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Speaker 1: Welcome to the podcast.

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Speaker 2: Shagg by name, Shag by reputation, That is the name

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Speaker 2: of the lead singer of the powder Finger cover band

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Speaker 2: Pull My Finger. Yes, men, three mates who traveled through

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Speaker 2: South America fifteen years ago as powder Finger, convincing poor Argentinians.

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Speaker 1: That we were the famous Australian band Powderfinger.

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Speaker 2: Wil But we think we can actually pull off one

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Speaker 2: powder Finger song next next Thursday. So Thursday, the second

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Speaker 2: of June is when we're doing it. It's going to

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Speaker 2: be the school formal at a golf course.

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Speaker 1: And did you did? Admit? Will just at the end

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Speaker 1: of this show, Shag actually sounded pretty good.

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Speaker 3: Shag sounded good. He sounded better than I thought he

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Speaker 3: would sound. There's no doubt about that.

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Speaker 1: Yeah.

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Speaker 4: Well, I'm worried about you, mate. You haven't slept in

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Speaker 4: three days because you've just had a baby that was

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Speaker 4: not great singing.

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Speaker 1: Well, I think you know your music, will you not? Well?

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Speaker 5: Very well?

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Speaker 3: Look, I think I think we might have stretched in

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Speaker 3: with Johnny Farnham.

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Speaker 1: Yeah, but it's a bit of a.

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Speaker 3: Supper fair for anybody that's been on any wedding dance

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Speaker 3: floor in their live nobody hits those notes and that's

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Speaker 3: why Farnum is the best. That's what he was able

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Speaker 3: to come back upwards of three hundred and seventy times.

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Speaker 1: Like it's he's still coming back. He's still coming, he

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Speaker 1: still is.

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Speaker 3: He's constantly coming back. He's human boomerang that man, and

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Speaker 3: then you will come back, Yes, woulds.

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Speaker 2: But that delays really kicking in or are you making

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Speaker 2: a point that was what should come back.

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Speaker 1: I'll tell you right now.

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Speaker 3: I was making the point that it was a ship

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Speaker 3: coming that delays Cris Baby. No, I didn't think Shags.

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Speaker 3: His passion sells it. Yeah, you know he's going to

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Speaker 3: be into it. And I always say that it's all

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Speaker 3: about your your passion around a piece and everyone will

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Speaker 3: forgive you for it. Like hips, a woman having hips

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Speaker 3: wasn't sexy until Beyonce was that into and open about

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Speaker 3: how sexy her hips was and her curves were. And

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Speaker 3: I think the same thing about you know, shagging his voice.

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Speaker 1: Yep.

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Speaker 2: I love that you'll be referred to Shag as effectively

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Speaker 2: Beyonce's hips.

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Speaker 1: I couldn't agree more with you, my friend.

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Speaker 3: Beyonces hips are to Beyonce as singing is to shack.

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Speaker 1: Yeah. Amen, one of the great over cells. Amen, we

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Speaker 1: are in a great space.

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Speaker 4: I don't want to keep being the negative person. I

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Speaker 4: feel like we've got to have like a referee in

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Speaker 4: this situation. But we've just had the realization that we

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Speaker 4: are going to a high school. Meaning you know, like

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Speaker 4: any any ship band or singer can get on a

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Speaker 4: stage if you're at a pub, and if you've had

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Speaker 4: a couple of jars, they sound amazing. Give had a

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Speaker 4: couple of beers, a couple of looseners. What is going

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Speaker 4: to be playing to the most sober audience?

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Speaker 1: You think we should spike the punch? Is that what

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Speaker 1: you're thinking?

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Speaker 3: Job?

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Speaker 1: I think it's a great idea. You guys should turn up.

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Speaker 1: Maybe you guys turn up pissed? Should we? Are we

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Speaker 1: allowed to have a couple of poop pants?

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Speaker 2: Are we allowed to have a couple of beers before

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Speaker 2: the gig?

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Speaker 1: Just a few beers? Where Rocks does? Where Rocks does?

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Speaker 3: You're performing at You're performing at a kids gig, mate,

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Speaker 3: there's no way having beers one one beer each, one

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Speaker 3: and a half. Actually disgusted, You're going to have a

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Speaker 3: billion Kevin, A couple of Melbourn out the back of

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Speaker 3: the fag.

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Speaker 1: Is the manager himself, the manager keV.

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Speaker 3: Have you secured joined him for a stiff Melbourne Melbourn

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Speaker 3: Bidder and Marlbourne red at the back?

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Speaker 1: Have you secured? Have you secured the.

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Speaker 3: Bat there with a couple of the math teachers? Yeah?

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Speaker 1: Jack? Have you secured as anything else for the gig?

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Speaker 2: Are you still like I know you've had a baby,

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Speaker 2: but I hope you're still putting a bit of time

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Speaker 2: into organizing our one gig?

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Speaker 1: Have you? Have you secured anything else for us?

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Speaker 3: Would you believe me when I say to you, I

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Speaker 3: have done absolutely nothing?

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Speaker 1: Cuts me to the.

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Speaker 3: Gore, absolutely haven't.

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Speaker 1: You haven't been practicing with this band?

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Speaker 3: You guys do a rehearsal and I'll worry about organizing

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Speaker 3: something for you right now. You deserve Kevin Walters as

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Speaker 3: your band manager. You haven't even you haven't even played once.

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Speaker 1: You heard me yesterday, I have buddy got it in

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Speaker 1: the bag. Boys, I need to practice.

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Speaker 3: Oh yeah, the rest of the band.

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Speaker 4: I mean yes, you at least have gotten yourself a

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Speaker 4: musical instrument to practice on.

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Speaker 1: Woods of You.

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Speaker 2: Chuck's good Chuck Chuck and played in his slip He's

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Speaker 2: actually a musician, Marks He doesn't do so Flur is

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Speaker 2: what we call him. Flour doesn't do anything so fine.

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Speaker 2: We've heard Shag singing. He's absolutely fine.

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Speaker 1: Boys. We're in a beautiful spot. In a beautiful spot anyway,

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Speaker 1: Wills tuned out, So.

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Speaker 3: I'm actually just firing off a few emails to try

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Speaker 3: and get you boys some stuff for your rider.

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Speaker 1: Oh no, good work, All right, We'll leave you to it.

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Speaker 4: Brandy Glass with some brown eminems.

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Speaker 3: And some darts. I can on the third green. It's

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Speaker 3: still at the golf course, isn't it.

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Speaker 1: Yeah, he's at the golf course, sitting in the Bay area.

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Speaker 1: Can we get a couple of titlest balls thrown in

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Speaker 1: there for the boys? I enjoyed the show over.

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Speaker 3: This is the Will.

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Speaker 6: And Woody Podcast.

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Speaker 3: My partner Sam gave birth to a little baby girl

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Speaker 3: called Max. Yeah, daddy, it's absolutely huge. If you want

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Speaker 3: to see a photo of the little angel, got to

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Speaker 3: headle onto Willen wood she's on there.

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Speaker 7: Yeah.

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Speaker 3: It was epic, mate, It was so good. It has

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Speaker 3: been the number one thing that every parent has told

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Speaker 3: me is just for bever petal pet sleep.

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Speaker 1: Sure.

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Speaker 3: Yeah, and we had I think it was three nights

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Speaker 3: in hospital. All that we had, Yeah, and losing sleep

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Speaker 3: just yeah, it just doesn't it doesn't cut it.

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Speaker 2: You have aged like fifteen years in three days. You

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Speaker 2: sort of look like a leathery boot.

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Speaker 3: A little bit of Roger sheet about me.

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Speaker 1: Yeah, a little bit, a little bit.

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Speaker 3: Yeah, it was, yeah, it was. It was taxing. But

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Speaker 3: largely the reason for that is and like people that

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Speaker 3: had already our parents would know this, but your child

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Speaker 3: only once and the only thing it thinks about is

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Speaker 3: your partner's breath. Yeah, that is it.

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Speaker 2: Yeah, so you've got common ground, which is great with

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Speaker 2: your child already.

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Speaker 3: So all night Sam can't get out of bed. So

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Speaker 3: all I'm doing is getting up, getting the child out

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Speaker 3: of the bassinet and then carrying it over to Sam.

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Speaker 3: She feeds, run out for you know, fifteen to twenty

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Speaker 3: minutes as long as she can.

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Speaker 1: Yeah.

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Speaker 3: I sleep while she feeds, and then she yells my

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Speaker 3: name out and then I go. Then I go and

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Speaker 3: get the child, I take it back to the bassinet,

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Speaker 3: changes and everyone needs to and then try and sleep

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Speaker 3: before it starts crying, before it wants more food.

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Speaker 1: Has been all right?

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Speaker 3: Yeah, same thing all night, every night, for three nights.

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Speaker 3: Is she jewel duel feeding your feed on your feed

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Speaker 3: on both breasts.

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Speaker 1: Yeah right, okay, yeah, yeah, okay, yeah.

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Speaker 3: Just even just to give your nipples a break because

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Speaker 3: to latch properly, and yeah that's a whole other story.

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Speaker 1: Yeah yeah yeah.

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Speaker 3: But so it's really interesting from my side of this,

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Speaker 3: I've never felt more irrelevant. But talking to Sam a

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Speaker 3: little bit about it, it's really funny how every woman

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Speaker 3: who gives birth and breastfeeds, or whether she pumps or

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Speaker 3: whatever she does, your relationship with your breasts is like

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Speaker 3: now totally different because now they're performing the function that

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Speaker 3: they're actually on. Four.

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Speaker 2: Yeah, of course they've always been lying dormant like a volcano.

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Speaker 2: For the first about lying dormant, well, no, I know

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Speaker 2: you get in there, but I'm saying like that they

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Speaker 2: haven't had it in there. But I don't know what

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Speaker 2: you meant by that comment, but I'm saying, for twenty

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Speaker 2: eight years.

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Speaker 3: I know you meant my comment about my partner's breasts.

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Speaker 2: I mean that they're dormant like volcanoes in that they

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Speaker 2: don't really have a practical use until exactly she gives

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Speaker 2: birth and all of a sudden krakatoa. You know what

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Speaker 2: I mean there's an us tique which it's extraordinary that

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Speaker 2: it is.

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Speaker 3: It really is, And like as I said, from my

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Speaker 3: side of the spectrum, like it's fascinating. But for her

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Speaker 3: and for all women, you go to this transition where

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Speaker 3: your breasts are and I'm just trying to wrap my

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Speaker 3: head around this. I really want some women to call

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Speaker 3: and talk about this more because I just think it's fascinating.

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Speaker 3: Your breasts go from this object of sexuality, of desirability

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Speaker 3: into the only thing that is sustaining your child, like

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Speaker 3: that magical things, that weirdest thing, that's just the weirdest

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Speaker 3: thing about And like Sim's breast milk is just overflowing,

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Speaker 3: so she's got like she's got, and like it's just

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Speaker 3: everything's changed and it's the only thing keeping Max alive.

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Speaker 3: Her breast. These things that I used to look at

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Speaker 3: and feel a bit naughty if I got caught looking

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Speaker 3: at it. It is so funny. So I really want

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Speaker 3: to I really want to hear from some other women

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Speaker 3: right now. How did did this happen to you? This

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Speaker 3: this idea of transitioning from breasts being sexual to breasts

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Speaker 3: being Well, it did if you gave birth to a

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Speaker 3: child and more importantly, did you how do you transition back?

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Speaker 3: Is there a point where, like you and like that's

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Speaker 3: what I said before, is there a point where my

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Speaker 3: child and I are going to be scrapping for the

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Speaker 3: same nipple, for the same breasts? Like, is there going

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Speaker 3: to be some crossover there where the breasts are kind

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Speaker 3: of like one foot in the sexualized camp and one

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Speaker 3: foot in the life sustaining camp. They probably will. They

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Speaker 3: probably will. The ironic thing is they've never been bigger.

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Speaker 3: They're absolute gold coast cans right now because because of

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Speaker 3: the amount of milk that's in them.

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Speaker 1: I will not my wife's breasts.

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Speaker 3: But obviously it's just hilarious that it's so funny to

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Speaker 3: think that my child desires them more than anything else

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Speaker 3: in the world. And I'm really not saying this from

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Speaker 3: a crass lads in perspective. I'm saying it from like

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Speaker 3: a I really want to hear from some women out

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Speaker 3: there who had to go through this, And I just

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Speaker 3: want to hear your perspective on the girls, because I

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Speaker 3: can't imagine it. Yeah, I think it's I think it's brilliant.

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Speaker 3: Gives one and six five. Are you a woman? Have

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Speaker 3: your breastfed. Just talk about that transition. I'd love to

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Speaker 3: hear your voice right next woods. I did become a

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Speaker 3: dad yesterday or was it two days ago? You're in

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Speaker 3: the totally, totally last the vortex, given that all my

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Speaker 3: nights are fed, are sped spent Jesus ferrying my child

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Speaker 3: from the bassinette to my partner's breasts, as once previously

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Speaker 3: an object of sexual desire, have become literally the only

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Speaker 3: thing sustaining my child. And I really want to talk

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Speaker 3: about this because I like, obviously I'm a guy looking

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Speaker 3: at this from the outside, and Sam's currently passed out

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Speaker 3: with little Max in the bed, so I can't talk

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Speaker 3: to her enough about it because she's just that she's

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Speaker 3: you think I'm in the vortex that she falls asleep

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Speaker 3: breastfeeding at the moment. It's just that's all she does.

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Speaker 3: And I really want to talk with some other women

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Speaker 3: listening to the show right now about that transition about

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Speaker 3: your body going from you know, this object of sexual

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Speaker 3: desire into it being the only way to keep your

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Speaker 3: child alive, and how that must feel for you as

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Speaker 3: a woman, and how you deal with that and and

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Speaker 3: do you go back? Is there going to be where

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Speaker 3: where is there going to be a point where both

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Speaker 3: my child and I are competing for the same breast.

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Speaker 1: I'd love to hear times from some chicks.

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Speaker 2: We've got Yanna here, Wilba Yanna, what do you think

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Speaker 2: about this situation?

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Speaker 1: Can you give us some perspective?

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Speaker 8: They are guys.

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Speaker 9: They never revert back.

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Speaker 5: You go from being like, oh my god, it's really

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Speaker 5: big and perky when the mill comes in and you get.

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Speaker 9: Really excited, and then the first time you're intimate.

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Speaker 1: Yeah, you like, just don't don't touch him.

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Speaker 5: Just don't touch them in case anything comes out, like

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Speaker 5: you are just gonna end up with the mouse.

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Speaker 3: So you're worried. There's a bit of gem left in

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Speaker 3: the jar.

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Speaker 10: There there is a jem.

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Speaker 2: It's like the never ending Jim Jams packet, you know,

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Speaker 2: with the Jim Jams. Genie Madison here, Madison, you are

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Speaker 2: currently breastfeeding a bit like Will's partner sim And yeah,

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Speaker 2: Will's posing the question, you know, your breasts go from

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Speaker 2: this sexual trait or sexual feature to you know, being

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Speaker 2: the life support for a baby.

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Speaker 1: Does it ever go back? Madison?

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Speaker 9: Well, I probably don't know about going back. I'm only yeah,

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Speaker 9: I'm still breastfeeding. She's eight months and she will not

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Speaker 9: take a bottle. So okay, still in that moment of

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Speaker 9: going through that, but I think just the way you

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Speaker 9: guys described it was just beautiful. The fact that, yeah,

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Speaker 9: you go through your whole life being sexualized for it,

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Speaker 9: and then all of a sudden you don't mind just

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Speaker 9: pulling it out because you just know that it's feeding

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Speaker 9: your child and you don't care who sees it where

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Speaker 9: it is, and that's all that habit.

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Speaker 3: Yeah, isn't that amazing? Thanks so much for the call

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Speaker 3: mate that that's exactly what I found as well. Like

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Speaker 3: it's just you just don't think of it, like at

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Speaker 3: the currently I'm not looking. I mean, I referred to

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Speaker 3: them before as gold Coast cans, and that's how that's

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Speaker 3: how previously, pre best feeding, I might have thought about

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Speaker 3: bobs the size of SEMs, but right now you don't

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Speaker 3: even think about it. It's just like that is the

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Speaker 3: way my child's surviving. There that it's totally strange from

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Speaker 3: my perspective, which is why we're taking calls on it

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Speaker 3: from other women as to just how you went through

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Speaker 3: that transition. I want to throw quickly to button push

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Speaker 3: of Joel, not because he's breastfed before. But Joel, you

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Speaker 3: were saying, no.

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Speaker 2: You haven't, mate, I was a baby. I did you've

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Speaker 2: been Oh, I know, great point. He's got you there. Yeah,

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Speaker 2: Joel's been on a boob. The other side, it was

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Speaker 2: breastfed until he was fourteen. Apparently that's what your mum

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Speaker 2: told me.

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Speaker 3: Joe, you had a question, Will Yeah, I did, thank

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Speaker 3: you before we were rudely interrupted by this absolute child

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Speaker 3: in the studio. Joel, you were saying. Kristen Bell and

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Speaker 3: Dak Shepherd obviously a bit of a power couple ever

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Speaker 3: in Hollywood. Kristin Bell had an interesting take on it.

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Speaker 4: Yeah, it's like an interesting blurred line between motherhood and

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Speaker 4: being a woman and wanting to feel sexy. She opened

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Speaker 4: up an interview once and said she was filming a

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Speaker 4: movie with her husband who was directing it. It's the

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Speaker 4: film Chips with Dak Shepherd and she was the star

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Speaker 4: in it with him, and she said, you have to

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Speaker 4: write in a pool scene with me because my boobs

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Speaker 4: have never looked better and I want to come out

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Speaker 4: of the water in slow motion and with my new

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Speaker 4: pregnancy boobs.

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Speaker 1: And it's in the movie. You watch it, and she's

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Speaker 1: got this great scene with Kristen Bell.

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Speaker 4: But she opened up and said, not that was me

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Speaker 4: just being a new mom going it has to be done.

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Speaker 1: And he did it for his wife. He wow, that

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Speaker 1: is brilliant story. I've got Taylor here and now, Taylor,

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Speaker 1: you can relate to this.

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Speaker 9: Yes, yeah, I had my daughter, she's almost two now.

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Speaker 5: But after having her for a couple of weeks, I

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Speaker 5: got clogged milk ducks. So I was breastfeeding her on.

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Speaker 11: One side and then my partner was on the other

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Speaker 11: one getting the milk out.

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Speaker 1: So, oh oh, how did he go about that? Was

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Speaker 1: he sort of pumping with the hands or no?

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Speaker 3: So I had tried the pump and it wasn't working.

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Speaker 8: When I tried everything, going in the shower warm water,

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Speaker 8: nothing was.

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Speaker 12: Working and it started getting really sore.

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Speaker 9: So he had just had to go there and suck on.

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Speaker 2: Now, there was a fascinating TV show on the ABC

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Speaker 2: right now called you Can't Ask That So on Wednesdays

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Speaker 2: at nine pm, as I said, on the ABC, or

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Speaker 2: you can catch all the apps on ABC I view.

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Speaker 2: And the concept is effectively asking certain types of people

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Speaker 2: the thing that you just shouldn't ask them So last

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Speaker 2: night's episode.

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Speaker 1: Was on Bogans, and here's a snip of it. Why

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Speaker 1: do you sound so unsophisticated.

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Speaker 3: Shim Balanza, I am unsophisticated.

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Speaker 1: I do sound so unsophisticated.

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Speaker 12: I sound real.

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Speaker 7: Actually, I don't really sound so much like a Bogan.

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Speaker 7: But I suppose when i'd get a few mere i'd

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Speaker 7: get a little bit animated because.

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Speaker 4: I talk really fast and I don't filter it, and

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Speaker 4: I'm just really honest.

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Speaker 8: It just thumbs out.

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Speaker 7: Also because a lot of us are really like loud

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Speaker 7: because we're at the pub and we're used to like

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Speaker 7: talking over people.

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Speaker 2: Okay, So we are joined by the producer, interviewer, and

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Speaker 2: show creator of You Can't Ask That, Kirk Docker Kirk,

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Speaker 2: Welcome to the show.

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Speaker 11: Thank you, good afternoon boys. I like that with a

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Speaker 11: guy says I don't really sound like a Bogan, and

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Speaker 11: like sounds like the most bogan go on the whole.

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Speaker 1: Show, stereotypical Bogan, Wasn't it so, Kurt?

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Speaker 2: You're actually you're in the room when these effectively awkward

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Speaker 2: questions have been asked, don't you?

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Speaker 11: Yes, I've been in the room, sat opposite the people

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Speaker 11: for every single episode of every single interview for the

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Speaker 11: entire season.

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Speaker 8: So oh, even though.

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Speaker 11: They picked the question up and read the question and

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Speaker 11: answer the question, then I asked the follow ups and

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Speaker 11: an often time might sit with them for a couple

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Speaker 11: of hours. We go deep, We go in all sorts

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Speaker 11: of weird and wonderful direction, and that's sort of the

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Speaker 11: fun of the show. You can go anywhere you want

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Speaker 11: because the show.

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Speaker 2: Is called you can't ask that absolutely, and so answer

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Speaker 2: me this. Then, when was the room most awkward? Out

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Speaker 2: of all the questions that you're not supposed to ask

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Speaker 2: a certain type of person, when did you create the

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Speaker 2: most awkward room?

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Speaker 11: It was do you know what was awkward? This year

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Speaker 11: we did models and the first question was can you

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Speaker 11: read this card? And often our first question is a

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Speaker 11: bit of a get to know your question, how did

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Speaker 11: you become the thing that you became? A whereas this

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Speaker 11: one was just a straight up brutal start and a

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Speaker 11: few people like, hang on what, yes, of course I

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Speaker 11: can read it, and they've got a bit defended, and

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Speaker 11: I thought, really bad because it was almost a bit

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Speaker 11: of a setup that question. But ultimately all our questions

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Speaker 11: have got something deeper in mind, and I suppose for

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Speaker 11: that particular question we want to know is do people

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Speaker 11: think that you're dumb? And what's that like, going around

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Speaker 11: the world with people thinking you're dumb when actually that

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Speaker 11: might be completely opposite from the truth.

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Speaker 3: Yeah, yeah, Kak, can I ask so this season of

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Speaker 3: Bogans people with post natal depression, game in Models, porn stars,

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Speaker 3: juvenile Detention, Tomta, which one of them.

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Speaker 2: We just lost Will there? Sorry, he's actually he's doing

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Speaker 2: the show from home. He's actually just had a baby.

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Speaker 1: So, well, do you know it's.

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Speaker 11: Weird because I became a dad two months ago myself

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Speaker 11: and I was doing the episode on post mail depression

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Speaker 11: as my partner was pregnant, which is a real eye

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Speaker 11: open to you all these people as they're going through

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Speaker 11: this thing. So no, totally get it, totally know where

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Speaker 11: you're at, and I mean myself, so no problems there

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Speaker 11: at all.

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Speaker 1: Unreal.

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Speaker 2: Well you've still got me, mate, don't you worry on

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Speaker 2: the better half? But can I lean into postnatal depression though?

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Speaker 2: So what like, what is a question that you're not

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Speaker 2: supposed to ask there?

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Speaker 11: Kirk, Well, probably the most full on question in that

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Speaker 11: episode was did you want to hurt the baby? And

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Speaker 11: you know, again we were pretty nervous about asking that question.

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Speaker 11: But you know what, a couple of weeks into my

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Speaker 11: own experience, not that I necessarily want to hurt the baby,

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Speaker 11: but I could feel myself. I could feel myself getting

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Speaker 11: riled up, and I was like, you know, being aware

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Speaker 11: of my own behavior. But when we asked that question,

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Speaker 11: no one got it really to offend, and they said,

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Speaker 11: you know what, we were expecting that, and a few

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Speaker 11: people said, you know, there were moments where I sort

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Speaker 11: of went out of my body and I sort of

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Speaker 11: became a different person. I became very frustrated the experience.

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Speaker 11: Not that I didn't love this person, but I became

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Speaker 11: very frustrated with the person I became during this pleasure.

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Speaker 1: Right, So I really held the mirror up to themselves there.

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Speaker 2: So that episode is next Wednesday night postnatal depression.

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Speaker 1: Well end on a bit of a light of one mate,

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Speaker 1: you're speaking to you're speaking to porn stars? Yeah, surely

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Speaker 1: ready might go there. You know me too, well, Kirk.

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Speaker 2: So, so again, if I do ever come across a

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Speaker 2: porn star in my social life, what shouldn't I be

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Speaker 2: asking them?

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Speaker 11: Well, one of the funnest questions we got, and this

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Speaker 11: is the beauty of getting questions from the public. I

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Speaker 11: wouldn't necessarily have come up with this question myself. Someone

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Speaker 11: seeing the question what does a porn set smell like?

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Speaker 11: And you know, television is a you watch it and

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Speaker 11: you listen to people, but getting people to describe viscerally

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Speaker 11: a smell, you know. And it began with, you know,

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Speaker 11: the smell of our coconut oil, because that's the lou

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Speaker 11: we use either and the smell like, you know, your

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Speaker 11: backside because depending on what acts that we do. And

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Speaker 11: then I sort of ended with them saying, well, for

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Speaker 11: us we find it it might turn us on, but

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Speaker 11: for other people they might if they walked in the

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Speaker 11: room a couple of hours into a pawn shoot, they

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Speaker 11: might find it quite confronting. So what did the corners

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Speaker 11: that smell like? I thought was a really interesting insight

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Speaker 11: into that world that you wouldn't necessarily get by watching it.

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00:20:00,200 --> 00:20:04,640
Speaker 2: I suppose absolutely well, if you want that insight into

444
00:20:04,680 --> 00:20:06,800
Speaker 2: the puey coconut smell that goes down on a porn

445
00:20:06,800 --> 00:20:10,280
Speaker 2: star set, then what you can't ask that it's on

446
00:20:10,320 --> 00:20:13,159
Speaker 2: Wednesdays at nine pm on the ABC or you can

447
00:20:13,200 --> 00:20:15,879
Speaker 2: catch all the ebbs on ABC iView Kirk doc, I

448
00:20:15,960 --> 00:20:17,680
Speaker 2: thank you so much for joining us, mate, what a

449
00:20:17,720 --> 00:20:18,440
Speaker 2: fascinating show.

450
00:20:18,480 --> 00:20:21,560
Speaker 11: Congratulations awesome thanksh having on the show boys.

451
00:20:21,320 --> 00:20:22,640
Speaker 1: Were what well.

452
00:20:22,760 --> 00:20:27,520
Speaker 2: Last night's Celebrity Apprentice we survived again. We raised twenty

453
00:20:27,760 --> 00:20:32,760
Speaker 2: thousand bucks for our charity, Gotcha for Life. And last

454
00:20:32,800 --> 00:20:36,240
Speaker 2: night's Challenge Will, which we were project managers for, was

455
00:20:36,280 --> 00:20:40,639
Speaker 2: all about every single contestant or celebrity pretending to be

456
00:20:40,800 --> 00:20:45,680
Speaker 2: someone else or pretending to have another profession. Yes, so

457
00:20:45,720 --> 00:20:48,680
Speaker 2: it's inspired us to do one of our favorite games.

458
00:20:48,560 --> 00:20:52,080
Speaker 1: This one is this my profession? Okay?

459
00:20:52,080 --> 00:20:54,640
Speaker 2: Effectively people are calling us now thirteen one oh sixty five.

460
00:20:55,400 --> 00:20:57,720
Speaker 2: We asked them a whole bunch of questions about the

461
00:20:57,760 --> 00:21:02,320
Speaker 2: profession that they profess to have, and then we decide if.

462
00:21:02,200 --> 00:21:03,360
Speaker 1: They actually have that job.

463
00:21:03,359 --> 00:21:09,360
Speaker 2: Wilber, So, we've got Lauren here, Lauren, what do you do?

464
00:21:10,960 --> 00:21:12,040
Speaker 1: Hello? Lauren? What do you do?

465
00:21:13,680 --> 00:21:15,320
Speaker 9: I am a influencer?

466
00:21:15,800 --> 00:21:19,640
Speaker 1: How much money dear charge per shot? Oh?

467
00:21:19,640 --> 00:21:23,040
Speaker 5: Look, it's different depending on the brand obviously, like their

468
00:21:23,640 --> 00:21:27,680
Speaker 5: level of business, but also it's like the more followers

469
00:21:27,720 --> 00:21:30,280
Speaker 5: you have, the more you can charge. And it's just

470
00:21:31,040 --> 00:21:33,600
Speaker 5: for a post or a real or a story like

471
00:21:33,640 --> 00:21:34,320
Speaker 5: it works like that.

472
00:21:34,560 --> 00:21:36,560
Speaker 1: What was the last product you promoted and how did

473
00:21:36,600 --> 00:21:37,200
Speaker 1: you promote it?

474
00:21:38,359 --> 00:21:39,720
Speaker 5: It was Best and Less?

475
00:21:40,040 --> 00:21:40,800
Speaker 1: Best and Less?

476
00:21:41,320 --> 00:21:45,600
Speaker 10: Sorry, and it was pajamas.

477
00:21:46,960 --> 00:21:50,440
Speaker 1: Shot in your pjs?

478
00:21:51,080 --> 00:21:54,320
Speaker 3: Yeah, because because what sort of influencer who's actually an influence,

479
00:21:54,320 --> 00:21:56,800
Speaker 3: who's not an influencer, is making up Best and Less?

480
00:21:56,800 --> 00:21:58,800
Speaker 3: Like if she's not an influencer, she's going to say like, Yeo,

481
00:21:58,840 --> 00:22:01,120
Speaker 3: I did a suit shoot for good? Yeah, no, good

482
00:22:01,119 --> 00:22:03,480
Speaker 3: point best unless is so crap.

483
00:22:03,720 --> 00:22:06,240
Speaker 2: Oh no, we love we love Best and Less on

484
00:22:06,240 --> 00:22:07,959
Speaker 2: this show. And I've actually got a pair of the boxes.

485
00:22:07,960 --> 00:22:09,120
Speaker 2: They're incredibly comfortable.

486
00:22:10,119 --> 00:22:10,479
Speaker 1: Lauren.

487
00:22:10,600 --> 00:22:13,719
Speaker 2: Okay, based on Will's theory, there, we think you're actually

488
00:22:13,800 --> 00:22:21,679
Speaker 2: an influencer. No one's influencing's use Best and Less.

489
00:22:22,800 --> 00:22:24,879
Speaker 5: I'm not quite sure it's the best that came to

490
00:22:24,920 --> 00:22:25,359
Speaker 5: my mind.

491
00:22:26,800 --> 00:22:30,160
Speaker 1: Got on, Lauren played, I've got tea and now okay, tea.

492
00:22:30,440 --> 00:22:32,080
Speaker 1: What's your job? What's your profession?

493
00:22:32,920 --> 00:22:33,959
Speaker 12: I'm a swimming teacher.

494
00:22:34,359 --> 00:22:39,000
Speaker 1: Swimming teacher, okay, I used to teach swimming. Oh then

495
00:22:39,080 --> 00:22:39,480
Speaker 1: what what?

496
00:22:39,480 --> 00:22:40,920
Speaker 3: What level of swimming do you teach?

497
00:22:42,280 --> 00:22:43,960
Speaker 12: From infans to adults?

498
00:22:45,160 --> 00:22:46,440
Speaker 1: Graelright, huge range?

499
00:22:46,440 --> 00:22:48,520
Speaker 3: What do you reckons? The most important thing about teaching

500
00:22:48,560 --> 00:22:50,000
Speaker 3: and infant swimming.

501
00:22:51,080 --> 00:22:53,640
Speaker 5: Teaching them how to find a way to get back

502
00:22:53,720 --> 00:22:54,320
Speaker 5: up safely.

503
00:22:55,200 --> 00:22:56,560
Speaker 6: Mm.

504
00:22:56,680 --> 00:22:59,160
Speaker 3: I don't think you do teaching that with infants. The infants, mate,

505
00:22:59,160 --> 00:23:01,000
Speaker 3: they're not going back in anyway. They're just they're being

506
00:23:01,000 --> 00:23:03,280
Speaker 3: held by their parents while they blow bubbles in the water.

507
00:23:03,720 --> 00:23:04,960
Speaker 3: I don't think you're a swim teacher.

508
00:23:06,040 --> 00:23:06,600
Speaker 11: I am.

509
00:23:08,119 --> 00:23:11,520
Speaker 2: Well, you are cold, you are ice cold, and it's

510
00:23:11,520 --> 00:23:13,439
Speaker 2: obviously important getting back to the surface.

511
00:23:13,560 --> 00:23:16,560
Speaker 3: Talking about infants though, you don't dunk an infant.

512
00:23:16,840 --> 00:23:19,399
Speaker 1: No, she didn't say she's dunking infants. She's just teaching

513
00:23:19,440 --> 00:23:21,080
Speaker 1: them how to get back up if.

514
00:23:21,000 --> 00:23:22,680
Speaker 3: They don't swim mate their infants.

515
00:23:22,920 --> 00:23:25,680
Speaker 1: Well, apparently she's a super coach because her infants can.

516
00:23:26,840 --> 00:23:29,879
Speaker 1: Let's go to Christian here. Christian, what what job do

517
00:23:29,960 --> 00:23:31,280
Speaker 1: you hold, mate?

518
00:23:31,640 --> 00:23:34,360
Speaker 11: I'm a federal police officer, a.

519
00:23:34,160 --> 00:23:38,280
Speaker 2: Federal police officer. Okay, what was the last bust that

520
00:23:38,320 --> 00:23:39,480
Speaker 2: you've busted.

521
00:23:41,040 --> 00:23:41,520
Speaker 8: Last night?

522
00:23:42,160 --> 00:23:45,159
Speaker 1: Truth? What was it? Mate? If you can share a big.

523
00:23:45,080 --> 00:23:46,600
Speaker 11: Drug bus, you know, we'd like to keep it on

524
00:23:46,600 --> 00:23:48,360
Speaker 11: the down low, But so I can't tell you too much.

525
00:23:49,119 --> 00:23:52,120
Speaker 1: You just said you just hold this drug bus.

526
00:23:53,080 --> 00:23:57,000
Speaker 2: I don't think you're a federal police officer.

527
00:23:58,600 --> 00:24:00,919
Speaker 11: I'll come don't come down there now the rest if

528
00:24:00,960 --> 00:24:01,440
Speaker 11: you like.

529
00:24:02,520 --> 00:24:08,840
Speaker 1: You, Christian, Okay, right up next.

530
00:24:09,880 --> 00:24:12,320
Speaker 13: When you say big drug buss, big drug bus night,

531
00:24:12,400 --> 00:24:14,680
Speaker 13: but can't give away too much, boys can't give away

532
00:24:14,760 --> 00:24:15,200
Speaker 13: too much?

533
00:24:15,800 --> 00:24:19,000
Speaker 2: Well, right up next, back in line with Celebrity Apprentice.

534
00:24:19,000 --> 00:24:21,760
Speaker 2: We are going to be joined by NRL superstar and

535
00:24:21,960 --> 00:24:26,240
Speaker 2: teammate Benji Marshall and he's going to talk a bit

536
00:24:26,240 --> 00:24:27,919
Speaker 2: more on you know how awesome it is to be

537
00:24:27,960 --> 00:24:30,320
Speaker 2: working with us on such a successful show.

538
00:24:30,359 --> 00:24:31,879
Speaker 3: Now, last time we had Benji on the show, he

539
00:24:32,000 --> 00:24:36,919
Speaker 3: swore sixteen times in eighty seconds. So yeah, hopefully he

540
00:24:37,040 --> 00:24:38,280
Speaker 3: binds his p's and qres.

541
00:24:38,520 --> 00:24:40,480
Speaker 2: I think he's actually looking at he's looking after his kids,

542
00:24:40,560 --> 00:24:42,720
Speaker 2: so I don't think he's wears around his kids, which's good.

543
00:24:43,000 --> 00:24:43,680
Speaker 1: It's a good time.

544
00:24:43,840 --> 00:24:46,560
Speaker 3: Not sure if that's the case. Yeah, Benji Marshall Woods,

545
00:24:46,560 --> 00:24:49,080
Speaker 3: you and I are on Celebrity Apprentice on Channel nine

546
00:24:49,080 --> 00:24:52,240
Speaker 3: at the moment from Sunday through Wednesday's seven o'clock on

547
00:24:52,560 --> 00:24:54,840
Speaker 3: Channel nine. We're still in the hunt, mate, We're still

548
00:24:54,880 --> 00:24:58,680
Speaker 3: in the earth to be the Apprentice for twenty twenty two.

549
00:24:58,920 --> 00:25:00,840
Speaker 3: But we are up against some of the.

550
00:25:00,760 --> 00:25:03,359
Speaker 2: Best and one of those people who is one of

551
00:25:03,359 --> 00:25:06,480
Speaker 2: the best is NRL superstar Benji Marshall.

552
00:25:07,600 --> 00:25:09,280
Speaker 14: Yeah, the Boys, head of.

553
00:25:09,520 --> 00:25:11,360
Speaker 1: Boys, welcome Benji. Now Benji to.

554
00:25:11,320 --> 00:25:12,280
Speaker 14: Start off Boys.

555
00:25:12,440 --> 00:25:16,160
Speaker 8: Yeah yeah, wellah no, got four things for your four

556
00:25:16,200 --> 00:25:19,120
Speaker 8: things and they're going to go least important to most important.

557
00:25:19,160 --> 00:25:22,400
Speaker 8: So all congratulations Woods, I'm getting engaged.

558
00:25:22,880 --> 00:25:24,320
Speaker 1: Thank you, Thank you, mate, appreciate that.

559
00:25:24,880 --> 00:25:26,160
Speaker 8: Be that's the least important.

560
00:25:26,440 --> 00:25:26,760
Speaker 7: Thank you.

561
00:25:26,800 --> 00:25:28,280
Speaker 1: I'll part it on to me and my partner. I

562
00:25:28,280 --> 00:25:28,960
Speaker 1: appreciate it.

563
00:25:29,760 --> 00:25:32,880
Speaker 8: The next part Boys, twenty thousand dollars Scotchi for Life

564
00:25:32,920 --> 00:25:37,200
Speaker 8: last night raised for your charity. Congratulations on winning the money.

565
00:25:37,760 --> 00:25:39,200
Speaker 8: Well done, great effort from the boys.

566
00:25:39,240 --> 00:25:41,280
Speaker 1: And you actually you helped us out. Benji.

567
00:25:41,359 --> 00:25:45,639
Speaker 2: You you actually were playing an old man in the

568
00:25:45,680 --> 00:25:48,639
Speaker 2: episode last night and you lied about your your wife

569
00:25:48,720 --> 00:25:50,320
Speaker 2: dying and that's why you've got to discus.

570
00:25:52,000 --> 00:25:52,200
Speaker 7: Yeah.

571
00:25:52,320 --> 00:25:55,639
Speaker 8: Look, my wife she was very shocked watching the episode

572
00:25:55,640 --> 00:25:59,639
Speaker 8: back election didn't tell her what happened, and when she

573
00:25:59,720 --> 00:26:01,560
Speaker 8: was watching, she just looked at me and gave me

574
00:26:01,680 --> 00:26:06,520
Speaker 8: the filthiest look, honestly, that I've ever been given. But

575
00:26:07,400 --> 00:26:09,720
Speaker 8: to be fair, like boys, you were there, that guy

576
00:26:09,840 --> 00:26:12,320
Speaker 8: wasn't selling the why he wasn't giving us no discounts.

577
00:26:12,400 --> 00:26:14,240
Speaker 1: Yeah, we had to.

578
00:26:15,200 --> 00:26:18,240
Speaker 3: Can we talk about about the occasion though, bench, because

579
00:26:18,400 --> 00:26:21,080
Speaker 3: like we're in disguise, Woody and I are in disguise.

580
00:26:21,600 --> 00:26:26,440
Speaker 3: You're in disguise. Woody and I would crawl through broken

581
00:26:26,480 --> 00:26:31,119
Speaker 3: glass to hear somebody recognize us down the other end

582
00:26:31,119 --> 00:26:33,440
Speaker 3: of a walkie talkie if it meant somebody just spotting

583
00:26:33,480 --> 00:26:35,760
Speaker 3: his somewhere Sydney and being like, hey, look that's where

584
00:26:35,760 --> 00:26:37,919
Speaker 3: them mouddy. You, on the other hand, are in like

585
00:26:38,320 --> 00:26:41,720
Speaker 3: full prosthetics, punched over you look everything in our man

586
00:26:42,520 --> 00:26:45,119
Speaker 3: and people were yelling out of their cars for you

587
00:26:45,200 --> 00:26:47,000
Speaker 3: to give them a flick pass. It was one of

588
00:26:47,040 --> 00:26:52,760
Speaker 3: the most Tom forgot about that demoralizing walks through anywhere

589
00:26:52,760 --> 00:26:55,440
Speaker 3: that I've ever ever had, So thanks.

590
00:26:55,160 --> 00:26:57,160
Speaker 8: For that, yeah mate, but look, to be honest, we're

591
00:26:57,200 --> 00:26:58,960
Speaker 8: in Melbourne though, like it would have been the other

592
00:26:58,960 --> 00:27:01,680
Speaker 8: way around, because you guys are like whole property National Radio,

593
00:27:02,000 --> 00:27:05,600
Speaker 8: the best show on Kiss FM from four to six pm,

594
00:27:06,000 --> 00:27:07,360
Speaker 8: you know what I mean? Like you guys who got

595
00:27:07,359 --> 00:27:07,760
Speaker 8: that down?

596
00:27:08,000 --> 00:27:09,679
Speaker 1: Yeah, thank you, Matt. We use that for a promo.

597
00:27:09,760 --> 00:27:10,919
Speaker 1: That's amazing. Thanks Benji.

598
00:27:12,600 --> 00:27:14,400
Speaker 2: Now catching up with you is great though, Benja, benh

599
00:27:14,400 --> 00:27:17,320
Speaker 2: We went for a beer in between filming, and literally

600
00:27:17,320 --> 00:27:20,280
Speaker 2: this is in West Sydney, so every second person wanted

601
00:27:20,280 --> 00:27:22,840
Speaker 2: to buy Benji your beer. But every time they came

602
00:27:22,920 --> 00:27:24,640
Speaker 2: up to him, Benji would be like, yeah, yeah, that's

603
00:27:24,640 --> 00:27:26,240
Speaker 2: cool man, can you also bum and mate?

604
00:27:26,240 --> 00:27:26,840
Speaker 1: What are your beer?

605
00:27:27,119 --> 00:27:30,560
Speaker 13: And look on their faces they were so devastated that

606
00:27:30,680 --> 00:27:31,240
Speaker 13: they had to go.

607
00:27:32,200 --> 00:27:35,640
Speaker 8: But we did buy them one back. If they brought

608
00:27:35,680 --> 00:27:37,800
Speaker 8: me one, we'd buy them back. It's just that they

609
00:27:37,800 --> 00:27:39,360
Speaker 8: bought me and new one. We got them too.

610
00:27:39,440 --> 00:27:41,719
Speaker 2: Yeah that's right, you know, Yeah, no, we're good guy.

611
00:27:41,760 --> 00:27:43,440
Speaker 2: I mean I never got my credit card out and.

612
00:27:44,840 --> 00:27:49,200
Speaker 3: Say, Benji, do not lie.

613
00:27:52,160 --> 00:27:54,000
Speaker 1: Yeah you're lying, Benji. I would never get my credit

614
00:27:54,000 --> 00:27:56,359
Speaker 1: card out, but you didn't shout I do.

615
00:27:56,680 --> 00:27:58,680
Speaker 2: I do want to confront you about something, though, Bene

616
00:27:58,680 --> 00:28:02,159
Speaker 2: because obviously we're watching back the episodes, and if you

617
00:28:02,160 --> 00:28:04,159
Speaker 2: haven't seen this show, there's a whole bunch of interviews

618
00:28:04,200 --> 00:28:07,400
Speaker 2: that you know, contestants or celebrities do and we don't

619
00:28:07,400 --> 00:28:10,040
Speaker 2: get to see that while we're filming. And this is

620
00:28:10,080 --> 00:28:13,840
Speaker 2: a little grab, Benji of you talking about Will and.

621
00:28:13,760 --> 00:28:17,320
Speaker 8: I seriously, some of the things that comes out of

622
00:28:17,320 --> 00:28:19,840
Speaker 8: their mouth, honestly is crazy.

623
00:28:20,640 --> 00:28:21,880
Speaker 1: Thought I thought we were mate's bench.

624
00:28:22,960 --> 00:28:24,800
Speaker 8: Yeah, we are mates, but you know, I'm very honest

625
00:28:24,800 --> 00:28:26,280
Speaker 8: in up front and honestly some of the things that

626
00:28:26,400 --> 00:28:31,160
Speaker 8: come out of your mouth are crazy, like I love

627
00:28:31,200 --> 00:28:34,720
Speaker 8: your lucky I lucky ideas up but you guys are about quantity,

628
00:28:34,800 --> 00:28:37,960
Speaker 8: not about quality. If you thought maybe about like okay,

629
00:28:37,960 --> 00:28:39,640
Speaker 8: how's it going to make us money? And where if

630
00:28:39,640 --> 00:28:43,440
Speaker 8: that films are making money, then I'd be like, oh, well,

631
00:28:43,480 --> 00:28:46,040
Speaker 8: these guys are actually pretty smart, but I actually don't

632
00:28:46,040 --> 00:28:47,880
Speaker 8: even know how You're on radio honest.

633
00:28:48,800 --> 00:28:52,800
Speaker 2: Jesus has slipped quickly complimentary before you are you?

634
00:28:53,400 --> 00:28:55,400
Speaker 8: You asked me about the things I say on there,

635
00:28:55,440 --> 00:28:57,400
Speaker 8: but you know, I'm always happy to be honest about

636
00:28:57,600 --> 00:29:01,000
Speaker 8: if I think not. But hey, when we did Challenge

637
00:29:01,000 --> 00:29:05,880
Speaker 8: for the Wellness Retreat the second episode, your guys episode

638
00:29:06,040 --> 00:29:07,920
Speaker 8: was phenomenal and I let you run with it. He's

639
00:29:07,920 --> 00:29:09,960
Speaker 8: actually made me look good to raise money for my

640
00:29:10,040 --> 00:29:11,520
Speaker 8: trade out and I was like, oh, you're a great

641
00:29:11,520 --> 00:29:18,720
Speaker 8: project leader. But without your idea, well Will's idea, you're

642
00:29:18,720 --> 00:29:20,800
Speaker 8: in a child like we wouldn't have got there. So

643
00:29:20,920 --> 00:29:21,520
Speaker 8: thank you Will.

644
00:29:22,120 --> 00:29:23,440
Speaker 3: Thanks mate, I.

645
00:29:23,480 --> 00:29:25,920
Speaker 8: Appreciate you you're laughing yoga through woods all good?

646
00:29:26,000 --> 00:29:28,600
Speaker 1: Yeah, thanks mate, letting us do it. Mate, it was

647
00:29:28,640 --> 00:29:29,040
Speaker 1: really cool.

648
00:29:29,080 --> 00:29:31,720
Speaker 8: Actually, I'm really proud of you. Proud of you guys.

649
00:29:32,000 --> 00:29:34,040
Speaker 8: I know I text you guys the other night, but yeah,

650
00:29:34,240 --> 00:29:36,960
Speaker 8: one of the biggest problems in society for men is

651
00:29:36,960 --> 00:29:39,040
Speaker 8: we don't really often talk about how we feel. I know,

652
00:29:39,040 --> 00:29:40,920
Speaker 8: I don't want to get too deep. But to see

653
00:29:40,960 --> 00:29:43,520
Speaker 8: all you guys lead that and then Darren, who's quite

654
00:29:43,560 --> 00:29:46,920
Speaker 8: alpha personality, follow that and talk about his struggles, I

655
00:29:47,000 --> 00:29:50,000
Speaker 8: just thought it was like an inspirational thing for people

656
00:29:50,000 --> 00:29:51,840
Speaker 8: to be able to see that on national TV, especially

657
00:29:51,880 --> 00:29:53,760
Speaker 8: from famous people like yourself.

658
00:29:53,880 --> 00:29:54,640
Speaker 1: Goodndergreen more.

659
00:29:54,720 --> 00:29:56,760
Speaker 3: Mate, that's so nice, mate, And I don't I did

660
00:29:56,840 --> 00:29:59,800
Speaker 3: notice that tongue in cheek that famous people like yourself.

661
00:29:59,480 --> 00:30:01,760
Speaker 8: Come in at the Yeah, I had to throw that

662
00:30:01,440 --> 00:30:02,400
Speaker 8: is now.

663
00:30:02,520 --> 00:30:04,520
Speaker 3: Ben, I feel like we've we've ticked off. He said

664
00:30:04,560 --> 00:30:08,080
Speaker 3: four important things to say. We've gone through his engagement,

665
00:30:08,120 --> 00:30:11,240
Speaker 3: We've gone through the twenty grand we run forgot for life.

666
00:30:11,320 --> 00:30:13,400
Speaker 3: I imagine you've gone through the compliment for us for

667
00:30:13,480 --> 00:30:15,280
Speaker 3: running the wellness retreat. People can check it out on

668
00:30:15,360 --> 00:30:17,400
Speaker 3: nine now. If I haven't seen that episode of us

669
00:30:17,480 --> 00:30:18,480
Speaker 3: running the wellness retreat.

670
00:30:18,600 --> 00:30:20,680
Speaker 8: It was one of them, by the way, Oh that.

671
00:30:20,600 --> 00:30:22,440
Speaker 3: Wasn't one of the two left.

672
00:30:23,080 --> 00:30:25,840
Speaker 8: Yeah. So the second one is I've actually send something

673
00:30:25,840 --> 00:30:29,560
Speaker 8: to your house will oh wow, that should be there tomorrow.

674
00:30:30,040 --> 00:30:32,120
Speaker 1: Oh mate, do I have a Do I have a

675
00:30:32,160 --> 00:30:33,120
Speaker 1: gift for the engagement?

676
00:30:33,160 --> 00:30:34,320
Speaker 8: No, you got nothing?

677
00:30:34,880 --> 00:30:35,280
Speaker 1: Areciate.

678
00:30:36,200 --> 00:30:38,880
Speaker 8: The first one is congratulations on becoming a.

679
00:30:38,880 --> 00:30:45,880
Speaker 2: Band mate many thank you, so many great You.

680
00:30:46,040 --> 00:30:49,280
Speaker 8: Just come to a great club. That's probably the best

681
00:30:49,280 --> 00:30:51,680
Speaker 8: club in the world and that's the Becoming Apparent Club.

682
00:30:51,720 --> 00:30:52,480
Speaker 8: So well done.

683
00:30:52,560 --> 00:30:55,440
Speaker 3: Thanks and I really appreciate it. While we're on set

684
00:30:55,480 --> 00:30:57,080
Speaker 3: as well. Like the people might have seen on the

685
00:30:57,080 --> 00:31:01,280
Speaker 3: episode last night, I got the ultrasound through uh and

686
00:31:01,320 --> 00:31:03,760
Speaker 3: benj was yeah, incredibly supportive, alays mate, gave us some

687
00:31:03,840 --> 00:31:06,120
Speaker 3: great advice. So really appreciate mate.

688
00:31:06,120 --> 00:31:06,520
Speaker 8: We love you.

689
00:31:06,600 --> 00:31:08,080
Speaker 3: It was so good to work with you. Thanks for

690
00:31:08,120 --> 00:31:11,120
Speaker 3: helping us out. And looks like you've got some dad duties.

691
00:31:11,160 --> 00:31:13,479
Speaker 3: It sounds like you've got some dad judice right now?

692
00:31:13,520 --> 00:31:14,880
Speaker 3: What the hell is going on back there?

693
00:31:15,480 --> 00:31:15,680
Speaker 11: Next?

694
00:31:16,760 --> 00:31:19,080
Speaker 3: Be a bit professional? Would you clear the kids out?

695
00:31:21,680 --> 00:31:29,280
Speaker 3: Thanks for jo bench celebrity of Prenes Channel nine seven

696
00:31:29,280 --> 00:31:31,520
Speaker 3: o'clock going to be back on Sunday night, right next

697
00:31:31,520 --> 00:31:33,320
Speaker 3: to the Vague Sale a thousand Bucks with the Strays

698
00:31:33,360 --> 00:31:36,360
Speaker 3: Easiest Quiz and Shag the lead singer his powder Finger

699
00:31:36,400 --> 00:31:38,600
Speaker 3: tribute band. It's going to be joining us right up next.

700
00:31:38,720 --> 00:31:41,400
Speaker 11: Will and Woody Ba's for more in just a bit

701
00:31:42,560 --> 00:31:43,960
Speaker 11: the Will and Woody Podcast.

702
00:31:44,080 --> 00:31:46,360
Speaker 3: Good after an never underweling Woody for Patty's Firds this

703
00:31:46,400 --> 00:31:48,800
Speaker 3: afternoon and hope you're having a wonderful drive home. Kirk

704
00:31:48,840 --> 00:31:50,720
Speaker 3: Docker from You Can't Ask that's going to join us

705
00:31:51,400 --> 00:31:53,080
Speaker 3: in about half an hours time. Very much looking forward

706
00:31:53,120 --> 00:31:56,120
Speaker 3: to that, but right now. In his youth, Woody toured

707
00:31:56,200 --> 00:31:58,920
Speaker 3: South America with three of his mates pretending to be

708
00:31:58,920 --> 00:32:01,760
Speaker 3: the band powder Finger. Fifteen years later, they are out

709
00:32:01,800 --> 00:32:04,560
Speaker 3: to prove that if they could pretend to be powder Finger,

710
00:32:04,840 --> 00:32:07,800
Speaker 3: they can play a gig as powder Finger and enter

711
00:32:07,920 --> 00:32:12,160
Speaker 3: the tribute band Pull my Finger. Fifteen years after traveling

712
00:32:12,200 --> 00:32:15,320
Speaker 3: South America pretending to be the band powder Finger, will

713
00:32:15,400 --> 00:32:16,440
Speaker 3: you got the band back together?

714
00:32:19,400 --> 00:32:21,040
Speaker 1: We're called Pull my Finger. I'm pumped about it.

715
00:32:21,080 --> 00:32:23,959
Speaker 3: Welk Shagg was the lead singer. Shook was the guitarist.

716
00:32:24,040 --> 00:32:26,040
Speaker 1: Yeah, Flour was miscellaneous.

717
00:32:26,160 --> 00:32:28,480
Speaker 3: You professed to be the drummer of the band.

718
00:32:28,760 --> 00:32:30,720
Speaker 1: I didn't think there were so many drums. I thought

719
00:32:30,760 --> 00:32:32,280
Speaker 1: that was just a kick in the snatch or what

720
00:32:32,440 --> 00:32:33,040
Speaker 1: is it called.

721
00:32:33,000 --> 00:32:37,920
Speaker 6: Brig app.

722
00:32:39,080 --> 00:32:39,480
Speaker 8: Jesus.

723
00:32:39,760 --> 00:32:41,240
Speaker 1: So I'm in a good spot.

724
00:32:41,320 --> 00:32:43,200
Speaker 2: No, I've had a fair bash on the drums and

725
00:32:43,200 --> 00:32:44,880
Speaker 2: I'm getting better and better with every bash.

726
00:32:44,920 --> 00:32:47,040
Speaker 3: Will can We just had a little bit of the

727
00:32:47,080 --> 00:32:48,920
Speaker 3: tail end of it there. You did jump on the kit,

728
00:32:49,000 --> 00:32:51,640
Speaker 3: yes alive on Yeah, first time you've been on a

729
00:32:51,720 --> 00:32:54,960
Speaker 3: drum kit yep. And we gave you the lead. That

730
00:32:55,080 --> 00:32:56,920
Speaker 3: was the biggest part of the song My Happiness, which

731
00:32:56,960 --> 00:32:59,080
Speaker 3: is the song you guys will be performing next Thursday

732
00:32:59,400 --> 00:33:02,680
Speaker 3: at the Year twelve for More at a golf course

733
00:33:02,840 --> 00:33:05,600
Speaker 3: somewhere deep in oakleyh Yeah, which I mean, hell of

734
00:33:05,680 --> 00:33:07,520
Speaker 3: a gig, hell of a first gig. I'll remind you

735
00:33:07,600 --> 00:33:09,560
Speaker 3: of that. No stage on the night, so you will

736
00:33:09,600 --> 00:33:10,760
Speaker 3: be just on the dance floor.

737
00:33:10,880 --> 00:33:13,080
Speaker 2: We've got a smoke machine though it's been confirmed we've

738
00:33:13,080 --> 00:33:13,920
Speaker 2: got to smoke machines.

739
00:33:13,960 --> 00:33:15,960
Speaker 1: That's exciting, that's.

740
00:33:15,840 --> 00:33:18,560
Speaker 3: Huge hopefully, So you guys can just run out of

741
00:33:18,560 --> 00:33:21,920
Speaker 3: there and no one knows what you look like. But

742
00:33:21,920 --> 00:33:23,360
Speaker 3: but we heard you on the drums yesterday for the

743
00:33:23,360 --> 00:33:25,480
Speaker 3: first time, mate, And here's you giving the song my

744
00:33:25,560 --> 00:33:26,360
Speaker 3: happiness a.

745
00:33:26,360 --> 00:33:40,280
Speaker 6: Crack ah.

746
00:33:39,280 --> 00:33:41,160
Speaker 1: Yeah, and it's bang on. I think I've nailed the

747
00:33:41,160 --> 00:33:41,680
Speaker 1: time in there.

748
00:33:41,720 --> 00:33:43,480
Speaker 2: And again, what I'd like to ask the audience is,

749
00:33:43,520 --> 00:33:46,480
Speaker 2: don't listen to the vocals, because on the night it's

750
00:33:46,520 --> 00:33:48,280
Speaker 2: not about me on the vocals, it is.

751
00:33:48,240 --> 00:33:50,200
Speaker 1: About our lead man, our lead singer.

752
00:33:50,240 --> 00:33:52,320
Speaker 2: His name is the Shag and he joined us on

753
00:33:52,320 --> 00:33:53,600
Speaker 2: the phone right now, Shaggy.

754
00:33:53,600 --> 00:33:55,640
Speaker 14: How are you good, woods?

755
00:33:55,640 --> 00:33:56,000
Speaker 8: How are you?

756
00:33:56,560 --> 00:33:58,840
Speaker 14: Will congrat see you on Sam will.

757
00:33:59,120 --> 00:34:02,920
Speaker 3: Thanks Shag, appreciate it, mate, Thanks mate, Shaggy.

758
00:34:03,160 --> 00:34:05,040
Speaker 1: How are the vocals feeling?

759
00:34:05,040 --> 00:34:07,120
Speaker 2: There's been a little bit of criticism coming through online

760
00:34:07,120 --> 00:34:08,520
Speaker 2: on my drumming ability.

761
00:34:08,640 --> 00:34:10,400
Speaker 1: But how's your voice sounding, mate?

762
00:34:11,320 --> 00:34:14,239
Speaker 14: Pretty pretty spot on, mate, pretty spectacular. I am. I'm

763
00:34:14,280 --> 00:34:16,759
Speaker 14: not the slightest bit concerned. I'll take to it like

764
00:34:16,800 --> 00:34:17,439
Speaker 14: a ductor water.

765
00:34:17,680 --> 00:34:20,160
Speaker 1: Of course you will, of course you will quack Quackshag.

766
00:34:22,040 --> 00:34:24,279
Speaker 2: But I've been practicing a lot, Shag as well, been

767
00:34:24,280 --> 00:34:25,360
Speaker 2: doing a lot of rehearsal.

768
00:34:26,000 --> 00:34:28,520
Speaker 14: Yeah, I have a bit of shower seeing. Look, I

769
00:34:28,560 --> 00:34:32,399
Speaker 14: haven't to be perfectly since Argentina fifteen years ago.

770
00:34:32,719 --> 00:34:37,239
Speaker 3: Yeah, yeah, neither neither. Man just stop that chat. Neither

771
00:34:37,239 --> 00:34:39,799
Speaker 3: of you gieg or have gigd. You pretended to be

772
00:34:39,840 --> 00:34:41,040
Speaker 3: the band. That's why we're doing this.

773
00:34:41,480 --> 00:34:43,640
Speaker 8: You've never Actually that's fake, that's fake Newsmaker.

774
00:34:43,800 --> 00:34:46,120
Speaker 1: Yeah, yeah, we did it. We did a gig. I

775
00:34:46,160 --> 00:34:49,359
Speaker 1: think it was actually Brazil, Shag. We did as powder Finger.

776
00:34:49,400 --> 00:34:54,000
Speaker 2: We performed case N in Brazil to I think a

777
00:34:54,120 --> 00:34:56,120
Speaker 2: huge response from the four people who were still at

778
00:34:56,120 --> 00:34:59,480
Speaker 2: the bar at three am. But Shag, something that you

779
00:34:59,520 --> 00:35:01,359
Speaker 2: don't know, and I apologize.

780
00:35:01,400 --> 00:35:03,640
Speaker 1: You know, I know I'm your bad band member, and.

781
00:35:03,600 --> 00:35:05,160
Speaker 2: This may come across a bit of a stitch up,

782
00:35:05,960 --> 00:35:07,759
Speaker 2: but I just wanted to check in as to, you know,

783
00:35:07,880 --> 00:35:10,640
Speaker 2: to to hear how you were sounding. So I texted

784
00:35:10,640 --> 00:35:14,480
Speaker 2: your beautiful wife hand and she managed to get some

785
00:35:14,520 --> 00:35:17,879
Speaker 2: audio of you practicing your singing in the car.

786
00:35:21,560 --> 00:35:22,600
Speaker 1: So Shag.

787
00:35:23,040 --> 00:35:25,240
Speaker 2: The double bad news is I do have the audio

788
00:35:25,320 --> 00:35:28,879
Speaker 2: right here. So this is you in the car, my friend.

789
00:35:29,880 --> 00:35:30,439
Speaker 7: We're good.

790
00:35:30,840 --> 00:35:36,279
Speaker 10: Do this to you right now, rode there when I

791
00:35:36,360 --> 00:35:51,160
Speaker 10: need you here. Every film bad now your good start?

792
00:35:51,640 --> 00:35:54,120
Speaker 10: Good must be.

793
00:35:54,360 --> 00:35:54,920
Speaker 14: Where have you.

794
00:35:56,640 --> 00:35:57,840
Speaker 10: Job banged?

795
00:36:03,520 --> 00:36:06,240
Speaker 1: Amazing? YEA happy with that, Shag.

796
00:36:07,640 --> 00:36:10,360
Speaker 14: Look it didn't come across that well. I was I

797
00:36:10,360 --> 00:36:11,799
Speaker 14: thought it sounded a lot better when I was in

798
00:36:11,840 --> 00:36:16,440
Speaker 14: the cab. I was taking it.

799
00:36:16,480 --> 00:36:18,799
Speaker 8: Very seriously too.

800
00:36:19,080 --> 00:36:21,759
Speaker 3: Everybody, anybody who's ever sung in the car or in

801
00:36:21,800 --> 00:36:26,279
Speaker 3: the shower to themselves is bleeding you right now because

802
00:36:26,280 --> 00:36:29,120
Speaker 3: we all take ourselves so seriously. When we're by ourselves singing,

803
00:36:29,200 --> 00:36:31,279
Speaker 3: everybody becomes the best singer in the world. And you

804
00:36:31,320 --> 00:36:33,960
Speaker 3: can jesez, you can hear that there, mate. The sincerity

805
00:36:34,160 --> 00:36:37,880
Speaker 3: with which I devoted yourself is beautiful. It's beautiful.

806
00:36:38,120 --> 00:36:40,839
Speaker 14: Yeah, I'm worried about the long notes, and Bernie actually

807
00:36:40,920 --> 00:36:43,000
Speaker 14: hit some some really some high notes that I just

808
00:36:43,160 --> 00:36:45,120
Speaker 14: cannot hit, and it's going to be a bit awkward

809
00:36:45,120 --> 00:36:46,760
Speaker 14: on the night, but I'll give it everything.

810
00:36:46,480 --> 00:36:46,960
Speaker 1: Of course.

811
00:36:47,920 --> 00:36:50,640
Speaker 3: The other the other, because I've obviously heard this audio

812
00:36:50,680 --> 00:36:52,200
Speaker 3: in full as well, we've cut that down. But the

813
00:36:52,239 --> 00:36:55,040
Speaker 3: other really embarrassing part of the audio that your beautiful

814
00:36:55,080 --> 00:36:58,680
Speaker 3: wife hands centers is that you tried to replay the song,

815
00:36:59,680 --> 00:37:02,399
Speaker 3: and she revealed this in the recording as well.

816
00:37:06,120 --> 00:37:07,880
Speaker 7: Oh che oh, that's.

817
00:37:07,760 --> 00:37:09,600
Speaker 10: Because you don't pay for Spotify.

818
00:37:10,480 --> 00:37:11,799
Speaker 3: You can't choose your song.

819
00:37:12,840 --> 00:37:14,520
Speaker 1: You absolutely title shag.

820
00:37:16,400 --> 00:37:20,839
Speaker 14: That is advance to top a mate, I can put

821
00:37:20,920 --> 00:37:22,560
Speaker 14: up with a couple of aps for that fifty.

822
00:37:24,080 --> 00:37:25,040
Speaker 3: Oh, you're a great man.

823
00:37:25,320 --> 00:37:26,000
Speaker 1: You're a great man.

824
00:37:27,320 --> 00:37:29,160
Speaker 2: All right, check now I know you're Yeah, you're a

825
00:37:29,200 --> 00:37:30,600
Speaker 2: very important and busy lawyer.

826
00:37:31,040 --> 00:37:32,640
Speaker 1: But we've got to go to a song right now.

827
00:37:32,719 --> 00:37:34,080
Speaker 2: Up next, I do want to give you a chance

828
00:37:34,120 --> 00:37:38,720
Speaker 2: to redeem yourself, so live on the show with You're okay.

829
00:37:38,800 --> 00:37:41,840
Speaker 2: I'd love you to have a crack at hitting a

830
00:37:41,840 --> 00:37:42,800
Speaker 2: few famous choruses.

831
00:37:42,920 --> 00:37:43,399
Speaker 1: Is that all right?

832
00:37:44,280 --> 00:37:46,080
Speaker 14: Yeah, I'll warm up during the song.

833
00:37:46,880 --> 00:37:48,760
Speaker 1: I think you need to alright.

834
00:37:50,880 --> 00:37:54,400
Speaker 2: Up next, Shag redeems himself with some live auditions of

835
00:37:54,440 --> 00:37:55,440
Speaker 2: famous choruses.

836
00:37:55,960 --> 00:37:58,280
Speaker 3: We are returning to the fact that Wood he pretended

837
00:37:58,320 --> 00:38:00,480
Speaker 3: to be the band powder Finger in South America with

838
00:38:00,520 --> 00:38:03,839
Speaker 3: three of his mates fifteen years ago, and now they're

839
00:38:03,880 --> 00:38:06,719
Speaker 3: reforming as a Pound of Finger tribute band for one

840
00:38:06,840 --> 00:38:11,200
Speaker 3: night only fifteen years after traveling South America pretending to

841
00:38:11,200 --> 00:38:13,480
Speaker 3: be the band pound Offinger. Wull, you got the band

842
00:38:13,480 --> 00:38:14,000
Speaker 3: back together.

843
00:38:17,000 --> 00:38:18,600
Speaker 1: We're called Pull My Finger. I'm pumped about it.

844
00:38:18,640 --> 00:38:21,520
Speaker 3: Well, Shagg was the lead singer, Shok was the guitarist.

845
00:38:21,600 --> 00:38:23,600
Speaker 1: Yeah, Fleur was miscellaneous.

846
00:38:23,719 --> 00:38:26,000
Speaker 3: You professed to be the drummer of the band.

847
00:38:26,320 --> 00:38:28,319
Speaker 1: I didn't think there were so many drums. I thought

848
00:38:28,320 --> 00:38:29,840
Speaker 1: there was just a kick in the snatch. Oh what

849
00:38:30,000 --> 00:38:38,520
Speaker 1: is it called quicking? Okay, So just before the song.

850
00:38:38,920 --> 00:38:42,880
Speaker 2: We heard from our fearless leader, our lead singer, the Shag.

851
00:38:43,600 --> 00:38:46,399
Speaker 1: Shagg is on the phone right now. Gooday, Shagged? Hey

852
00:38:46,400 --> 00:38:47,520
Speaker 1: what now, Shag?

853
00:38:47,560 --> 00:38:49,200
Speaker 2: I'm sorry that I went behind your back, but I

854
00:38:49,239 --> 00:38:51,480
Speaker 2: did text your wife, Han. I just wanted to get

855
00:38:51,480 --> 00:38:53,640
Speaker 2: a little update as to how the pipes were sounding,

856
00:38:54,280 --> 00:38:56,680
Speaker 2: and she secretly recorded you in the car.

857
00:38:56,840 --> 00:38:58,319
Speaker 1: If you didn't miss it, here's a snip of it.

858
00:39:00,239 --> 00:39:08,319
Speaker 10: S you wrote with them.

859
00:39:10,520 --> 00:39:10,959
Speaker 1: Gee whiz.

860
00:39:11,040 --> 00:39:13,040
Speaker 3: So yeah, probably probably not at the.

861
00:39:13,080 --> 00:39:14,000
Speaker 1: Level where I wanted to jam.

862
00:39:14,080 --> 00:39:16,239
Speaker 3: I thought it was could look, I thought it was good.

863
00:39:16,239 --> 00:39:19,120
Speaker 3: Can I just say, like Shag, I love hand. She's

864
00:39:19,160 --> 00:39:21,680
Speaker 3: a beautiful woman, but gee, she's did she there like

865
00:39:21,760 --> 00:39:24,680
Speaker 3: she she knows she's recording you for the radio, and

866
00:39:24,719 --> 00:39:27,120
Speaker 3: she's she's gone. She's fed you a pretend you're live

867
00:39:27,200 --> 00:39:29,560
Speaker 3: bit and paxed you into something.

868
00:39:31,000 --> 00:39:33,279
Speaker 14: I think she's deliberately muscled the audio on her phone

869
00:39:33,320 --> 00:39:34,479
Speaker 14: as well to make you sound worse.

870
00:39:35,120 --> 00:39:37,320
Speaker 3: Yeah, yeah, there's a bit of that going on. I

871
00:39:37,400 --> 00:39:38,719
Speaker 3: can there's a bit of that going on for sure.

872
00:39:38,840 --> 00:39:39,120
Speaker 1: Agreed.

873
00:39:39,360 --> 00:39:42,520
Speaker 2: You're definitely sounding better in South America fifteen years ago,

874
00:39:43,000 --> 00:39:44,919
Speaker 2: fifteen years ago and fifteen beers deep.

875
00:39:47,040 --> 00:39:49,320
Speaker 1: So so shows shag.

876
00:39:49,600 --> 00:39:51,879
Speaker 2: I am giving you a chance to redeem yourself right now,

877
00:39:52,040 --> 00:39:52,880
Speaker 2: live on the radio.

878
00:39:53,040 --> 00:39:54,560
Speaker 1: So we've got a couple of.

879
00:39:54,480 --> 00:39:58,080
Speaker 2: Songs here and i'd just like, you know, hopefully you

880
00:39:58,160 --> 00:40:00,799
Speaker 2: to prove to Australia that there's a a bit more

881
00:40:00,840 --> 00:40:04,880
Speaker 2: ivory behind those pipes. So first one here we're going

882
00:40:04,960 --> 00:40:08,040
Speaker 2: to go for is vance Joy's classic Riptide.

883
00:40:08,120 --> 00:40:10,560
Speaker 1: So we've got the audio as well. You just sing

884
00:40:10,600 --> 00:40:12,720
Speaker 1: a long shag and you show Australia what you made.

885
00:40:12,600 --> 00:40:15,680
Speaker 14: Of my going from the top is no.

886
00:40:15,600 --> 00:40:17,279
Speaker 1: Mate, I know you know you do not have that much time.

887
00:40:17,320 --> 00:40:18,240
Speaker 3: You'll be doing a chorus.

888
00:40:19,560 --> 00:40:21,880
Speaker 2: So we'll just start playing the song shag and then

889
00:40:22,040 --> 00:40:24,960
Speaker 2: you just you find it, start singing with it, and

890
00:40:25,000 --> 00:40:27,000
Speaker 2: then when we drop the audio, keep singing just so

891
00:40:27,000 --> 00:40:28,040
Speaker 2: we can hear you solo.

892
00:40:28,840 --> 00:40:36,520
Speaker 8: Right, Yeah, went to the top side.

893
00:40:36,760 --> 00:40:40,400
Speaker 12: I want to be your left hand man. I love

894
00:40:40,560 --> 00:40:43,799
Speaker 12: you when you're singing that song. And now I'm love

895
00:40:43,920 --> 00:40:51,760
Speaker 12: to my room because you're gonna sing all the words.

896
00:40:53,760 --> 00:40:55,279
Speaker 1: I think Australia wants one more.

897
00:40:55,560 --> 00:40:58,279
Speaker 3: This is super range he gets up there, doesn't he? Yeah,

898
00:40:58,280 --> 00:41:00,200
Speaker 3: he gets up there. There's no doubt about it. There's

899
00:41:00,200 --> 00:41:01,000
Speaker 3: no doubt about it.

900
00:41:01,080 --> 00:41:03,719
Speaker 1: You do and no one can question your commitment. Shack.

901
00:41:05,080 --> 00:41:07,359
Speaker 14: You know that I'll give a hundred percent on anything.

902
00:41:07,320 --> 00:41:09,640
Speaker 2: Bloody earth, mate, you go one hundred percent with everything

903
00:41:09,640 --> 00:41:10,359
Speaker 2: you turn, my friend.

904
00:41:11,239 --> 00:41:15,480
Speaker 13: Okay, So we're going to finish off with an absolute

905
00:41:15,560 --> 00:41:20,319
Speaker 13: dance for classic. This is Twinkled Toes Johnny Farnham with

906
00:41:20,440 --> 00:41:23,040
Speaker 13: his song You're the Voice.

907
00:41:23,280 --> 00:41:29,680
Speaker 2: Shaggy, I mean entertain Australia, my friend, make a noise

908
00:41:29,760 --> 00:41:30,000
Speaker 2: and the.

909
00:41:30,239 --> 00:41:39,880
Speaker 12: Ship clue, whoa who. We're not going to sit inside.

910
00:41:40,320 --> 00:41:46,200
Speaker 3: All right, we've got it, mate, We've got effect you

911
00:41:46,239 --> 00:41:47,480
Speaker 3: to go to the second course.

912
00:41:48,320 --> 00:41:50,839
Speaker 2: We're gonna be absolutely fine next Thursday.

913
00:41:51,680 --> 00:41:52,480
Speaker 1: Pull my finger.

914
00:41:53,000 --> 00:41:56,880
Speaker 3: I'll tell you what it's will and would give us

915
00:41:56,880 --> 00:41:58,359
Speaker 3: call forty one to six or five. If you think

916
00:41:58,400 --> 00:42:01,360
Speaker 3: you can sell us something with one word, it's the

917
00:42:01,440 --> 00:42:02,239
Speaker 3: vague sale.

918
00:42:03,840 --> 00:42:05,640
Speaker 6: Face exam.

919
00:42:07,200 --> 00:42:07,600
Speaker 1: Okay.

920
00:42:07,600 --> 00:42:09,440
Speaker 2: The way this works, we speak to two people that

921
00:42:09,480 --> 00:42:11,759
Speaker 2: try and sell us an item with one word and

922
00:42:11,840 --> 00:42:15,359
Speaker 2: will one of them is a good item and one

923
00:42:15,360 --> 00:42:16,160
Speaker 2: of them is a lemon.

924
00:42:16,160 --> 00:42:16,919
Speaker 1: It's a bum steer.

925
00:42:17,040 --> 00:42:18,759
Speaker 2: You and I need to try and figure out which

926
00:42:18,800 --> 00:42:21,279
Speaker 2: one is the good one. So we've got Brook here,

927
00:42:21,320 --> 00:42:23,239
Speaker 2: who's called us on thirteen one oh six y five.

928
00:42:23,560 --> 00:42:28,640
Speaker 2: So Brook, describe your item in one word, please, innovation.

929
00:42:30,200 --> 00:42:32,799
Speaker 1: Gee, that's vague. That is that is the definition of

930
00:42:32,800 --> 00:42:33,200
Speaker 1: the game.

931
00:42:33,480 --> 00:42:34,600
Speaker 3: It is the vague sale.

932
00:42:35,440 --> 00:42:39,480
Speaker 1: We do get one question the game. We get one

933
00:42:39,560 --> 00:42:43,840
Speaker 1: question as well, Brook, So will innovation? I mean, gosh,

934
00:42:43,840 --> 00:42:46,799
Speaker 1: she's given us absolutely nothing. There has you.

935
00:42:46,239 --> 00:42:47,320
Speaker 3: Brought to find innovation?

936
00:42:47,440 --> 00:42:47,680
Speaker 8: For me?

937
00:42:47,719 --> 00:42:49,360
Speaker 1: Woulds innovation?

938
00:42:49,440 --> 00:42:53,360
Speaker 2: A technological innovation would be like a progression, a move forward?

939
00:42:53,400 --> 00:42:55,640
Speaker 1: So the product has somehow moved forward?

940
00:42:56,120 --> 00:42:56,319
Speaker 8: Right?

941
00:42:56,400 --> 00:43:00,719
Speaker 2: So yeah, I guess so yeah, Brook Broke, that was

942
00:43:00,760 --> 00:43:04,399
Speaker 2: not the question. I'm just you know, one word, mate said,

943
00:43:05,040 --> 00:43:07,880
Speaker 2: just brainstorming with my bro William.

944
00:43:08,280 --> 00:43:11,879
Speaker 3: Innovation move forward? Maybe that's the question. Does the item move?

945
00:43:12,200 --> 00:43:12,480
Speaker 1: No?

946
00:43:12,520 --> 00:43:16,760
Speaker 2: No, no, no, that's okay.

947
00:43:16,800 --> 00:43:18,800
Speaker 1: That's our fault, I reckon, that's our one question.

948
00:43:19,360 --> 00:43:22,040
Speaker 3: So how is that our fault? We're just brainstorming and

949
00:43:22,120 --> 00:43:25,480
Speaker 3: Joel but it's goodly checked out of his job because.

950
00:43:25,239 --> 00:43:26,080
Speaker 1: He's leaving next week.

951
00:43:26,239 --> 00:43:28,040
Speaker 3: Sorry left.

952
00:43:28,960 --> 00:43:33,440
Speaker 1: Well, she was just the brainstorm boy. She was cooking

953
00:43:33,440 --> 00:43:34,640
Speaker 1: at the plane.

954
00:43:34,680 --> 00:43:37,000
Speaker 2: So all we've got from Brooke is it's an item

955
00:43:37,120 --> 00:43:41,320
Speaker 2: that is innovation and it doesn't move forward physically.

956
00:43:41,520 --> 00:43:43,000
Speaker 1: Okay, so let's go to Michael out.

957
00:43:43,080 --> 00:43:47,080
Speaker 2: Michael, describe your item in one word, a fellas.

958
00:43:48,239 --> 00:43:50,040
Speaker 3: Michael box box.

959
00:43:50,480 --> 00:43:54,759
Speaker 2: Okay, uh well, so well for me immediately, I just

960
00:43:54,760 --> 00:43:57,360
Speaker 2: want to ask the question of like, and this isn't

961
00:43:57,400 --> 00:43:59,480
Speaker 2: my question, Michael, we will.

962
00:43:59,360 --> 00:44:00,759
Speaker 1: We will go to you when we want to.

963
00:44:02,760 --> 00:44:04,720
Speaker 3: Just pull that down down.

964
00:44:06,080 --> 00:44:07,239
Speaker 1: My question I want to ask.

965
00:44:07,320 --> 00:44:09,360
Speaker 2: I know it's a simple one, yes, no question, but like,

966
00:44:09,560 --> 00:44:11,320
Speaker 2: is it an empty cardboard box?

967
00:44:13,120 --> 00:44:15,280
Speaker 1: Because if it's that, we obviously credibly specific.

968
00:44:15,360 --> 00:44:18,960
Speaker 2: Yeah, box discussed this, but like he's clearly trying to

969
00:44:18,960 --> 00:44:20,480
Speaker 2: sell us an empty cardboard box.

970
00:44:20,560 --> 00:44:22,520
Speaker 3: Right, well, you can ask him that. He's just going

971
00:44:22,560 --> 00:44:24,200
Speaker 3: to say, all right, but give it again, Michael.

972
00:44:24,880 --> 00:44:26,480
Speaker 1: Is your item an empty box?

973
00:44:27,680 --> 00:44:27,879
Speaker 14: No?

974
00:44:29,040 --> 00:44:29,720
Speaker 3: Terrible question.

975
00:44:34,239 --> 00:44:36,680
Speaker 2: So we choose him between Brooks item which is innovation

976
00:44:37,239 --> 00:44:40,480
Speaker 2: and it doesn't move forward Michaels is box.

977
00:44:40,320 --> 00:44:44,400
Speaker 1: And it's not an empty box. Geez, why do.

978
00:44:44,440 --> 00:44:45,400
Speaker 3: We play this game again?

979
00:44:45,680 --> 00:44:47,359
Speaker 1: It's fun, fun, bit of fun of them.

980
00:44:47,360 --> 00:44:48,840
Speaker 3: Okay, so one of them is decent. We got to

981
00:44:48,840 --> 00:44:49,800
Speaker 3: remember that one's eleven.

982
00:44:49,840 --> 00:44:51,160
Speaker 2: One of them is decent, and one of them we

983
00:44:51,200 --> 00:44:53,200
Speaker 2: are giving fifty bucks. We are going to buy the

984
00:44:53,239 --> 00:44:54,560
Speaker 2: item with fifty bucks.

985
00:44:55,040 --> 00:44:56,480
Speaker 3: I'm a box man.

986
00:44:57,400 --> 00:44:59,520
Speaker 1: Yeah I always knew that. But which item do you

987
00:44:59,560 --> 00:45:01,680
Speaker 1: want to choose? Very good?

988
00:45:02,400 --> 00:45:05,759
Speaker 3: That is, it's real your nine humor, and you know

989
00:45:05,800 --> 00:45:07,440
Speaker 3: we're going to get so embarrassed.

990
00:45:07,880 --> 00:45:09,680
Speaker 1: I'm so embarrassed about that. I'm so sorry.

991
00:45:09,840 --> 00:45:14,120
Speaker 3: Seriously, you've got feedback, You've got a two hour feedback

992
00:45:14,120 --> 00:45:16,680
Speaker 3: session for that one. I reckon, I really actually just

993
00:45:17,000 --> 00:45:19,759
Speaker 3: crashed his car in the freeway. I'm so spent ten

994
00:45:19,840 --> 00:45:21,399
Speaker 3: years trying to get these boys out of the gutter,

995
00:45:21,440 --> 00:45:22,239
Speaker 3: and you make that joke.

996
00:45:22,280 --> 00:45:25,080
Speaker 1: That was Seriously, you think we're making steps forward? Are

997
00:45:25,080 --> 00:45:26,799
Speaker 1: on national TV? And then I'll go and say that

998
00:45:26,840 --> 00:45:30,120
Speaker 1: and ruin it all quick talk about Will's baby. Yeah mate,

999
00:45:30,160 --> 00:45:34,200
Speaker 1: love it? Jay, Okay, we're back. Okay, so mate, I'm

1000
00:45:34,200 --> 00:45:35,960
Speaker 1: thinking I agree with you though.

1001
00:45:36,080 --> 00:45:39,640
Speaker 2: Sorry after all of that, who Michael, we want the box?

1002
00:45:42,160 --> 00:45:43,320
Speaker 1: Do you want to Broken TV?

1003
00:45:43,560 --> 00:45:44,200
Speaker 3: Oh? God?

1004
00:45:45,600 --> 00:45:49,000
Speaker 1: Then okay, Brook Brook Brook? What was your right? And Brooke?

1005
00:45:51,480 --> 00:45:58,880
Speaker 1: Oh they're both crap the Broken TV. I hate the

1006
00:45:58,920 --> 00:45:59,919
Speaker 1: people who call this show.

1007
00:46:00,160 --> 00:46:01,280
Speaker 3: Why don't we play this game