640 --> 00:31:38,800 Speaker 3: because this isn't about This is bigger than rock and roll, 722 00:31:39,240 --> 00:31:41,440 Speaker 3: and these days like bands are in demise now it's 723 00:31:41,440 --> 00:31:42,920 Speaker 3: all solo answers. We're talking about this a couple of 724 00:31:42,920 --> 00:31:44,680 Speaker 3: weeks ago on the show, how it's all solo answers. Now, 725 00:31:44,760 --> 00:31:46,400 Speaker 3: don't get it's the end of the year. In now 726 00:31:46,400 --> 00:31:49,120 Speaker 3: there's not so many bands breaking big like that. Theirs 727 00:31:49,200 --> 00:31:52,040 Speaker 3: is a real it's a life story. They dreamt of 728 00:31:52,080 --> 00:31:54,920 Speaker 3: making it. They were from a really poor neighborhood. They 729 00:31:55,000 --> 00:31:57,040 Speaker 3: dreamt of being rock stars. They wrote songs about being 730 00:31:57,120 --> 00:31:59,240 Speaker 3: rock stars. Literally, one of these songs is that. And 731 00:31:59,280 --> 00:32:01,080 Speaker 3: then they made it, and they made it really big, 732 00:32:01,160 --> 00:32:03,360 Speaker 3: and then the whole band broke up. And then it's 733 00:32:03,360 --> 00:32:05,080 Speaker 3: like what happens in families. You don't talk to each 734 00:32:05,080 --> 00:32:07,160 Speaker 3: other for years, Your mum keeps begging you to get 735 00:32:07,160 --> 00:32:09,240 Speaker 3: back together again another Christmas. You can't be in the 736 00:32:09,240 --> 00:32:13,560 Speaker 3: same house together. It's real life. It's so interesting. Now 737 00:32:13,560 --> 00:32:15,240 Speaker 3: they're in their fifties and like. 738 00:32:15,440 --> 00:32:16,160 Speaker 1: What changed. 739 00:32:16,200 --> 00:32:17,880 Speaker 3: There's been a gradual thing that we don't know about 740 00:32:17,880 --> 00:32:19,880 Speaker 3: over the last couple of years of a growing up 741 00:32:19,920 --> 00:32:21,440 Speaker 3: and growing older and knowing where you are on the 742 00:32:21,520 --> 00:32:22,080 Speaker 3: arc of your life. 743 00:32:22,120 --> 00:32:25,400 Speaker 6: Again, just imagine that moment where they kind of that 744 00:32:25,520 --> 00:32:28,480 Speaker 6: first reach out between them two, Because you've interviewed both 745 00:32:28,520 --> 00:32:31,200 Speaker 6: of them during the time that they despised each other. 746 00:32:31,880 --> 00:32:34,520 Speaker 3: What was that Like Liam was always very pro and No, 747 00:32:34,560 --> 00:32:36,800 Speaker 3: always always anti it, like never going to happen. Don't 748 00:32:36,840 --> 00:32:38,360 Speaker 3: want it to happen. It's not like they haven't been 749 00:32:38,360 --> 00:32:41,400 Speaker 3: offered hundreds of millions before. They haven't been offered like 750 00:32:41,480 --> 00:32:43,320 Speaker 3: so much money, did glances and bring and stuff like that, 751 00:32:43,600 --> 00:32:45,760 Speaker 3: and literally just you walk on that side of stage, 752 00:32:45,880 --> 00:32:47,680 Speaker 3: you said, we don't talk to each other and you 753 00:32:47,720 --> 00:32:49,360 Speaker 3: go separately, go home. They've been off for all of that, 754 00:32:49,720 --> 00:32:52,160 Speaker 3: and that wasn't ever enough. It's not about the money. 755 00:32:52,200 --> 00:32:53,880 Speaker 3: The money is a big, big, big thing, but it's 756 00:32:53,920 --> 00:32:55,960 Speaker 3: not about that. Yeah, because they've been offered that so 757 00:32:56,000 --> 00:32:57,560 Speaker 3: many times. They could have cashed it in and made 758 00:32:57,600 --> 00:32:59,600 Speaker 3: easy money doing. It's about something else. That's what I 759 00:32:59,600 --> 00:33:02,320 Speaker 3: find in th about it. So it's like connection to 760 00:33:02,360 --> 00:33:05,480 Speaker 3: being where you first met your favorite band. So for me, 761 00:33:05,600 --> 00:33:08,240 Speaker 3: the nineties and just what it was like to be 762 00:33:08,440 --> 00:33:12,080 Speaker 3: younger and everything was aflame with possibility and potential. Just 763 00:33:12,120 --> 00:33:14,640 Speaker 3: what it is to keep I think, to catch up 764 00:33:14,680 --> 00:33:16,600 Speaker 3: with that part of you, as well as like, wow, 765 00:33:17,600 --> 00:33:19,280 Speaker 3: you know, I'll be fifty two next year and they're 766 00:33:19,560 --> 00:33:22,480 Speaker 3: in their fifties. This is amazing. They're they're back doing 767 00:33:22,480 --> 00:33:24,680 Speaker 3: all those songs I used to love. How amazing they're 768 00:33:24,720 --> 00:33:27,000 Speaker 3: back together. One amazing thing. It's going to be for 769 00:33:27,520 --> 00:33:30,640 Speaker 3: middle aged people. This is the Taylor swift eras. 770 00:33:30,800 --> 00:33:32,600 Speaker 5: Yes, absolutely beers. 771 00:33:33,720 --> 00:33:35,960 Speaker 3: The Beerest Tour. That's what they should have caught actually, 772 00:33:36,040 --> 00:33:38,760 Speaker 3: but it will. It's such a great story. It's just 773 00:33:38,800 --> 00:33:40,920 Speaker 3: so interesting. Yeah, and yes, so being right at the 774 00:33:40,960 --> 00:33:43,960 Speaker 3: heart of that, taking the show and and capturing all 775 00:33:44,040 --> 00:33:46,360 Speaker 3: and doing other stuff, you know, Jack and Pats and 776 00:33:46,360 --> 00:33:47,880 Speaker 3: me hanging out in London and all of us like 777 00:33:47,960 --> 00:33:50,560 Speaker 3: doing stuff in London. You've been London, London and the summer, 778 00:33:50,640 --> 00:33:52,120 Speaker 3: it would have a wild time. 779 00:33:52,200 --> 00:33:52,840 Speaker 5: I've never been. 780 00:33:53,120 --> 00:33:55,440 Speaker 4: Oh really, you. 781 00:33:55,480 --> 00:33:56,480 Speaker 1: Will lose your mind. 782 00:33:56,600 --> 00:34:01,719 Speaker 3: Yeah, there's just so much history there, all cities, Melbourne, Sydney, 783 00:34:01,760 --> 00:34:04,040 Speaker 3: all cities. You know, Dublin has it as well. How 784 00:34:04,080 --> 00:34:07,920 Speaker 3: do you unique energy? Okay, London is how would you 785 00:34:07,960 --> 00:34:08,440 Speaker 3: describe it? 786 00:34:08,520 --> 00:34:08,719 Speaker 1: Rio? 787 00:34:09,120 --> 00:34:09,960 Speaker 4: You're right about that. 788 00:34:10,080 --> 00:34:12,280 Speaker 2: The history is the thing that struck me the most 789 00:34:12,320 --> 00:34:14,160 Speaker 2: because in a way, of course it's like a very 790 00:34:14,200 --> 00:34:18,359 Speaker 2: modern happening city, but there every single street you feel like, 791 00:34:18,520 --> 00:34:22,040 Speaker 2: as an Australian who's read about it and storybooks and stuff, 792 00:34:22,120 --> 00:34:24,440 Speaker 2: you honestly feel like you're in a storybook the whole time. 793 00:34:24,560 --> 00:34:25,120 Speaker 4: It's crap. 794 00:34:25,360 --> 00:34:28,520 Speaker 3: Yeah, Visually, it's it's probably one of the most beautiful 795 00:34:28,520 --> 00:34:31,400 Speaker 3: looking cities in the world. It's done so much obvious 796 00:34:31,480 --> 00:34:33,719 Speaker 3: history there in the buildings, you know, and they're all like, 797 00:34:34,000 --> 00:34:35,680 Speaker 3: can't they You know, You've got the town of London, 798 00:34:35,760 --> 00:34:38,719 Speaker 3: You've got Big Man, You've got Buckingham Palace, House of Parliament. 799 00:34:38,719 --> 00:34:41,359 Speaker 1: You've seen it in so many movies and you're there 800 00:34:41,880 --> 00:34:42,360 Speaker 1: and it's. 801 00:34:42,560 --> 00:34:46,240 Speaker 3: It's very big, physically imposing city as well, isn't. 802 00:34:46,080 --> 00:34:50,279 Speaker 2: It's so this sounds stupid, it's so English whatever, You're 803 00:34:50,320 --> 00:34:54,160 Speaker 2: like stereotypes of England, Like it's exactly You're right. 804 00:34:54,280 --> 00:34:56,719 Speaker 3: Even when I went back two years ago, you know, 805 00:34:57,040 --> 00:35:01,680 Speaker 3: I could feel this contrast, like God, the accent really 806 00:35:01,800 --> 00:35:03,640 Speaker 3: is like you know, and I have only been here 807 00:35:03,680 --> 00:35:05,480 Speaker 3: a couple of years, but yeah, I could feel it, 808 00:35:05,520 --> 00:35:07,440 Speaker 3: like at the pace of it, the energy of it 809 00:35:07,480 --> 00:35:08,520 Speaker 3: on like the big red buses. 810 00:35:08,520 --> 00:35:09,839 Speaker 1: I start to see it with different eyes. 811 00:35:10,040 --> 00:35:14,640 Speaker 3: Yes, one morning of doing breakfast radio in London for 812 00:35:14,680 --> 00:35:17,480 Speaker 3: almost twenty years, never ever, one morning did it not 813 00:35:17,960 --> 00:35:19,560 Speaker 3: just impress me so much. 814 00:35:19,400 --> 00:35:22,879 Speaker 1: That I get to do a radio show in this city. 815 00:35:22,880 --> 00:35:25,120 Speaker 3: It always have to go over the Thames, and so 816 00:35:25,200 --> 00:35:27,160 Speaker 3: sometimes i'd see Big Ben or these other. 817 00:35:28,000 --> 00:35:31,120 Speaker 1: Is this is this is incredible? What a privilege it is. Yes, 818 00:35:31,200 --> 00:35:31,920 Speaker 1: I still get that here. 819 00:35:31,960 --> 00:35:34,080 Speaker 3: When I'm coming into Melbourne, I see a city and 820 00:35:34,120 --> 00:35:36,319 Speaker 3: I see people in cars, I see big buildings that 821 00:35:36,600 --> 00:35:38,200 Speaker 3: I'm going to talk to people that be going into 822 00:35:38,239 --> 00:35:41,000 Speaker 3: those hospitals to work there, and that it just ignites me. 823 00:35:41,080 --> 00:35:43,640 Speaker 1: Still, I still get such a passion and buzz for it. 824 00:35:43,760 --> 00:35:44,600 Speaker 5: I totally agree. 825 00:35:44,640 --> 00:35:47,000 Speaker 6: I get that exact same thing I remember for me 826 00:35:47,840 --> 00:35:50,680 Speaker 6: when I was younger, I remember thinking, imagine if one 827 00:35:50,760 --> 00:35:53,520 Speaker 6: day I worked for a show that was on a billboard, Like, 828 00:35:53,640 --> 00:35:55,160 Speaker 6: imagine if that happened. 829 00:35:55,480 --> 00:35:56,640 Speaker 5: And even though. 830 00:35:59,640 --> 00:36:05,360 Speaker 1: Many I try, I feel bad you can't put that 831 00:36:05,400 --> 00:36:09,920 Speaker 1: in a billboard, but even. 832 00:36:09,640 --> 00:36:11,440 Speaker 5: The idea and the same with you. 833 00:36:11,520 --> 00:36:13,120 Speaker 6: I come over the West Gate and you get a 834 00:36:13,120 --> 00:36:15,120 Speaker 6: full view of the city as you fly, as you 835 00:36:15,239 --> 00:36:17,560 Speaker 6: drive in, and I think of that more often than 836 00:36:17,560 --> 00:36:19,600 Speaker 6: not that I go, Wow, I get to produce a 837 00:36:19,640 --> 00:36:22,760 Speaker 6: show that goes out to all these people in this city, 838 00:36:22,920 --> 00:36:24,680 Speaker 6: which is just an incredible feeling. 839 00:36:24,760 --> 00:36:25,120 Speaker 4: I love it. 840 00:36:25,160 --> 00:36:26,399 Speaker 5: I get the same buzz yeah, And. 841 00:36:26,360 --> 00:36:28,840 Speaker 3: I get it every time I get a text message 842 00:36:29,239 --> 00:36:31,800 Speaker 3: or an email from someone who's listening to a podcast 843 00:36:31,840 --> 00:36:35,840 Speaker 3: somewhere it's so good. Oh my god, it's like the 844 00:36:35,880 --> 00:36:38,920 Speaker 3: magic trick is still working. Someone's emailed me about the 845 00:36:38,960 --> 00:36:41,880 Speaker 3: thing that we talked about six months ago. It's incredible. 846 00:36:42,000 --> 00:36:44,439 Speaker 3: My wife was my mom was away for a couple 847 00:36:44,480 --> 00:36:47,320 Speaker 3: of days and she raimed me said, Chris, so special 848 00:36:47,360 --> 00:36:49,760 Speaker 3: to happened. The last couple of hours, two separate people 849 00:36:49,760 --> 00:36:51,359 Speaker 3: have come up to me and gone, oh are you 850 00:36:51,880 --> 00:36:53,120 Speaker 3: he married to Christian on the radio? 851 00:36:53,120 --> 00:36:55,200 Speaker 1: I'm reready sorry about your mum and she was. That 852 00:36:55,320 --> 00:36:58,520 Speaker 1: happened twice within a couple of hours. It's so incredible. This. 853 00:36:58,840 --> 00:37:00,560 Speaker 1: I don't know what it is, but it's something really 854 00:37:00,560 --> 00:37:01,759 Speaker 1: special and magical about it. 855 00:37:02,320 --> 00:37:05,719 Speaker 5: Connection. Yes, just with strangers, but they're not strangers. 856 00:37:05,880 --> 00:37:06,040 Speaker 1: Is that? 857 00:37:06,360 --> 00:37:09,440 Speaker 3: Yeah, that's what I think is the magical thing about 858 00:37:09,480 --> 00:37:11,880 Speaker 3: doing this still in the morning as well, because I 859 00:37:11,880 --> 00:37:14,960 Speaker 3: think morning is a really I can't imagine doing radio 860 00:37:15,120 --> 00:37:17,160 Speaker 3: any other time of the day. I've had so many 861 00:37:17,200 --> 00:37:18,680 Speaker 3: offers go and do drive time and stuff like that, 862 00:37:18,760 --> 00:37:21,920 Speaker 3: but it would bore the pants off me. In the morning, 863 00:37:22,000 --> 00:37:24,640 Speaker 3: people aren't quite put together. Joy, you haven't got your 864 00:37:24,719 --> 00:37:27,279 Speaker 3: armor plating. Yeah, the world hasn't got your set. You're 865 00:37:27,280 --> 00:37:29,719 Speaker 3: actually quite open, You're still just stumbling out of that 866 00:37:29,760 --> 00:37:32,279 Speaker 3: sort of sleep mode, right, and then you haven't liked 867 00:37:32,360 --> 00:37:34,000 Speaker 3: you speak the same people at four or five of 868 00:37:34,000 --> 00:37:36,560 Speaker 3: the afternoon more often not the day hasn't quite gone 869 00:37:36,560 --> 00:37:39,760 Speaker 3: to plan, haven't got through there to do lists, right. Actually, 870 00:37:39,760 --> 00:37:41,600 Speaker 3: it's a bit tired in grind being like, oh gosh, 871 00:37:41,600 --> 00:37:43,360 Speaker 3: I want to get home, have a beer or glass 872 00:37:43,360 --> 00:37:45,520 Speaker 3: of wine. That same person early in the morning the 873 00:37:45,600 --> 00:37:49,200 Speaker 3: day is potential. They haven't got there yet. I haven't 874 00:37:49,360 --> 00:37:51,799 Speaker 3: quite got the body armor on to sort of plate 875 00:37:51,960 --> 00:37:54,680 Speaker 3: up to deal with life, you know, and the office 876 00:37:54,680 --> 00:37:57,120 Speaker 3: and whatever's going on in their life. So it's actually 877 00:37:57,200 --> 00:37:59,239 Speaker 3: people are kind of a bit more open to have 878 00:37:59,320 --> 00:38:03,280 Speaker 3: these intimate conversations with you. It's actually a really privileged 879 00:38:03,719 --> 00:38:05,480 Speaker 3: time of the day to chat to somebody and to 880 00:38:05,560 --> 00:38:06,359 Speaker 3: be a friend to them. 881 00:38:06,360 --> 00:38:06,720 Speaker 1: Hopefully. 882 00:38:06,840 --> 00:38:09,520 Speaker 5: Yes, yeah, definitely, definitely. 883 00:38:09,560 --> 00:38:13,000 Speaker 3: This has gone deeper than and why do you think this? 884 00:38:13,120 --> 00:38:14,840 Speaker 3: But do you think it's because it's the end of 885 00:38:14,840 --> 00:38:19,399 Speaker 3: the year. Yeah, halfway through the year would be like. 886 00:38:24,480 --> 00:38:27,680 Speaker 5: It is during the year. It's absolutely chaos. Chaos in 887 00:38:27,719 --> 00:38:28,200 Speaker 5: a good way. 888 00:38:28,280 --> 00:38:30,680 Speaker 6: Not it's just like you're busy and you are working 889 00:38:30,760 --> 00:38:32,399 Speaker 6: and you're doing the minutia and you're going through. 890 00:38:32,480 --> 00:38:33,799 Speaker 1: But now you know it's coming to an end. 891 00:38:33,800 --> 00:38:36,160 Speaker 3: So actually, as we're recording this, a's a Tuesday, and 892 00:38:36,200 --> 00:38:39,080 Speaker 3: there are just three shows left of this year together, 893 00:38:39,400 --> 00:38:41,160 Speaker 3: you actually have a you have a greater sense of it, 894 00:38:41,239 --> 00:38:43,359 Speaker 3: or don't. You can look back and go, God, we've 895 00:38:43,400 --> 00:38:44,880 Speaker 3: done a lot. When in the middle of it you 896 00:38:45,239 --> 00:38:47,719 Speaker 3: don't even I never look back. It's always about now 897 00:38:47,960 --> 00:38:48,640 Speaker 3: or tomorrow. 898 00:38:49,200 --> 00:38:50,120 Speaker 1: Where are we with that idea? 899 00:38:50,840 --> 00:38:53,880 Speaker 3: Yeah, so now you can almost look back just what 900 00:38:53,920 --> 00:38:55,680 Speaker 3: you've done, that the path you've taken, this. 901 00:38:55,600 --> 00:38:57,919 Speaker 1: Sh and go bloody. We've done a lot. 902 00:38:58,040 --> 00:39:00,880 Speaker 3: There's been a lot of ideas so works, some haven't, 903 00:39:00,920 --> 00:39:03,680 Speaker 3: but it doesn't matter. They're all generated and shared in 904 00:39:03,719 --> 00:39:06,880 Speaker 3: the same way with the best intentions. Some are terrible. 905 00:39:07,120 --> 00:39:09,520 Speaker 3: There have been a couple of stinkers this year, you know, 906 00:39:10,280 --> 00:39:12,759 Speaker 3: and there will be. I guarantee it. Stinker's coming in 907 00:39:12,800 --> 00:39:15,440 Speaker 3: twenty five. We're going to be stinking up. Whether you 908 00:39:15,520 --> 00:39:17,520 Speaker 3: like it or not. You're welcome, You're welcome. 909 00:39:18,120 --> 00:39:20,719 Speaker 6: But they do bring us joy, like even though if 910 00:39:20,719 --> 00:39:22,840 Speaker 6: they work or they don't, it's always fun to just 911 00:39:22,880 --> 00:39:24,719 Speaker 6: try and give it a go. Yeah, what have you 912 00:39:24,760 --> 00:39:27,480 Speaker 6: been your favorite moments of this year, if you've got 913 00:39:27,560 --> 00:39:31,040 Speaker 6: any in particular, I. 914 00:39:31,000 --> 00:39:36,880 Speaker 3: Think for me, right, it's the every day magic of 915 00:39:37,200 --> 00:39:42,080 Speaker 3: it just kind of exploding into joy. Sometimes it might 916 00:39:42,120 --> 00:39:44,360 Speaker 3: be Pats and I having a chat or an argument. 917 00:39:44,480 --> 00:39:47,160 Speaker 3: It might be Jack and I chatting to about a 918 00:39:47,200 --> 00:39:49,680 Speaker 3: story and sort of getting into it. It might be 919 00:39:50,120 --> 00:39:52,560 Speaker 3: you know, rio you being Gary Klaus and you're just 920 00:39:52,640 --> 00:39:55,560 Speaker 3: mucking around, right, there's no script and you're just having 921 00:39:55,600 --> 00:39:56,080 Speaker 3: so much fun. 922 00:39:56,120 --> 00:39:58,080 Speaker 1: You actually are not aware you're on the radio. 923 00:39:58,200 --> 00:40:00,200 Speaker 3: There's none of that, right, you don't even know what 924 00:40:00,239 --> 00:40:02,800 Speaker 3: the time is, You're just in that. That to me, 925 00:40:02,960 --> 00:40:07,560 Speaker 3: it's the everyday potential that that could happen and arise 926 00:40:07,640 --> 00:40:08,400 Speaker 3: at any moment. 927 00:40:08,760 --> 00:40:10,560 Speaker 1: That that's the highlight of any year for me. 928 00:40:10,920 --> 00:40:12,960 Speaker 3: It's that it's a cool if someone telling just an 929 00:40:13,000 --> 00:40:17,319 Speaker 3: amazing story, someone surprising you Friday, cool of the week, 930 00:40:17,400 --> 00:40:21,240 Speaker 3: and then someone crying and you realize, oh, there's something 931 00:40:21,280 --> 00:40:23,239 Speaker 3: going on in her life right now, you know, And 932 00:40:23,239 --> 00:40:25,480 Speaker 3: then she says her husband was a car accident the 933 00:40:25,480 --> 00:40:28,920 Speaker 3: week before, and just all of that. That that's the 934 00:40:29,000 --> 00:40:31,920 Speaker 3: highlight for me, is that you get to have that 935 00:40:32,120 --> 00:40:36,080 Speaker 3: every day that might happen tomorrow. More often not that 936 00:40:36,200 --> 00:40:40,120 Speaker 3: will happen to have that spontaneity, and it does. It 937 00:40:40,200 --> 00:40:43,600 Speaker 3: explodes into joy from something quite small and silly sometimes 938 00:40:43,719 --> 00:40:45,360 Speaker 3: or actually something really really heartfelt. 939 00:40:45,360 --> 00:40:46,000 Speaker 1: It's all the same. 940 00:40:46,280 --> 00:40:47,359 Speaker 5: Yeah, that's true. 941 00:40:47,400 --> 00:40:49,439 Speaker 3: It tilts it back to most shows. But I can't 942 00:40:49,480 --> 00:40:52,080 Speaker 3: even remember never not being a show. There's always some 943 00:40:52,200 --> 00:40:54,040 Speaker 3: moment where it explodes into joy. 944 00:40:54,480 --> 00:40:56,600 Speaker 1: And to have that in our lives every day, that's 945 00:40:56,640 --> 00:40:57,560 Speaker 1: the best job in the world. 946 00:40:57,600 --> 00:40:58,640 Speaker 5: Oh, it's so lucky. 947 00:40:58,760 --> 00:41:00,759 Speaker 3: Yeah, because most of the times we tend to treat 948 00:41:00,760 --> 00:41:03,080 Speaker 3: our lives like it's an endless to do list, like 949 00:41:03,600 --> 00:41:06,080 Speaker 3: life is something you have to do or it does 950 00:41:06,120 --> 00:41:08,279 Speaker 3: to you. And then sometimes you remind yourself that life 951 00:41:08,320 --> 00:41:10,520 Speaker 3: is an adventure that we get to go on, and 952 00:41:10,520 --> 00:41:11,879 Speaker 3: that's what it is. When we get on the radio 953 00:41:11,880 --> 00:41:14,280 Speaker 3: show every day, it reminds you this is an adventure 954 00:41:14,800 --> 00:41:17,160 Speaker 3: and it might go sideways, it might go nowhere, but 955 00:41:17,239 --> 00:41:19,080 Speaker 3: it's like it's still playing the game. 956 00:41:19,160 --> 00:41:22,000 Speaker 1: You're stood in the river. There's something very precious about that. 957 00:41:22,200 --> 00:41:25,800 Speaker 6: Yeah, yeah, definitely, Even like you just said, like favorite callers, 958 00:41:25,800 --> 00:41:28,000 Speaker 6: there was one that I remember and these are more 959 00:41:28,000 --> 00:41:30,279 Speaker 6: often not the things that stick with me along it 960 00:41:30,360 --> 00:41:32,520 Speaker 6: because I talk to the people before they get on 961 00:41:32,520 --> 00:41:34,719 Speaker 6: the air, so I take on it first and kind 962 00:41:34,719 --> 00:41:36,279 Speaker 6: of react first to it and then get to see 963 00:41:36,320 --> 00:41:38,279 Speaker 6: the joy of you guys having. 964 00:41:38,000 --> 00:41:39,800 Speaker 5: That first reaction stories. 965 00:41:39,880 --> 00:41:40,080 Speaker 2: Yeah. 966 00:41:40,160 --> 00:41:43,160 Speaker 6: So there was this story earlier in the year and 967 00:41:43,239 --> 00:41:46,520 Speaker 6: I can't maybe it was like Odd Animals or something 968 00:41:46,600 --> 00:41:48,680 Speaker 6: like that. I can't remember what the phone was, but 969 00:41:48,760 --> 00:41:50,400 Speaker 6: we had Barry the barrel Mundy. 970 00:41:50,960 --> 00:41:52,600 Speaker 5: Do you remember that story? 971 00:41:52,520 --> 00:41:52,680 Speaker 1: Yes? 972 00:41:52,920 --> 00:41:55,560 Speaker 6: Yes, and the woman she had got like caught a 973 00:41:55,600 --> 00:42:00,799 Speaker 6: barrel mundy at a small size a baby, and they 974 00:42:00,960 --> 00:42:03,640 Speaker 6: essentially grew it in their home and it was like 975 00:42:03,680 --> 00:42:05,000 Speaker 6: the most chaotic story. 976 00:42:05,320 --> 00:42:06,680 Speaker 1: Just keept getting bigger, well. 977 00:42:06,520 --> 00:42:09,560 Speaker 6: Bigger and bigger, but just Barry the Barramundy just killed me. 978 00:42:09,600 --> 00:42:12,399 Speaker 6: And I remember taking the first saying, oh, what's your 979 00:42:12,520 --> 00:42:15,040 Speaker 6: old pet name? And she said that Immediately I was like, 980 00:42:15,080 --> 00:42:16,360 Speaker 6: you're going on straight. 981 00:42:18,400 --> 00:42:19,359 Speaker 5: But yeah, I love that. 982 00:42:19,960 --> 00:42:20,440 Speaker 1: Guys. 983 00:42:20,760 --> 00:42:23,520 Speaker 3: It's time to draw this to an end for this year, 984 00:42:23,560 --> 00:42:26,240 Speaker 3: and we will pick up this conversation and more exploding 985 00:42:26,280 --> 00:42:28,200 Speaker 3: to join next year. Thank you very much for being 986 00:42:28,200 --> 00:42:30,200 Speaker 3: a big part of my life this year, and actually 987 00:42:30,440 --> 00:42:33,279 Speaker 3: you guys, seeing you guys, you guys had a phenomenal 988 00:42:33,360 --> 00:42:35,600 Speaker 3: year on and off air, and I think even you 989 00:42:35,800 --> 00:42:38,880 Speaker 3: being on air and part of the actually getting bigger 990 00:42:38,960 --> 00:42:41,319 Speaker 3: voices as part of the show has been That's been 991 00:42:41,360 --> 00:42:43,000 Speaker 3: one of my joys of the year, actually seeing that 992 00:42:43,040 --> 00:42:45,720 Speaker 3: seeing other people flaish. But you two have had really 993 00:42:45,719 --> 00:42:47,799 Speaker 3: big I would say, In fact, I would say it 994 00:42:47,880 --> 00:42:49,600 Speaker 3: is a breakout year for both of you. 995 00:42:49,800 --> 00:42:52,759 Speaker 1: Oh thank you must feel that just what you've done 996 00:42:52,760 --> 00:42:53,160 Speaker 1: this year. 997 00:42:53,239 --> 00:42:54,800 Speaker 5: Yeah, definitely launched your podcast. 998 00:42:55,120 --> 00:42:58,600 Speaker 3: Yes you finally did it. Y. Yeah, you Rio have 999 00:42:58,680 --> 00:43:01,880 Speaker 3: gone from strength to stay to strength. You are so 1000 00:43:02,000 --> 00:43:05,400 Speaker 3: good on air and maca. You know the stories. We 1001 00:43:05,680 --> 00:43:07,240 Speaker 3: get a lot of them, and some of them aren't stories, 1002 00:43:07,280 --> 00:43:10,840 Speaker 3: but every once in a while, you know, you knocked 1003 00:43:10,880 --> 00:43:13,080 Speaker 3: out the path so many times this year and during 1004 00:43:13,120 --> 00:43:16,839 Speaker 3: the Matilda is amazing glory run you you really you 1005 00:43:16,840 --> 00:43:19,440 Speaker 3: you explain, you really shared what it was going on to. 1006 00:43:19,400 --> 00:43:19,879 Speaker 1: All of us. 1007 00:43:19,960 --> 00:43:22,239 Speaker 6: Yeah, that was the start of what I felt was 1008 00:43:22,480 --> 00:43:24,440 Speaker 6: because I never wanted to be on air. That was 1009 00:43:24,680 --> 00:43:26,560 Speaker 6: I loved being a producer and that. 1010 00:43:26,480 --> 00:43:29,080 Speaker 1: Kind of you're more charismatic than most of people. 1011 00:43:31,280 --> 00:43:34,279 Speaker 6: But I have started to really enjoy it now rather 1012 00:43:34,360 --> 00:43:36,880 Speaker 6: than going oh no, that's not for me because. 1013 00:43:36,600 --> 00:43:37,839 Speaker 1: It's just a conversation. 1014 00:43:38,520 --> 00:43:41,280 Speaker 3: People don't think it it's actually when you just remind 1015 00:43:41,280 --> 00:43:43,279 Speaker 3: yourself well, the way I do it is like I'm 1016 00:43:43,280 --> 00:43:45,919 Speaker 3: obsessed with obsessed with trying to treat this like a 1017 00:43:46,040 --> 00:43:48,600 Speaker 3: like a good conversation you have with friends. It's always 1018 00:43:48,640 --> 00:43:50,600 Speaker 3: just getting it back to that, Just tell me what happened. 1019 00:43:50,760 --> 00:43:52,839 Speaker 3: It doesn't need a punchline at the end. No true 1020 00:43:52,880 --> 00:43:55,080 Speaker 3: stories have a punchline at the air. I remember seeing 1021 00:43:55,320 --> 00:43:58,160 Speaker 3: the Edinburgh Festival years ago, the female comedian tig Nataro, 1022 00:43:58,719 --> 00:44:01,560 Speaker 3: and she told the story and it was like really 1023 00:44:01,600 --> 00:44:04,439 Speaker 3: really funny, really funny, and it just ended and then 1024 00:44:04,600 --> 00:44:07,600 Speaker 3: it was just like, as she goes that that is 1025 00:44:07,640 --> 00:44:10,880 Speaker 3: the story and then never was a big love like that, 1026 00:44:10,920 --> 00:44:13,640 Speaker 3: she goes because it happened, and then I think that 1027 00:44:13,760 --> 00:44:16,839 Speaker 3: is that is a true story. The moment you went 1028 00:44:16,920 --> 00:44:18,800 Speaker 3: and then this happened, and I said, and then this happened. 1029 00:44:19,920 --> 00:44:22,279 Speaker 3: That last bit didn't happen. That's all fine, because you'll 1030 00:44:22,320 --> 00:44:24,080 Speaker 3: want it all tied up and it's there's a nice 1031 00:44:24,080 --> 00:44:26,279 Speaker 3: craft of that as well. But it's just about just 1032 00:44:26,280 --> 00:44:29,759 Speaker 3: having a conversation and letting it just unfold, letting it 1033 00:44:29,800 --> 00:44:32,759 Speaker 3: just be carried along to seeing well what might open up, 1034 00:44:32,760 --> 00:44:34,359 Speaker 3: where it might go and stuff like that. 1035 00:44:34,360 --> 00:44:35,160 Speaker 1: That's what was about. 1036 00:44:35,320 --> 00:44:39,120 Speaker 3: But well done this year and I'm gonna just, i 1037 00:44:39,200 --> 00:44:41,200 Speaker 3: mean think about how do I bring this all close 1038 00:44:43,440 --> 00:44:46,319 Speaker 3: this just let this, these words float into your heart. 1039 00:44:46,440 --> 00:44:49,840 Speaker 3: And that's my invitation to everyone listening right now. Shows 1040 00:44:50,080 --> 00:44:52,120 Speaker 3: lost this year but never forgotten. 1041 00:44:53,800 --> 00:44:56,640 Speaker 1: Thank you. Look Christian Connell Show podcast