WEBVTT - Dear Aus Fashion Week 👗 We Need To Talk  😡

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<v Speaker 1>Flex and Frooms Flex and Firms.

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<v Speaker 2>This is the Flex and Frooms catch up podcast.

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<v Speaker 3>How bad does the Australian fashion industry have to be

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<v Speaker 3>for them to be an active boycott? You have to wonder,

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<v Speaker 3>because we already know, and I'm sure people kind of

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<v Speaker 3>know that modeling or fashion isn't really the best industry.

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<v Speaker 3>I think a lot of people talk about how it

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<v Speaker 3>can feel and come across as quite exploitative or quite uninclusive,

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<v Speaker 3>and so to hear that it's gotten worse, you have

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<v Speaker 3>to think, like.

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<v Speaker 1>How bad could it actually get?

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<v Speaker 3>And I know that people kind of make the statement that, oh,

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<v Speaker 3>people know what they're getting into when they go into

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<v Speaker 3>certain types of careers. But I would argue that you

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<v Speaker 3>don't really know something until you've done it, and you

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<v Speaker 3>could really empathize or sympathize or even conceptualize what it

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<v Speaker 3>could be like. But if you're actually in there actively

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<v Speaker 3>benefiting and you stop your.

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<v Speaker 1>Own bag, that's big. That's big anyway.

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<v Speaker 3>So over the last couple of weeks, I've been seeing

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<v Speaker 3>a lot of unnews articles pop up about black models

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<v Speaker 3>in particular boycotting Melbourne Fashion Week and other things in

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<v Speaker 3>the Australian fashion industry, and you might ask for what

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<v Speaker 3>reason in particular, and why is it just a group

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<v Speaker 3>of these thirteen black models. And so they've talked about

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<v Speaker 3>how they've experienced blatant tokenism, lack of necessary inclusive practices,

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<v Speaker 3>like having people that can actually do their hair and

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<v Speaker 3>do their makeup receiving less pay than their non black colleagues.

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<v Speaker 3>And the thing that gets to be really tricky is

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<v Speaker 3>because a lot of these models have and do work internationally,

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<v Speaker 3>so they're not comparing this to like, I've only worked

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<v Speaker 3>here and this is really bad and I'm just complaining.

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<v Speaker 3>It's more so I've worked everywhere else and this is

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<v Speaker 3>not on There was a direct quote and I won't

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<v Speaker 3>name the people who are quoting this because we should

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<v Speaker 3>protect identities. This is a very tense and tenuous subject,

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<v Speaker 3>but this one model said that in London, New York

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<v Speaker 3>and Paris you could not get away with what the

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<v Speaker 3>Australian fashion industry is doing here, like what and how

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<v Speaker 3>it treats black models, but they don't seem to care

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<v Speaker 3>or to want to change. Another person said, black models

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<v Speaker 3>doing Australian Fans Week is a form of self destruction.

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<v Speaker 1>Babes. These are quotes.

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<v Speaker 3>These are not just like these are statements. Another person said,

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<v Speaker 3>it's absolutely the most traumatizing, dehumanizing, underpaying, an overall mentally

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<v Speaker 3>draining week, and I have no desire to continue to participate.

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<v Speaker 3>Now here's the thing about boycotts. You can approach them

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<v Speaker 3>in a ton of different ways. You can actively stop

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<v Speaker 3>participating making any money through it. You can boycott certain events.

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<v Speaker 3>You can just make statement and encourage other people to

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<v Speaker 3>do what they need to do. But in this instance,

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<v Speaker 3>I feel like maybe what's caused this conversation to start

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<v Speaker 3>is because for the last three years, as though, there's

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<v Speaker 3>been this over emphasis on making sure that all kind

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<v Speaker 3>of entertainment industries are more inclusive. And we talked about

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<v Speaker 3>body inclusivity, disability inclusivity, gender inclusivity, sexuality inclusivity, all of

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<v Speaker 3>these things. And so I think what people are getting

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<v Speaker 3>frustrated with is that we're learning the rhetoric. We know

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<v Speaker 3>what to say, we know how to make people think

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<v Speaker 3>that things are going to get better. And when push

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<v Speaker 3>comes to shove for thirteen people, thirteen models, to put

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<v Speaker 3>their names and face to these statements, it's not looking good.

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<v Speaker 3>It's not looking good. I really, really do employ you

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<v Speaker 3>to go check out these articles for yourself. There's an

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<v Speaker 3>expertsa currently in the City Morning Herald, and it is

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<v Speaker 3>very lengthy and it's very deep and it's very detailed,

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<v Speaker 3>and I'm not sure if you'd know what to do afterwards,

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<v Speaker 3>because I sure didn't. I was like, Okay, damn, well,

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<v Speaker 3>I'm not going to fashion.

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<v Speaker 1>Think that's not the one.

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<v Speaker 3>But you know, I'm just one person, and I don't

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<v Speaker 3>run the fashion industry, and I can opt in and

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<v Speaker 3>opt out, and these are this is these people's vocation,

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<v Speaker 3>it's their livelihood. Like, yes, I'm sure some of the

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<v Speaker 3>skills are transferable, but at this point, choosing like morals

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<v Speaker 3>of a livelihood babes. You gotta know it's looking bad.

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<v Speaker 2>I feel like I've noticed, which is why this is

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<v Speaker 2>surprising from like a consumer point of view that the

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<v Speaker 2>fashion industry does have more diversity. But then sometimes I'm

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<v Speaker 2>put in situations with like certain brands or certain events

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<v Speaker 2>and stuff, and I'm like, oh, oh my god, I

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<v Speaker 2>live in.

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<v Speaker 1>Everyone's heard this all before.

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<v Speaker 2>But like the little microcosm of like following like a

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<v Speaker 2>very small percentage of people who would be affected by this, Yeah,

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<v Speaker 2>it's like what we saw with like the voice Parliament. Yeah,

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<v Speaker 2>like I'm assuming everyone's on the S train in the

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<v Speaker 2>next minute. It's like totally not that.

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<v Speaker 1>Yeah.

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<v Speaker 2>It always surprises me when I when I go to

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<v Speaker 2>events or when I hear these kind of things and

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<v Speaker 2>you hear these like you can actually see that of

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<v Speaker 2>course this is still happening. When it's presented to you,

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<v Speaker 2>it is hard to not feel hopeless. But then it

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<v Speaker 2>also kind of is one of those things where they're

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<v Speaker 2>I think there is actionable things that can happen to

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<v Speaker 2>fix this that it actually is like relatively simple, which

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<v Speaker 2>is just to continue to include more and more people,

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<v Speaker 2>is it not?

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<v Speaker 1>No, well, I mean it is simple. Number one.

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<v Speaker 3>I think the boycott shouldn't be happening. Like the extent

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<v Speaker 3>that somebody would have to literally limit their ability to

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<v Speaker 3>live their life, to cut off their own supply to

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<v Speaker 3>money that gives them safety, security, and shelter, to make

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<v Speaker 3>a statement so low charge about what they're experiencing insane

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<v Speaker 3>like insane. Could you imagine going to your retail job,

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<v Speaker 3>going to your office job and being treated so badly,

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<v Speaker 3>you and all your other employers of the same ethnicity

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<v Speaker 3>being treated so poorly that you were like I would

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<v Speaker 3>rather have no job and risk having no home, no

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<v Speaker 3>way to feed myself, no way to live, than to

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<v Speaker 3>be in this environment. Like you couldn't even fathom having

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<v Speaker 3>to make that decision because it would just not be necessary,

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<v Speaker 3>Like what could truly be happening to you? That this

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<v Speaker 3>is necessary? That's the thing that gets me and I

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<v Speaker 3>loved in the expos how they talked about how the tokenism,

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<v Speaker 3>because I think that people can't fathom how tokenism isn't

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<v Speaker 3>actually good in the sense that what ends up happening

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<v Speaker 3>is that it's exactly what you said. It's like by

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<v Speaker 3>looking at it, like isn't it fine? Like isn't it fine?

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<v Speaker 3>It's like I can't tell you how many times I've

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<v Speaker 3>been included in like a makeup campaign for a brand

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<v Speaker 3>that doesn't have my shit aid who's just like, oh,

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<v Speaker 3>we just want use it.

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<v Speaker 1>You don't even need it.

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<v Speaker 3>You don't even need foundation or conciller, Like it's just

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<v Speaker 3>like beautiful skins, beautiful, you.

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<v Speaker 1>Don't even need it.

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<v Speaker 3>Or you know how many times I've gone to do

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<v Speaker 3>a photo shoot and someone's like, we love her body

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<v Speaker 3>positivity and then tries to put me a size twenty

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<v Speaker 3>in size twelves and then.

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<v Speaker 1>Says, oh, but this is really stretchy. Do you know?

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<v Speaker 3>It's like people, it's it's definitely hard to conceptualize something

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<v Speaker 3>that you don't experience.

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<v Speaker 1>But I think that's the thing.

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<v Speaker 3>Like the easy part is to claim, like to claim

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<v Speaker 3>that you are aware, to claim that you are inclusive,

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<v Speaker 3>to claim that you are not exclusive. The hard part

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<v Speaker 3>is to actually be it, because suddenly you're like, oh,

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<v Speaker 3>there's so much I hadn't considered. Like if you threw me,

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<v Speaker 3>if you were getting your makeup done and the makeup

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<v Speaker 3>artist pulled out all their stuff and did not have

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<v Speaker 3>All they had was foundation that was sixteen shades too

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<v Speaker 3>dark for you. All they had was concealer that was

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<v Speaker 3>too dark for you. All they had was lipstick that

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<v Speaker 3>was too dark for you. You'd be like, oh, that's

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<v Speaker 3>like what is this?

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<v Speaker 1>Who is this person? And like how are you qualified?

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<v Speaker 3>And that's everything people always ask me. It's like, oh

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<v Speaker 3>my god, Like why do you do your own hair

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<v Speaker 3>and makeup and shoots? Why do you style yourself?

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<v Speaker 1>Why would I do that?

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<v Speaker 3>I see somebody recently wanted to do a feature on

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<v Speaker 3>me in a magazine and they were like, oh, with

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<v Speaker 3>all of our features, we include shoppable links. So like,

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<v Speaker 3>you know, let's say you talk about a lip loss

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<v Speaker 3>you like, or you talk about a book you wanted

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<v Speaker 3>to read, We'll just like include links and then we get.

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<v Speaker 1>A bit of a kickback, right.

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<v Speaker 3>Part of the discussion was about like what you wear

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<v Speaker 3>and how you dress, and like, oh, people really like

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<v Speaker 3>your style. I want to be able to link clothing

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<v Speaker 3>and things. And so they're like, but we can only

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<v Speaker 3>link from a few of our selected partners, like people

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<v Speaker 3>that we can get affiliate kickbacks from. So it's going

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<v Speaker 3>to choose those people. I said, okay, cool, show me

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<v Speaker 3>what that looks like. When you're done. Every single brand

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<v Speaker 3>they chose to feature didn't go high than a size twelve.

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<v Speaker 1>Oh, and they're like, do you mind.

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<v Speaker 3>I was like, yeah, babe, Like, I definitely mind, because

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<v Speaker 3>you're not going to use my likeness so you get

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<v Speaker 3>a kickback to sell things to people. Given the impression

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<v Speaker 3>that I'm co signing it, I don't get a kickback.

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<v Speaker 1>They're like, no, yeah, totally, Like we get where you're

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<v Speaker 1>coming from. We sh get realize it to be so hard.

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<v Speaker 3>I'm like that's the point though, Yeah, And so like

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<v Speaker 3>when we get back to this idea, like it's okay

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<v Speaker 3>to not realize it's really difficult. But now that people

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<v Speaker 3>are having to cut off access to like livelihoods, what

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<v Speaker 3>is the solution? And unfortunately, I don't think the solution

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<v Speaker 3>is going to happen because realistically, you take away these

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<v Speaker 3>thirteen black models, there are thousand and forty five hundred

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<v Speaker 3>million trillion other models or other ethnicities who would die

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<v Speaker 3>to be in those spots, who are a different kind

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<v Speaker 3>of inclusive who can they just like platform.

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<v Speaker 2>Yeah.

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<v Speaker 3>Man, that's why I say, you know, you guys are

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<v Speaker 3>all anti girl Boss. What do you think that I

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<v Speaker 3>have all these businesses, so I'm the one in charge

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<v Speaker 3>of how I make money, so at the end of

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<v Speaker 3>the day, I don't have to experience these things where

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<v Speaker 3>like people are ostracizing me so much that I have

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<v Speaker 3>to make these statements to cut off my back.

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<v Speaker 2>What I find funny is I was like, from my

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<v Speaker 2>time on the insidequote unquote on the.

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<v Speaker 1>Inside the womb is like I can see in prison.

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<v Speaker 2>I can see on a very like person to person level,

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<v Speaker 2>the amount of hot potatoing that goes on in every

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<v Speaker 2>single like workplace.

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<v Speaker 1>It's not my problem, it's not my problem.

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<v Speaker 3>Well I can't do This's like we just we just

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<v Speaker 3>make the event, we just make the brand, or we

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<v Speaker 3>just did the marketing. And it's true, like it's not

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<v Speaker 3>everybody's thing to deal with, but if nobody is looking

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<v Speaker 3>after it, then nothing changes.

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<v Speaker 1>You've been listening to The Flex and Froom's daily podcast.

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<v Speaker 2>For more, tune Indicator on DAB or stream it on iHeartRadio.