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Speaker 1: Hello, It's Tuesday. It's the jam Nation podcast with Jonesy

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Speaker 1: and Amanda.

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Speaker 2: Well, where are we? Katie Hopkins being deported. The TikTok

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Speaker 2: guy has been debunked. He didn't have maths after all,

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Speaker 2: they smoked him out. He just had a leak.

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Speaker 1: I'll tell you what. The water cooler was certainly busy yesterday.

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Speaker 1: Everyone was talking about Bill Edgar, our funeral crasher.

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Speaker 2: Yes which brought us to our tribal drum today. What

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Speaker 2: happened after the funeral?

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Speaker 1: The pub test, climbing Mount Everest, sit passed the pub test.

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Speaker 1: It's on the back of that four corner story. Last night.

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Speaker 2: We're joined by Ella Hooper. We're joined by Sam Frost.

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Speaker 1: Also Beauty and the Geek.

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Speaker 2: Last night the first kiss sounded like some messy pashion

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Speaker 2: went on.

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Speaker 1: You got it. It's all coming up on our podcast.

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Speaker 1: I don't know that a miracle of recording.

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Speaker 3: We have so many requests for them to do it again.

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Speaker 4: Mistress Amanda's MS killer Amanda doesn't work alone.

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Speaker 2: Good friend back making the tools of the train.

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Speaker 5: I've heard them describe him as a drunken idiot.

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Speaker 6: The legendary party Jonesy, Amanda, the actress.

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Speaker 7: Congratulations, murder.

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Speaker 2: We're right now, and Amanda, you're doing a great job.

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Speaker 6: Anyone set now good radio. Sorry but it's a twist

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Speaker 6: set Amanda.

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Speaker 8: Shoot Tim, we're.

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Speaker 7: On the air.

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Speaker 1: Amanda. Here you today?

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Speaker 2: Well, how are you going?

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Speaker 1: I'm doing all right. I'm getting good grades.

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Speaker 2: That's good.

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Speaker 1: Anything you want to report? What have you been up to?

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Speaker 1: What are you been watching?

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Speaker 2: Tell you what I watched last night. Bec there's a

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Speaker 2: new show on Foxtel called White Lotus, and it's really

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Speaker 2: really good. It's a it's about a group of people

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Speaker 2: that book into White Lotus, this beautiful resort. It's actually

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Speaker 2: filmed at the Four Seasons in Hawaii. Gorgeous, gorgeous, but

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Speaker 2: there's you know right at the beginning that something's going

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Speaker 2: to happen, and it's it's it's just really great. And

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Speaker 2: the episodes only drop, as they say, once a week,

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Speaker 2: so they drop on a Monday, so there's two of

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Speaker 2: them that are available to watch. It's really good.

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Speaker 1: Good because I mean chewing down Mister in Between, which

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Speaker 1: I finished.

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Speaker 2: Finished, didn't it?

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Speaker 1: That was so good?

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Speaker 2: I hardly loved that.

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Speaker 1: Such a good show, such a great show. And I've

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Speaker 1: been watching Shit's Creek, which is great. I've been chewing

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Speaker 1: through that. I've enjoyed that very much. So I might

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Speaker 1: get on the white Lotus. Yeah, might, I might do that,

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Speaker 1: and then I might go and watch some old episodes

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Speaker 1: of Porridge. I've been watching a bit of Porridge for

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Speaker 1: You with Ronnie Corbett, and then I watch Open All Hours.

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Speaker 1: Oh remember that?

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Speaker 2: Wow? I never liked Open All Hours. I loved the

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Speaker 2: two Ronnie's, but the Open All Hours and those, you know,

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Speaker 2: I never liked the sitcoms that came from it. It

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Speaker 2: was a guy running a corner store and the market

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Speaker 2: experienced guy was actually an adult, but was supposed to

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Speaker 2: see that was supposed to believe he was a kid.

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Speaker 1: It was no, no, it wasn't a kid. He was.

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Speaker 2: Oh. I always thought that that was the joke, like

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Speaker 2: a simpleton, that he was a kid, but it was

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Speaker 2: being played by an adult.

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Speaker 1: No, no, no, it was. That was great and it's a.

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Speaker 8: You know we do that.

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Speaker 1: The nurse would always always be up for the nurse.

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Speaker 2: Also have been watching Starstruck on the A B C.

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Speaker 2: Which is there's I think her surname is Matteo, Rose Matteo.

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Speaker 2: I'm not pronouncing her name correctly. I don't think she's

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Speaker 2: a fabulous New Zealand comedian. I've seen her and having

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Speaker 2: been paying attention a few times, and she's in this

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Speaker 2: It's it's such a great story that it makes you think, oh, yes,

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Speaker 2: I really get that. She's a girl who meets a

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Speaker 2: guy she discovers he's a famous actor. She lives in London.

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Speaker 2: He's a famous actor. And you know, why would he

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Speaker 2: be interested in her? He likes her because she's different

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Speaker 2: to all the women he normally meets. But they're they're

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Speaker 2: they're out of whack and you know, will they get together?

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Speaker 2: Weren't they? And it's funny and I really like it.

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Speaker 1: Some others still haven't. That's good. You shut a new show?

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Speaker 2: Wow? What about that documentary The Friend Star?

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Speaker 1: That's right, action packed show. Today, Sam Frost is going

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Speaker 1: to be joining us to talk Home and Away. You

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Speaker 1: know she's had a star turn as an actress, hasn't

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Speaker 1: she really?

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Speaker 2: Yeah, her career has been quite extreme.

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Speaker 1: It's good and dipping and out of the home and

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Speaker 1: Away and she's I like her character on that shot.

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Speaker 2: All right, Well, let's kick off with the Magnificent seven.

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Speaker 2: Here's question number one. Australia Zoo is located in which state?

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Speaker 1: Podcast we are into the Magnificent seven. There are seven questions?

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Speaker 1: Can you all the way and answer all seven questions correctly?

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Speaker 1: If you do that, we're pretty happy for you. But

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Speaker 1: it's about getting questions seven, right, isn't it? Really?

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Speaker 7: Well?

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Speaker 2: Let's see how far Warren from EMU planes can go?

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Speaker 1: Hello Warren, Oh, Warren's not working?

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Speaker 2: Why isn't Warren working?

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Speaker 1: There you go?

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Speaker 2: Hello Warren not working?

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Speaker 1: Don't know why he? Let me try this one?

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Speaker 2: Hello Warren? You want to smash the touch screen? There

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Speaker 2: a Warren?

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Speaker 7: Good?

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Speaker 2: How I very well? Question number one for you. Australia

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Speaker 2: Zoo is located in which state?

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Speaker 9: That would be Queen when?

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Speaker 8: Yes?

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Speaker 2: And can we give a singer to Terry when it's

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Speaker 2: her fifty seventh birthday. She's a remarkable woman. I'm so

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Speaker 2: impressed by Terry Owen.

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Speaker 1: She's like your power.

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Speaker 2: Well she is, and happy birthday, Terry. She's a great,

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Speaker 2: great woman.

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Speaker 1: She's my inn for the free You're my inn for

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Speaker 1: the free stuff. If I ever get to Australia Zoo,

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Speaker 1: I was going to.

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Speaker 2: Be going to do you want well?

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Speaker 1: I was because she's good pals with you, so it's

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Speaker 1: like you're my in for the free stuff. Like when

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Speaker 1: we get on a plane whatever, they say, oh you're

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Speaker 1: with a man here, yeah, and they go, well, here's

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Speaker 1: some free stuff.

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Speaker 2: Well I don't get the free stuff. So what free

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Speaker 2: stuff are you getting?

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Speaker 1: I get great stuff. I've been a planted on planes

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Speaker 1: and been served drinks because on the strength of being

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Speaker 1: with you. So that's really I wasn't even there warrant.

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Speaker 1: You want to be a part of this free stuff?

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Speaker 1: And why do you give me some free stuff?

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Speaker 10: Don't you?

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Speaker 1: Okay, maybe want to give me some free stuff next time?

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Speaker 1: Just say you're with Amanda and you get free stuff.

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Speaker 2: I'll try it next time.

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Speaker 1: That's a good thing.

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Speaker 2: Warren up to question number two. Which member of the

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Speaker 2: Beatles married Yoko Ono?

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Speaker 9: Paul McCartney.

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Speaker 2: No, it wasn't, sorry, Larren. Wow, I thought that was

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Speaker 2: the easiest of the pieziest.

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Speaker 1: And we appear to be stuck on question number Let's.

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Speaker 2: Go to Tiffany now in Nelson's Bay. Hello, Tiffany, Hello.

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Speaker 2: Question two, which member of the Beatles married Yoko Ono?

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Speaker 1: John Lennon correct reportedly broke the Beetles up.

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Speaker 2: No, she did not that was the word, because they

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Speaker 2: broke up not long afterwards.

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Speaker 1: Yeah, but they went a little bit crazyk did add

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Speaker 1: a certain amount of cooke.

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Speaker 2: But he wanted the kook. He was ready for the cook.

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Speaker 1: I don't know, does anyone really ready for the cook? Yeah?

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Speaker 2: He was.

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Speaker 1: You like to play sing it back?

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Speaker 2: You know he's Prince Harry.

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Speaker 1: What is Megan the kup?

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Speaker 2: Not the kook, but someone who encourages you to think

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Speaker 2: outside the life you've been living. Right, are you the kook?

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Speaker 11: No?

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Speaker 1: I think I'm pretty reasonable you'd be the kook in

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Speaker 1: this relationship.

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Speaker 2: Question three. We have a Leane Rhimes song. Here, She's

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Speaker 2: going to sing the first line and then when she stops, Tiffany,

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Speaker 2: it's over to you. Here we go go.

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Speaker 10: I can't fight the moonlight.

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Speaker 1: Oh nice, you are good.

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Speaker 2: Question number four, this is multiple choice. Which degree to

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Speaker 2: Prince Harry earned while at the University of Saint Andrews.

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Speaker 2: Was it a geography b a degree in accounting or something?

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Speaker 1: It's Prince William, Prince What did I say, Prince Harry?

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Speaker 2: Oh, I'm so sorry, Prince.

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Speaker 1: You've got Harry on the brain.

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Speaker 2: Did he get a degree in geography, accounting or art history. Mm, geography, Yeah,

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Speaker 2: it's geography. He met Kate Middleton at the union. She

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Speaker 2: was getting a degree in art history.

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Speaker 12: I did.

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Speaker 2: All the royal women get degrees in art history.

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Speaker 1: Say it's easy to do.

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Speaker 2: What does it mean? It's just that slightly posh. You

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Speaker 2: know there's a dog playing poker.

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Speaker 1: You know how I did a fine arts course of tech.

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Speaker 2: It's fine.

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Speaker 1: He was fine. I passed in art history. I was

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Speaker 1: good at art history.

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Speaker 2: Well, should you be royal? Is that where this is going?

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Speaker 1: Maybe where's my royal? So I could be the kook

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Speaker 1: in the relationship. Porn and rook are pieces used in

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Speaker 1: which game?

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Speaker 2: If you need this, questions to you?

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Speaker 10: Yeah, yeah, porn, Sorry.

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Speaker 1: Porn and rook pieces used in which game?

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Speaker 2: Porn and rook? I think give us a vague doubt

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Speaker 2: when we were chess chess correct question six. Who plays

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Speaker 2: Jasmine Delaney on Home and Away? I think Tiffany The

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Speaker 2: covers the sound of the googling.

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Speaker 1: Michelle Mary's hello, Michelle, Hello, Michelle, Hello, Hello, Michelle Wegg. Well,

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Speaker 1: we don't mind if you google, just do it discreetly.

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Speaker 1: It's like when Mick Jaggi used to go womanizing Jerry Holland. Say, Mick,

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Speaker 1: if you got a woman eyes, just don't rub it

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Speaker 1: in my face.

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Speaker 2: Until the day he fathered a child with somebody else.

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Speaker 1: They see he's overstepped the mark there.

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Speaker 2: Question six. Who plays Jasmine Delaney on Home and Away?

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Speaker 2: She started as a bachelorette.

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Speaker 1: That's when we first met her, did a radio show.

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Speaker 2: We met her on The Bachelor, Actually, Sam Frost.

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Speaker 1: That's it. The full night after seventeen months of empty

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Speaker 1: dance floors. Which country celebrated Freedom Day yesterday? Back up?

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Speaker 2: Which country was it?

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Speaker 13: Oh?

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Speaker 1: The UK? It was the UK.

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Speaker 2: It was Londoners in England and you know what, they're

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Speaker 2: still having fifty thousand new cases a day. But let's

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Speaker 2: open up and celebrate.

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Speaker 1: Yes, they were saying it was free dumb Day. That's

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Speaker 1: what people were saying. But congratulations to you. You've done it.

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Speaker 1: It's all coming your way. You've got the family past

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Speaker 1: with the jam pack to toron Zoos stay connected with

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Speaker 1: four thousand animals direct from your living room at toron

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Speaker 1: zoo dot com dot a you a one hundred dollars

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Speaker 1: babies about your world famous desserts with four hundred animal

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Speaker 1: with a Baby's to Paramatta and brightless hands with four

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Speaker 1: hundred animals. Four hundred animals there, I don't number one

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Speaker 1: animals covered in chocolate and Jones and a man to

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Speaker 1: catch ches, feed the current at state the pencils so

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Speaker 1: you can color with confidence? How about them apples?

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Speaker 7: Wonderful?

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Speaker 2: Thank you, Thanks Michelle.

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Speaker 1: We're just out of synk today.

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Speaker 2: Things are coming up on the show today. We do

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Speaker 2: have Sam Frost, We've got Ella Hooper joining us and

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Speaker 2: our five K fast five What will be our category today?

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Speaker 2: Jonesy and Amanda.

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Speaker 1: Jam podcast through good Morning? Do you mean to wish

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Speaker 1: me a good morning? Or do you mean the diters

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Speaker 1: of good morning? Whether I want it or not? All

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Speaker 1: of them are once, I suppose.

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Speaker 2: Well, I'm going to flick through the Gelmanac, a big

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Speaker 2: book of musical facts. What do you here on this day?

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Speaker 2: In nineteen forty five, Kim Carnes was born?

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Speaker 1: Really, how was she?

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Speaker 2: I'll just flick through and see you here we are she? Well,

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Speaker 2: she would be seventy she'd be seventy five.

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Speaker 1: Today, seventy five Kim Karns.

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Speaker 2: Yeah. She Her voice, of course, was immortalized in song

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Speaker 2: along with Betty Davis eyes now Betty Davis we call

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Speaker 2: her Bete Davis, don't we? But the song is Betty Davis.

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Speaker 2: For a long time she was Betty Davis. Now's Bete Davis?

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Speaker 1: Anything were? Kim Karnes called her Betty?

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Speaker 2: That's right? Do you know? After Betty Davis Eyes became

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Speaker 2: a hit single, bet Or Betty wrote letters to Kim

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Speaker 2: saying thank you for making me part of modern history.

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Speaker 2: One of the reasons that the legendary actor loved the

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Speaker 2: song is that her granddaughter thought her grandmother was cool

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Speaker 2: for having a song written about her. There you go.

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Speaker 2: Do you know? Kim didn't get the credit as much

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Speaker 2: credit as the song had initially because for the first

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Speaker 2: few months of airplay, listeners thought it was Rod Stewart

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Speaker 2: singing the song just because.

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Speaker 1: She's got a bit of a gravelly voice and he

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Speaker 1: has a bit of a gravelly voice. Let's get everyone

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Speaker 1: a sooth body Tyler as a support actor. Imagine the

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Speaker 1: Fisherman's Friends tour suck.

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Speaker 6: On that.

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Speaker 2: Happy birthday Kim Karn's Well, A couple of things we

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Speaker 2: touched on yesterday have had follow on. So let's do

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Speaker 2: a little where are we now with these?

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Speaker 1: A round up?

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Speaker 2: A little do a round up? We spoke yesterday about

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Speaker 2: the so called TikTok comedian who was able to predict

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Speaker 2: five days in a row what the COVID numbers would be.

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Speaker 2: People were saying, surely there's a leak inside the health

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Speaker 2: department or the police department somewhere, and he said, no,

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Speaker 2: I'm doing it with pure maths and people. You can't

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Speaker 2: be because it only predicted after eight o'clock. Yeah, so

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Speaker 2: there was something strange going on. Well, he said that

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Speaker 2: yesterday's numbers.

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Speaker 1: I would not legally say to be one hundred nine

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Speaker 1: new cases.

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Speaker 11: Well, they guys one hundred and nine new cases.

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Speaker 1: I didn't say it.

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Speaker 2: Well, he said it, and he was incorrect. There are

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Speaker 2: only only ninety eight cases yesterday. What we now think

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Speaker 2: is that they laid a trap for him, that they

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Speaker 2: gave different people different information. Is the is the story

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Speaker 2: to smoke out who was leaking the info? Interesting? I mean,

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Speaker 2: I don't know why it's secret information. The government have said.

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Speaker 2: He just gives the number with no context, and we'd

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Speaker 2: rather wait till the next day so that we can

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Speaker 2: control the context of how this information is delivered. Peter

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Speaker 2: van onslan I saw in a tweet of his yesterday

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Speaker 2: said that John Howard's office used to put a minor

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Speaker 2: variation in each cabinet document sent to ministers, so that

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Speaker 2: if the papers leaked, they'd know which minister an office

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Speaker 2: to blame. You lay a little legs in all of them.

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Speaker 2: See what happened, right, So that's the theory, is that

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Speaker 2: TikTok man has has been the holes been plugged.

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Speaker 1: You had a theory as well that Gladys didn't mind

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Speaker 1: it so much.

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Speaker 2: Wasn't my theory? I'd read this that it was a

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Speaker 2: conspiracy theory that the government didn't mind it because the

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Speaker 2: numbers were high, and by we were also thrilled on

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Speaker 2: what numbers are going to say? He's saying one hundred

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Speaker 2: and fifty thousand, and we go, oh, like we took

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Speaker 2: the shock away from actually the next day hearing what

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Speaker 2: the actual number was.

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Speaker 1: Because it's the shooting of the messenger. Isn't that how

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Speaker 1: the modern day marathon started? The Greek soldier had to

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Speaker 1: run to give the orders to the other Greek soldiers

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Speaker 1: and ran and ran and ran and ran and ran

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Speaker 1: and got there and was absolutely cactus. And he gave

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Speaker 1: the message and then the soldiers didn't like the message,

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Speaker 1: so they stabbed the poor guy after he ran all

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Speaker 1: that way, and then we had the modern day marathon.

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Speaker 2: I where don't shoot the messenger comes down't shoot the messenger,

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Speaker 2: so stab him with your swords.

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Speaker 1: Especially after his buget and he's run all that time.

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Speaker 2: Just wants a glass of water and some blisters to

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Speaker 2: remove a band aid.

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Speaker 1: That's all he wants. What about so old mate? That's right.

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Speaker 2: We had some follow up information about Katie Hopkins, who

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Speaker 2: is you know this? You could see why the show

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Speaker 2: wanted to promote it for a celebrity big brother, the

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Speaker 2: most hated woman in England.

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Speaker 1: Yeah, of course, but as she I don't know. Of

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Speaker 1: course they're going to have her on. Everyone say, why

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Speaker 1: would you put this woman on TV? That's why you

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Speaker 1: put them on TV.

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Speaker 2: But you know she has said the most vile things.

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Speaker 2: We should not be giving a platform.

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Speaker 1: I don't agree with what she says. But having said that,

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Speaker 1: if you put her on, say I was on that

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Speaker 1: show with her, I would I would check her about what.

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Speaker 2: Her Yeah, but why do we need to hear those

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Speaker 2: terrible o pins? The same reason why they got rid

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Speaker 2: of Pete Evans from I'm a Celebrity. At some point

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Speaker 2: you go, let's not give this hateful stuff a platform.

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Speaker 1: Always fine if you've got a counterbalance, though, if you

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Speaker 1: ever care, if you have a nutbag on a show,

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Speaker 1: then you have someone to counterbalance the nut No, but you've.

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Speaker 2: Said yourself, that's what's wrong with modern media. Were why

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Speaker 2: do we give give airtime to the nutbags because other

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Speaker 2: people go, oh, I've got that opinion, and it just

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Speaker 2: fuels itself because I get writing to we need to

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Speaker 2: take the air away from them. It's too dangerous to

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Speaker 2: leave this just for TV. But she anyway, was in Australia.

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Speaker 2: She was being quarantined. She doesn't believe in quarantine, and

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Speaker 2: she stupidly went on Facebook Live and said this, when they.

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Speaker 11: Drop food outside the door, I'd be told right it

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Speaker 11: all's there is this by the police officer who checked

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Speaker 11: me in. I have to wait thirty seconds till I

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Speaker 11: can open the door. I can open the door, but

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Speaker 11: I only do a face mask. So what I've been

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Speaker 11: doing this is so sad. I've been lying in wait.

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Speaker 11: What I'm trying to do as someone knocks on the door,

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Speaker 11: I'm trying to get to the door and spring open

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Speaker 11: and do it naked with no face mask. I want

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Speaker 11: the sergeant in the foyer to come out and tell

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Speaker 11: me off so that I can that naked while he.

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Speaker 2: Tells me off. Shut up. She's been sent home and

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Speaker 2: fined one thousand dollars. How to visa revot?

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Speaker 1: I did like where Bartiby Joyce had to add, he's

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Speaker 1: very good with a sound bite on the one who

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Speaker 1: wanted to send her in Johnny Depp's dog. So I've

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Speaker 1: got no problem setting home someone who wants a flout

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Speaker 1: our laws.

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Speaker 2: I want to flat our laws.

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Speaker 6: Think you pack your bongo and get out of the country.

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Speaker 1: Pack your bongo and get the country. It's a go

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Speaker 1: to answer for everything it's got. At A seven yesterday

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Speaker 1: we had Bill Edgar on the show. Bill Edgar is

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Speaker 1: a funeral crasher, which made me get I had a

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Speaker 1: lot of thoughts about this When I die, is there

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Speaker 1: stuff that I want to get? I don't want my

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Speaker 1: family to find that I own?

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Speaker 2: Well, why are you asking me? Ask yourself?

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Speaker 1: I know, but you just are you concerned about.

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Speaker 2: This about what I'll find in your place for yourself?

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Speaker 2: My friend Melanie and I had a packed when we

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Speaker 2: were teenagers that if one of us carcked it, the other,

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Speaker 2: go and get the diary from your home. I'm missus Dalton.

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Speaker 2: Hear about Melanie. Can I go just into a room

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Speaker 2: for a minute.

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Speaker 1: I've just got to knock down some jip rock have

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Speaker 1: this diarycast An interesting guest on the show Did We Manage?

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Speaker 2: His name is Bill Edgar, and he was He's written

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Speaker 2: a book about it. It's called The Coffin Confessor. And

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Speaker 2: what he does is people on their deathbeds tell him

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Speaker 2: what they like, whether it is a part of the ceremony.

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Speaker 2: He said there was one where he was His instruction

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Speaker 2: was to sit the funeral. Sit in the funeral and

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Speaker 2: stand up and shut down any hymns. There's a variety

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Speaker 2: of things that people passing away have asked him to do.

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Speaker 1: Indeed, has it all start though?

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Speaker 8: It really started as a joke. I was just calling

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Speaker 8: talking to a dying man about death, the afterlife and that,

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Speaker 8: and then I suggested that I crash his funeral for it,

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Speaker 8: and he took me up on the offer, and then

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Speaker 8: it just went nut.

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Speaker 1: And what did he want you to do?

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Speaker 14: Bill?

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Speaker 8: I had to add his best mate while his best

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Speaker 8: mate was performing the eulogy and tell the audience that

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Speaker 8: his best mate had been trying to add sex with

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Speaker 8: his wife while he's been laying on his deathbed. Also,

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Speaker 8: three members of the audience that my clients said if

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Speaker 8: they did attend, I was to remove them because he

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Speaker 8: hadn't seen him in thirty years, So why take their

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Speaker 8: respects when he's gone?

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Speaker 1: So awkward? But now, how does it all work?

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Speaker 8: I attend a funeral as one of them mourners. I

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Speaker 8: sit with family and friends, and a specific time set

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Speaker 8: by my client, I stand up, interrupt the service and

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Speaker 8: open a letter. Read the letter, and yeah, that's how wins.

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Speaker 1: And he says that people say, I sit down, mate,

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Speaker 1: and then other people just want to have a They

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Speaker 1: want to listen to what the deceased had to say.

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Speaker 2: Hopefully it's not about you.

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Speaker 1: No, they're listening extraordinary scenarios as well, things.

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Speaker 8: Like extra marital affairs. There's small amounts of crime, nothing big,

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Speaker 8: but there's just little confessions that people want to confess.

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Speaker 8: And there's also love for another person or you know,

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Speaker 8: or the love for their family and friends. So a

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Speaker 8: lot of people they accept the deak. What they can't

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Speaker 8: accept is leaving behind everybody or separating himself. But that's

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Speaker 8: the hardest part about.

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Speaker 1: This, so would you want everything out there?

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Speaker 15: Was?

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Speaker 1: Once you go, and you go, and you can't rule

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Speaker 1: from the grave, as they say, well.

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Speaker 2: I said, I asked him why people themselves don't write

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Speaker 2: letters and say it, and he said he sees people

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Speaker 2: who are really at the end and don't have enough

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Speaker 2: energy to do anything other than just saying here's what

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Speaker 2: I really like.

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Speaker 1: Hmm. Also as interesting, he's even been asked to prove

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Speaker 1: that the deceased are actually dead.

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Speaker 8: Yeah, now I'm going to duties and I'm taking either

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Speaker 8: being coffins or I'm pin pricking in the body to

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Speaker 8: make sure there's nowtmotion because people are absolutely terrified about

443
00:20:30,560 --> 00:20:32,280
Speaker 8: being buried or cremated alive.

444
00:20:32,720 --> 00:20:35,919
Speaker 1: Christ, you've been hired by the deceased to go up

445
00:20:35,960 --> 00:20:37,040
Speaker 1: and poke them while.

446
00:20:36,840 --> 00:20:38,159
Speaker 2: They're in they're in.

447
00:20:38,160 --> 00:20:39,080
Speaker 1: Front of their family.

448
00:20:40,320 --> 00:20:42,199
Speaker 8: Well, it's not in front of their family. I do

449
00:20:42,280 --> 00:20:46,080
Speaker 8: it privately and confidentially. You know for sure. Something my

450
00:20:46,119 --> 00:20:48,960
Speaker 8: clients who reigns for me to do this, but they

451
00:20:49,040 --> 00:20:50,480
Speaker 8: basically say, yes.

452
00:20:50,280 --> 00:20:52,480
Speaker 1: Stick a pin in this just in case.

453
00:20:52,640 --> 00:20:58,760
Speaker 2: And then sometimes it's oh, my families going to find something.

454
00:20:58,560 --> 00:21:00,960
Speaker 1: Yeah, any weird stuff if you might have and.

455
00:21:01,040 --> 00:21:03,600
Speaker 8: Don't forget if you guys, if anything ever happens on

456
00:21:03,640 --> 00:21:05,879
Speaker 8: the way home, what's less at home? You don't want

457
00:21:05,960 --> 00:21:08,320
Speaker 8: somebody to find? Can you call and I'll go get

458
00:21:08,359 --> 00:21:08,679
Speaker 8: rid of it.

459
00:21:09,280 --> 00:21:12,479
Speaker 1: I've got a doggy copy of Penthouse magazine from a bus.

460
00:21:12,480 --> 00:21:14,840
Speaker 2: If your wife doesn't know that you talk about it

461
00:21:14,880 --> 00:21:19,560
Speaker 2: every half hour. Warn it's an interesting idea. We might

462
00:21:19,600 --> 00:21:22,200
Speaker 2: talk about this in the tribal drum today about stuff

463
00:21:22,240 --> 00:21:24,560
Speaker 2: that's come out after the funeral.

464
00:21:24,880 --> 00:21:27,120
Speaker 1: It's four to seven. The Big News, which showan Fraser

465
00:21:27,160 --> 00:21:29,560
Speaker 1: is coming up at seven o'clock. The five K Fast

466
00:21:29,600 --> 00:21:32,399
Speaker 1: five is coming up after the big news? Can you

467
00:21:32,480 --> 00:21:35,320
Speaker 1: match our fast five? Five things that relates to one

468
00:21:35,359 --> 00:21:36,480
Speaker 1: random category?

469
00:21:36,680 --> 00:21:38,159
Speaker 2: I think it's my turn today, so you have to

470
00:21:38,200 --> 00:21:39,560
Speaker 2: try and get inside my head.

471
00:21:39,600 --> 00:21:41,600
Speaker 1: So you get one hundred dollars for every correct answer.

472
00:21:41,720 --> 00:21:44,720
Speaker 1: If you match your five, you get five thousand dollars.

473
00:21:44,760 --> 00:21:46,040
Speaker 2: All right, what's today's category?

474
00:21:46,080 --> 00:21:47,520
Speaker 1: Today's category is.

475
00:21:52,119 --> 00:21:52,560
Speaker 2: Cars?

476
00:21:53,359 --> 00:21:56,720
Speaker 1: No subjects at school?

477
00:21:57,240 --> 00:22:00,439
Speaker 2: Well, luckily I'm doing this. I think you at the

478
00:22:00,520 --> 00:22:04,280
Speaker 2: Hope and now subjects at school. I'll come up with five.

479
00:22:04,359 --> 00:22:07,400
Speaker 2: Will your five match my five? You'll get five grand

480
00:22:07,440 --> 00:22:08,159
Speaker 2: if they are.

481
00:22:12,400 --> 00:22:17,359
Speaker 5: Fast of lazy Jones and Amanda's five fast five?

482
00:22:17,800 --> 00:22:19,640
Speaker 1: How much are you in our heads? Can you match

483
00:22:19,680 --> 00:22:22,960
Speaker 1: our fast five five things that relate to one random category?

484
00:22:23,160 --> 00:22:25,359
Speaker 1: All you have to do is match your answers with

485
00:22:25,400 --> 00:22:27,480
Speaker 1: ours and you win the cash. We pay one hundred

486
00:22:27,480 --> 00:22:30,160
Speaker 1: dollars for every single match, but you get all five,

487
00:22:30,520 --> 00:22:33,960
Speaker 1: you win five thousand dollars. Today we're joined by Pam

488
00:22:34,040 --> 00:22:36,800
Speaker 1: of Glenn Denning. Hello, Pam, good morning.

489
00:22:36,840 --> 00:22:37,360
Speaker 10: How are you?

490
00:22:37,560 --> 00:22:39,760
Speaker 2: Hello? Pam? I hope you're in my hand?

491
00:22:40,200 --> 00:22:42,360
Speaker 1: Hello are you? Are you a big fan of Amanda?

492
00:22:42,480 --> 00:22:42,720
Speaker 16: Pam?

493
00:22:42,800 --> 00:22:43,680
Speaker 2: Do you's not about that?

494
00:22:45,040 --> 00:22:47,760
Speaker 1: You've been around for some time. You might have gleaned

495
00:22:47,800 --> 00:22:48,400
Speaker 1: some information.

496
00:22:48,720 --> 00:22:51,760
Speaker 2: Amanda, Well, that's very sweet, so do you feel that?

497
00:22:51,920 --> 00:22:54,240
Speaker 1: And it's a good subject today? It's subjects to.

498
00:22:54,240 --> 00:22:56,919
Speaker 2: Subjects at school? So before the news we were told this,

499
00:22:57,520 --> 00:23:01,600
Speaker 2: I've written down the first five that came into my head.

500
00:23:02,000 --> 00:23:05,280
Speaker 2: Do they match the five that you've come up with?

501
00:23:05,600 --> 00:23:08,359
Speaker 2: One hundred bucks each? Cruick answer? If we match five

502
00:23:08,440 --> 00:23:12,040
Speaker 2: to five? Yet five grand Today's subject?

503
00:23:13,800 --> 00:23:15,399
Speaker 9: Can I say that?

504
00:23:15,840 --> 00:23:16,240
Speaker 1: Of course?

505
00:23:16,480 --> 00:23:25,000
Speaker 9: Ed Max English history, science and geography.

506
00:23:25,880 --> 00:23:33,040
Speaker 1: There it is. This is exciting. So Pam, you said

507
00:23:33,320 --> 00:23:36,920
Speaker 1: maths funny thing? Amanda said, maths.

508
00:23:37,560 --> 00:23:39,000
Speaker 2: One hundred bucks, Pam.

509
00:23:39,440 --> 00:23:43,520
Speaker 1: Pam, you said English. You know what? Amanda said English?

510
00:23:43,640 --> 00:23:44,480
Speaker 2: Two hundred bucks.

511
00:23:45,520 --> 00:23:53,720
Speaker 1: Pam. You said history. Amanda also said history. Three hundred bucks. Pam.

512
00:23:53,920 --> 00:24:00,480
Speaker 1: You said geography. You know what Amanda said geography?

513
00:24:00,880 --> 00:24:03,640
Speaker 2: Four hundred bucks. You've only got to match one more.

514
00:24:04,600 --> 00:24:06,720
Speaker 2: The next one has to match mine, and you get

515
00:24:06,760 --> 00:24:08,040
Speaker 2: five thousand dollars.

516
00:24:08,359 --> 00:24:18,600
Speaker 1: Pam. You said science. Yes, Amanda, you said home economics.

517
00:24:18,600 --> 00:24:22,720
Speaker 2: Science. Oh, Pam, And I went on to work on

518
00:24:22,800 --> 00:24:25,560
Speaker 2: a science show. Science didn't even occur to me.

519
00:24:25,840 --> 00:24:28,680
Speaker 1: Why wouldn't you say science. It's the most obvious than you.

520
00:24:29,840 --> 00:24:33,120
Speaker 2: I'm so sorry. Home economics, Well, that's the first one

521
00:24:33,160 --> 00:24:34,520
Speaker 2: I thought of, was home economics.

522
00:24:34,520 --> 00:24:36,159
Speaker 1: I'm going to cure you to bake us some goods.

523
00:24:36,200 --> 00:24:38,320
Speaker 2: Oh, I'm so that's the first one that came into

524
00:24:38,320 --> 00:24:38,800
Speaker 2: my head.

525
00:24:40,680 --> 00:24:40,920
Speaker 12: Pam.

526
00:24:42,000 --> 00:24:42,840
Speaker 2: Four hundred bucks.

527
00:24:42,880 --> 00:24:47,840
Speaker 1: I go fired up, Pam, smoke the bags. That's Pam

528
00:24:47,960 --> 00:24:52,160
Speaker 1: zooning off, see you, Pam, bye bye.

529
00:24:52,720 --> 00:24:55,520
Speaker 2: Oh see, I feel guilty. Didn't even occur to me

530
00:24:55,520 --> 00:24:57,439
Speaker 2: to put science. The first one I thought of actually

531
00:24:57,920 --> 00:24:58,600
Speaker 2: was woodwork.

532
00:25:00,000 --> 00:25:00,760
Speaker 1: I love that.

533
00:25:02,280 --> 00:25:03,240
Speaker 2: This is stressful.

534
00:25:04,119 --> 00:25:07,560
Speaker 1: Anyway, it'll be back again tomorrow. Perhaps you can be

535
00:25:07,560 --> 00:25:08,080
Speaker 1: in my head.

536
00:25:08,760 --> 00:25:11,879
Speaker 2: We're talking about the funeral crasher before child and Drum's

537
00:25:11,880 --> 00:25:16,520
Speaker 2: going to beat for stuff that came out after the funerals. Well,

538
00:25:16,640 --> 00:25:19,800
Speaker 2: yesterday we interviewed Bill Edgun. He's got a book about

539
00:25:19,800 --> 00:25:22,960
Speaker 2: his life. It's called The Coffin Confessor, and so he

540
00:25:23,080 --> 00:25:24,600
Speaker 2: is with people at the end of their lives. They

541
00:25:24,680 --> 00:25:30,040
Speaker 2: hire him to either interrupt their funerals with information or

542
00:25:30,320 --> 00:25:32,040
Speaker 2: this is the bit we found really interesting.

543
00:25:32,600 --> 00:25:35,240
Speaker 8: And don't forget if you guys, if anything ever happens

544
00:25:35,280 --> 00:25:37,480
Speaker 8: on the way home, what's less at home? You don't

545
00:25:37,480 --> 00:25:39,840
Speaker 8: want somebody to find? Did you call and I'll go

546
00:25:39,880 --> 00:25:40,399
Speaker 8: get rid of it.

547
00:25:41,160 --> 00:25:43,440
Speaker 2: Imagine all the stuff that comes out once you're dead,

548
00:25:43,680 --> 00:25:45,720
Speaker 2: because it's interesting that those people wanted to get that

549
00:25:45,760 --> 00:25:49,240
Speaker 2: stuff off their chest. I think you just die and

550
00:25:49,240 --> 00:25:52,440
Speaker 2: then everyone just deals with it, but big stories come

551
00:25:52,480 --> 00:25:55,760
Speaker 2: out after the death. Friend of mine, her husband, was

552
00:25:55,840 --> 00:25:59,200
Speaker 2: at his grandfather's funeral, and at the funeral they met

553
00:25:59,480 --> 00:26:02,160
Speaker 2: a whole side to the family they didn't know existed.

554
00:26:02,359 --> 00:26:05,720
Speaker 2: He'd lived a double life. The grandfather really and the

555
00:26:05,800 --> 00:26:08,400
Speaker 2: grandfather I think lived in Cuji. The other family lived

556
00:26:08,400 --> 00:26:10,680
Speaker 2: in Marubra, so it was only one suburb of way.

557
00:26:10,680 --> 00:26:14,000
Speaker 2: But in those days, with no social media and if

558
00:26:14,000 --> 00:26:16,560
Speaker 2: people didn't travel as much, you could get away.

559
00:26:16,320 --> 00:26:18,280
Speaker 1: With you what it's like five k's.

560
00:26:19,240 --> 00:26:22,560
Speaker 2: I know the people that look just like us just over.

561
00:26:22,359 --> 00:26:24,680
Speaker 1: There, over there. That's extraordinary.

562
00:26:24,720 --> 00:26:25,719
Speaker 2: Yeah, amazing, isn't it?

563
00:26:25,880 --> 00:26:27,639
Speaker 1: Do you think the tribal drama would beat for this?

564
00:26:28,040 --> 00:26:28,680
Speaker 2: Let's do it.

565
00:26:28,760 --> 00:26:32,720
Speaker 1: What came out after the funeral? I am your father?

566
00:26:35,359 --> 00:26:38,160
Speaker 2: What have you learned? What stories came out? We want

567
00:26:38,240 --> 00:26:41,840
Speaker 2: juicy stories of crime and infidelity and where the treasure

568
00:26:41,880 --> 00:26:44,600
Speaker 2: is buried and murder and ah. We want people to

569
00:26:44,640 --> 00:26:46,119
Speaker 2: hear their parents were pirates.

570
00:26:46,400 --> 00:26:49,200
Speaker 1: Enough about a man, this family though, If you've got

571
00:26:49,200 --> 00:26:50,879
Speaker 1: something to add to that, why don't you call us

572
00:26:50,880 --> 00:26:53,960
Speaker 1: on thirteen WSFM now Matter the match prize a five

573
00:26:54,040 --> 00:27:01,400
Speaker 1: hundred dollars TVSN voucher. You love Shopping, you love TVSNI podcast.

574
00:27:01,560 --> 00:27:05,000
Speaker 1: The tribal drum is beating what came out after the

575
00:27:05,000 --> 00:27:06,920
Speaker 1: funeral and your father.

576
00:27:10,160 --> 00:27:13,000
Speaker 2: Some people we've been hearing through Bill Edgar want to

577
00:27:13,080 --> 00:27:16,639
Speaker 2: spill the beans on their deathbed. But I reckon a

578
00:27:16,680 --> 00:27:19,160
Speaker 2: lot of people just think, oh, I'll go to bed,

579
00:27:19,200 --> 00:27:21,359
Speaker 2: I'll go to bed, I'll go to my grave with

580
00:27:21,400 --> 00:27:23,000
Speaker 2: the secrets and everyone else deal with it.

581
00:27:23,000 --> 00:27:24,720
Speaker 1: I think I might spill the beans. Get someone to

582
00:27:24,720 --> 00:27:27,359
Speaker 1: stand up and spill the beans with a nane questions,

583
00:27:27,760 --> 00:27:29,080
Speaker 1: just a name questions.

584
00:27:29,240 --> 00:27:32,160
Speaker 2: And we think Jones is not dead. He's been reincarnated into.

585
00:27:32,000 --> 00:27:34,359
Speaker 1: That pigure of that guy, you know, the proper pnunciation

586
00:27:34,440 --> 00:27:38,000
Speaker 1: of burglar, for example. Or just hire that person to

587
00:27:38,000 --> 00:27:40,320
Speaker 1: come around to your house and just say burglar, or

588
00:27:40,359 --> 00:27:41,600
Speaker 1: just get Madder Madda.

589
00:27:41,560 --> 00:27:46,399
Speaker 2: Mata, hire Eventulicus to say. Now, oh, you'd have a

590
00:27:46,440 --> 00:27:47,320
Speaker 2: gag funeral.

591
00:27:47,440 --> 00:27:49,680
Speaker 1: There'd be a gag. There'd be a gag involved.

592
00:27:49,680 --> 00:27:54,480
Speaker 2: We've got Sarah, Hello, good morning you both. Sarah will

593
00:27:54,520 --> 00:27:55,960
Speaker 2: come out after the funeral.

594
00:27:57,200 --> 00:28:00,760
Speaker 7: Well, so back in the fifties, mine then granddad, my

595
00:28:00,840 --> 00:28:04,199
Speaker 7: nan had an affair and they went their separate ways.

596
00:28:04,800 --> 00:28:09,800
Speaker 7: My nan had a son to the guys she had

597
00:28:09,800 --> 00:28:13,119
Speaker 7: an affair with, and when she passed away we found

598
00:28:13,119 --> 00:28:17,200
Speaker 7: out that he was actually my granddad son. And then

599
00:28:17,680 --> 00:28:20,560
Speaker 7: when my granddad passed away, we found out that he

600
00:28:20,720 --> 00:28:25,920
Speaker 7: had an affair on his second wife in the when

601
00:28:25,960 --> 00:28:29,480
Speaker 7: he was in his sixties, and he had an illegitimate

602
00:28:29,560 --> 00:28:32,919
Speaker 7: child who's actually the same age as my brother. So

603
00:28:33,000 --> 00:28:36,880
Speaker 7: he had all these different children that we didn't know about.

604
00:28:37,080 --> 00:28:41,480
Speaker 2: Well, so when you say that your mom, your grandmother

605
00:28:42,080 --> 00:28:45,720
Speaker 2: had an affair and went off with him, but she

606
00:28:45,840 --> 00:28:49,040
Speaker 2: actually then came back to Grandpa for one final go

607
00:28:49,120 --> 00:28:49,840
Speaker 2: and had a baby.

608
00:28:51,120 --> 00:28:54,440
Speaker 7: Yes, yeah, so we didn't know they were still at it.

609
00:28:54,680 --> 00:29:01,160
Speaker 7: And so my step granddad actually brought up the boys

610
00:29:01,240 --> 00:29:03,480
Speaker 7: thinking it was his son, but it was actually my

611
00:29:03,560 --> 00:29:06,680
Speaker 7: granddad's son. So it was my dad's full brother, not

612
00:29:06,800 --> 00:29:07,520
Speaker 7: his half brother.

613
00:29:07,720 --> 00:29:11,480
Speaker 2: And then there's another brother or child the same age

614
00:29:11,560 --> 00:29:14,000
Speaker 2: as your brother that your dad father.

615
00:29:15,320 --> 00:29:19,480
Speaker 7: Yes, so my granddad had an affair with his second

616
00:29:19,480 --> 00:29:25,400
Speaker 7: wife and yeah, so we've then found out that he

617
00:29:25,520 --> 00:29:30,000
Speaker 7: had this child who is the same age as my brother.

618
00:29:30,600 --> 00:29:34,200
Speaker 2: Wow. Listen, your family tree must look like an Arthur

619
00:29:34,240 --> 00:29:40,800
Speaker 2: Murray dance chat. Yes, Sarah, Wow, ever get their.

620
00:29:40,640 --> 00:29:42,160
Speaker 1: Pile shut back in those days?

621
00:29:43,000 --> 00:29:43,680
Speaker 2: Look over there.

622
00:29:43,720 --> 00:29:46,840
Speaker 1: I didn't say anything, they just kept it quiet. Thank you, Sarah.

623
00:29:46,920 --> 00:29:50,320
Speaker 1: Madeline is with us as well. Hello, Madeline, good morning.

624
00:29:50,840 --> 00:29:52,440
Speaker 10: So a friend of mine, she.

625
00:29:52,440 --> 00:29:54,720
Speaker 15: Always had an older sister that was about sixteen years

626
00:29:54,760 --> 00:29:57,440
Speaker 15: older than her, and their mum was quite elderly, and

627
00:29:57,480 --> 00:30:00,280
Speaker 15: it wasn't until their mom passed away and all came

628
00:30:00,280 --> 00:30:02,920
Speaker 15: out that the mom was actually my friend's grandma the

629
00:30:02,920 --> 00:30:05,520
Speaker 15: whole time, and her sister was her mum and then

630
00:30:05,600 --> 00:30:08,400
Speaker 15: hidden it her whole life because it was a sixteen

631
00:30:08,480 --> 00:30:12,040
Speaker 15: year old pregnancy. Yeah, and so it turned out that

632
00:30:12,120 --> 00:30:14,840
Speaker 15: her sister was actually her mum and they didn't find out,

633
00:30:14,880 --> 00:30:17,120
Speaker 15: And even to this day, she's still trying to sort out,

634
00:30:17,160 --> 00:30:19,080
Speaker 15: like getting hold of her proper birth certificate and all

635
00:30:19,120 --> 00:30:19,600
Speaker 15: that stuff.

636
00:30:19,800 --> 00:30:21,640
Speaker 2: Wow, that's David Campbell.

637
00:30:21,640 --> 00:30:23,560
Speaker 1: That's the Jimmy Barnes David Campbell situation.

638
00:30:23,920 --> 00:30:26,920
Speaker 2: He was brought up thinking that his grandma was his

639
00:30:27,000 --> 00:30:29,320
Speaker 2: mum and his mom was actually his sister.

640
00:30:29,440 --> 00:30:31,760
Speaker 1: Yeah, and Jimmy was just some rocker that used to

641
00:30:31,760 --> 00:30:33,320
Speaker 1: hang around the house every now and then.

642
00:30:33,600 --> 00:30:34,240
Speaker 2: Yeah.

643
00:30:34,280 --> 00:30:37,720
Speaker 10: Wow, I think it's way more common than we believe.

644
00:30:37,760 --> 00:30:41,080
Speaker 2: That's right, is to cover the shame. The mom pretends

645
00:30:41,080 --> 00:30:42,880
Speaker 2: that the grandma pretends the babies.

646
00:30:43,240 --> 00:30:46,320
Speaker 1: You look at it now, Madeline, Everything these days is discussed.

647
00:30:46,400 --> 00:30:49,960
Speaker 1: My grandma, late Nana, had breast cancer, and I never

648
00:30:50,000 --> 00:30:52,200
Speaker 1: knew that she had breast cancer. She had a mastectomy,

649
00:30:52,280 --> 00:30:55,600
Speaker 1: she had one boob removed. When we were kids, no

650
00:30:55,600 --> 00:30:57,840
Speaker 1: one knew about it. She wore a prosthesis a little

651
00:30:58,160 --> 00:31:01,880
Speaker 1: sandbag in a bra twenty years after she died. My

652
00:31:02,000 --> 00:31:04,080
Speaker 1: dad just says, oh, yeah, yeah, by Nana. Yeah, she

653
00:31:04,120 --> 00:31:06,880
Speaker 1: had breast cancer. I said, when you have breast cats

654
00:31:06,920 --> 00:31:10,080
Speaker 1: at a masectomy. These days you'd have some sort of

655
00:31:10,080 --> 00:31:13,600
Speaker 1: fundraising page that'd be tattoos being done. And I'm not

656
00:31:13,640 --> 00:31:15,560
Speaker 1: saying that it's a bad thing now, but we're just

657
00:31:15,560 --> 00:31:16,320
Speaker 1: more aware of it.

658
00:31:16,440 --> 00:31:17,000
Speaker 12: Yeah. Yeah.

659
00:31:17,040 --> 00:31:19,200
Speaker 2: And in those days, you know, you find after the funeral,

660
00:31:19,280 --> 00:31:21,240
Speaker 2: you think, oh, who's this birth certificate in the drawer?

661
00:31:21,240 --> 00:31:23,640
Speaker 1: Oh I hang on, Yeah, I was like lesbians as well.

662
00:31:23,680 --> 00:31:26,240
Speaker 1: Auntie Mabel used to hang out with Auntie Doris and

663
00:31:26,240 --> 00:31:28,400
Speaker 1: they were just friends, but they were there were a couple.

664
00:31:28,920 --> 00:31:29,760
Speaker 1: That's what happened.

665
00:31:30,000 --> 00:31:32,360
Speaker 2: Well, this is what we're after, what came out after

666
00:31:32,400 --> 00:31:35,760
Speaker 2: the funeral? Jonesy and Amanda Gamation podcast.

667
00:31:37,240 --> 00:31:40,760
Speaker 8: Let's get to Solverwarey attention, because I do not want

668
00:31:40,760 --> 00:31:41,600
Speaker 8: to have to fail you.

669
00:31:42,280 --> 00:31:45,200
Speaker 1: Well, there the tribal drum has been beating this morning.

670
00:31:45,280 --> 00:31:47,480
Speaker 1: Tales of the funeral.

671
00:31:50,160 --> 00:31:53,920
Speaker 2: Or what came after the funeral. We've been hearing from

672
00:31:53,960 --> 00:31:57,200
Speaker 2: Bill Edgar. The people on their deathbed often make confessions

673
00:31:57,240 --> 00:32:00,400
Speaker 2: him that was his business. People would ask him to

674
00:32:00,480 --> 00:32:04,320
Speaker 2: pass on information either at the funeral or go to

675
00:32:04,400 --> 00:32:06,680
Speaker 2: their homes and clear out the stuff. He said that

676
00:32:06,720 --> 00:32:08,800
Speaker 2: someone had a sex dungeon. He had to clear our

677
00:32:09,000 --> 00:32:12,080
Speaker 2: sex dungeon? Had he clear out a sex dungeon and

678
00:32:12,080 --> 00:32:14,720
Speaker 2: then tell the family, well, this was just his shed.

679
00:32:15,800 --> 00:32:18,080
Speaker 1: Well I've got a shed. I tell what. There's a

680
00:32:18,120 --> 00:32:19,840
Speaker 1: copy of Knave in there as well. I've got a

681
00:32:19,840 --> 00:32:24,080
Speaker 1: dog eed copy of Penthouse magazine and a dog eed

682
00:32:24,160 --> 00:32:26,040
Speaker 1: copy of Nave magazine.

683
00:32:26,160 --> 00:32:27,520
Speaker 2: Okay, well we'll see what we can do.

684
00:32:27,760 --> 00:32:30,400
Speaker 1: Can can you sort that out for me and be discreet?

685
00:32:30,600 --> 00:32:32,600
Speaker 1: You know what you do, you'd walk in. I'm just

686
00:32:32,640 --> 00:32:34,000
Speaker 1: here to get his dirty mags.

687
00:32:34,040 --> 00:32:36,760
Speaker 2: Well, as I said, Melanie and I when we were teenagers,

688
00:32:36,760 --> 00:32:38,600
Speaker 2: had a pack that if one of us passed away

689
00:32:38,960 --> 00:32:41,240
Speaker 2: within minutes, the other one had to go around. Sorry

690
00:32:41,320 --> 00:32:43,000
Speaker 2: for your lass. Can I just go and have a

691
00:32:43,040 --> 00:32:45,400
Speaker 2: look in the bedroom and grab the diary. Not that

692
00:32:45,440 --> 00:32:47,040
Speaker 2: there was any juice in it was all just about

693
00:32:47,040 --> 00:32:49,600
Speaker 2: our love for Barry Manilow and some crushes at school.

694
00:32:49,800 --> 00:32:53,959
Speaker 1: That was all I'd be hiding. That Hannah has joined us.

695
00:32:54,040 --> 00:32:55,680
Speaker 2: Hello, Hannah, good morning.

696
00:32:55,680 --> 00:32:57,160
Speaker 10: Go I tell you very well.

697
00:32:56,960 --> 00:32:58,760
Speaker 2: What came out after the funeral.

698
00:32:58,960 --> 00:33:01,880
Speaker 10: Well, it was my gread. So firstly, I'm glad there

699
00:33:01,920 --> 00:33:03,320
Speaker 10: was no sexdgeon coming out.

700
00:33:03,240 --> 00:33:05,720
Speaker 2: Of her life.

701
00:33:05,840 --> 00:33:09,480
Speaker 10: But she had five grand kids, me being one of them,

702
00:33:10,080 --> 00:33:12,560
Speaker 10: and the dear soul passed away about a year ago.

703
00:33:13,280 --> 00:33:15,600
Speaker 10: And at the end of the funeral we were all

704
00:33:15,640 --> 00:33:18,960
Speaker 10: handed an envelope and inside the envelope was twenty three

705
00:33:19,000 --> 00:33:23,440
Speaker 10: thousand dollars who it turns out, dear old Grannie had

706
00:33:23,440 --> 00:33:26,880
Speaker 10: won the lotto about twenty years ago, and so I

707
00:33:26,920 --> 00:33:28,640
Speaker 10: imagine it would been worth a see bit more twenty

708
00:33:28,720 --> 00:33:33,480
Speaker 10: years ago. She threw it in the bank and never

709
00:33:33,520 --> 00:33:34,920
Speaker 10: told anyone.

710
00:33:35,600 --> 00:33:37,040
Speaker 13: Wow, it was a bit.

711
00:33:36,960 --> 00:33:38,960
Speaker 10: Of a bittersweet moment, to be honest, you know, a

712
00:33:39,080 --> 00:33:41,320
Speaker 10: great deal of money to do something with, but also

713
00:33:41,400 --> 00:33:42,880
Speaker 10: knowing that we'd lost her.

714
00:33:43,680 --> 00:33:46,000
Speaker 2: Yeah, And it's not like in the movies where you

715
00:33:46,000 --> 00:33:47,800
Speaker 2: sit down in a room and here is where we

716
00:33:47,880 --> 00:33:49,880
Speaker 2: divvy up the things. It was an envelope on the

717
00:33:49,960 --> 00:33:51,320
Speaker 2: day exactly.

718
00:33:51,320 --> 00:33:53,160
Speaker 10: There was no fighting because no one knew about it.

719
00:33:53,160 --> 00:33:55,600
Speaker 10: We all just got given it right at the end.

720
00:33:55,720 --> 00:34:01,479
Speaker 2: That's a nice yeah, no, grandma, wow.

721
00:34:01,160 --> 00:34:02,840
Speaker 1: Keeping it nice? Did you buy something cool?

722
00:34:04,120 --> 00:34:05,000
Speaker 10: I put towards the car.

723
00:34:05,680 --> 00:34:08,319
Speaker 1: That's cool, brilliant, A cool car at.

724
00:34:08,360 --> 00:34:10,200
Speaker 13: Least, oh family car.

725
00:34:10,320 --> 00:34:14,800
Speaker 2: But hey, now that's a great story. Thank you, Hannah.

726
00:34:14,840 --> 00:34:17,640
Speaker 1: Good on your Hannah, Thank you you too after yourself

727
00:34:17,880 --> 00:34:19,600
Speaker 1: coming up the pub test this morning. I was watching

728
00:34:19,640 --> 00:34:22,840
Speaker 1: four Corners last night. I was flitting between Beauty and

729
00:34:22,880 --> 00:34:25,440
Speaker 1: the Geek and four Corners don't get them confused story

730
00:34:25,480 --> 00:34:28,920
Speaker 1: about Mount Everest and climbing Mount Everest, which made me

731
00:34:29,000 --> 00:34:31,400
Speaker 1: think it would be good pub test fodder.

732
00:34:31,760 --> 00:34:33,120
Speaker 2: Oh do I have to climb Everest?

733
00:34:33,160 --> 00:34:37,000
Speaker 1: Now, let's get on down to the jonesy demand of

734
00:34:37,120 --> 00:34:40,040
Speaker 1: arms for the pub test. Climbing Mount Everest? Does it

735
00:34:40,040 --> 00:34:43,239
Speaker 1: pass the pub test? In nineteen eighty nineteen fifty three,

736
00:34:43,320 --> 00:34:46,280
Speaker 1: of course, the world stood in awas Sir Edmund Hillary

737
00:34:46,320 --> 00:34:51,440
Speaker 1: Intensing conquered Mount Everest, and that has inspired many people

738
00:34:51,440 --> 00:34:54,120
Speaker 1: to do it, so much so that there's a lot

739
00:34:54,120 --> 00:34:58,080
Speaker 1: of inexperienced climbers that swarmed the mountain. In twenty nineteen

740
00:34:58,120 --> 00:35:03,239
Speaker 1: eleven people died one man Everest climbing it, and then

741
00:35:03,440 --> 00:35:05,960
Speaker 1: social media peachres have come out. That's as busy as

742
00:35:06,000 --> 00:35:07,600
Speaker 1: all get out. It's like going to the top of

743
00:35:07,640 --> 00:35:08,400
Speaker 1: the Eiffel Tower.

744
00:35:08,760 --> 00:35:11,760
Speaker 2: Yeah, there's a huge when you have your photo taken

745
00:35:11,800 --> 00:35:14,839
Speaker 2: at the summit. It's just you with your arms are

746
00:35:14,880 --> 00:35:18,799
Speaker 2: going whooh, and this wilderness, this extraordinary landscape behind you.

747
00:35:19,200 --> 00:35:21,479
Speaker 2: But turn the other way and there's a huge queue

748
00:35:21,480 --> 00:35:24,040
Speaker 2: of people waiting for their turn. And this has been

749
00:35:24,080 --> 00:35:27,319
Speaker 2: the problem. Mount Everest has become big business, and so

750
00:35:27,400 --> 00:35:30,880
Speaker 2: it's attracting a lot of people, a lot of people having,

751
00:35:31,120 --> 00:35:33,160
Speaker 2: some of them a midlife crisis. Some of them aren't

752
00:35:33,239 --> 00:35:35,400
Speaker 2: up to it. Some are and trained their whole lives

753
00:35:35,440 --> 00:35:39,080
Speaker 2: for it. But with so many people there, the longer

754
00:35:39,120 --> 00:35:42,279
Speaker 2: you're waiting in a queue, your higher risk you have

755
00:35:42,320 --> 00:35:46,040
Speaker 2: of developing frostbite, heart attack, stroke, pull, memory issues, all

756
00:35:46,040 --> 00:35:48,440
Speaker 2: that kind of stuff. I saw the movie just in

757
00:35:48,480 --> 00:35:51,120
Speaker 2: my holidays actually a couple of weeks ago, the movie Everest. Yeah,

758
00:35:51,200 --> 00:35:56,680
Speaker 2: same thing where you see different corporate, different climbing groups,

759
00:35:57,040 --> 00:35:59,680
Speaker 2: and some are run better than others, and some have

760
00:35:59,760 --> 00:36:02,600
Speaker 2: more serious climbers than others, and yet you're all making

761
00:36:02,600 --> 00:36:03,440
Speaker 2: your way to the summit.

762
00:36:03,520 --> 00:36:04,759
Speaker 1: A former climate said this.

763
00:36:05,200 --> 00:36:08,920
Speaker 14: Now you've got this person going so slowly, but they're

764
00:36:08,920 --> 00:36:13,800
Speaker 14: going to get to the top. Ambition, arrogance, whatever reason,

765
00:36:14,040 --> 00:36:16,280
Speaker 14: they're going to get to the top. And the guide

766
00:36:16,320 --> 00:36:20,040
Speaker 14: that they're with doesn't have the knowledge or the skills

767
00:36:20,160 --> 00:36:23,239
Speaker 14: or the desire to turn that person around. Because if

768
00:36:23,239 --> 00:36:25,919
Speaker 14: you're a shirpa and you summit, that's a check mark

769
00:36:25,960 --> 00:36:28,759
Speaker 14: on your CV and a lot of times you get

770
00:36:28,760 --> 00:36:32,400
Speaker 14: a summit bonus financially for getting your client to the top.

771
00:36:32,880 --> 00:36:36,640
Speaker 14: So we've got pride, we've got money, we've got ego,

772
00:36:36,840 --> 00:36:40,520
Speaker 14: we've got everything involved of why you climb. But you've

773
00:36:40,520 --> 00:36:43,080
Speaker 14: got this person at the top that's going so slowly

774
00:36:43,120 --> 00:36:44,080
Speaker 14: that nobody can pass them.

775
00:36:44,160 --> 00:36:46,520
Speaker 1: And this is all this subject for a corner story

776
00:36:46,600 --> 00:36:49,000
Speaker 1: last night on the Ie based because it is a

777
00:36:49,040 --> 00:36:51,400
Speaker 1: big business. And then that's what this guy said.

778
00:36:51,239 --> 00:36:56,040
Speaker 17: There's a big business itself brings on the ten thousand

779
00:36:56,320 --> 00:37:00,480
Speaker 17: dollars for a head for permit roughly, so it's about

780
00:37:00,719 --> 00:37:03,200
Speaker 17: three hundred and fifty four hundred climbers, you know, four

781
00:37:03,239 --> 00:37:05,560
Speaker 17: million dollars straight or three and a half four million

782
00:37:05,600 --> 00:37:09,560
Speaker 17: dollars comes into the Nepolice you know, or tourism Nobolice government.

783
00:37:09,520 --> 00:37:12,200
Speaker 1: And Nepal is in a very rich country. And that's

784
00:37:12,360 --> 00:37:14,480
Speaker 1: just for the permit to climb the mountain. It can

785
00:37:14,480 --> 00:37:16,920
Speaker 1: cost upwards to one hundred thousand dollars to get up

786
00:37:17,000 --> 00:37:19,160
Speaker 1: the mountain. But having said that, if you've got a

787
00:37:19,160 --> 00:37:21,279
Speaker 1: big fat Kathie in front of you as you're going

788
00:37:21,360 --> 00:37:23,840
Speaker 1: up there, it's her dream to summit, and you're behind her,

789
00:37:23,840 --> 00:37:26,040
Speaker 1: and you've spent one hundred thousand dollars and she hasn't

790
00:37:26,080 --> 00:37:27,919
Speaker 1: done the training, do you have a right to push

791
00:37:27,960 --> 00:37:29,080
Speaker 1: past her and go to the top.

792
00:37:29,160 --> 00:37:31,880
Speaker 2: It's tough, isn't it. Well, as we say, the Nepal

793
00:37:32,000 --> 00:37:35,359
Speaker 2: needs the money. There are environmental concerns. Apparently base camp

794
00:37:35,440 --> 00:37:38,880
Speaker 2: just gets trashed toilet paper and gas cylinders and just

795
00:37:39,040 --> 00:37:42,960
Speaker 2: oxygen cylinders and stuff everywhere. This, though, it's an interesting thing.

796
00:37:43,000 --> 00:37:45,160
Speaker 2: It's like kakoda. For a lot of people, a lot

797
00:37:45,239 --> 00:37:48,480
Speaker 2: of men, there is this need. It's a tribal need

798
00:37:48,520 --> 00:37:51,719
Speaker 2: to physically test yourself. You get it when you're young,

799
00:37:51,840 --> 00:37:54,080
Speaker 2: and you get it in your middle years too, And

800
00:37:54,120 --> 00:37:55,840
Speaker 2: that's what a lot of this is about. And so

801
00:37:55,880 --> 00:37:58,640
Speaker 2: it's hard to pooh pooh that. When this is someone's

802
00:37:58,719 --> 00:38:01,000
Speaker 2: urge in someone's dream, and there happy to pay for it.

803
00:38:01,160 --> 00:38:02,040
Speaker 2: Why should you say no?

804
00:38:02,280 --> 00:38:05,160
Speaker 1: What do you think the pub test? Climbing Mount Everest?

805
00:38:05,280 --> 00:38:06,960
Speaker 1: Does it pass the pub test? We'd love to hear

806
00:38:06,960 --> 00:38:08,800
Speaker 1: from you. We'll have that for you at eight o'clock

807
00:38:08,880 --> 00:38:11,680
Speaker 1: in the meantime, join us Ella Hooper from Killing Heidi.

808
00:38:12,040 --> 00:38:14,960
Speaker 2: Sure I next guess on the hearts and ears of

809
00:38:15,000 --> 00:38:17,920
Speaker 2: the country through the band Killing Heidi. Of course we

810
00:38:17,960 --> 00:38:20,640
Speaker 2: also know her from Spicks and Specs. And with much

811
00:38:20,640 --> 00:38:24,440
Speaker 2: of the country in lockdown and facing restrictions, Australian artists

812
00:38:24,480 --> 00:38:28,239
Speaker 2: are facing more devastation with their income. Gigs are canceled.

813
00:38:28,320 --> 00:38:30,200
Speaker 2: It's just a very very tough time where we have

814
00:38:30,320 --> 00:38:32,640
Speaker 2: some good news. Ella Hooper, Hello.

815
00:38:33,280 --> 00:38:34,200
Speaker 13: Hi, good morning.

816
00:38:34,280 --> 00:38:35,359
Speaker 10: How are you going very well?

817
00:38:35,640 --> 00:38:37,279
Speaker 2: I was just saying earlier that we turned to the

818
00:38:37,400 --> 00:38:39,759
Speaker 2: arts when the country is in a crisis, when there's

819
00:38:39,800 --> 00:38:43,280
Speaker 2: a flood, when there's a fire, or the arts step

820
00:38:43,360 --> 00:38:45,799
Speaker 2: up and entertain us. And we're now sitting at home

821
00:38:46,160 --> 00:38:50,160
Speaker 2: streaming music where streaming shows. But those artists aren't getting

822
00:38:50,160 --> 00:38:51,200
Speaker 2: the support that they need.

823
00:38:52,320 --> 00:38:54,600
Speaker 13: Yes, look, I mean that's the role of the arts.

824
00:38:54,640 --> 00:38:57,919
Speaker 13: It's to unify, it's to thoo, it's to heal. It's

825
00:38:57,960 --> 00:39:02,120
Speaker 13: just tell stories and reflect. You know, our various states

826
00:39:02,120 --> 00:39:04,799
Speaker 13: are being. When we're up, we reflect that. When we're down,

827
00:39:04,920 --> 00:39:07,120
Speaker 13: we reflect that, and it really really is important. I

828
00:39:07,160 --> 00:39:09,560
Speaker 13: don't want to, you know, get too intellectual about it,

829
00:39:09,560 --> 00:39:11,640
Speaker 13: but it's a really critical role. I think in a

830
00:39:11,640 --> 00:39:15,680
Speaker 13: civilized society, we use and we need the art, but

831
00:39:15,760 --> 00:39:17,719
Speaker 13: we just don't talk about it or think about it much.

832
00:39:18,120 --> 00:39:21,080
Speaker 13: It sort of goes on without saying but sometimes we

833
00:39:21,160 --> 00:39:22,040
Speaker 13: need to talk about it.

834
00:39:23,000 --> 00:39:27,919
Speaker 2: So what's happening now with this is called Isole, isol Aid,

835
00:39:28,480 --> 00:39:30,440
Speaker 2: home grown, isolated.

836
00:39:30,840 --> 00:39:33,239
Speaker 13: This is our sort of our sending our love down

837
00:39:33,239 --> 00:39:37,000
Speaker 13: a well moment And that's a little Simpsons reference there

838
00:39:37,000 --> 00:39:41,560
Speaker 13: for anyone who we're sort of gathering together and it's

839
00:39:41,600 --> 00:39:43,920
Speaker 13: a wonderful thing. So this one's a bit of a mouthful,

840
00:39:43,960 --> 00:39:45,680
Speaker 13: but to break it down for you, it's a big,

841
00:39:45,719 --> 00:39:50,520
Speaker 13: big collaboration. So Isolate even online streaming festival that's already

842
00:39:50,560 --> 00:39:52,840
Speaker 13: been going gang busters since the very first sort of

843
00:39:52,840 --> 00:39:55,800
Speaker 13: lockdown in Melbourne. It's a fantastic initiative. Gives us somewhere

844
00:39:55,840 --> 00:39:58,680
Speaker 13: to perform, gives us somewhere to connect, It gives us

845
00:39:58,719 --> 00:40:03,239
Speaker 13: another platform while live concerts are not a thing, you know,

846
00:40:03,400 --> 00:40:05,320
Speaker 13: and it's just been getting bigger and biger and bigger,

847
00:40:05,360 --> 00:40:09,359
Speaker 13: and this one is I want to say competition because

848
00:40:09,360 --> 00:40:12,680
Speaker 13: we're basically opening up the isol Aid festival platform for

849
00:40:12,719 --> 00:40:17,200
Speaker 13: this Homegrown Rolling Festival every two weeks. We're giving that

850
00:40:17,239 --> 00:40:19,560
Speaker 13: sort of massive platform because this is purpose and really

851
00:40:19,640 --> 00:40:22,919
Speaker 13: established artists as well as some up and comers. So

852
00:40:23,040 --> 00:40:25,680
Speaker 13: people will be able to enter and win a place

853
00:40:26,000 --> 00:40:28,680
Speaker 13: in the festival, so they will get a performance slot

854
00:40:28,719 --> 00:40:32,600
Speaker 13: on Homegrown the festival, but they'll also be in the

855
00:40:32,680 --> 00:40:38,000
Speaker 13: running to win this wonderful company called ninety nine Designs,

856
00:40:38,400 --> 00:40:42,920
Speaker 13: which is a graphics and content company, basically to twenty

857
00:40:42,960 --> 00:40:46,960
Speaker 13: five two thousand dollars grants for creative work and artwork

858
00:40:47,280 --> 00:40:51,920
Speaker 13: from freelance professional graphic designers. And that's actually a huge

859
00:40:51,960 --> 00:40:54,480
Speaker 13: part of being a muso too, and the flow on

860
00:40:54,520 --> 00:40:57,800
Speaker 13: effect of releasing stuff and making tour posts, making t shirts,

861
00:40:57,840 --> 00:41:01,520
Speaker 13: making record covers, selling all that merch is often how

862
00:41:01,560 --> 00:41:05,600
Speaker 13: we survive. So we're basically giving people, the artists the

863
00:41:05,719 --> 00:41:08,839
Speaker 13: chance to have a free merch creation package that they

864
00:41:08,880 --> 00:41:11,520
Speaker 13: can then sell to theft their hands. Twenty five of

865
00:41:11,520 --> 00:41:14,880
Speaker 13: those going out there, and then there's one ten thousand

866
00:41:15,000 --> 00:41:18,560
Speaker 13: dollars grand which is pretty chunky, nothing to be sneezed at,

867
00:41:18,600 --> 00:41:21,319
Speaker 13: and that's actually chosen by like a panel of exp

868
00:41:21,320 --> 00:41:22,840
Speaker 13: But I'm very excited because I get to be on

869
00:41:22,880 --> 00:41:25,319
Speaker 13: that panel of judges and two who gets the ten

870
00:41:25,360 --> 00:41:27,719
Speaker 13: thousand dollar grants to boost their career and help their

871
00:41:27,719 --> 00:41:30,959
Speaker 13: creative growth in this crazy time. And that person also

872
00:41:31,000 --> 00:41:34,280
Speaker 13: gets a dedicated one on one hour long mentoring session

873
00:41:34,600 --> 00:41:37,759
Speaker 13: with me about sobriting or about career or whatever they

874
00:41:37,760 --> 00:41:39,120
Speaker 13: want to do, which is actually something I do a

875
00:41:39,120 --> 00:41:41,799
Speaker 13: lot of behind the scenes already. I do quite a

876
00:41:41,800 --> 00:41:44,680
Speaker 13: bit of mentoring for various sort of musical organizations and

877
00:41:44,680 --> 00:41:45,319
Speaker 13: stuff like that.

878
00:41:45,360 --> 00:41:47,160
Speaker 9: So it's really exciting.

879
00:41:47,600 --> 00:41:50,040
Speaker 1: It's better than just putting electrical tape on your drum,

880
00:41:50,239 --> 00:41:52,560
Speaker 1: on your bass drum skin saying the name of your band?

881
00:41:52,680 --> 00:41:53,319
Speaker 2: Is that what you did?

882
00:41:53,400 --> 00:41:53,839
Speaker 8: That's two.

883
00:41:54,120 --> 00:41:55,759
Speaker 13: That's good too, But yeah, this is a bit more

884
00:41:55,840 --> 00:41:56,200
Speaker 13: high end.

885
00:41:56,280 --> 00:41:58,000
Speaker 1: Did you ever do that? In Killing Heidi? Did you

886
00:41:58,040 --> 00:41:59,960
Speaker 1: ever have like on the drum skin? Just Killing Hog

887
00:42:00,000 --> 00:42:02,400
Speaker 1: already written in electrical tape, We.

888
00:42:02,360 --> 00:42:04,680
Speaker 13: Used paint, We used all sorts of things with views

889
00:42:04,719 --> 00:42:06,720
Speaker 13: that go. We'll probably used blue tack at some stage,

890
00:42:06,760 --> 00:42:08,360
Speaker 13: and you know, Texas sharpies.

891
00:42:08,400 --> 00:42:10,600
Speaker 9: But I think I think that the tape is a

892
00:42:10,600 --> 00:42:11,240
Speaker 9: really good option.

893
00:42:11,320 --> 00:42:13,439
Speaker 1: Yeah, yeah, but it's a sign that you've truly made

894
00:42:13,480 --> 00:42:16,080
Speaker 1: it when you've got the drum skin of the front

895
00:42:16,160 --> 00:42:17,839
Speaker 1: and it's got the name of the band on it.

896
00:42:18,080 --> 00:42:20,640
Speaker 1: You know, that's the cool done professionally done, not with

897
00:42:20,680 --> 00:42:24,719
Speaker 1: electrical tape, but professionally done.

898
00:42:25,400 --> 00:42:28,279
Speaker 13: Yeah, that could be one of these artists chooses to do.

899
00:42:28,400 --> 00:42:30,520
Speaker 13: In fact, that's a really good idea. They could use

900
00:42:30,600 --> 00:42:32,800
Speaker 13: their two thousand dollars graphic design grant to get the

901
00:42:32,880 --> 00:42:33,759
Speaker 13: drum skins done.

902
00:42:34,080 --> 00:42:36,480
Speaker 2: They could just get some electrical tape and a giant

903
00:42:36,480 --> 00:42:37,680
Speaker 2: bag of mixed lolly.

904
00:42:37,680 --> 00:42:41,920
Speaker 1: And that's it. That's what I well, it's so great.

905
00:42:41,960 --> 00:42:46,359
Speaker 1: And to support Isolate Homegrown, visit ninety nine designs dot

906
00:42:46,400 --> 00:42:49,520
Speaker 1: com dot au slash Homegrown and here's to you getting

907
00:42:49,560 --> 00:42:52,719
Speaker 1: back in our faces on stage again. Ella.

908
00:42:52,800 --> 00:42:55,120
Speaker 13: Oh thanks anytime. Look, you know you can't get me

909
00:42:55,160 --> 00:42:57,160
Speaker 13: off together. You'll have to get a giant cook and

910
00:42:57,320 --> 00:42:59,680
Speaker 13: get dragged me off there because I'm having too much fun.

911
00:43:00,400 --> 00:43:01,279
Speaker 2: We'll love you to talk to you.

912
00:43:01,520 --> 00:43:02,359
Speaker 1: Take care you Ella.

913
00:43:02,640 --> 00:43:09,319
Speaker 10: Thanks, guys podcast, I.

914
00:43:09,280 --> 00:43:10,600
Speaker 8: Want you to get on right now.

915
00:43:11,200 --> 00:43:12,280
Speaker 1: I'm taking pleasing.

916
00:43:12,440 --> 00:43:15,440
Speaker 6: Now go to your windows over them, stick your head

917
00:43:15,480 --> 00:43:19,280
Speaker 6: on a yell.

918
00:43:20,320 --> 00:43:22,200
Speaker 1: Down at the Jonesy demand of arms for the pub

919
00:43:22,280 --> 00:43:26,360
Speaker 1: test and this morning we're talking climbing Mount Everest to

920
00:43:26,440 --> 00:43:29,040
Speaker 1: it passed the pub test. So after the story last

921
00:43:29,120 --> 00:43:34,160
Speaker 1: night on ABC four corners, they're talking about corporate people

922
00:43:34,280 --> 00:43:38,200
Speaker 1: climbing Mount Everest and now it's become a very big business,

923
00:43:38,320 --> 00:43:39,160
Speaker 1: a big business.

924
00:43:39,440 --> 00:43:44,000
Speaker 17: Ever, so itself brings under ten thousand dollars for a

925
00:43:44,040 --> 00:43:48,279
Speaker 17: head for formatt roughly, so that's about three hundred and

926
00:43:48,280 --> 00:43:51,120
Speaker 17: fifty four hundred climbers, you know, four million dollars straight

927
00:43:51,120 --> 00:43:53,279
Speaker 17: over three and a half four million dollars comes into

928
00:43:53,320 --> 00:43:56,560
Speaker 17: the nepolice, you know, or tourism, no police government.

929
00:43:56,440 --> 00:43:58,920
Speaker 1: And it's become a big business, as he says. And

930
00:43:58,960 --> 00:44:01,200
Speaker 1: also when edmun Hillary did it in nineteen fifty three,

931
00:44:01,200 --> 00:44:03,600
Speaker 1: he was the only person up there. Now you can

932
00:44:03,640 --> 00:44:06,880
Speaker 1: expect a queue of three hundred people waiting to summit

933
00:44:07,040 --> 00:44:07,480
Speaker 1: as they like.

934
00:44:07,600 --> 00:44:09,799
Speaker 2: And the danger is that while you're waiting, you can

935
00:44:09,880 --> 00:44:11,719
Speaker 2: run out of oxygen. You can develop a whole lot

936
00:44:11,719 --> 00:44:15,000
Speaker 2: of different conditions, and different kinds of companies are offering

937
00:44:15,040 --> 00:44:16,520
Speaker 2: it now. Not all of them are as good as others,

938
00:44:16,520 --> 00:44:20,840
Speaker 2: and not all climbers are equal. There are two hundred

939
00:44:20,840 --> 00:44:24,919
Speaker 2: bodies on the mountain, two hundred bodies that have passed away.

940
00:44:25,000 --> 00:44:27,960
Speaker 2: It's too expensive and dangerous to retrieve them. They're buried

941
00:44:27,960 --> 00:44:28,680
Speaker 2: in this in the ice.

942
00:44:28,760 --> 00:44:30,719
Speaker 1: Well it was this Indian guy. He was on four

943
00:44:30,760 --> 00:44:33,640
Speaker 1: Corners last night. He was saying he's a climber. He

944
00:44:33,719 --> 00:44:36,880
Speaker 1: was up there with his wife. His wife passes away

945
00:44:36,920 --> 00:44:39,720
Speaker 1: on the mountain. He gets to the top, she doesn't

946
00:44:39,760 --> 00:44:42,719
Speaker 1: make it. He has to leave her up there on

947
00:44:42,800 --> 00:44:46,440
Speaker 1: top of the mountain. Well that's a hell of a holiday,

948
00:44:46,480 --> 00:44:49,160
Speaker 1: isn't it. Hey, honey, let's go to Mount Everest.

949
00:44:50,160 --> 00:44:52,080
Speaker 2: Well, I've got the one free ticket I can cash

950
00:44:52,120 --> 00:44:52,919
Speaker 2: in on the way home.

951
00:44:53,040 --> 00:44:54,359
Speaker 1: There's a one way flight home.

952
00:44:54,560 --> 00:44:56,800
Speaker 2: Well that's what you have to understand when you climb.

953
00:44:56,920 --> 00:44:59,000
Speaker 2: But a lot of people and what we aren't Those

954
00:44:59,040 --> 00:45:02,600
Speaker 2: people need to physically test themselves. This is a big thing.

955
00:45:02,680 --> 00:45:05,120
Speaker 2: Is to physic we have we don't have those tribal

956
00:45:05,200 --> 00:45:08,759
Speaker 2: rights of passage anymore, to physically test ourselves. That's why

957
00:45:08,760 --> 00:45:10,920
Speaker 2: a lot of people do this. But at what cost

958
00:45:11,200 --> 00:45:13,160
Speaker 2: climbing Mount Everest? Is it past the pub test?

959
00:45:13,320 --> 00:45:15,560
Speaker 9: I definitely don't think it passes a pub test. You're

960
00:45:15,560 --> 00:45:16,160
Speaker 9: getting too.

961
00:45:16,000 --> 00:45:19,239
Speaker 10: Many tourists up there and inexperienced climates that.

962
00:45:19,320 --> 00:45:24,080
Speaker 15: Are putting themselves in there, that are ruining that beautiful landscape.

963
00:45:24,360 --> 00:45:25,880
Speaker 6: Look, I think a lot of people are over it

964
00:45:25,960 --> 00:45:28,360
Speaker 6: toos and that's great for them, as long as I

965
00:45:28,480 --> 00:45:32,360
Speaker 6: realize if they have an accident, if they have almost

966
00:45:32,400 --> 00:45:34,560
Speaker 6: on the mountain, you know, they take your life in

967
00:45:34,600 --> 00:45:37,040
Speaker 6: their own hand. No one should be passed to go

968
00:45:37,120 --> 00:45:37,799
Speaker 6: and retrieve them.

969
00:45:37,920 --> 00:45:40,000
Speaker 9: I don't think so. They wend the time.

970
00:45:40,040 --> 00:45:41,880
Speaker 13: I wanted to do it, you know, just for the photo.

971
00:45:41,920 --> 00:45:43,879
Speaker 13: I said, it'll look amazing.

972
00:45:43,400 --> 00:45:46,640
Speaker 16: But you calculate the risks and the statas.

973
00:45:46,320 --> 00:45:48,279
Speaker 9: You might die and don't think it's worth it.

974
00:45:48,560 --> 00:45:50,719
Speaker 16: No, Well, too tisries in your life?

975
00:45:50,800 --> 00:45:52,960
Speaker 9: Tasse short and definitely chick hold.

976
00:45:53,120 --> 00:45:56,040
Speaker 1: No thinks it's going to be cold. I kind of

977
00:45:56,080 --> 00:45:58,200
Speaker 1: in Summit, the Summit restaurant.

978
00:45:59,320 --> 00:46:00,400
Speaker 2: You left your wife by.

979
00:46:06,080 --> 00:46:08,439
Speaker 1: Coming up. There's a lot of bad news out there,

980
00:46:08,560 --> 00:46:10,040
Speaker 1: and I'm trying to work out. I was watching p

981
00:46:10,160 --> 00:46:12,480
Speaker 1: d's late night news the other night. I'm trying to

982
00:46:12,520 --> 00:46:14,839
Speaker 1: work out if this is a good sign or a

983
00:46:14,880 --> 00:46:18,400
Speaker 1: bad signed. Would you care to indulge me about that text?

984
00:46:20,400 --> 00:46:23,600
Speaker 1: I'll ask you this is this a good sign or

985
00:46:23,640 --> 00:46:27,520
Speaker 1: a bad one? With our news the other night, albeit

986
00:46:27,600 --> 00:46:30,239
Speaker 1: it was the late night News with Peter Averton, but

987
00:46:30,719 --> 00:46:31,480
Speaker 1: have a listen to this.

988
00:46:31,600 --> 00:46:33,320
Speaker 12: I think it's time to put a smile on your face,

989
00:46:33,360 --> 00:46:35,960
Speaker 12: something to chase away all the COVID concerns we're facing

990
00:46:35,960 --> 00:46:39,680
Speaker 12: in Australia, especially for people in New South Wales and Victoria.

991
00:46:39,719 --> 00:46:42,480
Speaker 12: They say laughter is the best medicine. Here's a double

992
00:46:42,520 --> 00:46:45,480
Speaker 12: dose of comedy to brighten your night, a classic from

993
00:46:45,520 --> 00:46:47,640
Speaker 12: The Wonderful to Ronnie's.

994
00:46:49,880 --> 00:46:57,400
Speaker 4: Four candles, four candles, four candles.

995
00:46:57,760 --> 00:46:58,640
Speaker 6: Four candles.

996
00:46:59,520 --> 00:47:01,040
Speaker 1: What do you four candles?

997
00:47:02,400 --> 00:47:02,560
Speaker 2: Oh?

998
00:47:02,719 --> 00:47:03,640
Speaker 1: Four candles?

999
00:47:04,760 --> 00:47:08,760
Speaker 6: Animals for forks.

1000
00:47:08,680 --> 00:47:12,920
Speaker 12: That brings back very happy memories. First performed in nineteen

1001
00:47:12,920 --> 00:47:15,879
Speaker 12: seventy six, believe it or not, that's forty five years ago.

1002
00:47:15,960 --> 00:47:16,720
Speaker 12: The Two Ronnies.

1003
00:47:17,200 --> 00:47:19,160
Speaker 1: So the question I would ask you, I've got a

1004
00:47:19,200 --> 00:47:22,600
Speaker 1: lot of questions. Is it good that nine can is

1005
00:47:22,640 --> 00:47:25,200
Speaker 1: the news you know? Is it good at the moment

1006
00:47:25,280 --> 00:47:28,040
Speaker 1: that we can devote five minutes to a sketch from

1007
00:47:28,040 --> 00:47:33,319
Speaker 1: two long dead comedians, or are things that bad that

1008
00:47:33,360 --> 00:47:36,080
Speaker 1: they're thinking, well, we're stuffed? What else are we going

1009
00:47:36,120 --> 00:47:38,440
Speaker 1: to get some two Ronnies? Just throw some too.

1010
00:47:38,719 --> 00:47:41,120
Speaker 2: Weird that it was two Ronnies because the joke has

1011
00:47:41,120 --> 00:47:43,680
Speaker 2: often been have a picture of the picture of cute

1012
00:47:43,680 --> 00:47:46,279
Speaker 2: animals at the zoo yep, Hey animals, it's cold at

1013
00:47:46,280 --> 00:47:48,080
Speaker 2: the zoo. Are they snuggling up? Hey it's hot? Are

1014
00:47:48,080 --> 00:47:50,040
Speaker 2: they licking ice blocks? So let's go to the zoo

1015
00:47:50,520 --> 00:47:54,280
Speaker 2: or cute little something or others. But that's really weird.

1016
00:47:54,480 --> 00:47:56,400
Speaker 2: And the fact that for a comedy break, why are

1017
00:47:56,400 --> 00:47:57,280
Speaker 2: the Two Ronnies?

1018
00:47:57,760 --> 00:47:59,520
Speaker 1: But is it good or is it bad? Is it

1019
00:47:59,560 --> 00:48:01,680
Speaker 1: because part of me when I saw it of it, well,

1020
00:48:01,719 --> 00:48:03,239
Speaker 1: this is good. They've got nothing else to fill the

1021
00:48:03,280 --> 00:48:05,360
Speaker 1: news with, so they've got the Two Ronnies? Or is

1022
00:48:05,400 --> 00:48:08,640
Speaker 1: it bad that we're in such a state. That's all

1023
00:48:08,680 --> 00:48:09,399
Speaker 1: we've got left.

1024
00:48:09,480 --> 00:48:11,840
Speaker 2: Let's go back to the good old days of the

1025
00:48:11,880 --> 00:48:16,480
Speaker 2: Two Ronnies. Maybe you go back to the documentary The Flintstones.

1026
00:48:16,239 --> 00:48:18,880
Speaker 1: Tonight on Aca and expose on the goodies.

1027
00:48:20,320 --> 00:48:21,040
Speaker 2: How odd?

1028
00:48:23,000 --> 00:48:24,160
Speaker 1: So you have no answers for me?

1029
00:48:24,280 --> 00:48:26,279
Speaker 2: No, I think it's time. This is a sign of

1030
00:48:26,280 --> 00:48:27,000
Speaker 2: the apocalypse.

1031
00:48:28,040 --> 00:48:30,520
Speaker 1: Where are the four horsemen? Came back to Pete with

1032
00:48:30,560 --> 00:48:31,640
Speaker 1: his head and his hands going, I.

1033
00:48:32,440 --> 00:48:33,200
Speaker 2: Don't know.

1034
00:48:35,080 --> 00:48:38,480
Speaker 1: What happened to those Chinese people toppling over Domino's.

1035
00:48:40,000 --> 00:48:43,520
Speaker 2: Imagine this, Imagine going on the Bachelor. Things don't work out,

1036
00:48:43,920 --> 00:48:47,160
Speaker 2: then you're the bachelorette. Then you get a breakfast radio gig.

1037
00:48:47,280 --> 00:48:49,319
Speaker 2: Then you find yourself on Home and Away and one

1038
00:48:49,320 --> 00:48:53,440
Speaker 2: of its biggest stars. What an extraordinary journey. Sam Frost.

1039
00:48:53,480 --> 00:48:57,719
Speaker 9: Hello, Hi, thanks having read Sam?

1040
00:48:57,960 --> 00:48:59,560
Speaker 1: How good aren't you on Home and All?

1041
00:49:02,160 --> 00:49:05,200
Speaker 9: That's very generous and kind. Thank you. You're learning.

1042
00:49:06,320 --> 00:49:08,880
Speaker 1: You're very modest. This is some of Sam's work. If

1043
00:49:08,920 --> 00:49:11,560
Speaker 1: you haven't seen her on Home and Away, you look

1044
00:49:11,600 --> 00:49:12,240
Speaker 1: really stressed.

1045
00:49:13,200 --> 00:49:16,040
Speaker 2: If we don't find her within the first forty eight hours.

1046
00:49:16,360 --> 00:49:20,200
Speaker 1: Must be worried, sick. Yeah, it's not easy, but the cops.

1047
00:49:19,960 --> 00:49:22,480
Speaker 9: Are onto it, right, you'll find her.

1048
00:49:23,640 --> 00:49:25,200
Speaker 2: Look, I get it must be really tough.

1049
00:49:26,000 --> 00:49:29,839
Speaker 9: So if you ever need anyone to talk to, I'm here.

1050
00:49:32,160 --> 00:49:32,719
Speaker 1: That's you.

1051
00:49:34,040 --> 00:49:36,319
Speaker 9: Oh so dramatic. I love it.

1052
00:49:36,400 --> 00:49:38,120
Speaker 1: And you know what I've learned with Home because my

1053
00:49:38,920 --> 00:49:40,799
Speaker 1: secret dream is to be on Home and Away? So

1054
00:49:40,880 --> 00:49:44,640
Speaker 1: I practice and what what do you actually prankice? I

1055
00:49:44,719 --> 00:49:47,000
Speaker 1: just practice scenes. But what it is that the key

1056
00:49:47,040 --> 00:49:49,080
Speaker 1: to acting on Home and Away is you've got to

1057
00:49:49,200 --> 00:49:51,880
Speaker 1: all my sigh when you talk. So it's like this,

1058
00:49:52,000 --> 00:49:55,120
Speaker 1: you say, you say, I've got to get down, got

1059
00:49:55,160 --> 00:49:58,400
Speaker 1: to get down to the cafe. Ye got to get

1060
00:49:58,400 --> 00:49:58,960
Speaker 1: the twisties.

1061
00:49:59,320 --> 00:50:02,440
Speaker 9: You try it. It's true, but then you know what

1062
00:50:02,480 --> 00:50:06,000
Speaker 9: you also have to really master is like after every

1063
00:50:06,040 --> 00:50:10,680
Speaker 9: conversation just looking out to nothing and make your eyes

1064
00:50:10,760 --> 00:50:15,040
Speaker 9: fiddle around and you're about longings there. That's basically it.

1065
00:50:15,160 --> 00:50:17,319
Speaker 9: You've mastered it. That's all you need to do well.

1066
00:50:17,360 --> 00:50:20,400
Speaker 2: When you first joined there, like I mean, do you

1067
00:50:20,440 --> 00:50:22,520
Speaker 2: are you given a chance to rehearse and then you

1068
00:50:22,560 --> 00:50:25,560
Speaker 2: do take after take or the schedule so quick it's okay, Sam,

1069
00:50:25,600 --> 00:50:26,239
Speaker 2: you're up and you.

1070
00:50:26,200 --> 00:50:30,279
Speaker 9: Go, look, it is actually pretty quick. You do have

1071
00:50:30,360 --> 00:50:33,279
Speaker 9: time to block out the scene and rehearse it, but

1072
00:50:33,320 --> 00:50:35,439
Speaker 9: it is like we shoot one scene in an hour

1073
00:50:35,840 --> 00:50:39,759
Speaker 9: and that's like on set, so it's pretty much. Yeah,

1074
00:50:39,800 --> 00:50:41,279
Speaker 9: you get in and you do it and then you

1075
00:50:41,360 --> 00:50:43,920
Speaker 9: go home and sometimes you're like it goes so fast

1076
00:50:43,920 --> 00:50:45,560
Speaker 9: and you go, was that even good? I don't even

1077
00:50:45,600 --> 00:50:48,839
Speaker 9: know what I was doing, But yeah, I'm grateful that

1078
00:50:49,000 --> 00:50:52,359
Speaker 9: I've got a lot of supportive colleagues that have been

1079
00:50:52,400 --> 00:50:53,960
Speaker 9: really patient awesome during the time.

1080
00:50:54,520 --> 00:50:56,920
Speaker 2: Is it also as we read that you have to

1081
00:50:57,080 --> 00:50:59,480
Speaker 2: stay up late at night and go and learn reams

1082
00:50:59,520 --> 00:50:59,920
Speaker 2: of screen?

1083
00:51:01,360 --> 00:51:01,600
Speaker 15: Yeah?

1084
00:51:01,640 --> 00:51:04,319
Speaker 9: Absolutely, because we'll have days like there will be twelve

1085
00:51:04,400 --> 00:51:07,240
Speaker 9: hour days and you've got seen enough to see after scene,

1086
00:51:07,400 --> 00:51:10,640
Speaker 9: so you just your brain can't retain a whole weeks

1087
00:51:10,680 --> 00:51:12,840
Speaker 9: full of scripts. I mean, you can do all the work,

1088
00:51:12,960 --> 00:51:15,839
Speaker 9: but then you know, you do the day, and then

1089
00:51:16,000 --> 00:51:17,440
Speaker 9: at the end of that day, then you'll have to

1090
00:51:17,480 --> 00:51:20,279
Speaker 9: refresh for the next day. So you're always up late

1091
00:51:20,360 --> 00:51:24,080
Speaker 9: hours and your weekends are doing scriptwork. So yeah, when

1092
00:51:24,120 --> 00:51:25,160
Speaker 9: we're on, we're on.

1093
00:51:25,400 --> 00:51:27,440
Speaker 1: And Jasmine, your character has a bit of a love

1094
00:51:27,520 --> 00:51:34,600
Speaker 1: interest blooming with cash. Yes, it's so not not the currency.

1095
00:51:34,680 --> 00:51:37,680
Speaker 2: This is the character bag with a dollar sign on it,

1096
00:51:38,400 --> 00:51:39,440
Speaker 2: the exactly.

1097
00:51:40,520 --> 00:51:42,840
Speaker 9: Yeah, well, I've got a new cop in town and

1098
00:51:42,880 --> 00:51:46,799
Speaker 9: people love it. He's gorgeous. He's so nice, and you know,

1099
00:51:46,840 --> 00:51:48,880
Speaker 9: there's always a few hurdles to jump through in some

1100
00:51:49,000 --> 00:51:52,640
Speaker 9: of it. Nothing is ever straightforward, but yeah, he's delightful.

1101
00:51:52,680 --> 00:51:56,840
Speaker 9: I think people really like him. He's just an absolute gentleman.

1102
00:51:58,280 --> 00:52:00,560
Speaker 9: And yeah, like it's good for just to be because

1103
00:52:00,719 --> 00:52:03,719
Speaker 9: my character has been so depressed and she's been grieving

1104
00:52:03,920 --> 00:52:07,480
Speaker 9: for over a year and all these traumatic things keep

1105
00:52:07,560 --> 00:52:09,840
Speaker 9: happening to her. So I think people will be happy

1106
00:52:09,880 --> 00:52:12,960
Speaker 9: that she finally, you know, has a man to flirt with,

1107
00:52:13,120 --> 00:52:15,200
Speaker 9: and who knows what's going to happen.

1108
00:52:15,080 --> 00:52:18,280
Speaker 2: Yours well, you know, and you're not saying. We spoke

1109
00:52:18,360 --> 00:52:20,800
Speaker 2: to Roger Corsa and he was talking about doctor Doctor

1110
00:52:20,840 --> 00:52:22,840
Speaker 2: and they have an intimacy coach to help with the

1111
00:52:22,880 --> 00:52:25,759
Speaker 2: passion and all that sort of stuff. Do you how

1112
00:52:25,760 --> 00:52:27,640
Speaker 2: do you feel it? Do you get any help or

1113
00:52:27,680 --> 00:52:29,400
Speaker 2: is it just okay you to now kiss?

1114
00:52:30,760 --> 00:52:30,960
Speaker 14: Yeah?

1115
00:52:31,080 --> 00:52:35,279
Speaker 9: Look, we used to just going straight for it pretty much,

1116
00:52:35,320 --> 00:52:38,279
Speaker 9: but now they've just recently Yeah, and it was really

1117
00:52:38,320 --> 00:52:41,160
Speaker 9: weird because you just you know, sometimes you have you know,

1118
00:52:41,200 --> 00:52:43,120
Speaker 9: it's awkward to talk about these things like going, oh,

1119
00:52:43,200 --> 00:52:44,839
Speaker 9: how do you but you're trying to figure it out

1120
00:52:44,840 --> 00:52:48,000
Speaker 9: on set. So now we actually do have an intimacy coach,

1121
00:52:48,320 --> 00:52:50,319
Speaker 9: and it's just so much better and you're just kind

1122
00:52:50,360 --> 00:52:55,880
Speaker 9: of able to map out scenes so choreography as opposed

1123
00:52:55,920 --> 00:52:58,719
Speaker 9: to just going in there and going and just winging it.

1124
00:53:00,000 --> 00:53:02,640
Speaker 9: But yeah, I found it, especially like with Nick who

1125
00:53:02,640 --> 00:53:06,200
Speaker 9: plays Cash, he's heaven, he's the most delightful person. And

1126
00:53:06,880 --> 00:53:11,720
Speaker 9: they established an intimacy coach coach first up, so once

1127
00:53:11,880 --> 00:53:16,680
Speaker 9: so our relationship professionally has started on that professional level.

1128
00:53:16,719 --> 00:53:20,040
Speaker 9: So then it's just easier, you know, the boundaries and

1129
00:53:20,080 --> 00:53:22,520
Speaker 9: you can sort another out beforehand.

1130
00:53:22,280 --> 00:53:24,320
Speaker 1: Because if you were single, are you Are you single

1131
00:53:24,360 --> 00:53:27,640
Speaker 1: at the moment? I am yes, so be you're single?

1132
00:53:28,000 --> 00:53:30,640
Speaker 1: So you're with Nick? Does that? How does that not

1133
00:53:30,719 --> 00:53:32,040
Speaker 1: blossom into something else?

1134
00:53:32,160 --> 00:53:32,840
Speaker 2: It's called acting?

1135
00:53:35,440 --> 00:53:40,520
Speaker 9: And also like Nick's married as well, so it's important. Yeah,

1136
00:53:40,560 --> 00:53:42,920
Speaker 9: and it's really important. But it is a really valid

1137
00:53:42,920 --> 00:53:45,799
Speaker 9: conversation to have, and I think it's a really his

1138
00:53:45,920 --> 00:53:49,040
Speaker 9: wife is such a beautiful woman, and I think one

1139
00:53:49,080 --> 00:53:51,600
Speaker 9: of the most important things you can do, especially if

1140
00:53:51,600 --> 00:53:54,960
Speaker 9: you're working intimately with someone, is like, my priority was

1141
00:53:54,960 --> 00:53:57,880
Speaker 9: to make sure she felt comfortable because I want him

1142
00:53:57,920 --> 00:53:59,680
Speaker 9: to be able to come to work and have the

1143
00:53:59,719 --> 00:54:02,920
Speaker 9: fun and comfortable relationship with me, and I want his

1144
00:54:03,000 --> 00:54:06,440
Speaker 9: beautiful wife to you know, feel really you know, safe

1145
00:54:06,480 --> 00:54:08,440
Speaker 9: and loved. And you know it's because.

1146
00:54:08,320 --> 00:54:09,120
Speaker 10: It would be weird.

1147
00:54:09,280 --> 00:54:11,200
Speaker 9: I think it would be weird. Like it's fine for

1148
00:54:11,280 --> 00:54:14,880
Speaker 9: me because I know I'm professional, but I won't be

1149
00:54:15,000 --> 00:54:17,920
Speaker 9: weird when it would be weird. And you know, I

1150
00:54:17,960 --> 00:54:19,440
Speaker 9: got we go on to sit and do our job

1151
00:54:19,480 --> 00:54:21,319
Speaker 9: and then as soon as you call kut like you're

1152
00:54:21,320 --> 00:54:23,840
Speaker 9: just like, oh, NIC's works, Like you know, it's so professional,

1153
00:54:23,840 --> 00:54:26,239
Speaker 9: But I could imagine being a partner. That would be

1154
00:54:26,280 --> 00:54:30,400
Speaker 9: really difficult. So yeah, we just basically just make sure. Well,

1155
00:54:30,480 --> 00:54:33,400
Speaker 9: my priority is his beautiful wife, making sure that she

1156
00:54:33,480 --> 00:54:36,960
Speaker 9: feels nice and comfortable and Nick feels comfortable, and that's

1157
00:54:37,000 --> 00:54:37,719
Speaker 9: what that's my.

1158
00:54:37,719 --> 00:54:39,880
Speaker 2: Job because when you're going to do it. Also, you,

1159
00:54:40,160 --> 00:54:43,200
Speaker 2: particularly before you had an intimacy coach you, you don't

1160
00:54:43,239 --> 00:54:44,839
Speaker 2: know how you will. You know how you look when

1161
00:54:44,880 --> 00:54:47,359
Speaker 2: you're passion because you've done The Bachelor and a Bachelorette.

1162
00:54:47,440 --> 00:54:49,279
Speaker 2: But for most of us, you want to kind of

1163
00:54:49,840 --> 00:54:50,400
Speaker 2: your best.

1164
00:54:50,719 --> 00:54:52,359
Speaker 1: You want to look like you're good at it, because

1165
00:54:52,360 --> 00:54:54,399
Speaker 1: I'm worried because I think i'd be I'd look good,

1166
00:54:54,440 --> 00:54:56,160
Speaker 1: but I look like one of the geeks on Beauty

1167
00:54:56,160 --> 00:54:57,440
Speaker 1: and the Geek. Did you see that guy the other

1168
00:54:57,520 --> 00:54:59,480
Speaker 1: night looked like he was eating a mango? Yeah, I

1169
00:54:59,480 --> 00:55:01,280
Speaker 1: can't do what are you doing?

1170
00:55:04,840 --> 00:55:07,200
Speaker 9: Sometimes you didn't get You just don't know what to

1171
00:55:07,200 --> 00:55:08,680
Speaker 9: look like. You can't think too much about what it

1172
00:55:08,719 --> 00:55:10,799
Speaker 9: looks like, though, because else you just end up just

1173
00:55:10,800 --> 00:55:11,840
Speaker 9: getting too self content.

1174
00:55:12,320 --> 00:55:13,720
Speaker 2: Yeah, just passion yourself.

1175
00:55:15,120 --> 00:55:16,640
Speaker 1: As long as you don't get a passion scene with

1176
00:55:16,680 --> 00:55:17,920
Speaker 1: alf imagine.

1177
00:55:17,480 --> 00:55:23,720
Speaker 2: That awkward intimacy, all be fine.

1178
00:55:23,800 --> 00:55:26,120
Speaker 1: I think I could see that. I could see that happening.

1179
00:55:26,640 --> 00:55:28,400
Speaker 1: You're a professional, Sam, you could do it.

1180
00:55:30,200 --> 00:55:32,160
Speaker 9: Yeah, I'll picture to the story right now.

1181
00:55:32,200 --> 00:55:35,480
Speaker 1: Okay, as I sigh in my acting, you can. You

1182
00:55:35,520 --> 00:55:38,000
Speaker 1: can catch Home and Away tonight seven o'clock. Come when

1183
00:55:38,040 --> 00:55:39,600
Speaker 1: you try, Amanda, seven.

1184
00:55:39,320 --> 00:55:41,880
Speaker 2: O'clock on seven seven.

1185
00:55:41,719 --> 00:55:44,640
Speaker 1: Plus, Sam Frist, Thank you, Sam, it's.

1186
00:55:44,440 --> 00:55:45,040
Speaker 2: Been a delight.

1187
00:55:45,160 --> 00:55:47,759
Speaker 9: Thank you, thank you, Thanks so much.

1188
00:55:47,840 --> 00:55:52,400
Speaker 1: Sam frust Then pomcast, did you watch Beauty in the

1189
00:55:52,440 --> 00:55:53,040
Speaker 1: Geek last night?

1190
00:55:53,120 --> 00:55:53,880
Speaker 2: Tell me what happened?

1191
00:55:53,960 --> 00:55:55,440
Speaker 1: This is my life. Watch Beauty in the Geek. And

1192
00:55:55,480 --> 00:55:56,560
Speaker 1: then I watched Four Corners.

1193
00:55:57,200 --> 00:55:58,719
Speaker 2: I watched White Lotus.

1194
00:55:59,040 --> 00:55:59,879
Speaker 1: That's Frost show.

1195
00:56:00,200 --> 00:56:00,879
Speaker 2: Such a good show.

1196
00:56:01,000 --> 00:56:04,160
Speaker 1: I was Amandakello top It's a really good show.

1197
00:56:04,200 --> 00:56:06,120
Speaker 2: I'm also a big fan of Survivor, as you know,

1198
00:56:06,200 --> 00:56:07,680
Speaker 2: but I'm going to save them up and watch them

1199
00:56:07,680 --> 00:56:08,120
Speaker 2: in a chunk.

1200
00:56:08,160 --> 00:56:10,000
Speaker 1: You got to save them up Beauty in the Gig.

1201
00:56:10,040 --> 00:56:11,920
Speaker 1: I love Beauty in the Geek because it's not your

1202
00:56:11,920 --> 00:56:16,120
Speaker 1: traditional reality married at first, neck tattoo, hand tattooed, one

1203
00:56:16,160 --> 00:56:19,160
Speaker 1: hundred percent of got your back type of dudes. These

1204
00:56:19,200 --> 00:56:21,439
Speaker 1: guys are nice guys, and the girls are nice guys.

1205
00:56:21,440 --> 00:56:24,320
Speaker 1: The girl's actually a little geeky as well. I find

1206
00:56:24,320 --> 00:56:26,839
Speaker 1: it's just there's just a sweetness about them. And we

1207
00:56:26,880 --> 00:56:31,160
Speaker 1: talked about Locke last week. That moment where Lockie paused

1208
00:56:31,160 --> 00:56:31,720
Speaker 1: his heart.

1209
00:56:31,520 --> 00:56:33,360
Speaker 2: Out to his beauty made you cry.

1210
00:56:33,520 --> 00:56:36,600
Speaker 1: I did because I, as a father of sons, I

1211
00:56:36,680 --> 00:56:39,280
Speaker 1: just thought, you know, imagine if that was my son,

1212
00:56:40,040 --> 00:56:43,000
Speaker 1: how vulnerable he looked. And I really felt for him,

1213
00:56:43,000 --> 00:56:45,040
Speaker 1: because everyone in this world wants love.

1214
00:56:45,120 --> 00:56:47,799
Speaker 2: And it's a tough journey for girls and guys, it

1215
00:56:47,920 --> 00:56:51,200
Speaker 2: really is. And you see this, it's like those shows

1216
00:56:51,239 --> 00:56:54,480
Speaker 2: two Love on Spectrum. You just see how hard it

1217
00:56:54,520 --> 00:56:56,879
Speaker 2: is to be vulnerable in front of someone and hope

1218
00:56:56,920 --> 00:56:57,880
Speaker 2: that you're not made fun of.

1219
00:56:58,520 --> 00:57:01,600
Speaker 1: I like James Jane. This is a nice character and

1220
00:57:01,640 --> 00:57:03,640
Speaker 1: I like that he's James with his.

1221
00:57:04,360 --> 00:57:06,640
Speaker 2: Beauty because they've all started pashing, haven't they.

1222
00:57:06,800 --> 00:57:10,120
Speaker 1: No, no, no, come on, no, no, not not as yet.

1223
00:57:11,080 --> 00:57:14,120
Speaker 1: James is a girl whose name escapes me right now.

1224
00:57:14,120 --> 00:57:16,200
Speaker 1: But she's she was doing kissy face at.

1225
00:57:16,200 --> 00:57:18,080
Speaker 2: Him as if she wanted to be kids.

1226
00:57:18,120 --> 00:57:20,720
Speaker 1: The other night. She just kept looking at his lips

1227
00:57:20,760 --> 00:57:23,840
Speaker 1: and she's doing kissy face, just kept looking at him constantly.

1228
00:57:23,840 --> 00:57:26,280
Speaker 1: It's kissy fast where they look at your lips, you know,

1229
00:57:26,440 --> 00:57:29,520
Speaker 1: And the woman looks at your lips and and and

1230
00:57:29,560 --> 00:57:33,400
Speaker 1: they want it, and he's sort of just ignoring it all.

1231
00:57:33,880 --> 00:57:36,440
Speaker 1: And she's just looking at him, going kiss me, kiss me.

1232
00:57:36,800 --> 00:58:00,600
Speaker 5: And while last night it happened, can you.

1233
00:57:51,440 --> 00:57:54,120
Speaker 1: So James's he's got to go on a jest. That's

1234
00:57:54,120 --> 00:57:56,280
Speaker 1: that's the girl's name. She's a cute girl. I like her.

1235
00:57:56,720 --> 00:57:59,360
Speaker 2: Can I ask you this? Though they've all had their makeups,

1236
00:57:59,400 --> 00:58:00,640
Speaker 2: haven't they so handsome? Now?

1237
00:58:00,680 --> 00:58:02,440
Speaker 1: Not all of them know there's there's still a bit

1238
00:58:02,440 --> 00:58:04,360
Speaker 1: of geek in there. Got to beat the geek out

1239
00:58:04,400 --> 00:58:06,080
Speaker 1: of him.

1240
00:58:06,120 --> 00:58:08,320
Speaker 2: So James got a pasht and he.

1241
00:58:08,280 --> 00:58:11,320
Speaker 1: Did a good job. Got awkward for George. George missed

1242
00:58:11,320 --> 00:58:14,080
Speaker 1: his kiss, so he's gone. He thought she was doing

1243
00:58:14,160 --> 00:58:16,120
Speaker 1: kissy face. And to be honest, I was watching the

1244
00:58:16,160 --> 00:58:18,919
Speaker 1: TV and I thought she was doing kissy face as well.

1245
00:58:19,080 --> 00:58:20,920
Speaker 12: I thought he was going in to just hug me,

1246
00:58:21,160 --> 00:58:22,280
Speaker 12: But then he went in for.

1247
00:58:22,200 --> 00:58:24,200
Speaker 3: A little kiss, and I.

1248
00:58:24,240 --> 00:58:26,840
Speaker 1: Just got scared and just continued the hug.

1249
00:58:28,360 --> 00:58:30,600
Speaker 2: I felt really bad for him because it was so awkward.

1250
00:58:32,240 --> 00:58:34,040
Speaker 3: Thank you so much for today.

1251
00:58:34,040 --> 00:58:36,720
Speaker 1: Thank you, thank you.

1252
00:58:36,920 --> 00:58:38,960
Speaker 2: So she's friended him, really, and.

1253
00:58:38,920 --> 00:58:40,680
Speaker 1: These poor guys, they're used to being in the friend

1254
00:58:40,800 --> 00:58:42,960
Speaker 1: zone and you know what, they're happy with it as well.

1255
00:58:43,000 --> 00:58:43,960
Speaker 1: But at the same time.

1256
00:58:43,920 --> 00:58:46,360
Speaker 2: They just so there isn't a necessary an expectation that

1257
00:58:46,360 --> 00:58:49,440
Speaker 2: they'll get together. There might be, but this isn't to

1258
00:58:49,480 --> 00:58:52,440
Speaker 2: show the promises them that they'll you know, end up

1259
00:58:52,440 --> 00:58:52,960
Speaker 2: with anyone.

1260
00:58:53,200 --> 00:58:55,240
Speaker 1: Yeah, I think it just it's a gateway. It's a

1261
00:58:55,240 --> 00:58:58,760
Speaker 1: gateway to a relationship with Okay. Then there was well

1262
00:58:58,840 --> 00:59:07,120
Speaker 1: what about Kieran's kiss? I tell what, Kira went to town.

1263
00:59:08,000 --> 00:59:14,280
Speaker 1: It's noisy, thank you, It's not all you can eat.

1264
00:59:14,160 --> 00:59:15,920
Speaker 2: It look as messy as it sounds.

1265
00:59:17,440 --> 00:59:19,600
Speaker 1: You might need to practice with an orange a bit more.

1266
00:59:19,560 --> 00:59:20,880
Speaker 2: Like I did in my teens.

1267
00:59:21,120 --> 00:59:22,680
Speaker 1: Maybe you can practice with you.

1268
00:59:23,560 --> 00:59:27,760
Speaker 2: I gess I'll rint myself out as a kiss coach.

1269
00:59:29,160 --> 00:59:31,000
Speaker 2: I will turn up in my full kiss makeup and

1270
00:59:31,200 --> 00:59:36,600
Speaker 2: freak them out. Thank you for finding that so amusing,

1271
00:59:36,640 --> 00:59:41,320
Speaker 2: Brenda not a hundred.

1272
00:59:42,720 --> 00:59:46,360
Speaker 1: You're the one that said you're kiss makeup. Can you

1273
00:59:46,400 --> 00:59:50,800
Speaker 1: imagine that these poor kids haven't they suffered enough?

1274
00:59:51,600 --> 00:59:53,960
Speaker 2: Gets my ghoulies. We do have a hotline number nine

1275
00:59:53,960 --> 01:00:06,440
Speaker 2: oh six months seven nine eight four Jonesy and Amanda Podcast.

1276
01:00:08,320 --> 01:00:10,760
Speaker 2: We have a prize for our favorite goodie of the year.

1277
01:00:10,880 --> 01:00:13,560
Speaker 2: Ten thousand dollars cash and a brand new Spinally's mattress

1278
01:00:13,560 --> 01:00:15,200
Speaker 2: found it over sixteen thousand dollars.

1279
01:00:15,400 --> 01:00:16,280
Speaker 1: What have we got?

1280
01:00:16,600 --> 01:00:20,439
Speaker 3: What really gets my goolies is when get called love

1281
01:00:20,880 --> 01:00:24,640
Speaker 3: or dear at a shop, but then the man standing

1282
01:00:24,680 --> 01:00:27,480
Speaker 3: next to you gets called sur You're like, what is

1283
01:00:27,640 --> 01:00:31,080
Speaker 3: with that? Why am I dear? And I'm like, I'm

1284
01:00:31,080 --> 01:00:35,000
Speaker 3: not exactly you know, bearing horns or anything or antlers.

1285
01:00:35,520 --> 01:00:36,400
Speaker 2: I am not a deer.

1286
01:00:36,640 --> 01:00:39,960
Speaker 9: I am a man or a Yes, can I help you?

1287
01:00:40,040 --> 01:00:42,360
Speaker 3: But it has to be dear or love And it

1288
01:00:42,720 --> 01:00:44,680
Speaker 3: really gets my goolies when the man next to you

1289
01:00:44,760 --> 01:00:45,560
Speaker 3: gets called sur.

1290
01:00:46,760 --> 01:00:49,600
Speaker 2: I get that. My mom used to hate being called deal, dearie.

1291
01:00:49,920 --> 01:00:53,000
Speaker 2: I find people much younger than me call me han

1292
01:00:53,280 --> 01:00:55,080
Speaker 2: in shops or cafes whatever.

1293
01:00:54,960 --> 01:00:57,439
Speaker 1: What about buddy, thanks buddy, ch We'll see.

1294
01:00:57,480 --> 01:00:58,720
Speaker 2: Guys have always done that.

1295
01:00:59,360 --> 01:01:01,240
Speaker 1: We don't want to be or Champ. You don't want

1296
01:01:01,240 --> 01:01:03,080
Speaker 1: to be champ. I've learned that from mister in between,

1297
01:01:03,840 --> 01:01:05,680
Speaker 1: especially in jail. Don't come cost someone?

1298
01:01:05,760 --> 01:01:06,920
Speaker 2: Does that mean something else?

1299
01:01:07,080 --> 01:01:07,640
Speaker 1: Yeah?

1300
01:01:08,000 --> 01:01:08,640
Speaker 2: Love champ?

1301
01:01:08,800 --> 01:01:11,320
Speaker 1: Yeah? And well you don't say that either no or

1302
01:01:11,360 --> 01:01:12,720
Speaker 1: ask for sugar. Apparently.

1303
01:01:13,280 --> 01:01:16,160
Speaker 16: What gets my goolies is the people that don't use

1304
01:01:16,200 --> 01:01:20,240
Speaker 16: the QR codes. I mean, really, what is going to happen?

1305
01:01:20,680 --> 01:01:23,200
Speaker 16: You know? They say, Oh, I don't want the government

1306
01:01:23,320 --> 01:01:27,680
Speaker 16: knowing what I'm doing in my information. Seriously, I know

1307
01:01:27,800 --> 01:01:30,360
Speaker 16: everything about you anyway, and you've probably got it all

1308
01:01:30,400 --> 01:01:34,120
Speaker 16: on social media anyway. So just do it and keep

1309
01:01:34,200 --> 01:01:36,640
Speaker 16: us safe. That's what keeps my goole is.

1310
01:01:36,760 --> 01:01:37,240
Speaker 2: I agree.

1311
01:01:37,400 --> 01:01:40,160
Speaker 1: Just just it's not the time you all paranoid and

1312
01:01:40,240 --> 01:01:42,040
Speaker 1: weird with the band and with the good. If you

1313
01:01:42,080 --> 01:01:44,200
Speaker 1: dip dag, you can always call the hotline nine six

1314
01:01:44,240 --> 01:01:45,480
Speaker 1: one seven nine eight four.

1315
01:01:47,360 --> 01:01:49,920
Speaker 2: Caller email a Facebook friend wins a five hundred dollar

1316
01:01:50,000 --> 01:01:52,760
Speaker 2: tvsm about you. I love shopping Love TV is in.

1317
01:01:53,040 --> 01:01:56,280
Speaker 1: Also you get the Jonesy demanded branded bobbleheads. How cool

1318
01:01:56,320 --> 01:01:57,160
Speaker 1: are those things?

1319
01:01:57,320 --> 01:01:59,520
Speaker 2: We had a professional funeral crash a Bill Edger on

1320
01:01:59,600 --> 01:02:03,560
Speaker 2: the show today. He talked about but he gets paid

1321
01:02:04,000 --> 01:02:08,040
Speaker 2: to crash people's funerals and tell them the information that

1322
01:02:08,120 --> 01:02:10,960
Speaker 2: the dead person wanted them to know. Juicy information.

1323
01:02:11,160 --> 01:02:14,080
Speaker 1: Also, if you pass away and you've got some weird

1324
01:02:14,120 --> 01:02:17,400
Speaker 1: stuff at home, like a sex dungeon or something, he'll

1325
01:02:17,440 --> 01:02:18,160
Speaker 1: come and sort it out.

1326
01:02:18,160 --> 01:02:20,720
Speaker 8: I don't forget if you guys, if anything ever happens

1327
01:02:20,720 --> 01:02:22,960
Speaker 8: on the way home. What's less at home? You don't

1328
01:02:22,960 --> 01:02:25,320
Speaker 8: want somebody to find? Can you call and I'll go

1329
01:02:25,360 --> 01:02:26,080
Speaker 8: get rid of it.

1330
01:02:26,160 --> 01:02:28,640
Speaker 1: So if you've got like a sex dungeon, we are

1331
01:02:28,680 --> 01:02:29,200
Speaker 1: looking at me.

1332
01:02:29,560 --> 01:02:30,960
Speaker 2: And when he make it over and make it look

1333
01:02:31,000 --> 01:02:36,120
Speaker 2: like an office, he'll turn into ante Grandpa's office. Tribal

1334
01:02:36,160 --> 01:02:40,880
Speaker 2: drum was beating for what came after the funerals, Hannah, it.

1335
01:02:40,800 --> 01:02:44,000
Speaker 10: Was my Grandmatinal. She had by grandkids, me being one

1336
01:02:44,000 --> 01:02:47,360
Speaker 10: of them, and the deshoul passed away about a year ago.

1337
01:02:47,640 --> 01:02:49,960
Speaker 10: And at the end of the funeral we were all

1338
01:02:50,000 --> 01:02:52,680
Speaker 10: handed an envelope and inside the envelope was twenty three

1339
01:02:52,720 --> 01:02:56,840
Speaker 10: thousand dollars. It turns out dear old Grannie had won

1340
01:02:56,880 --> 01:02:59,840
Speaker 10: the lotto about twenty years ago, and so imagine it

1341
01:03:00,120 --> 01:03:03,240
Speaker 10: been worth a bit more twenty years ago. She threw

1342
01:03:03,240 --> 01:03:05,960
Speaker 10: it in the bank and never told anyone.

1343
01:03:06,360 --> 01:03:07,920
Speaker 13: Wow, it was a bit of a.

1344
01:03:07,840 --> 01:03:10,440
Speaker 10: Birthsweet moment to be honest, you know, great deal of

1345
01:03:10,480 --> 01:03:13,040
Speaker 10: money to do something with. But also knowing that we'd

1346
01:03:13,040 --> 01:03:15,320
Speaker 10: lost her. There was no fighting because no one knew

1347
01:03:15,360 --> 01:03:16,960
Speaker 10: about it. We all just got given it right at

1348
01:03:17,000 --> 01:03:17,280
Speaker 10: the end.

1349
01:03:17,400 --> 01:03:19,320
Speaker 1: I suppose that's better than a pet set of manacles

1350
01:03:19,360 --> 01:03:20,240
Speaker 1: and a gimp mask.

1351
01:03:20,600 --> 01:03:27,680
Speaker 2: Right, that's enough. Wsfm's total recall is back money. Money

1352
01:03:28,000 --> 01:03:30,160
Speaker 2: is in the music. You have to name the last

1353
01:03:30,160 --> 01:03:32,520
Speaker 2: five songs that are played by titling artists. For everyone,

1354
01:03:32,560 --> 01:03:33,680
Speaker 2: you get a hundred bucks cash.

1355
01:03:33,800 --> 01:03:36,000
Speaker 1: Hagy fellows back after night. We will be back from

1356
01:03:36,040 --> 01:03:39,000
Speaker 1: six to nine for jam Niche see you then, good

1357
01:03:39,080 --> 01:03:41,480
Speaker 1: dju Well, thank God that's over.

1358
01:03:41,600 --> 01:03:44,160
Speaker 17: Good Fight, Good Bite.

1359
01:03:47,040 --> 01:03:47,720
Speaker 2: A podcaster.

1360
01:03:47,880 --> 01:03:51,800
Speaker 12: Today's show is available to download from the iHeartRadio app.

1361
01:03:51,840 --> 01:04:01,840
Speaker 4: All the Cool Kids Are Doing It, Good Fight, Jonesy

1362
01:04:01,880 --> 01:04:03,920
Speaker 4: and Amanda podcast.

1363
01:04:04,120 --> 01:04:06,760
Speaker 11: Catch up on what you've missed on the free iHeartRadio

1364
01:04:06,840 --> 01:04:07,080
Speaker 11: app