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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: Can you order the same thing as the person you're

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Speaker 2: having dinner with? And I want to be specific on

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Speaker 2: the dinner front because I think lunch, sure, unless you're

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Speaker 2: going out for a nice lunch. Actually no, I take

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Speaker 2: all of that back. All meals well because if you know,

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Speaker 2: because if you're going into a bakery with someone and

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Speaker 2: you're getting a couple of salad.

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Speaker 3: Rolls, yes you get the sure, okay, whatever.

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Speaker 2: But if you're going out to spend money on food,

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Speaker 2: we have it to sit down in a restaurant.

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Speaker 3: Yeah, sit down. I was just called to sit down.

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Speaker 4: Sit down and you get a menu? You get handed

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Speaker 4: a menu, right, yeah, sure it's a cart.

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Speaker 3: Yeah as what.

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Speaker 5: Yeah, I think we're figured it out.

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Speaker 3: It's all cart. You're at a table.

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Speaker 2: No sit down is the requirement. Can you order the

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Speaker 2: same food as the person opposite you or the person

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Speaker 2: you're eating with? And I'm going to extend this further.

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Speaker 2: I don't even care if you're in a group, like

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Speaker 2: I reckon, even if the group is four people large,

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Speaker 2: you still can't order the same plate as another.

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Speaker 5: Person within fo you all have to order something different.

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Speaker 3: That is risticulous.

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Speaker 4: Can we just get down to brass taxi. What is

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Speaker 4: your beef with ordering the same meal? Say, if we

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Speaker 4: go for dinner, what.

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Speaker 5: Is the problem.

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Speaker 3: I would never order the same thing.

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Speaker 5: Okay.

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Speaker 4: I was playing a world though, where we do. What

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Speaker 4: is the big issue? If we go to a steakhouse

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Speaker 4: and both get a steak.

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Speaker 3: Well, if we go to a steakhouse, I think that's different. Okay,

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Speaker 3: put steakhouse to unside.

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Speaker 4: We both go to a Mediterranean restaurant called Yeah, and

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Speaker 4: we both get the calamari marinara.

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Speaker 5: Yeah, all right, what is the beef there?

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Speaker 2: What's the bee Because you've got a whole menu to

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Speaker 2: choose from there.

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Speaker 5: We both like the look of the calm marnara.

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Speaker 2: I think in order to be able to if you're

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Speaker 2: going out, this is why I said, if you're going

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Speaker 2: out and you're spending money and you're sitting down, yeah,

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Speaker 2: you want to be able to try everything that's going on,

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Speaker 2: and it's a waste to get the same thing the other.

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Speaker 4: We can bond over this over the same meal. We go,

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Speaker 4: Oh isn't this youm Yeah, I'm loving the same.

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Speaker 2: Unless you go there a lot, Like if you go

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Speaker 2: there a lot and you've already eaten the menu, then

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Speaker 2: it's fine. But if you haven't explored that place's menu

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Speaker 2: for me, that's a waste.

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Speaker 4: Is your biggest issue here? If I'm just a poke

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Speaker 4: holes in why you're so angry?

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Speaker 5: You want to try, You want to.

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Speaker 4: Try as many meals as you can, and you've got

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Speaker 4: a new restaurant, and it's selfish of me not to

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Speaker 4: give you the option to try my meal.

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Speaker 5: Yes, that is so selfish. Now it's not.

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Speaker 2: It's and I had to go out for dinner with

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Speaker 2: you the other night at the RSL and Charlieville and

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Speaker 2: you got the same meal as me.

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Speaker 3: You got fish and chips, grilled fish and chips. And

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Speaker 3: then that meant that I had to order wedges, chicken wings.

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Speaker 1: And what else?

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Speaker 2: Do they a pavlova just so I could try the

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Speaker 2: other things on the menu, because you were selfish enough

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Speaker 2: to get the same meal as me.

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Speaker 3: It's disgusting if.

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Speaker 5: You want to try, if you want to try more things.

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Speaker 3: Everyone else was disgusted at the amount that I ordered.

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Speaker 3: Oh I got a great salad as well, but I

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Speaker 3: had to because you ordered the same things with buddy.

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Speaker 5: Frustrating.

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Speaker 2: Now, look, I want to the reason I want to

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Speaker 2: talk about it is because sleeper Joe Biden and his

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Speaker 2: wife Jill.

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Speaker 3: Yeah, Jill and Joe.

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Speaker 2: They went out dining in Washington at the popular Red

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Speaker 2: Hen also known as the Geezers. The geeze is stomping

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Speaker 2: ground the Red Hens and shocking in bloomingdal They got

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Speaker 2: themselves a chickery salad, a classic dinner of chickery salad

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Speaker 2: and grilled butter and bread. God, they sound old. They

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Speaker 2: sound look at the mushy pish and they got two

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Speaker 2: bottles of rigotony so they could just gumment without their

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Speaker 2: DNSS wash it down with a glass of metal musial anyway.

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Speaker 2: So but they get exactly the same meal, right, And

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Speaker 2: I just think you've got to lift your game, particularly

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Speaker 2: throughout one on one. I think it's pathetic and I

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Speaker 2: know it's polarizing because if I go out with other

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Speaker 2: people for dinner, partic give it's another couple. Yeah, you

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Speaker 2: just got to lay down the law.

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Speaker 5: Change your order.

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Speaker 3: I do, I do, I actually do. Some would orders

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Speaker 3: the same thing as me. It comes up to me

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Speaker 3: and I go, okay, I'll get something else.

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Speaker 5: So change of fish and chips. When we had dinner

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Speaker 5: at the.

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Speaker 3: Hour second, it was on you. That was on you.

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Speaker 3: I wasn't angry, but from other people.

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Speaker 5: I'm keen to you.

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Speaker 4: From other people, I don't know. If there's just a

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Speaker 4: you thing, it's the other people will get angry with this.

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Speaker 4: Thirty one or six? Can you order the same thing

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Speaker 4: as someone in your group when you're out of dinner?

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Speaker 2: Can you order the same thing as the person you're

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Speaker 2: having dinner with a couple of qualifiers.

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Speaker 3: Got to be a sit down dinner.

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Speaker 2: And also you can't eat at that restaurant all the

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Speaker 2: time because the reason you do it is so that

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Speaker 2: you you divide and conquer, right, and you conquer the

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Speaker 2: menu means you get to try everything and it's selfless

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Speaker 2: and you all share and then you know, rather than

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Speaker 2: someone just going well, I like the look at that.

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Speaker 2: And also the other thing that pisses me off about it,

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Speaker 2: like spend some time and read the menu. You're ding

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Speaker 2: dong like there's nothing worse than somebody sitting down and

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Speaker 2: just you know, I haven't you know three chardis before

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Speaker 2: the menu comes and not looking at it, and then

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Speaker 2: the way it comes over and goes, oh hey, what

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Speaker 2: do you want?

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Speaker 3: And then you go, you know what I'm.

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Speaker 2: Going to get this meal because I've thought about it,

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Speaker 2: and the other person.

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Speaker 3: Goes, oh, I'll just get that, and you go, piss off.

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Speaker 3: Now I've got an order again.

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Speaker 5: You're a very good orderer.

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Speaker 3: I'm going to I'm very good.

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Speaker 5: Order and I do that a lot.

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Speaker 4: And I know it because you spend so much time

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Speaker 4: focusing on the meal and I just go like, you've

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Speaker 4: probably picked the best one.

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Speaker 2: I think, yes, I do. And I think this extend.

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Speaker 2: I think this extends not just to your cover, poo Pants.

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Speaker 2: You you think strongly about the show.

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Speaker 3: You on my team.

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Speaker 2: Yeah, I don't like if my partner gets something, I

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Speaker 2: will try and poo Pants.

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Speaker 4: You copied Will's order at the Hotel Coroni's last night.

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Speaker 3: Well, I thought that he might change, Like.

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Speaker 6: Let's go to Lisa. You know that I do that, Lisa,

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Speaker 6: what do you think you support? Most of you?

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Speaker 5: Are you on Will's side?

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Speaker 1: Here?

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Speaker 5: Can you order the same thing or not?

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Speaker 7: Well, there's a bit of a depending here.

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Speaker 4: So if you're going out with your partner.

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Speaker 1: You can't order the same as your partner. However, if

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Speaker 1: you're in a group, you're not going to.

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Speaker 8: Eat if your friend's plate, But.

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Speaker 1: So can order whatever they like, but your partner, no,

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Speaker 1: you can't order the same you.

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Speaker 8: Have to sure, so you want something different?

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Speaker 2: Yeah, and just just just take the bullet for the

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Speaker 2: you know, for the overall group.

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Speaker 5: Is there any part what I.

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Speaker 3: Mean, like, it's just it's really really selfie.

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Speaker 5: Is there any part of you though?

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Speaker 4: When you go out to dinner with your your partner, Yeah,

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Speaker 4: and you go to a restaurant that's really well known

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Speaker 4: for like one dish, and it's like, let's order the

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Speaker 4: same thing and then talk about it like we've just

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Speaker 4: seen the same film together.

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Speaker 9: No, okay because the film not to get too tied

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Speaker 9: down in the movie analogy, but you could see two

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Speaker 9: films and you could talk about both of them.

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Speaker 3: Yeah, you see what I mean.

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Speaker 4: It's like you've seen two films at once, and taking

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Speaker 4: that does seem more efficient.

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Speaker 3: It does.

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Speaker 2: And the other thing that annoys me about it is like, well, Sam,

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Speaker 2: my partner is this shit order she could be have right?

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Speaker 3: She pictures? She panics.

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Speaker 2: And what I mean in the game of sharing, the

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Speaker 2: way this should be working is you both order something

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Speaker 2: in your share good think about getting something different as well,

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Speaker 2: is you can watch them suffer and then when you've.

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Speaker 3: Got the good meal.

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Speaker 2: You get to Glot and there's nothing better. Let's go

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Speaker 2: to john you do nothing better when they've ordered the

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Speaker 2: zucchini flowers as a maine and.

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Speaker 5: You're like, Johnny, what are your egging?

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Speaker 4: Can you order the same thing as the company you're

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Speaker 4: in when you're at dinner?

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Speaker 6: Yeah?

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Speaker 7: Mate, you can order the same It's way better.

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Speaker 3: Johnny, pass the ball?

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Speaker 5: Why better? Johnny? Why is it better to order the

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Speaker 5: same thing?

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Speaker 6: The sick talk?

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Speaker 2: I don't trust issues with food, but you go to

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Speaker 2: the club food.

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Speaker 6: You know the parma is good?

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Speaker 7: You okay?

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Speaker 2: So can I say Johnny this, Johnny, this is a big,

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Speaker 2: big issue with my partner Sem and I because she

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Speaker 2: has a weak spot for a chicken parmesana. And you're right,

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Speaker 2: we all know the best thing on a pub menu,

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Speaker 2: even though you might vary every.

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Speaker 3: Now and then, is a parma.

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Speaker 5: Yeah, so what do you do?

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Speaker 3: We have to rotate?

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Speaker 5: We can't you both just enjoy your parma?

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Speaker 4: That is out rage or if you have such an issue,

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Speaker 4: you should never get the parma?

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Speaker 2: Well, and sometimes I don't sometimes, but you know what

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Speaker 2: the trick is though?

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Speaker 3: What there I like getting her as well?

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Speaker 2: You know the pubs that have the good parmas. So

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Speaker 2: sometimes you wrote, I'll wear the away shorts. I'll wear

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Speaker 2: the away shorts when I know it's a crap paba

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Speaker 2: and I'll be like, no, you go to night babe.

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Speaker 2: And then when we go somewhere decent like the Standard,

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Speaker 2: the Standard hotel in Melbourne, Fitz in the world, she's

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Speaker 2: never had a parma from there every time she walked,

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Speaker 2: like one of the chances it's my So I have

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Speaker 2: to think of a wedge pub or if I know,

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Speaker 2: if I know that we're going to the Standard in

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Speaker 2: like a week or something, I'll be like, well, why

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Speaker 2: don't we duck down into the into the shopping strip

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Speaker 2: around the corner and get.

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Speaker 3: Let's get apartment from the milk far before before.

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Speaker 5: Soon enough, short, doest that hating parmers. It's working too well.

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Speaker 7: After this, it's Will and Woody.

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Speaker 2: We spent the last month getting a seventy five year

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Speaker 2: old woman who owns a bait and tackle shop with

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Speaker 2: a naughty corner eight hours inland from Brisbane in a

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Speaker 2: tiny place called Charlieville. Have been spent the last month

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Speaker 2: preparing to get her on stage so she can perform

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Speaker 2: at the Adelaide Fringe.

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Speaker 8: William Woody Prison Dude's comedy debut.

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Speaker 2: Huge amount of work gone into this Woods and this

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Speaker 2: was her audition tape.

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Speaker 3: Last night was her audition.

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Speaker 2: If the Fringe liked it enough, she gets our spot

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Speaker 2: at the Adelaide Fringe.

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Speaker 3: And that's the goal here, guys.

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Speaker 2: It would have been well, it would have been gone sounding,

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Speaker 2: so defeatus.

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Speaker 3: We only find out.

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Speaker 2: We're only going to find out later on as to

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Speaker 2: whether or not the Adelaide Fringe have agreed, and that's

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Speaker 2: later this show.

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Speaker 3: So stay with us.

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Speaker 2: A committee member from the Adelaide Fringe is going to

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Speaker 2: come on.

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Speaker 3: They've seen the audition tape. They're going to tell us

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Speaker 3: whether or not she makes it.

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Speaker 4: Yeah, And I think the big concern, which look, I

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Speaker 4: mean it's pretty obvious when you're gonna hear the audio

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Speaker 4: very very shortly, is the fact that she looks she

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Speaker 4: had her first beer at ten am she went a

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Speaker 4: sound check, which unfortunately was at Hotel Coroni's. That's a bar.

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Speaker 4: Obviously she's gonna have a beer. And once she'd had one,

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Speaker 4: you know, it doesn't matter. There's ten hours till your gig.

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Speaker 4: You're gonna drink more. So we actually spoke to this

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Speaker 4: is this is now ten minutes before she's up on stage,

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Speaker 4: ten five minutes for she's up on stage, and we

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Speaker 4: spoke to Casey, who's one of her really good friends

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Speaker 4: and was he minder for the day. And we asked

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Speaker 4: Casey just how many beers has Jude had today?

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Speaker 2: In case you spend most of your days or a

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Speaker 2: lot of your time looking after Jude, what does she

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Speaker 2: mean to you?

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Speaker 1: She's like a second mom to me. She's looked after

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Speaker 1: me since I don't know when how high I was.

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Speaker 4: Can you give us an example of a sort of

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Speaker 4: thing she's done for you or supported you through in

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Speaker 4: your life?

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Speaker 1: Well, I've sort of supported her more because I might

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Speaker 1: drive around while she's drinking.

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Speaker 7: I know I'm not a bad influence.

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Speaker 4: Can we actually ask about the drinking then, So you've

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Speaker 4: spent a lot of today.

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Speaker 3: With Jude, Yes, all of today?

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Speaker 5: How many drinking? She said?

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Speaker 1: Oh gods, I'm going to say like maybe fifteen suit kidding,

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Speaker 1: I reckon about fifteen beers.

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Speaker 3: It's a lot. It was a lot.

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Speaker 5: And so seventy five year old woman, thirty eight degrees.

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Speaker 3: After we spoke to case.

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Speaker 2: We sat down with the One and Only Roure Jude

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Speaker 2: ten minutes before the kick eyes, and this is the

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Speaker 2: sort of areas that she was in the One and

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Speaker 2: Only route Dude, sitting with us right now? Dude, how

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Speaker 2: are you feeling.

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Speaker 5: My pants still?

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Speaker 7: I've been months since I've met you.

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Speaker 4: I'm surprised there's still some left. You've been putting yourselves

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Speaker 4: into your eyes.

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Speaker 7: I do manify, But what do you do?

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Speaker 5: Have met a musical?

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Speaker 7: Yes? I used to do that years ago.

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Speaker 3: Song enough? So do you can?

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Speaker 5: I ask you.

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Speaker 4: We've walked into Hotel Coronis, and we've heard from everyone

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Speaker 4: here that this pub has never been so busy, and

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Speaker 4: they're here because of you, to support you.

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Speaker 5: How much does that mean to you?

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Speaker 2: Oh?

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Speaker 7: It means a lot. It wouldn't have happened only for

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Speaker 7: you too.

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Speaker 5: That's not true, that's not true. They're not here for us.

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Speaker 4: People are far more excited about seeing you perform stand up.

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Speaker 5: They're here for you.

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Speaker 2: Peace.

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Speaker 7: I'm told you that many times.

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Speaker 2: She tells what you're telling it telling us before were

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Speaker 2: about taking your bra off?

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Speaker 7: Yes you know I'm so ugly and I've got that

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Speaker 7: many wrinkles in my face, So I take my bra off,

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Speaker 7: my titties dropped down to my knees, and then it

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Speaker 7: takes all the wrinkles out of my face.

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Speaker 10: It's a great pack.

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Speaker 8: Yeah that it is a big hill.

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Speaker 3: How are you feeling about your material? About the show

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Speaker 3: you're about to put on?

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Speaker 7: Oh shit, I hope it works because are you going

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Speaker 7: to you know, I could get out there and fall

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Speaker 7: off the perch.

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Speaker 5: No, not gonna happen.

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Speaker 4: Do you have Do you have any notes up there

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Speaker 4: on stage at all?

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Speaker 7: Dude?

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Speaker 5: Just in case you're yeah, great.

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Speaker 7: But haven't got my glasses. I can't read it.

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Speaker 2: Just make sure you get them all right. If you

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Speaker 2: guys think that it's all said.

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Speaker 3: Was good, it was great.

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Speaker 2: Should have put that out there, because if you're hearing

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Speaker 2: that and you're thinking to yourself that this is set

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Speaker 2: for a perfect storm, you're right and it was and

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Speaker 2: not in a good way. Going to play you the

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Speaker 2: full Rude Dude Live set right up next live from

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Speaker 2: Hotel Corons in Charlaville, and we are going to get

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Speaker 2: the verdict from the Adelaide fringe as to whether or

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Speaker 2: not she is good enough to perform there in a

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Speaker 2: week's time. Don't go anywhere it's Will and Woodie. If

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Speaker 2: you're fresh to our show. We spent the last three

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Speaker 2: weeks trying to prepare a seventy five year old woman

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Speaker 2: who lives eight hours inland from Brisbane to do a

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Speaker 2: live stand up show at one of the biggest comedy

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Speaker 2: festivals in the world.

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Speaker 8: Willem Woody prisons Rude Jude's comedy debut.

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Speaker 2: So the Adelaide Fringe approached us. We said, we've got

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Speaker 2: someone funny. How We've got Rude Dude. She's awesome.

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Speaker 3: We'd love her to do it.

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Speaker 2: They said, we need an audition tape, and you're about

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Speaker 2: to hear the audition tape.

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Speaker 3: Guys.

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Speaker 2: We went to her hometown in Charlieville, eight hours inland

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Speaker 2: from Brisbane. People from one hundred kilometers away drove to

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Speaker 2: come and see this woman perform. Last night, guys, the

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Speaker 2: pub was packed to the rafters. Just to imagine. It's

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Speaker 2: this like ancient old country pub, stained glass, we know,

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Speaker 2: a huge, sprawling beer garden. Everyone anything that you could

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Speaker 2: sit on was sat on.

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Speaker 1: Yeah.

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Speaker 5: Yeah, Like the kitchen was over.

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Speaker 2: Took three hours on windowsills. You're right, you couldn't get

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Speaker 2: a meal. We tried to order a meal before the

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Speaker 2: gig that did not come in time. They were absolutely

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Speaker 2: under the pumping comps. Never been that busy.

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Speaker 3: You couldn't get a drink at the bar. It was

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Speaker 3: chock a block. It was thirty eight degrees, beautiful summer night.

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Speaker 2: Everybody there to see who is genuinely this woman? Who

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Speaker 2: is She's more than just a legend, She's a talisman,

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Speaker 2: She's a hero. She is everyone knows this woman. We'd

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Speaker 2: spent a week with her in town. People stop her

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Speaker 2: in the street. People were coming up to us for

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Speaker 2: three days going.

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Speaker 3: Oh, be there tonight, dude.

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Speaker 2: People were falling over themselves to get a look at

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Speaker 2: her do something which felt like she was put on

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Speaker 2: the planet to do.

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Speaker 3: This was her moment. So we were so excited.

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Speaker 4: Crowd setting tick one issue, and we were talking about

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Speaker 4: this on yesterday's show. She had her first beer at

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Speaker 4: ten am she went to sound check. Obviously it's at

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Speaker 4: a bar, so she's gonna have a beer and once

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Speaker 4: she has one, she can't stop. So about ten minutes

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Speaker 4: before the gig, we pulled aside Casey, who's a really

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Speaker 4: good friend of hers, she was her minder all day.

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Speaker 4: We just said to Casey, look casey before she gets

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Speaker 4: on stage. How many beers drinking she's actually had today?

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Speaker 1: Oh, goys, I'm going to say like maybe fifteen, So kidding,

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Speaker 1: I reckon about fifteen beers.

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Speaker 4: Fifteen beers in thirty eight degree heat and she's seventy

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Speaker 4: five years old.

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Speaker 5: Obviously we were concerned.

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Speaker 3: Yeah, that's right.

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Speaker 2: Keep all that at the back of your mind when

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Speaker 2: you hear how her first joke went. And as you said, Woods,

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Speaker 2: concerned is the word that comes to mind when, particularly

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Speaker 2: when it comes to impressing a world class comedy festival.

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Speaker 3: We didn't want to have to show them this.

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Speaker 7: I can't believe this. It's just unbelievable. What what am

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Speaker 7: I doing?

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Speaker 1: He?

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Speaker 7: Anyhow?

402
00:16:11,320 --> 00:16:12,320
Speaker 8: What are you doing it?

403
00:16:14,400 --> 00:16:18,760
Speaker 7: Yeah? Any hair? Little Johnny he had a shower with

404
00:16:18,880 --> 00:16:22,800
Speaker 7: his mother one night and he tried to patter on

405
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Speaker 7: the b listen to molder and she said, don't touch that, Johnny,

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Speaker 7: because it's got teeth and a little bite.

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Speaker 3: You, I said, very so.

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Speaker 7: Anyhow, eighteen years later he got married. So he went

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Speaker 7: to bed with his wife and naught. He got married.

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Speaker 7: He said, his wife said he was sort of sticking

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Speaker 7: away a bit, and his wife said, why aren't you

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Speaker 7: you know, what do you? Why don't you ever go

413
00:17:04,720 --> 00:17:07,520
Speaker 7: at me or something? Anyhow?

414
00:17:10,320 --> 00:17:12,880
Speaker 3: He said, so he had.

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Speaker 7: A chop at it. Anyhow, he said to his wife,

416
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Speaker 7: he said.

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Speaker 2: Me dead.

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Speaker 7: He said, no, wonder, no wonder, you don't have any teeth,

419
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Speaker 7: because you should see the flaps what you should see

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Speaker 7: the hamburger.

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Speaker 4: Because I can't because you got and then you goes,

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Speaker 4: no you don't.

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Speaker 7: Oh, that's right. I had too many am olephants drunk.

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Speaker 4: She was the audio there of the woman whispering. Is

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Speaker 4: that senior producer lj who worked with her writing the material,

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Speaker 4: so she knew the punchline. Jude totally cooked her first joke.

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Speaker 4: It didn't make anything.

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Speaker 3: We couldn't have been in a worse spot.

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Speaker 5: The question is did she turn it around?

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Speaker 7: Yeah?

431
00:18:10,800 --> 00:18:11,720
Speaker 5: Did she respond?

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Speaker 4: Did she pick herself up after that first horrific joke?

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Speaker 5: You'll find out right up.

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Speaker 2: Next we offered our spot at the Adelaide Fringe to

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Speaker 2: a woman called Rude Jerdi, seventy five year old woman

436
00:18:24,720 --> 00:18:27,119
Speaker 2: who we've come to love and know and laugh with.

437
00:18:27,280 --> 00:18:29,760
Speaker 2: She lives eight hours inland from Brizzie, in a place

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Speaker 2: called Charlieville. I don't have to tell you again and

439
00:18:31,560 --> 00:18:33,879
Speaker 2: again she owns a bait and tackle shot with a

440
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Speaker 2: naughty corner.

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Speaker 3: I mean, that's just an insight into how funny this

442
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Speaker 3: woman is.

443
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Speaker 2: But in order for her to perform at the Adelaide Fringe,

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Speaker 2: she had to offer up an audition tape and it

445
00:18:42,359 --> 00:18:44,119
Speaker 2: was last night, guys in her hometown.

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Speaker 3: She had fifteen beers since ten am. And if you're just.

447
00:18:46,840 --> 00:18:49,720
Speaker 2: Joining in the narrative, here we're in Barney rubble.

448
00:18:49,920 --> 00:18:51,000
Speaker 5: He wherest joke couldn't have gone.

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Speaker 3: We're in a really really bad spot. Everybody she's ever known,

450
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Speaker 3: everyone there, I've ever known, all in this pub.

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00:18:56,200 --> 00:18:58,600
Speaker 2: It's three hundred people that people hadn't seen this pub

452
00:18:58,760 --> 00:19:00,600
Speaker 2: this busy in fifty or six years.

453
00:19:01,160 --> 00:19:04,800
Speaker 3: It's packed to the rafters. The question is now can

454
00:19:04,840 --> 00:19:05,560
Speaker 3: she turn it around?

455
00:19:05,640 --> 00:19:07,000
Speaker 2: And look, we're going to speak to somebody from the

456
00:19:07,040 --> 00:19:09,080
Speaker 2: Adelaide Fringe life. So you guys are going to find out.

457
00:19:09,080 --> 00:19:10,640
Speaker 2: We're going to find out and dude's going to find

458
00:19:10,640 --> 00:19:12,440
Speaker 2: out in about fifteen minutes whether or not the gear

459
00:19:12,520 --> 00:19:14,040
Speaker 2: is good enough. You'll be able to see it online

460
00:19:14,080 --> 00:19:16,840
Speaker 2: later on. But here is her next joke from the

461
00:19:16,840 --> 00:19:18,720
Speaker 2: stand up gig. Does she bring it back.

462
00:19:19,320 --> 00:19:21,760
Speaker 7: So when I was growing up at Jaron Vaale, I

463
00:19:21,800 --> 00:19:25,160
Speaker 7: took this made of mine out Sheila for the weekend.

464
00:19:26,400 --> 00:19:28,680
Speaker 7: We're out of the sheer and shed. They said, you've

465
00:19:28,680 --> 00:19:31,040
Speaker 7: got to go over to the kitchen and you've got

466
00:19:31,080 --> 00:19:33,399
Speaker 7: to walk about a mile and a half up the

467
00:19:33,400 --> 00:19:37,760
Speaker 7: frog and toad where Ashton was pushing scrub. She got

468
00:19:37,800 --> 00:19:42,440
Speaker 7: halfway over and she said I wanted tom tit. She wandered.

469
00:19:43,119 --> 00:19:48,919
Speaker 7: I said, what she's I said, we'll get behind the

470
00:19:49,000 --> 00:19:54,080
Speaker 7: tree there. So I thought I loved Ashton say much.

471
00:19:54,119 --> 00:19:55,639
Speaker 7: We were good baits, and I thought, I'm going to

472
00:19:55,680 --> 00:20:00,280
Speaker 7: get this fast. She did the tom tit behind this tree,

473
00:20:00,560 --> 00:20:03,800
Speaker 7: and I got the sandwich and got a stick and

474
00:20:03,880 --> 00:20:06,760
Speaker 7: knocked all the salad and meat off it and everything.

475
00:20:07,520 --> 00:20:17,040
Speaker 7: So this is a trade story. So I got this

476
00:20:17,200 --> 00:20:21,919
Speaker 7: stick and grabbed her pup. Thank god it wasn't running,

477
00:20:22,000 --> 00:20:26,000
Speaker 7: but it was a little bit. Did put this in

478
00:20:26,119 --> 00:20:29,240
Speaker 7: the sandwich and rolled it back up. So he went

479
00:20:29,280 --> 00:20:32,200
Speaker 7: out to Ashton on the tractor and he jumped off

480
00:20:32,240 --> 00:20:36,080
Speaker 7: the tractor as you could imagine, pushing scrub, and he said, Jesus,

481
00:20:36,080 --> 00:20:40,639
Speaker 7: your good kids. He brought me lunch. Yeah, mate, we

482
00:20:40,760 --> 00:20:44,040
Speaker 7: brought you lunch. So he jumped off the tractor and

483
00:20:44,040 --> 00:20:46,800
Speaker 7: got the water bag and filled his mug up with

484
00:20:47,040 --> 00:20:51,119
Speaker 7: water and sat down beside the tractor and sheelish in

485
00:20:51,160 --> 00:20:57,000
Speaker 7: a pin well, and he got the sandwich and bit

486
00:20:57,080 --> 00:21:02,000
Speaker 7: into it, and they flew out all oh this is true,

487
00:21:02,760 --> 00:21:07,639
Speaker 7: he said, you bast And I said to Sheila run.

488
00:21:09,960 --> 00:21:11,280
Speaker 3: So she's warming up, Gret.

489
00:21:11,680 --> 00:21:14,280
Speaker 2: She's warming up, and she's starting to get her words

490
00:21:14,320 --> 00:21:16,480
Speaker 2: back as well. She's starting to see a bit more clearly,

491
00:21:16,600 --> 00:21:17,840
Speaker 2: sound a bit more clearly.

492
00:21:18,720 --> 00:21:21,160
Speaker 3: We're getting a little bit more confident here. And then

493
00:21:21,240 --> 00:21:22,600
Speaker 3: she hits a forehand winner.

494
00:21:23,359 --> 00:21:27,040
Speaker 7: Johnny came up the street one day past the Charlibal

495
00:21:27,080 --> 00:21:30,359
Speaker 7: Hotel and someone are standing out the front and said,

496
00:21:30,560 --> 00:21:34,080
Speaker 7: what are you doing? Johnny? He was dragging this chicken

497
00:21:34,160 --> 00:21:36,800
Speaker 7: water along. He said, what are you doing? He said,

498
00:21:36,800 --> 00:21:39,080
Speaker 7: I'm going to get some chicken. Hey, are you going

499
00:21:39,160 --> 00:21:43,680
Speaker 7: to get chicken with that wire? He said, oh, get him.

500
00:21:44,200 --> 00:21:50,000
Speaker 7: That afternoon he came back past the pub and he

501
00:21:50,080 --> 00:21:54,800
Speaker 7: had ten chicken with him. He said, how did you

502
00:21:54,880 --> 00:22:00,840
Speaker 7: do that? He said, not a problem. Off this blake.

503
00:22:01,040 --> 00:22:04,640
Speaker 7: The next day came along with this duck tape. He said,

504
00:22:04,680 --> 00:22:07,200
Speaker 7: what are you doing today? Johnny. He said, I'm going

505
00:22:07,200 --> 00:22:11,000
Speaker 7: to get some ducks radio. So that afternoon he comes

506
00:22:11,040 --> 00:22:16,200
Speaker 7: back and he's got twenty ducks. So the next day

507
00:22:16,520 --> 00:22:22,080
Speaker 7: they came up the road with this beautiful flowers and

508
00:22:22,119 --> 00:22:27,280
Speaker 7: this guy said, I can't say Isna. He said, what

509
00:22:27,359 --> 00:22:32,840
Speaker 7: have you got there, Johnny? He said, I've got pussy Willow.

510
00:22:34,200 --> 00:22:38,000
Speaker 7: And this blake said, oh, wait there, Johnny, I'm going

511
00:22:38,080 --> 00:22:38,399
Speaker 7: with you.

512
00:22:44,480 --> 00:22:48,159
Speaker 2: Good save gets better from there as.

513
00:22:48,040 --> 00:22:49,840
Speaker 5: Well as guy around as well.

514
00:22:49,880 --> 00:22:52,040
Speaker 2: I want to say, the gig for yourself up on

515
00:22:52,080 --> 00:22:55,119
Speaker 2: will and what are you on the socials TikTok, Instagram, Facebook,

516
00:22:55,160 --> 00:22:58,120
Speaker 2: get on the podcast as well wherever you get your podcasts,

517
00:22:58,720 --> 00:23:01,120
Speaker 2: but just stick around are because on the other side

518
00:23:01,119 --> 00:23:02,800
Speaker 2: of the traffic, we've got the Chuo Choo tune. And

519
00:23:02,800 --> 00:23:07,240
Speaker 2: then Adelaide Fringe have seen the tape and we have

520
00:23:07,320 --> 00:23:09,840
Speaker 2: a representative of the Adelaide fringe community to tell us

521
00:23:10,840 --> 00:23:14,560
Speaker 2: once and for all whether she's going to be performing.

522
00:23:14,160 --> 00:23:14,720
Speaker 3: There this year.

523
00:23:14,760 --> 00:23:15,320
Speaker 5: Where do you sit?

524
00:23:15,400 --> 00:23:20,119
Speaker 2: Honestly, I think she scrapes in, but I just don't know.

525
00:23:20,160 --> 00:23:22,119
Speaker 2: I think it'll come down to how conservative the person

526
00:23:22,240 --> 00:23:25,280
Speaker 2: is if that, because she's obviously very naughty. Yeah, and

527
00:23:25,320 --> 00:23:27,320
Speaker 2: she obviously drinks a lot, so like.

528
00:23:29,200 --> 00:23:31,040
Speaker 3: If they're a church goer, she's cooked.

529
00:23:31,320 --> 00:23:35,480
Speaker 2: Anyway, It's up next Remember from the Adelaide Fringe. Is

530
00:23:35,600 --> 00:23:38,680
Speaker 2: Jude performing there next week? Stay tuned finding up next

531
00:23:38,720 --> 00:23:39,880
Speaker 2: Willing Woody More Will.

532
00:23:39,680 --> 00:23:44,400
Speaker 7: And Woody Goodness. After this, it's the Women Woody Podcast.

533
00:23:44,760 --> 00:23:46,919
Speaker 2: You guys are about to find out whether or not

534
00:23:47,040 --> 00:23:51,159
Speaker 2: Rude Jude who's going to be performing live next week

535
00:23:51,640 --> 00:23:54,280
Speaker 2: at the Adelaide Fringe.

536
00:23:55,000 --> 00:23:59,840
Speaker 8: Will and Woody present Rude Dude's comedy debut.

537
00:24:01,960 --> 00:24:04,640
Speaker 5: If you haven't heard this yet, where the bloody hell

538
00:24:04,680 --> 00:24:06,919
Speaker 5: have you been? Get to our socials. Our socials are

539
00:24:06,960 --> 00:24:08,679
Speaker 5: popping off, and not because of you and me.

540
00:24:08,920 --> 00:24:11,480
Speaker 4: It is because of a seventy five year old woman

541
00:24:11,480 --> 00:24:13,480
Speaker 4: who lives in Charlboo, which is an eight hour drive

542
00:24:13,560 --> 00:24:16,439
Speaker 4: inland from Brisbane. She owns a bait and tackle store

543
00:24:16,640 --> 00:24:19,760
Speaker 4: which has a naughty corner. Oh yeah, your vibrators, your

544
00:24:19,800 --> 00:24:21,840
Speaker 4: dildos a lot, baby, Okay.

545
00:24:21,920 --> 00:24:23,240
Speaker 5: The big I have, well I have.

546
00:24:23,680 --> 00:24:25,359
Speaker 3: I think we all knew what a naughty Connor was with.

547
00:24:25,520 --> 00:24:28,360
Speaker 4: I don't care, Okay, too excited because the reason why

548
00:24:28,359 --> 00:24:30,639
Speaker 4: we went to child and we were in Charleville literally

549
00:24:30,680 --> 00:24:31,800
Speaker 4: a few days earlier.

550
00:24:31,640 --> 00:24:33,280
Speaker 5: Is to put on an audition show.

551
00:24:33,440 --> 00:24:36,439
Speaker 4: Yeah, ruged up on stage at Hotel Coronas, which is

552
00:24:36,440 --> 00:24:39,480
Speaker 4: in Charleville. If the show is good enough, then she

553
00:24:39,600 --> 00:24:42,480
Speaker 4: performs at Adelaide Fringe next week, one of.

554
00:24:42,480 --> 00:24:45,000
Speaker 2: The biggest comedy festivals in the world, Adelaide Fringe. Like

555
00:24:45,040 --> 00:24:46,760
Speaker 2: she's playing for pink slips there, she's going to be

556
00:24:46,800 --> 00:24:49,000
Speaker 2: up with the best stand up comedians.

557
00:24:48,520 --> 00:24:50,040
Speaker 3: Not as in Australia, in the world.

558
00:24:50,040 --> 00:24:51,880
Speaker 2: We're going to go and check out Australias BIG's Arts

559
00:24:51,960 --> 00:24:54,119
Speaker 2: festival Adelaide Fringe dot com dot you on until the

560
00:24:54,160 --> 00:24:54,880
Speaker 2: nineteenth of March.

561
00:24:54,920 --> 00:24:56,760
Speaker 3: Tickets on sale now.

562
00:24:56,800 --> 00:24:58,600
Speaker 2: And I've used the credit at the right time because

563
00:24:58,680 --> 00:25:01,320
Speaker 2: James from the Adelaide Fringe Midy is on the phone.

564
00:25:01,359 --> 00:25:02,280
Speaker 3: Welcome James.

565
00:25:02,640 --> 00:25:03,760
Speaker 10: It's a pleasure to be here.

566
00:25:04,400 --> 00:25:09,199
Speaker 4: So James, you've seen the footage of Rue Jude's performance

567
00:25:09,320 --> 00:25:10,600
Speaker 4: at the Hotel Coronis.

568
00:25:11,760 --> 00:25:12,280
Speaker 8: Yes, I have.

569
00:25:12,880 --> 00:25:16,120
Speaker 5: Okay, great, How.

570
00:25:16,119 --> 00:25:18,040
Speaker 10: We'd like to ask some questions about it?

571
00:25:18,160 --> 00:25:19,560
Speaker 5: Please please do?

572
00:25:20,480 --> 00:25:25,680
Speaker 4: Has she been drinking well like most stand up comedians,

573
00:25:25,680 --> 00:25:27,920
Speaker 4: I would say she had a couple of nerve settlers.

574
00:25:27,960 --> 00:25:29,040
Speaker 5: Yeah, yeah, I think we say yes.

575
00:25:29,200 --> 00:25:30,800
Speaker 10: Look, I've got to say she meandered a bit. I

576
00:25:30,880 --> 00:25:33,240
Speaker 10: mean that might that sort of pacing might be okay

577
00:25:33,280 --> 00:25:35,240
Speaker 10: out there in the country, but Adelaide is the big smoke.

578
00:25:35,560 --> 00:25:38,240
Speaker 4: Okay, yes, so just live You've got to keep it

579
00:25:38,240 --> 00:25:39,160
Speaker 4: a bit tighter than that.

580
00:25:39,240 --> 00:25:39,440
Speaker 10: Yeah.

581
00:25:39,520 --> 00:25:41,560
Speaker 4: Yeah, well, I think given this was this is all

582
00:25:41,560 --> 00:25:44,080
Speaker 4: the times you've been on stage, so that would be

583
00:25:44,240 --> 00:25:46,240
Speaker 4: feedback obviously, and she can definitely tighten that up a

584
00:25:46,240 --> 00:25:46,960
Speaker 4: little bit for sure.

585
00:25:47,119 --> 00:25:47,600
Speaker 5: James.

586
00:25:47,960 --> 00:25:51,640
Speaker 10: Well, there's positive stuff too. I mean, that crowd was electrics.

587
00:25:51,680 --> 00:25:54,199
Speaker 10: They clearly loved what she was putting down, didn't they.

588
00:25:54,600 --> 00:25:56,320
Speaker 10: That has to be taken into account too.

589
00:25:56,960 --> 00:25:59,280
Speaker 4: Oh yeah, trust me, James, if you were there, mate,

590
00:25:59,480 --> 00:26:02,359
Speaker 4: they were exploding at some of those jokes there. I mean,

591
00:26:02,400 --> 00:26:04,199
Speaker 4: and some of the material, James, you have you have

592
00:26:04,240 --> 00:26:06,200
Speaker 4: to admit, like it was really good stuff.

593
00:26:07,920 --> 00:26:10,800
Speaker 10: I reserve judgment on that. I'm a sophisticated man, right,

594
00:26:10,880 --> 00:26:13,080
Speaker 10: I can tell that it's with the people, with the

595
00:26:13,119 --> 00:26:14,800
Speaker 10: common people. It did really connects.

596
00:26:15,000 --> 00:26:17,400
Speaker 3: Yeah, yeah, yeah, yeah, it lifted the roof of the pabe.

597
00:26:17,480 --> 00:26:19,639
Speaker 2: Okay, Okay, James, let's let's not get down into the

598
00:26:19,680 --> 00:26:21,880
Speaker 2: merits of whether you're not whether or not you thought

599
00:26:21,880 --> 00:26:23,960
Speaker 2: of the gags were acceptable.

600
00:26:24,000 --> 00:26:24,239
Speaker 7: Or not.

601
00:26:24,720 --> 00:26:28,200
Speaker 2: We need to know whether or not she's going to

602
00:26:28,240 --> 00:26:30,280
Speaker 2: go to the fringe. So what we're going to do,

603
00:26:31,280 --> 00:26:33,199
Speaker 2: I don't I don't think it's fair for Woody and

604
00:26:33,200 --> 00:26:35,879
Speaker 2: Idy hear your answer and then just to pass it

605
00:26:35,920 --> 00:26:38,000
Speaker 2: over to Jude. So what we're going to do is Rude,

606
00:26:38,080 --> 00:26:41,080
Speaker 2: Dude's going to join us right up next here on

607
00:26:41,160 --> 00:26:44,040
Speaker 2: willing and James, if you can stay with us, I

608
00:26:44,040 --> 00:26:48,600
Speaker 2: assume you've made a decision. Oh okay, okay, okay, okay,

609
00:26:48,640 --> 00:26:53,040
Speaker 2: oh wow, right up next, if you can tell Jude

610
00:26:53,520 --> 00:26:55,520
Speaker 2: live on the show that that that would be great.

611
00:26:56,800 --> 00:26:59,600
Speaker 10: Okay, okay, So I look forward to telling her.

612
00:27:00,880 --> 00:27:02,240
Speaker 5: Is that? Are you giving it away?

613
00:27:03,640 --> 00:27:05,760
Speaker 3: I don't know. I don't trust you, James.

614
00:27:05,840 --> 00:27:10,880
Speaker 2: I know few from the Adelaide Fringe committee joins us

615
00:27:11,200 --> 00:27:12,320
Speaker 2: or stays with us.

616
00:27:12,359 --> 00:27:13,439
Speaker 3: And right up next.

617
00:27:14,480 --> 00:27:17,240
Speaker 2: Two weeks of work, three weeks of work trying to

618
00:27:17,240 --> 00:27:19,480
Speaker 2: get rude jud on stage at the Adelaide Fringe all

619
00:27:19,520 --> 00:27:21,800
Speaker 2: comes to her head. Did the audition payoff?

620
00:27:22,000 --> 00:27:24,160
Speaker 3: Was she too rude? Did she drink too much?

621
00:27:24,920 --> 00:27:28,119
Speaker 2: We're going to find out. I mean, I I don't know.

622
00:27:28,160 --> 00:27:30,200
Speaker 2: Maybe we should never on up next, Maybe we should.

623
00:27:31,119 --> 00:27:33,399
Speaker 2: I think we just need to because it could be

624
00:27:33,400 --> 00:27:35,040
Speaker 2: a great moment. This could be a great moment as well.

625
00:27:35,280 --> 00:27:37,000
Speaker 2: One of the one things negatively this is it.

626
00:27:37,080 --> 00:27:38,480
Speaker 3: She nailed it, nailed it.

627
00:27:38,600 --> 00:27:40,600
Speaker 2: If you want to see the gig socials, Will and Mordi,

628
00:27:40,680 --> 00:27:42,800
Speaker 2: the podcast Will and Money, or just stay tuned because

629
00:27:42,880 --> 00:27:45,439
Speaker 2: right up next, the culmination of a month worth of

630
00:27:45,480 --> 00:27:48,199
Speaker 2: work is that time keeps getting longer and longer. Getting

631
00:27:48,400 --> 00:27:51,040
Speaker 2: Rude Jude on the stage at Adelaide Fringe. We find

632
00:27:51,040 --> 00:27:54,119
Speaker 2: out it's willing Woody. We find out if Rude Jude

633
00:27:54,119 --> 00:27:56,560
Speaker 2: gets to perform at one of the biggest comedy festivals

634
00:27:56,560 --> 00:28:03,320
Speaker 2: in the world, the Adelaide Fringe.

635
00:28:00,960 --> 00:28:08,240
Speaker 8: Willham Woody presents Rude Dude's comedy debuts.

636
00:28:08,480 --> 00:28:09,879
Speaker 2: About a month ago we got to asked, do you

637
00:28:09,920 --> 00:28:11,840
Speaker 2: guys didn't want to do a spot at the Adelaide Fringe.

638
00:28:11,840 --> 00:28:14,200
Speaker 2: We said, look, we'd love to, but within there's somebody

639
00:28:14,200 --> 00:28:17,040
Speaker 2: else who's more deserving. We think there's somebody else who's funnier,

640
00:28:17,240 --> 00:28:20,520
Speaker 2: who's never going to get this shot in any other circumstance.

641
00:28:20,520 --> 00:28:22,760
Speaker 2: And that's because she's seventy five. She lives eight hours

642
00:28:22,800 --> 00:28:25,800
Speaker 2: inland from Brisbane. Her name's Rude Jude. She owns a

643
00:28:25,840 --> 00:28:27,760
Speaker 2: bait and tackle shot with a naughty corner, and she's

644
00:28:27,800 --> 00:28:29,959
Speaker 2: lit up our show and the airwaves and all of

645
00:28:30,000 --> 00:28:33,720
Speaker 2: your lives for the last eighteen months, but also everyone

646
00:28:33,760 --> 00:28:37,280
Speaker 2: around her. We traveled to Charlieville just earlier this week

647
00:28:37,320 --> 00:28:39,360
Speaker 2: to meet her to put on this stand up comedy show,

648
00:28:39,400 --> 00:28:43,800
Speaker 2: which is her audition for the Fringe, and right now

649
00:28:43,800 --> 00:28:45,280
Speaker 2: we're about to find out whether or not she's going

650
00:28:45,360 --> 00:28:45,680
Speaker 2: to make it.

651
00:28:45,720 --> 00:28:47,200
Speaker 4: And if you can't hear it in her voices like

652
00:28:47,240 --> 00:28:49,000
Speaker 4: we've genuinely fallen in love with this woman.

653
00:28:49,040 --> 00:28:51,160
Speaker 5: It was just so nice spending time with her. We

654
00:28:51,240 --> 00:28:51,720
Speaker 5: do have.

655
00:28:51,760 --> 00:28:55,320
Speaker 4: James from the Adelaide Fringe Committee on the phone right now.

656
00:28:55,320 --> 00:28:58,600
Speaker 4: Hello again, James, Yes, once again, it is a pleasure

657
00:28:58,640 --> 00:29:01,240
Speaker 4: to be here as then it is the fine art.

658
00:29:02,000 --> 00:29:03,200
Speaker 5: Thank you so much, James.

659
00:29:03,240 --> 00:29:05,720
Speaker 4: And you did say before the song, Mate that you

660
00:29:05,760 --> 00:29:08,200
Speaker 4: and the committee have come to a decision as to

661
00:29:08,240 --> 00:29:11,120
Speaker 4: whether Rude Jude will be performing Adelaide Fringe next week.

662
00:29:11,320 --> 00:29:14,840
Speaker 4: Before you do give your verdict, we do have Rude

663
00:29:14,920 --> 00:29:16,200
Speaker 4: Jude on the phone as well.

664
00:29:16,200 --> 00:29:20,680
Speaker 3: Hello Jude, Hello boy, how are you. It's great to

665
00:29:20,720 --> 00:29:21,360
Speaker 3: eat your voice.

666
00:29:21,440 --> 00:29:21,920
Speaker 10: Jude.

667
00:29:22,160 --> 00:29:26,040
Speaker 3: We miss you, We miss you. Love your gap. Yeah,

668
00:29:26,040 --> 00:29:26,920
Speaker 3: we love you, mate.

669
00:29:27,080 --> 00:29:29,200
Speaker 5: How are you feeling about this decision.

670
00:29:28,880 --> 00:29:31,200
Speaker 7: Jude, I'm shitting my pain.

671
00:29:33,080 --> 00:29:35,640
Speaker 3: Yeah, no one saw that coming.

672
00:29:36,040 --> 00:29:39,080
Speaker 2: Jerdy, how are you feeling after the show last night?

673
00:29:40,120 --> 00:29:40,840
Speaker 6: Oh?

674
00:29:41,000 --> 00:29:44,920
Speaker 7: It was unbelieved, believe it and you left it all

675
00:29:44,960 --> 00:29:45,400
Speaker 7: out there.

676
00:29:45,800 --> 00:29:48,280
Speaker 3: I feel like everyone everyone there loved it.

677
00:29:49,520 --> 00:29:52,440
Speaker 5: Oh hip, okay, we loved it.

678
00:29:52,520 --> 00:29:53,040
Speaker 3: We loved it.

679
00:29:53,640 --> 00:29:56,600
Speaker 4: The question is did James from Adelaide Fringe love it

680
00:29:56,600 --> 00:29:56,960
Speaker 4: as well?

681
00:29:57,000 --> 00:30:00,640
Speaker 10: Over to you, James, well, route to We've had a

682
00:30:00,680 --> 00:30:08,080
Speaker 10: long deformation lead into the morning and I can tell you.

683
00:30:07,000 --> 00:30:14,800
Speaker 4: Are coming to the Adelaide.

684
00:30:16,320 --> 00:30:19,760
Speaker 3: Well, I don't believe it. How do you feel, Jude?

685
00:30:20,600 --> 00:30:22,880
Speaker 7: I just feel right because I'm going to say you

686
00:30:22,960 --> 00:30:24,280
Speaker 7: again a cute.

687
00:30:28,800 --> 00:30:31,640
Speaker 3: You are the best mate, James. You made the right decision.

688
00:30:31,760 --> 00:30:33,160
Speaker 5: Yes, absolutely, You're.

689
00:30:33,000 --> 00:30:34,920
Speaker 2: Going to have the hottest stand up act in the

690
00:30:35,000 --> 00:30:37,200
Speaker 2: country at the Adelaide Fringe next week.

691
00:30:37,240 --> 00:30:40,280
Speaker 5: It'll be a sellout. It'll be a sellout Jackson James.

692
00:30:41,000 --> 00:30:43,560
Speaker 10: All right, you're very welcome man. Peter Adelaide. We know

693
00:30:43,640 --> 00:30:45,160
Speaker 10: what's going to hit him.

694
00:30:46,960 --> 00:30:50,680
Speaker 3: She is she is. You're a legend, Jimes, Thank you

695
00:30:50,720 --> 00:30:51,120
Speaker 3: so much.

696
00:30:51,120 --> 00:30:54,080
Speaker 2: Thanks to everyone at the Adelaide fringe, Jude.

697
00:30:54,120 --> 00:30:55,719
Speaker 3: Next week, we're going to know Adelaide.

698
00:30:56,920 --> 00:30:58,360
Speaker 5: What do you know about Adelaide?

699
00:30:59,160 --> 00:31:05,440
Speaker 7: Not a quar Where is it.

700
00:31:03,240 --> 00:31:07,200
Speaker 3: At the bottom of Australia, right in the middle there.

701
00:31:09,200 --> 00:31:10,560
Speaker 3: Have you been to Adelaide before?

702
00:31:11,760 --> 00:31:12,640
Speaker 1: Yeah?

703
00:31:12,840 --> 00:31:15,200
Speaker 5: Right, okay, how are you planning on getting there?

704
00:31:15,240 --> 00:31:15,440
Speaker 1: Dude?

705
00:31:15,480 --> 00:31:16,520
Speaker 5: You're going to drive or fly?

706
00:31:17,560 --> 00:31:17,920
Speaker 10: Oh?

707
00:31:18,000 --> 00:31:20,160
Speaker 7: Well, I was going to get l J to drive.

708
00:31:21,880 --> 00:31:23,120
Speaker 5: That's what producers.

709
00:31:24,200 --> 00:31:26,320
Speaker 3: You might need someone to go down with you, dude.

710
00:31:27,080 --> 00:31:29,320
Speaker 2: Yeah, yeah, yeah, yeah.

711
00:31:29,160 --> 00:31:30,120
Speaker 3: That'd be a good idea.

712
00:31:30,920 --> 00:31:32,040
Speaker 7: Oh that'll be great.

713
00:31:32,320 --> 00:31:34,840
Speaker 3: Yeah, okay, we'll figure that, Jude.

714
00:31:34,880 --> 00:31:36,360
Speaker 5: I'm sure. I'm sure we'll get you there.

715
00:31:36,440 --> 00:31:37,360
Speaker 3: I hope so.

716
00:31:39,160 --> 00:31:39,400
Speaker 10: LJA.

717
00:31:39,480 --> 00:31:40,240
Speaker 3: I wanted to drive.

718
00:31:41,200 --> 00:31:47,640
Speaker 2: Yeah, bloody driving, jerdy.

719
00:31:48,040 --> 00:31:48,719
Speaker 3: We love you.

720
00:31:48,840 --> 00:31:52,480
Speaker 2: Congratulations my friend. What a gig last night, all the

721
00:31:52,520 --> 00:31:54,880
Speaker 2: work that went into it. Your bloody hit it out

722
00:31:54,880 --> 00:31:56,840
Speaker 2: of the park, mate. And now you're going to be

723
00:31:56,880 --> 00:32:00,920
Speaker 2: performing stand up at one of the biggest many festivals

724
00:32:01,000 --> 00:32:01,880
Speaker 2: on the planet.

725
00:32:02,360 --> 00:32:08,320
Speaker 3: Oh it's next week. I will and what he JD

726
00:32:08,400 --> 00:32:08,840
Speaker 3: will say?

727
00:32:08,960 --> 00:32:11,480
Speaker 4: There can't like to see you?

728
00:32:12,080 --> 00:32:13,959
Speaker 3: Love you my joy?

729
00:32:15,200 --> 00:32:19,560
Speaker 9: Why why why