1 00:00:00,200 --> 00:00:04,040 Speaker 1: The Chris John O'Connell Breakfast Show Podcast Melbourn's Gold one 2 00:00:04,080 --> 00:00:08,840 Speaker 1: oh four point three Live from Level two twenty one 3 00:00:08,920 --> 00:00:13,440 Speaker 1: to thirty one Goodwood Street. Wretchmen, this is the Chris 4 00:00:13,560 --> 00:00:17,599 Speaker 1: John o'cardinal Breakfast Show on Melbourn's Gold one oh four 5 00:00:17,640 --> 00:00:18,160 Speaker 1: point three. 6 00:00:25,000 --> 00:00:27,760 Speaker 2: No, I'm not I'm not right. I'm here, but I'm 7 00:00:28,360 --> 00:00:30,720 Speaker 2: not the same person that did the show last week 8 00:00:30,800 --> 00:00:33,839 Speaker 2: or was speaking to your Friday. What's happening with you 9 00:00:33,960 --> 00:00:35,560 Speaker 2: me and Friday? Is Star is Born? 10 00:00:36,320 --> 00:00:38,959 Speaker 3: Oh yeah, yeah, I saw it on Friday as well. 11 00:00:39,760 --> 00:00:40,720 Speaker 4: I've seen it yet. 12 00:00:40,600 --> 00:00:43,159 Speaker 2: I'm turning it now. Open Heart Surgery is what that 13 00:00:43,240 --> 00:00:46,639 Speaker 2: movie is. It's an incredible movie, and I know doubt 14 00:00:46,640 --> 00:00:47,760 Speaker 2: we're going to talk about it a lot in this 15 00:00:47,800 --> 00:00:50,040 Speaker 2: morning show and throughout the week. I promise you there'll 16 00:00:50,040 --> 00:00:52,440 Speaker 2: be no spoilers because I hope you go and see 17 00:00:52,479 --> 00:00:56,440 Speaker 2: it. It is a It's an amazing movie deserves all the buzz, 18 00:00:56,880 --> 00:00:58,360 Speaker 2: and I'm sure in a couple of months time there 19 00:00:58,360 --> 00:01:01,760 Speaker 2: will be a lot of Oscar nominations Gaga Bradley Cooper 20 00:01:01,760 --> 00:01:03,920 Speaker 2: as well, and the soundtrack and a lot of the 21 00:01:03,920 --> 00:01:06,920 Speaker 2: supporting cast. But that is you know, some movies they 22 00:01:06,959 --> 00:01:09,480 Speaker 2: just leave you literally exhausted emotionally. 23 00:01:09,520 --> 00:01:12,080 Speaker 3: Afterwards, we stayed to the end of the credits, don't 24 00:01:12,120 --> 00:01:13,200 Speaker 3: have the energy to get up. 25 00:01:13,760 --> 00:01:15,160 Speaker 5: Where are you going to go after that? 26 00:01:15,160 --> 00:01:17,520 Speaker 2: That's my whole world, Artsie, Perhaps you'll love this movie. 27 00:01:17,560 --> 00:01:20,200 Speaker 2: They're all They're all phenomenal. Then there's some amazing performances 28 00:01:20,240 --> 00:01:22,920 Speaker 2: on there. Lady Gaga is a revelation. She knocks out 29 00:01:22,920 --> 00:01:24,800 Speaker 2: the park, so does Brady Cooper. I think it's the 30 00:01:24,800 --> 00:01:28,640 Speaker 2: best performance he's ever done. And then he directs it 31 00:01:28,640 --> 00:01:31,440 Speaker 2: as well. And the way they it's a familiar old story, 32 00:01:31,520 --> 00:01:33,399 Speaker 2: not just like the third or fourth version of that movie, 33 00:01:33,400 --> 00:01:34,920 Speaker 2: but just you know, in terms of how they meet. 34 00:01:35,040 --> 00:01:37,000 Speaker 2: But what makes it really fresh and different is the 35 00:01:37,040 --> 00:01:40,680 Speaker 2: magic between them. Their chemistry is incredible. For the first 36 00:01:40,680 --> 00:01:42,520 Speaker 2: scene you see the first half an hour is the 37 00:01:42,560 --> 00:01:44,679 Speaker 2: best half an hour I've seen in a long time 38 00:01:44,720 --> 00:01:46,959 Speaker 2: in a movie. But the way they do the music scenes, 39 00:01:47,400 --> 00:01:49,480 Speaker 2: especially as music fans and with this job, we're lucky 40 00:01:49,520 --> 00:01:51,120 Speaker 2: enough to go and see a lot of live music 41 00:01:51,160 --> 00:01:53,440 Speaker 2: and pu'sial in the UK, lots and lots of festivals. 42 00:01:53,760 --> 00:01:56,640 Speaker 2: The way they film that made it feel like you're 43 00:01:56,680 --> 00:02:00,480 Speaker 2: on stage is all filmed handheld a face left and 44 00:02:00,520 --> 00:02:02,280 Speaker 2: you're on stage. A lot of those when they do 45 00:02:02,320 --> 00:02:04,760 Speaker 2: live music in movies, it's always shot from the back 46 00:02:04,800 --> 00:02:06,840 Speaker 2: of the crowd, and they were too many cutaways of 47 00:02:06,880 --> 00:02:10,480 Speaker 2: the crowd, whereas you're on stage, you're with him and 48 00:02:10,600 --> 00:02:12,840 Speaker 2: her and the band and it's them looking out and 49 00:02:12,840 --> 00:02:16,040 Speaker 2: it's it feels far more intimate and real. And then 50 00:02:16,240 --> 00:02:17,880 Speaker 2: I was reading up with it yesterday. You realize that 51 00:02:17,919 --> 00:02:19,680 Speaker 2: he learned how to play the guitar and he's with 52 00:02:19,760 --> 00:02:23,960 Speaker 2: Willy Nelson's backing band, Lucas Nelson, who's Willy Nelson's son. 53 00:02:24,200 --> 00:02:25,760 Speaker 2: When they filmed a lot of that, he jumped on 54 00:02:25,800 --> 00:02:28,920 Speaker 2: stage with Willy Nelson's backing band, Lucas Nelson. So hell 55 00:02:29,040 --> 00:02:30,840 Speaker 2: has he been learning to sing and play guitar? That 56 00:02:30,919 --> 00:02:32,480 Speaker 2: movie has been quite a long time. A couple of 57 00:02:32,560 --> 00:02:34,799 Speaker 2: years in the making of Wow, hung out with Eddie 58 00:02:34,840 --> 00:02:36,640 Speaker 2: Vedder stayed with him for a week to try and 59 00:02:36,680 --> 00:02:38,240 Speaker 2: get more of an idea what it's like to get 60 00:02:38,240 --> 00:02:40,239 Speaker 2: in a band member's head. That's when he learned about 61 00:02:40,280 --> 00:02:42,600 Speaker 2: the tenetis thing and wanted him to have someone kind 62 00:02:42,600 --> 00:02:44,639 Speaker 2: of wear and tear. And then Pats, I know you're 63 00:02:44,680 --> 00:02:47,160 Speaker 2: a husband's big fan of the big American comedian you 64 00:02:47,200 --> 00:02:50,200 Speaker 2: see big in the eighties nineties, Andrew Dice Clay he is, 65 00:02:50,760 --> 00:02:53,320 Speaker 2: He's amazing in it as well. It plays her dad. 66 00:02:53,800 --> 00:02:57,519 Speaker 2: Sam Elliott is great in it as Well's I loved it, 67 00:02:57,840 --> 00:02:59,520 Speaker 2: but it's not a movie where you want to rush 68 00:02:59,560 --> 00:03:01,640 Speaker 2: back and see it because it breaks your heart. 69 00:03:01,880 --> 00:03:03,840 Speaker 3: I claim to be anchor there was my favorite film. 70 00:03:03,880 --> 00:03:07,160 Speaker 3: While we're still sitting in the cinema to come up 71 00:03:07,280 --> 00:03:10,040 Speaker 3: definitely one of my favorite movies. However, I made the 72 00:03:10,080 --> 00:03:13,440 Speaker 3: mistake of taking my kids and they did not thank me. 73 00:03:13,840 --> 00:03:16,639 Speaker 6: Oh no, because there was debate, wasn't there as to 74 00:03:16,680 --> 00:03:18,040 Speaker 6: whether you'd type the girls. 75 00:03:17,800 --> 00:03:20,880 Speaker 2: Yeah, and it is. There's a lot of Uh, there's 76 00:03:20,960 --> 00:03:24,239 Speaker 2: joy and sorrow in that movie. Is that fair to say? Chat, Yeah, 77 00:03:24,280 --> 00:03:27,000 Speaker 2: there's joy and sorrow. And when there's a sad dog 78 00:03:27,040 --> 00:03:29,400 Speaker 2: in the movie that I can't put myself together again 79 00:03:29,400 --> 00:03:31,560 Speaker 2: within a couple of hours. I just keep thinking about 80 00:03:31,560 --> 00:03:33,399 Speaker 2: his dog and it's just too much to bear. 81 00:03:33,520 --> 00:03:35,000 Speaker 5: So did they get emotional as well? 82 00:03:35,000 --> 00:03:38,080 Speaker 3: Because the other week you were claiming they hadn't learned 83 00:03:38,160 --> 00:03:39,800 Speaker 3: how to have empathy for other people. 84 00:03:39,880 --> 00:03:42,440 Speaker 2: Yet it's the first time I've ever seen my teenage 85 00:03:42,520 --> 00:03:44,240 Speaker 2: daughter cry at movie. Wow. 86 00:03:44,600 --> 00:03:46,120 Speaker 4: Yeah, so was there a dog in it? 87 00:03:47,000 --> 00:03:48,520 Speaker 2: Well, nothing happens to the dog by the way, now 88 00:03:48,600 --> 00:03:51,280 Speaker 2: even no more spoilers, but go and see the movie. 89 00:03:51,320 --> 00:03:54,280 Speaker 2: It's a fantastic movie. If you saw it over the weekend, 90 00:03:54,320 --> 00:03:56,080 Speaker 2: give us a call, because I've never been to a 91 00:03:56,080 --> 00:03:58,320 Speaker 2: movie where afterwards, no one's really talking to each other, 92 00:03:58,400 --> 00:04:00,360 Speaker 2: no one knows what to say. There's a lot of 93 00:04:00,360 --> 00:04:03,480 Speaker 2: people hugging outside. It felt more like a survivors group. 94 00:04:04,040 --> 00:04:06,040 Speaker 2: If I walk past the Cinnamon and saw people hugging 95 00:04:06,040 --> 00:04:07,760 Speaker 2: at it afterwards, were like, maybe that's some kind of 96 00:04:07,760 --> 00:04:10,960 Speaker 2: meetup or is it trauma group? Did you see of 97 00:04:11,080 --> 00:04:13,240 Speaker 2: the weekend Star is Born? We need to form a 98 00:04:13,240 --> 00:04:16,640 Speaker 2: support group this morning nine four one four one oh 99 00:04:16,680 --> 00:04:20,040 Speaker 2: four to three In other movies that traumatize you afterwards 100 00:04:20,120 --> 00:04:22,239 Speaker 2: nine four one o four three. 101 00:04:22,160 --> 00:04:25,560 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 102 00:04:25,600 --> 00:04:26,320 Speaker 1: point three. 103 00:04:26,400 --> 00:04:28,320 Speaker 2: You can win tickets Go and see Jimmy Marnes live 104 00:04:28,360 --> 00:04:31,640 Speaker 2: at seven thirty this morning. Red Hot Summer Tour tickets 105 00:04:31,920 --> 00:04:34,240 Speaker 2: week seven on ten weeks of tickets seven thirty all 106 00:04:34,240 --> 00:04:36,919 Speaker 2: this week. VIP tickets to go to Red Hot Summer 107 00:04:36,960 --> 00:04:39,279 Speaker 2: Tour Live. You can also win in twenty minutes time 108 00:04:39,839 --> 00:04:43,400 Speaker 2: Amy Victoria Derby Day tickets and two hundred dollars something 109 00:04:43,400 --> 00:04:45,479 Speaker 2: you get spruced up. You can win that in twenty 110 00:04:45,720 --> 00:04:49,560 Speaker 2: minutes time. Also of the weekend then feels like I 111 00:04:49,600 --> 00:04:53,279 Speaker 2: saw every single person and their extended family that works 112 00:04:53,360 --> 00:04:55,120 Speaker 2: in the Australian radio industry. 113 00:04:55,360 --> 00:04:57,760 Speaker 5: Two emotional days in a row that. 114 00:04:57,680 --> 00:04:59,839 Speaker 2: Have actually left me broken Jack in different ways. 115 00:05:01,480 --> 00:05:03,640 Speaker 5: It's a long night, isn't it? Oh, compared it to 116 00:05:03,680 --> 00:05:06,080 Speaker 5: the world I used to do that chair Jack struggling. 117 00:05:06,720 --> 00:05:09,440 Speaker 2: I think Ray Hadley's speech from last year's and he 118 00:05:09,520 --> 00:05:12,840 Speaker 2: just finished wrapping up, still going oh my word, why 119 00:05:12,880 --> 00:05:15,240 Speaker 2: do you have to do that to yourself? Who can 120 00:05:15,279 --> 00:05:21,560 Speaker 2: survive five hours? And now in provincial Uh? I mean 121 00:05:22,160 --> 00:05:24,840 Speaker 2: so I've hosted the commercial Radio Wards in the UK 122 00:05:24,920 --> 00:05:27,120 Speaker 2: for ten years and that's a long night. That's three hours. 123 00:05:27,120 --> 00:05:29,080 Speaker 2: There's a big country and there's sixty million of us. 124 00:05:29,080 --> 00:05:30,919 Speaker 2: There's a lot to get through. We can do another 125 00:05:30,960 --> 00:05:33,960 Speaker 2: three hours. How can you extend it? You haven't even 126 00:05:33,960 --> 00:05:35,320 Speaker 2: got half the people living here. 127 00:05:35,440 --> 00:05:37,200 Speaker 6: Well, there's a lot of egos in the room, So 128 00:05:37,240 --> 00:05:39,880 Speaker 6: it's a night to shine, the egos. 129 00:05:39,520 --> 00:05:41,800 Speaker 2: Come out in crikey, what is it about this industry 130 00:05:41,880 --> 00:05:47,600 Speaker 2: radio that attracts drifters, odd balls and serial killers? Now 131 00:05:47,920 --> 00:05:50,280 Speaker 2: at the UK version, there's maybe, like you know, there's 132 00:05:50,279 --> 00:05:52,560 Speaker 2: about sort of seven hundred. Obviously, the room I was 133 00:05:52,560 --> 00:05:54,960 Speaker 2: in with you guys Saturday nights, a thousand people, it's 134 00:05:55,279 --> 00:05:59,760 Speaker 2: it's a warehouse of egos and monsters, isn't it. At times? 135 00:05:59,839 --> 00:06:02,159 Speaker 2: I looking around and it felt like a haul of mirrors, 136 00:06:03,400 --> 00:06:05,200 Speaker 2: and I'm like, I don't think anyone this room wants 137 00:06:05,200 --> 00:06:07,560 Speaker 2: me to do well. And what my wife was like, 138 00:06:07,640 --> 00:06:10,080 Speaker 2: why do I'd like, Oh god, Chris, it's just sort 139 00:06:10,120 --> 00:06:11,760 Speaker 2: of hit me the enormaty of what you've taken on. 140 00:06:11,960 --> 00:06:17,080 Speaker 2: You're the only one I know here. God, it was. 141 00:06:17,200 --> 00:06:19,360 Speaker 2: And then I'm looking around for you by sort of 142 00:06:19,400 --> 00:06:22,080 Speaker 2: you know, like, buddy, you turn up translate because you 143 00:06:22,160 --> 00:06:25,719 Speaker 2: ripped your jacket. That's true, That's just that's a cry 144 00:06:25,760 --> 00:06:28,920 Speaker 2: for help. He's not ripped his jacket, Patny, Carl's not coming, 145 00:06:29,040 --> 00:06:31,520 Speaker 2: Jack's not coming. All the big megastars I was. 146 00:06:31,560 --> 00:06:33,840 Speaker 3: I was trying to use one of those hotels sewing kids, 147 00:06:33,839 --> 00:06:37,360 Speaker 3: but their miniature, aren't they The dwarfs. I've always seen 148 00:06:37,400 --> 00:06:39,840 Speaker 3: them go Hippa would need a sewing kit, and this 149 00:06:39,880 --> 00:06:41,760 Speaker 3: is the first time I needed one, and I'm looking through 150 00:06:41,760 --> 00:06:43,599 Speaker 3: all the drawers and there wasn't one. It had to 151 00:06:43,640 --> 00:06:45,400 Speaker 3: make a special request. So I was waiting for the 152 00:06:45,440 --> 00:06:47,480 Speaker 3: guy to bring up the sewing kit. And then I 153 00:06:47,520 --> 00:06:49,000 Speaker 3: don't know how to sew, but trying to put that 154 00:06:49,120 --> 00:06:49,760 Speaker 3: jacket back. 155 00:06:49,640 --> 00:06:51,120 Speaker 2: To oh did you rip your jacket? 156 00:06:51,279 --> 00:06:52,760 Speaker 5: I put I was coming down. 157 00:06:52,839 --> 00:06:55,159 Speaker 3: I was on out my way in and looked in 158 00:06:55,200 --> 00:06:57,560 Speaker 3: the mirror in the elevator and I noticed it had 159 00:06:57,600 --> 00:07:00,440 Speaker 3: the same in the back had come undone. I'll honestly, 160 00:07:00,520 --> 00:07:02,280 Speaker 3: was he kind of? I wanted to get a tailored suit, 161 00:07:02,279 --> 00:07:05,000 Speaker 3: but I wanted to get a bottom dollar so it was. 162 00:07:06,680 --> 00:07:09,440 Speaker 2: Eventually tailed suit is meant to fit you like a glove, 163 00:07:09,560 --> 00:07:11,800 Speaker 2: not fit someone else. I could glove or a child. 164 00:07:12,920 --> 00:07:16,480 Speaker 2: And then and then I spoke to Tom this morning. Does 165 00:07:16,480 --> 00:07:20,520 Speaker 2: all the videos? I said, oh, chat, was that his jacket? 166 00:07:20,520 --> 00:07:22,920 Speaker 2: To he goes, that's not pretty true. He was mucking 167 00:07:22,960 --> 00:07:25,080 Speaker 2: around him. There was a lot of Instagram videos from 168 00:07:25,120 --> 00:07:26,280 Speaker 2: his hotel room beforehand. 169 00:07:27,240 --> 00:07:29,320 Speaker 3: Yeah, I mean I didn't notice the jacket was ripped 170 00:07:29,400 --> 00:07:32,120 Speaker 3: until the moment I got in the elephantor. 171 00:07:31,680 --> 00:07:34,480 Speaker 4: Here we go true story guns. 172 00:07:34,200 --> 00:07:37,960 Speaker 2: Out and then can you tell me about at the table? Well, 173 00:07:38,080 --> 00:07:41,960 Speaker 2: you were buttering bread and seasoning buttered bread with salt 174 00:07:42,040 --> 00:07:42,600 Speaker 2: and pepper. 175 00:07:42,680 --> 00:07:44,520 Speaker 3: I couldn't it was too loud to talk to you 176 00:07:44,560 --> 00:07:46,640 Speaker 3: properly when you were asking me about that. But you'll 177 00:07:46,640 --> 00:07:49,040 Speaker 3: thank me later for this. Yeah, A nice piece of 178 00:07:49,080 --> 00:07:51,080 Speaker 3: bread with butter on it and then put some salt 179 00:07:51,120 --> 00:07:52,560 Speaker 3: on it is delicious. 180 00:07:52,240 --> 00:07:55,000 Speaker 2: Actually it is. I've done it before. It's really nice, isn't. Yeah? 181 00:07:55,040 --> 00:07:55,600 Speaker 2: Why is that? 182 00:07:55,680 --> 00:07:57,480 Speaker 3: I don't know, but it's so tasty. But people do 183 00:07:57,560 --> 00:07:58,720 Speaker 3: look at you strange forgetting the. 184 00:07:59,240 --> 00:08:01,960 Speaker 2: Made it because actually, because it was so dark in there, 185 00:08:02,760 --> 00:08:04,120 Speaker 2: I don't think you can work out what the sort 186 00:08:04,120 --> 00:08:06,040 Speaker 2: of pepper was. She was looking at the bottom of 187 00:08:06,040 --> 00:08:08,120 Speaker 2: both of them, and Gavin Miller was sat next to 188 00:08:08,120 --> 00:08:10,400 Speaker 2: you looking at looking at me, and I'm going, I 189 00:08:10,400 --> 00:08:11,960 Speaker 2: don't I just let them, just let them, just let 190 00:08:11,960 --> 00:08:13,160 Speaker 2: them work it out himself. 191 00:08:13,880 --> 00:08:15,880 Speaker 4: But does it have to be the sourdie bray jack? 192 00:08:16,000 --> 00:08:16,280 Speaker 2: Is it? 193 00:08:16,560 --> 00:08:18,280 Speaker 5: Yeah, it's going to be. You can't just do it 194 00:08:18,320 --> 00:08:18,960 Speaker 5: with tip top? 195 00:08:19,080 --> 00:08:19,840 Speaker 4: Yeah right, maybe? 196 00:08:19,880 --> 00:08:21,520 Speaker 2: Yeah, I don't think you can. Going Bunnings and when 197 00:08:21,560 --> 00:08:23,720 Speaker 2: they bring it go, actually, can I have some sort 198 00:08:23,720 --> 00:08:25,400 Speaker 2: of pepper just to seasons as well. 199 00:08:25,520 --> 00:08:28,880 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 200 00:08:28,920 --> 00:08:29,440 Speaker 1: point three. 201 00:08:29,680 --> 00:08:31,840 Speaker 2: Someone when wife and I turned up at the Pack 202 00:08:31,920 --> 00:08:35,920 Speaker 2: Pacific Hotel while there are pre awards to cocktail drinks, 203 00:08:36,440 --> 00:08:39,640 Speaker 2: he didn't miss anything. Mate. Getting out of the taxi. 204 00:08:39,760 --> 00:08:42,160 Speaker 2: This I don't know what she was in her twenties. 205 00:08:42,240 --> 00:08:44,079 Speaker 2: This girl goes, oh my god, I can't believe it's you. 206 00:08:44,120 --> 00:08:46,120 Speaker 2: It's Christian I Connor, and I gotta be asked. I 207 00:08:46,200 --> 00:08:48,160 Speaker 2: let my ego take control. I went, it is me 208 00:08:49,040 --> 00:08:52,280 Speaker 2: and she starts yabbering on. She's very I don't believe 209 00:08:52,280 --> 00:08:53,679 Speaker 2: it's you, and I'm like, hey, is that go take 210 00:08:53,720 --> 00:08:56,600 Speaker 2: it easy, We're just human, and then she hits me 211 00:08:56,640 --> 00:08:59,200 Speaker 2: with the old bombshell. Suddenly my ego shout goes, my 212 00:08:59,600 --> 00:09:04,760 Speaker 2: mum is a massive cool that's the age. I'm Matt now, okay, yeah, 213 00:09:05,000 --> 00:09:07,920 Speaker 2: all right, you want a photo for your mum? Love it? Okay, 214 00:09:07,960 --> 00:09:08,800 Speaker 2: so let's go now. 215 00:09:08,880 --> 00:09:10,120 Speaker 7: Yeah. 216 00:09:10,440 --> 00:09:14,000 Speaker 1: The Christian O'Connell Breakfast Show Gold one four point three, 217 00:09:14,200 --> 00:09:15,040 Speaker 1: Sun bind John. 218 00:09:14,920 --> 00:09:17,480 Speaker 2: The next out. We need to get into the behavior 219 00:09:17,600 --> 00:09:21,439 Speaker 2: of the wild Child on the show The Radio Industry 220 00:09:21,480 --> 00:09:24,560 Speaker 2: Awards Saturday night. Patsy, Oh what have I done? 221 00:09:24,600 --> 00:09:24,760 Speaker 8: Now? 222 00:09:24,880 --> 00:09:27,000 Speaker 2: We're bringing up later. But Jack's got a text. I've 223 00:09:27,040 --> 00:09:30,760 Speaker 2: got a text. It's all right. Sometimes all of us 224 00:09:30,760 --> 00:09:33,280 Speaker 2: get drunk and send one of those messages that's abusive 225 00:09:33,320 --> 00:09:35,559 Speaker 2: in the cold like that, and I'm rich really believed. 226 00:09:35,559 --> 00:09:36,360 Speaker 2: It's not me for once. 227 00:09:36,480 --> 00:09:37,720 Speaker 5: I'm glad I'm saving it for later. 228 00:09:37,760 --> 00:09:37,920 Speaker 2: I was. 229 00:09:38,040 --> 00:09:40,400 Speaker 3: I thought it was weird that Patica omitted from these 230 00:09:40,440 --> 00:09:41,280 Speaker 3: stories earlier. 231 00:09:41,559 --> 00:09:44,320 Speaker 2: Now I'd rather save it for when there's more people listening. 232 00:09:44,960 --> 00:09:46,040 Speaker 4: There's nothing to tell. 233 00:09:46,360 --> 00:09:48,959 Speaker 2: And what I want to do is because we all 234 00:09:49,000 --> 00:09:51,640 Speaker 2: care about you, Pats, I'd like this mortiation. Yeah, at 235 00:09:51,640 --> 00:09:53,520 Speaker 2: eight o'clock. It's going to be an inter eventual. Okay. 236 00:09:53,679 --> 00:09:55,520 Speaker 2: I just made a few more calls for some family 237 00:09:55,520 --> 00:09:57,920 Speaker 2: and friends, other people that you've upset as well with 238 00:09:57,960 --> 00:10:02,600 Speaker 2: your horrible behavior. When but it was like jeckulin Hyde, 239 00:10:02,679 --> 00:10:05,600 Speaker 2: I met Jack at half for midnight. Oh god, it's 240 00:10:05,679 --> 00:10:09,680 Speaker 2: hide that's lies. 241 00:10:10,200 --> 00:10:11,400 Speaker 4: You are muddying my name. 242 00:10:11,480 --> 00:10:15,400 Speaker 2: Well, okay, I've got evidence. Jat's got evidence evidence, have you? Oh? 243 00:10:15,440 --> 00:10:16,080 Speaker 4: This will be good? 244 00:10:16,120 --> 00:10:16,360 Speaker 2: All right. 245 00:10:16,360 --> 00:10:17,000 Speaker 4: I'd like to say the. 246 00:10:17,040 --> 00:10:20,400 Speaker 2: Ollience time stamped. I said goodbye to Pat, I say 247 00:10:20,400 --> 00:10:24,320 Speaker 2: hello to a monster sending me threatening messages. Anyway, don't 248 00:10:24,320 --> 00:10:25,880 Speaker 2: want to get into it now. We'll get into the 249 00:10:25,880 --> 00:10:28,760 Speaker 2: intervention right now. You can win tickets the welcome Wait 250 00:10:29,120 --> 00:10:31,560 Speaker 2: Melbourne Cup Carnival is coming. We've got a double parts 251 00:10:31,600 --> 00:10:34,800 Speaker 2: to go to the Amy Victoria Darby Day Saturday, the 252 00:10:34,840 --> 00:10:37,599 Speaker 2: third of November. Pasts two hundred dollars spending money. Go 253 00:10:37,760 --> 00:10:40,079 Speaker 2: that every single day this week. Here's how you are 254 00:10:40,080 --> 00:10:42,439 Speaker 2: win it. Go listen to this. It's another song at 255 00:10:42,440 --> 00:10:44,040 Speaker 2: the races? What's the song? 256 00:10:47,320 --> 00:10:51,319 Speaker 7: Racing round the turn? I got myself into some trouble tonight, 257 00:10:51,640 --> 00:10:54,960 Speaker 7: guess dn. I'm just feeling blue. This spread wide, one 258 00:10:55,040 --> 00:10:58,120 Speaker 7: hundred meters to go. It's been too long since I've 259 00:10:58,160 --> 00:10:59,199 Speaker 7: seen your face. 260 00:10:59,120 --> 00:10:59,839 Speaker 1: Short half hid. 261 00:11:00,160 --> 00:11:02,600 Speaker 7: This is the times of front I've finished between me 262 00:11:02,920 --> 00:11:03,760 Speaker 7: and you. 263 00:11:07,280 --> 00:11:08,679 Speaker 2: We don't know what it is yet. I need to 264 00:11:08,679 --> 00:11:11,040 Speaker 2: go and give the old producers another We're talking to 265 00:11:11,320 --> 00:11:13,960 Speaker 2: about this whole withholding from any of us on air. 266 00:11:14,160 --> 00:11:16,120 Speaker 2: What the answer is. Maybe you can call it in. 267 00:11:16,160 --> 00:11:18,240 Speaker 2: We're try and work it out together. Nine four one 268 00:11:18,360 --> 00:11:20,680 Speaker 2: four one four three. What's the song of the races? 269 00:11:21,000 --> 00:11:22,440 Speaker 2: Nine four one four. 270 00:11:22,280 --> 00:11:26,160 Speaker 1: One four three The Christian O'Connell Breakfast Show Melbourne's Gold 271 00:11:26,200 --> 00:11:27,360 Speaker 1: one oh four point three. 272 00:11:27,760 --> 00:11:30,080 Speaker 2: We got tickets down every day this week. This part 273 00:11:30,120 --> 00:11:33,480 Speaker 2: of the show off to Amy Victoria Darby out the 274 00:11:33,559 --> 00:11:35,439 Speaker 2: Melbourne Cup Carnival. You can be there and you get 275 00:11:35,440 --> 00:11:38,000 Speaker 2: two hundred dollars as well, so you can sort your 276 00:11:38,040 --> 00:11:40,199 Speaker 2: outfit out. I'm not saying it's scruffy or anything. I'm 277 00:11:40,200 --> 00:11:42,280 Speaker 2: just saying how the two hundred dollars treat yourself? Just 278 00:11:42,280 --> 00:11:47,880 Speaker 2: gonna work out what the song is at the races? 279 00:11:48,000 --> 00:11:52,000 Speaker 7: Racing round the turn. I got myself into some trouble tonight, 280 00:11:52,160 --> 00:11:55,480 Speaker 7: I guess then. I'm just feeling blue. This sprint wide 281 00:11:55,520 --> 00:11:58,600 Speaker 7: one hundred meters to go. It's being too long since 282 00:11:58,640 --> 00:12:04,400 Speaker 7: I've seen your face. I've finished between me and you. 283 00:12:05,080 --> 00:12:07,199 Speaker 2: All right, let's take some guesses now, God one a 284 00:12:07,280 --> 00:12:11,000 Speaker 2: four point three. Good morning Joe, Good morning Chris, Good 285 00:12:11,000 --> 00:12:13,360 Speaker 2: morning Joe. And how is your weekend? Mate? 286 00:12:14,400 --> 00:12:14,880 Speaker 8: Terrific? 287 00:12:14,960 --> 00:12:17,920 Speaker 2: Yours heartbreaking? I went to see his Star is Born. 288 00:12:18,720 --> 00:12:22,719 Speaker 2: Oh go and see it, Okay, do it to sec 289 00:12:23,400 --> 00:12:28,160 Speaker 2: Take a friend, take some tissues, take a blanket. They 290 00:12:28,160 --> 00:12:29,920 Speaker 2: should have Actually the cinema was, and they should be 291 00:12:29,920 --> 00:12:31,640 Speaker 2: handing out tissues before the movie going. 292 00:12:31,640 --> 00:12:34,440 Speaker 7: You're going to need these, Okay, I'll take twenty. 293 00:12:34,640 --> 00:12:36,199 Speaker 2: All right, take twenty. Joe, what's the. 294 00:12:36,200 --> 00:12:39,040 Speaker 1: Song Powderfinger My Happiness? 295 00:12:39,400 --> 00:12:41,480 Speaker 2: Great song I was blasting out over the weekend. I 296 00:12:41,520 --> 00:12:43,600 Speaker 2: love that song, Joe. It's not the right answer. 297 00:12:44,240 --> 00:12:45,200 Speaker 8: Okay, thank you, Chris. 298 00:12:45,240 --> 00:12:50,440 Speaker 2: All right, Ben, good morning morning, Good morning, Benny boy. 299 00:12:50,440 --> 00:12:52,200 Speaker 2: Have you had a great weekend. What's your song? Guest? 300 00:12:52,200 --> 00:12:53,280 Speaker 2: What's the song on the races? 301 00:12:53,559 --> 00:12:55,280 Speaker 9: I did have one in morning, but I do want 302 00:12:55,280 --> 00:13:02,040 Speaker 9: to change it to John Fimon. I think it's John Fireman. Oh, 303 00:13:02,080 --> 00:13:03,280 Speaker 9: I can't give the name of the song. 304 00:13:03,640 --> 00:13:11,120 Speaker 2: Well, that's kind of the quiz. Going to have to 305 00:13:11,200 --> 00:13:16,800 Speaker 2: rush you, buddy. No, okay, tough luck, Ben, Helen, good morning, 306 00:13:16,920 --> 00:13:19,120 Speaker 2: Good morning Helen, and they're welcome to the show. What 307 00:13:19,120 --> 00:13:20,200 Speaker 2: do you think the song is? Mate? 308 00:13:20,920 --> 00:13:23,080 Speaker 10: It's Burned for You by John Sanum. 309 00:13:23,600 --> 00:13:27,400 Speaker 2: Is the right answer. Well, the only reason I found 310 00:13:27,440 --> 00:13:29,400 Speaker 2: this out, Helen, it's the producers haven't even told me. 311 00:13:29,679 --> 00:13:31,600 Speaker 2: I just googled. I put in some of the lyrics 312 00:13:31,640 --> 00:13:33,880 Speaker 2: I heard in that into the internet. The Internet is 313 00:13:33,920 --> 00:13:34,880 Speaker 2: producing the show today. 314 00:13:35,320 --> 00:13:37,240 Speaker 5: That's that rule that you made that no one's allowed. 315 00:13:37,040 --> 00:13:42,079 Speaker 2: To talk to Why are you breaking it? Anything you've 316 00:13:42,120 --> 00:13:44,440 Speaker 2: got to say? And I read it out? Okay, helen 317 00:13:44,480 --> 00:13:46,400 Speaker 2: you After the race is well done. 318 00:13:46,480 --> 00:13:49,160 Speaker 11: I'm going to actually give the tickets to my son, Christian, 319 00:13:49,200 --> 00:13:51,160 Speaker 11: because he likes to go to the races. I used 320 00:13:51,160 --> 00:13:54,240 Speaker 11: to work for the TAB so I hate horse racing. 321 00:13:54,679 --> 00:13:57,640 Speaker 11: But he's going to go because he's had a few 322 00:13:58,360 --> 00:14:01,640 Speaker 11: few issues in life at the moment and he needs 323 00:14:01,720 --> 00:14:05,480 Speaker 11: cheering up. And I went and saw Star Is Born 324 00:14:05,720 --> 00:14:08,320 Speaker 11: last week, Christian, and I held like a baby at 325 00:14:08,320 --> 00:14:11,000 Speaker 11: the end of it. Yeah, me too, great movie and 326 00:14:11,160 --> 00:14:12,640 Speaker 11: Gaga is outstanding. 327 00:14:12,760 --> 00:14:14,960 Speaker 2: Yeah, didn't you find even like even today world cut? 328 00:14:15,040 --> 00:14:16,559 Speaker 2: I said, ah, it's another week. This is going to 329 00:14:16,559 --> 00:14:21,240 Speaker 2: be a nice dape. Star is Born my heart? Yeah, yeah, high, 330 00:14:21,640 --> 00:14:23,480 Speaker 2: am I ever going to be? Okay? It's quite It 331 00:14:23,560 --> 00:14:25,600 Speaker 2: stays with you, doesn't it it does? 332 00:14:25,680 --> 00:14:29,840 Speaker 11: And great soundtrack as well, and great job by Bradley. 333 00:14:30,640 --> 00:14:33,720 Speaker 2: Yeah all right, hell then listen. Great, what a great 334 00:14:33,760 --> 00:14:36,160 Speaker 2: mum you are. Hope your boy. I hope better things 335 00:14:36,160 --> 00:14:38,520 Speaker 2: come your son's work, and I hope he enjoys Amy 336 00:14:38,600 --> 00:14:39,760 Speaker 2: Victoria Derby Day as well. 337 00:14:39,760 --> 00:14:43,240 Speaker 11: Okay, hey, will, thanks Christian, Thanks go all right, thank you. 338 00:14:43,320 --> 00:14:45,840 Speaker 2: Very much, have a great week. What more tickets tomorrow morning. 339 00:14:45,680 --> 00:14:49,520 Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four point. 340 00:14:49,320 --> 00:14:52,400 Speaker 2: Three hopefully John the seven o'clock yesterday Pats will give 341 00:14:52,400 --> 00:14:56,720 Speaker 2: away the next five year weather forecast last Monday, which 342 00:14:56,760 --> 00:14:59,680 Speaker 2: had an amazing ability to do the opposite to what 343 00:15:00,120 --> 00:15:01,600 Speaker 2: weather actually came porn on it. 344 00:15:01,640 --> 00:15:03,520 Speaker 4: I don't make exactly do you not. 345 00:15:03,480 --> 00:15:06,160 Speaker 2: Past these weather satellites these days? The uses, aren't they? 346 00:15:06,480 --> 00:15:08,320 Speaker 2: Because they get it wrong most of the time, don't they? 347 00:15:08,320 --> 00:15:11,520 Speaker 2: Weather reports? They do that this really like bang on? 348 00:15:11,640 --> 00:15:13,720 Speaker 2: Is that the long range one for like five days? 349 00:15:13,960 --> 00:15:15,840 Speaker 2: So I think that the weather patterns change so quickly. 350 00:15:15,840 --> 00:15:17,520 Speaker 2: But I'd like to take a lot of course today 351 00:15:17,600 --> 00:15:19,160 Speaker 2: just about weather patterns and what you think of them. 352 00:15:19,400 --> 00:15:22,280 Speaker 2: On nine four one four, Welcome to the Weather Channel 353 00:15:22,320 --> 00:15:25,440 Speaker 2: on air so act this morning. We got some big 354 00:15:25,480 --> 00:15:27,160 Speaker 2: news last week on the bat for the show, I 355 00:15:27,200 --> 00:15:29,520 Speaker 2: was asking you, were you in a band, maybe at 356 00:15:29,600 --> 00:15:31,680 Speaker 2: high school or just in your twenties or at teen 357 00:15:31,800 --> 00:15:34,320 Speaker 2: years or whatever, and would you be up for bringing 358 00:15:34,360 --> 00:15:37,160 Speaker 2: back your band, reuniting your old band. We would help 359 00:15:37,160 --> 00:15:40,000 Speaker 2: you with rehearsal spaces and if you need equipment and 360 00:15:40,520 --> 00:15:42,720 Speaker 2: helping reunite the band. It might have been years since 361 00:15:42,720 --> 00:15:45,320 Speaker 2: you last saw each other, let alone play together a 362 00:15:45,400 --> 00:15:47,800 Speaker 2: Scot this morning, we now get this form or we 363 00:15:47,960 --> 00:15:50,600 Speaker 2: are owing up entries and I'm going to tell you 364 00:15:50,600 --> 00:15:53,720 Speaker 2: what it's for ACOT this morning and who. It's not 365 00:15:53,760 --> 00:15:56,320 Speaker 2: just one person or one band. There's a lot of 366 00:15:56,320 --> 00:15:59,160 Speaker 2: who's you're going to be opening up for your reunited band. 367 00:15:59,240 --> 00:16:02,760 Speaker 2: So more on that this morning. Some other big exciting news. 368 00:16:03,120 --> 00:16:04,840 Speaker 2: You know. The last couple of weeks we've been sort 369 00:16:04,880 --> 00:16:08,000 Speaker 2: of doing announcements of who's coming to Australia more Botany, 370 00:16:08,000 --> 00:16:10,800 Speaker 2: Who's coming to Melbourne? The Eagles two weeks ago. Yep, 371 00:16:12,120 --> 00:16:14,560 Speaker 2: I'm really excited about this. I found this out Friday. 372 00:16:14,640 --> 00:16:19,400 Speaker 2: I got an email. I can't believe he's coming. That's 373 00:16:19,440 --> 00:16:22,280 Speaker 2: gonna come up? Is an artist? Yeah, it's that. There 374 00:16:22,280 --> 00:16:24,920 Speaker 2: are artists, Jack, there's this guy. He sits on top 375 00:16:24,960 --> 00:16:26,800 Speaker 2: of all of them. I think if we lined up 376 00:16:26,840 --> 00:16:28,800 Speaker 2: one hundred great artists and said who do you think 377 00:16:28,920 --> 00:16:31,240 Speaker 2: is the artist of all artists? They go one name. 378 00:16:32,200 --> 00:16:39,400 Speaker 2: Stephen Sigal is coming to me. I'm not making what 379 00:16:39,440 --> 00:16:42,840 Speaker 2: I say to you is truth February. How do we 380 00:16:42,880 --> 00:16:45,360 Speaker 2: all feel like going out to see an evening with 381 00:16:45,520 --> 00:16:46,280 Speaker 2: Steven Segal? 382 00:16:46,920 --> 00:16:48,560 Speaker 4: Oh yeah, it's top of my calendar. 383 00:16:49,520 --> 00:16:53,040 Speaker 2: An evening with Stephen Sigal press release came through, Normally 384 00:16:53,080 --> 00:16:56,880 Speaker 2: I just delete and I went, says Sigal, And evening 385 00:16:57,040 --> 00:17:00,280 Speaker 2: with Steven Sgal? What's he going to do? Have you 386 00:17:00,320 --> 00:17:03,040 Speaker 2: seen the size of the guy? Polish that strange hair 387 00:17:03,080 --> 00:17:03,320 Speaker 2: of his. 388 00:17:03,560 --> 00:17:06,280 Speaker 3: Nobody on this team has the encyclopedic knowledge of Steven 389 00:17:06,280 --> 00:17:07,399 Speaker 3: sigall movies that you do. 390 00:17:07,720 --> 00:17:10,040 Speaker 2: It's not just that combined with Jack. The worst ever 391 00:17:10,080 --> 00:17:12,959 Speaker 2: into be ever did was with the great mister Stephen Sigall. 392 00:17:13,119 --> 00:17:14,720 Speaker 2: So I'm hoping it means that we can get a 393 00:17:14,720 --> 00:17:15,160 Speaker 2: part two. 394 00:17:15,640 --> 00:17:16,640 Speaker 5: Don't have him on the show? 395 00:17:17,000 --> 00:17:18,480 Speaker 2: What's not as that? Did you see what happened about 396 00:17:18,480 --> 00:17:21,120 Speaker 2: two weeks ago when he was on Newsnight, a big 397 00:17:21,160 --> 00:17:24,080 Speaker 2: news show in the UK, and he just walked off Ah, 398 00:17:24,359 --> 00:17:26,720 Speaker 2: it just walked off set because the interviewer was asked 399 00:17:26,760 --> 00:17:28,960 Speaker 2: about the allegations of him and you know, misconduct and 400 00:17:28,960 --> 00:17:30,640 Speaker 2: stuff like that. He just tore his ear piece out. 401 00:17:30,880 --> 00:17:33,119 Speaker 2: I mean, he's a man who's very much falling apart, 402 00:17:33,200 --> 00:17:35,240 Speaker 2: isn't he? So will you ask him the hard questions 403 00:17:35,240 --> 00:17:38,520 Speaker 2: if you get him on listen. We don't know, we 404 00:17:38,560 --> 00:17:40,360 Speaker 2: can't spect that he's not going to come anywhere near 405 00:17:40,400 --> 00:17:42,240 Speaker 2: the show, but it's the fact that something is. He's 406 00:17:42,280 --> 00:17:44,280 Speaker 2: coming to Melbourne till we had him. I know it's 407 00:17:44,280 --> 00:17:48,200 Speaker 2: ten weeks of tickets, have we now changed into eleven 408 00:17:48,240 --> 00:17:52,080 Speaker 2: weeks of tickets? An evening with mister Stephen. 409 00:17:51,840 --> 00:17:55,600 Speaker 1: Segal The Christian O'Connell Breakfast Show Melbourne's Gold one oh 410 00:17:55,640 --> 00:17:56,520 Speaker 1: four point three. 411 00:17:56,680 --> 00:17:58,760 Speaker 2: So this week we chance you to win every single 412 00:17:58,760 --> 00:18:00,840 Speaker 2: on a seven thirty and ten of tickets with us. 413 00:18:00,880 --> 00:18:02,840 Speaker 2: This week it's all about Red Hot Summer Tall Live. 414 00:18:03,240 --> 00:18:07,080 Speaker 2: They iv ip tickets and also at this morning then 415 00:18:07,160 --> 00:18:09,680 Speaker 2: we open up all the entries for you to reunite 416 00:18:09,680 --> 00:18:12,280 Speaker 2: your old bands. And before I say anymore, to say, 417 00:18:12,280 --> 00:18:14,639 Speaker 2: be listening at eight o'clock because what you're opening up 418 00:18:14,680 --> 00:18:19,399 Speaker 2: for and who you're opening up for is major. It's huge. 419 00:18:19,440 --> 00:18:21,320 Speaker 2: It's an amazing gig. If you used to be in 420 00:18:21,359 --> 00:18:24,080 Speaker 2: a band and you fancy still keeping the dream alive, 421 00:18:24,480 --> 00:18:26,800 Speaker 2: one last shot at the big time with a huge 422 00:18:26,920 --> 00:18:29,439 Speaker 2: opening slot. More on that at eight o'clock this morning. 423 00:18:29,760 --> 00:18:33,160 Speaker 2: Before that, we're trying to do the best we can today. 424 00:18:33,200 --> 00:18:34,760 Speaker 2: But I am not the same person that speake to 425 00:18:34,760 --> 00:18:36,960 Speaker 2: you Friday because I saw A Star is Born, And 426 00:18:37,000 --> 00:18:39,879 Speaker 2: if you've seen A Star is Born, it will change 427 00:18:39,920 --> 00:18:42,560 Speaker 2: you forever. It is an amazing movie, deserves all the hype, 428 00:18:42,560 --> 00:18:45,119 Speaker 2: and I'm sure come OSCAR nominations, you will see Oscar 429 00:18:45,160 --> 00:18:49,480 Speaker 2: nominations for Braddy Cooper and Lady Gargar because they're both 430 00:18:49,720 --> 00:18:51,639 Speaker 2: knock it out the part. She's a revelation in it. 431 00:18:51,920 --> 00:18:54,520 Speaker 2: You can't believe that you're actually looking at Lady Gaga. 432 00:18:54,880 --> 00:18:57,120 Speaker 2: You get so caught up in the hoopler around her 433 00:18:57,320 --> 00:18:59,920 Speaker 2: and a persona, and then when they strip it back 434 00:19:00,160 --> 00:19:02,040 Speaker 2: and she is really stripped back, but you realized what 435 00:19:02,119 --> 00:19:05,480 Speaker 2: a great singers. But just as an actress, she's a powerhouse. 436 00:19:05,520 --> 00:19:08,040 Speaker 2: Has she been in other movies before American Horror Story 437 00:19:08,400 --> 00:19:10,320 Speaker 2: She won an award for that as well. She was 438 00:19:10,400 --> 00:19:12,280 Speaker 2: great in that I'd never seen her before as an 439 00:19:12,280 --> 00:19:16,240 Speaker 2: actress and she's incredible. So I was so afterwards, I 440 00:19:16,240 --> 00:19:17,760 Speaker 2: was so blown away by this movie. In art broke 441 00:19:17,800 --> 00:19:19,600 Speaker 2: and start reading up on it all. Bradley Cooper's had 442 00:19:19,640 --> 00:19:21,640 Speaker 2: this idea for a couple of years and he saw 443 00:19:21,680 --> 00:19:23,919 Speaker 2: her do a song strip back, just at the piano, 444 00:19:23,920 --> 00:19:25,800 Speaker 2: more of a country thing. And then that's where he 445 00:19:25,840 --> 00:19:28,040 Speaker 2: got the idea that he wanted to do this remake 446 00:19:28,119 --> 00:19:30,320 Speaker 2: with her in it. And then he was even like 447 00:19:30,359 --> 00:19:32,600 Speaker 2: his voice in it. How he talks in the movie 448 00:19:32,680 --> 00:19:37,560 Speaker 2: is unrecognizable virtually as Bradley Cooper. I don't mean Baine, wait, unrecognizable, Like, 449 00:19:38,359 --> 00:19:40,960 Speaker 2: what is that? Why didn't anyone go. 450 00:19:41,000 --> 00:19:42,959 Speaker 7: Tom cut. 451 00:19:43,800 --> 00:19:48,840 Speaker 2: A chance to Tom? Tom? Tom? Though we spoke about this, 452 00:19:48,920 --> 00:19:50,880 Speaker 2: I thought you were drunk. That is not the voice 453 00:19:50,920 --> 00:19:52,960 Speaker 2: of Baine. Okay, let's go again. Why is he doing 454 00:19:52,960 --> 00:19:55,520 Speaker 2: it again? I don't mean none records of that. It's 455 00:19:55,560 --> 00:19:59,240 Speaker 2: like a very deep husky. It feels and lived in, 456 00:19:59,240 --> 00:20:02,439 Speaker 2: and his character he's lived in. And it's such an 457 00:20:02,480 --> 00:20:04,440 Speaker 2: amazing performance by all of them. There are so many 458 00:20:04,640 --> 00:20:07,280 Speaker 2: supporting stars as well, and the music is as big 459 00:20:07,320 --> 00:20:10,920 Speaker 2: as stars as Bradley Cooper and Lady Gargo as well. 460 00:20:10,920 --> 00:20:13,160 Speaker 2: It is an incredible movie. However, I took my kids 461 00:20:13,200 --> 00:20:17,440 Speaker 2: to sit and they did not thank me, Teenager said afterwards. Thanks, 462 00:20:18,840 --> 00:20:22,679 Speaker 2: it was the saddest movie I ever saw. And then 463 00:20:22,720 --> 00:20:25,000 Speaker 2: I was catching with my dad and he said, I 464 00:20:25,040 --> 00:20:26,480 Speaker 2: saw it last weekend and when you said you were 465 00:20:26,520 --> 00:20:28,359 Speaker 2: going to take the kids. I thought this is a 466 00:20:28,359 --> 00:20:30,800 Speaker 2: bad idea, and I said, why didn't you say that 467 00:20:30,960 --> 00:20:33,520 Speaker 2: to me? Then he goes, well, and now you're telling 468 00:20:33,520 --> 00:20:35,240 Speaker 2: me that they didn't like it. It's proved me right 469 00:20:35,320 --> 00:20:37,439 Speaker 2: when you can't prove you right if you didn't tell me. 470 00:20:38,600 --> 00:20:40,560 Speaker 2: You didn't tell me dad. And then my dad and 471 00:20:40,600 --> 00:20:42,280 Speaker 2: I got into it, and I said, hey, listen, Dad 472 00:20:42,280 --> 00:20:44,160 Speaker 2: of the year. Do you remember when I was eight, 473 00:20:44,400 --> 00:20:46,640 Speaker 2: you took me to see a movie called Jaws? And 474 00:20:46,720 --> 00:20:49,440 Speaker 2: whenever I've gone into the sea ever since that, I'm terrified. 475 00:20:49,640 --> 00:20:51,760 Speaker 2: Now I'm living in a country where there are those things, 476 00:20:52,000 --> 00:20:54,280 Speaker 2: I'm even more terrified. I start moving the kids into 477 00:20:54,280 --> 00:20:56,800 Speaker 2: the sea. First, you go first, because the radio needs 478 00:20:56,800 --> 00:20:58,600 Speaker 2: me to survive. But you kids, you know, we don't 479 00:20:58,600 --> 00:20:59,879 Speaker 2: know what you're gonna do with your lives. But I'm 480 00:21:00,480 --> 00:21:03,640 Speaker 2: I go ahead, just go deeper into the water. So yeah, 481 00:21:03,640 --> 00:21:05,280 Speaker 2: I remember, of like seven eight, my man took me 482 00:21:05,359 --> 00:21:08,280 Speaker 2: the cinema to see Jaws. Jaws has stayed with me. 483 00:21:08,840 --> 00:21:10,920 Speaker 5: I wanted to tell you I saw a star is 484 00:21:10,920 --> 00:21:11,520 Speaker 5: born on Friday. 485 00:21:11,560 --> 00:21:14,360 Speaker 3: I wanted to tell you take the kids, but then 486 00:21:14,440 --> 00:21:16,280 Speaker 3: I also didn't want to give anything away. 487 00:21:16,359 --> 00:21:18,280 Speaker 2: So what can you say, because there's a bit we 488 00:21:18,280 --> 00:21:20,280 Speaker 2: weren't going to say anything to ruin it. For you, you 489 00:21:20,280 --> 00:21:21,960 Speaker 2: need to go and see the movie. I can't recommend 490 00:21:22,000 --> 00:21:24,879 Speaker 2: it enough. I loved it. It is like open heart surgery. 491 00:21:24,920 --> 00:21:27,000 Speaker 2: It will it's not breaking your heart, it will melt 492 00:21:27,040 --> 00:21:29,480 Speaker 2: your heart. But sometimes that feels great as well. And 493 00:21:29,760 --> 00:21:32,440 Speaker 2: there's a magic to the It's a it's a movie 494 00:21:32,480 --> 00:21:34,439 Speaker 2: full of magic and sorrow and dreams. Just got all 495 00:21:34,520 --> 00:21:36,239 Speaker 2: of that. Have you got the soundtrack on repeat now 496 00:21:36,280 --> 00:21:39,840 Speaker 2: as well? Yes? I do? We Yeah, yeah, I even 497 00:21:39,920 --> 00:21:42,120 Speaker 2: last night I was listening to some of it and yeah, 498 00:21:42,160 --> 00:21:44,400 Speaker 2: it's a great movie. Go and see it anyway. But 499 00:21:44,440 --> 00:21:45,760 Speaker 2: the thing is this morning, I want to talk about 500 00:21:45,800 --> 00:21:48,439 Speaker 2: those movies that stay with you. That actually some of 501 00:21:48,440 --> 00:21:51,000 Speaker 2: them they traumatize you or they scar with you, but 502 00:21:51,119 --> 00:21:53,600 Speaker 2: you are changed after you've seen it. For me from 503 00:21:53,600 --> 00:21:56,120 Speaker 2: the seven to eight year old, it's Jaws. Even though 504 00:21:56,160 --> 00:21:58,199 Speaker 2: now when I watch it it looks as shonky as hell, 505 00:21:58,359 --> 00:22:02,160 Speaker 2: just with that animatronic thing, it's still I hear the music, 506 00:22:02,200 --> 00:22:04,280 Speaker 2: I see the sea I go in to see I'm 507 00:22:04,320 --> 00:22:07,119 Speaker 2: still thinking it's because of that movie. You know, have 508 00:22:07,200 --> 00:22:07,880 Speaker 2: you ever seen Joran. 509 00:22:08,600 --> 00:22:10,960 Speaker 3: Oh, no, really, sorry, I didn't want to say I 510 00:22:10,960 --> 00:22:12,800 Speaker 3: was hoping. I was actually looking at the clock, hoping 511 00:22:12,800 --> 00:22:13,560 Speaker 3: that we'd get out of. 512 00:22:13,480 --> 00:22:14,679 Speaker 5: The link before you ask me. 513 00:22:15,040 --> 00:22:17,240 Speaker 2: So when you were saying before the show Stars Burn 514 00:22:17,320 --> 00:22:18,840 Speaker 2: is one of my favorite movies. What you actually mean? 515 00:22:18,880 --> 00:22:21,359 Speaker 2: It's one of my favorite seven movies I've seen up 516 00:22:21,359 --> 00:22:26,080 Speaker 2: there now with con Air. Ah, so give us a 517 00:22:26,080 --> 00:22:29,280 Speaker 2: God this morning. Movies that's changed you, that scarred you, 518 00:22:29,359 --> 00:22:33,120 Speaker 2: that traumatize you, that leave you somehow altered. Nine four 519 00:22:33,160 --> 00:22:35,199 Speaker 2: one four, one oh four to three, The. 520 00:22:35,240 --> 00:22:39,000 Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three. 521 00:22:39,240 --> 00:22:41,160 Speaker 2: So of the week, I am Jack and I both 522 00:22:41,200 --> 00:22:44,439 Speaker 2: seen A Star is Born. Can't recommend it enough, but 523 00:22:44,560 --> 00:22:47,560 Speaker 2: it is. It will break your heart. It's an amazing movie, 524 00:22:47,600 --> 00:22:51,320 Speaker 2: a wonderful movie and full of some great performances that 525 00:22:51,640 --> 00:22:53,879 Speaker 2: we'll get Oscar nominations have got no doubt. And I 526 00:22:53,880 --> 00:22:56,159 Speaker 2: think shallow it's one of the best movie songs to 527 00:22:56,200 --> 00:22:59,719 Speaker 2: come along in years. Anyway, another about that movie, one 528 00:22:59,760 --> 00:23:02,240 Speaker 2: of two talk about movies that change you. This movie 529 00:23:02,320 --> 00:23:05,560 Speaker 2: changed when I still feel heart ache today. Generally film 530 00:23:05,640 --> 00:23:07,280 Speaker 2: the movie you know when you see a movie where 531 00:23:07,600 --> 00:23:10,000 Speaker 2: it transcends acting. You know, you're looking at Megastars as 532 00:23:10,080 --> 00:23:13,000 Speaker 2: Lady Garguy, it's Bradley Cooper, but you're drawn into something 533 00:23:13,040 --> 00:23:15,360 Speaker 2: that they've the magic they've got on screen between them, 534 00:23:15,560 --> 00:23:17,800 Speaker 2: and they do that changed you. I felt sad this morning, 535 00:23:17,840 --> 00:23:19,439 Speaker 2: and I know it's a movie and it's over, but 536 00:23:19,520 --> 00:23:20,880 Speaker 2: it stays with you. So I want to talk about 537 00:23:20,880 --> 00:23:23,000 Speaker 2: those movies that do stay with you and traumatize you. 538 00:23:23,400 --> 00:23:25,280 Speaker 2: And Jaws again. When I was a kid, my dad 539 00:23:25,280 --> 00:23:27,800 Speaker 2: took me see that that will forever change me. What's 540 00:23:27,840 --> 00:23:31,479 Speaker 2: it for you? Nine four one four one four three Kursty, 541 00:23:31,600 --> 00:23:32,400 Speaker 2: Good morning. 542 00:23:32,720 --> 00:23:33,920 Speaker 12: Good morning. How are you going? 543 00:23:34,080 --> 00:23:35,800 Speaker 2: Well? We're holding up. You know, I'm trying to form 544 00:23:35,840 --> 00:23:39,080 Speaker 2: like a star as born support group today, Kirsty, what's 545 00:23:39,119 --> 00:23:44,040 Speaker 2: the movie for you? Et hey too? What a great movie? 546 00:23:44,080 --> 00:23:44,480 Speaker 5: Me too. 547 00:23:44,520 --> 00:23:48,080 Speaker 3: I actually still remember crying during at and not wanting 548 00:23:48,119 --> 00:23:50,200 Speaker 3: my dad to see, so I put my head down 549 00:23:50,240 --> 00:23:52,560 Speaker 3: on the floor and I pretended I didn't hashtag the 550 00:23:52,560 --> 00:23:53,400 Speaker 3: film Jacks Tea. 551 00:23:53,480 --> 00:23:56,000 Speaker 12: I'm twenty eight and I still like when it comes 552 00:23:56,000 --> 00:23:58,320 Speaker 12: on the screen, Like even now, I'm pulled over on 553 00:23:58,320 --> 00:23:59,840 Speaker 12: the side of the road and I'm literally about to 554 00:23:59,880 --> 00:24:00,840 Speaker 12: have an anxiety attack. 555 00:24:01,119 --> 00:24:06,400 Speaker 2: Isn't that amazing though? Kersey, how that's stool. That's great storytelling, right, 556 00:24:06,480 --> 00:24:08,719 Speaker 2: you know the way it just stays with you. I mean, yes, 557 00:24:08,840 --> 00:24:12,359 Speaker 2: years since you've seen it, absolutely horrific. Is there a 558 00:24:12,440 --> 00:24:15,440 Speaker 2: keen moment in it? Because I keep replaying in my mind. 559 00:24:15,520 --> 00:24:16,880 Speaker 2: I won't say it because a lot of your probab 560 00:24:17,000 --> 00:24:19,359 Speaker 2: seen stars born, yet by keep replaying this key moment 561 00:24:19,800 --> 00:24:21,440 Speaker 2: and it keeps breaking my heart. Is there still a 562 00:24:21,480 --> 00:24:23,360 Speaker 2: bit in et that upsets you? 563 00:24:23,440 --> 00:24:26,080 Speaker 12: Yeah, when he's hiding in the toys in the bedroom 564 00:24:26,200 --> 00:24:31,440 Speaker 12: and Drew Barrymore's room and oh my, I. 565 00:24:31,359 --> 00:24:35,439 Speaker 3: Feel like we should put you out of your misery. 566 00:24:35,680 --> 00:24:38,640 Speaker 2: That euphan asia or something we need every listener, mate, 567 00:24:38,640 --> 00:24:41,480 Speaker 2: that something you say to an ill pet. Yeah, Kirsty 568 00:24:41,560 --> 00:24:46,160 Speaker 2: Jackson away, We're now with a leth and injection. All right, Kirsty, Thanks, 569 00:24:46,200 --> 00:24:50,800 Speaker 2: and I might have a good week. Pam. Hi, Hello, Pam, 570 00:24:50,920 --> 00:24:52,720 Speaker 2: you had a nice weekend. What's the movie for you? Then? 571 00:24:52,760 --> 00:24:53,840 Speaker 2: That stayed with you? 572 00:24:54,840 --> 00:24:55,679 Speaker 10: Pay it forward? 573 00:24:56,920 --> 00:24:59,760 Speaker 2: Kevin is the social sciences teacher? 574 00:25:00,400 --> 00:25:04,199 Speaker 13: Yes, and Helen Hunt and Joel Harley Osman and I 575 00:25:04,359 --> 00:25:08,879 Speaker 13: just I watched it and I cried and cried and cried, 576 00:25:09,080 --> 00:25:10,879 Speaker 13: and then I thought, I've got to watch it again, 577 00:25:12,160 --> 00:25:13,919 Speaker 13: and I hold again. 578 00:25:15,160 --> 00:25:17,600 Speaker 10: So the same night I put it on for a 579 00:25:17,640 --> 00:25:18,320 Speaker 10: third time. 580 00:25:19,640 --> 00:25:20,640 Speaker 4: Blot and for punishment. 581 00:25:23,480 --> 00:25:26,800 Speaker 10: Well, it was just it was just such a good movie. 582 00:25:27,160 --> 00:25:29,720 Speaker 10: And I don't know whether I was expecting a different 583 00:25:29,760 --> 00:25:33,159 Speaker 10: result in the end, but I hold again. 584 00:25:33,359 --> 00:25:34,840 Speaker 5: It's a terribly sad ending. 585 00:25:35,040 --> 00:25:38,000 Speaker 2: You're really sad ending. And it's good. There's a real 586 00:25:38,080 --> 00:25:39,760 Speaker 2: big heart in it as well, isn't there. 587 00:25:41,000 --> 00:25:43,640 Speaker 10: Yeah, but it's based on the true story, and I'm 588 00:25:43,680 --> 00:25:48,800 Speaker 10: thinking this poor kid, he tried so hard to change 589 00:25:48,800 --> 00:25:53,400 Speaker 10: the world, and and worse in the end. 590 00:25:53,680 --> 00:25:57,240 Speaker 14: Oh yeah, I'm knowing you enough again, feed it, Pam. 591 00:25:57,440 --> 00:25:59,159 Speaker 2: All right, listen, thank you very much for calling in 592 00:25:59,240 --> 00:26:02,359 Speaker 2: Palma with an up. You have a nice week. Thanks 593 00:26:02,520 --> 00:26:07,480 Speaker 2: you too, Scott, Good morning, Want guys, Scotty, what's the 594 00:26:07,560 --> 00:26:09,040 Speaker 2: movie for you? Alright? 595 00:26:09,160 --> 00:26:11,880 Speaker 15: This is nineteen eighty six, twelve years old at the time. 596 00:26:12,000 --> 00:26:17,200 Speaker 15: The heaps of kids in the cinema, the original Transformers movie. 597 00:26:17,359 --> 00:26:20,800 Speaker 15: Oh yeah, I remember seeing this, seeing the scene with 598 00:26:20,920 --> 00:26:23,600 Speaker 15: Optimist part Optimist prime dying. 599 00:26:24,440 --> 00:26:26,520 Speaker 2: I've forgotten about that. It's like you've opened up an 600 00:26:26,560 --> 00:26:30,760 Speaker 2: old scar take us there, Scott, do you remember give 601 00:26:30,840 --> 00:26:32,120 Speaker 2: us a bit more detail about it. 602 00:26:32,520 --> 00:26:37,280 Speaker 15: Well, it's just the opening scene with Megatron taking fighting 603 00:26:37,520 --> 00:26:40,840 Speaker 15: Optimer's prime, and then for some reason, you know, just 604 00:26:41,640 --> 00:26:44,480 Speaker 15: every time you see it, you just see Optimist Prime 605 00:26:44,520 --> 00:26:47,880 Speaker 15: on the table and you just hear the big beep beep, 606 00:26:47,920 --> 00:26:51,040 Speaker 15: and then there's they just the single buzz and it's 607 00:26:51,119 --> 00:26:51,800 Speaker 15: sim dying. 608 00:26:51,960 --> 00:26:56,080 Speaker 16: Yeah, flat lining is flat lining there, and then you 609 00:26:56,520 --> 00:27:00,280 Speaker 16: then this whole cinema, just a whole cinema in a 610 00:27:00,359 --> 00:27:02,119 Speaker 16: cinema of kids just bawling their eyes. 611 00:27:03,000 --> 00:27:06,000 Speaker 2: Honestly, yeah, too much that age, wasn't it right? 612 00:27:08,480 --> 00:27:11,760 Speaker 15: Twelve years at the time, had some tears. 613 00:27:12,359 --> 00:27:14,480 Speaker 2: I'd forgotten all about that. I pushed it deep down 614 00:27:14,480 --> 00:27:17,600 Speaker 2: as the hurt locker. Open up that locker today, Scott. 615 00:27:17,760 --> 00:27:21,040 Speaker 17: All right, buddy, Scott, have a good day. 616 00:27:21,359 --> 00:27:24,160 Speaker 2: Vicky Morning, Team Morning. 617 00:27:25,040 --> 00:27:28,679 Speaker 8: I'm a casual swimmer and some Olympic pool have the 618 00:27:28,760 --> 00:27:32,080 Speaker 8: diving pool attached to it, so there's no barrier between 619 00:27:33,680 --> 00:27:38,400 Speaker 8: I swim faster in that small section. Because I saw Jaws, 620 00:27:38,920 --> 00:27:41,159 Speaker 8: my mother said I don't think she should go and see it. 621 00:27:41,720 --> 00:27:45,439 Speaker 8: And to this day, that music, that feel of the 622 00:27:45,480 --> 00:27:46,640 Speaker 8: deep water no good. 623 00:27:46,720 --> 00:27:48,480 Speaker 5: So how do you go the beach? Vicky? 624 00:27:48,800 --> 00:27:49,760 Speaker 8: Who goes to the beach? 625 00:27:52,080 --> 00:27:56,520 Speaker 2: You avoided it since the movie came out right? All right, Vicky? 626 00:27:56,560 --> 00:27:58,160 Speaker 2: Thank you very much? You cool? Can we come there? 627 00:27:58,200 --> 00:27:59,879 Speaker 2: Movies that stayed with you and traumatized you? 628 00:28:00,040 --> 00:28:03,400 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 629 00:28:03,440 --> 00:28:03,920 Speaker 1: point three. 630 00:28:04,080 --> 00:28:06,360 Speaker 2: It's morning talking about movies that stay with you. After 631 00:28:06,440 --> 00:28:08,320 Speaker 2: Jack and I over the weekend we saw The Great 632 00:28:08,359 --> 00:28:11,440 Speaker 2: Star Is Born, but it won't helt your heart? Andrew, 633 00:28:11,480 --> 00:28:12,639 Speaker 2: what's the movie for you? Mate? 634 00:28:13,920 --> 00:28:14,120 Speaker 11: Oh? 635 00:28:14,280 --> 00:28:16,879 Speaker 9: Look, the movie of my choice would have to be Armageddon. 636 00:28:20,840 --> 00:28:23,640 Speaker 2: That movie, there's something else about that movie. Bruce willis 637 00:28:23,680 --> 00:28:26,360 Speaker 2: the whole dad stuff with him and Ben and Ben 638 00:28:26,400 --> 00:28:27,720 Speaker 2: Affleck and him is incredible. 639 00:28:28,960 --> 00:28:31,440 Speaker 9: It's a movie where by the malians of a man 640 00:28:31,880 --> 00:28:34,320 Speaker 9: and he just brings you down to your knees. Basically 641 00:28:34,320 --> 00:28:35,919 Speaker 9: it makes you just weep like baby? 642 00:28:36,160 --> 00:28:38,080 Speaker 5: What what part in particular Andrew gets you? 643 00:28:38,400 --> 00:28:39,280 Speaker 2: Yeah? Is it the song? 644 00:28:40,520 --> 00:28:40,800 Speaker 7: Well? 645 00:28:41,680 --> 00:28:44,200 Speaker 9: It's look the mix of the music, the song, the 646 00:28:44,280 --> 00:28:47,000 Speaker 9: actors and just when he closed his eyes and then 647 00:28:47,080 --> 00:28:52,880 Speaker 9: sees his daughter, come on, I. 648 00:28:52,880 --> 00:28:55,480 Speaker 2: Could stays too much. 649 00:28:55,560 --> 00:28:56,520 Speaker 9: So don't. 650 00:28:58,280 --> 00:28:59,880 Speaker 2: Don't don't sing anymore? Right, so. 651 00:29:02,000 --> 00:29:02,280 Speaker 11: I can't. 652 00:29:04,040 --> 00:29:06,200 Speaker 2: Okay, buddy, all right, and you thank you very much, 653 00:29:06,240 --> 00:29:06,560 Speaker 2: you cool. 654 00:29:07,720 --> 00:29:08,280 Speaker 9: Thank you. 655 00:29:08,400 --> 00:29:12,080 Speaker 2: Donna. Hi, all right, Donna, before we go to the 656 00:29:12,160 --> 00:29:14,040 Speaker 2: news and sport. Then, Donna, what's the movie that stayed 657 00:29:14,040 --> 00:29:14,600 Speaker 2: with you? Mate? 658 00:29:15,440 --> 00:29:15,760 Speaker 10: Oh? 659 00:29:15,960 --> 00:29:18,680 Speaker 12: For years I saw the old black and white movie 660 00:29:18,760 --> 00:29:19,200 Speaker 12: The Blob. 661 00:29:20,680 --> 00:29:21,640 Speaker 10: It haunted me. 662 00:29:21,760 --> 00:29:23,720 Speaker 3: The blob came through the Venetian. 663 00:29:23,360 --> 00:29:26,880 Speaker 2: Blind is always a key moment in the Venetian Blinds. 664 00:29:26,880 --> 00:29:29,200 Speaker 2: The blob came through the Venetian blinds and that was it. 665 00:29:29,240 --> 00:29:30,800 Speaker 2: You traumatized. Yep. 666 00:29:31,000 --> 00:29:32,160 Speaker 10: Forever I have. 667 00:29:32,360 --> 00:29:34,520 Speaker 11: Every time I've moved into a house, I have always 668 00:29:34,560 --> 00:29:35,520 Speaker 11: taken the venation. 669 00:29:37,600 --> 00:29:39,640 Speaker 2: The only way to stop the blob getting in. 670 00:29:39,960 --> 00:29:40,800 Speaker 17: Yep. That's right. 671 00:29:40,880 --> 00:29:45,440 Speaker 2: They hate double glazing on normal windows. It's the enemy 672 00:29:45,440 --> 00:29:47,680 Speaker 2: of the blob. All right, Donna, thank you very much. 673 00:29:47,720 --> 00:29:48,040 Speaker 2: You cool. 674 00:29:48,280 --> 00:29:51,680 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 675 00:29:51,680 --> 00:29:52,320 Speaker 1: point three. 676 00:29:52,440 --> 00:29:56,240 Speaker 2: So over the last seven seven weeks, Yeah, that's it, 677 00:29:56,280 --> 00:29:58,640 Speaker 2: seven weeks. We can all count seven weeks. We've been 678 00:29:58,840 --> 00:30:00,560 Speaker 2: sending you every single mo I wanted to join ten 679 00:30:00,600 --> 00:30:02,880 Speaker 2: wee to tickets at seven thirty to all the big shows. 680 00:30:03,200 --> 00:30:07,280 Speaker 2: Phil Collins last week, VIP Eagles, before that, William Shatner 681 00:30:07,400 --> 00:30:10,120 Speaker 2: the Roll Melbourne show. This week it is Red Hot 682 00:30:10,160 --> 00:30:14,760 Speaker 2: Summer Tour. VIB tickets sold out first show solo very quickly. 683 00:30:14,800 --> 00:30:17,520 Speaker 2: Red Hot Summer Tour performing a second and final show 684 00:30:17,560 --> 00:30:22,240 Speaker 2: at at Mornington Racecourse Sunday, the twentieth of January twenty nineteen. 685 00:30:22,280 --> 00:30:23,960 Speaker 2: Tickets are on sound now if you want to go 686 00:30:24,240 --> 00:30:28,160 Speaker 2: through Ticketmaster. We have the IP tickets as we play 687 00:30:28,200 --> 00:30:37,600 Speaker 2: this gold one four points. Christine o'connells postcode let's for gay. 688 00:30:39,680 --> 00:30:41,840 Speaker 2: So at the moment, there's fine. Radio station is doing 689 00:30:41,960 --> 00:30:45,640 Speaker 2: postcode bingo at ten am, one pm, two pm. For 690 00:30:45,720 --> 00:30:48,680 Speaker 2: some reason they hate three o'clock. This radio station back 691 00:30:48,720 --> 00:30:52,200 Speaker 2: at four o'clock we are doing our own version of 692 00:30:52,280 --> 00:30:55,479 Speaker 2: postcode bingo. Now it did you were in that meeting Friday, 693 00:30:55,600 --> 00:30:57,320 Speaker 2: I said, if they could go and get me a 694 00:30:57,520 --> 00:31:01,160 Speaker 2: tom bowler, you know with the big thing they do. Yep, 695 00:31:01,400 --> 00:31:03,280 Speaker 2: that's me turning something, makeing my own production. 696 00:31:04,760 --> 00:31:06,960 Speaker 5: Everyone knows the cage that the bingo ball's going. 697 00:31:07,200 --> 00:31:15,440 Speaker 2: We call it a tom boler. Use those words. That's generating. 698 00:31:15,440 --> 00:31:16,240 Speaker 2: I don't know what I've gone into it. 699 00:31:16,320 --> 00:31:18,080 Speaker 3: Well, Lucky we've got you as the sound effects because 700 00:31:18,120 --> 00:31:20,320 Speaker 3: we weren't given the Tom Bowler the first. 701 00:31:20,360 --> 00:31:22,120 Speaker 2: And I'll tell you what, I'm angry because at the 702 00:31:22,160 --> 00:31:24,680 Speaker 2: weekend I realized the level that I want the show 703 00:31:24,800 --> 00:31:28,360 Speaker 2: to rise to. Producers. I saw the producers they call 704 00:31:28,440 --> 00:31:32,360 Speaker 2: themselves the Machine or the Carl and Jackie ol Show. 705 00:31:33,080 --> 00:31:36,600 Speaker 2: They weren't actually there, Carlo Jackio. They're missing somewhere. However, 706 00:31:36,680 --> 00:31:39,479 Speaker 2: their team were there. A team of fifty five thousand 707 00:31:39,520 --> 00:31:41,680 Speaker 2: people a country got up on stage that run that 708 00:31:41,800 --> 00:31:47,160 Speaker 2: show and they thanked unironically, the Barrett the barrista. We 709 00:31:47,280 --> 00:31:50,040 Speaker 2: want to also want to thank car barista, not some 710 00:31:50,240 --> 00:31:52,160 Speaker 2: guy down the road. Across the road. They go to 711 00:31:52,600 --> 00:31:55,960 Speaker 2: someone who works full time. That's amazing. We can't even 712 00:31:56,000 --> 00:31:56,880 Speaker 2: get a Tom Bowler. 713 00:31:57,600 --> 00:31:59,480 Speaker 5: We could get Brad making coffee though, because you didn't 714 00:31:59,520 --> 00:31:59,880 Speaker 5: do much. 715 00:32:02,240 --> 00:32:06,160 Speaker 2: But has it's a jar with some ping pong balls. 716 00:32:07,480 --> 00:32:12,440 Speaker 3: Yeah, imagine it's a big plastic jug with some ping 717 00:32:12,520 --> 00:32:13,000 Speaker 3: pong balls. 718 00:32:13,080 --> 00:32:14,400 Speaker 2: He put that in front of car. What do you 719 00:32:14,440 --> 00:32:16,680 Speaker 2: think he's going to do? Went back off to La. 720 00:32:16,800 --> 00:32:18,480 Speaker 4: He's not shot up with the sun shine. 721 00:32:18,520 --> 00:32:22,920 Speaker 2: They're go and get crank up the coffee machine. All right, 722 00:32:22,960 --> 00:32:24,800 Speaker 2: So we're gonna then Jack is going to pull two. 723 00:32:25,400 --> 00:32:28,840 Speaker 2: He's going to pull two balls and if your postcode, 724 00:32:28,840 --> 00:32:31,120 Speaker 2: I know we're taking the three is a given. If 725 00:32:31,680 --> 00:32:34,560 Speaker 2: your number is pulled, calling Jack will then test you 726 00:32:34,720 --> 00:32:36,120 Speaker 2: to check that you're not lying that you are from 727 00:32:36,160 --> 00:32:38,000 Speaker 2: the area. Just so when you have to go online 728 00:32:38,040 --> 00:32:40,360 Speaker 2: now and do that strange picture quiz to prove you're 729 00:32:40,360 --> 00:32:42,719 Speaker 2: not a robot? Which one of these three images? I'm 730 00:32:45,280 --> 00:32:47,440 Speaker 2: how you doing that? Which one of these three images? 731 00:32:47,480 --> 00:32:49,160 Speaker 2: Can you see a window in? Or can you see 732 00:32:49,160 --> 00:32:50,000 Speaker 2: the zebra crossing in? 733 00:32:50,160 --> 00:32:50,320 Speaker 12: You know? 734 00:32:50,640 --> 00:32:51,520 Speaker 5: Is this a shot front? 735 00:32:51,600 --> 00:32:56,320 Speaker 2: Yes? Is that the hardest question? Just to it used 736 00:32:56,320 --> 00:32:57,920 Speaker 2: to be good enough where you just click that box, 737 00:32:57,960 --> 00:32:59,800 Speaker 2: he said, I'm not robot, which is the easiest. 738 00:33:00,880 --> 00:33:03,160 Speaker 5: The photos are so low resolution as well, it's like 739 00:33:03,280 --> 00:33:03,680 Speaker 5: I don't know. 740 00:33:04,080 --> 00:33:06,120 Speaker 2: Is it a bridge, Chilton? Just opt out and go 741 00:33:06,280 --> 00:33:08,960 Speaker 2: audio version if you heard that one, it is impossible 742 00:33:09,400 --> 00:33:11,080 Speaker 2: a five ike and you don't know if it's a 743 00:33:11,160 --> 00:33:14,440 Speaker 2: capital N or anyway. It's the on air version of 744 00:33:14,520 --> 00:33:16,680 Speaker 2: that quiz. All right, So Jack, are you ready for 745 00:33:16,760 --> 00:33:21,320 Speaker 2: the first balls? Yes? Spin shake, the jar has been shut. 746 00:33:21,400 --> 00:33:27,280 Speaker 2: Shook Ball number one, poor number one? Does your postcode 747 00:33:27,320 --> 00:33:31,320 Speaker 2: contend the number three? The number three? The number three, 748 00:33:31,880 --> 00:33:35,480 Speaker 2: thank you well, pulball number two. And I asked, all 749 00:33:35,560 --> 00:33:38,640 Speaker 2: postcodes contain the number three? Are we saying a second three? Yes? 750 00:33:38,720 --> 00:33:40,880 Speaker 5: We all have to contain a second three. 751 00:33:41,160 --> 00:33:45,480 Speaker 7: Three pul ball number two, poll number. 752 00:33:45,280 --> 00:33:47,880 Speaker 2: Two because Hanky's getting stuck in it, because it's got 753 00:33:47,920 --> 00:33:51,960 Speaker 2: such a narrow mouth they've given us. Does your postcode 754 00:33:52,000 --> 00:33:53,080 Speaker 2: contain the number six? 755 00:33:53,440 --> 00:33:54,360 Speaker 7: Pool ball number two? 756 00:33:54,600 --> 00:34:02,760 Speaker 2: Done that one? Five Monday morning? Four order? 757 00:34:03,400 --> 00:34:06,480 Speaker 5: Even when do you need the voice guy? Can't you 758 00:34:06,600 --> 00:34:07,680 Speaker 5: just trust me to say. 759 00:34:07,640 --> 00:34:09,719 Speaker 2: Siven no, that's why we need the voice guy. 760 00:34:10,080 --> 00:34:10,919 Speaker 7: Six eight. 761 00:34:11,600 --> 00:34:13,120 Speaker 2: This is the order they've lined them up in there. 762 00:34:13,239 --> 00:34:16,120 Speaker 2: I thought they would go like sequentially, No. Seven, that's 763 00:34:16,160 --> 00:34:20,320 Speaker 2: the second number after one. It goes zero then, but 764 00:34:20,400 --> 00:34:26,960 Speaker 2: then it goes toos one four nine, Stop beck, what's happening? 765 00:34:27,000 --> 00:34:27,319 Speaker 2: All right? 766 00:34:27,480 --> 00:34:31,359 Speaker 3: If your postcode contains the number three, not the first 767 00:34:31,440 --> 00:34:32,680 Speaker 3: number three, that's a given. 768 00:34:33,040 --> 00:34:35,520 Speaker 2: You need a second three in your voicecode Melbourne, or 769 00:34:35,760 --> 00:34:38,239 Speaker 2: and number six and it contained both those numbers in 770 00:34:38,280 --> 00:34:40,399 Speaker 2: any order number three. There's never going to be three 771 00:34:40,480 --> 00:34:44,000 Speaker 2: numbers ball Bryan stand down voice omerman calling now nine 772 00:34:44,080 --> 00:34:44,759 Speaker 2: four one four. 773 00:34:44,840 --> 00:34:47,120 Speaker 5: But you'll have to verify you will be tested. 774 00:34:47,200 --> 00:34:51,839 Speaker 2: Are you a Robot nine four one four one oh 775 00:34:52,000 --> 00:34:56,399 Speaker 2: four three, So your postcode must contain UH three and six. 776 00:34:56,719 --> 00:34:57,560 Speaker 2: Calling now the. 777 00:34:57,640 --> 00:35:01,520 Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Got one four point three. 778 00:35:03,160 --> 00:35:05,920 Speaker 2: The Teenage Me, thirteen year old Meters, Super Psyches, The 779 00:35:06,040 --> 00:35:08,759 Speaker 2: Banana Rama are coming here next year in February. We 780 00:35:08,840 --> 00:35:12,120 Speaker 2: just announced it, supported by Tiffany. This is too much 781 00:35:12,160 --> 00:35:15,200 Speaker 2: for me, mind blow in this morning. Tickets on sound 782 00:35:15,320 --> 00:35:18,600 Speaker 2: next Monday morning, ten am through ticket Master. Let's play 783 00:35:18,640 --> 00:35:23,600 Speaker 2: this gold one at four points Christine o'connells code. 784 00:35:26,680 --> 00:35:28,160 Speaker 7: What's the game. 785 00:35:30,600 --> 00:35:33,880 Speaker 2: So before you can play at ten am one, this afternoon, two, 786 00:35:33,960 --> 00:35:36,640 Speaker 2: this afternoon, four o'clock with Gavin Minner our version of 787 00:35:36,680 --> 00:35:39,239 Speaker 2: postco Bingo. We're doing this everything or there this week 788 00:35:39,320 --> 00:35:41,400 Speaker 2: on week seven and ten weeks of tickets. If you 789 00:35:41,480 --> 00:35:44,120 Speaker 2: do go and see Barnesy live along with Jon Jet 790 00:35:44,200 --> 00:35:48,160 Speaker 2: Living in Diesel loadsmore VIP tickets to the Red Hot 791 00:35:48,239 --> 00:35:50,960 Speaker 2: Summer Tour. You can be there out at Mornington Race Course. 792 00:35:52,000 --> 00:35:53,960 Speaker 2: So this morning Jack pulled out of art were it's 793 00:35:53,960 --> 00:35:55,920 Speaker 2: not really a tom bowler or anything. It's just a 794 00:35:56,480 --> 00:36:00,200 Speaker 2: just a like a giant Mason John. The numbers, the. 795 00:36:00,320 --> 00:36:03,200 Speaker 3: Numbers three and six if they appear in your postcode, 796 00:36:03,520 --> 00:36:04,280 Speaker 3: you could be winning. 797 00:36:04,520 --> 00:36:05,960 Speaker 2: All right, we have some on the plane now who 798 00:36:06,040 --> 00:36:08,680 Speaker 2: has got those two numbers in their postcode. We are 799 00:36:08,760 --> 00:36:10,439 Speaker 2: now going to test them to check that they're not lying. 800 00:36:16,680 --> 00:36:20,239 Speaker 2: Tension builder. This is like an on air version now 801 00:36:20,320 --> 00:36:22,360 Speaker 2: that queers that annoying thing you have to do online 802 00:36:22,400 --> 00:36:24,400 Speaker 2: to prove you not a robot. Look at all the photos. 803 00:36:24,840 --> 00:36:27,080 Speaker 2: This makes me so tense that which one of these 804 00:36:27,120 --> 00:36:32,200 Speaker 2: three isn't a shop front we have Jared? Good morning, Jared, 805 00:36:32,680 --> 00:36:35,200 Speaker 2: good morning. All now are you pretty good? We're excited? 806 00:36:35,400 --> 00:36:39,560 Speaker 2: So you live in Croydon? Correct or so you say, 807 00:36:39,680 --> 00:36:42,360 Speaker 2: because anyone Jared could just call up and say I 808 00:36:42,440 --> 00:36:44,560 Speaker 2: live in Croydon to try and slack these tickets. So 809 00:36:44,920 --> 00:36:47,160 Speaker 2: three questions. Jack has just made these up right now. 810 00:36:47,200 --> 00:36:50,400 Speaker 2: We're looking at Google maps. All right, Jared, this is 811 00:36:50,440 --> 00:36:52,240 Speaker 2: in one of the questions. But what is the postcode 812 00:36:52,239 --> 00:36:52,720 Speaker 2: of Croyding? 813 00:36:53,440 --> 00:36:53,680 Speaker 14: Three? 814 00:36:53,719 --> 00:36:56,560 Speaker 2: One three sisa. Okay, so far, so good, but again 815 00:36:56,560 --> 00:36:57,279 Speaker 2: anyone could lie. 816 00:36:57,320 --> 00:37:00,920 Speaker 3: Alright, start with an easy one. Is there a toy 817 00:37:01,040 --> 00:37:04,000 Speaker 3: world in Croydon? And if so, what color is the store? 818 00:37:04,239 --> 00:37:09,760 Speaker 17: Nice one, there is a toy world and it's it's yellow. 819 00:37:10,000 --> 00:37:13,320 Speaker 2: Yes, very good, so good one from one looks like 820 00:37:13,440 --> 00:37:16,680 Speaker 2: it could be true. He does live in Croydon, Jared. 821 00:37:16,719 --> 00:37:19,000 Speaker 2: If I were a student at Croydon Primary School and 822 00:37:19,040 --> 00:37:21,640 Speaker 2: I wanted to do some supermarket shopping straight across from 823 00:37:21,680 --> 00:37:24,080 Speaker 2: my school, what supermarket would I go to. 824 00:37:25,920 --> 00:37:27,000 Speaker 17: Croydon Primary School? 825 00:37:27,040 --> 00:37:28,080 Speaker 9: You will be going to Aldi. 826 00:37:29,520 --> 00:37:32,640 Speaker 7: I have coals, coals and an Aldi. 827 00:37:32,719 --> 00:37:38,120 Speaker 2: There is there is there? Could be shaky Jared, the liar, 828 00:37:38,600 --> 00:37:41,160 Speaker 2: the Croydon liar? Is there? Both? 829 00:37:41,280 --> 00:37:41,839 Speaker 5: Is there both? 830 00:37:42,719 --> 00:37:46,279 Speaker 2: There is both? We'll give you that one. Okay, you 831 00:37:46,440 --> 00:37:48,719 Speaker 2: need to get this last one right. I'm afraid Jar, 832 00:37:48,920 --> 00:37:50,919 Speaker 2: we don't want to have a Croydon liar on the line. 833 00:37:53,600 --> 00:37:55,760 Speaker 17: Well, please be a pub Jack, Please be a pub. 834 00:37:55,880 --> 00:37:58,520 Speaker 2: Bes quickly google now and check there is a coal 835 00:37:58,600 --> 00:38:02,200 Speaker 2: there as well, just to wead this guy. My third question, Sally, 836 00:38:02,360 --> 00:38:04,800 Speaker 2: is a bit of gray area as well? What a surprise. 837 00:38:08,640 --> 00:38:09,600 Speaker 7: That's the color of my hair? 838 00:38:09,680 --> 00:38:09,839 Speaker 2: Jack? 839 00:38:09,880 --> 00:38:10,120 Speaker 3: Come on? 840 00:38:11,760 --> 00:38:14,560 Speaker 2: If I was parking in main Street, what is the 841 00:38:14,760 --> 00:38:17,640 Speaker 2: duration of the parking? Oh? 842 00:38:17,800 --> 00:38:18,279 Speaker 7: Come on? 843 00:38:19,640 --> 00:38:22,360 Speaker 2: Main Street? Is an hour parking in the car park? Behind? 844 00:38:22,520 --> 00:38:22,960 Speaker 9: Three hours? 845 00:38:26,880 --> 00:38:33,440 Speaker 2: Tickets on first Hours Go Bingo winner, Jared. It was 846 00:38:33,480 --> 00:38:35,479 Speaker 2: good fun as you this week. Well do I enjoy 847 00:38:35,560 --> 00:38:37,560 Speaker 2: your Vip red Hot summer to our tickets? 848 00:38:37,800 --> 00:38:38,520 Speaker 14: But thank you guys. 849 00:38:38,560 --> 00:38:40,200 Speaker 9: There'd you go gout last night at the awards? 850 00:38:40,280 --> 00:38:43,239 Speaker 2: Guys, well we were nominated because the show's new, but 851 00:38:43,360 --> 00:38:44,920 Speaker 2: even when it's not new next year, I don't think 852 00:38:44,960 --> 00:38:49,759 Speaker 2: we will be nominated. But strange old night I saw 853 00:38:49,840 --> 00:38:52,160 Speaker 2: it all. I've been acrid, but thanks for asking. Jad. 854 00:38:52,239 --> 00:38:54,000 Speaker 2: We had a good night out and then Pats turned bad. 855 00:38:54,360 --> 00:38:54,960 Speaker 4: Now stop it. 856 00:38:57,360 --> 00:39:00,319 Speaker 2: We will see you at Vip Vip red Hots tak 857 00:39:00,320 --> 00:39:00,839 Speaker 2: tickets to yours. 858 00:39:00,880 --> 00:39:02,160 Speaker 7: Well done, looking forward. 859 00:39:02,160 --> 00:39:04,640 Speaker 2: It s all right. More post codes at ten a m. 860 00:39:04,760 --> 00:39:07,200 Speaker 2: With Huggy We've got Asked Tomorrow morning seven thirty with 861 00:39:07,280 --> 00:39:08,800 Speaker 2: more great questions from Jack. 862 00:39:08,760 --> 00:39:12,120 Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four 863 00:39:12,160 --> 00:39:12,640 Speaker 1: point three. 864 00:39:12,960 --> 00:39:15,120 Speaker 2: So last week I was asking you did it used 865 00:39:15,120 --> 00:39:17,000 Speaker 2: to be in a band, doesn't matter if it was 866 00:39:17,040 --> 00:39:19,600 Speaker 2: a high school band. They were just in your teens 867 00:39:19,719 --> 00:39:22,560 Speaker 2: or your twenties, and how do you fancy reuniting them? 868 00:39:22,880 --> 00:39:24,920 Speaker 2: And I started to say, look, we've we've got a 869 00:39:25,000 --> 00:39:27,759 Speaker 2: show for your reunited band. If you're up for this, 870 00:39:27,800 --> 00:39:29,880 Speaker 2: and I really hurt you are to play at and 871 00:39:30,200 --> 00:39:31,759 Speaker 2: I don't want to give you too many details, but 872 00:39:31,880 --> 00:39:34,480 Speaker 2: we have for them now and we are looking for 873 00:39:34,840 --> 00:39:36,600 Speaker 2: your bands to reunite for this. 874 00:39:37,360 --> 00:39:43,480 Speaker 18: Did this rock and Roll Radio Christian O'Connell's One Last Dream. 875 00:39:46,160 --> 00:39:49,520 Speaker 2: All right, So your reunited bands, we have a gig. 876 00:39:50,160 --> 00:39:52,960 Speaker 2: You're going to be opening up for Jimmy Barnes, The Angels, 877 00:39:52,960 --> 00:39:57,080 Speaker 2: Ian Mott's, Josh, John Stevens, Richard Clapton and Thirsty Mark. 878 00:39:57,360 --> 00:40:01,160 Speaker 2: Imagine that before Barnesy's on stage, You're reunited band is 879 00:40:02,000 --> 00:40:05,400 Speaker 2: beautiful Surrounding Sunday, November the twenty fifth, you're gonna be 880 00:40:05,400 --> 00:40:08,640 Speaker 2: out there Werribee Park for one Electric Day. This is 881 00:40:08,680 --> 00:40:11,480 Speaker 2: where your band is going to reunite and play on stage. 882 00:40:12,520 --> 00:40:14,799 Speaker 2: It's already sold out. You can't buy tickets for that's okay, 883 00:40:15,280 --> 00:40:18,200 Speaker 2: it's sold out. Fifteen thousand people have sold out. It's 884 00:40:18,200 --> 00:40:23,120 Speaker 2: an amazing lineup. Barnsey, Ian Moss, Beautiful John Stevens, that 885 00:40:23,200 --> 00:40:25,120 Speaker 2: guy is as he Day's actually got better looking somehow. 886 00:40:25,400 --> 00:40:28,840 Speaker 2: Richard calaps On, the first team work. The big headlining 887 00:40:28,920 --> 00:40:32,360 Speaker 2: band really is your reunited band. So we have a slot, 888 00:40:32,560 --> 00:40:35,440 Speaker 2: we have a stage, We have no band. We need 889 00:40:35,560 --> 00:40:37,880 Speaker 2: your band to go online now, even if it's just 890 00:40:38,000 --> 00:40:40,040 Speaker 2: one of you Gold one oh four to three dot 891 00:40:40,120 --> 00:40:43,720 Speaker 2: com dot au very quick easy way to enter, doesn't 892 00:40:43,719 --> 00:40:45,640 Speaker 2: even MASSI. If you haven't spoken to all the band members, 893 00:40:45,719 --> 00:40:48,800 Speaker 2: we will do the best. We can get private detectives 894 00:40:48,840 --> 00:40:50,680 Speaker 2: to try and track down those band members. We can 895 00:40:50,760 --> 00:40:53,880 Speaker 2: go on Facebook. Let us help you reunite your old bands. 896 00:40:53,920 --> 00:40:55,920 Speaker 2: But the first thing good ask yourself is do you 897 00:40:55,960 --> 00:40:58,200 Speaker 2: still have it in you? It is the passion stall there. 898 00:40:58,480 --> 00:41:01,479 Speaker 2: We have one last gig. Were giving you one last dream. 899 00:41:02,000 --> 00:41:04,600 Speaker 2: This is an amazing gig I'm gonna be bringing on stage. 900 00:41:04,640 --> 00:41:06,839 Speaker 2: I can't wait to introduce whatever the band is. We've 901 00:41:06,840 --> 00:41:08,440 Speaker 2: got a couple of weeks to get you in shape. 902 00:41:09,280 --> 00:41:11,920 Speaker 2: So we already started finding like rehearsal rooms, peop. We're 903 00:41:11,920 --> 00:41:14,600 Speaker 2: gonna need rehearsal spaces. We're gonna try and get you 904 00:41:14,719 --> 00:41:16,759 Speaker 2: up with tutors to train you back up to get 905 00:41:16,800 --> 00:41:20,000 Speaker 2: you match ready for the big game. So you're opening 906 00:41:20,080 --> 00:41:22,960 Speaker 2: up for Jimmy Marn's at One Electric Day, fifteen thousand 907 00:41:23,040 --> 00:41:26,719 Speaker 2: people your reunited band. Don't worry if you've lost touch, 908 00:41:26,880 --> 00:41:28,680 Speaker 2: we can help you out. We've got a couple of weeks, 909 00:41:29,280 --> 00:41:31,279 Speaker 2: not too long got a couple of weeks until how 910 00:41:31,320 --> 00:41:34,040 Speaker 2: many weeks do we have? Actually until November the twenty fifth. 911 00:41:34,080 --> 00:41:36,040 Speaker 5: This is five weeks every month. 912 00:41:37,239 --> 00:41:39,160 Speaker 2: You can do this, Melbourne. Okay, so this is the 913 00:41:39,200 --> 00:41:43,239 Speaker 2: big thing. One Last Dream. Entries are now open online 914 00:41:43,400 --> 00:41:46,640 Speaker 2: Gold one oh four three dot com dot au. If 915 00:41:46,680 --> 00:41:48,440 Speaker 2: you are going to be entering this, give us a 916 00:41:48,480 --> 00:41:51,080 Speaker 2: call as well. Tell us about your old band nine 917 00:41:51,200 --> 00:41:53,560 Speaker 2: four one four one oh four three. Let's do this. 918 00:41:53,800 --> 00:41:57,160 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 919 00:41:57,200 --> 00:41:57,680 Speaker 1: point three. 920 00:41:57,960 --> 00:42:01,240 Speaker 2: It's now a thing is Rack and All. 921 00:42:01,160 --> 00:42:10,160 Speaker 18: Radio Christian o'connells One last Dream, One last Dream. 922 00:42:10,239 --> 00:42:13,239 Speaker 2: That's what we're giving you. Reunite your old band. It 923 00:42:13,360 --> 00:42:15,400 Speaker 2: might be twenty years, it might be thirty years. There 924 00:42:15,480 --> 00:42:17,799 Speaker 2: might be many more years. It might be twenty years ago, 925 00:42:17,840 --> 00:42:19,759 Speaker 2: fifteen years go, when your band used to be a thing, 926 00:42:20,160 --> 00:42:22,520 Speaker 2: You had high hopes, and then life happened to the 927 00:42:22,600 --> 00:42:25,280 Speaker 2: band and happened to you. I'm giving you one last Dream. 928 00:42:25,760 --> 00:42:29,360 Speaker 2: It's an amazing gig for you. You're opening for Jimmy Marnes, 929 00:42:29,440 --> 00:42:33,400 Speaker 2: Ian Moss, John Stevens, Richard Clapton, Thirsty Work where Abbie 930 00:42:33,440 --> 00:42:36,440 Speaker 2: Park Sunday, the twenty fifth of November in the sunshine. 931 00:42:36,840 --> 00:42:40,120 Speaker 2: There is a stage that needs your reunited band. Let 932 00:42:40,239 --> 00:42:43,600 Speaker 2: us help you reunite the band everything. We can do 933 00:42:43,719 --> 00:42:45,600 Speaker 2: everything for you. First thing is you want to know 934 00:42:45,719 --> 00:42:47,840 Speaker 2: have you still got it in you? It's that flicker 935 00:42:48,160 --> 00:42:52,279 Speaker 2: stallwere ambition. Head online to gold one in four to 936 00:42:52,280 --> 00:42:55,279 Speaker 2: three dot com dot au. Rock and roll needs you 937 00:42:56,120 --> 00:42:57,960 Speaker 2: some people who are up for this on the line 938 00:42:58,040 --> 00:43:01,799 Speaker 2: right now. Good morning Dale, Good morning Christian. Hey listen, 939 00:43:01,880 --> 00:43:04,040 Speaker 2: welcome to One Last Dream. Tell me about your old 940 00:43:04,080 --> 00:43:04,560 Speaker 2: band mate. 941 00:43:05,960 --> 00:43:09,560 Speaker 17: Well, we were called Bungalow. We had an album out 942 00:43:10,000 --> 00:43:14,319 Speaker 17: in the early nineties. Yeah, we got our name from 943 00:43:14,760 --> 00:43:16,880 Speaker 17: our bass player. We used to practice in a bungalow 944 00:43:16,960 --> 00:43:17,719 Speaker 17: behind his house. 945 00:43:17,920 --> 00:43:20,680 Speaker 2: Fair enough your bungalow, that's it. But did you say nineties? 946 00:43:20,760 --> 00:43:22,160 Speaker 2: So were you like part of that sort of big 947 00:43:22,280 --> 00:43:24,240 Speaker 2: wave of Seattle grunge music. 948 00:43:25,040 --> 00:43:27,400 Speaker 17: Yeah, pretty much that was our thing. Yeah, we were 949 00:43:27,440 --> 00:43:31,160 Speaker 17: right into Pearl Jams sound Gardens and we used to 950 00:43:31,239 --> 00:43:33,480 Speaker 17: cover those guys too in a band as well. 951 00:43:33,600 --> 00:43:35,200 Speaker 5: So did you have the long hairedale? 952 00:43:37,280 --> 00:43:40,960 Speaker 17: I could never do long hair for some reason. I'm 953 00:43:41,080 --> 00:43:43,239 Speaker 17: six foot four and about one hundred kilos and the 954 00:43:43,320 --> 00:43:45,160 Speaker 17: long hair just made me look like a doll in 955 00:43:45,560 --> 00:43:46,200 Speaker 17: you know kind. 956 00:43:46,080 --> 00:43:47,600 Speaker 15: Of I just didn't work. 957 00:43:48,440 --> 00:43:50,680 Speaker 2: Maybe that was a problem. Maybe the hair is what 958 00:43:50,840 --> 00:43:52,520 Speaker 2: held the band back, and also the name, because if 959 00:43:52,520 --> 00:43:57,279 Speaker 2: you think about Pearl Jam Savage, you know, sound Garden Bungalow. 960 00:43:58,800 --> 00:44:02,359 Speaker 2: I can't hear that. Guys, are you ready now? We've 961 00:44:02,400 --> 00:44:05,359 Speaker 2: don't sound god a? Are you ready for the Bungalow? 962 00:44:08,560 --> 00:44:09,920 Speaker 17: It doesn't have the same ring to it. 963 00:44:10,560 --> 00:44:13,040 Speaker 2: It doesn't. It sounds like a kids show, doesn't it. 964 00:44:13,360 --> 00:44:16,000 Speaker 2: Thanks for the Wiggles. Well, the Wiggles have got some friends. 965 00:44:16,080 --> 00:44:18,319 Speaker 2: They live in her house. What's it going, Bungalow? Get 966 00:44:18,400 --> 00:44:21,920 Speaker 2: out here? You come out? Yeah? You know? All right? 967 00:44:21,960 --> 00:44:24,440 Speaker 2: And Dave, when was the last time you'll play together? Bungalow? 968 00:44:24,960 --> 00:44:28,840 Speaker 17: Okay? We actually did a gig in Sunbury for a 969 00:44:28,920 --> 00:44:30,640 Speaker 17: girl named Jean who used to come and watch the 970 00:44:30,680 --> 00:44:33,520 Speaker 17: band back in the day. She had her fortieth and 971 00:44:34,160 --> 00:44:35,960 Speaker 17: she got in contact with us out of nowhere. We 972 00:44:36,040 --> 00:44:38,960 Speaker 17: hadn't seen her for years and she's like, I've got 973 00:44:39,000 --> 00:44:41,960 Speaker 17: to have you guys at my fortieth. So basically we 974 00:44:42,239 --> 00:44:44,839 Speaker 17: put the band back together, so to speak, and prior 975 00:44:44,880 --> 00:44:47,960 Speaker 17: to that we hadn't played for probably fifteen twenty years. 976 00:44:47,880 --> 00:44:51,000 Speaker 2: And I'm trying to know how was it it was? 977 00:44:51,239 --> 00:44:51,440 Speaker 5: It was? 978 00:44:51,719 --> 00:44:52,640 Speaker 15: It was good. 979 00:44:53,080 --> 00:44:55,000 Speaker 17: It was really good. It was. It was awesome. Actually 980 00:44:55,040 --> 00:44:58,920 Speaker 17: we played at the pub down there in actually no, 981 00:44:59,000 --> 00:45:01,600 Speaker 17: it was it Waslton, Yeah, and it was really good. 982 00:45:01,640 --> 00:45:03,480 Speaker 17: We had a big night. A lot of people that 983 00:45:03,560 --> 00:45:04,919 Speaker 17: were there used to come and watch us play. 984 00:45:05,000 --> 00:45:05,479 Speaker 11: So we played. 985 00:45:05,480 --> 00:45:07,200 Speaker 2: It was really cool for you and everyone else that 986 00:45:07,280 --> 00:45:08,279 Speaker 2: used to see you back in the day. 987 00:45:09,160 --> 00:45:10,520 Speaker 17: Yeah, it was great. It was really cool. 988 00:45:10,640 --> 00:45:12,440 Speaker 2: So Dale, you had a bit of a following back 989 00:45:12,480 --> 00:45:15,040 Speaker 2: in the nineties, did you. Yeah, we did. 990 00:45:15,160 --> 00:45:16,120 Speaker 15: We did. 991 00:45:16,480 --> 00:45:19,080 Speaker 17: We were sort of mainly. Oh, we did covers. We 992 00:45:19,160 --> 00:45:22,000 Speaker 17: had a residency at a venue in Carlton there which 993 00:45:22,080 --> 00:45:25,319 Speaker 17: was a Melbourne UNI kind of night on a Wednesday night. 994 00:45:25,360 --> 00:45:28,239 Speaker 17: We played probably for we were there, I think for 995 00:45:28,320 --> 00:45:31,040 Speaker 17: eight or nine years on a Wednesday night, just doing 996 00:45:31,080 --> 00:45:31,640 Speaker 17: this residence. 997 00:45:31,840 --> 00:45:32,279 Speaker 2: So we did. 998 00:45:32,680 --> 00:45:35,960 Speaker 17: Yeah. So we did did original stuff as well. 999 00:45:36,080 --> 00:45:38,920 Speaker 2: We recorded an album with it was the album called. 1000 00:45:40,360 --> 00:45:42,920 Speaker 17: It was self titled. Now, unfortunately now that. 1001 00:45:46,880 --> 00:45:49,799 Speaker 2: The in the Waters already, when the band puts out 1002 00:45:49,920 --> 00:45:52,440 Speaker 2: self titled, they can't even make any effort with that. 1003 00:45:53,200 --> 00:45:56,239 Speaker 3: Ri Ip Bungalow, the creative juice is a dried up 1004 00:45:57,480 --> 00:46:00,840 Speaker 3: in with the song Bungalow than Bungalow. 1005 00:46:01,640 --> 00:46:04,120 Speaker 2: Yeah, if you can't even do that with your first album, 1006 00:46:04,200 --> 00:46:06,520 Speaker 2: so i'd understand. If it was album twenty, just called 1007 00:46:06,560 --> 00:46:11,080 Speaker 2: it the Eagles, Eagles Live, Eagles, Great Bungalow so good 1008 00:46:11,120 --> 00:46:15,560 Speaker 2: they named it twice. We got to bring back Bungalow 1009 00:46:15,600 --> 00:46:19,080 Speaker 2: for one last tream. You're exactly who we want in this, buddy, 1010 00:46:19,120 --> 00:46:20,520 Speaker 2: So I'm so glad you picked up the phone and 1011 00:46:20,560 --> 00:46:21,040 Speaker 2: you're up for this. 1012 00:46:22,120 --> 00:46:24,120 Speaker 17: Great, great, We're right up for it. 1013 00:46:24,200 --> 00:46:27,120 Speaker 2: Yeah, brilliant, big, All right, let's bring back Bungalow. Dave, Well, 1014 00:46:27,120 --> 00:46:28,600 Speaker 2: speak to you again soon down the line. 1015 00:46:28,840 --> 00:46:32,279 Speaker 14: Billy, good morning, Good morning, Christian, good morning, team. 1016 00:46:32,320 --> 00:46:34,520 Speaker 2: How are we We're already good. We're excited now to 1017 00:46:34,600 --> 00:46:38,399 Speaker 2: share one last dream with you. Tell me about Captain Jack. 1018 00:46:39,360 --> 00:46:44,120 Speaker 14: Captain Jack man formed early early two thousand, started out 1019 00:46:44,160 --> 00:46:46,560 Speaker 14: as a band called the Bullocks, because you can't call 1020 00:46:46,600 --> 00:46:47,400 Speaker 14: a band of bollocks. 1021 00:46:49,560 --> 00:46:51,359 Speaker 5: It sounds like it's the name Sandra Bullock. 1022 00:46:51,440 --> 00:46:55,680 Speaker 14: Yes, yes, we hadn't. We had an English drummer who 1023 00:46:55,760 --> 00:46:57,279 Speaker 14: used to play in a band in England called Clee 1024 00:46:57,320 --> 00:47:01,000 Speaker 14: Blue Sky, progressive rock band released about five albums, and 1025 00:47:01,680 --> 00:47:04,520 Speaker 14: he used to he used to say every time something 1026 00:47:04,560 --> 00:47:06,520 Speaker 14: had happened that he didn't like him to hold bollocks. 1027 00:47:06,719 --> 00:47:07,360 Speaker 17: So we called it. 1028 00:47:07,640 --> 00:47:10,719 Speaker 14: We called ourselves at Bullocks. Anyway, after the first gig, 1029 00:47:10,760 --> 00:47:12,920 Speaker 14: it was horribly wrong, and so we went back to 1030 00:47:12,920 --> 00:47:15,160 Speaker 14: the drawing board called ourselves Captain Jackson. We were all 1031 00:47:15,239 --> 00:47:19,880 Speaker 14: into into doctor Who, and of course Torch would have 1032 00:47:19,960 --> 00:47:24,200 Speaker 14: just come out was Captain Jack Hartners. Everyone thought it 1033 00:47:24,320 --> 00:47:26,400 Speaker 14: was because we liked that half of us like Captain 1034 00:47:26,440 --> 00:47:28,080 Speaker 14: Morgan and the other half like Jack Daniels. 1035 00:47:28,120 --> 00:47:28,960 Speaker 17: But that was not the case. 1036 00:47:29,160 --> 00:47:31,320 Speaker 2: Oh I'm surprised that that was the height of the 1037 00:47:31,520 --> 00:47:34,720 Speaker 2: Pirates movies, Jack Barrow. 1038 00:47:35,320 --> 00:47:37,239 Speaker 14: We we had we had a heap of people wanting 1039 00:47:37,360 --> 00:47:39,759 Speaker 14: us to be named after that. We had a heap 1040 00:47:39,800 --> 00:47:40,560 Speaker 14: of people want you have the. 1041 00:47:40,880 --> 00:47:44,080 Speaker 2: Who fans, the drinking fans. It was actually about three 1042 00:47:44,120 --> 00:47:46,719 Speaker 2: different fan bases. You put it in there, you back. 1043 00:47:46,760 --> 00:47:49,400 Speaker 14: Actually we had four or five actually because we had 1044 00:47:49,680 --> 00:47:53,120 Speaker 14: Billy Joels Captain Jackson about shooting up on smack as well, 1045 00:47:53,160 --> 00:47:57,600 Speaker 14: So we had it there. Everyone at all things been 1046 00:47:57,640 --> 00:48:01,120 Speaker 14: it well. We we formed with we formed way back 1047 00:48:01,160 --> 00:48:03,040 Speaker 14: when and used to be a cover band. Really and 1048 00:48:03,120 --> 00:48:07,040 Speaker 14: originals want Andy crambasanis tooin the band. And you know, 1049 00:48:07,239 --> 00:48:09,960 Speaker 14: we played a probably seven or eight hundred gigs. I 1050 00:48:10,040 --> 00:48:12,600 Speaker 14: was saying earlier that we played a lot of charity 1051 00:48:12,600 --> 00:48:15,000 Speaker 14: stuff as well, Little Day Out for the kids and 1052 00:48:15,080 --> 00:48:18,960 Speaker 14: Taddy for cancer kids and obviously the Five Victims here 1053 00:48:18,960 --> 00:48:21,520 Speaker 14: at King Lake in Victoria. In two thousand and seven, 1054 00:48:21,600 --> 00:48:24,320 Speaker 14: we joined up with about nine other bands, did a 1055 00:48:24,360 --> 00:48:26,160 Speaker 14: gig at Milton Mobra in the middle of a paddock 1056 00:48:26,560 --> 00:48:30,399 Speaker 14: with the Brewster Brothers trio as the headline act. Raised 1057 00:48:30,440 --> 00:48:31,719 Speaker 14: about thirty five thousand dollars. 1058 00:48:33,360 --> 00:48:35,879 Speaker 2: So you've been doing good work and you're obviously still 1059 00:48:35,960 --> 00:48:38,359 Speaker 2: playing well together, so you're up for one last dream. 1060 00:48:39,239 --> 00:48:41,440 Speaker 14: I'd love to get us together. We never played in Melbourne. 1061 00:48:41,480 --> 00:48:44,879 Speaker 14: We played in Sydney at a couple of gigs, did 1062 00:48:44,920 --> 00:48:49,239 Speaker 14: a Christmas dinner for Vodafone customer operations back in seven. 1063 00:48:49,520 --> 00:48:53,560 Speaker 2: I think Springsteen's got a similar story open up for 1064 00:48:53,800 --> 00:48:55,359 Speaker 2: Opus the convention, not the band. 1065 00:48:56,280 --> 00:48:58,640 Speaker 14: Yes, that's the one. So yeah, it'd be great to 1066 00:48:58,680 --> 00:49:02,360 Speaker 14: bring the boys over from Kazia, put the original lineup 1067 00:49:02,360 --> 00:49:04,440 Speaker 14: back together again, because we haven't played as the original 1068 00:49:04,480 --> 00:49:07,480 Speaker 14: lineup for Willow the ten brilliant. But yeah, that'd be 1069 00:49:07,520 --> 00:49:09,640 Speaker 14: super guys. If we could get there, get that off 1070 00:49:09,719 --> 00:49:10,400 Speaker 14: and running. 1071 00:49:10,440 --> 00:49:12,759 Speaker 2: We'd love it. We're welcome to One Last Dream. Great 1072 00:49:12,760 --> 00:49:14,799 Speaker 2: to speak to you. Let's bring back Captain Jack. Thank 1073 00:49:14,840 --> 00:49:16,719 Speaker 2: you very much, Billy. All right, So if you want 1074 00:49:16,719 --> 00:49:18,800 Speaker 2: to get involved in One Last Dream, tell anyone you 1075 00:49:18,880 --> 00:49:20,560 Speaker 2: know there used to be in a band head online 1076 00:49:20,600 --> 00:49:23,120 Speaker 2: Gold one A four three dot com dot au, the. 1077 00:49:23,200 --> 00:49:26,919 Speaker 1: Christian O'Connell breakfast Show, Melbourne's Gold one O four point three. 1078 00:49:27,280 --> 00:49:30,520 Speaker 2: Pats, what I'm about to say comes from a place 1079 00:49:30,719 --> 00:49:34,160 Speaker 2: of love for you and care about you. Okay, right, 1080 00:49:34,400 --> 00:49:36,520 Speaker 2: but it is There is a famous book that became 1081 00:49:36,560 --> 00:49:39,400 Speaker 2: a movie called We Need to Talk About Kevin. We 1082 00:49:39,719 --> 00:49:43,440 Speaker 2: Need to talk about Pats and and I'm talking to 1083 00:49:43,520 --> 00:49:48,640 Speaker 2: the nice Pats right now and hopefully sort of trinky 1084 00:49:48,760 --> 00:49:52,080 Speaker 2: Pats isn't around right now because it was like that. 1085 00:49:52,239 --> 00:49:55,520 Speaker 2: It was a night of two Pats, stop it all right? 1086 00:49:55,760 --> 00:49:59,239 Speaker 2: Who sent Jack and I a text calling us the 1087 00:49:59,320 --> 00:50:02,120 Speaker 2: P word in the early hours of Sunday morning. 1088 00:50:02,280 --> 00:50:05,520 Speaker 4: Are you could have come out for second round drinks? 1089 00:50:05,719 --> 00:50:05,919 Speaker 14: Yeah? 1090 00:50:06,000 --> 00:50:10,359 Speaker 2: We could have. And I'm so tired to realize Jack 1091 00:50:10,400 --> 00:50:13,279 Speaker 2: had his wife hold up upstairs locked into a hotel room. 1092 00:50:14,719 --> 00:50:18,840 Speaker 2: Well then, oh right, why couldn't you come down and 1093 00:50:18,920 --> 00:50:21,239 Speaker 2: see what all? I didn't really, I suddenly it's sort 1094 00:50:21,239 --> 00:50:24,400 Speaker 2: of eleven o'clock goes, well, the anchor's upstairs, locked up 1095 00:50:24,440 --> 00:50:28,319 Speaker 2: in the hotel room. When it's going going feed up like. 1096 00:50:28,400 --> 00:50:32,760 Speaker 6: A bowl of water on Princess Striking played up there, riskyer. 1097 00:50:33,280 --> 00:50:34,640 Speaker 5: I thought this was getting in the past. 1098 00:50:35,960 --> 00:50:40,839 Speaker 2: It's a double intervention. So yeah, you know we I left, 1099 00:50:40,960 --> 00:50:43,799 Speaker 2: Jack left, you know, and you obviously went on and yeah, 1100 00:50:44,040 --> 00:50:46,880 Speaker 2: left short absolutely, but then you know you're sending us 1101 00:50:47,200 --> 00:50:49,680 Speaker 2: When I left, it was hugs and even saying you 1102 00:50:49,760 --> 00:50:51,360 Speaker 2: have a saved trip. You even offered to walk my 1103 00:50:51,440 --> 00:50:53,120 Speaker 2: wife and I to the to the taxi. 1104 00:50:53,200 --> 00:50:53,560 Speaker 1: I did. 1105 00:50:53,840 --> 00:50:55,400 Speaker 2: I don't know if if we'd never been out for 1106 00:50:55,440 --> 00:50:59,680 Speaker 2: a night taxis to look after you gage where you're 1107 00:50:59,719 --> 00:51:05,439 Speaker 2: still trying to look I like to get into a taxi. Yeah, 1108 00:51:05,960 --> 00:51:08,160 Speaker 2: but she was all caring, you know, in nice pats. 1109 00:51:08,280 --> 00:51:11,160 Speaker 2: Then I don't understand that's not the pats. I know, 1110 00:51:11,400 --> 00:51:14,600 Speaker 2: calling Jack and either for no reason, the p world. 1111 00:51:14,960 --> 00:51:19,040 Speaker 4: No, every legitimate reason. You could have come for a nightcap, but. 1112 00:51:19,120 --> 00:51:20,839 Speaker 3: You But the thing is, you were so nice when 1113 00:51:20,880 --> 00:51:23,440 Speaker 3: we left, so it's you were two faced in the 1114 00:51:23,480 --> 00:51:24,440 Speaker 3: way that it was the Gin. 1115 00:51:24,560 --> 00:51:28,120 Speaker 4: Once I get on the Gin, the first game over the. 1116 00:51:28,200 --> 00:51:31,239 Speaker 2: Twelve is to admit you have a Gin problem. And 1117 00:51:31,360 --> 00:51:33,200 Speaker 2: the first all of Gin Club is you don't talk 1118 00:51:33,200 --> 00:51:35,520 Speaker 2: about Gin Club. So it's now we know this is 1119 00:51:35,600 --> 00:51:39,640 Speaker 2: good Gin. Keep your way from the Gin. Gin midnight 1120 00:51:39,719 --> 00:51:42,520 Speaker 2: there was no Gin, and then the Gin comes out. 1121 00:51:42,560 --> 00:51:45,319 Speaker 2: Certainly we get Heath Ledger as the joker, and it's 1122 00:51:45,360 --> 00:51:48,160 Speaker 2: a full moon and a makeup did look like that 1123 00:51:48,200 --> 00:51:52,640 Speaker 2: when she got that that sad hotel sort of image 1124 00:51:52,640 --> 00:51:54,840 Speaker 2: you sent where were you sleeping? And that sort of spidery. 1125 00:51:55,040 --> 00:51:57,600 Speaker 6: I got back to the room and Chris and Audrey 1126 00:51:57,680 --> 00:52:00,360 Speaker 6: had had a diady daughter date. I got home, but 1127 00:52:00,520 --> 00:52:03,439 Speaker 6: they're both sprawled out on the king bed snoring their heads. 1128 00:52:03,560 --> 00:52:06,080 Speaker 6: I got on it did that the crown, Yeah, on 1129 00:52:06,239 --> 00:52:09,480 Speaker 6: the red on the red lemonades, and I had to 1130 00:52:09,640 --> 00:52:12,600 Speaker 6: I was forced to sleep on the day bed, luckily, 1131 00:52:12,680 --> 00:52:13,240 Speaker 6: I'm sure. 1132 00:52:13,360 --> 00:52:15,680 Speaker 4: But I've done my neck as a result. 1133 00:52:16,520 --> 00:52:18,319 Speaker 2: It's the bolts isn't on the left side. I've noticed 1134 00:52:18,320 --> 00:52:20,680 Speaker 2: a bit she's done up bolts and on her neck. 1135 00:52:20,840 --> 00:52:23,440 Speaker 2: And also but that picture you sent of that disheveled 1136 00:52:23,480 --> 00:52:25,760 Speaker 2: looking bed sort of thing, and it looked like exact 1137 00:52:25,800 --> 00:52:28,839 Speaker 2: Folty remember when they found Sadam Hussein in that spiky hole. 1138 00:52:29,440 --> 00:52:30,520 Speaker 2: Perhaps he was staying there. 1139 00:52:30,640 --> 00:52:34,000 Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four 1140 00:52:34,040 --> 00:52:34,520 Speaker 1: point three. 1141 00:52:34,760 --> 00:52:37,799 Speaker 2: So the weekend it was like the Australian Radio Awards 1142 00:52:37,840 --> 00:52:40,560 Speaker 2: Commercial Radio Wards. The actress. It was my first time 1143 00:52:40,719 --> 00:52:43,600 Speaker 2: there and if I had to sum it up, I 1144 00:52:43,640 --> 00:52:45,480 Speaker 2: would say, how did I feel? Fish out of water? 1145 00:52:46,800 --> 00:52:48,600 Speaker 2: You know we have those in you know where I've 1146 00:52:48,680 --> 00:52:50,560 Speaker 2: come from in pommy Land, And of course I've been 1147 00:52:50,600 --> 00:52:52,080 Speaker 2: doing ready long enough where you know everyone in the 1148 00:52:52,160 --> 00:52:54,080 Speaker 2: room sitting in a room with a thousand people and 1149 00:52:54,120 --> 00:52:58,520 Speaker 2: everyone goes ah, oh, I did know about ten people 1150 00:52:58,640 --> 00:53:03,360 Speaker 2: in this room is going to be quite intense. And 1151 00:53:03,480 --> 00:53:04,840 Speaker 2: then but we had a couple of tables there and 1152 00:53:04,880 --> 00:53:06,440 Speaker 2: we had we had a good night and there was 1153 00:53:06,480 --> 00:53:09,800 Speaker 2: Gavi Minner with me and Pats and Gav's always a 1154 00:53:10,080 --> 00:53:12,719 Speaker 2: nice friendly guy, and apparently said the boss, because you 1155 00:53:12,719 --> 00:53:14,560 Speaker 2: know there was this big after show party that started 1156 00:53:14,560 --> 00:53:15,399 Speaker 2: at midnight. 1157 00:53:15,520 --> 00:53:17,920 Speaker 4: And you and I are you the one that you 1158 00:53:18,040 --> 00:53:18,640 Speaker 4: bar passed. 1159 00:53:20,360 --> 00:53:25,399 Speaker 2: We made our excuses and politely decline and Patsy went 1160 00:53:25,440 --> 00:53:27,279 Speaker 2: on because she likes to. 1161 00:53:27,400 --> 00:53:28,319 Speaker 4: That's what Patsy does. 1162 00:53:28,520 --> 00:53:30,520 Speaker 2: Yeah, you know, And when I saw A Star is born, 1163 00:53:30,600 --> 00:53:34,880 Speaker 2: I thought hit home, hit home a bit, you know. 1164 00:53:35,280 --> 00:53:37,719 Speaker 2: I saw Bradley Cooper and I kept seeing Pats's face. 1165 00:53:37,920 --> 00:53:40,360 Speaker 2: I wish I was with Bradley co Patsy Cooper. You know, 1166 00:53:41,560 --> 00:53:45,000 Speaker 2: Pat's Maine and you know. But also here Gavin minute. 1167 00:53:45,000 --> 00:53:47,120 Speaker 2: He's back this afternoon. I hope he is, but apparently 1168 00:53:47,160 --> 00:53:50,239 Speaker 2: he kept telling everyone he's leaving at midnight and about it. 1169 00:53:50,400 --> 00:53:53,319 Speaker 2: Fast forward to two thirty years, still there and Gav 1170 00:53:53,560 --> 00:53:56,360 Speaker 2: was a little bit slurry worry. So catch up with 1171 00:53:56,440 --> 00:53:58,480 Speaker 2: Gavin Minner today when he's back me. He's doing postcard 1172 00:53:58,520 --> 00:54:00,200 Speaker 2: BINGO at four, But I don't know if he's really 1173 00:54:00,320 --> 00:54:02,200 Speaker 2: focus on the balls or anything like that, and what 1174 00:54:02,360 --> 00:54:04,000 Speaker 2: kind of state he's going to be in. So perhaps 1175 00:54:04,080 --> 00:54:06,640 Speaker 2: he was the after show party, like because it was 1176 00:54:06,800 --> 00:54:09,560 Speaker 2: so loud where we were. Do you guys ever saw 1177 00:54:09,640 --> 00:54:13,840 Speaker 2: throat the next day from just trying to conduct conversate, sorry, 1178 00:54:14,040 --> 00:54:15,920 Speaker 2: cover conversations like. 1179 00:54:19,680 --> 00:54:19,719 Speaker 9: This. 1180 00:54:20,760 --> 00:54:22,600 Speaker 4: No, I'm a good lip braider, so all do it? 1181 00:54:23,120 --> 00:54:24,080 Speaker 2: Okay? Work that way. 1182 00:54:24,239 --> 00:54:28,040 Speaker 1: The Christian O'Connell breakfast show, Melbourne's Gold one oh four point. 1183 00:54:27,920 --> 00:54:33,160 Speaker 2: Three right down. Perhaps you're doing a great job. You 1184 00:54:33,200 --> 00:54:34,280 Speaker 2: could barely hear the shakes. 1185 00:54:34,320 --> 00:54:38,400 Speaker 4: It's all stop, stop it the story down. 1186 00:54:38,280 --> 00:54:41,160 Speaker 2: The old boozer by ten. Don't worry all right then? Okay, 1187 00:54:41,320 --> 00:54:45,440 Speaker 2: today's at what time? Waster at worktown wester After seeing 1188 00:54:45,880 --> 00:54:49,000 Speaker 2: the heartbreaking movie, brilliant, brilliant movie, The Star Is Born, 1189 00:54:50,239 --> 00:54:53,920 Speaker 2: we're asking this morning to make a movie sadder. I've 1190 00:54:54,000 --> 00:55:02,920 Speaker 2: got the hills have tears crying forrest Trump. A forest 1191 00:55:02,960 --> 00:55:06,279 Speaker 2: of Trump would make me very very sad. Si Noon, 1192 00:55:09,280 --> 00:55:12,279 Speaker 2: Si Noon. So Western, it's just sad. They just don't 1193 00:55:12,280 --> 00:55:16,080 Speaker 2: do much. They've got too much Leffard, the planes, trains 1194 00:55:16,120 --> 00:55:23,320 Speaker 2: and antidepressants, weeping beauty, the shape of whatever, and no 1195 00:55:23,520 --> 00:55:28,000 Speaker 2: weddings just for funerals. So those are my maker movie 1196 00:55:28,080 --> 00:55:29,439 Speaker 2: sellar jack, What have you got mate? 1197 00:55:30,360 --> 00:55:32,440 Speaker 5: Tragic Mike XXL. 1198 00:55:35,840 --> 00:55:37,719 Speaker 2: Can't imagine what's happened to the strippers? 1199 00:55:39,280 --> 00:55:42,320 Speaker 5: Glum Doug millionaire, although he's still. 1200 00:55:42,160 --> 00:55:44,200 Speaker 2: A millionaire, so yeah, but it's a sad dog. Why 1201 00:55:44,280 --> 00:55:46,360 Speaker 2: is he millionaires? His owner died but he's left in 1202 00:55:46,440 --> 00:55:47,920 Speaker 2: the money, but he just wants his owner back. 1203 00:55:48,000 --> 00:55:52,120 Speaker 5: Money can't buy hap Ferrest Buller's funeral. 1204 00:55:53,440 --> 00:55:57,440 Speaker 2: Wow, uh yeah, don't worry about making them subtle. Fairest 1205 00:55:57,480 --> 00:56:02,319 Speaker 2: Buller's terminal illness. There's been a chaminal cancer to fine. 1206 00:56:02,160 --> 00:56:06,600 Speaker 3: Well, pats has never delivered one before. Maybe she isn't 1207 00:56:06,600 --> 00:56:10,360 Speaker 3: recovered from the weekend because he's texted me Bridget Jones's diarrhea. 1208 00:56:12,920 --> 00:56:16,600 Speaker 2: Why can't you do them on air? May? 1209 00:56:16,680 --> 00:56:19,839 Speaker 4: Oh, you're talking to me. I thought you meant Jack. Sorry, Hello, 1210 00:56:19,880 --> 00:56:22,319 Speaker 4: I've gone to sleep. No, I'll leave that to Jack 1211 00:56:22,360 --> 00:56:23,400 Speaker 4: and you clearly I think so. 1212 00:56:23,520 --> 00:56:25,200 Speaker 2: You're now literally going to phone them in by you 1213 00:56:25,440 --> 00:56:28,400 Speaker 2: and letting us be your representative. And another one listens 1214 00:56:28,440 --> 00:56:31,879 Speaker 2: from Patsy. She doesn'tant talk to you directly here communicating. 1215 00:56:32,400 --> 00:56:35,000 Speaker 2: You've heard of breakfast shows that fall apart today in 1216 00:56:35,080 --> 00:56:38,279 Speaker 2: Sydney and then, but they weren't reduced to texting each 1217 00:56:38,320 --> 00:56:39,160 Speaker 2: other during the show. 1218 00:56:39,320 --> 00:56:41,719 Speaker 4: I can't missage you any other way across the hall. 1219 00:56:42,000 --> 00:56:44,240 Speaker 2: Yeah, only there was a microphone for you to conduct 1220 00:56:44,320 --> 00:56:47,440 Speaker 2: your conversations with Let's take it old School Tomorrow show. 1221 00:56:47,520 --> 00:56:51,360 Speaker 2: We conducted all on SMS, texting, all right, make a movie, Sader. 1222 00:56:51,400 --> 00:56:52,200 Speaker 2: What have you got for us? 1223 00:56:52,360 --> 00:56:52,480 Speaker 1: Oh? 1224 00:56:52,600 --> 00:56:57,160 Speaker 2: Four seven, five three one oh four three huge prizes 1225 00:56:57,280 --> 00:57:00,600 Speaker 2: this week. Now I've seen this in the UK West 1226 00:57:00,760 --> 00:57:03,640 Speaker 2: End School of Rock New Musical. I love the movie 1227 00:57:03,719 --> 00:57:05,200 Speaker 2: and I was a bit nervous taking my kids to 1228 00:57:05,200 --> 00:57:06,520 Speaker 2: go and see it. He thinking, is it gonna be good? 1229 00:57:06,560 --> 00:57:08,879 Speaker 2: As the chatter that movie the musical is incredible. Andrew 1230 00:57:08,960 --> 00:57:12,520 Speaker 2: Lloyd Webber is a multimillionaire who's done all the best 1231 00:57:12,600 --> 00:57:15,480 Speaker 2: musicals around the world. It is him. It's an amazing 1232 00:57:15,600 --> 00:57:17,840 Speaker 2: movie and amazing musical as well. They do it proud. 1233 00:57:17,920 --> 00:57:20,160 Speaker 2: School of Rock the Musical. It's coming to Australia. It's 1234 00:57:20,160 --> 00:57:21,960 Speaker 2: coming to Melbourne. It's going to be Yeah, School of 1235 00:57:22,040 --> 00:57:25,560 Speaker 2: Rot the Musical. Her Majesty's Theater from October the thirty 1236 00:57:25,640 --> 00:57:28,480 Speaker 2: first not long now book to see School of Rot 1237 00:57:28,560 --> 00:57:31,520 Speaker 2: the Musical. We're going back to see it at School 1238 00:57:31,560 --> 00:57:34,200 Speaker 2: of Rothemusical dot com dot Au got to pay our 1239 00:57:34,240 --> 00:57:36,520 Speaker 2: tickets to go and see that. You'll love it, whether 1240 00:57:36,600 --> 00:57:37,800 Speaker 2: or not you've got kids, you will just love it. 1241 00:57:37,880 --> 00:57:40,720 Speaker 2: It is a brilliant, brilliant stage musical. All right, that's 1242 00:57:40,720 --> 00:57:42,040 Speaker 2: your best one then for making movie. 1243 00:57:42,080 --> 00:57:45,560 Speaker 1: Sader The Christian O'Connell Breakfast Show, Melbourne's Gold one oh 1244 00:57:45,680 --> 00:57:46,320 Speaker 1: four point. 1245 00:57:46,200 --> 00:57:49,760 Speaker 2: Three Today's at work time wasister for you after the 1246 00:57:49,880 --> 00:57:53,160 Speaker 2: tears we had seen Star is Born. Can't recommend it enough. 1247 00:57:53,240 --> 00:57:57,160 Speaker 2: It is a brilliant, truly brilliant, very special movie. However, 1248 00:57:57,160 --> 00:58:00,120 Speaker 2: we're asking to make a movie Saturday. The best one 1249 00:58:00,200 --> 00:58:03,440 Speaker 2: has picked by Jack post Mark by Jack gets to 1250 00:58:03,480 --> 00:58:05,680 Speaker 2: go and see this big new musical coming to town 1251 00:58:05,760 --> 00:58:09,360 Speaker 2: next week October of thirty first, her majesty, it is 1252 00:58:09,720 --> 00:58:12,520 Speaker 2: School of Rock now a musical, School of Rot. The 1253 00:58:12,600 --> 00:58:14,840 Speaker 2: musical opens next week. You can be there. You can 1254 00:58:14,880 --> 00:58:18,280 Speaker 2: get your tickets at School of Rotthemusical dot com to au. 1255 00:58:18,800 --> 00:58:28,080 Speaker 2: All right, done in sixty seconds, speculat premature, about that much? 1256 00:58:28,320 --> 00:58:32,360 Speaker 2: Done in sixty second? Gold, you're right. Reward that behavior. 1257 00:58:32,440 --> 00:58:36,920 Speaker 2: It's good if it's quick, isn't it you? Sad? Sad? Max? 1258 00:58:38,040 --> 00:58:38,440 Speaker 14: Perfect? 1259 00:58:39,720 --> 00:58:42,800 Speaker 2: Isn't it smart? Very good? When you send his in, 1260 00:58:42,880 --> 00:58:44,840 Speaker 2: please put your name on there when you listen to us, 1261 00:58:44,840 --> 00:58:48,920 Speaker 2: so we can give you the kudos you deserve. Pelican Grief. Ah, 1262 00:58:49,040 --> 00:58:54,760 Speaker 2: that's clever, great movie, Manny, well done. I love this one. 1263 00:58:55,120 --> 00:58:58,720 Speaker 2: The Wizard of the op shot. Yeah, it's all right, 1264 00:58:58,880 --> 00:59:00,680 Speaker 2: come on, they know well the good bizarre on the 1265 00:59:00,680 --> 00:59:02,960 Speaker 2: old wooden tennis rackets, so we said, there's always a 1266 00:59:03,080 --> 00:59:05,600 Speaker 2: wooden tennis racket in the window. Isn't at a wedding 1267 00:59:05,720 --> 00:59:07,960 Speaker 2: dress as well? And roller boots one hundred year old 1268 00:59:07,960 --> 00:59:17,760 Speaker 2: golf clubs. Silver, well done, Levy cry Tannic Silver, Unhappy Gilmore, 1269 00:59:18,560 --> 00:59:22,400 Speaker 2: hmm too easy, Silver, Mandy Moore, try harder. Jack's words 1270 00:59:22,440 --> 00:59:25,560 Speaker 2: not mine. This is funny. One flew into the cuckoo's nest. 1271 00:59:27,120 --> 00:59:27,560 Speaker 1: I like that. 1272 00:59:27,960 --> 00:59:30,920 Speaker 2: It's a great image. Gold Ross, well done. Dead and 1273 00:59:31,000 --> 00:59:34,080 Speaker 2: deada luke and nooser. Listen to the show live right now, 1274 00:59:34,160 --> 00:59:36,960 Speaker 2: come on, and Luke dead and dumb and dumber, ah 1275 00:59:37,120 --> 00:59:40,040 Speaker 2: right dead and sounds like a Steven Sigar movie title. 1276 00:59:40,520 --> 00:59:44,000 Speaker 2: Silver Manus Cloudy with a chance of heartache and pain. 1277 00:59:47,040 --> 00:59:48,840 Speaker 2: We did say you make them sad, and it's on 1278 00:59:49,040 --> 00:59:52,040 Speaker 2: us Cloudy with a chance of heart Aco Bay. It's 1279 00:59:52,040 --> 00:59:53,760 Speaker 2: like an Alanis Morrissette b side. 1280 00:59:54,040 --> 00:59:56,480 Speaker 5: That person's going through something. I don't want to give 1281 00:59:56,480 --> 00:59:57,160 Speaker 5: it a bad mark. 1282 00:59:59,400 --> 00:59:59,560 Speaker 7: Uh. 1283 01:00:00,120 --> 01:00:03,440 Speaker 2: The winge in the willows, that's good. Gods, very smart, 1284 01:00:03,520 --> 01:00:07,160 Speaker 2: toutly take about well done, and a star is dead 1285 01:00:10,040 --> 01:00:14,040 Speaker 2: headline all right, Jack, who's going to see a great prize? 1286 01:00:14,080 --> 01:00:18,080 Speaker 5: So it's hard to give it winge in the Willows Widows. 1287 01:00:17,880 --> 01:00:20,280 Speaker 2: Very Smart from Totally Well, Don't Everyone. 1288 01:00:20,000 --> 01:00:23,560 Speaker 1: More Tomorrow The Christian O'Connell Breakfast Show, Melbourne's Gold one 1289 01:00:23,600 --> 01:00:24,520 Speaker 1: oh four point three. 1290 01:00:24,880 --> 01:00:28,160 Speaker 2: So what has happened this week? Jack? To your consignment 1291 01:00:28,200 --> 01:00:31,440 Speaker 2: that you've imported of some kind of herbal powder. 1292 01:00:31,640 --> 01:00:32,760 Speaker 5: I was so excited to see. 1293 01:00:33,160 --> 01:00:34,439 Speaker 2: Is it charget? Lions mate? 1294 01:00:34,640 --> 01:00:35,200 Speaker 5: Lions man? 1295 01:00:35,280 --> 01:00:35,480 Speaker 2: Yeah? 1296 01:00:35,800 --> 01:00:38,520 Speaker 3: So there, This one comes from in Byron Bay plays 1297 01:00:38,560 --> 01:00:41,440 Speaker 3: called Superfeast. But the guy look at him on his Instagram. 1298 01:00:41,520 --> 01:00:43,920 Speaker 3: He actually goes over to northern China and picks out 1299 01:00:43,960 --> 01:00:48,440 Speaker 3: the mushrooms himself and crushes them down lions man. 1300 01:00:48,520 --> 01:00:50,480 Speaker 5: So it's not cheap. It's meant to do. 1301 01:00:50,760 --> 01:00:52,640 Speaker 2: I mean, if he's gone to China, you've got to 1302 01:00:52,680 --> 01:00:57,000 Speaker 2: pay for a flight, the accommodation, the crushing of this mushroom. 1303 01:00:57,080 --> 01:00:59,320 Speaker 2: There's mushroom powder, call it lions mate? 1304 01:00:59,800 --> 01:01:00,880 Speaker 4: Is that the breed of mass? 1305 01:01:02,600 --> 01:01:04,880 Speaker 2: Yeah? And also have you ever seen a line beautiful? 1306 01:01:05,400 --> 01:01:07,680 Speaker 2: It's something to aspire to. That main of hair they've got. 1307 01:01:08,000 --> 01:01:10,880 Speaker 2: It never looks dry, it never looks dank, it never 1308 01:01:10,920 --> 01:01:15,360 Speaker 2: looks damaged. Spit ends a line's made. Their hair is beautiful. 1309 01:01:15,560 --> 01:01:16,920 Speaker 5: So I've had it for one week. You would have 1310 01:01:17,000 --> 01:01:17,600 Speaker 5: knowniced on the show. 1311 01:01:17,640 --> 01:01:21,440 Speaker 3: I was very alert last week because it's good for 1312 01:01:21,560 --> 01:01:23,800 Speaker 3: brain functionality, so straight on the packet. 1313 01:01:24,000 --> 01:01:26,080 Speaker 5: So last week I was far and I was sparking. 1314 01:01:26,480 --> 01:01:28,400 Speaker 5: I was very good on air bit. 1315 01:01:28,400 --> 01:01:30,720 Speaker 2: Where you said are you're talking to me? That I 1316 01:01:30,840 --> 01:01:32,920 Speaker 2: was looking at you and pointed at you and the 1317 01:01:33,160 --> 01:01:36,160 Speaker 2: bright red glowing sign on the microphone. Aside from that, 1318 01:01:36,320 --> 01:01:37,480 Speaker 2: you've been very very alert. 1319 01:01:38,120 --> 01:01:40,760 Speaker 3: So my mother in law staying with us at the moment, 1320 01:01:40,840 --> 01:01:43,880 Speaker 3: she goes back to the US on Wednesday, and she 1321 01:01:44,080 --> 01:01:47,000 Speaker 3: saw that it's good for brain functionality. She's been worried 1322 01:01:47,080 --> 01:01:50,400 Speaker 3: this week, explaining to us that she keeps having bad 1323 01:01:50,480 --> 01:01:52,960 Speaker 3: memory and forgetting things. So she sees out there, so 1324 01:01:53,000 --> 01:01:56,640 Speaker 3: it's brain function Oh this is perfect for me. Can 1325 01:01:56,680 --> 01:01:58,360 Speaker 3: you take me to the shop if she wanted. 1326 01:01:58,240 --> 01:02:01,680 Speaker 2: First bumps of free pats? They're we get a family 1327 01:02:01,720 --> 01:02:03,160 Speaker 2: member hooks on the old mother in law. 1328 01:02:03,320 --> 01:02:06,000 Speaker 3: Yeah, I said, I'll look, I can and I had 1329 01:02:06,040 --> 01:02:07,800 Speaker 3: to order that on line. I can't take you to 1330 01:02:07,840 --> 01:02:10,200 Speaker 3: the shop. She said, oh, well, I'll take this one 1331 01:02:10,240 --> 01:02:12,360 Speaker 3: and you can order another one. 1332 01:02:12,600 --> 01:02:12,960 Speaker 2: Can order? 1333 01:02:13,960 --> 01:02:15,720 Speaker 5: She said, can I have the rest? It's brand new? 1334 01:02:15,800 --> 01:02:17,320 Speaker 5: I don't know why she said the rest like, it's 1335 01:02:17,400 --> 01:02:19,680 Speaker 5: not the big bag that it is. You've had none, 1336 01:02:20,320 --> 01:02:21,439 Speaker 5: so now I've had none. 1337 01:02:21,560 --> 01:02:23,280 Speaker 3: And then I heard her telling later in the day, 1338 01:02:23,280 --> 01:02:25,120 Speaker 3: I heard her telling my wife, Oh, Jack gave this 1339 01:02:25,280 --> 01:02:27,280 Speaker 3: to me like hell, Like hell, I gave that. 1340 01:02:27,400 --> 01:02:31,720 Speaker 2: D no way she's going to get stopped at customs 1341 01:02:32,360 --> 01:02:36,160 Speaker 2: and tried getting into America. It's it's brain function. Powder 1342 01:02:37,240 --> 01:02:39,560 Speaker 2: shed be benover with a plastic glove. You'll get your 1343 01:02:39,600 --> 01:02:40,400 Speaker 2: own back. Don't worry. 1344 01:02:40,520 --> 01:02:43,840 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 1345 01:02:43,920 --> 01:02:44,360 Speaker 1: point three. 1346 01:02:44,560 --> 01:02:47,360 Speaker 2: All right, Huggy's coming up next. He's got your postcodes 1347 01:02:47,400 --> 01:02:50,240 Speaker 2: on postcode bingo. We are back tomorrow morning. More vip 1348 01:02:50,440 --> 01:02:52,520 Speaker 2: red Hot summit to or tickets to be one and 1349 01:02:52,680 --> 01:02:56,080 Speaker 2: also don't forget go online today enter one last dream. 1350 01:02:56,120 --> 01:02:58,240 Speaker 2: We're looking for you to reunite your old bands. We 1351 01:02:58,360 --> 01:03:00,160 Speaker 2: have a huge gig for you to do. You are 1352 01:03:00,160 --> 01:03:02,880 Speaker 2: opening up for Jimmy Barnes and loads of brothers. Go 1353 01:03:02,960 --> 01:03:05,560 Speaker 2: online to Gold one O four point three dot com 1354 01:03:05,720 --> 01:03:12,080 Speaker 2: dot au. Title of today's show is Ladies and Gentlemen Bungalow. 1355 01:03:13,080 --> 01:03:14,880 Speaker 2: We're back tomorrow morning. Thanks for listening, Have a great 1356 01:03:14,920 --> 01:03:15,040 Speaker 2: day 1357 01:03:15,120 --> 01:03:18,480 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 1358 01:03:18,520 --> 01:03:19,000 Speaker 1: point three