1 00:00:01,320 --> 00:00:03,200 Speaker 1: And Amanda jam Nation. 2 00:00:03,440 --> 00:00:05,240 Speaker 2: It's nice to be back. A week is a long 3 00:00:05,320 --> 00:00:07,600 Speaker 2: time off of this business. What about Keith and Nicole 4 00:00:07,640 --> 00:00:08,280 Speaker 2: splitting up? 5 00:00:08,600 --> 00:00:11,760 Speaker 1: Keith and Nicole splitting up? You know, there's nothing we 6 00:00:11,800 --> 00:00:14,920 Speaker 1: can add to that story. We just no one knows 7 00:00:14,960 --> 00:00:16,600 Speaker 1: what goes on within America. 8 00:00:16,320 --> 00:00:19,200 Speaker 2: As a poortenter that. And it was almost a year 9 00:00:19,239 --> 00:00:21,480 Speaker 2: to the day when Keith was on our show. 10 00:00:21,640 --> 00:00:23,079 Speaker 1: Now it was this year, wasn't it. 11 00:00:23,520 --> 00:00:26,759 Speaker 2: No, it was last year, September of last year. Keith 12 00:00:26,880 --> 00:00:29,720 Speaker 2: was on our show and you were peppering questions about 13 00:00:29,800 --> 00:00:30,360 Speaker 2: Nicole and I. 14 00:00:32,560 --> 00:00:35,839 Speaker 1: Was just he she has been his muse for many years. 15 00:00:35,920 --> 00:00:37,839 Speaker 1: Many of his songs are written about her. But he 16 00:00:37,920 --> 00:00:39,040 Speaker 1: did not want to talk about it. 17 00:00:39,520 --> 00:00:41,320 Speaker 2: I good sense there was troubles. 18 00:00:41,440 --> 00:00:42,600 Speaker 3: There was troubles. 19 00:00:42,680 --> 00:00:45,559 Speaker 1: You speaking of your amazing love story with Nicole you 20 00:00:45,640 --> 00:00:47,920 Speaker 1: met at Gooday, Australia. Is that what it was called 21 00:00:48,280 --> 00:00:52,880 Speaker 1: good Ala? If you hadn't both been there that day, 22 00:00:53,479 --> 00:00:57,480 Speaker 1: would your paths somewhere have inevitably crossed? Or maybe this 23 00:00:57,640 --> 00:01:00,840 Speaker 1: incredible life story wouldn't have happened. I think, yeah, do 24 00:01:00,960 --> 00:01:02,960 Speaker 1: you believe in fatal Do you think it's to Australians 25 00:01:02,960 --> 00:01:08,400 Speaker 1: it would have happened, No idea. I just often think 26 00:01:08,440 --> 00:01:10,920 Speaker 1: that that if you weren't at that event, maybe you 27 00:01:10,959 --> 00:01:13,240 Speaker 1: don't have the same friendship group. It may never have happened. 28 00:01:14,680 --> 00:01:15,320 Speaker 1: You never know. 29 00:01:15,520 --> 00:01:16,039 Speaker 2: It's fate. 30 00:01:16,120 --> 00:01:19,520 Speaker 1: It's the universe anyway. I think so, you'd like to 31 00:01:19,560 --> 00:01:21,480 Speaker 1: think so. 32 00:01:21,520 --> 00:01:24,199 Speaker 2: And part we were saying to stop asking about Nicole. 33 00:01:24,240 --> 00:01:25,840 Speaker 3: Clearly doesn't want to talk about. 34 00:01:25,560 --> 00:01:26,919 Speaker 1: Her, and he asked one question. 35 00:01:27,240 --> 00:01:29,920 Speaker 3: You kept doing your You know, you get into a 36 00:01:30,000 --> 00:01:32,160 Speaker 3: mode you like a cop that is not true to 37 00:01:32,240 --> 00:01:33,679 Speaker 3: get peppering with questions. 38 00:01:33,760 --> 00:01:38,360 Speaker 1: I asked one question about their love story, because that's 39 00:01:38,400 --> 00:01:41,479 Speaker 1: often the inspiration for his songs, and often she talks 40 00:01:41,520 --> 00:01:44,040 Speaker 1: about him. He's often asked about her, but on this 41 00:01:44,080 --> 00:01:45,360 Speaker 1: press tour he didn't want to. 42 00:01:45,440 --> 00:01:48,320 Speaker 3: But that's what women want. Women want the perfect love 43 00:01:48,360 --> 00:01:52,080 Speaker 3: story because they they like the idea of the perfect marriage. 44 00:01:52,120 --> 00:01:52,400 Speaker 2: Men. 45 00:01:53,400 --> 00:01:56,920 Speaker 1: No, it's not that, it's just that it's often. Look 46 00:01:56,920 --> 00:02:00,120 Speaker 1: if I if I wrote about cars every day and 47 00:02:00,160 --> 00:02:01,840 Speaker 1: someone said, oh, what about that new car you've got, 48 00:02:01,880 --> 00:02:03,320 Speaker 1: and said, how do you ask me about that car? 49 00:02:04,520 --> 00:02:08,480 Speaker 1: Because if the cards were the inspiration for all the music, 50 00:02:09,560 --> 00:02:11,680 Speaker 1: love is often the inspiration for his music. And how 51 00:02:11,720 --> 00:02:14,000 Speaker 1: she saved him, et cetera, et cetera. Do you know 52 00:02:14,040 --> 00:02:16,040 Speaker 1: what I'm saying. You can't pretend this came out of 53 00:02:16,080 --> 00:02:18,400 Speaker 1: the blue, that you get asked questions about your muse, 54 00:02:19,320 --> 00:02:20,600 Speaker 1: not your music, your muse. 55 00:02:21,880 --> 00:02:26,600 Speaker 3: Yeah yeah, yeah, yeah, but that's not like yeah yeah, 56 00:02:26,680 --> 00:02:30,120 Speaker 3: then that gets to that, you know, would you. 57 00:02:30,040 --> 00:02:32,360 Speaker 1: Hear what I'm saying. It wasn't out of line for 58 00:02:32,400 --> 00:02:35,200 Speaker 1: me to ask that question, but you know, you didn't help. 59 00:02:35,680 --> 00:02:39,000 Speaker 1: He got awkward and uncomfortable. I hate hearing that back, 60 00:02:39,840 --> 00:02:42,800 Speaker 1: but I wasn't the only person during that press tour 61 00:02:43,320 --> 00:02:46,160 Speaker 1: who he kind of got uncomfortable with when they asked 62 00:02:46,160 --> 00:02:50,560 Speaker 1: about Nicole here and overseas. So you realize now obviously 63 00:02:50,760 --> 00:02:53,480 Speaker 1: things were challenging for them, but you know, there's no 64 00:02:53,520 --> 00:02:55,480 Speaker 1: point speculating what went on because we just don't know. 65 00:02:55,639 --> 00:02:57,440 Speaker 2: We don't know, and we wish the best for both. 66 00:02:57,240 --> 00:03:00,320 Speaker 1: Of them, absolutely, But. 67 00:03:00,280 --> 00:03:02,160 Speaker 2: It's like when I'm out and people ask about where's Manda, 68 00:03:02,160 --> 00:03:04,560 Speaker 2: what's Amanda up to? What's I don't know. 69 00:03:05,320 --> 00:03:07,160 Speaker 1: I have always been your muse. 70 00:03:08,160 --> 00:03:08,760 Speaker 3: Moving on,