WEBVTT - Jimmy Rees - Taskmasters - Comedian

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast.

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<v Speaker 2>Last week Deadline.

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<v Speaker 1>Welcome TV Reload listeners. My name is Benjamin Norris, and

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<v Speaker 1>this is your podcast to get all the inside goss

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<v Speaker 1>on the popular TV shows you may be watching from

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<v Speaker 1>around the world. Undeniably, our TV sets are a major

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<v Speaker 1>part of our home entertainment, and very little is known

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<v Speaker 1>about how our favorite shows get made. Each episode, I

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<v Speaker 1>find guests that want to dive just that little bit

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<v Speaker 1>deeper into the shows they're currently making so that you

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<v Speaker 1>the biggest names in television. I want to thank you

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<v Speaker 1>feel as included in the production of this show as possible.

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<v Speaker 1>On today's podcast, I have Jimmy Rees, who is currently

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<v Speaker 1>appearing on season one of Network Ten's Task Masters. Jimmy

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<v Speaker 1>Rees was an Australian children's entertainer best known for playing

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<v Speaker 1>the role of Jimmy Giggle on ABC Kids, but now

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<v Speaker 1>he has switched kids audiences for adults.

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<v Speaker 3>In plenty of comedy sketch roles across.

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<v Speaker 1>The country, including what We're talking about today, which is

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<v Speaker 1>his latest series, task Masters, where Tom Gleeson and his

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<v Speaker 1>trusty sidekick Tom Cashman have been setting a series of challenges,

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<v Speaker 1>each more mind bending and head scratching than the last.

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<v Speaker 1>You can catch up on ten Play and weekly episodes

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<v Speaker 1>are screened on Thursday nights at seven thirty. I will

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<v Speaker 1>ask about Jimmy's transition from children's entertainer to mainstream comedy.

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<v Speaker 1>We will find out more about his inspiration for last

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<v Speaker 1>and what the pandemic did for his career. I will

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<v Speaker 1>ask him about his triumphant success with viral videos. Plus

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<v Speaker 1>we will get plenty of exclusives from behind the scenes

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<v Speaker 1>of the first series of task Masters. Anyway, let's bring

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<v Speaker 1>Jimmy into the podcast and I hope you enjoy this episode. Jimmy,

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<v Speaker 1>I have been a huge fan of your work for

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<v Speaker 1>quite some time, so I'm very excited to be able

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<v Speaker 1>to have this chat with you today.

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<v Speaker 4>Awesome, it's great to be here. Stop it the stop

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<v Speaker 4>it with the family flattering me.

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<v Speaker 1>I'm blushing, I know, but you know it's funny because

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<v Speaker 1>I've got lots of kids in my life. I don't

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<v Speaker 1>have kids myself, but I look after my friend's kids.

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<v Speaker 1>And I spent so much time watching you as a

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<v Speaker 1>children's entertainer, and then I didn't really see the transition

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<v Speaker 1>of you becoming sort of I'm going to say an

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<v Speaker 1>adult performer, but that's probably.

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<v Speaker 2>Doesn't say I'm right, does it. I don't own a poll.

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<v Speaker 3>Sounds like you've got your own only bands account.

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<v Speaker 4>The hardest transition is not saying adult entertainment when you've

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<v Speaker 4>come from kids entertainment, but you just say entertainment. I've

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<v Speaker 4>learned it's just entertainment.

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<v Speaker 1>I can imagine that you had a lot of Australian

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<v Speaker 1>entertainers that you looked up to, you know, before coming

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<v Speaker 1>into the industry, you know, growing up, who were those

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<v Speaker 1>sorts of entertainers that inspired you to go into television? Yeah.

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<v Speaker 4>Look, when I was in my teens, one of the

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<v Speaker 4>biggest shows around at the time was like Grove Live

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<v Speaker 4>and Thank God You're Here was around. I did love

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<v Speaker 4>that show because it was just sort of improvised and

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<v Speaker 4>silly and funny. And I don't know why I gravitated

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<v Speaker 4>towards TV. I think you know a lot of people

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<v Speaker 4>who they're wanting to get into anament or whatever.

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<v Speaker 2>They kind of have this oh yeah, well TV, movies, radio, whatever.

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<v Speaker 4>It is like they'll try and get into anything, or

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<v Speaker 4>they might do acting, and then that involves like sort

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<v Speaker 4>of TV and film and stuff. But I was more

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<v Speaker 4>interested in just like those moments where people are having

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<v Speaker 4>fun and being silly. And I think, you know, Rove

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<v Speaker 4>Live was this huge show in the mid twenty ten

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<v Speaker 4>sort of thing of a two thousand sort of time

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<v Speaker 4>of just this Tuesday night was this fun show.

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<v Speaker 2>It was a Tonight show.

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<v Speaker 4>It wasn't really we didn't really get the other ones

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<v Speaker 4>from overseas at that time. It seemed like Rovere was

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<v Speaker 4>just this young guy having fun with his mates and

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<v Speaker 4>then played all these silly games, and I don't know,

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<v Speaker 4>it's sort of gravitated towards that. It seemed like he

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<v Speaker 4>was just being himself, being fun, and that's what that's

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<v Speaker 4>why I enjoy it. But in my house when I

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<v Speaker 4>was a bit younger, my dad's originally from England and

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<v Speaker 4>he moved out here when he was in his teens

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<v Speaker 4>or something.

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<v Speaker 2>But he's just got that.

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<v Speaker 4>But he just loved watching British humor and British comedies

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<v Speaker 4>and like the Two Runnies and Hale and Pace and

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<v Speaker 4>Monty Python and Mister Been.

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<v Speaker 2>They were on all the time in our house. So

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<v Speaker 2>that was something that I just loved.

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<v Speaker 4>And I guess that maybe with that physical thing I

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<v Speaker 4>did love, you know, sort of physical comedy.

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<v Speaker 3>I was brought up.

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<v Speaker 1>My stepfather was English, so our house we played all

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<v Speaker 1>of those shows were always on television. A lot of

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<v Speaker 1>my humor that I lean towards is all of that

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<v Speaker 1>kind of stuff. It's kind of like a little it's

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<v Speaker 1>a good school of comedy really to go through.

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<v Speaker 4>Yeah, definitely, even he had records and tapes of like

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<v Speaker 4>the Goon Show and like even Billy Birmingham's The Wide

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<v Speaker 4>World of Sports, you know, he does the cricket commentary

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<v Speaker 4>and Richie Beno.

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<v Speaker 2>It's the sort of but that was on a record.

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<v Speaker 2>We put it on the record.

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<v Speaker 4>And he had all sorts of different bits of media,

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<v Speaker 4>different things that I'll turn you to see these later

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<v Speaker 4>on and stuff, but even just radio shows that were

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<v Speaker 4>funny he had on in the background.

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<v Speaker 2>Yeah, so it was a huge influence.

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<v Speaker 4>And then I think watching films and stuff, I did

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<v Speaker 4>gravitate towards the silly kind of films like Jim Carrey

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<v Speaker 4>movies and yeah and stuff like that.

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<v Speaker 2>So yeah, that's always always been my sort of bag.

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<v Speaker 1>Don't you think that we're really missing something? And I

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<v Speaker 1>think you'd be perfect for this, But we're really missing

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<v Speaker 1>a tonight show on television. And I know a lot

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<v Speaker 1>of people say that they're kind of a bit dated.

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<v Speaker 1>But yeah, when we've got people like Margot Robbie coming

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<v Speaker 1>into the country to promote Battle Yeah, or big name actors,

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<v Speaker 1>we've got nowhere to take them. We've got nothing in

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<v Speaker 1>the Austraian industry to sit down and we don't need

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<v Speaker 1>to ask them the big questions.

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<v Speaker 3>We want someone like you to have a relatable moment.

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<v Speaker 4>Yeah, yeah, yeah, no, I agree, And I think, you know,

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<v Speaker 4>some people say that that's like you're correct, you know, oh,

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<v Speaker 4>there'd be dated.

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<v Speaker 2>Oh maybe it would work here. But if you watch the.

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<v Speaker 4>Big American shows or whatever, half their audience is not

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<v Speaker 4>watching the TV show. They are watching the online clips.

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<v Speaker 4>They're watching every single else. They've built these little mini

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<v Speaker 4>empires of just everything going on social and you know,

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<v Speaker 4>YouTube channels, and then obviously there's the TV show. But

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<v Speaker 4>I don't think the TV show, Tonight show, whatever airs

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<v Speaker 4>in Australia at the moment, they probably don't need to

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<v Speaker 4>because it's just so far penetrated across all social media

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<v Speaker 4>and clips and this and that the things end up

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<v Speaker 4>on the news because they did something silly with a

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<v Speaker 4>celebrity and stuff like that. So yeah, I think it's

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<v Speaker 4>it's just coming at it from a different angle, Like

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<v Speaker 4>you have the show and that's produced and it's fun,

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<v Speaker 4>but also it can have lived this life online, I think,

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<v Speaker 4>which is which could be absolutely perfect.

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<v Speaker 1>Well, it's interesting that you say that because I was

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<v Speaker 1>talking to an American producer who works in nighttime TV

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<v Speaker 1>in the States, and he was saying that all of

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<v Speaker 1>the three shows that he's worked on, and he's worked

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<v Speaker 1>on the top three shows over the last twenty years,

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<v Speaker 1>and he said that they'd all be asked if it

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<v Speaker 1>wasn't for the way in which people are consuming that content.

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<v Speaker 1>And he said, that's why they do games more.

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<v Speaker 3>Now.

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<v Speaker 1>There's not a lot of you know, an actual interview.

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<v Speaker 1>It's more like you know, getting to cold kidman to

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<v Speaker 1>you know, to tie uself to a balloon and do.

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<v Speaker 3>All this kind of stuff.

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<v Speaker 1>But that's where the money is and that's that's you,

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<v Speaker 1>and it leads been my question for you as well,

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<v Speaker 1>which is, you know, being a kids entertainer and then

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<v Speaker 1>now working as an entertainer. But they are quite similar

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<v Speaker 1>in some ways.

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<v Speaker 4>I think the evolution of it's funny because when I

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<v Speaker 4>was at kids TV, there's all this sort of research

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<v Speaker 4>and stuff and saying that, like, kids attention spans, especially

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<v Speaker 4>when they're young, we're in.

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<v Speaker 2>The preschool, we're talking under five.

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<v Speaker 4>You know, their attention spans are quite sure, so you've

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<v Speaker 4>got to sort of change tack a.

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<v Speaker 2>Little bit and keep it visual.

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<v Speaker 4>But with the evolution of TikTok and reels, I feel

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<v Speaker 4>like the adults are exactly the same.

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<v Speaker 2>Now our attention span has gone down a lot as well.

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<v Speaker 4>So yeah, I think you could sort of almost love

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<v Speaker 4>the two categories that they share a lot of similarities

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<v Speaker 4>where they might not have before waiting one week to

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<v Speaker 4>watch an episode of their favorite show like that's that's

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<v Speaker 4>sort of it's still around and people still enjoy that,

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<v Speaker 4>but you know, binging something is more prevalent these days,

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<v Speaker 4>and so yeah, I think you could argue a case that, yeah,

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<v Speaker 4>there's these adult adults and kids audiences pretty similar.

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<v Speaker 1>It's interesting because you know, people either want to binge

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<v Speaker 1>something for an obscene amount of time, like go outside,

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<v Speaker 1>open a window.

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<v Speaker 3>Maybe yes, but they want to.

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<v Speaker 1>Binge something, or they want short sharp comedy, and you've

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<v Speaker 1>kind of become the king of short sharp clips. I mean,

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<v Speaker 1>I absolutely loved your skit that you did at the Logis.

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<v Speaker 1>I was at the Logis and I'm absolutely.

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<v Speaker 4>Probably pretty sure I heard you because I was. I

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<v Speaker 4>was interested because I don't usually like if I was there,

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<v Speaker 4>I did it, I edited up it, I said that

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<v Speaker 4>in I didn't need to watch it, but I was interested.

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<v Speaker 2>In how they would play it in the room and

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<v Speaker 2>how would appear on TV. So I did watch it live.

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<v Speaker 4>I was like, oh, yeah, they had the room live,

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<v Speaker 4>you know, and the reactions and I was like, oh,

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<v Speaker 4>it's really really cool that everyone in the room was

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<v Speaker 4>laughing along and it was it was fun and silly

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<v Speaker 4>because yeah, which was good.

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<v Speaker 2>So I probably definitely did hear you laughing.

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<v Speaker 3>It landed really well.

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<v Speaker 1>I thought it was a really good skit, And I mean,

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<v Speaker 1>I want to know, because if the pandemic hadn't happened,

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<v Speaker 1>do you think you would have found because you've really

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<v Speaker 1>found this niche. You know, it's flourished, like you know,

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<v Speaker 1>you've probably started with a couple of videos. But if

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<v Speaker 1>the pandemic hadn't happened, do you think that these skits

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<v Speaker 1>might not have surfaced.

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<v Speaker 4>I think just the direction I guess they would have

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<v Speaker 4>taken because I started with a lot of parenting stuff

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<v Speaker 4>because I was inside.

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<v Speaker 2>Of Victorian and we were we.

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<v Speaker 4>Were stuck in our houses for a long period of

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<v Speaker 4>time in twenty twenty. And look, I knew I wanted

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<v Speaker 4>to post stuff online. I was, you know, contractually with

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<v Speaker 4>the ABC, I wasn't really allowed to do a lot,

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<v Speaker 4>you know, like the stuff I'm doing now I never

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<v Speaker 4>would have been allowed to do under my contract with

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<v Speaker 4>as playing Jimmy Giggle, And that was fine.

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<v Speaker 2>I'm absolutely cool with Jimmy Giggle.

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<v Speaker 3>Doing now mine, I know exactly.

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<v Speaker 4>Yeah, So I couldn't really live this other life online

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<v Speaker 4>when I was under contract with the ABC, And that's

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<v Speaker 4>the reasons that I signed up for, which is absolutely fine.

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<v Speaker 4>But I'd never really thought about it until maybe a

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<v Speaker 4>couple of years towards the end. I was like, okay,

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<v Speaker 4>I really I just started writing down ideas and things,

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<v Speaker 4>and then we had you know, more kids, and then

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<v Speaker 4>I was like, this is chaos, you know. So when

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<v Speaker 4>the pandemic gave me the impetus to just get along

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<v Speaker 4>with it, get on with it. I mean like I'd

0:09:53.160 --> 0:09:55.600
<v Speaker 4>written down these things and I'd done different you know,

0:09:55.840 --> 0:09:57.760
<v Speaker 4>had different ideas, but I was always a bit a

0:09:57.760 --> 0:09:59.840
<v Speaker 4>bit nerve wracking to put it out there, even though

0:09:59.920 --> 0:10:01.719
<v Speaker 4>just spent ten years on TV. It was like being

0:10:02.000 --> 0:10:04.760
<v Speaker 4>in my pajamas. I was like, I'm trying to entertain adults.

0:10:04.760 --> 0:10:06.720
<v Speaker 4>Now this has a bit more gravitas to me. I

0:10:06.760 --> 0:10:08.880
<v Speaker 4>want to I want to get it right. But having

0:10:08.920 --> 0:10:12.200
<v Speaker 4>nothing to do and being you know in TV and

0:10:12.679 --> 0:10:15.839
<v Speaker 4>entertainment during the pandemic is where everything went to zero.

0:10:16.280 --> 0:10:18.960
<v Speaker 4>It was it just it really just gave me the

0:10:19.040 --> 0:10:20.959
<v Speaker 4>launching pad to just do it. But yeah, I did

0:10:20.960 --> 0:10:22.800
<v Speaker 4>start with like parenting sort of stuff, which I think

0:10:22.800 --> 0:10:25.000
<v Speaker 4>would have floated anyway. And I got I got some

0:10:25.160 --> 0:10:27.640
<v Speaker 4>really really great traction. And I guess that you could

0:10:27.640 --> 0:10:29.199
<v Speaker 4>put that down to a lot of people on their

0:10:29.200 --> 0:10:31.240
<v Speaker 4>devices and had nothing else to do anyway as well,

0:10:32.080 --> 0:10:34.400
<v Speaker 4>But I think they would have gone okay, the whole

0:10:34.440 --> 0:10:36.760
<v Speaker 4>spin on the on the States. In the meanwhile, in Australia,

0:10:36.800 --> 0:10:39.880
<v Speaker 4>stuff obviously just grew from the pandemic, and yeah, some

0:10:39.960 --> 0:10:42.079
<v Speaker 4>of those clips were definitely born out of that, and

0:10:42.120 --> 0:10:44.760
<v Speaker 4>I wouldn't have I wouldn't have gone down that track obviously,

0:10:44.840 --> 0:10:48.520
<v Speaker 4>but yeah, I think I think me evolving through that

0:10:48.600 --> 0:10:51.640
<v Speaker 4>it just happened faster and faster and faster because there

0:10:51.679 --> 0:10:53.440
<v Speaker 4>was new news every day. I wanted to get it

0:10:53.480 --> 0:10:55.320
<v Speaker 4>out there. I had the time to do it. I

0:10:55.360 --> 0:10:58.760
<v Speaker 4>wasn't occupied or preoccupied by doing anything else. So I

0:10:58.760 --> 0:11:02.240
<v Speaker 4>think it's sort of really throddled it and I did it,

0:11:02.559 --> 0:11:05.320
<v Speaker 4>you know, really fast, and I think I would have

0:11:05.559 --> 0:11:07.480
<v Speaker 4>got it there anyway, but it was just like a

0:11:07.559 --> 0:11:09.959
<v Speaker 4>rocket ship because it was people just wanted more.

0:11:10.040 --> 0:11:10.840
<v Speaker 2>They wanted to laugh.

0:11:11.000 --> 0:11:14.040
<v Speaker 1>I think for you as well, you do comedy that

0:11:14.080 --> 0:11:17.360
<v Speaker 1>I really appreciate, which is a reflection on society. And

0:11:17.400 --> 0:11:20.280
<v Speaker 1>I think that was the perfect time because during something

0:11:20.320 --> 0:11:23.720
<v Speaker 1>we'd never experienced, like a pandemic, people behaved badly, and

0:11:23.760 --> 0:11:26.400
<v Speaker 1>it meant that you could tap into making fun of,

0:11:26.760 --> 0:11:29.439
<v Speaker 1>you know, people who behaved badly, like the Carrots, you know.

0:11:29.559 --> 0:11:33.120
<v Speaker 4>Yep, absolutely yeah, And some of those skits wouldn't have existed,

0:11:33.160 --> 0:11:35.240
<v Speaker 4>you know, like the Brighton Ladies.

0:11:35.280 --> 0:11:37.880
<v Speaker 2>You know, I don't think it mattered where you live.

0:11:38.000 --> 0:11:40.120
<v Speaker 4>There was a bit of press about you know, Brighton

0:11:40.160 --> 0:11:41.800
<v Speaker 4>at the time as well, which was you know the

0:11:41.840 --> 0:11:44.200
<v Speaker 4>Krent from Brighton who escaped Brighton because you'd walked all

0:11:44.240 --> 0:11:47.760
<v Speaker 4>the streets or whatever. But that was just born from

0:11:47.960 --> 0:11:50.360
<v Speaker 4>you know, someone sent me a message actually and said,

0:11:51.200 --> 0:11:54.080
<v Speaker 4>the talk around Brighton is hilarious, you know, because the

0:11:54.200 --> 0:11:57.800
<v Speaker 4>father is not available, but you have to get the

0:11:57.840 --> 0:12:00.800
<v Speaker 4>astrosenica if you're if you're older. But then people in

0:12:00.840 --> 0:12:03.640
<v Speaker 4>Brighton are always trying to look younger. They're injecting themselves

0:12:03.679 --> 0:12:05.600
<v Speaker 4>with lip fillers and you know, botox and stuff.

0:12:05.640 --> 0:12:06.720
<v Speaker 2>They want to look younger.

0:12:06.800 --> 0:12:08.920
<v Speaker 4>But then if they get the vaccine that these available

0:12:08.920 --> 0:12:11.400
<v Speaker 4>to them, so in their fifties or whatever, then they

0:12:11.440 --> 0:12:13.040
<v Speaker 4>have to reveal their age and they don't want to

0:12:13.080 --> 0:12:14.640
<v Speaker 4>do that, so they want to wait for the fans.

0:12:15.000 --> 0:12:17.280
<v Speaker 4>So that was just I was like, that is that

0:12:17.400 --> 0:12:20.240
<v Speaker 4>is something that's so funny and it's actually happening like

0:12:20.400 --> 0:12:22.720
<v Speaker 4>in these places where oh I don't want to get

0:12:22.760 --> 0:12:25.080
<v Speaker 4>that one just yet, you know, I'll wait even though

0:12:25.080 --> 0:12:26.040
<v Speaker 4>I want to be safe.

0:12:26.200 --> 0:12:28.800
<v Speaker 2>But it's just such a weird situation.

0:12:28.960 --> 0:12:31.520
<v Speaker 4>So some of those characters, yeah, I can absolutely have

0:12:31.559 --> 0:12:33.559
<v Speaker 4>to put it down to the situation we're in and

0:12:33.840 --> 0:12:36.400
<v Speaker 4>I wouldn't have created that those sort of little characters

0:12:36.440 --> 0:12:39.720
<v Speaker 4>and skits hadn't we been in that. But yeah, it's

0:12:40.520 --> 0:12:42.720
<v Speaker 4>it's funny looking around now. I just see videos all

0:12:42.720 --> 0:12:44.960
<v Speaker 4>the time. Now, oh oh that's a video, that's.

0:12:44.840 --> 0:12:46.679
<v Speaker 3>A clip, it's so funny.

0:12:46.679 --> 0:12:49.200
<v Speaker 1>We have to quickly talk about task Masters before I

0:12:49.240 --> 0:12:51.480
<v Speaker 1>let you go, because that's what we're here for. And

0:12:51.520 --> 0:12:53.560
<v Speaker 1>I am so excited about the show. You could not

0:12:53.640 --> 0:12:56.520
<v Speaker 1>be in better company when it comes to the comedians

0:12:56.559 --> 0:12:59.080
<v Speaker 1>of Australia. I want to know, because this came from

0:12:59.120 --> 0:13:02.640
<v Speaker 1>this concept came from England. Were you wanting to dip

0:13:02.640 --> 0:13:04.360
<v Speaker 1>in and watch a lot of that before you did

0:13:04.400 --> 0:13:07.440
<v Speaker 1>the show? I can imagine for some comedians they'd not

0:13:07.440 --> 0:13:09.319
<v Speaker 1>want to see it at all because they'd sort of

0:13:09.320 --> 0:13:11.240
<v Speaker 1>feel like they were mimicking it. You know, what was

0:13:11.280 --> 0:13:13.320
<v Speaker 1>the process like for you? Did you binge watch what

0:13:13.400 --> 0:13:15.920
<v Speaker 1>had been happening overseas or did you go into a blind.

0:13:15.840 --> 0:13:17.880
<v Speaker 4>I had seen it was a bit of both. Actually

0:13:17.920 --> 0:13:19.960
<v Speaker 4>I had seen task Master. I knew what it was.

0:13:20.000 --> 0:13:22.200
<v Speaker 4>I'd seen many a clip online that popped up on

0:13:22.280 --> 0:13:25.320
<v Speaker 4>I'd watched an episode or two, you know, over the

0:13:25.400 --> 0:13:27.960
<v Speaker 4>last few years and stuff, so I knew what it was.

0:13:28.360 --> 0:13:32.200
<v Speaker 4>I haven't watched whole series or like binge, the whole lot,

0:13:32.240 --> 0:13:35.160
<v Speaker 4>and I didn't do that. I purposely didn't watch heaps

0:13:35.160 --> 0:13:37.520
<v Speaker 4>of it before I went into it. So yeah, it

0:13:37.520 --> 0:13:39.000
<v Speaker 4>was a bit of both. I knew exactly what it

0:13:39.040 --> 0:13:41.200
<v Speaker 4>was when they said you're up for task Master. My

0:13:41.320 --> 0:13:43.120
<v Speaker 4>agent called me and said, oh, yeah, you want to

0:13:43.120 --> 0:13:45.640
<v Speaker 4>do task Master. I was like, absolutely, I know exactly

0:13:45.640 --> 0:13:47.000
<v Speaker 4>what it is, and I think that's right up.

0:13:47.000 --> 0:13:49.960
<v Speaker 2>My alley put me down for it straight away. But yeah,

0:13:50.080 --> 0:13:53.560
<v Speaker 2>no I didn't. But then, like in hindsight, after the

0:13:53.840 --> 0:13:55.800
<v Speaker 2>wrapped the series, I'm like, maybe I should have watched

0:13:55.800 --> 0:13:56.439
<v Speaker 2>a little bit more.

0:13:56.960 --> 0:13:59.840
<v Speaker 4>The only thing I would have which I had an understanding,

0:14:00.360 --> 0:14:03.959
<v Speaker 4>is just some of the even watching like a couple

0:14:04.040 --> 0:14:07.480
<v Speaker 4>of episodes in a row like that were sequential, maybe

0:14:07.480 --> 0:14:09.560
<v Speaker 4>that just would have been a bit more beneficial for

0:14:09.760 --> 0:14:13.120
<v Speaker 4>I just think maybe the studio part of it, because

0:14:13.160 --> 0:14:16.319
<v Speaker 4>you actually it took me a couple of episodes to go, oh,

0:14:16.360 --> 0:14:18.560
<v Speaker 4>we are we can reference back to other, you know,

0:14:18.640 --> 0:14:21.000
<v Speaker 4>episodes because they are shot in order and we are

0:14:21.000 --> 0:14:21.360
<v Speaker 4>doing it.

0:14:21.360 --> 0:14:21.720
<v Speaker 2>That way.

0:14:22.000 --> 0:14:24.600
<v Speaker 4>It's usually some shows you record these things and they'll

0:14:24.640 --> 0:14:27.440
<v Speaker 4>be like, ah, even though that was the third episode.

0:14:27.000 --> 0:14:28.920
<v Speaker 2>We recorded, we're gonna put that number one because that

0:14:28.960 --> 0:14:29.520
<v Speaker 2>was the best one.

0:14:29.560 --> 0:14:31.960
<v Speaker 4>So if things become out of order and they're very

0:14:31.960 --> 0:14:34.880
<v Speaker 4>episodic and you you tune into that episode, it stands

0:14:34.920 --> 0:14:36.480
<v Speaker 4>alone where this one is.

0:14:36.520 --> 0:14:38.480
<v Speaker 2>Actually you could grow through the episode.

0:14:38.520 --> 0:14:40.960
<v Speaker 4>You can refer way back to episode one in episode

0:14:41.000 --> 0:14:41.760
<v Speaker 4>nine if you want to.

0:14:42.280 --> 0:14:43.600
<v Speaker 2>Everyone seen everything.

0:14:43.960 --> 0:14:45.440
<v Speaker 4>And obviously we don't want to do that too much

0:14:45.480 --> 0:14:47.720
<v Speaker 4>for people are just tuning in a little later, but yeah,

0:14:47.760 --> 0:14:51.560
<v Speaker 4>it's that's probably something I would have just maybe watched

0:14:51.560 --> 0:14:53.640
<v Speaker 4>a couple couple more episodes and gone, oh okay.

0:14:53.680 --> 0:14:54.600
<v Speaker 2>So they do that a lot.

0:14:55.400 --> 0:14:57.960
<v Speaker 3>Theories two My Friends Series two, that's what you that's.

0:14:57.840 --> 0:15:05.920
<v Speaker 4>What a series there is too will be new comedians, so.

0:15:04.160 --> 0:15:07.120
<v Speaker 2>That's how that's how they operate. So which is really fun.

0:15:07.120 --> 0:15:09.520
<v Speaker 4>Actually you do it one time and if you have

0:15:09.560 --> 0:15:11.280
<v Speaker 4>all the regrets in the world, bad luck, you're not

0:15:11.320 --> 0:15:13.920
<v Speaker 4>doing again, which is funny, Which is really funny. So

0:15:14.000 --> 0:15:16.600
<v Speaker 4>you get through the series and you go, oh, if

0:15:16.600 --> 0:15:18.440
<v Speaker 4>we did that again, and they're like, nap, sorry, we're

0:15:18.440 --> 0:15:20.720
<v Speaker 4>gonna get a fresh batch. Of people to do it

0:15:20.920 --> 0:15:23.160
<v Speaker 4>to go in blind basically, which is the cracks of

0:15:23.200 --> 0:15:25.440
<v Speaker 4>the show, and that's what makes it raw and funny

0:15:25.440 --> 0:15:28.240
<v Speaker 4>and silly because you get these tasks which is set there.

0:15:28.400 --> 0:15:30.240
<v Speaker 4>I don't know how they come up with these things,

0:15:30.240 --> 0:15:33.120
<v Speaker 4>but they're so random and they're really clever, and they

0:15:33.160 --> 0:15:35.360
<v Speaker 4>then they set them up with little hints in them.

0:15:35.400 --> 0:15:37.680
<v Speaker 2>But the hints can actually it can be.

0:15:37.680 --> 0:15:40.280
<v Speaker 4>Interpreted both like two different ways, so you might go

0:15:40.320 --> 0:15:42.280
<v Speaker 4>down one road or the other. But in the stress

0:15:42.280 --> 0:15:44.000
<v Speaker 4>of the moment, you come up with the most random

0:15:44.080 --> 0:15:47.560
<v Speaker 4>things and they don't give you any clues and anything beforehand.

0:15:47.680 --> 0:15:49.800
<v Speaker 4>You just literally they roll the cameras you.

0:15:49.840 --> 0:15:50.560
<v Speaker 2>Do the task.

0:15:50.800 --> 0:15:53.040
<v Speaker 4>They don't say anything how well you've done or anything,

0:15:53.360 --> 0:15:54.880
<v Speaker 4>and then you go on to the next one. So

0:15:54.960 --> 0:15:58.840
<v Speaker 4>it's really it's really quite fun and like stressful at times.

0:15:59.560 --> 0:16:01.680
<v Speaker 1>Why did they chose to because they film parts of

0:16:01.680 --> 0:16:04.080
<v Speaker 1>this in New Zealand, like and some of it in Australia,

0:16:04.160 --> 0:16:06.360
<v Speaker 1>so you're kind of doing the tasks you know, overseas

0:16:06.400 --> 0:16:09.880
<v Speaker 1>and then coming back the live audience stuff. Why do

0:16:09.920 --> 0:16:12.320
<v Speaker 1>you think they decided to make the decision to offshore

0:16:12.400 --> 0:16:12.720
<v Speaker 1>some of.

0:16:12.640 --> 0:16:14.800
<v Speaker 4>That, Yeah, I think I think it was more of

0:16:14.840 --> 0:16:17.480
<v Speaker 4>a like a logistical kind of thing they had. The

0:16:17.520 --> 0:16:21.160
<v Speaker 4>production company has has produced the New Zealand series of

0:16:21.160 --> 0:16:21.800
<v Speaker 4>task Masters.

0:16:21.920 --> 0:16:23.040
<v Speaker 1>So the.

0:16:24.800 --> 0:16:25.640
<v Speaker 2>So like the house.

0:16:25.760 --> 0:16:28.360
<v Speaker 4>Like if you've watched some task Master or the UK

0:16:28.440 --> 0:16:30.200
<v Speaker 4>version of the New Zealand version or whatever, you'll know

0:16:30.280 --> 0:16:34.040
<v Speaker 4>that the that all the tasks happen in. Like in

0:16:34.080 --> 0:16:37.400
<v Speaker 4>inverted commas, the task Master house is which they you know,

0:16:37.440 --> 0:16:39.440
<v Speaker 4>rent this property for a week and they take over

0:16:39.480 --> 0:16:41.880
<v Speaker 4>it and it's yours for them, and they set things

0:16:41.920 --> 0:16:43.960
<v Speaker 4>up in a shed, they decorate it, they do everything

0:16:43.960 --> 0:16:46.840
<v Speaker 4>to it, so every single task is happening there.

0:16:46.880 --> 0:16:49.160
<v Speaker 2>So the certain property.

0:16:48.800 --> 0:16:51.120
<v Speaker 4>Has to have certain elements, so I think instead of

0:16:51.160 --> 0:16:53.800
<v Speaker 4>going and finding one, you know, like New Zealand had

0:16:53.800 --> 0:16:56.480
<v Speaker 4>already gone through all that, So we used the same

0:16:56.840 --> 0:16:59.880
<v Speaker 4>house as as the New Zealand version of task Master.

0:17:00.040 --> 0:17:02.080
<v Speaker 4>They just obviously tweaked a few bits and pieces here.

0:17:02.320 --> 0:17:04.080
<v Speaker 4>It had like a pond down the back which they

0:17:04.080 --> 0:17:06.480
<v Speaker 4>could use with a little boat in the jetty. There

0:17:06.560 --> 0:17:09.040
<v Speaker 4>was plenty of space to run around in the field

0:17:09.160 --> 0:17:11.640
<v Speaker 4>that was attached to the property. So it had all

0:17:11.640 --> 0:17:13.679
<v Speaker 4>the elements of a of a task Master house and

0:17:13.720 --> 0:17:16.280
<v Speaker 4>I just sort of wondered if they that was just

0:17:16.280 --> 0:17:19.080
<v Speaker 4>like a something that was that was easy for them

0:17:19.119 --> 0:17:20.800
<v Speaker 4>to go. Okay, well we've got the household of that

0:17:20.800 --> 0:17:22.720
<v Speaker 4>worked really well in the New Zealand one, so we'll

0:17:22.760 --> 0:17:26.520
<v Speaker 4>just use that one and put our Aussie comedians there.

0:17:26.560 --> 0:17:28.600
<v Speaker 4>So yeah, that's why half of it was shot in

0:17:28.600 --> 0:17:29.400
<v Speaker 4>New Zealand.

0:17:29.240 --> 0:17:31.119
<v Speaker 1>To pun show. You know, before you go, I have

0:17:31.119 --> 0:17:32.960
<v Speaker 1>to ask you this last question, what is something from

0:17:32.960 --> 0:17:35.320
<v Speaker 1>behind Everyone gets this. Everyone has to ask. I don't

0:17:35.320 --> 0:17:40.160
<v Speaker 1>know why I'm talking like Donald Trump. Everyone gets this question.

0:17:40.400 --> 0:17:42.480
<v Speaker 1>It's what is something from behind the scenes of making

0:17:42.480 --> 0:17:44.800
<v Speaker 1>the show that we won't see on the program, kind

0:17:44.800 --> 0:17:46.840
<v Speaker 1>of like maybe a behind the scenes secret or maybe

0:17:46.920 --> 0:17:49.199
<v Speaker 1>something quite funny that happened behind the scenes.

0:17:51.200 --> 0:17:52.880
<v Speaker 4>Oh my gosh, you put me on the spot. There's

0:17:52.880 --> 0:17:56.680
<v Speaker 4>so many just random things that happened. Well, it's interesting

0:17:56.720 --> 0:18:00.400
<v Speaker 4>because most like the tasks you do, you don't see

0:18:00.400 --> 0:18:02.679
<v Speaker 4>anyone else, you know, Like there's a few group tasks

0:18:02.760 --> 0:18:04.800
<v Speaker 4>you see, like I saw Luke and Nina in my

0:18:05.560 --> 0:18:07.800
<v Speaker 4>group for like five group tasks or something, and that

0:18:07.880 --> 0:18:09.520
<v Speaker 4>was it. I didn't see anyone else. I didn't know how

0:18:09.520 --> 0:18:11.720
<v Speaker 4>anyone else did it. So behind the scenes there's a

0:18:11.720 --> 0:18:14.080
<v Speaker 4>lot of like lonely Jimmy sitting in the thing waiting

0:18:14.119 --> 0:18:16.360
<v Speaker 4>for like eating lunch by myself, waiting for the next

0:18:16.400 --> 0:18:17.200
<v Speaker 4>task to start.

0:18:18.480 --> 0:18:19.960
<v Speaker 2>That's something probably people wouldn't know.

0:18:20.080 --> 0:18:22.159
<v Speaker 4>But then when we got to the studio, there was

0:18:22.600 --> 0:18:26.400
<v Speaker 4>plenty of moments which obviously won't make the cut because

0:18:26.400 --> 0:18:29.239
<v Speaker 4>they got a little bit rude, and you know, they

0:18:29.280 --> 0:18:32.720
<v Speaker 4>gave a bit like not fit for TV seven thirty timeslot.

0:18:32.840 --> 0:18:34.840
<v Speaker 2>Yeah, I think Julia Morris went down a.

0:18:34.800 --> 0:18:38.200
<v Speaker 4>Few rabbit holes of talking about a recent divorce, which

0:18:38.200 --> 0:18:40.159
<v Speaker 4>he does talk about on the show, but this just

0:18:40.200 --> 0:18:41.879
<v Speaker 4>gets a bit a bit too naughty.

0:18:43.359 --> 0:18:44.600
<v Speaker 2>Do you think of other things?

0:18:44.800 --> 0:18:47.440
<v Speaker 4>Oh yeah, okay, so there was which didn't make It's

0:18:47.480 --> 0:18:49.800
<v Speaker 4>not in the series, but they get you to do

0:18:49.840 --> 0:18:53.480
<v Speaker 4>these random things. And I didn't even talk to Julia

0:18:53.520 --> 0:18:56.360
<v Speaker 4>about this in the end, but one of my tasks was, right,

0:18:56.480 --> 0:19:01.240
<v Speaker 4>Julia Morris, thirty fan letters, but you can't say that

0:19:01.280 --> 0:19:04.920
<v Speaker 4>it's you. Yeah, so I'm stressfully in like thirty minutes,

0:19:04.920 --> 0:19:06.680
<v Speaker 4>so I got to write one minute a fan letter

0:19:06.720 --> 0:19:08.560
<v Speaker 4>on these pieces of paper, and I'm you know, putting

0:19:08.640 --> 0:19:12.719
<v Speaker 4>crayons and like texters and some decorating with glitter, and stuff,

0:19:13.200 --> 0:19:15.920
<v Speaker 4>and then at the end of the task, Tom Cashman

0:19:15.920 --> 0:19:18.120
<v Speaker 4>pulls out another envelope and says, all right, now you've

0:19:18.280 --> 0:19:20.480
<v Speaker 4>in the next couple of months before we get to

0:19:20.520 --> 0:19:23.320
<v Speaker 4>episode whatever, you have to send them to her, Like,

0:19:23.480 --> 0:19:24.800
<v Speaker 4>actually send your fan.

0:19:24.840 --> 0:19:26.800
<v Speaker 2>Letters to Julian, the real Julia Marris.

0:19:26.920 --> 0:19:30.120
<v Speaker 4>I'm like, oh, no, so I didn't say anything to her,

0:19:30.320 --> 0:19:32.679
<v Speaker 4>and it didn't pop up in the series because you know,

0:19:32.720 --> 0:19:34.480
<v Speaker 4>they shoot extra.

0:19:34.320 --> 0:19:37.160
<v Speaker 2>Tasks and stuff, you know. So, yeah, but I haven't

0:19:37.200 --> 0:19:38.119
<v Speaker 2>actually spoken.

0:19:37.880 --> 0:19:40.399
<v Speaker 4>To her about it, that she got thirty letters from

0:19:40.440 --> 0:19:43.199
<v Speaker 4>these random people. It's like, I'm made up name, So

0:19:43.200 --> 0:19:45.120
<v Speaker 4>I made up all these different things. I like, put

0:19:45.160 --> 0:19:46.479
<v Speaker 4>lipstick on and kissed one of them.

0:19:46.600 --> 0:19:48.640
<v Speaker 2>I'm like, so, she's.

0:19:48.480 --> 0:19:50.359
<v Speaker 3>Probably not asked Julia about this.

0:19:50.600 --> 0:19:51.480
<v Speaker 2>I know, because I.

0:19:51.400 --> 0:19:53.600
<v Speaker 4>Didn't know if they would use it after I had to,

0:19:54.160 --> 0:19:56.160
<v Speaker 4>I didn't know if they were. But when I see

0:19:56.200 --> 0:19:57.520
<v Speaker 4>her next, I'm going to ask her to say, did

0:19:57.600 --> 0:20:00.439
<v Speaker 4>you get thirty letters at random, sporadic times from me?

0:20:00.560 --> 0:20:00.879
<v Speaker 2>Just like I.

0:20:02.640 --> 0:20:04.320
<v Speaker 3>Needed all the love I could get. I don't care

0:20:04.320 --> 0:20:05.159
<v Speaker 3>who sent them.

0:20:05.359 --> 0:20:09.040
<v Speaker 2>I don't care you. Yeah, maybe she's said that they've ended.

0:20:09.280 --> 0:20:12.880
<v Speaker 2>She's like, oh, they stopped sending them. Keep it. So, yeah,

0:20:12.920 --> 0:20:14.240
<v Speaker 2>that's something I need to confront with.

0:20:14.359 --> 0:20:17.120
<v Speaker 4>That's something behind them, you know, like which, yeah, which

0:20:17.160 --> 0:20:18.960
<v Speaker 4>is kind of random, I.

0:20:18.840 --> 0:20:20.159
<v Speaker 3>Guess, Jimmy.

0:20:20.240 --> 0:20:22.480
<v Speaker 1>I honestly, I think you are so funny, and I

0:20:22.520 --> 0:20:24.600
<v Speaker 1>think you're so talented, and I think that this is

0:20:24.640 --> 0:20:26.760
<v Speaker 1>the tip of the iceberg on where you're going to

0:20:26.840 --> 0:20:29.800
<v Speaker 1>go with your career. ASIKSTRAA will love watching you on

0:20:29.880 --> 0:20:32.040
<v Speaker 1>Task Maasses. I've seen a little bit of it. It's

0:20:32.160 --> 0:20:34.600
<v Speaker 1>very funny. And thank you so much for coming on

0:20:34.640 --> 0:20:36.320
<v Speaker 1>the podcast instead of talking to me.

0:20:37.040 --> 0:20:37.840
<v Speaker 3>That was a great job.

0:20:38.080 --> 0:20:40.760
<v Speaker 4>Appreciate it. Yeah, thank you. Yeah, Task Mass is really fun.

0:20:40.880 --> 0:20:42.800
<v Speaker 4>I think I think a lot of people I haven't

0:20:42.840 --> 0:20:45.679
<v Speaker 4>seen it before will will really we'll really enjoy it,

0:20:45.720 --> 0:20:47.200
<v Speaker 4>so yeah, tune in seven thirty