1 00:00:00,280 --> 00:00:02,840 Speaker 1: It's Friday. It's like we've had two Fridays this week. 2 00:00:02,880 --> 00:00:06,600 Speaker 1: It's the jam Nation Podcast with your podcast pals Jonesy Demanda. 3 00:00:06,760 --> 00:00:08,880 Speaker 2: We head down to the Jones Amanda Arms for the 4 00:00:08,920 --> 00:00:12,120 Speaker 2: pub test QR code check ins. I mean, but they're 5 00:00:12,160 --> 00:00:14,600 Speaker 2: not contact tracing anymore, so why do we have them? 6 00:00:14,840 --> 00:00:18,160 Speaker 1: Poe has left the jungle. Something I learned about Poe 7 00:00:18,320 --> 00:00:20,840 Speaker 1: is Poe is her real name. She went for twenty 8 00:00:20,840 --> 00:00:22,560 Speaker 1: four years under another name. 9 00:00:22,880 --> 00:00:24,600 Speaker 2: You can tell us what it is or make us listen. 10 00:00:24,600 --> 00:00:26,520 Speaker 1: Well, are you gonna listen to if I just gave 11 00:00:26,560 --> 00:00:27,280 Speaker 1: it away? Now? 12 00:00:27,680 --> 00:00:30,120 Speaker 2: Isla Fisher and Josh Gadd join us to talk about 13 00:00:30,160 --> 00:00:32,360 Speaker 2: the new show Wolf Like Me. That show has a 14 00:00:32,400 --> 00:00:34,040 Speaker 2: secret that I'm not going to blab. 15 00:00:34,320 --> 00:00:36,800 Speaker 1: Jimmy the Millennial is leaving us, so we had to 16 00:00:36,840 --> 00:00:39,680 Speaker 1: go and get a monkey shave it down to replace him. 17 00:00:39,800 --> 00:00:42,640 Speaker 2: We paid tribute to Sister Janet Mate who passed away. 18 00:00:42,440 --> 00:00:45,479 Speaker 1: And the week that was Jimbo's Jibby Jabber. Enjoy our 19 00:00:45,520 --> 00:00:51,160 Speaker 1: podcast everybody online. 20 00:00:55,560 --> 00:00:57,720 Speaker 3: Now that a miracle of recording. We have so many 21 00:00:57,800 --> 00:00:59,280 Speaker 3: requests for them to do it again. 22 00:00:59,360 --> 00:01:03,280 Speaker 4: Mistress and as Killer Amanda doesn't work alone. 23 00:01:05,080 --> 00:01:07,759 Speaker 3: Friend making the tools of the train. 24 00:01:07,840 --> 00:01:10,600 Speaker 1: I've heard them describe him as a drunken idiot. 25 00:01:11,200 --> 00:01:12,960 Speaker 5: I've been doing the legendary part. 26 00:01:13,040 --> 00:01:19,279 Speaker 6: Jonesy, Amanda the actress. Congratulations, we're ready right now, Jonsey 27 00:01:19,280 --> 00:01:19,720 Speaker 6: and Amanda. 28 00:01:19,800 --> 00:01:20,840 Speaker 1: You're doing a great job. 29 00:01:21,360 --> 00:01:23,559 Speaker 6: It could be for anyone but Silkie Giant. 30 00:01:24,040 --> 00:01:26,000 Speaker 7: Now the good radio. 31 00:01:26,240 --> 00:01:31,399 Speaker 8: Sorry but it's a tangled twist set and Amanda. 32 00:01:32,040 --> 00:01:36,000 Speaker 1: Shoot, Timy, we're on the air. Hell, Amanda, how are 33 00:01:36,000 --> 00:01:36,480 Speaker 1: you today? 34 00:01:36,600 --> 00:01:39,440 Speaker 2: I'm very well today. Can I start by reading an 35 00:01:39,480 --> 00:01:40,399 Speaker 2: email we received? 36 00:01:40,600 --> 00:01:41,760 Speaker 1: Is it a good or bad email? 37 00:01:41,800 --> 00:01:42,759 Speaker 2: It's a beautiful email. 38 00:01:43,120 --> 00:01:45,480 Speaker 1: So we're going to do a Raiders on TGV. He 39 00:01:45,480 --> 00:01:47,919 Speaker 1: always doesn't always resap the praise email. 40 00:01:48,000 --> 00:01:48,800 Speaker 2: I didn't say it was pra. 41 00:01:48,880 --> 00:01:50,600 Speaker 1: Always somebody says good on your Ray, you're doing a 42 00:01:50,640 --> 00:01:52,960 Speaker 1: great job, and then Ray plays in the song. 43 00:01:52,880 --> 00:01:54,960 Speaker 3: Ray Ray, You're okay, you're a b back. 44 00:01:55,200 --> 00:01:56,160 Speaker 1: We have that day. 45 00:01:56,440 --> 00:01:57,840 Speaker 2: Now. This one's from Joy. 46 00:01:58,120 --> 00:02:00,720 Speaker 1: Oh good hill name. 47 00:02:02,560 --> 00:02:04,800 Speaker 2: Do you want to verify that she's real? Well it's 48 00:02:05,760 --> 00:02:06,760 Speaker 2: Joy Sneezebee. 49 00:02:06,760 --> 00:02:07,520 Speaker 1: What a cool name? 50 00:02:07,720 --> 00:02:08,919 Speaker 2: All right? Can I read it now? 51 00:02:09,040 --> 00:02:09,680 Speaker 1: Yes, mam. 52 00:02:10,280 --> 00:02:11,800 Speaker 2: I want to say a big thank you Jones and 53 00:02:11,800 --> 00:02:14,280 Speaker 2: Amanda for the lightness and laughter you both have brought 54 00:02:14,320 --> 00:02:16,800 Speaker 2: into my life each and every day. For many years, 55 00:02:16,800 --> 00:02:18,560 Speaker 2: I've been on the M four commute from the Blue 56 00:02:18,600 --> 00:02:21,000 Speaker 2: Mountains to Paramatta and was able to have radio on 57 00:02:21,120 --> 00:02:22,480 Speaker 2: and listen to you both, and I always felt like 58 00:02:22,560 --> 00:02:26,200 Speaker 2: joining in a conversation with old friends. Often I'd smile 59 00:02:26,240 --> 00:02:27,519 Speaker 2: and look at the car next to me and see 60 00:02:27,560 --> 00:02:29,720 Speaker 2: them also smiling, and think to myself, Oh, look they're 61 00:02:29,720 --> 00:02:32,400 Speaker 2: listening to Jonesy and Amanda. I laugh so often at 62 00:02:32,400 --> 00:02:34,680 Speaker 2: your bickering and competitive spirit each week with fight for 63 00:02:34,680 --> 00:02:37,640 Speaker 2: your flashback. I admire your compassionate and awareness for your 64 00:02:37,639 --> 00:02:39,880 Speaker 2: fellow human beings. In the words of one of your 65 00:02:39,880 --> 00:02:42,119 Speaker 2: past news reporters, I've no doubted all you are both 66 00:02:42,120 --> 00:02:45,280 Speaker 2: the real deal, kind, compassionate, generous of your time, super 67 00:02:45,320 --> 00:02:47,919 Speaker 2: smart and holding each other to account. Oh joy, this 68 00:02:48,040 --> 00:02:51,560 Speaker 2: is lovely. But tomorrow, Friday, twenty eighth of jam, I 69 00:02:51,639 --> 00:02:56,040 Speaker 2: do my last work commute before the road of retirement. Tiring, 70 00:02:56,280 --> 00:02:58,640 Speaker 2: she says, it's an unknown journey, a little frightening, but 71 00:02:58,680 --> 00:03:01,360 Speaker 2: one I'm embracing. I just could not leave what has 72 00:03:01,400 --> 00:03:03,639 Speaker 2: been a daily part of my work life without thanking 73 00:03:03,680 --> 00:03:06,640 Speaker 2: both of you for starting my day with knowledge shared 74 00:03:06,680 --> 00:03:10,720 Speaker 2: life experiences, fantastic engaging interviews, and of course lightness. I 75 00:03:10,720 --> 00:03:12,400 Speaker 2: will continue to listen, but it won't be with the 76 00:03:12,440 --> 00:03:15,040 Speaker 2: regularity of a structured work life. I wish you both 77 00:03:15,040 --> 00:03:18,120 Speaker 2: continued good health, love and laughter, Joy. 78 00:03:17,960 --> 00:03:20,200 Speaker 1: Joy, Joy Love. What a lovely email. 79 00:03:20,320 --> 00:03:22,880 Speaker 2: Oh and Joy, that's a part of this job that 80 00:03:22,919 --> 00:03:26,079 Speaker 2: we absolutely love is being part of your daily life. 81 00:03:26,440 --> 00:03:28,880 Speaker 2: This is something that I never ever take for granted. 82 00:03:28,960 --> 00:03:31,800 Speaker 2: And Joy retirement. I can see what you're saying here. 83 00:03:32,560 --> 00:03:34,760 Speaker 2: Many of my friends we're all asking the same question. 84 00:03:34,920 --> 00:03:37,080 Speaker 2: You know, when when do you finish up? And what 85 00:03:37,120 --> 00:03:40,040 Speaker 2: does it mean? And what doesn't mean? The end of 86 00:03:40,320 --> 00:03:46,000 Speaker 2: your you being a viable no personal and a big 87 00:03:46,080 --> 00:03:47,560 Speaker 2: change to the structure of your day. 88 00:03:47,800 --> 00:03:49,600 Speaker 1: Yeah, of course, and you've got to get one of 89 00:03:49,600 --> 00:03:52,760 Speaker 1: those signs up that says done working or done routin 90 00:03:52,960 --> 00:03:58,240 Speaker 1: or something like that. Going for your wedding day, I 91 00:03:58,400 --> 00:04:00,680 Speaker 1: retired many things that day for Joy. 92 00:04:00,760 --> 00:04:03,480 Speaker 2: We wish you, Joey all the very very big. 93 00:04:03,320 --> 00:04:04,320 Speaker 1: We should send Joyce up. 94 00:04:04,400 --> 00:04:08,160 Speaker 2: We will send you something goodess, we will look thank you, Joy. 95 00:04:08,200 --> 00:04:10,080 Speaker 2: We really appreciate that. And I hope your last day 96 00:04:10,080 --> 00:04:11,880 Speaker 2: at work, I hope they just shower you with love. 97 00:04:11,920 --> 00:04:14,400 Speaker 1: Speaking of last Day' Jimmy the millennials last day today? 98 00:04:14,480 --> 00:04:16,120 Speaker 2: Are we showering Jimmy with love today? 99 00:04:16,960 --> 00:04:20,080 Speaker 9: I similarly, am retiring at the age of twenty. 100 00:04:19,800 --> 00:04:22,040 Speaker 2: Seven after having worked with us for four years. 101 00:04:22,120 --> 00:04:24,320 Speaker 9: Yeah, I mean yeah, Joy, I understand a lot of 102 00:04:24,320 --> 00:04:24,880 Speaker 9: the things said. 103 00:04:26,200 --> 00:04:28,320 Speaker 2: Joy enjoys our company. How about you? 104 00:04:30,960 --> 00:04:34,880 Speaker 1: Anyway, we'll pay tribute to Jimmy throughout the show as well. 105 00:04:34,920 --> 00:04:36,719 Speaker 1: Five for your Flashbag makes us return. We've got some 106 00:04:36,720 --> 00:04:38,720 Speaker 1: big Hollywood stars on the show. We're going to be 107 00:04:38,800 --> 00:04:41,359 Speaker 1: joined by Isle of Fisher and Josh Gad. There's a 108 00:04:41,360 --> 00:04:44,160 Speaker 1: new show called Wolf Like Me Out that they both start, 109 00:04:44,240 --> 00:04:47,000 Speaker 1: and we'll talk to those guys and the ten thousand 110 00:04:47,000 --> 00:04:47,520 Speaker 1: dollars question. 111 00:04:47,680 --> 00:04:50,479 Speaker 2: But question one for mag seven is this lowest prices 112 00:04:50,480 --> 00:04:55,359 Speaker 2: are just the beginning? As a slogan for which business. 113 00:04:55,400 --> 00:04:58,680 Speaker 1: Podcast? What any the magnificent seven seven questions? Can you 114 00:04:58,720 --> 00:05:00,400 Speaker 1: go all the way and answer all seven questions correctly? 115 00:05:00,400 --> 00:05:01,760 Speaker 1: If you do that, Amandre will say. 116 00:05:01,680 --> 00:05:04,159 Speaker 2: Well done, congratulations to you, you big show off. 117 00:05:04,200 --> 00:05:06,440 Speaker 1: It's a bad getting question seven right though. 118 00:05:06,360 --> 00:05:09,159 Speaker 2: We've got Simon in Springwood who's kicking us off. Hello Simon, 119 00:05:10,200 --> 00:05:13,440 Speaker 2: good morning, how are you both thank you. Question one, 120 00:05:13,720 --> 00:05:16,039 Speaker 2: lowest prices are just the beginning is a slogan for 121 00:05:16,080 --> 00:05:17,599 Speaker 2: which business? 122 00:05:17,640 --> 00:05:18,600 Speaker 5: Funny? Correct? 123 00:05:19,200 --> 00:05:25,160 Speaker 1: On TV show Friends, what is Joey's job Simon, Oh. 124 00:05:25,080 --> 00:05:26,560 Speaker 7: Gosh for Arista? 125 00:05:27,040 --> 00:05:28,440 Speaker 2: No, no, he's not a arista. 126 00:05:28,560 --> 00:05:31,040 Speaker 1: I was on a coffee go Maritas in Penrith. 127 00:05:31,120 --> 00:05:34,960 Speaker 2: Hello, No, hello, Marita? How are you good? How are 128 00:05:35,000 --> 00:05:37,279 Speaker 2: you very well? What's Joey's job on Friends? 129 00:05:38,360 --> 00:05:39,080 Speaker 7: He's an actor? 130 00:05:39,160 --> 00:05:39,840 Speaker 2: He's an actor. 131 00:05:40,040 --> 00:05:44,360 Speaker 1: Let's play the not so secret sound. 132 00:05:44,920 --> 00:05:46,960 Speaker 2: This is where we play a sound effect. And it's 133 00:05:47,000 --> 00:05:48,600 Speaker 2: not going to be a tricky one. It's not one 134 00:05:48,640 --> 00:05:51,560 Speaker 2: of those Is it the sound of a blue bead 135 00:05:51,600 --> 00:05:52,520 Speaker 2: of bleach in my mind? 136 00:05:53,080 --> 00:05:55,120 Speaker 1: One time? And I was another radio station. The secret 137 00:05:55,120 --> 00:05:58,560 Speaker 1: sound was putting the ball into a mouse, into a 138 00:05:58,720 --> 00:06:01,919 Speaker 1: computer mouse, the ball into computer mass. It's not going 139 00:06:02,000 --> 00:06:02,760 Speaker 1: to be that complex. 140 00:06:02,800 --> 00:06:05,280 Speaker 2: I came Marita and tell us what you think? 141 00:06:07,240 --> 00:06:09,640 Speaker 7: That's correct? 142 00:06:09,960 --> 00:06:10,080 Speaker 5: Am. 143 00:06:10,080 --> 00:06:10,920 Speaker 1: We don't blad the sad? 144 00:06:13,279 --> 00:06:13,839 Speaker 9: Are you right? 145 00:06:14,440 --> 00:06:17,200 Speaker 2: Question four? This is multiple choice for you. Albert Einstein 146 00:06:17,279 --> 00:06:20,039 Speaker 2: was offered the position at president of Which country? Was 147 00:06:20,040 --> 00:06:23,640 Speaker 2: it a Kazakhstan, b North Korea? See Israel? 148 00:06:24,960 --> 00:06:25,279 Speaker 8: Israel? 149 00:06:25,560 --> 00:06:30,080 Speaker 1: It was Israel? You game, Marita? Which farm animal was 150 00:06:30,080 --> 00:06:35,520 Speaker 1: the first ever manimal to be cloned the sheep, Dolly, 151 00:06:35,760 --> 00:06:36,640 Speaker 1: Dolly the Sheep. 152 00:06:37,680 --> 00:06:42,039 Speaker 2: Question six? Who was eliminated last night on I'm a Celebrity. 153 00:06:42,839 --> 00:06:47,800 Speaker 7: Ohra, who was eliminated on I'm a Celebrity. 154 00:06:47,920 --> 00:06:53,360 Speaker 2: I Merita brought on stuck at question number six? Who 155 00:06:53,360 --> 00:06:55,279 Speaker 2: was eliminated last night on I'm a Celebrity. 156 00:06:57,839 --> 00:07:00,839 Speaker 1: Magnificent seven and we're up to quick to number six. 157 00:07:01,360 --> 00:07:04,800 Speaker 2: Let's go to go to Callen in Campbelltown. 158 00:07:04,880 --> 00:07:06,760 Speaker 7: Hello, Hi, good morning. 159 00:07:06,800 --> 00:07:10,320 Speaker 2: Hello. Are you a Colleen or a Kalen? Callen? 160 00:07:10,360 --> 00:07:11,160 Speaker 1: Hello, Colleen. 161 00:07:12,760 --> 00:07:13,520 Speaker 2: I don't know what it's a. 162 00:07:13,560 --> 00:07:15,280 Speaker 1: Kaleen, Whether it was like some gaying. 163 00:07:15,040 --> 00:07:17,320 Speaker 2: No, because I'm trying to read your name from a computer, 164 00:07:17,480 --> 00:07:20,440 Speaker 2: and since I've come back from holidays, my eyesight's just 165 00:07:20,560 --> 00:07:21,280 Speaker 2: gone to pooh. 166 00:07:21,280 --> 00:07:22,520 Speaker 1: We're going to put the big font on. 167 00:07:22,680 --> 00:07:25,320 Speaker 2: You'll have to. Actually, that's the thing. As we work 168 00:07:25,360 --> 00:07:26,840 Speaker 2: here longer and longer and get older and old, on 169 00:07:26,880 --> 00:07:27,440 Speaker 2: it a bigger fo. 170 00:07:27,600 --> 00:07:30,080 Speaker 1: See some people with their iPhone and the font is 171 00:07:30,120 --> 00:07:31,560 Speaker 1: the bigst font you'll see. 172 00:07:31,400 --> 00:07:34,640 Speaker 2: One word per line. All right, Callen? Hello A question six. 173 00:07:34,680 --> 00:07:38,360 Speaker 2: It was eliminated last night from I'm a Celebrity. It 174 00:07:38,440 --> 00:07:40,160 Speaker 2: was po she's joining us on the show today. 175 00:07:40,240 --> 00:07:43,160 Speaker 1: Today is the last day for which member of the 176 00:07:43,280 --> 00:07:54,000 Speaker 1: WSFM team. Oh wow, Race in Francis. 177 00:07:54,440 --> 00:07:56,800 Speaker 2: The buzzer went quickly, this is she's a cruel mistress 178 00:07:56,840 --> 00:08:02,360 Speaker 2: this competition. Yeah, hello, Ray, how are you? Do you 179 00:08:02,400 --> 00:08:05,240 Speaker 2: know who's leaving us today in our WSFM team. We've 180 00:08:05,240 --> 00:08:07,600 Speaker 2: been talking about it for the week. He's giving us 181 00:08:07,640 --> 00:08:14,679 Speaker 2: a week's notice. I think your phone's in your unders. 182 00:08:16,280 --> 00:08:21,400 Speaker 1: We've got leanne of silver date Anne Hi going. Clearly 183 00:08:21,400 --> 00:08:23,360 Speaker 1: this member of the team is very popular. 184 00:08:23,520 --> 00:08:26,160 Speaker 2: Well, we have been mentioning that it was this time 185 00:08:26,200 --> 00:08:28,200 Speaker 2: last week we said I'm heading off. Do you know 186 00:08:28,200 --> 00:08:28,680 Speaker 2: who it is? 187 00:08:29,960 --> 00:08:34,600 Speaker 1: Yes, it's Jimmy the Millennial celebration. 188 00:08:36,480 --> 00:08:37,079 Speaker 2: He's going. 189 00:08:39,480 --> 00:08:42,320 Speaker 1: Apparently seventy five percent of people are going to miss 190 00:08:42,520 --> 00:08:43,400 Speaker 1: Jimmy the Millennial. 191 00:08:43,880 --> 00:08:46,600 Speaker 2: I've voted in that poll. Don't ask me which way 192 00:08:46,600 --> 00:08:47,160 Speaker 2: I voted. 193 00:08:48,080 --> 00:08:49,959 Speaker 1: I congratulations to you. In the end, you've won the 194 00:08:50,000 --> 00:08:52,000 Speaker 1: jam packet's all coming away one hundred and fifty dollars 195 00:08:52,080 --> 00:08:54,599 Speaker 1: to spend a Bavista dessert bar Weld Famous Desserts and 196 00:08:54,679 --> 00:08:57,480 Speaker 1: Baysta Paramatta and brighton the Sands. I found me passed 197 00:08:57,480 --> 00:08:59,840 Speaker 1: it to wronga Zoo Sydney, use your din and discover 198 00:09:00,160 --> 00:09:02,600 Speaker 1: this summer at Tarna Zoop and Jones a Noomatic character, 199 00:09:02,640 --> 00:09:04,920 Speaker 1: Jews for the Gallery and some Salar pencils. Anything you'd 200 00:09:04,960 --> 00:09:10,160 Speaker 1: like to add, li Anne, that would be a n. 201 00:09:10,880 --> 00:09:12,600 Speaker 2: She's wishing Jimmy will in her thoughts. 202 00:09:12,760 --> 00:09:13,920 Speaker 1: Did you hear on that? I got all that. 203 00:09:14,240 --> 00:09:16,320 Speaker 2: Yeah, she was saying, I wish you well, Jimmy and 204 00:09:16,440 --> 00:09:17,559 Speaker 2: the Dreams going to miss you. 205 00:09:17,800 --> 00:09:23,160 Speaker 1: Heartfelt words the Magnificent seven. We'll be back again on Monday. 206 00:09:23,440 --> 00:09:24,760 Speaker 2: Jonesy and Amanda. 207 00:09:24,520 --> 00:09:29,599 Speaker 5: Germ podcast, Are You Ready to go? 208 00:09:30,960 --> 00:09:34,920 Speaker 1: You're scoll you dumb idiots thumbing through the German that 209 00:09:34,960 --> 00:09:37,959 Speaker 1: gat Big book of musical facts. On this day. In 210 00:09:38,000 --> 00:09:40,679 Speaker 1: nineteen seventy eight, the Flintwood macer album Rumors went to 211 00:09:40,760 --> 00:09:42,760 Speaker 1: number one on the charts, which included one of their 212 00:09:42,800 --> 00:09:44,480 Speaker 1: best Go Your Own Way. 213 00:09:44,840 --> 00:09:48,440 Speaker 2: That was a massive, massive album. Everyone I knew and 214 00:09:48,480 --> 00:09:49,760 Speaker 2: we were just kids had that. 215 00:09:49,920 --> 00:09:51,400 Speaker 1: You said it a bit like Kylie Molvin. 216 00:09:52,240 --> 00:09:54,800 Speaker 2: Everyone I know had that, and she said, she said, 217 00:09:54,840 --> 00:09:55,280 Speaker 2: she goes. 218 00:09:55,559 --> 00:09:58,439 Speaker 1: The band have always been known for writing about its 219 00:09:58,480 --> 00:10:01,400 Speaker 1: inner band drama, and Go your Own Way is no exception. 220 00:10:01,520 --> 00:10:05,560 Speaker 1: Lindsey Buckingham certainly didn't pull any punctures punches, using the 221 00:10:05,679 --> 00:10:08,959 Speaker 1: song to accuse Stevie Nicks of moving on to soon 222 00:10:08,960 --> 00:10:12,880 Speaker 1: because they were a thing. Remember, Stevie said, every time 223 00:10:13,120 --> 00:10:16,720 Speaker 1: those words packing up shacking up would come on stage, 224 00:10:16,960 --> 00:10:19,320 Speaker 1: I wanted to go over and kill him. 225 00:10:19,480 --> 00:10:22,840 Speaker 2: I'm singing packing up and shacking up today. 226 00:10:22,880 --> 00:10:25,760 Speaker 1: It's charts as one of the biggest angry breakup songs 227 00:10:25,760 --> 00:10:26,200 Speaker 1: of all. 228 00:10:26,080 --> 00:10:27,520 Speaker 2: Time from Carlie Moles. 229 00:10:27,559 --> 00:10:31,240 Speaker 1: You're dropped one of the greats. Why don't we put 230 00:10:31,280 --> 00:10:34,520 Speaker 1: it on? Not your dropped? Go your own way, Sure, 231 00:10:35,679 --> 00:10:36,960 Speaker 1: look for someone at the door. 232 00:10:40,800 --> 00:10:44,160 Speaker 2: Oh it's station goes hi, station goes. 233 00:10:44,360 --> 00:10:45,720 Speaker 9: Hello, Hello, how are you? 234 00:10:45,960 --> 00:10:47,319 Speaker 2: I'm very well? How are you going? 235 00:10:48,840 --> 00:10:51,880 Speaker 1: I've been very, very busy. Big names, big names have 236 00:10:52,000 --> 00:10:57,640 Speaker 1: been coming into the office. Ob second, yes, and just 237 00:10:57,760 --> 00:11:03,240 Speaker 1: arrived Jenny Saint of a woman And what about midlight not. 238 00:11:03,280 --> 00:11:06,120 Speaker 2: To chase, No, not the food the singer. 239 00:11:05,960 --> 00:11:10,319 Speaker 1: I know what you mean. Anyway, take this piece of babo. 240 00:11:13,160 --> 00:11:15,199 Speaker 2: Wow, a bit of editorializing. 241 00:11:15,280 --> 00:11:19,679 Speaker 1: They're from Station Ghost Management rates. We understand that one 242 00:11:19,720 --> 00:11:22,520 Speaker 1: of your team is leaving. Employee number seventy five three 243 00:11:22,520 --> 00:11:23,040 Speaker 1: triple h. 244 00:11:23,960 --> 00:11:25,640 Speaker 2: It'd be Jimmy, must. 245 00:11:25,440 --> 00:11:28,680 Speaker 1: Be Jimmy the Millennial. He's leaving. Today's last day. We're 246 00:11:28,679 --> 00:11:32,520 Speaker 1: sure going to miss him. Slash her, slash vay. Today's 247 00:11:32,520 --> 00:11:34,800 Speaker 1: five for your flight. It's very heartfelt, isn't it? For management, 248 00:11:34,800 --> 00:11:38,439 Speaker 1: it's beautiful? Five for your Faceback songs to farewell employee 249 00:11:38,480 --> 00:11:40,840 Speaker 1: number seven five three triple H play well the management. 250 00:11:40,960 --> 00:11:43,480 Speaker 2: Ah, it's going to be emotional with those letters and numbers. 251 00:11:43,679 --> 00:11:44,960 Speaker 1: I'm welling up already. 252 00:11:46,520 --> 00:11:48,800 Speaker 2: It's all right, I'll think of some I'll think of something. 253 00:11:48,840 --> 00:11:52,960 Speaker 1: Something to say goodbye, good old Jimmy the Millennial. Employee 254 00:11:53,040 --> 00:11:55,160 Speaker 1: number seventy five three triple H. 255 00:11:55,679 --> 00:11:56,240 Speaker 9: W s the. 256 00:11:58,440 --> 00:11:59,080 Speaker 2: Pomcast. 257 00:12:00,040 --> 00:12:01,719 Speaker 5: There's a couple of questions that I have to ask you. 258 00:12:02,000 --> 00:12:02,880 Speaker 5: I answer questions. 259 00:12:03,160 --> 00:12:05,280 Speaker 2: Just answer it a question, Okay, what's in it for me? 260 00:12:06,240 --> 00:12:11,480 Speaker 1: Dollars? A dollar reward? Yeah, the ten thousand dollars question. 261 00:12:11,559 --> 00:12:13,560 Speaker 1: All you've got to do is answer ten questions in 262 00:12:13,720 --> 00:12:16,520 Speaker 1: sixty seconds. Of course, a twist, there's got to be 263 00:12:16,520 --> 00:12:18,120 Speaker 1: a twist when it's not going to give you the money. 264 00:12:18,120 --> 00:12:21,000 Speaker 1: Easy peasy. We start a question one, and it's the 265 00:12:21,000 --> 00:12:23,880 Speaker 1: caller that gets to question ten and answers correctly before 266 00:12:23,880 --> 00:12:26,000 Speaker 1: the buzzer that will be deemed the winner and will 267 00:12:26,040 --> 00:12:27,920 Speaker 1: walk away with ten thousand dollars. 268 00:12:27,920 --> 00:12:30,320 Speaker 2: It's interesting because someone a whole lot of people may 269 00:12:30,360 --> 00:12:32,400 Speaker 2: stuff up in the middle, which will slow you down, 270 00:12:33,000 --> 00:12:35,640 Speaker 2: or other people. You may get there on the shoulders 271 00:12:35,640 --> 00:12:38,400 Speaker 2: of angels. They may get them all right, fall over 272 00:12:38,440 --> 00:12:40,480 Speaker 2: at question ten and you step in and take the money. 273 00:12:40,600 --> 00:12:42,440 Speaker 1: Or you could be like Jackie of Kellyville and just 274 00:12:42,480 --> 00:12:44,679 Speaker 1: go all the way Jackie, and just do it. 275 00:12:44,800 --> 00:12:45,920 Speaker 2: Let's see how you go over. 276 00:12:47,880 --> 00:12:49,319 Speaker 7: I'm really hoping I do all. 277 00:12:49,320 --> 00:12:52,520 Speaker 2: Right, Okay Jackie, Okay, here we go. Question one? What 278 00:12:52,640 --> 00:12:54,839 Speaker 2: sport does Cristiano Ronaldo play? 279 00:12:56,240 --> 00:12:56,600 Speaker 7: Socco? 280 00:12:57,040 --> 00:12:59,440 Speaker 2: Question two? Keep Calm and carry on was the slogan 281 00:12:59,480 --> 00:13:03,840 Speaker 2: of which nation? Question three? Who released the album titled 282 00:13:03,840 --> 00:13:04,960 Speaker 2: The Spaghetti Incident? 283 00:13:06,800 --> 00:13:07,720 Speaker 7: Lady Gaga. 284 00:13:09,360 --> 00:13:11,959 Speaker 2: Creek who released the album titled the Spaghetti Incident. 285 00:13:15,800 --> 00:13:17,600 Speaker 1: Mark's in Quakers Hill, who released the. 286 00:13:17,600 --> 00:13:19,640 Speaker 2: Album titled The Spaghetti Incident. 287 00:13:20,360 --> 00:13:24,080 Speaker 1: Doctor Push Club, James W who. 288 00:13:23,960 --> 00:13:27,720 Speaker 2: Released the album titled The Spaghetti Incident, Guns and Roses. 289 00:13:27,840 --> 00:13:34,600 Speaker 2: Question four? How many zeros are in a quadrillion? Question five? 290 00:13:34,640 --> 00:13:37,560 Speaker 2: What's the name of the Donkey? And Winnie the Pooh? 291 00:13:38,040 --> 00:13:40,880 Speaker 2: Your question six, who's the thirty fifth President of the US, 292 00:13:43,320 --> 00:13:44,360 Speaker 2: Barack Obama. 293 00:13:44,520 --> 00:13:48,520 Speaker 1: Oh man is the buzzer God steps in Mona Vale? 294 00:13:48,640 --> 00:13:50,400 Speaker 2: Who is the thirty fifth President of the US? 295 00:13:51,480 --> 00:13:53,120 Speaker 7: Oh, Barack Obama? 296 00:13:55,480 --> 00:13:56,280 Speaker 1: And there it is. 297 00:13:57,480 --> 00:14:01,720 Speaker 2: It was actually John F. Kennedy jfk Up and down 298 00:14:01,720 --> 00:14:03,600 Speaker 2: and up and down, up and down and up and down. 299 00:14:04,480 --> 00:14:06,200 Speaker 2: Takes your breath away, doesn't it. No one's won the 300 00:14:06,200 --> 00:14:08,680 Speaker 2: money today. It went off last week. That's how easily 301 00:14:08,720 --> 00:14:09,400 Speaker 2: it can happen. 302 00:14:10,960 --> 00:14:12,160 Speaker 1: You're okay, Yes. 303 00:14:11,960 --> 00:14:14,800 Speaker 2: It's exciting as exciting and you well, I won't be 304 00:14:14,840 --> 00:14:16,440 Speaker 2: excited for long because five for your flashbacks? 305 00:14:16,480 --> 00:14:16,680 Speaker 9: Why? 306 00:14:17,080 --> 00:14:18,880 Speaker 1: Why are you worried about five for your flashback? 307 00:14:19,560 --> 00:14:19,720 Speaker 10: Oh? 308 00:14:19,800 --> 00:14:22,520 Speaker 1: That's what I won last week, did you? Yeah, of 309 00:14:22,520 --> 00:14:24,359 Speaker 1: course I did. Don't be coy. 310 00:14:24,600 --> 00:14:34,600 Speaker 3: Gamation fight for your flashback? 311 00:14:34,800 --> 00:14:37,600 Speaker 1: Two songs enter One song leaves management right this morning, 312 00:14:37,680 --> 00:14:40,440 Speaker 1: we understand one of your team is leaving. Employee number 313 00:14:40,480 --> 00:14:42,640 Speaker 1: seventy five to three triple h. 314 00:14:42,640 --> 00:14:43,520 Speaker 2: That's Jimmy, Is it? 315 00:14:43,600 --> 00:14:46,920 Speaker 1: Jimmy? I've got a name. Come on, we're sure going 316 00:14:46,960 --> 00:14:49,400 Speaker 1: to miss him slash her slash day. 317 00:14:50,440 --> 00:14:52,240 Speaker 2: So today we had to come up with songs for 318 00:14:52,280 --> 00:14:52,680 Speaker 2: what was. 319 00:14:52,600 --> 00:14:55,440 Speaker 1: It Today's five for your flashback songs to farewell Employee 320 00:14:55,480 --> 00:14:58,360 Speaker 1: number seventy five to three triple h. 321 00:14:58,440 --> 00:15:02,360 Speaker 2: All right, well, well the management Jimmy the Millennial is 322 00:15:02,360 --> 00:15:04,280 Speaker 2: standing by to see how heart felt these songs are. 323 00:15:04,360 --> 00:15:06,680 Speaker 1: I'm going to miss Jimmy. I really enjoy his company. 324 00:15:06,840 --> 00:15:08,560 Speaker 1: I think he's a great guy. I don't know what 325 00:15:08,600 --> 00:15:11,080 Speaker 1: he actually does around here, but I'm going to miss him. 326 00:15:11,080 --> 00:15:13,440 Speaker 1: And I know that you've worked very hard, mate for 327 00:15:13,480 --> 00:15:15,680 Speaker 1: four years, and I know it's time you retired at 328 00:15:15,680 --> 00:15:17,920 Speaker 1: the age of twenty seven, and you have no discernible 329 00:15:17,960 --> 00:15:20,960 Speaker 1: employment to go to, And I know it's not for 330 00:15:21,000 --> 00:15:23,920 Speaker 1: me to judge. This is your time. This is what 331 00:15:23,960 --> 00:15:27,240 Speaker 1: you do. Like Generation X, we work our fingers to 332 00:15:27,280 --> 00:15:29,960 Speaker 1: the bone, that's what we do. But paving the way 333 00:15:30,040 --> 00:15:30,600 Speaker 1: for people like. 334 00:15:30,680 --> 00:15:32,560 Speaker 2: Jimmy to retire at twenty seven. 335 00:15:32,400 --> 00:15:36,920 Speaker 1: To retire and become a great head. No, man, this 336 00:15:37,080 --> 00:15:38,760 Speaker 1: is a great song for Jimmy. I give you coaches 337 00:15:38,880 --> 00:15:59,480 Speaker 1: Land Goodbye, Goodbye, Jimmy. What a great soup. 338 00:15:59,560 --> 00:16:02,080 Speaker 2: It's a song, isn't it interesting? I was trying to 339 00:16:02,120 --> 00:16:03,960 Speaker 2: find that country song that was don't at the Door 340 00:16:04,000 --> 00:16:06,520 Speaker 2: Hit You where the Good Lord's Pitcher? But I couldn't 341 00:16:06,520 --> 00:16:10,160 Speaker 2: find it. I've gone with a song. 342 00:16:10,240 --> 00:16:12,200 Speaker 9: Do you want me to have a look? 343 00:16:11,120 --> 00:16:17,960 Speaker 2: I wrote that on your card with a good lord, Splitcher, 344 00:16:19,720 --> 00:16:22,640 Speaker 2: I've gone with a song that when I was at school, 345 00:16:22,680 --> 00:16:26,160 Speaker 2: had us all thinking, what is Spanish fly? What is 346 00:16:26,200 --> 00:16:26,720 Speaker 2: Spanish fly? 347 00:16:26,800 --> 00:16:30,800 Speaker 1: It's Do you believe I heard that in a Bill 348 00:16:30,840 --> 00:16:31,640 Speaker 1: Cosby sketch? 349 00:16:31,720 --> 00:16:37,240 Speaker 2: No, that was a sedative anyway, Jimmy, you know how 350 00:16:37,280 --> 00:16:40,480 Speaker 2: I feel about you. You are an extraordinary human being. 351 00:16:40,520 --> 00:16:42,520 Speaker 2: But still you haven't tied it up to your room. 352 00:16:42,760 --> 00:16:47,320 Speaker 2: You sleep all afternoon. This is a song for you. 353 00:16:47,320 --> 00:16:49,960 Speaker 2: You're moving out today, take your Spanish fly and whatever 354 00:16:50,000 --> 00:16:52,080 Speaker 2: that's stubborning with you one night and. 355 00:16:52,200 --> 00:16:57,040 Speaker 9: You in I did man cars of the speech you 356 00:16:57,160 --> 00:17:06,400 Speaker 9: were in. 357 00:17:04,280 --> 00:17:08,840 Speaker 2: Love of course, come on, it's great, just co written 358 00:17:08,840 --> 00:17:14,760 Speaker 2: by a bit middler. Well thanks for that. You just 359 00:17:14,840 --> 00:17:17,640 Speaker 2: pulled off the turntable I used to looking for. Why 360 00:17:17,640 --> 00:17:20,320 Speaker 2: don't you let the door splitcher? 361 00:17:20,480 --> 00:17:23,760 Speaker 1: Anyway, there's the songs thirteen w s FM Fight for 362 00:17:23,800 --> 00:17:29,320 Speaker 1: Your Flashback give us called playing Fight for your Flashback Today. 363 00:17:29,400 --> 00:17:31,840 Speaker 1: It's a sad day. Management writes, one of your team 364 00:17:31,920 --> 00:17:35,840 Speaker 1: is leaving employee number seven five three triple H. We're 365 00:17:35,880 --> 00:17:40,000 Speaker 1: sure going to miss him per slash day Joy about 366 00:17:40,040 --> 00:17:42,240 Speaker 1: you mean the millennimire is and I'm not going to 367 00:17:42,320 --> 00:17:42,600 Speaker 1: let me. 368 00:17:42,560 --> 00:17:44,640 Speaker 2: Just check my emails now that's next week. 369 00:17:44,640 --> 00:17:48,560 Speaker 1: You're just wrestling a single piece of paper. Today's five 370 00:17:48,640 --> 00:17:52,239 Speaker 1: for your flashback songs to farewell employee number seven, five 371 00:17:52,320 --> 00:17:55,399 Speaker 1: three triple h And I've gone with Colches or Goodbye 372 00:17:55,440 --> 00:17:57,919 Speaker 1: Astro Goodbye. 373 00:17:58,720 --> 00:17:59,679 Speaker 2: His name's not Astro. 374 00:18:00,680 --> 00:18:02,560 Speaker 1: Well it's not good bye, Jimmy goodbye? 375 00:18:03,000 --> 00:18:03,600 Speaker 9: Or what is it? 376 00:18:03,640 --> 00:18:05,760 Speaker 1: Don't let the door hit you? Where the good Lord splitcher? 377 00:18:06,960 --> 00:18:07,680 Speaker 1: Which is your song? 378 00:18:07,720 --> 00:18:10,080 Speaker 2: All right? Well, no, I've gone with you moving out 379 00:18:10,080 --> 00:18:13,560 Speaker 2: today Caraba segat you run. 380 00:18:13,920 --> 00:18:16,879 Speaker 1: I'd like to wish she's missing. 381 00:18:16,640 --> 00:18:21,480 Speaker 2: A ride there sixty one pass and loved that song. 382 00:18:21,560 --> 00:18:23,240 Speaker 2: So let's see what you want to hear today. 383 00:18:23,440 --> 00:18:25,879 Speaker 1: We've got Lany of penrothella Laney. 384 00:18:28,640 --> 00:18:32,800 Speaker 2: Lane, Hi, Lany, Hello to day. 385 00:18:32,880 --> 00:18:36,480 Speaker 7: It is a sad day for you, yes, but but 386 00:18:37,200 --> 00:18:40,679 Speaker 7: I is a happy day to Jimmy the millennium. So 387 00:18:40,960 --> 00:18:43,119 Speaker 7: with that, I'm going to go with Jointy because I 388 00:18:43,240 --> 00:18:45,600 Speaker 7: think got the dancing out of the building to that song. 389 00:18:46,320 --> 00:18:50,960 Speaker 2: Well, it's a happy dan the building too. You'd be lucky, Jimmy, 390 00:18:50,960 --> 00:18:53,640 Speaker 2: you've been here for you give frog match, and you're 391 00:18:53,680 --> 00:18:57,880 Speaker 2: retiring because you're tired and can't be bothered. It's hardly Jubilasia. 392 00:18:58,560 --> 00:19:00,639 Speaker 2: Were these songs touching you in your heart? 393 00:19:00,800 --> 00:19:01,359 Speaker 9: Emotional? 394 00:19:01,440 --> 00:19:01,640 Speaker 3: Yeah? 395 00:19:02,000 --> 00:19:03,480 Speaker 9: With one word, I'd use yeah. 396 00:19:03,720 --> 00:19:06,720 Speaker 1: And how's the Jimmy and the Millennial Army going? Is 397 00:19:06,760 --> 00:19:08,600 Speaker 1: that good? You've got Leslie and Karen. 398 00:19:08,640 --> 00:19:09,399 Speaker 2: I think it's made up. 399 00:19:09,760 --> 00:19:11,560 Speaker 9: We've got a message from Leslie last night just saying 400 00:19:11,600 --> 00:19:13,320 Speaker 9: she'd be really sad today. 401 00:19:13,560 --> 00:19:14,880 Speaker 1: It's a it's a big day for her. 402 00:19:16,640 --> 00:19:18,480 Speaker 9: But she also did say that she's happy to listen 403 00:19:18,560 --> 00:19:20,280 Speaker 9: to me when I come back to radio, so long 404 00:19:20,320 --> 00:19:24,520 Speaker 9: as I don't cross over her main stars Ugly Phil 405 00:19:24,520 --> 00:19:29,000 Speaker 9: after nine and Jonesy and Amanda you're a cheeky one. 406 00:19:29,560 --> 00:19:31,159 Speaker 1: And did you say hi to your mum? I mean 407 00:19:31,240 --> 00:19:35,880 Speaker 1: Leslie to that glove puppet that's Leslie. Anita has joined 408 00:19:35,960 --> 00:19:40,520 Speaker 1: us in Narrabin. Hello Anita, Good morning, Jonesy, Good morning Amanda. 409 00:19:40,920 --> 00:19:43,560 Speaker 7: Sorry Jonesy, it has to be Amanda this morning. 410 00:19:44,320 --> 00:19:45,320 Speaker 2: Thank you so much. 411 00:19:46,080 --> 00:19:48,440 Speaker 1: All right, Well, you will see what you're doing. 412 00:19:48,560 --> 00:19:50,639 Speaker 2: We have a fight on our hands. Give us a 413 00:19:50,680 --> 00:19:53,800 Speaker 2: call thirteen WSFM or go to our Instagram story. Jonesy 414 00:19:53,800 --> 00:19:55,960 Speaker 2: and Amanda Jonesy and Amanda. 415 00:19:55,640 --> 00:20:08,320 Speaker 1: Gem podcast Fight for Your Flashback two songs into one 416 00:20:08,400 --> 00:20:10,760 Speaker 1: song leads management roade this morning. We understand one of 417 00:20:10,800 --> 00:20:14,560 Speaker 1: your team is leaving Employee number seventy five three triple H. 418 00:20:14,680 --> 00:20:17,800 Speaker 1: We're pretty sure that that's Jimmy the Millennial unless anything 419 00:20:17,840 --> 00:20:18,560 Speaker 1: else has happened. 420 00:20:19,000 --> 00:20:20,880 Speaker 2: No, you're not supposed to go to all next week, but. 421 00:20:25,760 --> 00:20:29,040 Speaker 1: Did you cut me deeply where you're going to miss him? 422 00:20:29,320 --> 00:20:34,760 Speaker 1: Slash her slash day songs to farewell Employee number seven 423 00:20:34,840 --> 00:20:37,800 Speaker 1: five three triple H. Playwell the management. I've gone with 424 00:20:37,800 --> 00:20:55,880 Speaker 1: this great banger from Cold Chisel. Goodbye Astrid, Goodbye. 425 00:20:50,440 --> 00:20:50,760 Speaker 7: Thank you. 426 00:20:51,200 --> 00:20:53,399 Speaker 2: Jimmy's name isn't Astred. But apart from that, I think 427 00:20:53,440 --> 00:20:56,240 Speaker 2: that's ridiculous. I've gone with Carol bea saga, You're moving 428 00:20:56,240 --> 00:21:02,280 Speaker 2: out today? You wish you funny? 429 00:21:02,400 --> 00:21:04,760 Speaker 1: Set read sixty one. 430 00:21:05,119 --> 00:21:07,000 Speaker 2: Can I want to see what you want to hear today? 431 00:21:07,080 --> 00:21:10,000 Speaker 2: We'll start with Charlene in Campbelltown Fight for Your Flashback. 432 00:21:10,119 --> 00:21:12,359 Speaker 2: Charlene morning man, Good morning, Jonesy. 433 00:21:12,400 --> 00:21:13,080 Speaker 7: How are you both going? 434 00:21:13,160 --> 00:21:14,360 Speaker 1: We are very well, Charlene. 435 00:21:14,680 --> 00:21:17,640 Speaker 7: That's good. Amanda, that is an absolute shocker. I would 436 00:21:17,680 --> 00:21:21,240 Speaker 7: be embarrassed to even know that song. I vote for Joan. 437 00:21:21,440 --> 00:21:23,000 Speaker 2: Do you not even know that? Have you never heard 438 00:21:23,040 --> 00:21:23,880 Speaker 2: that song? Charleye? 439 00:21:23,960 --> 00:21:24,200 Speaker 1: I have. 440 00:21:25,040 --> 00:21:27,280 Speaker 7: I hate to admit it, Yes I have, but yeah, 441 00:21:27,280 --> 00:21:28,320 Speaker 7: I would not definitely pick that. 442 00:21:28,560 --> 00:21:31,439 Speaker 2: Okay, all this is what this is about. It's all choice. 443 00:21:31,720 --> 00:21:32,880 Speaker 1: Monas in Merryland. 444 00:21:32,960 --> 00:21:35,919 Speaker 7: Hello, Mona, both morning guys him. 445 00:21:36,480 --> 00:21:37,840 Speaker 2: What would you like to hear? Mona? 446 00:21:38,359 --> 00:21:41,960 Speaker 7: Well, firstly, i'd like to wish your employee seven five 447 00:21:42,040 --> 00:21:47,359 Speaker 7: eight triple eh, Jinny, thank. 448 00:21:47,280 --> 00:21:49,760 Speaker 1: You, thank you, Mona all the best for the future 449 00:21:49,960 --> 00:21:50,760 Speaker 1: when he retires. 450 00:21:50,920 --> 00:21:56,040 Speaker 7: Yes, well, yeah, okay, now I'm vaiting for you, Amanda. 451 00:21:56,400 --> 00:21:59,399 Speaker 7: That's my favorite song too. I had the record for 452 00:21:59,800 --> 00:22:03,760 Speaker 7: four he Is last year. I thoughtlessly lifted on the 453 00:22:03,840 --> 00:22:06,359 Speaker 7: turntable in the sun and it warped it. 454 00:22:06,720 --> 00:22:08,959 Speaker 2: But you were playing it last year on a record. 455 00:22:09,640 --> 00:22:12,040 Speaker 7: I still have it. I did have it. I had 456 00:22:12,119 --> 00:22:15,119 Speaker 7: to try it out because it was so warmed. I 457 00:22:15,320 --> 00:22:17,840 Speaker 7: just couldn't keep it anymore. I love here. 458 00:22:19,800 --> 00:22:21,760 Speaker 2: Wow, that is your favorite song if you're playing it 459 00:22:21,840 --> 00:22:22,920 Speaker 2: on the record Planer. 460 00:22:22,800 --> 00:22:27,320 Speaker 1: Just last year word Justin's in old tune Gabby, Hello, Justin. 461 00:22:29,920 --> 00:22:34,160 Speaker 7: Very well, I'd just like to say to Jimmy goodbye. 462 00:22:34,320 --> 00:22:37,040 Speaker 2: Jimmy, goodbye for. 463 00:22:38,520 --> 00:22:38,800 Speaker 1: Thank you. 464 00:22:41,960 --> 00:22:44,800 Speaker 2: I like spaces between the world, all. 465 00:22:44,720 --> 00:22:47,879 Speaker 1: Those words together. Kayla's in Marsville. 466 00:22:47,960 --> 00:22:50,280 Speaker 2: Hello, Kayla, Good morning guys. 467 00:22:50,320 --> 00:22:54,600 Speaker 7: How are you those very well? Okay, firstly, I've got 468 00:22:54,720 --> 00:22:56,440 Speaker 7: to say goodbye to Jimmy the Millennial. 469 00:22:56,560 --> 00:22:57,680 Speaker 8: I'm so gut it. 470 00:22:57,840 --> 00:23:00,600 Speaker 7: Like Leslie Smesley, I'm his bigger fan. 471 00:23:02,080 --> 00:23:03,480 Speaker 2: This army is getting bigger. 472 00:23:03,560 --> 00:23:07,640 Speaker 1: So we've got Leslie, We've got Karen, Jimmy Army. We've 473 00:23:07,680 --> 00:23:09,040 Speaker 1: got Leslie. We've got Karen. 474 00:23:09,119 --> 00:23:11,920 Speaker 2: And I know you talk about being in the Jimmy Army. 475 00:23:12,119 --> 00:23:13,680 Speaker 2: I don't think this is the kind of army that 476 00:23:13,760 --> 00:23:16,240 Speaker 2: you'd need to pour oil down the castle wall. I 477 00:23:16,320 --> 00:23:18,160 Speaker 2: could probably prod you will with a cushion and you'd 478 00:23:18,200 --> 00:23:20,359 Speaker 2: run away. But I'm happy to hear it. 479 00:23:20,600 --> 00:23:22,359 Speaker 1: And well, who are you voting for? Kaylor? 480 00:23:23,080 --> 00:23:23,880 Speaker 8: Is for Amanda? 481 00:23:24,080 --> 00:23:28,360 Speaker 2: Thank you, Kayla. Suddenly I've turned the corner and Darren's 482 00:23:28,400 --> 00:23:32,720 Speaker 2: in Quakers Hill. Hello, Darren, Good morning, Jonesy, Good morning Amanda. 483 00:23:32,840 --> 00:23:35,040 Speaker 3: First of all, Jimmy, thank you for everything you've done. 484 00:23:35,080 --> 00:23:36,119 Speaker 7: You'll be so missed. 485 00:23:38,119 --> 00:23:48,840 Speaker 1: You say he's a banger, but come on, Jonesy and Darren. 486 00:23:49,000 --> 00:23:52,520 Speaker 2: All right, Well, I can see do you, Yeah, I do, 487 00:23:52,760 --> 00:23:53,520 Speaker 2: I'm gracious. 488 00:23:53,880 --> 00:23:57,440 Speaker 1: This is a smoking banger of a song. Collach By 489 00:23:58,200 --> 00:24:03,040 Speaker 1: good Bye, Farewell to employ your number seventy five three 490 00:24:03,080 --> 00:24:06,280 Speaker 1: triple H or Jimmy the Millennial Goodbye or what was 491 00:24:06,320 --> 00:24:07,600 Speaker 1: that song that you wanted to play for it? 492 00:24:07,720 --> 00:24:09,480 Speaker 2: Don't let the door hit you? Where a good Lord's 493 00:24:09,480 --> 00:24:12,720 Speaker 2: split you. I've been humming at all day. 494 00:24:13,240 --> 00:24:15,240 Speaker 1: It's twenty away. Let's get on down to the Jonesy 495 00:24:15,320 --> 00:24:17,040 Speaker 1: de man ra arms right now for the pub test, 496 00:24:18,960 --> 00:24:20,439 Speaker 1: and let's talk about QR codes. 497 00:24:21,520 --> 00:24:25,040 Speaker 2: Yeah, people are wondering why do we still have QR codes, 498 00:24:25,359 --> 00:24:28,680 Speaker 2: because we use them early on to identify cases and 499 00:24:28,840 --> 00:24:31,240 Speaker 2: to stop the spread, to alert you if you've been 500 00:24:31,680 --> 00:24:35,000 Speaker 2: near a person who had COVID. Obviously there's no contact 501 00:24:35,080 --> 00:24:37,760 Speaker 2: tracing going on anymore. With thousands and tens of thousands 502 00:24:37,800 --> 00:24:42,360 Speaker 2: of cases every day, they aren't useful in that way, 503 00:24:42,640 --> 00:24:44,960 Speaker 2: but there's a call to have them remaining and for 504 00:24:45,119 --> 00:24:48,399 Speaker 2: us to still keep checking in with our QR codes, 505 00:24:48,680 --> 00:24:50,760 Speaker 2: because they're saying they may be useful again in the 506 00:24:50,840 --> 00:24:54,159 Speaker 2: future if a new variant comes through that has lower numbers, 507 00:24:54,200 --> 00:24:56,720 Speaker 2: that's more terrifying, and we do need to keep on 508 00:24:56,800 --> 00:24:59,520 Speaker 2: top of it. They want it to be as common 509 00:24:59,560 --> 00:25:01,400 Speaker 2: for us as putting on a mask, that it's part 510 00:25:01,440 --> 00:25:02,840 Speaker 2: of our everyday behavior. 511 00:25:03,000 --> 00:25:04,680 Speaker 1: So it's kind of in the name of science. So 512 00:25:04,760 --> 00:25:07,200 Speaker 1: we just get an idea of this my only concern. 513 00:25:07,240 --> 00:25:09,000 Speaker 1: And say you're an airline pilot something. You're about to 514 00:25:09,000 --> 00:25:10,840 Speaker 1: go and fly your plane and then you get an 515 00:25:10,840 --> 00:25:13,040 Speaker 1: alert saying you were at Bunnings. You couldn't you know, 516 00:25:13,320 --> 00:25:15,040 Speaker 1: Now you've got to go and isolate. But no one's 517 00:25:15,080 --> 00:25:17,800 Speaker 1: asking you to isolate the. 518 00:25:17,800 --> 00:25:19,680 Speaker 2: Early days you did if you you know, if you 519 00:25:20,160 --> 00:25:21,359 Speaker 2: had to be alert now, but. 520 00:25:21,440 --> 00:25:24,480 Speaker 1: You know the legal mind the ramifications. 521 00:25:23,600 --> 00:25:25,080 Speaker 2: Of that, but there aren't those. 522 00:25:25,240 --> 00:25:27,600 Speaker 1: This isn't linked, no ramification, No, there's not. 523 00:25:27,720 --> 00:25:30,879 Speaker 2: It's behavioral because as we well, as we've been told now, 524 00:25:30,960 --> 00:25:34,359 Speaker 2: if someone even has been in your home under four hours, 525 00:25:34,400 --> 00:25:36,640 Speaker 2: that's not considered a close contact. So the fact you've 526 00:25:36,640 --> 00:25:40,080 Speaker 2: been passing somebody at the shop with omicron, now you're 527 00:25:40,119 --> 00:25:43,200 Speaker 2: not deemed in danger of being a close contact under 528 00:25:43,240 --> 00:25:45,920 Speaker 2: four hours. Wow, So you and your wife you're not 529 00:25:45,960 --> 00:25:50,080 Speaker 2: even close contact. So it's interesting though, So it is 530 00:25:50,160 --> 00:25:52,400 Speaker 2: for behavior purposes, as they say here, it's like wearing 531 00:25:52,440 --> 00:25:54,960 Speaker 2: a face mask. You just want to get used to 532 00:25:55,080 --> 00:25:58,640 Speaker 2: doing it and keep checking in. I must admit sometimes 533 00:25:58,680 --> 00:26:01,040 Speaker 2: I do and sometimes I don't, and I then forget 534 00:26:01,119 --> 00:26:02,920 Speaker 2: to check out. It's showing that I've been your shopping 535 00:26:02,960 --> 00:26:06,000 Speaker 2: centers for fifteen years, but you actually have checked out 536 00:26:06,040 --> 00:26:06,680 Speaker 2: a long time ago. 537 00:26:06,800 --> 00:26:10,280 Speaker 1: Brenda, you've been at top Shop for twenty three hours. 538 00:26:10,880 --> 00:26:13,359 Speaker 1: They try to give us call the pub test continuing 539 00:26:13,480 --> 00:26:15,600 Speaker 1: QR codes. Does this pass the pub tech? 540 00:26:15,800 --> 00:26:17,560 Speaker 2: How do you feel about still doing it even though 541 00:26:17,640 --> 00:26:19,399 Speaker 2: as contact traces they're useless. 542 00:26:19,560 --> 00:26:21,440 Speaker 1: We'll have that for you at eight o'clock this morning. 543 00:26:21,520 --> 00:26:24,600 Speaker 1: In the meantime, Poe was eliminated from I'm a Celebrity, 544 00:26:24,680 --> 00:26:29,320 Speaker 1: Get me out of here. She's joining us next managers Comcast. 545 00:26:29,800 --> 00:26:33,119 Speaker 2: Who doesn't love Poe? Her catmates love her. Not just 546 00:26:33,160 --> 00:26:34,840 Speaker 2: because of what she could do with rice and beans, 547 00:26:34,840 --> 00:26:38,400 Speaker 2: although that did help, but she endears herself to everybody 548 00:26:38,520 --> 00:26:41,160 Speaker 2: she meets. She left the jungle last night. She's joining 549 00:26:41,240 --> 00:26:41,520 Speaker 2: us now. 550 00:26:42,119 --> 00:26:46,840 Speaker 1: Hello, po Hi, thanks for having me. Poe, I thought 551 00:26:46,840 --> 00:26:47,840 Speaker 1: you were going to go all the way. 552 00:26:48,160 --> 00:26:50,119 Speaker 2: See this is where it's different, isn't it. Poe? I 553 00:26:50,160 --> 00:26:52,399 Speaker 2: mean you were such a fan favorite that if the 554 00:26:52,480 --> 00:26:54,879 Speaker 2: public voted, you would have gone all the way, but 555 00:26:54,960 --> 00:26:57,119 Speaker 2: you got out from something as well. It wasn't simple, 556 00:26:57,240 --> 00:26:59,639 Speaker 2: but you know, you had to guess how many snakes 557 00:26:59,640 --> 00:27:02,200 Speaker 2: were in a box it was. It's just a quirk 558 00:27:02,320 --> 00:27:02,960 Speaker 2: that you got out. 559 00:27:04,200 --> 00:27:07,480 Speaker 7: Yeah. Look, it seems to be my brand to not win, 560 00:27:07,680 --> 00:27:08,520 Speaker 7: so I'm staying with it. 561 00:27:08,640 --> 00:27:11,399 Speaker 2: It's worth so far, you know. 562 00:27:11,480 --> 00:27:13,119 Speaker 1: But what I like about the show is you get 563 00:27:13,119 --> 00:27:15,040 Speaker 1: to learn a lot of stuff about you. So for example, 564 00:27:15,080 --> 00:27:17,760 Speaker 1: I didn't realize that your name for the first twenty 565 00:27:17,800 --> 00:27:20,240 Speaker 1: four years of your life was Sharon. 566 00:27:21,320 --> 00:27:27,240 Speaker 7: It was correct. Yeah, a lot of people don't know this, 567 00:27:27,440 --> 00:27:31,800 Speaker 7: but Malaysians often have English names, and I thought Mane 568 00:27:31,960 --> 00:27:34,000 Speaker 7: was on my birth certificate until I was twenty four 569 00:27:34,080 --> 00:27:37,880 Speaker 7: and then realized it wasn't. And I've decided to ditch 570 00:27:37,920 --> 00:27:39,840 Speaker 7: it and reclaim the Chinese name. 571 00:27:41,520 --> 00:27:43,840 Speaker 2: You also spoke about, you know, growing up a Mormon, 572 00:27:44,000 --> 00:27:48,480 Speaker 2: leaving the church, the experiences you had, the life and 573 00:27:48,640 --> 00:27:52,880 Speaker 2: brain expanding experiences overseas. That's the thing that this show does, 574 00:27:53,000 --> 00:27:55,240 Speaker 2: doesn't It Is that you probably never imagined you be 575 00:27:55,440 --> 00:27:57,440 Speaker 2: on a TV show where you'd be talking about all that. 576 00:27:59,280 --> 00:28:03,480 Speaker 7: No, that's right, and I love that the show gave 577 00:28:03,600 --> 00:28:05,879 Speaker 7: me a bigger canvas to work with in that respect, 578 00:28:05,920 --> 00:28:08,439 Speaker 7: because I think everyone obviously knows me through the cooking 579 00:28:08,720 --> 00:28:11,399 Speaker 7: and a little bit with the art, but even that 580 00:28:11,640 --> 00:28:13,560 Speaker 7: was a bit of a surprise for everyone. So I 581 00:28:13,640 --> 00:28:17,840 Speaker 7: think it was a really nice It's a really nice 582 00:28:18,480 --> 00:28:20,960 Speaker 7: medium for all of us who work in the media 583 00:28:21,080 --> 00:28:23,040 Speaker 7: to be able to show other layers of ourselves. 584 00:28:23,880 --> 00:28:25,920 Speaker 2: Is it just because Bo Ryan said that he really 585 00:28:25,960 --> 00:28:30,800 Speaker 2: struggled with the downtime. The challenges were one thing, but 586 00:28:30,920 --> 00:28:33,280 Speaker 2: there were days and hours where you'd sit around the 587 00:28:33,359 --> 00:28:36,040 Speaker 2: camp and that didn't suit him. And yet that seems 588 00:28:36,080 --> 00:28:37,639 Speaker 2: to be what you liked about it. 589 00:28:39,200 --> 00:28:42,880 Speaker 7: Yeah, I have a really really busy life and I 590 00:28:43,160 --> 00:28:47,960 Speaker 7: did really like that, and I spent a lot of 591 00:28:48,000 --> 00:28:50,880 Speaker 7: time alone, so that was a bit challenging for me 592 00:28:51,120 --> 00:28:53,719 Speaker 7: to always have conversations around me because I'm a bit 593 00:28:53,760 --> 00:28:58,520 Speaker 7: of a like I like a lot of time for 594 00:28:58,720 --> 00:29:01,480 Speaker 7: thoughts to distill, and it's hard when there's a lot 595 00:29:01,520 --> 00:29:05,200 Speaker 7: of people around you, So iyah that actually quite difficult. 596 00:29:05,360 --> 00:29:10,440 Speaker 7: But yeah, no, Bo definitely struggled with that. And the 597 00:29:10,520 --> 00:29:13,720 Speaker 7: boredom is definitely a thing that is unique in the 598 00:29:13,800 --> 00:29:16,360 Speaker 7: jungle because when in your adult life have you felt 599 00:29:16,440 --> 00:29:18,240 Speaker 7: bored like can you remember feeling bored. 600 00:29:18,880 --> 00:29:21,320 Speaker 2: It's funny I fantasize about feeling bored, but I bet 601 00:29:21,360 --> 00:29:21,920 Speaker 2: the minute I am. 602 00:29:21,920 --> 00:29:23,800 Speaker 1: I know, but it doesn't happen because you've got a 603 00:29:23,840 --> 00:29:26,400 Speaker 1: smartphone now. And I often think to myself, what did 604 00:29:26,440 --> 00:29:29,880 Speaker 1: I do before I had an iPhone? In those quiet moments? 605 00:29:29,920 --> 00:29:30,440 Speaker 1: What did I do? 606 00:29:31,920 --> 00:29:34,160 Speaker 7: Yeah? I know, I feel the same. You just feel it, 607 00:29:34,320 --> 00:29:35,920 Speaker 7: feel it with just stuff. 608 00:29:37,080 --> 00:29:39,360 Speaker 2: So have you taken anything away from the jungle in 609 00:29:39,480 --> 00:29:41,800 Speaker 2: terms of how you want to fill your time or 610 00:29:42,560 --> 00:29:43,800 Speaker 2: have you learned any lessons? 611 00:29:47,760 --> 00:29:51,959 Speaker 7: Yeah? I think one of the lessons I've I mean, 612 00:29:52,000 --> 00:29:55,720 Speaker 7: it's a philosophy that I live by, which is to 613 00:29:55,920 --> 00:29:59,640 Speaker 7: have a diverse group of friends. I love that everyone 614 00:29:59,680 --> 00:30:02,240 Speaker 7: in there is so different and they bring out such 615 00:30:02,280 --> 00:30:05,000 Speaker 7: different parts of you, and that's such a healthy way 616 00:30:05,080 --> 00:30:07,640 Speaker 7: to be. I think in the modern world it's so 617 00:30:07,760 --> 00:30:10,640 Speaker 7: easy to discravitate with people that have a lot in 618 00:30:10,760 --> 00:30:13,840 Speaker 7: common with you. But what makes life unique and amazing 619 00:30:14,120 --> 00:30:17,800 Speaker 7: is when you throw that all into salad and give 620 00:30:17,840 --> 00:30:20,520 Speaker 7: it a bit of a mix, and really beautiful things 621 00:30:20,560 --> 00:30:21,320 Speaker 7: can come out of it. 622 00:30:21,800 --> 00:30:23,920 Speaker 1: And would pig zanus be in that salad? 623 00:30:25,920 --> 00:30:28,720 Speaker 7: And turkey tescool is definitely in that salad. 624 00:30:28,800 --> 00:30:30,720 Speaker 1: And do you actually develop a taste for that? Is 625 00:30:30,760 --> 00:30:32,040 Speaker 1: that going to be something that we will see you 626 00:30:32,080 --> 00:30:32,600 Speaker 1: whipping up? 627 00:30:33,840 --> 00:30:38,640 Speaker 7: No, definitely not look amazian. So I don't mind a 628 00:30:38,680 --> 00:30:41,120 Speaker 7: weird texture. But that's why I brought a line. 629 00:30:41,160 --> 00:30:45,160 Speaker 1: You know, how bad is it when you say I'm 630 00:30:45,240 --> 00:30:45,840 Speaker 1: not eating that? 631 00:30:48,240 --> 00:30:52,040 Speaker 7: Yeah, it's got to be pretty bad, you know. You know, Yeah, 632 00:30:52,080 --> 00:30:53,760 Speaker 7: I grew up eating everything under the side. 633 00:30:54,520 --> 00:30:56,920 Speaker 1: Well, it's always great to talk to you. I'm a celebrity. 634 00:30:56,960 --> 00:30:59,640 Speaker 1: Get me out of here. Grand Finale, Sunday seven thirty 635 00:30:59,680 --> 00:31:01,880 Speaker 1: on ten. Good luck with everything in the future. We 636 00:31:01,960 --> 00:31:03,440 Speaker 1: look forward to catching up with you again. 637 00:31:04,520 --> 00:31:05,719 Speaker 8: Yeah, it's always my pleasure. 638 00:31:05,800 --> 00:31:05,920 Speaker 3: Guy. 639 00:31:06,080 --> 00:31:07,200 Speaker 7: Thank you so much for having me. 640 00:31:07,400 --> 00:31:08,800 Speaker 2: Lots of love. Party talk too soon. 641 00:31:11,720 --> 00:31:13,840 Speaker 1: God, I want you to get. 642 00:31:14,040 --> 00:31:14,560 Speaker 7: Right now. 643 00:31:17,120 --> 00:31:24,520 Speaker 1: Your windows, stick your head on a gel. Let's get 644 00:31:24,560 --> 00:31:26,200 Speaker 1: on down to the Jersey, no matter of arms for 645 00:31:26,240 --> 00:31:31,520 Speaker 1: the pub test. Continuing QR codes. Does this pass the 646 00:31:31,600 --> 00:31:32,080 Speaker 1: pub test? 647 00:31:32,200 --> 00:31:35,240 Speaker 2: Well, Initially they were introduced to stop the spread so 648 00:31:35,360 --> 00:31:37,240 Speaker 2: that we could see if someone had a case where 649 00:31:37,280 --> 00:31:39,720 Speaker 2: they were and alert other people. Now, with so many 650 00:31:39,800 --> 00:31:43,040 Speaker 2: cases of omicron, obviously they're not using it for contact tracing. 651 00:31:43,480 --> 00:31:45,640 Speaker 2: It's been said though that we should continue with them 652 00:31:45,800 --> 00:31:50,560 Speaker 2: for our behavior, because if we get a new variant 653 00:31:50,640 --> 00:31:53,480 Speaker 2: that comes through that needs us to contact trace and 654 00:31:53,600 --> 00:31:55,920 Speaker 2: needs us to be more vigilant with all of that stuff, 655 00:31:56,840 --> 00:31:59,280 Speaker 2: then we still have the behavior of checking in with 656 00:31:59,400 --> 00:32:01,680 Speaker 2: QR code, like wearing masks. They want it to be 657 00:32:01,760 --> 00:32:04,440 Speaker 2: part of our behavior. I don't know whether people are 658 00:32:04,440 --> 00:32:05,960 Speaker 2: still bothering to do cure codes. 659 00:32:06,040 --> 00:32:08,160 Speaker 1: The thing about that is, is it going to impeede 660 00:32:08,160 --> 00:32:09,080 Speaker 1: you from doing your work? 661 00:32:10,640 --> 00:32:13,840 Speaker 2: No, it has no legal ramification. It's not like a 662 00:32:14,200 --> 00:32:16,120 Speaker 2: if you do a rapid anddergen test and you have 663 00:32:16,240 --> 00:32:18,719 Speaker 2: to tell the government if you've tested. When they get 664 00:32:18,760 --> 00:32:19,480 Speaker 2: it's nothing. 665 00:32:19,360 --> 00:32:21,320 Speaker 1: Great white Shark and I put a tracking device on. 666 00:32:21,360 --> 00:32:23,720 Speaker 1: It just works out where it's all going. 667 00:32:24,120 --> 00:32:26,480 Speaker 2: I think they're not even tracking at the moment. But 668 00:32:26,560 --> 00:32:28,880 Speaker 2: they're saying we want the process to still be there 669 00:32:29,040 --> 00:32:31,600 Speaker 2: and our habit to still be to check in in 670 00:32:31,680 --> 00:32:33,440 Speaker 2: case we need to do it again in the future. 671 00:32:33,680 --> 00:32:34,720 Speaker 2: I think that's what they're saying. 672 00:32:34,880 --> 00:32:36,560 Speaker 1: You can't just start into a shop anymore. 673 00:32:36,640 --> 00:32:37,960 Speaker 2: No, it is a pain. So what do you think 674 00:32:38,040 --> 00:32:40,680 Speaker 2: continuing QR codes? Does it pass the pub test. 675 00:32:42,440 --> 00:32:45,080 Speaker 7: Courier? Any time I go to a delet side. 676 00:32:45,280 --> 00:32:45,960 Speaker 1: I've got to do it. 677 00:32:46,120 --> 00:32:49,240 Speaker 7: I do that a day. Some times we can't do 678 00:32:49,320 --> 00:32:53,080 Speaker 7: it because it's good, but sometimes it's spare forever. It's 679 00:32:53,200 --> 00:32:55,240 Speaker 7: just the way of tracking us. I'm over them. If 680 00:32:55,240 --> 00:32:57,680 Speaker 7: we're all vaccinated, we don't need to be tracked. I 681 00:32:57,720 --> 00:32:59,320 Speaker 7: don't think they do it anymore. I think. 682 00:33:01,480 --> 00:33:02,600 Speaker 2: I just think the way. 683 00:33:04,720 --> 00:33:05,920 Speaker 9: She's going to keep. 684 00:33:05,800 --> 00:33:09,080 Speaker 1: Rolling on and you know he's always going to go. 685 00:33:11,280 --> 00:33:13,200 Speaker 1: It's true. What if you go down to the toolshed 686 00:33:13,320 --> 00:33:14,560 Speaker 1: to buy your products? 687 00:33:14,680 --> 00:33:17,520 Speaker 2: What happens, Brendan? What do they settle the Toolshed? 688 00:33:17,640 --> 00:33:18,040 Speaker 1: Tools? 689 00:33:19,200 --> 00:33:19,680 Speaker 2: Interesting? 690 00:33:19,920 --> 00:33:23,040 Speaker 1: We've been hearing plenty of voicemails of applicants for Jimmy 691 00:33:23,080 --> 00:33:26,040 Speaker 1: the Millennial's job. I understand that a monkey broke out 692 00:33:26,080 --> 00:33:28,000 Speaker 1: of the zoo and wants to have a go as well, 693 00:33:28,480 --> 00:33:29,640 Speaker 1: have been even years. 694 00:33:30,720 --> 00:33:32,680 Speaker 2: We're going to reveal his replacement next. 695 00:33:32,760 --> 00:33:36,760 Speaker 1: It's seven past day ws FM. Shum Jimmy the Millennial 696 00:33:36,880 --> 00:33:39,760 Speaker 1: is leaving. Today's his last day. He dropped this bombshell 697 00:33:39,840 --> 00:33:40,880 Speaker 1: news last Friday. 698 00:33:41,000 --> 00:33:43,040 Speaker 2: I've become quite close to Jimmy. I don't think he 699 00:33:43,120 --> 00:33:45,760 Speaker 2: knows my name, but I kind of like him. And 700 00:33:46,440 --> 00:33:48,240 Speaker 2: he said he'd been working here for four years, that 701 00:33:48,360 --> 00:33:50,640 Speaker 2: was enough. He's just going driving. 702 00:33:50,920 --> 00:33:52,840 Speaker 1: Yeah, he's going to drive. He's put all his money 703 00:33:53,480 --> 00:33:55,840 Speaker 1: into a very expensive looking for all drive. 704 00:33:58,000 --> 00:34:01,640 Speaker 2: I call it a murdering van the Malet speak. It 705 00:34:01,760 --> 00:34:02,640 Speaker 2: is a little bit like that. 706 00:34:02,840 --> 00:34:06,120 Speaker 1: Now, Jimmy, don't get bundled into the back of the thing. Okay, Okay, 707 00:34:06,160 --> 00:34:07,680 Speaker 1: you're going to go out there. You do the murdering, 708 00:34:07,760 --> 00:34:09,880 Speaker 1: don't you know? Be the alpha, to be the alpha 709 00:34:10,280 --> 00:34:13,799 Speaker 1: as well if you've learned anything. So you're leaving here 710 00:34:14,560 --> 00:34:17,000 Speaker 1: and we need to get a replacement. 711 00:34:17,640 --> 00:34:20,880 Speaker 2: You said you'd put together you'd find a replacement for us. 712 00:34:20,960 --> 00:34:23,760 Speaker 2: You put together your own voicemail that you said explained 713 00:34:23,800 --> 00:34:25,600 Speaker 2: all the details and what the job involved. 714 00:34:26,800 --> 00:34:31,640 Speaker 9: Hey, m yeah, just lay down your deats and we'll 715 00:34:31,920 --> 00:34:32,960 Speaker 9: maybe give you a call back. 716 00:34:33,400 --> 00:34:36,239 Speaker 1: Wow, how roused, vague, cool to action, isn't it? 717 00:34:36,360 --> 00:34:36,560 Speaker 7: Sure? 718 00:34:36,680 --> 00:34:40,759 Speaker 1: But there was a flood of applicants. Hello, Dawn patrol As, 719 00:34:40,840 --> 00:34:44,560 Speaker 1: that's Cashi. I'm tired of the showiness of TV. 720 00:34:45,880 --> 00:34:46,960 Speaker 4: But a Sydney. 721 00:34:47,040 --> 00:34:49,359 Speaker 1: It's Mike Whitney. Now I'm just gonna go and watch 722 00:34:49,440 --> 00:34:53,000 Speaker 1: the Marly Fairy cut its way a circular key. Hi 723 00:34:53,280 --> 00:34:57,760 Speaker 1: there voice apply for the position of Team Millennium. 724 00:34:57,960 --> 00:35:01,640 Speaker 2: Hi, Sandra. I think it's time for a change. I 725 00:35:01,680 --> 00:35:05,200 Speaker 2: think I'm just what you need. Let me practice while 726 00:35:05,239 --> 00:35:07,319 Speaker 2: the Prime Minister will be addressing all of those things 727 00:35:07,360 --> 00:35:10,000 Speaker 2: at the National Press Club at two o'clock this afternoon. 728 00:35:10,360 --> 00:35:12,719 Speaker 2: And now here's some rocks here call me. 729 00:35:13,120 --> 00:35:16,319 Speaker 1: So here's a good one. But she's good. And there's 730 00:35:16,360 --> 00:35:19,000 Speaker 1: been so many people that are going to mess you, 731 00:35:19,520 --> 00:35:23,880 Speaker 1: miss you. There was Linda No Leslie, Leslie, Karen and 732 00:35:24,080 --> 00:35:27,959 Speaker 1: Karen and Kayla who called in earlier. So that's three people. 733 00:35:27,960 --> 00:35:29,240 Speaker 2: I've got an email from Karen. 734 00:35:29,840 --> 00:35:32,879 Speaker 1: There was seventy five percent of people on our pole 735 00:35:32,920 --> 00:35:34,200 Speaker 1: are going to miss Jimmy the millennial. 736 00:35:34,239 --> 00:35:35,480 Speaker 9: So here's the other twenty five percent. 737 00:35:36,400 --> 00:35:40,239 Speaker 2: Don't you worry, it's us in management. So here is 738 00:35:40,280 --> 00:35:44,640 Speaker 2: an email from Karen. Good morning, Jimmy. Thanks so much 739 00:35:44,719 --> 00:35:49,080 Speaker 2: for being you. You're so entertaining on WSFM. I'm not 740 00:35:49,160 --> 00:35:50,800 Speaker 2: making this up. This is an actual email. 741 00:35:50,960 --> 00:35:51,200 Speaker 7: Really. 742 00:35:51,680 --> 00:35:54,479 Speaker 2: I've laughed so much and enjoy your funny, weird sense 743 00:35:54,520 --> 00:35:59,359 Speaker 2: of dry humor. We're all different. She's got you in one. 744 00:35:59,880 --> 00:36:02,400 Speaker 2: I hope you find happiness. This is so brave of 745 00:36:02,520 --> 00:36:04,920 Speaker 2: you to venture out and explore Australia. The world's your 746 00:36:04,960 --> 00:36:09,120 Speaker 2: oyster like oysters. Yeah, embrace it, she says, I, along 747 00:36:09,160 --> 00:36:10,840 Speaker 2: with all the listeners, will miss you very much and 748 00:36:10,920 --> 00:36:12,919 Speaker 2: wish you all the very boasts that life has to offer. 749 00:36:13,120 --> 00:36:14,720 Speaker 2: Karen from Camden Karen. 750 00:36:14,960 --> 00:36:17,320 Speaker 1: That's Karen again. It's not a new Karen. 751 00:36:17,840 --> 00:36:20,600 Speaker 2: There's still only three members in the army. Are you 752 00:36:20,640 --> 00:36:23,759 Speaker 2: getting frightened that there were four? Only three members of that? 753 00:36:24,160 --> 00:36:26,040 Speaker 1: That would be the same amount of the Jonesy. 754 00:36:26,560 --> 00:36:29,520 Speaker 2: Well, look, the thing is you're going yep as we 755 00:36:29,760 --> 00:36:31,640 Speaker 2: like the phrase, don't let the door hit you with 756 00:36:31,760 --> 00:36:34,839 Speaker 2: the good Lord splitcher, But who is going to take 757 00:36:34,880 --> 00:36:35,320 Speaker 2: your place? 758 00:36:35,560 --> 00:36:35,719 Speaker 7: Well? 759 00:36:35,760 --> 00:36:38,279 Speaker 9: We did have a few other voicemails. There was one 760 00:36:38,360 --> 00:36:39,839 Speaker 9: that really stuck out to me. It was a bit 761 00:36:39,880 --> 00:36:42,440 Speaker 9: too chatty to me to play to you, but it 762 00:36:42,719 --> 00:36:45,840 Speaker 9: seemed viby. He seemed like he probably would be a 763 00:36:45,960 --> 00:36:48,360 Speaker 9: good fit. Like I said, he's a bit chatty, but 764 00:36:48,360 --> 00:36:50,719 Speaker 9: I'm sure he can beat that out of him. His 765 00:36:50,960 --> 00:36:54,080 Speaker 9: name's Ryan, Okay, Ryan, all right, Well your name Ryan. 766 00:36:54,160 --> 00:36:55,120 Speaker 2: Let's have a chat with Hi. 767 00:36:55,239 --> 00:36:56,080 Speaker 1: Ryan's right here. 768 00:36:57,440 --> 00:37:02,000 Speaker 2: Hi, Hey, welcome. We look forward to you starting on Monday. 769 00:37:03,000 --> 00:37:07,080 Speaker 2: On mon You start on Monday. Yesterday's Friday, So weekend 770 00:37:07,120 --> 00:37:08,360 Speaker 2: and then the job starts Monday. 771 00:37:09,000 --> 00:37:11,919 Speaker 1: That Jimmy, what time do you guys start? 772 00:37:12,719 --> 00:37:15,799 Speaker 2: We're on air at six every day every day. 773 00:37:15,960 --> 00:37:16,520 Speaker 7: I can't do that. 774 00:37:18,719 --> 00:37:19,960 Speaker 1: Welcome Aboard by. 775 00:37:21,920 --> 00:37:28,840 Speaker 2: Jimmy Mark Too podcast A rom com in Sheep's Clothing 776 00:37:29,320 --> 00:37:32,400 Speaker 2: is an excellent description about the new show on Stand 777 00:37:32,480 --> 00:37:37,040 Speaker 2: called Wolf Like Me. I'm extremely taken with this show. 778 00:37:37,640 --> 00:37:39,719 Speaker 2: If you think that dating and meeting someone new with 779 00:37:39,840 --> 00:37:43,239 Speaker 2: baggage is complicated, you have not seen anything yet. This 780 00:37:43,560 --> 00:37:47,160 Speaker 2: is a fabulous ride. Eiler, Fisher Josh Gad are incredible 781 00:37:47,200 --> 00:37:49,720 Speaker 2: in the series. It's filmed here in Australia and Eler 782 00:37:49,760 --> 00:37:54,120 Speaker 2: and Josh join us. Now, Hello, how are you well? 783 00:37:54,200 --> 00:37:56,680 Speaker 2: We're very well and Isiler. I know obviously you know 784 00:37:56,880 --> 00:37:59,120 Speaker 2: Australia back to front, but Josh, was this your first 785 00:37:59,160 --> 00:37:59,600 Speaker 2: time here? 786 00:38:00,960 --> 00:38:04,600 Speaker 6: It was not my first time there. I studied in Australia. 787 00:38:05,520 --> 00:38:10,080 Speaker 6: I went to Nida for a semester when I was 788 00:38:10,960 --> 00:38:15,879 Speaker 6: a young strapping lad, and then I filmed another movie 789 00:38:15,960 --> 00:38:18,680 Speaker 6: with the director of Wolf Like Me, A Forsyth a 790 00:38:18,800 --> 00:38:22,879 Speaker 6: few years back. Shot that in Sydney. So have been 791 00:38:23,239 --> 00:38:25,960 Speaker 6: to Australia quite a few times and absolutely love it. 792 00:38:26,000 --> 00:38:27,560 Speaker 5: Which is why I keep coming back for more. 793 00:38:27,840 --> 00:38:30,600 Speaker 1: When you go to NIDER, what's the first lesson that 794 00:38:30,719 --> 00:38:32,840 Speaker 1: you do in NIA? So, after you've got your locker 795 00:38:33,239 --> 00:38:36,480 Speaker 1: and your pens, what's the what's the first thing you do? 796 00:38:37,840 --> 00:38:40,520 Speaker 6: First thing I do is try to assimilate myself since 797 00:38:40,560 --> 00:38:43,720 Speaker 6: I sound so different by pretending to be an ausie. 798 00:38:44,320 --> 00:38:46,880 Speaker 6: So I'll learn like the standard like get on you 799 00:38:47,040 --> 00:38:52,520 Speaker 6: might and hey gang, little things that can make it 800 00:38:52,680 --> 00:38:55,640 Speaker 6: less awkward for me to be bullied for sounding like 801 00:38:55,719 --> 00:38:56,240 Speaker 6: I look. 802 00:38:56,080 --> 00:38:58,040 Speaker 1: Like I got this bullis at NIDER. 803 00:38:59,320 --> 00:39:01,919 Speaker 5: Yeah, lots of that. They stuff you and lockers at NADA. 804 00:39:02,120 --> 00:39:07,160 Speaker 6: People don't know about that first lay very common during 805 00:39:07,360 --> 00:39:08,359 Speaker 6: Hugh Jackman's time. 806 00:39:08,520 --> 00:39:10,600 Speaker 1: I'm sure that's not how you do. That's not how 807 00:39:10,640 --> 00:39:13,120 Speaker 1: you do Hamlet down the toilet thus go. 808 00:39:14,520 --> 00:39:18,760 Speaker 5: Yeah, it's really Shakespeare that brings out the worst in NATO. 809 00:39:20,719 --> 00:39:23,600 Speaker 2: That is the rumor. Well with wolf like me, I 810 00:39:23,719 --> 00:39:25,760 Speaker 2: know Ali have said that you like playing a character 811 00:39:25,840 --> 00:39:30,680 Speaker 2: who has a secret. There's two complex and flawed characters 812 00:39:30,760 --> 00:39:36,040 Speaker 2: with baggage coming together. Your secret is quite quirky and unusual. 813 00:39:36,120 --> 00:39:39,600 Speaker 2: We won't reveal it here, but it's not your typical 814 00:39:39,680 --> 00:39:40,440 Speaker 2: love story, is it? 815 00:39:42,920 --> 00:39:42,960 Speaker 10: No? 816 00:39:43,320 --> 00:39:45,960 Speaker 7: I mean, and that's what drew me to the project. 817 00:39:46,040 --> 00:39:48,800 Speaker 10: It is this kind of weird and compelling and cool 818 00:39:48,880 --> 00:39:52,800 Speaker 10: and funny and unusual look at an old story, a 819 00:39:52,880 --> 00:39:55,759 Speaker 10: love story really, and it is so much fun to 820 00:39:55,800 --> 00:39:57,200 Speaker 10: play someone who's hiding something. 821 00:39:58,280 --> 00:40:00,560 Speaker 2: And what's the what are the bigger lessons in this? 822 00:40:00,800 --> 00:40:03,239 Speaker 2: Is it to strip away the stuff that doesn't matter 823 00:40:03,320 --> 00:40:06,080 Speaker 2: and focus on the stuff that does or what's the 824 00:40:06,560 --> 00:40:07,680 Speaker 2: alleg the bigger picture? 825 00:40:07,719 --> 00:40:08,320 Speaker 9: I guess. 826 00:40:09,760 --> 00:40:12,120 Speaker 10: I think there are so many themes in this surround 827 00:40:12,200 --> 00:40:15,719 Speaker 10: the manifestation of shame and the work of self acceptance 828 00:40:15,800 --> 00:40:18,520 Speaker 10: and the power of listening to the universe. And I think, 829 00:40:18,719 --> 00:40:19,960 Speaker 10: I mean, what do you think, Josh? 830 00:40:23,000 --> 00:40:27,600 Speaker 2: Where's Josh gone? Is he bullying himself? He's flashed his 831 00:40:27,719 --> 00:40:28,200 Speaker 2: head down the. 832 00:40:28,239 --> 00:40:31,440 Speaker 1: Toy Mel Gibson's come back and is beating him up. 833 00:40:32,320 --> 00:40:33,160 Speaker 2: What's happened Josh? 834 00:40:33,400 --> 00:40:33,560 Speaker 3: There? 835 00:40:36,440 --> 00:40:39,640 Speaker 6: I'm going to tell you right now a lot of 836 00:40:39,760 --> 00:40:42,520 Speaker 6: my bullies from Nada has come to my house and. 837 00:40:42,600 --> 00:40:46,600 Speaker 2: Cut Josh your history. You've had a big musical bent 838 00:40:46,680 --> 00:40:50,000 Speaker 2: really in your career. Olifin Frozen you want to Tony 839 00:40:50,040 --> 00:40:52,400 Speaker 2: for Book of Mormon Beauty and the Beast, do what 840 00:40:52,480 --> 00:40:55,320 Speaker 2: do you think of season two, Wolf Like Me the musical. 841 00:40:57,360 --> 00:41:00,320 Speaker 6: I think it would really surprise her fan. It's not 842 00:41:00,440 --> 00:41:05,160 Speaker 6: in a great way. I also have to sadly correct you. 843 00:41:05,280 --> 00:41:06,160 Speaker 5: I could let you. 844 00:41:06,440 --> 00:41:09,400 Speaker 6: Say to your listeners that I wanted Tony for a 845 00:41:09,440 --> 00:41:12,080 Speaker 6: book of More, but I wasn't. I was nominated. I 846 00:41:12,200 --> 00:41:14,719 Speaker 6: never want it, and I and in my and in 847 00:41:14,800 --> 00:41:16,279 Speaker 6: my brain, I was like, well, what if I just 848 00:41:16,360 --> 00:41:17,600 Speaker 6: spread that lions? 849 00:41:18,719 --> 00:41:19,960 Speaker 2: I saw that on Wikipedia. 850 00:41:20,320 --> 00:41:22,680 Speaker 5: Well good, I'm glad that. I'm glad Wikipedia is lying 851 00:41:22,680 --> 00:41:24,680 Speaker 5: about my success. 852 00:41:24,760 --> 00:41:27,120 Speaker 1: Absolutely sorry, there's lies on Wikipedia. 853 00:41:27,320 --> 00:41:30,320 Speaker 2: Believe it? Can you believe it? What Josh wrote that himself. 854 00:41:30,480 --> 00:41:31,640 Speaker 2: Obviously I did. 855 00:41:32,000 --> 00:41:37,480 Speaker 5: I I spread helpful lies about himself the wish. 856 00:41:38,880 --> 00:41:41,000 Speaker 1: Well, I must say, it's great to talk to you both, 857 00:41:41,280 --> 00:41:43,680 Speaker 1: and it's it's a shame we can't really go into 858 00:41:43,719 --> 00:41:46,000 Speaker 1: too much detail about Wolf Like Me because we don't 859 00:41:46,200 --> 00:41:46,520 Speaker 1: ruin it. 860 00:41:46,640 --> 00:41:46,960 Speaker 9: But it is. 861 00:41:47,440 --> 00:41:50,919 Speaker 1: It is so suffice to say your character Mary would 862 00:41:50,960 --> 00:41:53,160 Speaker 1: have stocked up on a lot of vat. I would 863 00:41:53,200 --> 00:41:56,960 Speaker 1: imagine that it seems hair. 864 00:41:56,880 --> 00:42:01,799 Speaker 10: Removal, not that I would know anything about. 865 00:42:02,040 --> 00:42:02,440 Speaker 1: I thought it. 866 00:42:02,560 --> 00:42:06,400 Speaker 5: I thought it was veggie meat. Is that like an 867 00:42:06,480 --> 00:42:07,680 Speaker 5: Australian name? 868 00:42:08,160 --> 00:42:12,920 Speaker 1: Like veggie meat? It's the new thing. 869 00:42:13,200 --> 00:42:16,000 Speaker 2: Well look, please check it out. Wolf like me. It's funny, 870 00:42:17,480 --> 00:42:19,640 Speaker 2: it's romantic. Please have a look. 871 00:42:19,840 --> 00:42:23,520 Speaker 1: Isla Fisher, Josh Gad, You guys have been great, Thank. 872 00:42:23,400 --> 00:42:24,640 Speaker 5: You, thank you. 873 00:42:24,760 --> 00:42:27,719 Speaker 7: Sorry and Usha's WiFi wasn't that great. 874 00:42:27,960 --> 00:42:29,719 Speaker 2: We're going to flash your head down the line. 875 00:42:30,080 --> 00:42:31,239 Speaker 1: Mel Gibson's coming for you. 876 00:42:32,600 --> 00:42:37,320 Speaker 2: Thanks guys, Thank you. Jonesy and Amanda jam podcast. 877 00:42:39,320 --> 00:42:43,560 Speaker 1: There's no sound, Oh silly meat. 878 00:42:44,520 --> 00:42:48,040 Speaker 2: If you were a teenager in the nineteen seventies in Australia, 879 00:42:48,160 --> 00:42:51,120 Speaker 2: you will know the name Sister Janet Mead sad to 880 00:42:51,200 --> 00:42:55,520 Speaker 2: hear of her passing last night. Sister Janet Mead was 881 00:42:55,719 --> 00:42:58,439 Speaker 2: a nun with a name sister, not a name sister 882 00:42:58,560 --> 00:43:00,960 Speaker 2: with the title sister. That's a bit of a giveaway 883 00:43:01,000 --> 00:43:01,440 Speaker 2: in these days. 884 00:43:01,480 --> 00:43:02,360 Speaker 1: As sister with an a. 885 00:43:03,080 --> 00:43:07,000 Speaker 2: She was credited though with using contemporary rock music in 886 00:43:07,120 --> 00:43:10,279 Speaker 2: Catholic mass and it changed a whole generation of how 887 00:43:10,440 --> 00:43:14,120 Speaker 2: young women saw the Catholic Church. This was her very 888 00:43:14,520 --> 00:43:16,680 Speaker 2: famous rendition of the Lord's Prayer. 889 00:43:18,440 --> 00:43:22,799 Speaker 8: Rocky Wow, takes you back of. 890 00:43:26,600 --> 00:43:27,839 Speaker 1: Those Homi pets. 891 00:43:29,320 --> 00:43:39,879 Speaker 2: They were allowed in the church. That I spoke about 892 00:43:39,880 --> 00:43:41,560 Speaker 2: her on my instag esterday and there are a number 893 00:43:41,560 --> 00:43:43,719 Speaker 2: of comments saying I remember every word to her song. 894 00:43:43,800 --> 00:43:45,720 Speaker 2: You think, well, it actually is the Lord's Prayer. 895 00:43:46,880 --> 00:43:51,880 Speaker 3: But okay, I'm that. 896 00:43:52,160 --> 00:43:55,759 Speaker 2: Song was ballistic for her. That was nineteen seventy four. 897 00:43:55,920 --> 00:43:58,160 Speaker 2: It was the first Australian record to sell more than 898 00:43:58,200 --> 00:44:01,239 Speaker 2: one million copies in America. We went to number four 899 00:44:01,320 --> 00:44:04,120 Speaker 2: on the Billboard Charts, number three in Australia. It was 900 00:44:04,200 --> 00:44:04,800 Speaker 2: a massive. 901 00:44:04,880 --> 00:44:07,520 Speaker 1: It was she could walk the streets. 902 00:44:07,600 --> 00:44:08,600 Speaker 2: Did she have another song? 903 00:44:09,840 --> 00:44:13,920 Speaker 1: Yes, she did. She had this one here. This is 904 00:44:13,960 --> 00:44:30,920 Speaker 1: called brother Son Sister Mood. Yeah, and the fa no no, no, no, 905 00:44:31,400 --> 00:44:33,320 Speaker 1: maybe that was all filler on the track. There was 906 00:44:33,400 --> 00:44:36,959 Speaker 1: this one called Amen, It's raining. 907 00:44:37,040 --> 00:44:37,360 Speaker 2: Amen. 908 00:44:45,920 --> 00:44:54,120 Speaker 1: She had this one take by hand. I'd probably go 909 00:44:54,200 --> 00:44:58,719 Speaker 1: up to the bartergain some holy wine this time. And 910 00:44:59,480 --> 00:45:04,759 Speaker 1: he said it and she had this Oh that's right. 911 00:45:04,840 --> 00:45:07,200 Speaker 1: She went on to tour with Slayer. 912 00:45:10,239 --> 00:45:12,920 Speaker 2: When you talk about her touring and the rock and 913 00:45:13,080 --> 00:45:16,239 Speaker 2: roll life, she found it all very overwhelming. She was 914 00:45:16,520 --> 00:45:19,720 Speaker 2: a reluctant and unlikely pop star and she was nominated 915 00:45:19,760 --> 00:45:22,680 Speaker 2: for a Grammy. She was shocked to find herself in 916 00:45:22,760 --> 00:45:26,680 Speaker 2: those situations. She did a rare interview in twenty fifteen 917 00:45:26,719 --> 00:45:29,480 Speaker 2: where she was inducted to the South Australian Music Hall 918 00:45:29,560 --> 00:45:33,799 Speaker 2: of Fame. Do you know all the royalties from her 919 00:45:34,280 --> 00:45:36,480 Speaker 2: version of the Lord's Prayer were put into supporting the 920 00:45:36,520 --> 00:45:39,120 Speaker 2: work of her religious order. Till the day she died. 921 00:45:39,200 --> 00:45:41,240 Speaker 2: She was doing a lot of great work in her community. 922 00:45:41,360 --> 00:45:44,200 Speaker 2: She was an extraordinary woman. And she said that she 923 00:45:44,320 --> 00:45:46,680 Speaker 2: felt that she was kind of naive and signed a 924 00:45:46,719 --> 00:45:49,319 Speaker 2: contract she didn't understand, and she felt really that she'd 925 00:45:49,360 --> 00:45:51,239 Speaker 2: been ripped off financially. 926 00:45:51,480 --> 00:45:54,440 Speaker 1: She wouldn't be the first, no, that's right, but she it. 927 00:45:54,520 --> 00:45:57,399 Speaker 2: Wasn't in her nature to pursue this stuff. She said, 928 00:45:57,400 --> 00:45:59,480 Speaker 2: the whole thing was quite mad. I only agreed to 929 00:45:59,520 --> 00:46:01,720 Speaker 2: make a record because I thought we could produce tapes 930 00:46:02,040 --> 00:46:04,520 Speaker 2: to hand out at the cathedral rock Masses in Adelaide. 931 00:46:05,160 --> 00:46:07,279 Speaker 2: She said that she rejected her fame and quit the 932 00:46:07,320 --> 00:46:10,560 Speaker 2: recording career because she found pop stardom quote a horrible 933 00:46:10,680 --> 00:46:14,920 Speaker 2: time and made her question her faith. She said, I 934 00:46:15,000 --> 00:46:17,320 Speaker 2: told everyone this wasn't going to be my profession, that 935 00:46:17,400 --> 00:46:20,759 Speaker 2: my students came first and the music world would have 936 00:46:20,840 --> 00:46:22,520 Speaker 2: to wait. But it was very hard to keep it 937 00:46:22,560 --> 00:46:25,640 Speaker 2: at bay, but she did. She stepped away from that 938 00:46:25,760 --> 00:46:29,239 Speaker 2: because her true calling was not to be a pop star. 939 00:46:29,600 --> 00:46:33,360 Speaker 2: It was to be a nun. So probably you know 940 00:46:33,400 --> 00:46:35,960 Speaker 2: if she wasn't like your regular pop star. She was 941 00:46:36,200 --> 00:46:39,120 Speaker 2: not throwing TVs out of the hotel. She ran straight 942 00:46:39,160 --> 00:46:43,240 Speaker 2: to the bedside table for the Gideon Bible, her only entourage. 943 00:46:43,239 --> 00:46:45,640 Speaker 2: She had three in her entourage, father, the Son, and 944 00:46:45,680 --> 00:46:50,160 Speaker 2: the Holy Ghost. Oh, Sister Janet Mead, that's a you know, 945 00:46:50,400 --> 00:46:53,480 Speaker 2: an incredible woman and such a great reminder of a 946 00:46:53,560 --> 00:46:56,720 Speaker 2: wonderful moment in Australian musical history. Rest in peace. 947 00:46:58,880 --> 00:47:02,240 Speaker 1: The Emails of Floody in Jimmy the Millennials last day. 948 00:47:03,080 --> 00:47:04,960 Speaker 2: I've just received this email. I'm going to have to 949 00:47:05,040 --> 00:47:05,279 Speaker 2: read it. 950 00:47:05,640 --> 00:47:07,520 Speaker 1: When I say flight of email, it's like an Alan 951 00:47:07,600 --> 00:47:09,400 Speaker 1: Jones tsunami of emails. 952 00:47:09,600 --> 00:47:12,759 Speaker 2: We've had three, make it four for this is one 953 00:47:12,840 --> 00:47:16,120 Speaker 2: with a twist. The headline of this email is Amanda 954 00:47:16,200 --> 00:47:17,360 Speaker 2: leaving WSFM. 955 00:47:18,000 --> 00:47:18,120 Speaker 3: Hi. 956 00:47:18,239 --> 00:47:20,439 Speaker 2: I just tuned into Jones in Amanda Show and listen 957 00:47:20,480 --> 00:47:22,560 Speaker 2: to the tail end of Amanda saying she was leaving 958 00:47:22,640 --> 00:47:26,560 Speaker 2: today to travel around Australia and being replaced on Monday. 959 00:47:27,200 --> 00:47:29,000 Speaker 2: That's a huge loss as they both get on so 960 00:47:29,120 --> 00:47:32,399 Speaker 2: well together and it's my favorite radio station. Is this true? 961 00:47:32,480 --> 00:47:35,880 Speaker 2: Wishing Amanda much joy in whatever direction, she takes commiserations 962 00:47:35,920 --> 00:47:38,160 Speaker 2: to Brendan, who will miss Amanda so much as a 963 00:47:38,239 --> 00:47:40,440 Speaker 2: work colleague. But I'm sure the friendship will remain no 964 00:47:40,560 --> 00:47:43,200 Speaker 2: matter kind regards Eileen. Eileen, I'd like to think if 965 00:47:43,239 --> 00:47:46,080 Speaker 2: I announced I was leaving, it would be more than 966 00:47:46,120 --> 00:47:50,480 Speaker 2: just Jimmy's going. Oh, by the way, I'm traveling around Australia. Well, Eileen, 967 00:47:50,560 --> 00:47:53,200 Speaker 2: I'm not going anywhere. Jimmy's racking off. 968 00:47:53,600 --> 00:47:54,360 Speaker 1: Jimmy's leaving. 969 00:47:54,480 --> 00:47:55,640 Speaker 2: I'll be here Monday. 970 00:47:56,200 --> 00:47:58,520 Speaker 1: He's worked in the job for four years? Is it 971 00:47:58,600 --> 00:47:59,120 Speaker 1: four years? 972 00:47:59,400 --> 00:47:59,799 Speaker 3: Four years? 973 00:48:00,080 --> 00:48:00,960 Speaker 1: And now you're tired. 974 00:48:01,200 --> 00:48:02,839 Speaker 4: Now I'm worn out and you need to retire at 975 00:48:02,880 --> 00:48:05,600 Speaker 4: the age of twenty seven. I, however, having been here 976 00:48:05,680 --> 00:48:08,040 Speaker 4: for fifty eight thousand rings years, cut me in halfn't 977 00:48:08,040 --> 00:48:08,640 Speaker 4: gout in the rings. 978 00:48:08,840 --> 00:48:10,280 Speaker 2: We'll be here on Monday working. 979 00:48:10,400 --> 00:48:12,360 Speaker 1: But in the world of Island, you're just going in there. 980 00:48:12,400 --> 00:48:15,239 Speaker 2: I'm just announced here. You know what, I'm going to 981 00:48:15,280 --> 00:48:18,400 Speaker 2: go and check out every portaloo there is around the country. 982 00:48:19,080 --> 00:48:31,040 Speaker 1: It's seventeen to nine. It just makes you feel very small, 983 00:48:31,080 --> 00:48:31,480 Speaker 1: doesn't it. 984 00:48:31,800 --> 00:48:34,080 Speaker 2: Well, I just had to check that that wasn't management running? 985 00:48:34,160 --> 00:48:36,960 Speaker 2: Then we have a Goolies hotline nine A six one 986 00:48:37,040 --> 00:48:38,680 Speaker 2: seven nine Eightfore you can call it any time. 987 00:48:38,920 --> 00:48:39,560 Speaker 1: What have we got? 988 00:48:40,680 --> 00:48:44,239 Speaker 7: What gets my girl are those songs that become earworms? 989 00:48:44,440 --> 00:48:46,800 Speaker 7: You know, there's a certain song I heard on the 990 00:48:46,960 --> 00:48:50,520 Speaker 7: radio a couple of times over the last few days. 991 00:48:51,440 --> 00:48:54,920 Speaker 7: It's called have You Checked Your buttole? It's in my 992 00:48:55,040 --> 00:48:58,960 Speaker 7: head all the time. I don't know whether I love 993 00:48:59,000 --> 00:49:02,480 Speaker 7: it or I have a sneaking feeling that I'm starting 994 00:49:02,520 --> 00:49:03,400 Speaker 7: to really like it. 995 00:49:03,680 --> 00:49:06,080 Speaker 1: Of course you love it. It's our boy, Tommy, have 996 00:49:06,280 --> 00:49:09,920 Speaker 1: you check your part? We'll come a long way since 997 00:49:10,000 --> 00:49:11,480 Speaker 1: since sister Janet made. 998 00:49:11,280 --> 00:49:13,560 Speaker 2: Haven't we both appear on one show today? 999 00:49:15,200 --> 00:49:16,160 Speaker 1: How what else have we got? 1000 00:49:17,000 --> 00:49:19,520 Speaker 8: When you go to the pool, get there, someone's pooped 1001 00:49:19,560 --> 00:49:21,960 Speaker 8: in the pool. And other times I've gone there, I've 1002 00:49:22,000 --> 00:49:24,480 Speaker 8: actually got undressed ready to walk into the pool, and 1003 00:49:24,600 --> 00:49:26,840 Speaker 8: then they say no, we're closed down, so then you 1004 00:49:26,880 --> 00:49:29,480 Speaker 8: have to dress up and go to another pool. Or 1005 00:49:29,600 --> 00:49:32,359 Speaker 8: when you get there, everybody's in the change room, they've 1006 00:49:32,400 --> 00:49:35,200 Speaker 8: had their pool time and they've showered, and then I 1007 00:49:35,400 --> 00:49:37,760 Speaker 8: have to go home because someone's pooped in the pool 1008 00:49:38,080 --> 00:49:40,040 Speaker 8: or someone's vomited or something else? 1009 00:49:40,440 --> 00:49:42,240 Speaker 2: Oh boy, where's she going? 1010 00:49:42,320 --> 00:49:42,960 Speaker 1: Where's she going? 1011 00:49:43,120 --> 00:49:45,399 Speaker 2: Is she going just to swim in the toilet? Yeah, 1012 00:49:46,680 --> 00:49:48,720 Speaker 2: she's mistaking the pool for the toilet. 1013 00:49:48,880 --> 00:49:51,760 Speaker 1: People are dropping the kids off of the pool, literally. 1014 00:49:52,320 --> 00:49:56,239 Speaker 2: Poos in a pool. It sounds to happen quite a lot. 1015 00:49:56,400 --> 00:49:57,800 Speaker 1: That's her own pool, she said. 1016 00:49:59,200 --> 00:50:01,920 Speaker 2: To go to someone else, that's her own backyard pool. 1017 00:50:02,680 --> 00:50:05,160 Speaker 1: Where is swimmy? I have so many questions and so 1018 00:50:05,280 --> 00:50:07,280 Speaker 1: little time. Why don't you call us on the Goolies 1019 00:50:07,280 --> 00:50:12,200 Speaker 1: hotline nine six one seven nine eighty four WSFM. Hello, 1020 00:50:12,280 --> 00:50:15,200 Speaker 1: there is Jonesy and Amanda. You know Jim Dolan has 1021 00:50:15,239 --> 00:50:18,239 Speaker 1: been working harder than Jimmy the Millennial nicking stuff from 1022 00:50:18,280 --> 00:50:19,320 Speaker 1: the stationary cupboard. 1023 00:50:19,360 --> 00:50:20,920 Speaker 9: Yeah, it's going cheap out the front of the building 1024 00:50:20,960 --> 00:50:22,120 Speaker 9: here too, if anyone wants anything. 1025 00:50:22,280 --> 00:50:24,399 Speaker 1: And he's come up with this, Jim. 1026 00:50:28,280 --> 00:50:30,799 Speaker 4: The week started with the sad news that Meatloaf had 1027 00:50:30,880 --> 00:50:33,360 Speaker 4: left this mortal coil. Instead of running a pole on 1028 00:50:33,520 --> 00:50:36,399 Speaker 4: what's your favorite meat Loaf song, Jonesy decided to add 1029 00:50:36,480 --> 00:50:38,000 Speaker 4: a degree of jeopardy. 1030 00:50:38,080 --> 00:50:40,839 Speaker 1: Our gun at your head pole greatest meat life song ever? 1031 00:50:41,080 --> 00:50:42,799 Speaker 1: Bad Ada hell seems to be in front of Why 1032 00:50:42,840 --> 00:50:43,160 Speaker 1: can't it. 1033 00:50:43,200 --> 00:50:45,000 Speaker 2: Actually just be a pole because people will give you 1034 00:50:45,080 --> 00:50:46,280 Speaker 2: that information without being. 1035 00:50:46,200 --> 00:50:47,920 Speaker 1: It's got to be like gun at your head? 1036 00:50:48,160 --> 00:50:50,399 Speaker 2: If I say to you, what's your gun at the head? 1037 00:50:51,080 --> 00:50:53,480 Speaker 1: Seekers song The Carnival is over? 1038 00:50:54,040 --> 00:50:57,080 Speaker 2: Clearly gun at your head? Indigo Girls song. 1039 00:50:57,360 --> 00:50:58,480 Speaker 1: I like that one that they did. 1040 00:50:58,680 --> 00:51:01,840 Speaker 2: It's fine, but you don't just threatened people. 1041 00:51:01,880 --> 00:51:03,600 Speaker 1: I'm not friendly people. I'm just saying you got to 1042 00:51:03,640 --> 00:51:06,440 Speaker 1: go put a bit of dick on the line. Okay, 1043 00:51:06,560 --> 00:51:07,239 Speaker 1: that's the problem is. 1044 00:51:07,440 --> 00:51:11,440 Speaker 2: Actually do it then right in your line? Favorite Kate 1045 00:51:11,520 --> 00:51:15,520 Speaker 2: Nana McGarrigle song, Oh what is Shade? John Wayne Bother. 1046 00:51:16,160 --> 00:51:19,520 Speaker 4: You've got to envy Amanda's husband Harley, not just because 1047 00:51:19,520 --> 00:51:23,160 Speaker 4: he's married to Amanda, but because he's blissfully ignorant to 1048 00:51:23,400 --> 00:51:27,480 Speaker 4: any of the influencers or Kardashians that seemed to dominate 1049 00:51:27,560 --> 00:51:30,800 Speaker 4: the media. To prove Harley's lack of popular culture, we 1050 00:51:30,960 --> 00:51:33,400 Speaker 4: decided to put him to the test, and he was 1051 00:51:33,480 --> 00:51:35,080 Speaker 4: spectacularly bad. 1052 00:51:35,360 --> 00:51:40,239 Speaker 2: Into twenty nineteen, Forbes named Kylie Jenner the youngest self 1053 00:51:40,320 --> 00:51:43,359 Speaker 2: made billionaire. Ever, how does she become so rich? What's 1054 00:51:43,400 --> 00:51:56,480 Speaker 2: her line of business? No, man, Kylie Jenner, A right, No, 1055 00:51:56,680 --> 00:51:59,320 Speaker 2: that's Caitlyn Jenner. 1056 00:52:00,560 --> 00:52:01,560 Speaker 1: Kylie is the child. 1057 00:52:02,560 --> 00:52:04,280 Speaker 2: No, Kylie has always been a sheep. 1058 00:52:04,360 --> 00:52:09,160 Speaker 4: It was Kylie coup and now she had cosmetics. 1059 00:52:09,360 --> 00:52:10,759 Speaker 2: You have to have been in a coma not to 1060 00:52:10,840 --> 00:52:11,239 Speaker 2: know this one. 1061 00:52:11,360 --> 00:52:12,440 Speaker 3: Here it is benefit. 1062 00:52:12,880 --> 00:52:17,799 Speaker 2: Benefit refers to which iconic couple who have reunited one 1063 00:52:17,840 --> 00:52:18,080 Speaker 2: of them? 1064 00:52:19,000 --> 00:52:19,840 Speaker 7: Yes, who's the she? 1065 00:52:20,680 --> 00:52:28,120 Speaker 2: And man, it's Jennifer Lopez. 1066 00:52:28,320 --> 00:52:32,000 Speaker 1: There it is, how well, there's hardly no popular gorge. 1067 00:52:32,920 --> 00:52:36,360 Speaker 4: Wow, and you get a night with Amanda kil I 1068 00:52:36,480 --> 00:52:42,520 Speaker 4: know you, don't you idiot. TikTok Tucker is the segment 1069 00:52:42,640 --> 00:52:45,440 Speaker 4: where we make foods that have gone viral on TikTok. 1070 00:52:45,760 --> 00:52:48,399 Speaker 4: I can't see Amanda going on Master Chef anytime soon. 1071 00:52:48,600 --> 00:52:49,360 Speaker 1: So here's what we do. 1072 00:52:49,480 --> 00:52:51,759 Speaker 2: First of all, I've got two week biks here. Let 1073 00:52:51,840 --> 00:52:54,479 Speaker 2: me put those into the bowl. Crush weekbis in a bowl, 1074 00:52:54,560 --> 00:52:57,279 Speaker 2: and I mixed with some alm and milk, about half 1075 00:52:57,280 --> 00:52:58,279 Speaker 2: a cup of almond. 1076 00:52:57,960 --> 00:52:59,319 Speaker 1: Milk and white and milk. 1077 00:53:00,040 --> 00:53:03,680 Speaker 2: Because it's probably a healthier option for you and maybe 1078 00:53:03,800 --> 00:53:04,560 Speaker 2: less calories. 1079 00:53:04,719 --> 00:53:05,640 Speaker 1: I don't know, what do you say? 1080 00:53:06,640 --> 00:53:10,520 Speaker 2: Not what I'm just saying. I'm following a recipe. Sorry, 1081 00:53:10,880 --> 00:53:13,719 Speaker 2: I'm so sorry about half a cup of that. I've 1082 00:53:13,719 --> 00:53:15,000 Speaker 2: spilled that all over the things. 1083 00:53:15,080 --> 00:53:18,720 Speaker 4: Speaking of TikTok, Tom Cardy came in at number eleven 1084 00:53:18,880 --> 00:53:20,880 Speaker 4: in Triple J's Hottest one hundred with. 1085 00:53:21,239 --> 00:53:25,600 Speaker 3: H y c y bh. His mom must be so proud. 1086 00:53:34,880 --> 00:53:36,560 Speaker 1: And what does your mom think? Is your mom a 1087 00:53:36,640 --> 00:53:39,880 Speaker 1: big fan of h y C ybhr. 1088 00:53:39,960 --> 00:53:43,560 Speaker 7: Mom's a big fan of almost everything. She's a big 1089 00:53:43,600 --> 00:53:45,320 Speaker 7: fan of that. But she does worry that that is 1090 00:53:46,400 --> 00:53:49,480 Speaker 7: literally the biggest thing and it's all about bumbholes, even 1091 00:53:49,480 --> 00:53:54,399 Speaker 7: though she's the one that takes it to me. Yeah, 1092 00:53:54,480 --> 00:53:55,400 Speaker 7: and I say it back to her. 1093 00:53:55,520 --> 00:53:57,160 Speaker 5: So I think there's a part of her that realizes 1094 00:53:57,200 --> 00:53:58,600 Speaker 5: that the genius is actually. 1095 00:54:00,239 --> 00:54:02,600 Speaker 4: Look forward to playing it on high rotation in ten 1096 00:54:02,680 --> 00:54:03,279 Speaker 4: years time. 1097 00:54:03,640 --> 00:54:05,600 Speaker 1: This has been Jimbo's you ebber. 1098 00:54:07,880 --> 00:54:08,959 Speaker 3: Well her favorite. 1099 00:54:08,600 --> 00:54:11,200 Speaker 2: Email or Facebook friend. When's an I robot rumba six 1100 00:54:11,320 --> 00:54:14,560 Speaker 2: seventy robot vacuum? I Robot cleaning just got a whole 1101 00:54:14,600 --> 00:54:15,120 Speaker 2: lot easier. 1102 00:54:15,480 --> 00:54:19,360 Speaker 1: You also get the Jonesy demanded fridge magnet and branded teatowel. 1103 00:54:19,680 --> 00:54:22,400 Speaker 2: A lovely email from a listener called Joy this Morning 1104 00:54:22,440 --> 00:54:25,960 Speaker 2: who said, every morning, every day for many years, I've 1105 00:54:25,960 --> 00:54:27,960 Speaker 2: been on the M four commute from Blue Mountains to 1106 00:54:28,040 --> 00:54:30,160 Speaker 2: Parramatta could turn my radio. I want to listen to 1107 00:54:30,200 --> 00:54:32,040 Speaker 2: you both. I felt like I was joining a conversation 1108 00:54:32,120 --> 00:54:35,960 Speaker 2: with friends. Tomorrow, Friday, the twenty eighth of JAM, I 1109 00:54:36,080 --> 00:54:39,120 Speaker 2: do my last work commute before the road of retirement 1110 00:54:39,239 --> 00:54:41,759 Speaker 2: kicks in. Who She said, I will continue to listen, 1111 00:54:41,840 --> 00:54:43,720 Speaker 2: but it won't be with the regularity of a structured 1112 00:54:43,760 --> 00:54:45,920 Speaker 2: work life. She's just wishing us well and saying how 1113 00:54:46,000 --> 00:54:47,080 Speaker 2: much she's enjoyed our comme. 1114 00:54:46,960 --> 00:54:49,919 Speaker 1: So, how many years to joy work? Ah, She's not saying, 1115 00:54:50,160 --> 00:54:53,320 Speaker 1: so years and years and years and she's retiring. And 1116 00:54:53,440 --> 00:54:55,480 Speaker 1: here in the studio, gimme the millennial who's worked for 1117 00:54:56,080 --> 00:54:59,080 Speaker 1: four years, years and years and years, four years and 1118 00:54:59,280 --> 00:55:00,640 Speaker 1: he is retired as well. 1119 00:55:01,000 --> 00:55:03,719 Speaker 2: Jimmy, in all sincerity, you've been a big part of 1120 00:55:03,800 --> 00:55:05,160 Speaker 2: our show and a big part of our lives and 1121 00:55:05,239 --> 00:55:05,800 Speaker 2: we will miss you. 1122 00:55:06,360 --> 00:55:08,520 Speaker 7: Fritaut, that's enough. 1123 00:55:09,040 --> 00:55:11,239 Speaker 2: Another sentiment that we're not getting a time to share. 1124 00:55:12,239 --> 00:55:15,520 Speaker 2: Holy fills up. Next, cash Man is back. It's Pineapple Day. 1125 00:55:15,640 --> 00:55:18,399 Speaker 2: Cash Man's Pineapple Day. Every winner gets a bonus fifty dollars. 1126 00:55:18,480 --> 00:55:21,200 Speaker 1: Note. We'll be back from six to night for jam Nation. 1127 00:55:21,640 --> 00:55:23,040 Speaker 2: All the best, Jimmy, good day to you. 1128 00:55:23,320 --> 00:55:25,080 Speaker 3: Well, thank god that's over. 1129 00:55:25,239 --> 00:55:28,920 Speaker 5: Good bite, Good bite, Wipe the two. 1130 00:55:30,680 --> 00:55:33,960 Speaker 1: A podcaster of today's show is available to download from 1131 00:55:34,000 --> 00:55:35,359 Speaker 1: the iHeartRadio app. 1132 00:55:35,480 --> 00:55:36,880 Speaker 3: All the Cool Kids Are Doing It. 1133 00:55:42,200 --> 00:55:48,719 Speaker 2: Goode Jonesy and Amanda podcast. Catch up on what you've 1134 00:55:48,760 --> 00:55:50,839 Speaker 2: missed on the free iHeartRadio app